#i’m so tired. i’m so damn tired!

[leonstamatis]

like not to be that guy but if you do want to let the people producing blaseball: the card game know that you would like to see credit given where it is due, to the artists who created these designs and made blaseball what it is today, wayfinder has both a contact form and a general email listed as info@wayfinder-games.com. they also have a twitter and a facebook listed on the card game’s website.

i know this is something that has been brought up before in the blb fandom in some capacity or another since the card game was announced, but given nothing has been done on the production end to fix the issue, it seems like we have to keep bringing it up again and again. so. here are some places to do that.

[foldingfittedsheets]

Incapable of not bragging on myself after today. My store sold 16K in beds between four people.

12K of that was me.

[stealthetrees]

Coming soon to ao3 near you,

Fox’s batch finds out what’s wrong with him, except “what’s wrong with him” is that Fox was dropped on his head as a child and terrorizes his (unknown to him) evil wizard boss with just his personality alone until he gets electrocuted. Spoiler alert: telepathic torture does not discourage him.

[mfdragon]

✨🍎 Egghead Family 🍑💎🐻

It took MONTHS but it’s DONE BABYYYYY ✨

I cannot begin to tell you the psychic damage this whole thing took to make, as Egghead was in its final chapters. It truly was some kind of mental torture but I hope this wholesome content eases everyone’s pain over the “incident” that occurred.

[fawndlyvenus]

You know what’s funny? How I can say that I headcanon a character as somewhere on the ace spectrum and/or aro spectrum, and within minutes I am being treated as if I am somehow very unintelligent and know nothing of the world.

[clownsuu]

I give you an

A

A

Also I stole this ask just so I can post this fuggin weirdo I made smhh (I raise from the dead just to post an oc again LMAOAOAOAO)

Hopefully this will be my last one in a long while I can live with 7 fuggin wh characters HHFHFUDJSNKSSJ- well- technically 8 if you include Betsy-

But to keep it (somewhat) short and sweet- my loser- a ye ol Milkman- Zachary Milksop (chronically lactose intolerant) and Betsy (a lil mascot moo sentient puppet)

Another character made almost spur in the moment again (like Mari) though thankfully not another bUG, but just some average human smhh. He’s a really simple guy, a loser, is as interesting as normal milk— he’s just the ye ol milkman who delivers you that gud shid smhh— enjoyer of the finer things in life (lunchables). A lil flirty and charming (in possibly the cringiest way possible) however he doesn’t really seem to pick up anyone besides the local cows that constantly harass him (and eats his pants). He enjoys watching them though, from v e r y m u c h afar——

hes just kinda, “that guy”

Also Betsy- a very sweet woman! She always greets everyone and has the friendliest extroverted personality ever! Always the type to bring (albeit tiny) gifts for her favorite neighbors and always leads when talking to anyone. Not like she would allow Zach to say anything anyway, she hates his polyester guts (and only him smhh)

[cokoweee]

🫧The Gifted🫧

LONG UPDATE CAUSE UHHHHHHidk

Look y’all’s I love colors now but my brain says it’s too slow for me. I wanna move faster so probs no more colors,?? Dunno yet

Posting at a weird time cause anxiety I wanna k bye

<|| The Gifter—Hello!Hello? ||>

[exilepurify]

“You know a lot of big words.” — Determining Shigeo’s Kanji Literacy

An analysis in four parts:

Jouyou kanji and Japan’s compulsory education system, explained.

An introduction to the analysis—what I did and why I did it.

A presentation of data, evidence, and counterarguments.

The truth revealed: can Shigeo write a reasonable amount of kanji for his age group?

Jouyou kanji and Japan’s compulsory education system, explained

Let us begin this analysis by establishing a basic understanding of how Japan’s education system is structured.

As you may already know, only elementary school and middle school are compulsory in Japan, meaning that high school and college are completely optional. Therefore, compulsory education in Japan consists of grades 1-9, with grades 1-6 being 小学校 (primary school) and grades 7-9 being 中学校 (middle school).

The term 「常用漢字」(jouyou kanji, “Daily-Use Kanji”) refers to a list of 2136 kanji that the Japanese Ministry of Education requires be taught throughout education grades in Japan due to their importance and frequency of use in Japanese daily life. Knowing all 2136 is defined by the Japanese government as the baseline for basic, functional literacy in Japanese. The jouyou kanji list is further divided into two sub-categories: 「教育漢字」(kyouiku kanji, “Education Kanji”) and 「中学・高校漢字」(chuugaku • koukou kanji, “Secondary School Kanji”).

教育漢字 (kyouiku kanji, “Education Kanji”) (A.K.A. 学年別漢字配当表 [gakunenbetsu kanji haitouhyou, “list of kanji by school year”]) is the Japanese term for the 1006 kanji that are taught over the 6 years of primary school in Japan, grouped into different grade levels by difficulty and complexity.

「中学・高校漢字」(chuugaku • koukou kanji, “Secondary School Kanji”) is the term for the 1130 kanji that students are expected to learn throughout middle school and high school. This list of kanji is not strictly divided by grade level, though a general grade level is often provided, because students in secondary school—whether it be middle or high—are expected to learn kanji more independently. Though the responsibility of learning these kanji is shifted from the classroom to the individual, the importance of knowing these kanji by the end of one’s education, if that be middle school or high school, cannot be overstated. Once again, these 2136 kanji are considered the basics of Japanese kanji fluency.

According to the “Kanji Frequency Number Survey/漢字頻度数調査” conducted by the National Cultural Affairs Division in 2000, in 385 books published by a major publishing company, 8474 different kanji were used (not including duplicates). However, speakers are able to understand 99% of them if they know the top 2457 kanji, and 99.9% of them if they know the top 4208 kanji. And as is true for speakers of every other language, people can generally read more words than they can write.

I determined the “grade level” of each kanji in this analysis according to the grade level provided in my Japanese-English dictionaries, but consideration will be made for Secondary School Kanji due to the lack of official grade divisions and the less organized circumstances involved with learning them.

An introduction to the analysis—what I did and why I did it

In this analysis, I focused specifically on Shigeo’s ability to write kanji, not to read them. This is most obviously because it’s much harder to determine whether or not someone can actually read something, especially in anime, without it being explicitly mentioned. However, it is also because the meaning of kanji can be inferred from knowing the meaning of radicals, and as mentioned above, it is common for people to be able to read more words than they can write. The true mark of knowing a kanji is being able to write it.

To determine Shigeo’s kanji-writing ability, I studied screenshots from a few scenes from the anime, specifically a couple of scenes from the Reigen OVA where Shigeo is writing a LOT, and a couple scenes from the regular anime where Shigeo is explicitly seen writing stuff down and the audience is shown the writing.

