One of the most fundamentally interesting things to me about YJ and writing fic, specifically, is how the blame changes hands depending on the story. On whose perspective you're writing from. On whose story it is at a given moment. The very thing I dislike about viewers missing the point becomes so fascinating to me from within the narrative. Who are these characters when seen through the eyes of their peers?
Who does Jackie become? If you're Shauna, she's the love of your life, and your greatest rival, and the other half of your soul, and the person you blame for your dead dreams. If you're Van, she's the respected captain who earns none of your respect in the woods, the one who left you to die without blinking, the easiest target for teenage malice. If you're Natalie, she's competition for affection, the blabbermouth who can't leave well enough alone, the hands putting themselves to no good use. If you're Jackie? You're just a girl. You're so tired. You're so scared. You're losing face a little more every day, and you're made of despair, and you can't even trust your best friend. It's not your fault. It's not your fault. It's not your fault.
Who does Lottie become? If you're Natalie, she's your direct foil, the splinter under the edge of your thumbnail, the smart mouth to match your own, the confusing amalgamation of normal friend and mad ritual. If you're Misty, she's the first shred of obvious power in months, a leader who might need to be nudged back into line, a fascinating exercise in hitching your wagon to the right star early on. If you're Taissa, she's flat-nuts and endlessly frustrating, she's got your girlfriend's full attention, she's incredibly dangerous. If you're Lottie? You're just a girl. You're so tired. You're so scared. You've built a pedestal you can't keep your balance on, and you're not sure if you're right or going crazy, and you didn't want this. It's not your fault. It's not your fault. It's not your fault.
From outside the narrative, there is no bad guy. There is no blame. It is no one's fault. It is Man v. Nature, they are doing the best they can with an impossible situation. They're all trying to contribute what they can to the story, for better or worse.
From inside the narrative, you are a teenager trapped in a society constructed entirely of bare-bones-survival with the wildest assortment of girls. From inside the narrative, to stay human, you have to love and fight, respect and judge. Every story changes the game. Every story shifts the blame. A hero in one has the bloodiest hands in the next. And that, to me, is such a thrilling sandbox to play in.
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Am I interested in Dick Grayson's innovativeness and how that makes him a terrifying opponent?
Nah, not really, no, it's no- EXCEPT THAT I AM!
I love your analysis and honestly, I always surf through the dick Grayson tag once a day to see if u have posted. Pls drop the innovatiness wala analysis. I would absolutely eat it up
ADSAJHFGAJLHADJLHA YOU CAN'T SEDUCE ME LIKE THAT-MY HEART CAN'T TAKE IT!
But I am here to deliver *bows*
Let's start this off with a bang
Dick is completely naked except for a towel and with one (well defined) leg he hooks the handle of the beer bucket and sends it smashing into Midnighter to stop him from using the knife on another person.
Pure. Fucking. Platinum.
That move was so delicious, there's an ease-fluidity-grace-to that split second movement. Also notice how accurate his aim is despite swinging it with the arc of his toes. The bucket slammed right into the medulla oblongata, or more specifically the pyramidal tracts which are crucial for controlling voluntary muscular movements. Nerves from the brain cross over at that area as they go down and then synapse onto other nerves that are responsible for controlling muscles when they leave the spinal cord. The precision at which he aimed the bucket is glorious. And with what? His feet.
The only reason Midnighter wasn't injured is because he is a meta which is the point. Otherwise Dick wouldn't have aimed there unless he was fighting an enemy.
Oh that brings me to my next point.
Dick has extraordinary control of his actions
He's so right though. Nightwing doesn't need to kill because fighting is too easy for him. I swear he has some kind of messed up idea (aside from his need to be absolutely good) that killing someone with a gun would take the joy out of fighting. He loves to live life on the hardest mode only.
The rapid fire throw of the gun, calculating the distance, time, velocity of return, and angle? I mean I studied physics and calculating even half of that on paper is a headache. The fact that he did it in one second? It's extraordinary. Things that are pure, dumb luck to literally everyone else is carefully calculated at a speed faster than light, making it look like luck. Damn.
Yeah.
Forget Slade. Midnighter is my new favorite nemesister.
