#i’d be a better person without it i think

[ceilidho]

take me home, country road

[ao3]

You have nothing on your person apart from a hastily packed suitcase and the dress you came into town wearing, on the run from trouble back home. Too bad John's missing a bride that matches your description. Or: the 1800s (mistaken) mail order bride au (chapter 16 + 17) tw: violence, injuries, and misogynistic language

first chapter >> last chapter

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Sinking into fear is the body’s natural response. You let it envelope you without putting up a struggle. It wouldn’t be one that you’d win anyway. Resistance already leaks out of you like tar, pooling around your quivering legs.  

It makes you feel lighter than air, almost buoyant; and conversely, heavier than lead. 

You can’t feel the cold metal of the gun through the layers of fabric separating it from the skin of your back, but you can feel its weight. And you can imagine it burning into you, burning a ring into the flesh, the muzzle leaving faint depressions behind, circular indents.

“Don’t feel so clever now, huh?”

Fear chokes as well as it binds. When the man you remember as Graves (appropriately named, you think, the gravity of the situation sinking into you as well) drawls the words into your ear, any moisture in your mouth dries. 

“Well?” he prompts, shoving the gun harder into your back, almost sending you toppling into the shelf still in front of you obscuring you from sight. “Got anythin’ to say?”

You open your mouth but nothing comes out.

“You a mute, girl? I know you ain’t deaf since you heard I’d been sniffin’ around lookin’ for ya. ‘Least I’m guessin’ you did, since you managed to give me the slip for the whole time I was in town.” He sniffs. “Took me a while to find out you were shacked up with the sheriff. Hiding in plain sight. Couldn’t believe I missed ya when Sheriff Price was damn near the first person I met in this two-bit town.”

You finally muster up the nerve to speak. “Y-you’re making a mistake.” 

The furled upper lip is audible in his voice. “I’d try not to piss me off too much, sugar. Lyin’ just rubs me the wrong way is all.”

“No, you—you really don’t—” 

He shoves the gun harder into your back, making you wince. “Now, I know you’re a slippery little bitch, so I’ll level with you, alright?” Graves murmurs, pitching his voice low to ensure that only you hear. “You make so much as a peep—so much as a fuckin’ whisper—and I’ll shoot. Wink and I’ll shoot. I am dyin’ for you to give me a reason to go with the better half of the dead or alive question.”

There’s no point in lying. It might’ve worked had it been anyone but the man holding you hostage; not a man as stubborn and mulish as him. You nod when he asks if you understand.

“Now get to steppin’.”

He doesn’t tarry long, leading you out of the shop with a hand on your shoulder and . You stare at Miles with mounting horror, wordlessly begging him to look up from the ledger open in front of him on the counter. Your prayers go unanswered though; he doesn’t so much as glance towards the door before it’s swinging shut behind you.

“Remember,” Graves says in a low voice as the two of you step out onto the porch, “not a word. I will shoot anyone that tries to interfere.” 

That kills the impulse to shout for help. 

The thought of letting Graves take you away without voicing so much as a single plea fills you with horror, but you can’t see any other way out. He walks you through the streets like an old friend, the pistol still wedged into your back obscured by his coat. No one seems to notice the wild look in your eyes or the strained edge of your smile. 

Your behavior infuriates you. Demural and soft and wretched. You’ve only allowed one man to put you under their thumb; only one has ever earned the right. 

The thought of your husband is an ache in your chest that doesn’t abate. It thumps with the terrified flutter of your heart. You half wonder if he’ll suddenly appear from around a bend and wrench you into his arms, gun already drawn and aimed at the man attempting to take you away from him. 

“My husband—” you start, tripping over your words. Almost tripping over a rock as well since your spine is too stiff to let you look down at the ground while you walk. “—He can—he can pay you.”

He laughs, a nasty, mocking sound. “I’m sure he’d like to, sugar. Jus' ain’t sure he’s got the cash to pay your price.”

“At least let me ask—”

At that, he jams the gun violently into the small of your back, making you wince agaun. Petrified. Sweat sluices off your brow and drips down your face. “What part of shut the fuck up don’t you get?”

That silences you. Hard to muster up the nerve to retaliate with a gun lodged against the base of your spine. Still there’s so much that bears asking. Why did he come back? Why here—why now? 

The town takes on a dull, listless quality as he steers you away from the more crowded areas. It’s almost like looking through muslin; a veil between you and the world. 

Your eyes dart from person to person as they pass by in the opposite direction, but even those that bother to meet your gaze only smile politely, a couple passing gentlemen chirping, “Morning, Mrs. Price” before sweeping by in a hurry. 

None question the wild, frantic glint in your eye, the look of a horse about to bolt. If they paid you more than a moment’s notice, they might, but even the lady who frowns curiously at Graves, his hand still resting gently on your arm as if he were an old, dear friend, abandons her momentary curiosity when her companion says something of interest, pulling her back into their conversation. The flicker of hope in your belly dies a soundless death. 

There’s something almost phantasmagorical about the entire ordeal. Almost like it isn’t quite happening, like you can’t quite make yourself believe that this is, in fact, real. Like you’re watching from outside of yourself. Though you can see the wooden facades of the nearby buildings and smell the scent of hay and manure from the livery stable, it doesn’t resonate within you as real. 

He meanders through town with you stationed in front of him. A meat shield. Collateral damage. Simply by the way he maneuvers you through the crowd, he reduces you to a body, stripping you of any semblance of personhood. You’re less than meat to him, less than human even—no more than a meal ticket. 

When you muster up the courage to open your mouth the next time someone passes you by, Graves’ hand slides up to your shoulder and he digs his fingers into the bone. A warning. 

“If you think I was kiddin’ before, just try me,” he sneers into your ear, thumb pressing into your shoulder blade until you wince. 

Again, his voice dispels any thought of getting someone’s attention. 

He doesn’t lead you towards the train station like you expect. Instead, he heads to an awning beneath the saloon on the periphery of town where a couple horses are leashed to a post, waiting for their riders to come untie them. The roof of the awning is strung with a dense cluster of overlapping cobwebs. A spider scuttles across the web and into the dark inner recesses of the canopy. 

This far from the center of town, there’s hardly anyone. When you give your surroundings a quick glance, you can’t find a single other soul within earshot, only a single man pushing open the batwing doors on his way into the saloon. Then you’re alone again. 

A tawny gelding chuffs when Graves approaches.  When he suddenly unhands you, it doesn’t click until he’s several paces away from you, running his hand down his horse’s neck and rifling through the saddlebags, emptying the contents of his coat pockets into them. You have to glance down at your shoulder just to be sure. He sheathes his gun as well, tucking it into the holster fixed to his belt. 

“Bought the horse off a drunk three towns back,” Graves explains while loading up the horse.

You don’t respond, still unsettled. It’s the first time since he led you out of the general store that his gun hasn’t been aimed at you. It wouldn’t be practical for him to dress and load the horse one handed. The sun beats down on you, burning the top of your head. This could be your moment—a moment to scream or run away.

But you don’t. You don’t scream and you don’t run because you are, above all else, a coward. Through and through. You’ve been running from your problems for months now, leaving someone else to take care of the mess you left behind. 