The data has been organized into two different excel charts—one for kanji he uses correctly, and one for kanji he doesn’t know or messes up. The kanji in each of these charts have been color-coded and organized by grade level, with readings, translations, and explanations provided. There is only one kanji in the entire analysis that is not considered a part of the jouyou kanji, and this kanji has been marked by “N/A” in the grade level section.

I will provide each chart alongside a percentage likelihood that Mob will know any given kanji from each grade level based on the information gathered from the anime. Please note that the sample size is obviously limited, but I’m working with what I have. If there is a kanji with some sort of detail worth consideration, I’ve marked it with a (**) in the chart and will explain below.

Lastly, I included kanji used in names in the chart here after some deliberation. Name kanji are tricky in general, because multiple kanji share the same pronunciation and people usually don’t know what kanji are used in someone’s name unless they are shown by that person (unless it’s some crazy common name like 高田 or 森 or 田中).

A presentation of data, evidence, and counterarguments.

Shigeo’s known kanji:

Shigeo’s unknown kanji:

IMPORTANT NOTE: There are one or two instances of Shigeo NOT using a kanji at all that I’ve decided not to include on the chart. This is because it is common for Japanese speakers to omit kanji for super common verbs and write them in kana instead, either for personal style reasons or for convenience. Since the verbs are so fundamental and commonly-used, it’s unlikely that they will be misunderstood or mistaken for another word if written in kana. So, if Shigeo wrote the verb for “to read” or “to eat” without using kanji, I didn’t include it, as I highly highly highly doubt he doesn’t know those kanji and I felt like it would unfairly skew the results against him.

米** = I don’t blame Shigeo for not knowing this kanji. It’s fair to assume that Mob might not have seen Mezato’s name written out and therefore wouldn’t know which kanji to use. On TOP of that, “me” for 米 is a special nanori (used for names only) reading and is super obscure and uncommon. I couldn’t even find it in my name dictionary by searching “Mezato”, I had to find her name written in kanji in S1E3 and go from there. I wouldn’t expect this kanji to be in anyone’s top ten possible kanji guesses for the “me” in “mezato”. I included it because rules are rules, but wanted to mention this to make it fairer on the boy.

世** = I want to make it known that Shigeo does successfully write this kanji in the image shown here, when he writes 「世紀」(century):

HOWEVER. However. He messed it up SO BAD before that I think it actually overpowers him using it correctly and brings it back around to a “not properly known” kanji, especially because it’s a kanji taught in second grade that he shouldn’t be messing up at all:

The subtitles intersect it but I’ve rewritten what Shigeo wrote there at the bottom. He tried to write 「世の中には」”In the world…”, but tried to write the kanji, messed up, crossed it out, and then rewrote it in kana. Didn’t even try to write it a second time. This is egregious and, in my juror’s power, cancels out his later usage. This would be like misspelling “world” in English. I’m willing to entertain arguments that he just wanted to write it in kana for some reason, but as it is now, I don’t think that excuse is compelling enough against such damning evidence, so in “missed kanji” it goes. (It’s partly cut off but what gets me is that it doesn’t even look wrong in the first place lol but if he crossed it out, it means he didn’t know it well enough, which allowed him to doubt, which is still damning enough.)

造** = Just like above, Shigeo actually does successfully use this kanji once in the show when he’s filling out his paperwork for the Body Improvement Club in S1E2 (forgive my awful kanji, it’s hard to draw on the phone lol): 

However, that was not only on an official school document, it was also in the presence of a student council member and Saruta (#2 in the grade lol) so I have to assume he either asked someone for help or got corrected. Either way, the instance where he doesn’t use the kanji is when he’s in his bedroom alone, writing in his personal notebook—a much more casual environment, and one that takes place AFTER s1e2 (can’t argue he learned it):

This leads me to believe that Shigeo does not naturally know the kanji, as he can’t reproduce it in casual day-to-day or when alone.

焉** = This kanji is not only not included in the jouyou kanji, but it is also used in an obscure word. In fact, it took me a minute to locate it in my Japanese-English dictionary app. It is absolutely not reasonable to expect Shigeo to know this kanji off the top of his head, and he probably wouldn’t know it even if he were a kanji ace. It is included and working against him, however, because the kanji he initially tried to write in its place was 「円」, a.k.a. the kanji for YEN/¥:

Sure, 「えん」is a reading for「円」, that part makes sense. But 「終焉」means “the finals years in one’s life”, so I’m really struggling to understand why Mob would think the yen money kanji would be a part of that word and why he would try to write it with that kanji instead of just writing it in kana first, like the majority of the kanji he didn’t know. It’s truly an enigma to me. I’m bewildered he even tried that, and for that, I’m holding it against him.

BASIC STATS:

GRADE 1 KANJI:

- Total known: 17

- Total unknown: 0

- Grand total: 17

- Shigeo knows: 17 out of 17

- Percentage likelihood of Shigeo knowing a grade 1 kanji: 100%

GRADE 2 KANJI:

- Total known: 16

- Total unknown: 3

- Grand total: 19

- Shigeo knows: 16 out of 19

- Percentage likelihood of Shigeo knowing a grade 2 kanji: 84.2%

GRADE 3 KANJI:

- Total known: 13

- Total unknown: 6

- Grand total: 19

- Shigeo knows: 13 out of 19

- Percentage likelihood of Shigeo knowing a grade 3 kanji: 68.4%

GRADE 4 KANJI:

- Total known: 11

- Total unknown: 0

- Grand total: 11

- Shigeo knows: 11 out of 11

- Percentage likelihood of Shigeo knowing a grade 4 kanji: 100%

(Baby apparently had a great year in fourth grade.)

GRADE 5 KANJI:

- Total known: 3

- Total unknown: 4

- Grand total: 7

- Shigeo knows: 3 out of 7

- Percentage likelihood of Shigeo knowing a grade 5 kanji: 43.9%

GRADE 6 KANJI:

- Total known: 0

- Total unknown: 2

- Grand total: 2

- Shigeo knows: 0 out of 2

- Percentage likelihood of Shigeo knowing a grade 6 kanji: 0%

😭

GRADE 7 KANJI:

(No known or unknown 7th grade kanji found)

GRADE 8 KANJI

- Total known: 5

- Total unknown: 6

- Grand total: 11

- Shigeo knows: 5 out of 11

- Percentage likelihood of Shigeo knowing a grade 8 kanji: 45.5%

^ To Shigeo’s credit, this isn’t bad at all considering he’s only halfway through his eight grade year at this point in the story.

% OF JOUYOU KANJI SHIGEO KNOWS:

% known from observed data:

65/86

75.6%

# of jouyou kanji: 2136

75.6% of 2136 = 1615 jouyou kanji

Here’s a graph for your visualizing pleasure:

Finally:

(All values are rounded up)

There are 1006 kyouiku kanji. There are 1130 secondary school kanji. Because high school in Japan is not compulsory, we’ll assume that the secondary kanji are to be learned over the three years of middle school. That means about 377 words per middle school grade. If Shigeo is halfway through eighth grade, let’s say he should generally know 1006 + 377 + (377/2) kanji, which comes out to 1,572.

