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erinwantstowrite · 12 days

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i feel like if you released a 24 hour + video of you talking about your plans for your original book i would sit and watch all of that with no breaks. so: would you be willing to share at least the bare bones of the plot you have now? or even some tropes that would be in it? or maybe random questions like how many main characters? how many povs? if it's sci-fi or fantasy? just stuff like that!

ahhhh!! i'd love to talk about them because they're constantly rotating in my brain!! i hope this doesn't get too long but we all know me, i can never stop yapping 😭

(okay this is present erin editing before posting and yeah this got long guess who called it. anyways there's art and stuff under the cut as well)

(Marked this as mature with violence only because there is an image below where I drew injuries/cuts on a character)

This book has been a thousand different books in all kinds of settings, plots, lessons, etc, and that's because I've had these characters since I was in middle school. At first I was so obsessed with them that I'd write and draw them all the time, to the point that my teachers were concerned I wasn't paying attention. I was seriously into magic and fantasy at the time because Harry Potter books were still the epitome of writing to my middle school brain. Ruby was a wizard with a bird theme that lived in the countryside and one day found out that her town was "alive" in a sense... But after I lost that sketchbook with all of the details (devastated to this day), and started venturing into other books series and shows, etc, I sort of forgot about the og story or what it was like. What remained was a love for the characters I had made over anything else about them, so I'd end up writing stories with a different theme each time, but the ocs being the same, just with their backgrounds shifted. (Around the time I was obsessed with VLD, Ruby was in a sci-fi plot set on a planet in another solar system.)

One of the most recent iterations was Ruby and the other characters essentially struggling to understand death, life, and everything in between. The story is called "Behind the Blue Glass" and I still really like that title lol. All of them had died on the same day, at the same time, just in various different ways, and then all of them came back to life in the same manner. They all developed different powers from the experience: Liam could float/manipulate gravity), August's body was essentially a phantom that could go through objects and disappear, Vin could possess people, Jean had an empathy link with the dead and could talk to and see them clearly, and Maya could figure out someone's cause of death/also tell when people were about to die. As for Ruby, she's the only one who can move freely between the land of the living and the land of the dead. It's different from Jean seeing the dead, as she's still in the land of the living.

The plot of that story was Ruby having dreams/visions of these other people she had never met before and knowing she needed to find them and set "something" right, but she didn't know what. She sets out to find them anyways, and they each join her on her quest to find everyone simply because they never got an answer to how they came back from the dead and find it weird that they all died on the same day and time. They solve deaths of ghosts they come across, meet people who are still grieving lost ones, have to lay some of the ghosts down to rest- all while figuring out why these shady people have started following them and trying to stop them from figuring out what happened to them. I even made some first draft titles (definitely, 10000% inspired by PJO because I was reading it at the time):

to top it all off, it's set in the 2010's I believe? Around that time. Just because I think more books should write about the time era

I have some (recentish) art of the characters:

first image: (Liam on the right, August on the left)

this is what Ruby looked like when I was first designing them for the story:

They're meant to look dead-ish but this art was SO long ago when I wasn't confident in my art so Ruby just looks like a wet rat or smth idk what is going on here

And here's Vin!! I don't hate this drawing of him that much, surprisingly, but this was also drawn a while ago

and this was some art i was planning at the time:

i think that's all of the art that i have for this story (at least on this computer. My old laptop might have more but it's been laid to rest)

to be honest, i'm still thinking about writing this story, but Ruby's name would be changed because at this point, this iteration of her character is VERY different from present day. She's two different characters at this point 💀 that's how you know I've had her for SO long because she looks so different from her original drawings.

The latest version of Ruby ended up in a story with completely different characters in the cast and a completely different setting (even if some of the characters were inspired by their og versions). It's called "The Clocktower's Chime"

It's very much inspired by those reincarnation manhwas. I like those stories but they all have the same plot over and over, and while I was more interested in the versions where the character is sent back in time to live their life again but with all the knowledge they had in the future, I always struggled with the aspect that the characters' mental age is far older than they are. It makes the dynamics a little weird, but they can be excused unless it's a romantic dynamic, I would think? I dunno, it was hard to get into the plots mostly because of that.

So I used Ruby as a placeholder OC and came up with a story where upon their death in the future, someone casts a spell or a god sends them back, and instead of having a mental older age, they get a journal with all of the details of their future. Ruby woke up one day and found a journal written by herself that detailed everything about her future up to the point of her death. It was more like a book, however, rather than a journal. It just looked like a journal because it was in her handwriting.

So Ruby gets this book, doesn't believe it at all, until she notices that there are way too many "coincidences" lining up with the events of the book. She starts believing it could be true, and then decides it must be when she finds out that a prominent family in the country she lives in is going to visit her hometown. In the book, they were there because they learned that Ruby was their daughter that had been kidnapped as a baby and believed dead. However, in the book, Ruby had spent her entire life living as a weapon instead of a daughter, and she died by their hands when she refused to kill a woman that is prophesized to end a war that would devastate both countries.

Ruby is, like, 12 at that point. So her kid brain is like "obviously I run away and go to school in a different country and tell everyone I have a different name and there's no way this could go wrong." Except before she can even do that, she runs into Julias Parlia, a Duke's son from the country that is supposed to be her enemy in the future. Ruby is like "shit this is THE worst adult to run into and I haven't even gotten to the running away part of my plan" and Julias ends up being the reason she doesn't even get to the train station. He's fucking hilarious by the way. He's got a well adjusted family with two loving parents and a bunch of little siblings and he basically picks Ruby up by the scruff of her neck and is like "I want this one she's insane."