Fear paralyzes you; it makes you think too much or not at all. Even now, with Graves giving you the perfect opportunity to turn and run, you can’t stop thinking about the potential consequences. What if he were to shoot you? What if he were to haul you back into town and expose your sins to everyone who gathered around? What if the people in town that have come to see you as one of their own were to gather around your crumpled form and stare at you with vitriol and disgust? 

“How did you—” you start, then pause to breathe, the nausea building again. “I thought you’d left town.”

“You’d’ve liked that, huh?” 

You don’t answer that. You know better than to antagonize a man with a gun. 

He sighs when you don’t rise to the bait, almost pettish. “Wedding announcement. I saw it in the paper—by then, I’d moved on to Lexington, so it took me awhile to backtrack, but I just knew somethin’ about that bit in the paper about the sheriff’s wife hailing from the east coast didn’t sound right. Too big of a coincidence. Had to at least be sure—retrace my footsteps. Lotta money on the line, you know.”

You stare straight ahead at that. You ought to have known. 

(“In the paper. The county sheriff got hitched—of course it’d be a story.”)

“To be honest, that kinda cracked me up. Murderess marrying the county sheriff.” He snorts out a laugh, shaking his head. “Sorta thing you’d read about in a dime novel.”

A new emotion wells up within you. It simmers in your belly, hot and cold at once. Righteous fury. All this time, you’ve been betraying yourself with your silence, allowing men to read your fear as guilt. Complicit in your own ruin. 

“I’m not a murderer.”

The look he gives you is withering. “Sugar, I hate to break it to you, but you did kill a man.”

You open your mouth, but nothing comes out. Nothing ever does, it seems.  But the more you hold it in, the uglier the thought seems, until it erupts from your chest like Vesuvius, lava and tephra shooting out. 

“He deserved it,” you finally spit out, the words coming from deep in your chest. 

Graves doesn’t even pause in his ministrations, back to tightening the saddle straps. 

“He deserved it,” you repeat, spittle flying out of your mouth and landing in the dirt between the two of you. 

“That’s not somethin’ I usually concern myself with,” he finally says, looking distinctly unimpressed when he meets your stare. Bored blue eyes. 

You’re struck by the sense that your life means so little to him that the circumstances surrounding your bounty hardly merit more than a passing thought. If he could spare less, he would. 

It’s the vilest thing in the world to be regarded with such bored contempt. 

“He would’ve—he would’ve raped me otherwise. I didn’t have a choice.” 

At that, Graves pauses. When he looks towards you, his eyes are curiously blank. 

“Better that than what’ll happen now,” he says, the words so perfunctory that it takes a moment for them to sink in.  When they do, you have to swallow back bile.

His glibness shatters whatever hope you’d had left. 

In that moment, you finally acknowledge that appealing to his sense of decency won’t lead you anywhere because it simply doesn’t exist within him. You’ve known men like him before—those more concerned with lining their own pockets than taking care of the vulnerable people around them. The archetype is not uncommon. You should’ve expected it even, especially from a bounty hunter. 

There won’t be any bribing him or talking your way out of the situation you’ve found yourself in. Whatever facinorous end awaits you back east, he’s happy to shepherd you there so long as it earns him his thirty coins. 

How many times do you have to ask yourself if you’re brave enough to do something before you answer? 

When Graves turns to face you again and takes a step towards you, likely to urge you up onto the saddle, you recoil, stumbling away from him. His eyes sharpen at your movement, fulvous wolf eyes narrowing on you. 

“And here I thought you’d stopped pissin’ me off,” he says lightly, a hard edge underlying his words. His hand lifts to rest against the handle of the revolver tucked back in its sheath, thumb flexing over it. 

“What’s the point?” you retort, nostrils flaring. “You either kill me here or I die there.”

You sound braver than you feel, fear making you shake so hard that your knees almost knock together. 

Graves’ smile is all lip, no crinkling around the eyes. “Oh, I won’t kill you, sugar. I’m a better shot than that.”

Your heart pounds against your ribcage, stomach turning over at the thought of him putting a bullet through your shoulder or leg. 

“I’m surprised you won’t just come quietly. You think the sheriff wouldn’t hand you over to me himself if he found out what kinda woman he married?”

That’s been your fear from the very beginning. The one thing that’s kept you awake at night, the nightmare shaking you out of a dead sleep. You’d convinced yourself that him calling the authorities or even escorting you back east himself was an inevitability. That John Price, paragon of virtue, wouldn’t bend the rules for anyone, much less you. 

But the more you think about it, the less sense it seems to make. Every tender word and touch rises to the forefront of your memory. If John has shown you anything, it’s love. He’s proven his devotion a thousand times over, shown you time and again that were you to leave, he’d come running. 

Suddenly, the thought that your husband would let someone take you away from him seems preposterous. It doesn’t align at all with the man you know. He’d go to hell and back for you, would rip out a man’s tongue for speaking to you the way Graves speaks to you now. Hindsight makes that clear. 

You meet his eyes, intention set. “I’d rather just ask him.”

Blue eyes turn to flint, flat. Droll candor shed for ruthlessness. Silence before a storm. 

He’s on you before you even have a chance to whirl around and make a run for it, arm cutting into your windpipe when he wraps it around your neck. He drags you back into the shadows of the awning, out of sight from anyone on the street; your heels score lines in the dirt. You choke, wheezing on your next breath, but his arm tightens, trapping the scream in your throat. 

“Shoulda done this before,” Graves grunts, reaching into his back pocket and pulling out the pair of cuffs he had tucked away. 

When he unhooks his arm from around your neck, you gasp for breath, sucking in deep lungfuls of air. Panic swirls and rises in your chest. 

“Get your hands off—” you hiss, beating his arm with your fist to no avail. He yanks your arms in front of you until your wrists are pressed close together. Your blood curdles at the feeling of cold iron against your skin and the gut-wrenching sound of handcuffs being fixed around your wrists, tightened to the point of pain. You can hardly flex your hands with how tight they’re bound. “Let me go, let ME GO—”

He pulls you in close again. “Don’t think I won’t tape your fuckin’ mouth shut too,” Graves snarls in your ear. Nausea swells in your belly. 

“Please— please don’t do this—” you beg, a sob breaking from your chest now. 

He sighs, long suffering. “Lord knows I tried to warn you.”

Despite the threat, Graves doesn’t tape your mouth shut. Instead, he fastens a rough piece of rope around your head, fitting it between your teeth like a bit. You don’t have it in you to be thankful for small mercies this time. The hemp cord scratches the corners of your mouth when you try to move your lips around it. 

“There,” he says, giving you a rough shake, satisfied. “That’s better. Can finally hear myself think.”

The tears leak out of the corners of your eyes in big, fat droplets, clouding your vision. When he wipes your cheeks with a calloused hand, the nail of his thumb catches on the delicate skin under your eye, leaving a thin cut. The pain makes you flinch, staring daggers at the man in front of you, but he doesn’t apologize for his rough handling. 

Graves heaves himself up onto the saddle first, swinging a leg over with practiced ease. You yelp when he hauls you up after, setting you on the saddle in front of him. Heat crawls up your neck when your skirt billows around your waist, horrified. 

“Save your tears, sugar,” he tells you, gathering the reins in one hand. “You’ll need ‘em for later.”

The horse whinnies when Graves pulls upward and guides him towards the road leading out of town, hooves clopping against the dirt. Your heart shoots up into your throat. 