There are 80 kyouiku kanji assigned to first grade, which Shigeo should know 100% of—80 total.

There are 160 kyouiku kanji assigned to second grade, which Shigeo should know 84.2% of—135 total.

There are 200 kanji assigned to third grade, which Shigeo should know 68.4% of—137 total.

There are 200 kanji assigned to fourth grade, which Shigeo should know 100% of—200 total.

There are 185 kanji assigned to fifth grade, which Shigeo should know 43.9% of—81 total.

There are 181 kanji assigned to sixth grade, which Shigeo should know… 0% of…. 0 total.

This all totals out to:

80 + 135 + 137 + 200 + 81 + 0 = 633/1006 elementary school-level kanji. That’s 63% of the kanji required for elementary school.

(Didn’t include a calculation for middle school kanji due to having 0 data on seventh-grade kanji and also him being halfway through eighth.)

The truth revealed: can Shigeo write a reasonable amount of kanji for his age group?

Uh… no. Maybe? Well… probably not, no.

I mean, of course there are flaws with my methods. I had a super small sample group and applied the stats there to all of the jouyou kanji, which is almost guaranteed to be lower than reality. I just didn’t really have another choice. Also, I’m very certain that Shigeo MUST know some 6th grade kanji, even if in the results here I considered the probability to be 0%. That’s assuredly not accurate. There were just, by chance, only two instances of sixth-grade kanji in all of the sample writing and he happened not to know either of them. This is just for fun, anyway. I can say with confidence, though, that he certainly isn’t a writer, and he definitely knows less kanji than the average eighth grader, but I wouldn’t take my numbers for anything more than entertainment.

But yeah. Shigeo is…. a little kanji-impaired. Which explains why he struggled with Emi’s writing and is only ever seen reading Shounen Jump volumes lmao. I believe in him though. He makes it work. My illiterate king. Who needs the other half of your elementary sight-words anyway?

All jokes aside though, he really started to scare me with the 世 and 円 things 😭😭😭😭😭

[skittle-is-little]

hm blurry

[fumifooms]

Dungeon lord Chilchuck

What would his wish as a dungeon lord be? What would he be like? Headcanons & speculation post for fun. But I’ll start with analytic lead up because that’s always fun for me, though feel free to skip and skim.

When it comes to what Chilchuck’s dungeon lord desires could/would be like we have mainly 3 hints: His nightmare, his succubus and what the winged lion says to him.

Why: — From what we see nightmares are based on the person’s worst fears and insecurities, both Laios’ and Marcille’s nightmare were closely tied to their dungeon lord wishes (Laios’ dream monster being summoned to crush the ghosts of relationships that represented the pressure to fit in and belong, Marcille seeking control over death and aging through magic to avoid loss), the fuel behind their desire/goal if you will. Fear and deep-seated desires are seemingly closely tied, something also supported by Thistle and Mithrun’s reigns as dungeon lords (Thistle proving his worth through fulfilling his given duty + protecting his loved ones, being listened to instead of having to listen, Mithrun escaping rigid two-faced elven society and living in a wonderland where he has no enemies and he’s loved, free from everyone he knew yet propped up by the person symbolizing his brother being chosen over him, the bastard child).

— I’ve talked about the significance I assign to the succubi often by now, but rundown: What we see of each character is all very telling if you care to listen, it shows not only someone’s "ideal form" but what they want from it. Izutsumi’s is familial, offering a hug and comfort, Marcille’s is romantic with a character she knows and loves, offering a kiss on a hand and a connection regardless of how distant it actually is, and Laios’ is platonic, arguable at first but then Laios’ fear of judgement is placated and he is offered the picture perfect friend group that accepts his interest (if you want my full look at Laios’ succubus go here). They take on the most alluring form, most ideal person of their victim, even uncovering deep subconscious desires, so precisely and effectively to the point it leaves victims physically frozen before the object of their desire. Succubi and the demon are themselves tied in lore and it’s easy to see how similar their core skill are. Succubi don’t give a good idea of what a character would wish for on their own but they certainly give hints on what they crave, regardless of how you want to read it.

— Last bit is self-explanatory. To placate Chilchuck and win his compliance over, the monster that reads your soul like an open book offers to give him something specific. But! It’s also important to remember that the lion isn’t offering to fulfill Chilchuck’s dream world wish here, it’s a second prize, because his goal with what he promised Laios is that they’d stay in this world, away from everyone and everything else. Chilchuck wants to get away but is kept back, and it’s here the lion placates him with "hey it’s okay! You can’t do that but I can still give you this! This is enough right? It’ll make everything easier on you".

What each bit says: — Long version in another post. Tldlr: His daughters and family are obviously important to him, and this reinforces that he takes on the role of protector a lot, he’s constantly worried for his party members’ lives and implicitly his family’s. Safety and stability, both economical and otherwise, are his core values and goals, and he berates both others and himself if someone fails on those fronts. Here, there’s the fear of not being enough, of not having been able to protect, and of course of loss.

— Chil’s succubi are obviously sexual, and not only that but agressively and straightforwardly so. It’s not like Marcille’s where there’s personality involved, all they do is give him sultry looks and pretty smiles before jumping on him. His succubi aren’t like Izutsumi’s, always the same exact person and appearance, so it’s not someone but an appealing general idea. The idea of a sexual being he can regard as simply a gorgeous piece of meat and a good time no strings attached. In my interpretation, especially with my reading of Laios’ succubus where even with deep-seated desires negative emotions can be too intense to effectively freeze a victim, I think this doesn’t contradict his character. Relationships have been painful to him in the past, in the succubus scene when his wife gets mentioned his immediate reaction is to yell "Don’t bring her up now!", like with his habit of drinking and as a tallman liking his senses feeling dulled, it’s about not having to feel emotions with how difficult they are to deal with sometimes and just feeling good, or at least not having to think, for a while. If a succubus showcases someone’s ideal connection with an ideal person, then Chilchuck’s is with a pretty person that doesn’t stir any negative memory or drama, someone low stakes and low maintenance that doesn’t require him to manage or talk out feelings because there’s none involved in the first place.

— Once more, wife and family are important! He does long for his family, not only his wife but his daughters, and vice versa. This suggests not only that he wants good relationships with them but that he wants them to be with him, a family life. Far from the cut communication they all more of less have during canon, and perhaps far from their life pre-canon when he worked away from home a significant amount of time. We’ve seen recreations of people by the winged lion before with doppelgangers and monsters (naga), and though he claims he can make satisfying imitations, what we’ve seen is that they base themselves on the best memories of that person, like with Marcille’s dad, or twist behavior to be more pleasant, like Mithrun’s lover (and possibly twist appearances depending on the person’s view of them, but that’s Mithrun analysis). The line does suggest Chilchuck would want his family members as they are in reality and not idealized versions, but the circumstances are chaotic and urgent enough in the scene (and again the lion isn’t fulfilling Chilchuck’s wish but trying to make him content for Laios’) that it could just be the winged lion saying what he needs to to convince him the fastest possible, and like we see with Laios that can crumble to give way to deeper or more complex desires.

