in the backs of my eyes, light does not reach.
black and white, monochrome stars, inky null and blinding full.
others dream, and my thoughtlessness seeks.
though i cannot see, and though i cannot breathe
in every moment my eyes breach free-
i dream.
not for grandeur, not for fillment,
i dream of nothing but hope.
for days where i could, for the days i would dream.
sitting in the back seat. squalid radio turned to rage.
looking at her shoulder’s locks, dreaming of the cage.
taken to my first bar, shown my first rave
not forgotten, not forsaken, the only love i will take to my grave.
cigarettes and mud, alleys and grunge
all i wanted was saving.
gone so far, seeded so deep,
until it whittled into camaraderie.
when the shows over, she’d take me home and leave me in her bed.
that night i would be cherished, and that morning we'd be fed.
i see their faces in my dreams, as every possibility, every tangle, every thread, every filament held together.
like a bastion of memory, creating false to fill the empty.
to grant hope to a greyscale null.
* *
starlight ash, the null of the void, the hopes of a begotten child.
is there anything to hear, when the screams are of fear, or choking of brittle and tears?
his hopes were so mild, his rage was unbridled, how could she be any different?
feel her eyes shiver, feel her soul take, feel the ties of the poverished ingrate.
your help cannot find it, your thoughts cannot find it, your hands cannot feel it, your heart cannot take it, your legs cannot shake it and your teeth cannot break it.
in every part of you is her no matter how hard you fight
it has been the end of her
not of her blight. only of her light.
23 notes
·
View notes
Hello! I love your ORV posting. I do have an embarrassing question; can I ask how heartbreaking the ending is? I've tried reading it a large number of times, but have had trouble getting past the chapters in the 300s; I'll reread it up til that point over and over again, but can't continue. Not because I don't enjoy it, but because I get so swept away by the emotions, and all the characters go through is agonizing. I know it's not real! But my heart aches all the same, in a way I've never experienced this with a novel before, and I feel like a child LOL (It's also extremely funny-frustrating because I realize how thematic this is to the story itself). I'm not worried about the characters Kim Dokja is fighting for, but given the patterns in the story and how it seems to be told, I'm too afraid to keep going. I know I could just look it up, but at the same time, I don't want to spoil all the mysteries; just if my heart can rest easy.
TLDR, if it's not too spoilery, is there any light for kim dokja in the ending? or is it a tragedy through & through?
(If this is a dumb question, please feel free to ignore this)
oh boy anon, I've been sitting on this ask for a hot second because it's hard to answer! so I will attempt to talk around it in a way that will hopefully (?) avoid spoilers
as I see it, the nature of orv's ending (broadly writ) is additionally complicated by the fact that there are approximately four(ish) endings:
1) the ending at chapter 516
2 + 3) the ending(s) at chapter 551
4?) the side stories
the ending at chapter 516
this is probably what many people would characterize as BE, but I'd personally compare it to the ending of my love, my life, 《琅琊榜》 Nirvana in Fire, in that the ending may be "sad" (broad air quotes to vague-ify whatever "sad" entails) but it feels earned. it feels right. it feels like the logical conclusion of what the entire book was building up to. some may consider it a tragedy, but it's not a hollow, meaningless tragedy — it feels correct. this is the note that the novel officially ends on, but is then over(?)written by the existence of—
the ending(s) at chapter 551
Kim Dokja's Company looks at the ending of ch. 516 and says "aw hell no" and sets out to rewrite that ending. after 35 chapters of epilogue, we've unlocked an OE — an open ending, that concludes the moment before the HE/BE ambiguity will be resolved. schrodinger's ending, except you, the reader, get to choose what you believe — and I do think the epilogues are written beautifully to get you here (they implicate the reader in a wonderful and deeply empathetic way). and from what I've seen, the vast majority of the fandom chooses to take the offered HE option and run with it; everyone lives happily ever after together in a big house, a million domestic post-canon fics will attest. this is the closest, I'd say, that would come answering your question of whether Kim Dokja has light in his future with an emphatic, loving "yes"
(I also think it's worth mentioning that the epilogues add a lot to the story; they fill in narrative lacunae and tie up loose threads that aren't answered in the original 516 chapters, so I don't consider the epilogues as "separate" or "extra." the epilogues aren't a fix-it tacked onto the end of the narrative; they serve and enrich the narrative in a way that would actively reduce the luster of the story if lost)
the side story
a few years down the line, Sing-shong have returned to the text to tie up "a few more loose ends." the side story is currently being serialized, and more or less picks up from where chapter 551 left off. this necessarily chooses among your OE options as detailed above; whether the side story will end happily, or with "light for Kim Dokja," currently remains to be seen as it is still ongoing. I've fallen off the bandwagon and have been meaning to catch up, but from what I've read so far I think the side story is an interesting and worthwhile addition to the text. Sing-shong continue to innovate and develop upon the worldbuilding and narrative they have already created, and we have met a new cast of characters that have rapidly become as dear to us as the old (the old cast of characters are also here, don't worry). if I were a betting person, I would say that the side story is headed in a more-or-less HE direction; the side story is currently engaging with and complicating themes of (self-)identity and (self-)worth through the many lenses of Kim Dokja, and while it remains to be seen how it resolves, I am tentatively optimistic that it will, if nothing else, be satisfying
TL;DR the ending(s) of ORV can be variously construed as HE, BE, or OE, and the elements of tragedy woven into the narrative and characters are inherent to the text. however, no tragedy is meaningless in ORV, and all of the endings feel earned
23 notes
·
View notes
There are a couple of lines in Psychonauts 2 that I think about quite a bit. I’m pretty sure these have already been done but if NOT, then. Uh. Spoilers for Psychonauts 2 I guess?