DO YOU SEE WHAT HE FOUGHT WITH?! WHILE DEATHSTROKE AND BLACK ADAM WERE FIGHTING WITH META POWERS AND A CURSED SWORD, HE FUCKING WRAPPED CHAINS AROUND HIMSELF LIKE A BOSS AND WHIPPED THE SHIT OUT OF THAT MAN.
Please take a moment of silence to relish in this sight.
Dick's innovativeness is a formidable skill when fighting allies.
Dick and Ras are evenly matched in sword fighting.
Wait, wait. I don't need any doubts about Dick's strength in sword fighting so I'm going to include a couple panels here:
Dick fights Azrael to a standstill which is absolutely incredible because Azrael solos. He's gone through many upgrades and skills and is one of the best fighters ever. He's even defeated Bruce.
He also defeated Jason and Tim together in Batman and Robin Eternal.
This is just another point towards the fact that Dick actually won in his fight against Bruce before going into Spyral. They weren't holding back.
Oh yeah. Ra's vs Dick panel, Dick and Ra's aren't going anywhere because Dick is a swordsman equivalent to one of the best in the world. So how do you win a draw? By one upping the opponent. He swings his foot up in midair and completely defeats him. "But that isn't a defeat...Ra's just stopped fighting!" It was complete defeat because Ra's is intelligent and knows when he can't win. Also they have been fighting for a while until they reached the breaking point in the battle. This move is a show of how Dick has that just one inch more that will lead him to be a victor.
Ra's honors Dick so much he tried to give the sword he used to fight with Batman because he thinks Dick is worthy of it. Can anyone receive a higher honor than this from that man?
He'll also use the broken glass of a car window to take down his opponent. If that's not innovation, then what is?
But one last thing since a car door cannot be considered innovative these days.
sticks. He literally took two twigs off the ground to use as weapons against his highly skilled, one of the best assassins, great-grandfather who is fighting with daggers in his hands and all over his body.
But you know the best part?
He draws his opponent to a tie. A tie? Not a win? No it was win after, considering he used his relative's falling body as a launching pad in the middle of the air when they were falling off the bridge to grab onto the bridge with the help of his friend. So it was his win but it's insane how incredible Dick's skills are.
It's really innovative because who thinks of using twigs and winning? Let me also clarify another point. Dick could've used the knives he'd gotten from his talon suit and thoroughly won because when he was brain washed he almost killed Red Condor from how skilled he was but he conscientiously chose to use twigs. In a sword fight. This man.
His improvisation is an asset that many have come to know him for and classify him as dangerous because he can fight with anything, anywhere, and win.
Something I want to end with. Dick only fights people who are stronger than him. I know he's fought mob characters and stuff but his enemies? They are all metas, assassins, skilled fighters, Russian Black Ops, and more. Essentially, people who are the top of the class in their categories and him defeating them equally and fairly is the reason why he has the respect of his enemies. He's just that good.
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I've talked before about how the way people treat suicide can be unintentionally devastating to the suicidal person, but I don't think I really ever said how to avoid that.
Speaking about suicide in how selfish it "is" ("think about how you'll transfer your pain to your loved ones!") might seem like a way to put logical sense into the suicidal person, but, honestly? It runs the risk of massively increasing their shame and guilt about being suicidal. Suicide is not inherently a revenge fantasy or a way to "get back" at someone's loved ones, so when the suicidal person is treated like a criminal of a "crime" they haven't even committed yet, you can imagine how unhelpful that can become.
Instead, if you want to point out how cherished your person is, frame their relationships as something they can keep fostering.
"Your cat will miss you :(!!!!" becomes "you and your cat seem close, right? I'm sure it's beautiful having a close friend like that!" and maybe include ways that they and their cat are close and meaningful to each other, tailored to that relationship.
That's only one example, but when you shift the focus away from why that person should repent and feel guilty for being suicidal, you can instead focus on why they would live for that reason. See how you can frame that as a positive? Whatever is keeping that person tethered should never be used as a bludgeon, I think, because then you're taking away why they're living, the positivity of why they are here. Whatever they are here for should be remembered often and honoured.
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