On top of that we just have general info on Chil. How does Chilchuck deal w his issues? What does he like to do? He likes alcohol and ignoring his problems. We have to remember there is a split between what someone would consciously wish for and what their soul uncontrollably irrationally craves. As always with Dunmeshi, there’s a narrative of irrational deep-seated desires vs active wants, what you crave vs what you strive for, what you dream of vs what’s actually good for you, the animal vs the human inside you, heart vs mind. Chilchuck craving a harem of hot babes in his fantasies but wanting his family life & wife back again is not mutually exclusive. You may crave becoming a monster and tasting what humans are like a little but still want to save the world & your friends more.

Btw can we adress the irony of him terrified of being the last one alive, of being left by his daughters and wife, of having left and coming back home one day to see everything gone or rampaged, yet not caring about dying of liver failure himself, knowing every time that he enters a dungeon there’s a real risk he may not come out. Die somewhere I can’t see you. I prefer leaving you than being left behind. He’s selfish and shortsighted like that… Chilchuck is selfless in many ways of course, but perhaps also due to his own relationship with his parents, he often undermines the effects he has on others in his relationships, both the good and the bad (he talks himself down about being cowardly and greedy yes, but never hints at his bad health habits, alcoholism and starving himself, may have affected his loved ones, doesn’t question his wife falling into a bad mood the night before she left, and talks about the possibility of dying here and there very casually, though obviously he tries his best to stay alive when it doesn’t concern his health).

Chilchuck king of "Let me just avoid and ignore my problems surely they’ll go away, things might work out and if they don’t well tough luck I’ll survive and I probably deserve it anyways". If I don’t look at it it will dissapear <3 Why care when you can simply not think about it.

You might not understand Mister "my love will stay strong through months of work travel and also 4 years of separation" and Mister "well idk my siblings and me are kinda strangers and my dad is dead but that’s kinda whatever", but typically relationships need some form of maintenance and emotional availability…

The actual headcanons finally

I kinda have 2 routes in mind for dunlord Chil and both of them are centered on "I care too much, i wish things were easy", so first is a lot like his succubi, it’s full on indulging in his guilty pleasures like alcohol and bodies and it’s to keep him in a constant state of thrill and euphoria and distracted, unfeeling about stuff that really matters. "Nothing matters except that I’m enjoying the moment!" vibe. He gets to live a life worthy of Dionysus, with alcohol and women and debauchery and like— never having to think again, never having to feel anything but pleasure again, never have to feel guilty or shitty or angry or sad. He has a harem and gets everything on a silver platter.

Breaking news demon magic-induced rush of euphoria and power still not enough to cure this man of his self-hatred nor his capacity for thought!! But in his case a state of euphoria is what he seeks I think, to kinda mask or replace the Everything Else.

The other is what I think closer to what canon suggests, with what WL implied too with "I’ll make you a new wife and kids like the originals!! 😊", it’s a (spoilers) Wandavision type thing where it’s a slice of life where he’s never at work and always at home and the family eats lunches at the dinner table together and everything and everyone at any moment is just. Happy. No issues. It was all a dream, this is real and everything is fine and your family is perfect and happy. I like to think the timeline would be wonky, his daughters would fluctuate in age, but he’d want to be there for what he missed, would want them to still rely on him and look up to him like when they were young, would like to forget that they’re now independent adults and the distance that grew between Chilchuck and his siblings is happening between them as well. Chil would want doppelgangers of his family imo, at its core just a general wish for a peaceful happy family life with no drama, no need to compromise, a little paradise of unconditional love and no consequences. It’s for sure straightforward, but Chilchuck is a man with straightforward desires…

But see Chilchuck is a greedy man, and he wants it both ways without having to sacrifice anything or expanding any efforts himself. He wants to have his cake and eat it too. I think playing with these two opposite directions and mixing and matching is most fun. Him leading a life where he indulges in all his worst habits while still having everything he wants… Him getting to have BOTH his wife and any woman he can imagine up, his life like two sides of a coin he can flip at any moment where he’s partying then he’s at home enjoying the quiet and his toddler daughters playing with toys on the carpet. Christ when you remember it’s all an illusion that’s terrifying, the doppelgangers and succubi from the winged lion playing chilchuck ping pong.

A safe little haven both security-stability wise and emotionally. Gets to have both the relaxing and the thrilling in any dose he wants, mixed or separatedly. What I’d argue he had pre-canon too: Can live it up in taverns away from home, stays away from home for long periods of time, and can come back to home aka the symbol of relaxation and safety whenever he decides to. Something he can leave and come back to at will, an anchor he can trust in (until it’s taken from him and his wife leaves. Or in his worse nightmare people rush in and kill his daughters). The ideal of a house and family to a working man, perhaps…

I think it’s fun to think on wether or not these desires would be interesting at all to the winged lion… In canon he seeks out "rare/complex desires", common simple things like I imagine riches, sex, substances and pleasure would be are boring to him, he’s eaten those so many times already. So perhaps he wouldn’t last long as a dunlord, the WL would want to eat him fully quick, can’t keep him interested or waiting long for a meager meal, too much effort raising the cattle and too low quality meat. By making it more twisted or layered Chil’s desire would become more desirable to the demon, it’s part of what’s fun with the third option to me. But whatever. Has he ever eaten a guy with this much repression and self-sabotage... Like trying to get the meat out of a walnut, enrichment…

Other dunlord Chil takes I’ve seen that are fun and good:

@feelo-fick and @pluvio-floret have a dunlord Chilchuck AU project dubbed "tragedy AU" where Chilchuck is said to be "on vacation", in a weird delirious state, only half-there half of the time… From which he doesn’t want to wake up </3 Quoting Feelo, this is why the vacation thing is only a half-joke cause he is 1) letting all his responsibilities go 2) indulging in himself and 3) "spending time with his family" <- lie but you get what i mean. Additional comments that have me vigorously nodding: because changing is hard why cant things just be okay right now without the effort !!! Life is hard he’s so so tired he just wants to feel good… he just wants life to feel nice and easy for a sec while he can learn to breathe again and lose the stress and trauma he’s accumulated…….. spoiler alert yes !!! in fact a depressed person can suck themselves into their job and lock out the world who wouldve thought !!!

And then Cabinette I know posted about his dunlord take once but I don’t have the link, in which Chil has a lot of nosebleeds because of mana overload which is fun and interesting to think about imo~

In dunmeshi, where characters get underground pockets of the world as their playground disconnected from everything outside and the rest of the world, it’s important to remember to face reality even if it has conflict and people with different views and stances from you, it’s something Chilchuck and Marcille and everyone needed to learn, and the thing with a dungeon lord AU is that you imagine a timeline where he fails to <3

A timeline where his dungeon lord wish is to desire nothing bc hope and want has only ever hurt him would also go so hard. Very universal thing though I suppose.