Galloping out of town, you chance a glance back, head spinning as the world blurs around you. A man stands under the awning you just left, his head cocked as if stupefied. He’s too far away for you to get a proper look at his face though, no way to tell if he’s someone that might recognize you and alert John. You try to scream or wave your hands—anything to get his attention, to let the stranger know that something is wrong. 

You watch until the figure melds into the surrounding town. 

You keep waiting for someone to appear from behind you. A tall figure to darken the horizon, blot it like the moon passing over the sun. 

The last bastion of your hope collapses into rubble the farther away you ride, no man nor horse following you in pursuit. And then a hand grabs a fistful of your hair and wrenches your head back around, cutting off your view.

The plan is to leave the horse in the next town you reach and take a train back east. Graves would’ve done that back in the town you just left, he tells you, but he wanted to put as much distance between you and the sheriff. 

“You never know with men who’ve gotten a taste of married life,” he says when he finally deigns to stop miles from town, sitting on a rock and having a drink while he leaves you tied to the horse by your wrists. You shift from foot to foot, a cramp winding up your legs. “They get themselves a little pussy and lose all sense of dignity or morality. Can’t be trusted to do the right thing.” 

Steam practically billows out of your ears. You have the good sense to keep your mouth shut though, cognizant of the fact that you’re alone out in the middle of nowhere with a man who’d be happy to bring you back dead or alive. Though he hasn’t been quite so explicit, it’s apparent in the way he doesn’t offer to untie you or let you rest as well. The skin under the cuffs on your wrists are rubbed raw from your attempts to free yourself, and from the journey itself, with all the jostling and the persistent cramp in your right shoulder. 

The animal awareness dawns on you during that first rest. He’d taken the rope out when you were far enough outside of town that it didn’t matter if you screamed or not. That’s what stays your tongue now—the creeping notion that you are far from anyone that would be remotely sympathetic to your plight. 

“How much was the bounty?” you ask, more out of morbid curiosity than anything. You balance on one foot to shake the cramp out of the other. 

“Now, I hate to be rude, sugar, but what does it matter to you? It ain’t you collecting the reward.”

Your lips flatten into a taut line, already regretting prying. It’s not like knowing would change anything. 

The break ends sooner than you’d hoped, Graves urging you back onto the horse before taking a seat behind you. It troubles you because you’re not far enough away from town that you couldn’t still be rescued. There’d be more of a chance of John or someone else—one of his deputies, perhaps—coming across you out here. But you don’t have much of a choice. 

Out here, the land stretches on without end. Only the faint blue of a mountain ridge paralleling your route breaks the horizon. The land is flat, sparse apart from the dense shrubbery and trees twisted and bent by the wind. Cottonwood and boxelder. Chokecherry. Dogwood and hawthorn. Lush blooming saltbrush. 

The clear blue sky overhead is almost mocking, the rain from earlier long since abated. There’s hardly a cloud in the sky now. It’d be scenic if you could abstract it from the circumstances. A perfect day for gardening or a brisk walk after being kept indoors because of the rain. You’re still damp from riding through the rain earlier. 

A few bison congregate in a small dip in the terrain, grazing on the wild grass. You stare at them wide-eyed as you gallop along the upper ridge, startled by the sight of so many in one place. 

Despite the sublime beauty of the land, you remain on edge, unable to take anything in or truly enjoy it. Panic and revulsion leave you as gnarled and knotted as the krummholz trees out in the middle of the open plains. Riding with Graves feels nothing like the few times you and John shared a horse. It’s impersonal; transactional. Entirely against your will. 

The sun has only just begun to descend under the horizon when you and Graves approach a ramshackle house situated by itself in the middle of the open plains. Barely more than a barn, and long since abandoned by the looks of it. Age has done the place no favors; wooden slats sag and separate from the exterior of the house, the gaps in between the boards letting in all manner of insects and rot. 

Graves dismounts his horse about a stone’s throw from the hovel. His brow furrows with dissatisfaction as he surveys the abandoned property. 

“Shit,” he remarks, sucking his teeth. “A local back in town swore a family still lived here. Don’t look like anyone’s lived here since Abraham.”

Part of you wishes the former tenants still resided here, on the off possibility that one might take pity on you, but a much larger part of you is grateful for the dwelling’s vacancy. You’ve heard stories before, of families living out in the middle of nowhere. Rumors. Not all bad, of course; it’s common enough for families migrating west sometimes to stop along the way for a generation or two, building more permanent dwellings than the caravans they began their journey in. Many such families were also known for putting up travelers passing through in exchange for goods or help with chores. 

But you’ve also heard other stories. Like the Riley family out near Cherryvale and their homestead just off the Great Osage Trail. They lived out there for more than two decades before the number of lone travelers vanishing off the trail within walking distance of their property pointed the finger of suspicion at them. When the authorities finally got around to procuring a warrant for their property, they found the house deserted apart from the furniture that couldn’t be loaded into the wagon and an infant boy, dehydrated and petrified. 

You shake the story from your head. “…Are we spending the night here?” you ask tentatively. 

He looks at you from the corner of his eye, nostrils flared. “Don’t go gettin’ any ideas in that head of yours. Jus’ because a man’s gotta rest his eyes, don’t mean I gotta give you a peaceful night’s rest. No, I’m leavin’ those hands of yours tied.”

Your hopes deflate at that.��

He helps you dismount before hobbling his horse with a pair of leather straps around its front legs to keep it from darting off in the middle of the night. You wince sympathetically; you have more in common with a horse now than any man. 

The inside of the cabin is just as derelict as the exterior. At the very least, he feeds you. A couple scoops of pemmican straight from the tin. The fact that he insists on feeding you instead of letting you feed yourself puts you on edge. Your spine is stiff as a board through it all, your mouth barely opening up to receive the spoonful of pemmican, the metal clanking against your teeth. You wince, the sound itself tasting of rust. 

At all times, you are aware of the precarity of your situation. You can’t imagine there were any stipulations in the bounty to bring you back unscathed. Though he hasn’t tried anything untoward so far—not so much as made a licentious remark—you don’t know how long your luck will last. You flinch every time he so much as twitches in your direction, sure at any moment his mood will flip and he’ll drag you across the floor and haul himself over you. 

It’s enough to make your stomach hurt, turning over itself. He doesn’t try anything though, and for that you exhale shakily, the tension running off you in rivulets. 

One hour drags into the next. Night blackens the sky, seeping in through the crumbling walls of the cabin. 

“Well,” Graves says, wiping his hands together to dust off any lingering crumbs. “I’m gonna hit the hay.”

“Do…do I get to sleep as well?”

He cocks a brow. “Not much I can do to stop you.”

“It’s just that…” You lift your hands as you trail off, silently pointing out the handcuffs still secured around your wrists, the implicit assertion being that you won’t be able to sleep with the metal digging into the bones of your wrists. 

Graves scoffs. “You can’t think I’ll just uncuff you ‘cause we ain’t in town no more. I got a little more sense than that, sugar.”

“You could use rope instead?” you suggest. 

The seconds he spends considering it are long. You hold your breath as you watch him weigh the pros and cons. 

Finally, he shrugs. “Alright.”

The relief that washes over you is almost palpable. 

He pulls a blanket out of one of the saddlebags to function as a makeshift pillow, setting it up on the floor in the center of the room. True to his word, Graves uncuffs you and loops a double knotted rope around your wrists instead, fastening the rope tying your hands together around his own wrist. Your stomach sinks as he pulls the knot taut. 