This is Julias (kneeling on the ground to talk to Ruby) and Emelie (Julias' knight and childhood friend, she's so silly)

and this is the part where I share art from many months ago... when I posted my most recent art and said Ruby keeps getting buffer every time I draw her, I meant it 💀

Ruby and her love interest, Cecelia

This is Vekenti, a character that was also supposed to be a "villain" in the original timeline. Ruby goes looking for him to prevent his death as well, and Julias obviously is like "Omg another weird kid, how delightful!" Everyone thinks Vikenti and Ruby are related, but they are not. They're just raised as siblings in both timelines and have a lot of the same mannerisms

Julias' love interest (unnamed? I can't find her name anywhere) and him

REALLLY old drawings of what they looked like in the OG timeline (I desperately need to redesign these because I could do better now)

Julias and Ruby again

and that's all the art I have for this one (besides the other post of Ruby I posted today, this is the story that that version of Ruby belongs in. She's looks very different now!).

All of this has been in the back of my mind for a while, and I've been trying to figure out which story I would want to write first. Middle school Erin would love for me to finally write Behind the Blue Glass, but sometimes I find myself wanting to write a fantasy story like Clocktower's Chime a lot more

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atopvisenyashill · 1 year

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another day another shit take on catelyn

this one was “catelyn is classist for calling the smallfolk edmure is bringing into riverrun useless mouths” and my main thought is “do you guys read with your eyes closed or what.”

let’s look at the passage:

“My people,” Edmure answered. “They were afraid.” Only my sweet brother would crowd all these useless mouths into a castle that might soon be under siege. Catelyn knew that Edmure had a soft heart; sometimes she thought his head was even softer.

now let’s look at catelyn’s other disapproving thoughts throughout the chapter:

Her brother’s voice was full of brusque confidence, but Catelyn found herself wishing that Robb had not taken her uncle Brynden west with him. The Blackfish was the veteran of half a hundred battles; Edmure was the veteran of one, and that one lost.

She was suddenly weary. Perhaps she was wrong to oppose him. Perhaps it was a splendid plan, and her misgivings only a woman’s fears. She wished Ned were here, or her uncle Brynden, or …

and later, when edmure puts his plan into action:

Her brother had taken every able-bodied man for the fords, leaving Ser Desmond Grell to command a garrison made up of the wounded, the old, and the sick, along with a few squires and some untrained peasant boys still shy of manhood. This, to defend a castle crammed full of women and children.

Do you see what happens when you actually read instead of simply deciding that Cat is a huge bitch who hates all Northerners, smallfolk, bastards, tomboys, and all things good and great? You see what she’s actually upset about, which is that Edmure’s plan hinges on luring a man with 3 times his host into battle while leaving Riverrun full of women and children and no one to protect them but old and wounded soldiers. She’s judgemental because she doesn’t think the plan will work and as far as she knows, Robb doesn’t approve of the plan.

And she’s RIGHT - Robb is pissed at Edmure in a storm of swords because he had wanted Edmure to hold Riverrun and that’s it, to lure Twyin deeper into the Riverlands where he’s cut off from refreshing his host, and cut off from King’s Landing, which is tearing itself apart unbeknownst to Tywin. Catelyn was right to question Edmure’s call here because it was a super risky plan with absolutely zero pay off and only serves in prolonging the war.

And Catelyn is right to fear a siege! The most famous siege we’ve had mentioned on page, stannis’ holdout against the reach lords at storm’s end was brutal, and a siege of Riverrun would be no different if it were to last overly long:

Ned found it hard to imagine what could frighten Stannis Baratheon, who had once held Storm's End through a year of siege, surviving on rats and boot leather while the Lords Tyrell and Redwyne sat outside with their hosts, banqueting in sight of his walls.

she calls them “useless mouths” because she’s worried they’re about to enter a siege and she knows a siege can get real desperate when you have a lot of people who need to eat. she’s not making a comment on the uselessness of the smallfolk, she is pointing out the flaws in edmure’s battle plans, which she thinks have a small chance of working - and once again, she is proven to be right! when robb shows up he’s livid about edmure’s blunder! it’s one of the key missteps during robb’s war against the lannisters!

like yeah, a lot of these characters are classist and one of edmure’s defining traits as a lord - his care for the smallfolk - is one of the main positives about him, and also why so many are still willing to flock to the Tully banner! but crowding a bunch of scared and starving people into a castle that is about to be brutally attacked by a man known for the brutality of his armies is not the smartest move!

that’s it!!! that’s all she’s thinking!!!!!!

#THEY THEN DECIDED TO ADD SOME RANDOM SANSA SHIT TALKING #IM SORRY DOES MY NAME MEAN NOTHJNG TO YOU. YOU REBLOG FROM ME AND ALSO SOMEONE WHO HATES MY GIRLS? JAIL FOR YOU.#catelyn stark #getting on my soap box #me shit talking people in the tags #catelyn stark defense squad #apparently i’m doing a defense squad bc this reread has made me re fall in love #also if u don’t think arya doesn’t have issues with classism when she purposefully makes gendry feel less than her bc he hurt her feelings.#idek what to tell u

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