… And this is why a Chilchuck-centric Coraline AU is really really interesting and fitting and topical— Ok that’ll go in a separate reblog/post at @Fumiku I need to let this end

[sunsetsandsunshine]

Heyyy, hope your doing well.

Is it ok if I request switch!april switch!mikey and lee!donnie.April is spending time with mIkey while painting a mural somewhere... and they get into a tickle fight in which donnie gets dragged in.. If that's cool with you :D

~ 𝚃𝚑𝚎 𝙰𝚛𝚝 𝙿𝚛𝚘𝚓𝚎𝚌𝚝 ~

·̩̩̥͙＊*•̩̩͙✩•̩̩͙*˚𝙷𝚎𝚕𝚕𝚘 𝚑𝚎𝚕𝚕𝚘!!! 𝙷𝚘𝚙𝚎 𝚢𝚘𝚞𝚛 𝚍𝚘𝚒𝚗𝚐 𝚠𝚎𝚕𝚕 𝚢𝚘𝚞𝚛𝚜𝚎𝚕𝚏! 𝚃𝚑𝚒𝚜 𝚒𝚜 𝚑𝚘𝚗𝚎𝚜𝚝𝚕𝚢 𝚊 𝚟𝚎𝚛𝚢 𝚒𝚗𝚝𝚎𝚛𝚎𝚜𝚝𝚒𝚗𝚐 𝚌𝚘𝚗𝚌𝚎𝚙𝚝 𝚝𝚑𝚊𝚝 𝙸 𝚔𝚒𝚒𝚒𝚒𝚒𝚒𝚗𝚍𝚊 𝚑𝚊𝚍 𝚊 𝚑𝚊𝚛𝚍 𝚝𝚒𝚖𝚎 𝚠𝚛𝚒𝚝𝚒𝚗𝚐. 𝙱𝚞𝚝 𝚢𝚘𝚞 𝚐𝚞𝚢𝚜 𝚔𝚗𝚘𝚠 𝚖𝚎 😌🫶🏾…𝙸 𝚗𝚎𝚟𝚎𝚛 𝚋𝚊𝚌𝚔 𝚍𝚘𝚠𝚗 𝚏𝚛𝚘𝚖 𝚊 𝚌𝚑𝚊𝚕𝚕𝚎𝚗𝚐𝚎. 𝙴𝚂𝙿𝙴𝙲𝙸𝙰𝙻𝙻𝚈 𝚠𝚑𝚎𝚗 𝚒𝚝 𝚌𝚘𝚖𝚎𝚜 𝚝𝚘 𝚏𝚊𝚗𝚏𝚒𝚌𝚜 👏🏾💗💖💓💘˚*•✩•̩̩͙*＊·̩̩̥͙

𝙶𝚎𝚗𝚛𝚎: 𝙵𝚕𝚞𝚏𝚏

𝚆𝚘𝚛𝚍𝚜: 𝟸,𝟷𝟺𝟺

𝙻𝚎𝚎: 𝙳𝚘𝚗𝚗𝚒𝚎 🐢💜 

𝚂𝚠𝚒𝚝𝚌𝚑𝚎𝚜: 𝙰𝚙𝚛𝚒𝚕 👩🏾‍🦱💚 𝚊𝚗𝚍 𝙼𝚒𝚔𝚎𝚢 🐢🧡

𝚂𝚞𝚖𝚖𝚊𝚛𝚢: 𝙰𝚙𝚛𝚒𝚕 𝚗𝚎𝚎𝚍𝚜 𝚑𝚎𝚕𝚙 𝚠𝚒𝚝𝚑 𝚑𝚎𝚛 𝙹𝚞𝚗𝚒𝚘𝚛 𝚢𝚎𝚊𝚛 𝚊𝚛𝚝 𝚙𝚛𝚘𝚓𝚎𝚌𝚝! 𝚂𝚘, 𝚗𝚊𝚝𝚞𝚛𝚊𝚕𝚕𝚢, 𝚑𝚎𝚛 𝚊𝚛𝚝𝚜𝚢 𝚕𝚒𝚝𝚝𝚕𝚎 𝚋𝚛𝚘𝚝𝚑𝚎𝚛 𝚊𝚜𝚜𝚒𝚜𝚝𝚜 𝚑𝚎𝚛 𝚒𝚗 𝚝𝚑𝚎 𝚖𝚊𝚝𝚝𝚎𝚛.

𝚃𝙰𝙶𝙶𝙶𝚂𝚂𝚂: @shut-up-jo @itzsana-kiddingmenow @aceofspades-doodles

@ziipzeepzop-eez @someone1348 @rice-cake-teen10

@savemeafruitjuice @cedarrthefluffylee @mistyandsnow @tmntstayheadforever

(𝙰/𝙽: 𝙱𝚞𝚝 𝚖𝚘𝚜𝚝 𝚒𝚖𝚙𝚘𝚛𝚝𝚊𝚗𝚝𝚕𝚢: 𝙳𝚘𝚗’𝚝 𝚋𝚎 𝚝𝚑𝚊𝚝 𝚐𝚞𝚢! 𝚃*𝚌𝚎𝚜𝚝 𝚊𝚗𝚍 𝙺𝚒𝚗𝚔/𝙽𝚂𝙵𝚆 𝚋𝚕𝚘𝚐𝚜 𝙳𝙽𝙸!!!)

𝚆𝚊𝚛𝚗𝚒𝚗𝚐𝚜: 𝙲𝚞𝚜𝚜𝚒𝚗𝚐, 𝚜𝚒𝚋𝚕𝚒𝚗𝚐 𝚋𝚒𝚌𝚔𝚎𝚛𝚒𝚗𝚐, 𝚝𝚒𝚌𝚔𝚕𝚒𝚗𝚐 𝚊𝚗𝚍 𝚜𝚘𝚖𝚎 𝚙𝚊𝚒𝚗𝚝𝚋𝚛𝚞𝚜𝚑 𝚝𝚒𝚌𝚔𝚕𝚒𝚗𝚐 𝚎𝚑𝚎𝚑𝚎𝚑 >:]

＊*•̩̩͙✩•̩̩͙*˚𝙻𝙰𝚂𝚃 𝙵𝙸𝙲 𝚁𝙴𝚀𝚄𝙴𝚂𝚃 𝙻𝙴𝚃𝚂 𝙶𝙾𝙾𝙾𝙾𝙾‼️˚*•̩̩͙✩•̩̩͙*˚＊·̩̩̥͙

“Pfft…Mikey you actually suck at this…” April said, stifling a giggle as she glided a paintbrush up and down her little brother’s shell. 