He levels a heavy stare on you after giving the rope one last tug. “I don’t usually repeat myself, sugar, but I will this one time. Don’t go tryin’ anythin’ stupid. I’m gettin’ a good night’s rest and so help me if you wake me up—” his eyes flash, gray going steely “—you won’t like the consequences.”

You nod. Swallow back the phlegm clogging your throat. 

True night plunges the old house into darkness, cricket songs slipping in through the cracks in the walls. The temperature also plunges with the setting sun. It gets cold at night, even in the summer months; the draft makes you shiver, the rotting exterior letting in the elements. 

You keep to the wall with the least amount of rotting boards, as far as the rope tethering you to Graves will allow you to go. It would probably be in your best interest to try and get some sleep, but you’re far too restless to calm down. The atmosphere in the house is far too eerie to settle your nerves either; you can’t help but wonder about the family that must have left this place to rot and fade away into memory. 

It’s all you can do to blink back the tears that spring to your eyes when you think about the memory of you that John will have to carry into the future now that you’re gone. It isn’t fair. After everything you’ve had to endure in this lifetime, you thought maybe that this might have been your reward. That John was your reward. 

Your hands drop from your chin to your knees, hopelessness plaguing you again. The thin, sharp whistle of defeat. High and reedy as a death rattle. 

Then your eyes drop to your wrists.

The cord is fastened in a bowline knot around your wrists, difficult to undo without considerable effort, but the material is softer than the cuffs Graves had you in before, and it gives when you pull one hand down while pushing the other up. Your skin bunches around the cord, but it doesn’t cut into you the way the metal did. 

Graves is still fast asleep when you glance over at him. He doesn’t snore, but the rise and fall of his chest under the blanket is steady. Stable. 

The fatigue dissipates from your body the second you put it together. That there’s a sliver of a possibility of slipping your hands out of the rope tying you to Graves. The exhilaration is almost overwhelming. You have to sit with it a beat before acting, wary of letting your guard down too fast.

Time passes slowly as you fiddle with the knot, reaching your fingers as far as they’ll go and gritting your teeth through the ensuing cramp in your wrist. You nearly groan in frustration when your hand twitches and you accidentally retighten the knot. A near crushing blow. 

Please, you mouth more than whisper, frustrated tears clumped in your lashes. Teeth sinking into the flesh of your bottom lip, pinching off the wail rising up your throat. 

Your heart skips a beat when the rope loosens around one of your wrists, enough for you to wiggle a pinkie underneath and slowly shimmy it up the length of your hand. A cramp makes your pinkie spasm, almost causing you to lose your grip. Sweat pools in the cup of your palm. 

When your wrists are finally free, the rope clutched in trembling hands and the basal joint of your thumb scrapped raw from the fibrous rope, you can only sit there, heart beating wildly in your chest. You have to force yourself to remain calm, wary of waking Graves up after all that effort. His eyelids quiver only with his dreams though. 

You glance towards the door on the other side of the cabin. It seems either farther away now that you know it’s within reach. You know better than to just run straight for it though. Weeks of being on the run before finding John have taught you to pace yourself, to push down the fluttering evocation in your chest to make a mad dash for the closest way out. 

Instead, you take a deep breath out, closing your eyes until you’ve calmed down. Then you rise slowly to your feet. 

Your eyes, having long since adjusted to the darkness, scan the room for any loose floorboards. Aside from one obvious corner of the house which has begun to rot away and collapse, it’s hard for you to discern at a glance which boards will groan under the weight of your feet. You have no choice but to guess.

Each step has you on edge, heart in your throat. Your focus shifts quicksilver between the floor and Graves. Waiting for any sudden movement. 

Halfway to the door, you take another cautious step forward and the floorboard creaks under your foot. Your heart stops, eyes flitting instantly over to Graves’ sleeping form. He doesn’t so much as shift. It’s another beat before you’re able to move again, confidence shaken by the noise. You keep imagining him suddenly shooting up from the floor, pistol in hand, the hammer striking the primer, the hiss of gas escaping the barrel. 

The door gives a faint creak when you push it open, so you open it only enough for your body to slip through, wincing when you twitch and accidentally push it open another inch, dragging out the creak. Still, he doesn't wake. You slip past the door, shutting it quietly behind you.  

The moon glows cornsilk gold in the sky. A vast, uncharted land stretches out around you, untouched by human hands, or so changed over the years that any human presence has long since been buried beneath the loam. But when you stare out into the distance, you realize that you have no idea where you came from. Everything looks the same in each direction, no landmark familiar enough for you to orient yourself. You’re out in the middle of nowhere and nothing looks right. 

If you had less strength, you’d fall to your knees. The despair is so immense that you hardly have the strength to hold it all at once. 

The silence lulls you into a false sense of security. You linger for too long, stuck contemplating your options. Coyotes yip in distant packs, their barks carrying across the plains. You shiver at the sound. It reminds you again that you’re on your own now. No husband to come chasing after you if things get sticky. 

Your first few steps away from the cabin are tentative, gliding your legs through the grass and staring up at the cornsilk moon. A combination of indulgence and bewilderment. If you knew the right way home, you wouldn’t waver, but these days, you have no faith in your instincts. They’ve only ever led you off course. 

The gelding that Graves rode in on sits in the grass with its hind legs folded underneath it. With its legs still hobbled, you know removing the leather will take more time than you'd like, but you figure it'll be easier to make your way across the plains on horseback, with the added bonus of leaving Graves stranded. If God were just, he’d starve out here and leave his corpse for the coyotes to feast on. 

You approach the horse cautiously, conscious not to make any sudden movements. Its ears angle towards you as you draw near. Attentive to your presence. 

“Hey there, honey,” you whisper, reaching out a hand and trying to show that you aren’t a threat. Its nose twitches.

Another step forward. Easy does it. One leg in front of the other.

“I won’t hurt you. I promise.” You try to mirror your memory of John in your voice, honeysuckle soft words. 

You aren’t John though. Not even close. You take another step towards it.

It brays when you get too close, skittish. The sound pierces through the night, louder than the coyotes in the distance. Louder even than the creaking door.  

The hair on the back of your neck raises, lips numb. Then the prickling awareness of movement in the house, like an itch on a phantom limb. 

Behind you, the door to the cabin bursts open with a bang, slamming off the wall and ricocheting back. You whip your head around to look only to find Graves’ towering form under the shadow of the doorway, his hair mused and clothes askew. And he looks enraged. 

“Hey!” Graves bellows from the doorway, breaking into a run towards you. “Get back here!”

There’s no time to sit with the regret, no time to bemoan the fact that you didn’t exercise enough caution, that for some reason without a gun leveled at your head, you allowed yourself to forget the very real danger this man posed to you. 

All you can do is run.

The grass whistles around you. You run so hard that your lungs burn, your arms pumping furiously beside you, dress swishing between your legs. You don’t have to look behind you to know that Graves is gaining on you. His body is built for pursuit. Still, you push yourself past your breaking point, not stopping even when you taste blood in your mouth. Mindless; directionless. No idea where you’re going—just away from him. You’d jump off a cliff if you came across one. 

He’s close enough for you to hear now, heavy breathing right behind you. But by then it’s too late. A heavy body rams into you, sending you careening towards the earth, the ground rushing up to meet you halfway. The dirt hardly cushions the blow. 