First off- one of Sam’s lines. There’s actually a lot about Sam that I think could have been put to better use—specifically a conversation about how psychic powers aren’t always controllable, giving parallels between Compton, Dogan, and Maligula and MAYBE Raz. But the line I SPECIFICALLY think about is a joke one.
“And if you use enough syrup, you can’t taste the difference between chicken and snake. Eggs is eggs!”
In Psychonauts, eggs are used as a metaphor for brains. Like, this isn’t some vague thing, it’s extremely front and center. Eggs and brains are directly linked. And, it should be noted, that Sam actually puts an entire nest—INCLUDING BIRD EGGS—in the, uh…. ‘Pancake mix’.
So, snakes and chickens and syrup, right? Chickens, generally used to describe someone who is cowardly or otherwise not the type to actually do anything, syrup being sweet enough to distract from other tastes, and snakes being, well, people who are not trustworthy.
And then there’s Nick Johnsmith, aka Gristol Malik, who is a well liked non psychic that Truman calls a lick spittle—someone who fawns over others easily. In other words, a snake (egg, brain) that acts sweet (and syrupy) enough to seem like a chicken (egg, brain).
Do you see. Do you SEE THE VISION HERE.
Anyways onto phrase 2. Said by Gristol Malik.
“He took a poor, sad, country girl and turned her into a mighty warrior. And I’m going to do it again.”
Now, usual context will say he means he’ll bring Maligula out of Lucy/Nona. I don’t think that’s incorrect, per se.
But one of the things that really, REALLY snapped Lucy/Maligula was the death of Marona, her sister.
And who do we have camping nearby? Why, it’s an entire family. In fact, it’s Raz’s entire family. And at LEAST half of them are psychics.
Gristol already views Raz as a puppet. He only kind of likes him because he’s half Grulovian. And, you know, during the Rhombus of Ruin, Loboto was no longer under Oleander’s employee, so… who wanted Raz’s brain removed? Someone who, oh I don’t know, might have heard about Raz being a powerful psychic that MIGHT have noticed Raz’s rather unique name… or, more specifically, the last name of a circus that performed for the Gzar and his family, famous for water acts. One that, by chance, someone could have known that a Galochio, a family of psychics, recently married into?
And you know, Maligula is older, it’s good to have back-ups, right? I mean, this is the same guy that ACTUALLY pulled one over on an entire spy group of mind readers.
But, hey, maybe it wasn’t a plan to turn Raz into Maligula by killing one or some or all of his family! Raz is kind of pissed right now, and might not snap the way Gristol would want him to. I’m pretty sure murdering, say, Mirtala, his baby sister, might not work in Gristol’s favor when Raz is already against him.
That said… he’s not the only psychic in the Aquato family. And in fact some of those family members aren’t the most on board with the whole… Psychics and Psychonauts business.
Specifically, we have a barely used plot thread including Frazie Aquato and her acceptance of her psychic powers!
I’m sure that, oh say, her little brother dying in the middle of him helping the Psychonauts pick up their messes, when he should have been able to be saved by one of his heroes since he was literally at their headquarters and surrounded by psychic adults, will only have good things happen to the Psychonauts. I’m SO sure that Frazie won’t get extremely pissed at these people her brother looked up to so much. She’ll definitely be understanding and absolutely won’t use what seems to be a family trait of extremely powerful psychic power along with the hydrokinesis in her bloodline. Specifically because she, an acrobat since birth and taught to ignore a lot of the usual fears most people have about safety and the instinct to flee, definitely has a great relationship with her fight or flight mode.
:))))
Anyways I have a lot of thoughts about Psychonauts 2 (I’m not saying I’d do a fix it of some things that bother me, but I do tend to do canon rewrites to smooth out wrinkles as a fun writing exercise/my version of hyperfixation on media and with the time gap between the games there is PLENTY of those in the plot, so uhhhhhhhh) but no one to bother them to, so uhhhhh yeah thanks for coming to my Ted talk.
21 notes
·
View notes