The smaller teen shrieked at the sudden contact, his giggles bouncing off his room’s walls, “R-Riri plehehease…!” The youngest giggled, squirming slightly as he dug his feet into the carpet. 

“Just say a word!” The elder said, “Literally any word that reminds you of this feeling!” 

“Ihihi daha— squeak dohon’t knohohow!!” The younger squealed out as he kicked his legs from underneath his elder sibling, “Ahaprihil plehease juhuhust stahahap!”

“I can’t 'stahahap' unless you tell me, bro! How does this paintbrush against your shell feeeeeel?” The girl emphasized as she swirled her paintbrush where Mikey’s shell met his plastron. 

“I cahahan’t— squeak pfftahahah!!!” The orange banded turtle cried as he arched his back, kicking his legs desperately from underneath his older sibling. 

“Just say a single word, little brother. Aren’t you the one who wanted to help me with my art project~?” The green cladded teenager asked smugly.

Michelangelo blushed, hugging a nearby pillow to his face as his muffled laughs echoed around the room, “I-I dihid buhuhut Ihi dihihindn’t know ihit would be soho tihiHICKLY—?! NAHAHEEEK!!! SqueakAHAPRIL NAHAT squeak THEHEHERE!!!” The light scarlet eyed mutant squawked as his sister started to gently scratch at his lower shell with her nails. 

The human raised an innocent brow, her fingernails dancing across the other, “I genuinely have no idea what you’re talking about. I’m just tracing your shell to help you think!” 

“PLEHEASE PLEHEASE squeak REEREEHEE!!!” The paint loving turtle squealed, banging his fists in the floor, “OKAHAY OKAHAHAY!! F-FLUHUHUTTERY! IHIT FEEHEELS FLUTTERY!!” He laughed, letting out a sigh of relief as his sister got off of him, writing down the word he basically just screamed. 

“Fluttery…I like it!” The elder mused, going back and tracing the other’s shell with the brush. 

“M-Myhy gaHAHAD squeal Ihi hahate yohou…” The youngest murmured as he buried his face into the pillow more.

April held back an amused laugh, scritching her nails along the mutant’s upper shell, “Hate is a strong word, little buddy. But to refresh your memory, I’m doing a poetry art project so I need you to come up with a few…artsy word’s for me. And besides~: you’re in a mood…so you shouldn’t really be complaining all that much. I get my project done and you get tickled…it’s a win-win!”

Mikey huffed begrudgingly, blushing as his sibling basically just called him out…

The box turtle was a kind soul! A very kind soul in fact! 

So when his dear big sister texted that she needed help with her art project, Michelangelo was more than thrilled to lend a hand.

That was until he was told that April’s class was working on collages…and were given a single word to get inspired by and base their art piece off of how it made them and the people around them feel…

…And you want to know what his sister’s word was…?

Laughter.

“Your soho meeheean…” The youngest groaned loudly through his giggles. 

“I’m not being mean if you like iiiit~!” The elder giggled, causing the box turtle’s blush to deepen, “NO!NOHO TEHEHEEASING!” The younger one squawked, “PRIHILLIE WEEHEE HAD AHA DEEHEEAL!” 

“Sorry, sorry. I couldn’t help myself.” She said as she scribbled her youngest brother’s hips, “Y'know…I think I can add a couple more words to the list...”

“Whahat ohOTHER wohords?” Mikey asked. 

“Cute, adorable, sweet, lovable—” April listed.

“SHUHUT UHUP SHUHAHA— squeal SHUHUT. IHIT.” The scarlet eyed teen said, kicking his legs more now from underneath the other.

“But you are~!”

“NAHAH— squeak GOHAHA AHA— squeak AWAHAY!!” 

“But I can’t~! I need more words for my collage!” 

“THEHEN THIHINK OHOHOF SOHOME YOHOURSELF YOHOU FOUR EYED MOHOTHER— squeak FUHUHUCKER!!!”

The elder snickered as she lightly traced the sides of her little brother’s ribs, “Woowww…cursing me out…calling me names…it’s almost like you want me to go here…”

The orange banded teen let out a tiny but mighty scream at the new sensation at the back of his ribs, trying to get off of the floor, but alas, was stopped as April sat on the back of his lower shell once again, “YOHOU— SQUEAL!! AHAHAPRIL WEEHEE SQUEAK CAHAN TAHAHALK SQUEAK ABOHOUT THIS SQUEAK PLEHEASE!!” 

“I’m hearing lots of words not having to do with my collage~!” The girl in glasses said in a sing-song voice as she pinched up and down his ribs. “NAHAH— squeak squeal GAHAHAD WHYHYHY?!” The youngest cackled. 

“Because you legit asked me to?” The elder grinned evilly as she started to slowly count every single one of her little brother’s ribs now, “Duh~!”

“E-EEEHEEP! PLAHAHEASE NAHAT THAT NAHAT THAHAT NAHAT THAHAHAT!!!” Michelangelo screamed, hugging his middles as tears of mirth appeared in his eyes. 

“Not what~?”

“OKAHAY! SQUEAL OKAHAHAY!! YOHOHOU SQUEAL CAHAN PUHUT SQUEAK MEHERRY, JOHOHOLLY, FUHUNNY, LIHIHIVELY AHAND SWEEHEET NOHOHOW PLAHAHEASE!!!” The box turtle absolutely squealed. 

“There we go~! See? It wasn’t that hard.” April smirked, patting the other’s shoulder as she got up and added the five words on her paper. “Ihi feeheel lihihike I juhust gohohot bahahack frohom aha war…” Michelangelo groaned as he wiped his eyes to clear the happy tears streaming down his face.

“Oh, you’re fine.” April said as she rolled his eyes fondly, writing down the words Mikey said on the clipboard. The youngest stretched him arms, getting up and peering over the older’s shoulder, “Buhut anywahay’s, hohow mahahany mohore words do yohou need?”

“Five.” The elder said casually.

“FIVE?!” Michelangelo repeated in complete and utter awe, “How many words do yohou freaking neeheed?!”

“Five.” The older repeated, “The number in total was originally supposed to be ten but Mrs. Anderson said if I add one more to the required word count I’d get extra credit.”

“…Why do you always have to pick extra credit?” The orange cladded mutant whined, flopping on his bed as he looked at the ceiling.

“Because why not?” The elder huffed, “Now come over here! I need five more words on how laughter makes you…feel.” She said dramatically, putting a hand over her forehead for a theatrical effect. 

“Yeah, yeah...“ The light scarlet eyed teen uninterestingly said, “But you come over here; I don’t feel like lying on my carpet anymore.”

“Pfft— okay, your majesty.” The glasses wielding human snickered, sitting next to her brother on his bed. And without warning, the smaller teenager wrapped her in a hug from behind with one hand while the other slipped under her shirt and scribbled all over her bare stomach.  