You hit the ground hard. Head knocked loose of thought, agony ripping across your face. The double blow of a body heavier than yours forcing you into the dirt, so solid that it crushes the breath from your lungs. 

Blood leaks from your lip, most likely split. When you breathe in to fill your lungs, you taste dirt and rust and earth. 

“Insufferable bitch,” Graves snarls, putrid breath wafting under your nose and making your eyes water. He grabs a handful of your hair and wrenches your head up before slamming it back down. Something crunches. Distantly, you wonder if your nose is broken. 

Your ears ring, the rest of his words drowned out by the blood rushing to your face. 

“Please—” you beg, blood dripping from your split lip. 

“Knew I shouldn’ta trusted you—conniving little cunt—c’mere now, get up—”

He rises to his feet over your body, big hand curling around your wrist. You hear your shoulder pop when he yanks your arm behind your back. A rush of cold. A sweat breaks on the nape of your neck. Shock sets in the moment after, adrenaline flooding your body. 

Then a sharp, focused surge of pain. It radiates from your shoulder outward, so intense that you can’t believe it at first. Your whole world reduces down to it. Feathering out down your back; irradiating waves of it. Thoughts scattering and then coming back together around the pain. If you scream, it comes out unbidden. 

“Ah, hell, I didn’t mean to do that,” he grumbles from behind you, likely staring at the unnatural jut of your shoulder. “Alright, sugar, one second—I’ll pop that back in.”

“Nononono—” you gasp, panic lancing through you, but he pays no attention to your words. 

The pain of popping your shoulder back in is excruciating. Relief follows shortly after, but the time between dislocating and relocating your shoulder is so short that it hardly comes as a balm to the pain.

“You…bastard…” you gasp. 

“Wouldn’ta had to do that if you hadn’t run,” he sighs, the sight of your pain subduing his rage. 

It doesn’t stop him from grabbing you roughly by the arm he just dislocated when he finally gets you on your feet though, steering you back towards the house. The pain that radiates up your arm is almost blinding. 

He drags you back to the cabin with a punishing grip. There’s no sympathy when you stumble. Moonlight illuminates the path back to the cabin and shows you the trenches in the wild grass made by your feet. Hardly more than a couple rods. 

The defeat that courses through you upon being dragged through the ramshackle front door is ten times that of earlier. When he lets go of your arm, you collapse in a heap on the floor, aching and sweating. A bag of bones and blood. You’d rattle if someone shook you. 

“I hate you,” you mumble from your spot on the floor, shaking through the pain. “Rot in hell.”

Graves doesn’t respond, but you can almost hear the way he grins.  

No rest for the wicked or the good this time. Graves wakes intermittently throughout the night to check up on you, wary now that you’ve tried to run. Your regret is palpable. You should’ve waited. Bided your time. There won't be another chance now, not after you played your hand so soon. 

The ache in your shoulder keeps you from finding sleep. Every time you get close to it, the pain radiates down your arm and it slips from your grasp, your hand closing around the empty space it leaves behind. Teeth grit, breathing through the pain. Loosening your jaw and panting because the pain overwhelms you when you so much as shift onto your side, the hard floor digging into your elbow. 

Right on the edge of sleep, just as you're about to latch on, a boot catches you in the ribs, jostling you back into the realm of pain. You wheeze, breaking into a coughing fit. 

“Get up,” a hoarse voice grunts above you, empty of sympathy. “We got places to be.”

He has the two of you back on the horse as soon as dawn breaks. Your escape attempt the night before must have spooked him, and you regret it now in the light of day because you know he won’t let you out of his sight again. The metal handcuffs digging into your wrists assures you of that. 

There’s no time for breakfast or time to wash up. Graves makes it a point to be back on the road as fast as possible, repacking his bedroll and stuffing it back in the saddlebag before dragging you up with him. 

The pain is a dull throb after sleeping most of the agony away. It comes back when you move too quickly though, which is hard to avoid on horseback when each gallop echoes through your sore bones and joints. 

The arching sun immixes with the heavens above, rising higher as the hours pass. You ache for a hat; something to keep the heat of the sun off your head. On the horizon, the mountain ridge sits like a spine bursting out from the earth. It’s all wastelands and portents. Evil omens. 

Your heart feels swollen and bruised, like something trampled under elk hooves. 

“Cheer up,” Graves says, tipping your chin up when the sun reaches its peak around midday, the gesture making you so uncomfortable that you almost shudder out of your skin. Your face still throbs with pain. “You should be glad I didn’t jus’ shoot you.”

Your lips pull back, baring your teeth to nothing. 

A shot rips through the air at that, his words commanding it into being. Your head instinctively ducks and even the horse under you staggers, spooked by the sound. Graves curses, tensing up behind you.

"What in the hell—"

You whip your head around to stare behind you, looking for the source of the gunfire. When you find it, your eyes widen.

[luveline]

pleaseee anything angsty with bombshell!reader and spencer!! love you

love you!

When Jason Gideon dies, it’s alone with his murderer. Isolated from friends and family, years after you last heard from him. Spencer hasn’t spoken to him since he left, and yet the ruin on his face when it’s confirmed to be Gideon churns your stomach. 

He rushes out of the room. 

You look at Gideon, dead, and regret that you never got along. You barely knew him. So when Derek leaves to follow Spencer out, you don’t go with them, thinking Derek has better common ground. 

“You okay?” you ask Hotch quietly. 

He nods, solemn. “Do you want to go check on Reid?” he asks, equally hushed. 

“I think Morgan has it for now.” You turn away from Gideon. You don’t want to see him dead, it’s too scary when it’s someone you know. It reminds you that it could’ve been you, or Spencer. 

You don’t find time to speak to your poor bookworm until later that night when you’ve been forced to retire in dinky motel rooms. You and Spencer used to share because you were the only person normal enough not to complain when he infodumps, and because you were fond of him. Then because you were best friends, and now because you’re in love. How lucky you’ve been. 

He’s always had it rough, though. 

You’d asked him multiple times throughout the day if he was okay, and every now and then he’d nodded or sniffled, but now he’s alone with you his facade fades completely, and you want to have a real talk. 

His shoulders rock. You reach out for him. He breaks for the bathroom. 

“Spencer?” you ask, startled. 

The door shuts hard between you, frame shaking.

“Spencer, are you okay?” 

You cross the brown carpeting to grab the handle. You pause there, heart dropping as the weak sound of muffled sobbing reaches your ears. “Spencer,” you say, soft, and without any teasing. You’re capable of seriousness sometimes. “Sweetheart, are you okay?” 

“Can I be alone?” he asks.

He sounds strained. 

“I’d rather you weren’t. I don’t know what you’ll do.” 

“What?” he asks. 

“People do strange things when they’re upset. I just want to be with you, that’s all.” 

“I’m fine,” he says shortly. 

You’d be offended, but like you said. People do strange things when they’re upset, and this is worse than just being upset. This is grief. Intangible, cruel. Spencer has a history of doing things that aren’t good for him when he’s hurting. You’ve no interest in leaving him alone. 

“Spencer… I love you. I want to be near you.”

Your straight-forwardness pays off. 

“Okay,” he says. “It’s not locked.” 

That’s reassuring. You open the door, find him standing at the sink with his cheeks wet with thick tears. He crumples when he sees you, hiding his face in his hands. 