“AUUGH! Y-YOU’RE HAHAHANDS ARE F-FUHUCKING FREEZING!!!” April seethed before bursting out into loud and contagious cackles, “AHHAHA— squeak! WAHAIT! WHAHAT THEHEHE FAHACK!?” She squealed. 

“Aww~! Look at you giggling up a storm~!” The smaller teen smiled, “Your laugh is beyond adorbs, Riri.” 

“STAHAP IHIT! YOHOHOU PEICE AHAHOF— squeal! NOHOH!” The older cried, kicking her legs in an attempt to escape which only caused the youngest to tickle harder. 

The human girl threw her head back; completely lost in her own squeals and shrieks. “Soooooo~! About those words~!” The youngest teased. 

“NAHAHAHAA— YOHOU LIHITTLE BRAHAHAT!!” The green cladded girl shouted. 

“I don’t think 'brat' or 'little' goes with the word 'laughter', Prillie...” Mikey giggled.

Oho revenge was sweet…

…So so sweet.

“YOHOU— hic! STAHAHAP IHIHIT NOHOHOW!!!” The girl in green giggly threatened. 

“No can do, big sis!” The youngest said as innocently as he could, “I need you to tell me how laughing makes you feel~! What do you feel right now~?”

“NO YOHOU— hic GAHAHAH! STAHAP IT— squeak!” April howled, “FIHINE! FLUHUHUTTERY! IHI FEEHEEL FLUHUTTERY!!” 

“I already said that.” The orange themed turtle hummed, getting his hand out of the other’s shirt and squeezing her thigh mercilessly.  

“MIHIHI— hic FAHAHACK— hic! O-OKAHAHAY!! GIHIGGLY?!”

“Four more woooords~?”

“NOOOHOHOH! DUHUHUDE YOHOUHAH— squeal!”

“I can’t stop unless you give me four more words~! Come on, big sis~! Just four more words~!” Michelangelo taunted, using both of his hands to knead the other’s hips. “GYAHAH!!! M-MYHYHY GAHASH!! FIHIHINE! JOHOY?!” The girl offered as she kicked and thrashed.

The younger teen nodded, “Three more~!”

“REEHEELAHAHAXED?!” 

“Two more~!” 

April let out a loud squeal, getting out of the hug as she lightly hit the other on the upside of his head, “Ahand trihiumphant.” She huffed, writing down the four words she said. 

The light scarlet eyed mutant rolled his eyes, looking over her shoulder once more, “How do you feel 'triumphant' when you’re laughing??? That doesn’t even make any sense…”

“Yohou dohon’t mahahake ahany sense.” The girl with glasses retorted as she stuck her tongue out at her little brother; which the little brother in question gladly copied.

Then suddenly and abruptly, Donnie walked into the bedroom, leaning on the doorframe as he knocked on the wall, “Hello, Michael and Prillie. I’ve come to inform you two that Raph has obtained us some rice and peas and jerk chicken for dinner.”

April and Mikey turned their attention to the softshell as he leaned on the doorway, “…Where did Raphie get the food from?” The box turtle asked suspiciously. 

“Oh…well, he and Leo made it.” Donatello grimaced, shrinking slightly as he saw his younger brother’s face start to form in anger, “They cleaned up after themselves— I promise. I supervised.” The light golden eyed mutant assured.

The light scarlet eyed teen rolled his eyes, going over towards his door, “I’ll be the judge of that.” He huffed, going to march towards the door but was halted by April as she gave him the clipboard. “Oh Dee~? Before we go eat, do you mind answering a quick question for me?” The eldest asked innocently.

“Uhm…okay?” The purple banded teenager said as he fully walked into the room, closing the door, “What’s the question?” 

“How does laughing make you…feel?” April asked.

The softshell blinked once in confusion, “…What?”

“How does laughing make you…feel?” Mikey repeated.

“I…don’t understand the question.” Donnie chuckled in amusement, “How does it make me…feel…?” He repeated to himself as he scratched his head, “I…feel joy when I laugh, I suppose.” 

“Anything else?” The girl in glasses emphasized, sneakingly inching her way to her brother as he was deep in thought. “Erm…lively? I do feel quite alive and quite joyous when laughter occurs.” 

“Anything eeeelse?” The chocolate brown eyed teenager drawed out as she scribbled her nails alongside the taller’s sides. Donnie let out a short squeal, flinching back as he hugged his middles.

The one day he left his battleshell in his room…

“Ahahapril doohoo. nahahat.” The taller teen warned, backing away as his sister inched towards him. “Whaaaat~?” She said casually, “I’m just helping.” 

“Tickling meehee ihihis not hehelping meehee thihink ohof ahan answer!” The light golden eyed teen said as if it was obvious, riskily sprinting to the door as his younger brother effortlessly caught him; the two boys basically fighting to the death as Mikey effortlessly pinned the older turtle to the ground, tickling his underarms.

“HEHEH— hic STAHAHA! YOHOU L-LIHIHITTLE SHIHAT!! LEHET MEEHEE GOHOH!!!” The tech loving turtle shouted, squirming from underneath the other.

“Nu-uh! I suffered so now you have to suffer.” The box turtle smiled. 

“AHA— hic! WHAHAT— PFFTAH! DOHOES THAHAHAT EEHEEVEN hic MEAN?!” The taller turtle inquired through his chorus of cackles. 

“Thought of a word to describe how you’re feeling yet, Don?” The eldest asked as she sat next to her two brother’s, grinning like the Cheshire cat. 

“IHIHI’M hic GOHOING hic TOOHOO KIHICK YOHOU GUHUHUYS' ASSES!!!”

“Language, young man!” The box turtle scolded, gently flipping Donnie on his plastron as he scribbled his fingers lightly against his shell. Donatello frantically kicked his legs, banging his fists on the ground as he screeched in laughter.

“GAHAHAD NAHAHAH— hic! PLAHAHEASE!!! WHYHY?!” He wheezed, tears of mirth blurring his vision as he shut his eyes tight. “I-IHIHI FEEHEEL REEHEELAXED!!!”

“Already have that one.” Michelangelo commented. 

“GIHIHI— hic! GIHIHIGGLY! I FEEHEEL GIHIHIGGLY!”

“Already said that one too~!“ 

Donatello wheezed once more, his heels digging into the carpet and his legs flinging around like crazy, “HAHAPPY! I FEEHEEHEEL HAPPY!!! NOW STOHAP STAHAHOP STOHOHOP!!” He cried, letting out a contented sigh as his little brother stopped the assault. 

“I hic cohohome here…toohoo deliver hic news…ahahand thihis is hohow I’m hic being repahaid….” Donnie grumbled through his giggles, huffing and puffing under his breath as Mikey hugged him. 

“And that makes eleven words!” The girl with glasses grinned, writing down the last word on her paper. “Thanks for your help, you too.” 

“Ahanythihing fohor you, Ihi guess.” The softshell said as he rolled his eyes, getting up as his younger brother was still clinged to him, “So…are we going to go eat or…?” The box turtle asked as he hugged his older brother’s arm.

“Yeah, yeah…” April giggled as she clinged to Donnie’s other arm as all three of them walked to the kitchen, linking arms. 

·̩̩̥͙＊*•̩̩͙✩•̩̩͙*˚𝙵𝙸𝙽˚*•̩̩͙✩•̩̩͙*˚＊·̩̩̥͙ 

(𝙿.𝚂.: 𝙸𝚏 𝚢𝚘𝚞 𝚎𝚗𝚓𝚘𝚢𝚎𝚍 𝚝𝚑𝚒𝚜 𝚏𝚒𝚌, 𝚙𝚕𝚎𝚊𝚜𝚎 𝚛𝚎𝚋𝚕𝚘𝚐!!!)

[a-usernamelol]

Most of the fandom simping over NPC characters like Sebastian and Ominis:

Me:

I’m just saying he’s really freaking pretty ok. Nobody judge me he’s just PRETTY ok 😅

Also these wonderfully crisp photographs of my MC are from @girl-named-matty who did SUCH an excellent job!

[nanthegirl]

22.07.2024

My exam is at 16:30. My cheat sheet is incomplete. My head hurts and I don’t know if I have to willpower to finish it. I feel kind of bad for writing so much cause it makes me feel like I didn’t even bother to remember anything. But at the same time I don’t want to be overconfident and end up forgetting stuff I studied and they’re not on the sheet. Which leads to me wanting to write every single thing down and I just keep going and going. Sometimes I wish professors would just limit us to formulas so I can relax😭.

[killerandhealerqueen]

You know, when I go on instagram and read comments about Logan (idk why I do that it’s safer on tumblr for the most part), they always say he was a shit driver but it’s like…none of them want to acknowledge the fact that he was driving a SHITTY car made with parts from the previous year, making it heavier AND he didn’t have the same upgrades as Alex. He was making the best of a shitty situation. I don’t think anybody could have done better than him in that car, honestly. But it’s always easier to blame the driver rather than blame the team, right?

[throwawayasoiafaccount]

When I see stuff like this I kinda want to bash my head into a wall:

To start off, I’m not sure whether this person was commenting on book or show Cersei, but honestly, it doesn’t even matter because she’s so much more than the ‘ambitious villain’ or the ‘murderous girlboss’ tropes in both the book and show.

(Of course, I do have my issues with the way Cersei was written in the show like most people but this is simply a rant post so I’m not going to go through the differences of Show vs Book Cersei)

Cersei is a female character who was shaped by her environment, who’s insecurities were created by her environment, and she’s a woman who’s idiotic mistakes can be traced back to how her environment shaped her. She’s much more than a murderous girlboss, she’s both a victim of the system and also a beneficiary of it, while also acting as an agent of it to keep the status quo while also desiring what the system denied her.

Cersei is NUANCED and complicated and even now people hate that about her and want her to have been a purely evil woman handcrafted in a vacuum, ignoring the context of her life because readers would rather not engage with Cersei’s victimhood and nuances because that ruins their idea of: She Was The Problem and Always The Problem. (People would rather say that she deserved her walk of shame instead of interacting meaningfully with the theme of systematic gender-based violence that is so prevalent in Cersei’s story. The exploration of patriarchal violence in Show Alicent’s story is done so horribly in comparison.)

And what really pissed me off about these tags is that this person has clearly decided that they don’t care to interact with the nuance of Cersei and are fine with flattening her, and yet they shit on others for not liking Alicent.

Because of the way Alicent is written in this show, she almost always has a ‘woe is me I can do no wrong’ attitude, which of course drives people away from the character (woe is me I deserve to take a child’s eye 🥺). However, what actually annoys me is how she’s made out to be stupid, foolish, ignorant, and inconsistent due to the horrible writing of this show, all of which are deviations from her book characterization. Also, I despise it when people want me to support writing decisions and changes made in adaptations that are downright misogynistic and are meant to attract the male gaze.

But what pisses many people, including myself, off is how the changes made negatively impacted many other characters. Alicent’s terrible characterization is like a black hole that distorts and warps the whole story! It’s annoying af!

So when people like this say: ‘She’s nuanced and people just can’t handle it 🙄;’ I say: No. She’s horribly written and a different character from the book and people have a right to be critical about these changes that stripped a female character of 1) her agency and 2) her intelligence!

And the thing is, there was little reason for the writers to have made all these changes to Alicent’s characterization! In the book she is an interesting character with clear motives and understandable reactions. She’s cunning and ambitious and acts the way a noble lady who became queen would. And despite her clear ambitions and dislike of Rhaenyra, she still makes a comment wondering about who would protect the Princess from Ser Criston, and yet she then takes Cole into her service after his falling out with Rhaenyra. That’s a perfect example of nuance! Show Alicent could never compare to book Alicent’s clear moral values and consistent disregard of said moral values in pursuit of power.

And because of this, Book Alicent isn’t easy to stomach. It’s hard for most people to come to terms with a character like her and it’s even harder for people to feel sympathetic for her at the end when she went mad with grief.

On the other hand, Show Alicent was designed in a way to garner pity, and when the writers felt like her current arc wouldn’t be enough to garner the specific reaction they wanted they would then throw in a time skip and suddenly she’s completely different and yet still Thee victim. She’s designed to be as sympathetic as fucking possible! The camera angles, the background music, and the lighting is set up in a way to make sure you the viewer feels pity or sympathy for her! Cause that’s her role in this series! She’s thee Ultimate Victim!

But too bad for the writers as many people are fed up with this kind of inconsistent writing. Even when the writers created a whole new challenge for Alicent where she’s shitted on by the green council and forced to face the beast she helped to raise, I and many others could never feel any satisfaction as it was clear that once again Alicent was being made to be Thee Ultimate Victim who was just led astray by the patriarchy and was a victim of it and was only just realizing it so don’t you pity her don’t you feel sad for her and now she’s trying to do the right thing so pls pls pls pity her 🥺~ So it shouldn’t be surprising that many people are annoyed by these eNLiGhtEnEd changes that have led to a complete deviation from the source material.

To summarize: Cersei is an excellent fucking character who’s by no means easy to stomach, and because she’s not easy to stomach she’s often reduced to annoying ass tropes by dumbasses who are reading above their comprehension level. But when you actually try to understand her, you can easily see why she turned out the way she did and you can feel sympathy for her while understanding that she’s both victim and perpetrator! On the other hand, Show Alicent is a mess and HOTD is trying to make her serve a different narrative role than she did in the books so ofc people are going to be unhappy with the changes as book readers are once again faced with the annoying reality that the writers don’t give a fuck about the source material.

[sleepycat63]

AU family tree!!!1!!!1!11111 for my askblog @ask-sleepys-slugs