You’re not sure what to do. Loving someone, you tend to love all of them, and you’ve yet to find parts of Spencer you couldn’t adore, but he just lost somebody important to him and you have no idea how to handle it. You decide to try, whether jumping into it will do any good or not. You walk right into his chest and hug him. 

“Sorry,” you murmur, “I love you. I’m so sorry.” 

“It’s okay.” He takes a shaky, odd breath, like he might laugh. He tries to as he holds your shoulders. “God, it’s okay, don’t be sorry.” 

“I am. It’s not fair. I never want you to lose anyone.” 

He presses his lips into a hard line and nods, prompting tears down his cheeks one after the other. “It’s okay.” 

It’s not okay. Spencer cries and you watch him, his hands weak on your shoulders. His hair is greasy at the roots from all the heat of being upset, his face pink, his eyes swollen and sore. His lashes are sticking together in dark triangles, while his sclera turns bloodshot. It’s clear that today has been extremely hard on him, and you should’ve done more. “I should’ve come after you, I’m sorry. I thought Morgan would have a better chance at making you feel better.” You wipe his cheeks, and tuck lank hair behind his ears. “I need you to know I’m here for you.” 

He’s putting on a brave face, slowly but surely. “I know that.” 

“Listen, do you want to shower?” you ask. 

“I want to sit down forever.” 

“We’ll shower first. I’ll come in with you, alright? We can wash your hair, the warm water will be good for your eyes.” You frown sympathetically. “You’ve cried all day.” 

“I can’t believe he’s gone. I wish I’d tried harder to see him. To talk to him again.” 

“You can… I know it’s not the same, but you can tell me. Anything you wanted to say to him, I’ll listen. You can tell me everything.” 

He nods again. More brave face, more unnerving, fake smile. 

You run your hands down his hair, and use your hands to tilt his head forward gently. “You can be alone if you really want to, but I just can’t have that closed door. You understand?” 

“No, I want to shower with you.” He sniffs. “Sorry if I scared you.” 

“It’s not scary.” You curl your arm behind his neck to pull him in for a careful hug. You hold him without moving, relieved when he holds you back, though his hands are limp where they’d usually be rubbing at your shoulders. “It wasn’t scary, I mean. I didn’t mean to suggest you’d do something, but I think the last thing you should be right now is alone. Thanks for letting me stay.” 

He breathes in your neck. “This is nice.” 

You bend back to encourage him further into your arms. “You’re doing so well,” you murmur, rubbing his back in a slow stroke, “you can get through this. We’ll do right by him, I promise. You’re not alone.” 

“I used to feel it. He was the first person who… really looked out for me, before he left.” Spencer sniffles, glassy eyes softening where he looks down at you. “Nobody’s ever stayed with me. No one.” 

“Well, I’m not going anywhere.” 

He sniffles again. “I know… Will you still shower with me?” 

“Mm-hm. Wash your hair for you, if you want me to.” 

“Please.” 

“Costs a kiss,” you say softly. 

“You want one from me right now?” he asks. He’s joking, because he knows you always want one. 

Your spirits finally begin to recuperate. “Plant one on me, handsome… only if you want to.” 

He turns away from you to wipe his face, both of you laughing, him wetly, you in relief. Both with a little bit of guilt. Maybe because life goes on without the people who pass, and that will always feel wrong. 

He turns back to you. Sadness darkens his eyes, but he closes them and leans down tentatively to kiss you. 

You take his soft one, borrow a firmer one, and wrap him up in another hug. Love you, love you, love you, you think. You’re going to make sure that he’s okay. 

[signanothername]

Do you think that your take on nightmare could become a better person without becoming at least fully uncorrupted?

I like your take on uncorrupted nm but I was curious to ask because there’s not really much of Nightmare becoming a better person *whilst* still being corrupted?

Asking the real questions here >:)

Before I start this ramble however, I think it’s important to keep in mind that even while uncorrupted, Nightmare’s still a bitch, cause as I mentioned before, Nightmare wouldn’t suddenly get back to becoming a kind angel with a big heart, and it’s also important to keep in mind that if uncorrupted Nightmare got back to being powerful (even without the corruption in the mix) he’s extremely prone to (and would probably) get back to his old ways

Cause while the corruption has a great impact on Nightmare’s behavior and how he deals with his emotions, the corruption is less of the root cause and more of a participant in Nightmare’s awful behavior

The root cause of Nightmare’s awful behavior is extreme fear born out of trauma

The corruption already did its job a long time ago and shaped Nightmare as a person, it’s still Nightmare himself that’s in full control of his actions, he could at any point in time, make the right or wrong decision

With that in mind, could Nightmare be a better person whilst corrupted?

I’d say it’s kinda complicated, it’s both yes and no at the same time

Could he become a better person whilst corrupted?

Yes

Would he overall become a better person with better behavior? And with everyone?

No, unless there’s an actual driving force to motivate Nightmare to be a better person somewhat (which is absolutely possible ;) ), Nightmare would continue to be a bitch

Could he still get better at treating specific people that he deems worth his time? And only deems worth his time after specific interactions that made him believe so?

Yes

Corrupted or not, Nightmare isn’t incapable of becoming a better person, however there needs to be a reason for Nightmare to be so

Nightmare is a very “treat people how they treat you” kinda person, and while Nightmare is extremely toxic, abusive, and cruel, he’s also someone who stays true to his word and would treat who treats him with kindness the same, and Nightmare doesn’t easily believe in genuine kindness without a goal behind it, and so he’d insist on giving something back instead of accepting kindness for what it is

So if someone shows him genuine kindness, he’d also show genuine kindness (in his own twisted way) in “this is me paying my debt back” way, like, he’d “pay it back” by keeping the AU of the person who showed him kindness under his protection for a period of time, or let go of a debt they owe him, etc

I’ve mentioned before that Nightmare is capable of kindness, and I don’t mean in “paying someone’s kindness back” kinda way, but he can actually be kind in an active way where he thinks of doing something kind to someone else without it being a payback of sorts, and so Nightmare can still make a good decision and actually show it without any strings attached, and the truth is he does show it, very rarely, but he does (in the “a little life update” comic, Killer mentions how Nightmare managed to do one “good thing” at least ;) )

Nightmare just has a mindset that’s like “nobody was ever kind to me when i was the one who’s helpless/ defenseless, so why should I ever show anyone kindness now that I’m in power?” It’s an irrational mindset, but the thing is, no one can debate him on it considering it’s something he keeps to himself

For the outside world, Nightmare does what he does cause he’s a bitch and that’s it, not taking into consideration the fact he acts the way he does as a result of a harmful mindset he developed due to a life changing traumatic experience (obviously cause they don’t know)

And while his kindness is still pretty much apart of him, whenever he has certain thoughts of doing something good/ kind for someone, he just immediately stomps on it and tells himself that he’s being “irrational”, and yes, Nightmare thinks that being kind in a cruel world is “irrational”, he’s the opposite to Dream, who thinks that being kind in a cruel world is what true strength is

And y’know I kinda always talk about how much of a bitch Nightmare can be, but I never talk about the fact that, despite how bitchy he is, Nightmare can actually be sensible

In the right circumstances at the right times, Nightmare can actually be talked to without him being an absolute bitch

And that goes for almost everyone, MTT included

like Killer, Murder and Horror can actually talk to him without Nightmare immediately taking it as a chance to abuse them

But Nightmare is the kinda person that you need to tiptoe around sometimes, cause he has insane mood swings, so MTT have to check whether he’s in a good mood or a bad mood and based on that decide whether it’s a good idea to approach and talk to him or leave him alone and sometimes even go as far as make themselves as small and as unseen as possible as to not catch his attention

Building a good rapport with Nightmare is.. complicated, but possible

But the thing is, even if Nightmare became a better person, it’s better to keep your expectations a bit low, cause even if Nightmare took genuine steps towards becoming a better person i think his capacity for that is limited, like don’t expect him to become like Dream where he’d jump to saving someone in need, but he’d cut back on his abusive and toxic behavior

Basically, Nightmare would become a better person but in a passive rather than an active way where he’d stop hurting people himself, but would let other people do the hurting for him (and i mean in a natural way with how positivity and negativity works and not send someone to hurt another)

For example, let’s say the twins see an innocent someone get beaten in front of them, Dream would immediately jump in to save them, Nightmare wouldn’t, he’d watch with sadistic glee and it would even get a chuckle or two outta him as the poor soul is getting beaten all while he feeds on their misery and once he’d fed himself he’ll just leave (and that’s regardless whether he’s corrupted or not)

It’s cause Nightmare also has the mindset of “the strong devours the weak”, it’s the natural order of things to him, it’s not his fault that the world around him settles for the minimum is it? That’s why he’s obsessed with power and would do anything to obtain it, if Nightmare can ensure that he keeps that power by torturing innocent people then he’ll do it, all cause he’s paralyzed by the terror of the mere thought of becoming weak again

To Nightmare, weakness means a death sentence, and we all know how irrationally afraid Nightmare is of death

Despite his power, knowledge, and 500 year long experiences, Nightmare was and will always be a fearful child who claws at the world around him first so it wouldn’t have the courage to claw back at him (completely dismissing the fact that the world would claw back regardless >:) )

For Nightmare to become a better person he needs to face his greatest enemy, and that enemy was always his own self

[f1ghtsoftly]

my head is scrambled but in Kate Manne’s “The Logic Of Misogyny” she put to words something I always, always knew was true.

Most of the time Men don’t hurt women for no reason, they punish women who assert themselves/their personhood. Misogynistic violence is a punishment, it’s a form of conditioning to get women to behave submissively towards men. To punish women for existing in public without male protection. To punish women for daring to think her intellect, athletic or artistic achievement could come before her sex.

I don’t present super femme anymore or hang around men outside my family basically ever-but when I did I was frequently targeted for sexual assault, usually by men who were frustrated they were attracted to me but couldn’t have me. They felt like I was taunting them-but asserting my right to exist as someone they were attracted to/without any sort of male protection or a male protection that didn’t involve sexual favors/submission. That wasn’t an accident, I’m sure if I meekly cowered behind a big boyfriend, I’m sure if I stayed inside, I’m sure if I didn’t assert myself as extraverted, intelligent, funny or charismatic those men would have left me alone-but that would have meant hiding myself from the world, hiding myself from other women and to me that was a bigger loss than a ‘lil danger. I made choices as a young person that I knew with certainty would bring me in closer proximity to men who wanted to hurt me, I decided that living a freer life was better than living a safe one. I don’t necessarily regret my assessment of patriarchy, I am sad that the price you pay for being an independent woman (in a social sense) in public is assault. I don’t blame women who think their safety is more important than making a statement. I’m sad for us both. I’m grateful I was able to find feminist communities because victimization isn’t just something casual you can shake off, even if it feels like men constantly target you/women in general.

Assault doesn’t just roll of your back either. It hurts. In the moment and for years afterwards it hurts. It’s always senseless. Always dehumanizing to the extreme. Always enraging. Always profoundly violating. Always a shock. I struggle to reconcile what I know about rape with what I know about people. I know people can be cruel, unthinking, insecure. I don’t know how someone can plot the rape of a friend or a stranger who has done nothing to deserve it. I don’t know how men can secretly tape their lovers, manipulate a young woman into sex she doesn’t want or do any of the things men do consistently or routinely. I don’t know how a boy could look at the face of his too drunk friend and go “this is my opportunity to have my way with her” instead of putting her to bed. Carelessness, thoughtless is easy to imagine. Conscious cruelty is not. Men know what they do and they either don’t care or like it.

I’m crying in a park in my Dad’s pickup truck. “There are worse things than this, you didn’t die-you’re alive” He says “this wasn’t your fault, I just want to keep you safe and what happened to you isn’t something I can control even though I wish I could”. “I’d feel better if you lived in Austin, because their self defense laws are better, there are lots of gay people there too”

He makes me laugh. I won’t move to Texas. He’s right, it’s not my fault, and helping me get better at self defense helps him feel like he can do something and while self defense does help-it’s not a perfect strategy. The misogynist’s prerogative is to snuff out the life force of the woman he interacts with, the only way to stop him from trying to do that is to become apart of the living dead. Even then, he’ll get your corpse.

There are worse things than rape in this life. A woman alive is better than a woman dead. I guess, but what life is it when constantly forced to battle for your right to live? When at a moments notice you can be filled from the inside out with death. Rotted from your insides out. I wish New York would let me have a gun. I wish I could make men afraid and polite in my presence the way I feel afraid and polite in theirs. I’m so tired of this.

[theswedishpajas]

💙🌌💀🌌💙

[sophfandoms53]

I wish Hazbin had more than 8 episodes this season bc 1) the pacing is all over the place (outside of episode 4) and 2) it would’ve been so nice to actually see when and why Alastor started to genuinely care about the hotel.

The pilot and the first episode of the show characterize him as sticking around for the entertainment because of how silly the idea of redeeming a sinner is to him but then episode 5 has him fully backing up Charlie’s wishes for the hotel and even tells Mimzy she’s welcomed to stay if she actually wants to try redemption and was upset she had put the hotel in danger with her presence.

I think that turnaround in Alastor’s perspective is so interesting but when did that happen? Why did that happen? How did that happen? What made him care?

He clearly still has ulterior motives, there’s 0 denying that given his scene with Husk in the same episode, but he does seem to actually care about Charlie and her hotel. Which can be connected to the leash Husk claimed Alastor is bound by but Alastor is also the most distant from the cast.

We never see him around everyone for more than a few minutes at a time. Everyone went out to the club in episode 6 but Alastor is nowhere to be found in the entire episode.

That bond with anyone in the hotel, even Charlie, that would explain Alastor’s sudden support in the hotel has not been shown on screen and I really wish the show had more time to do that.

That’s really what Hazbin lacks. Time. Time to slow down and just let the characters breathe. Everything is moving so fast because they probably didn’t know a second season was coming until later which I can understand but that also means the plot takes priority over the characters and a majority of the cast is suffering from it.

Angel’s the only character who’s gotten an episode solely about him and exploring, expanding, and developing his character and his bonds in the hotel are what we see the most. This makes sense given he’s the main guest in the hotel but no other character has been able to have their own character and arc be explored the way Angel has.

The show needed more episodes like Masquerade to explore the cast before diving headfirst into the Heaven vs. Hell redemption conflict. That was always going to be the direction the show went in but they needed so much more time to do it because there are so many characters to juggle and so much is happening. Big moments that are supposed to matter don’t hit as hard as they should bc the cast is overstuffed and everyone is fighting for screen time.

This isn’t the teams fault, they’re doing a decent job with the limit time they were given but 8 episodes is not enough time for a show this ambitious with everything it’s trying to do. Doubling the episode count to 16 would’ve done wonders for the pacing and the show could slow down and take its time.

A lot of what Hazbin presents are good ideas. It’s all interesting but none of it is given enough time because the big Heaven and Hell plot has to take a majority of the shows focus. I do hope season 2 fixes this but that’s also gonna depend where the show is going after season 1 is over. We’ll see next week.

My main wish for the show going forward is each character gets their chance to be explored just as Angel has.

[friendofflowersandfrogs]

I would just like to apologize to all the people I’ve ghosted in this past year. I promise I never stopped caring about you. Unfortunately, when I’m exhausted, social interactions are the first thing to go, and I have been exhausted for so long I’ve forgotten what energy is

[yannfredericks]

being online rn is such a fucking nightmare oh my god!!!

[bisexualseraphim]

Do queer people who gatekeep sexualities and gender identities have nothing better to do like genuinely what is your problem. The whole point of the community is that gender and sexuality are more fuckity wuckity than man or woman, gay or straight and in almost 2024 we STILL have mfs going “nah that’s not a thing :/ you don’t belong in the community” unless they’re causing harm to others I seriously urge you to shut the fuck up. It is the easiest thing in the world to just say “hmm I don’t really understand that. But it’s their life and none of my business” and just move on with your life and let people live theirs. I do not give one iota of a fuck if someone identifies as a wolfgender they/them/bun/bunself AMAB transmasc who is only attracted to butches with curly hair and brown eyes IT DOES NOT AFFECT ME. I’m happy that they’ve found a way to express their identity that feels true to them and then I think about it no further. Like it takes active mental energy and emotion to get pressed over how someone expresses themselves and I don’t understand why you’d put yourself through that stress and then decide to be bitchy and make people feel like shit for being themselves. I’m seriously getting so tired of people in the community acting like it’s a fucking competition or you can only join if you meet X Y and Z criteria as if it’s some college mean girls sorority club. People are actively trying to take our rights away all the time and while this is happening we’re helping them by tearing our teeth into our own. Great

[insanechayne]

~ ~ ~

[cats-in-the-clouds]

it is unfortunate when i go to prayer and cry my eyes out and the only response i really hear is that i simply have to bear it. like usually i can get my emotions out and once they’re settled i hear a rational solution but it sucks when i don’t get the answer i want. i just have to keep waiting. like normally i hear something that gives me strength but wow apparently i’ve hit a new low

[theres-whump-in-that-nebula]

“You did not live in a house of horrors. I was raised to believe in hellfire; now that was bad!” Okay and impending global genocide of any culture that disagrees with your beliefs isn’t? Being raised mentally preparing to withstand torture at the hands of police in a “do it to Julia” situation isn’t? Being socially isolated from your peers on the grounds that they’re evil uneducated dumb worldly heathens controlled by Satan isn’t a bad thing? No. Those are all good things which every child should be taught in order to experience “the real life.”

The legitimate truth is that we are all in “the real life” right now and in “the real life,” the Governing Body is doing the very best they can to cover up the fact that they’re a cult by relaxing the cult’s rules in a futile attempt to prevent the prosecution in the numerous ONGOING child sexual abuse cases from handing their non-tight-pants-wearing asses to them. And the other legitimate truth is discovering this fact to be the legitimate truth while having to navigate a sea of lies and high school is extremely traumatizing, especially when you feel the need to take a hard stance against the cult to prevent others’ children — children like you — from befalling the same fate by dressing up as some miserable wretch who cooked and ate children, hoping the way you look and carry yourself and stare into the parents’ eyes will scare them away. And even more traumatizing is that your tactics worked; proving that you are just as bad and scary as your preexisting OCD made you out to be. Yes I did it to myself; but consider the reason why I felt so compelled to sacrifice the entirety of my mental health to sabotage you with what little tools I had. I wouldn’t have done it had I not had a very good reason, and my very good reason was that I was a child who loved children. You were trying to protect me and it was a sacrifice; but I was also trying to protect children. My endeavor is not — and was never — a selfish one. It is not that I don’t care about you; I only prioritize the class which is most oppressed, and you are not a part of it because you are adults. Your feelings, unfortunately, are expendable in my mission to end religious child labor. I will not support your corrupt religion to make you happy when I know what it’s done to others and to myself; it is wrong, and you are wrong for supporting it. I, as a paraprofessional, refuse to support a religion which hides the sexual abuse of children for its own gain. By law I am now a mandatory reporter; I must report child abuse when I see it under penalty of law. Therefore it stands to reason that I must report your cult from the top of every mountain for the entire inhabited earth to hear so they may not even take so much as one step in your direction. I am sorry if I seem like I hate you; if the fact that I reject your ideals of theological expectational fascism disturbs you so much, then maybe you need to re-evaluate your choices.

“Your actions affect others.” I know my actions affect others; I know how they affect others as well. You’re crushed and demoralized and suffering physically from all the emotional stress; I’ve likely dug you both early graves. I know what I’ve done and I can live with it — Not easily — but I am not defeated because I know I’m in the right, and have always been in the right. No. The real question is: Do you know how your actions are affecting others? In exquisite detail? Have you listened to the victims? Have you allowed yourself to hear both sides of the story with your human ears, not ones made of tin and thought-blocking strategies and “I had it worse than you” excuses? No? Then you’d better start because the key to healing yourself is to aid in the healing of others. We are all connected as one body; and I refuse to be a cancer cell. Sorry I’m aiding in your downfall but it’s got to happen at some point.

[justinefrischmanngf]

it’s not that it makes me sad per se but i really could’ve been dating someone i did actually kind of really want to date since JULY. and now the moment is literally so far gone and i didn’t realise until the moment was so far gone !!!

[mutalune]

really wish there was a tag that separated “I’m having Big Angry and/or Angsty Opinions about Star Wars” from “I’m goofing off with Star Wars I’m playing in the sandbox none of this is real so yes I will make my blorbo and this random glub shitto go on an adventure that makes no logical sense” posts because there’s too much of the former and not enough of the latter for my current mental state

[seventh-district]

i’m not like other girls, my “Rest” stats are a heart rate of 110bpm and a HRV of 14 fucking milliseconds. :)

[malewifehenrycooldown]

Re-reading Bleach’s Arrancar arc, and… god I want to give Orihime a shoulder to lean on and cry on. Just… gosh the poor girl… she can’t catch a break :’(

The moment she has self doubts about her own abilities (a very understandable and normal teenaged thing!) she has an even more stronger insistence to be stronger, and just when she’s about to get a tremendous improvement in her abilites, the bad guys show up (specifically Ul//quiorra) and basically coerces her to join the arrancar because the value her abilities. That refusal would lead to the deaths of her friends, and as a pacifist who doesn’t like violence and wants to keep her friends safe, it’s understandable that such an offer is VERY HARD for her to decline.

May I remind people that Orihime at this point in Bleach is a teenaged girl attending high school. Who just a few months ago almost saw her best friend die (they’re okay but they’re not the same person anymore), had a near death experience herself, and also saw the person she has a crush on be violently defeated in a battle he wasn’t prepared for.

Arrancar arc is really just… Orihime and the horrible, terrible, no good, very bad day :(