#idk man it just all reads very much to me like the implication is that viktor is the kind of person to do that kinda self sacrifice thing

[legendary-alliance-stance]

okay but sometimes I think a lot about the urn of saint viktor skill

how it’s basically a Self Sacrifice skill to heal others

and I can’t stop thinking about what that implies about viktor

[onlydijah]

⋆✴︎˚｡⋆ BAD HABIT ❪ INTERLUDE ❫

𝜗𝜚 CATCH IT! — dislike to lovers, both are still in high school, no warnings i think

𝜗𝜚 WORDS FROM ME! — hi i wrote this at like 3 am so my apologies if its not good😭 idk if im gonna continue this but if i do i it’ll be a 4-parter!! plot was inspired by some book i read i lwk forgot the title (😓😓)

𓂃 ִֶָ𐀔 — word count, 1.3K

THE MOTONOUS BUZZING of the pasty white fluorescent lights vibrated throughout the sterile, lifeless room as an older, chubby man paced around the spacious area. “I don’t even know what our game plan is here ken. I… ugh.” he spoke, feebly.

The younger teenager shrunk deeper in his seat, reverting back to his signature manspread. He looked around unsteadily, praying he didn’t accidentally meet his coach’s disappointed eye and let out a laugh.

As the dull melody of clicking footsteps and clock chimes continued, a million and one thoughts swirled through each other’s heads. While one was more focused on what he would eat for dinner tonight, another grappled with the fact that his star baseball player was as good as gone.

“Do you have anything? anything to say for yourself?” The frustrated man exhaled as he plopped down on his worn office chair, the wheels scooting it back a little upon his impact. “13 violations is absolutely crazy young man, your mom ever tell you ‘if you dont have anything nice to say, hold your tongue?’ god, we’re lucky the committee let you off easy the other 12 times, but I fear they’ve realized the way you act out on the pitch far outweighs any positives your talent grants you.”

The implication of career ending consequences in his coach’s outburst made the boy stand straight in his seat, “Huh? waddyamean, I would say my teasing adds charm.”

“Right… right! How about we go through some of your charming encounters, shall we?” The elder kissed his teeth as his hands rustled their way through the stacks of papers on his desk.

“That actually isn’t necessary!” Kenji responded suddenly with a nervous chuckle and uncomfortable grin, lunging across the desk in an attempt to stop his coach from reading his rather… vulgar jibes.

“No no, I think it's very necessary actually,” his coach remarked, raising his hand high to prevent the boy from reaching his documents. The younger boy fell face flat on the desk, choosing to just lay his head there as the man in front of him listed off the many crude actions he had been reported for.

“Are you kidding me? What does his face shape have to do with you throwing a beanball at his head?!”

“Ummmm.. so it was throwing me off the whole game so i had to like— even out his proportions.. ya’know?” Kenji answered sparingly, contorting his fingers and emphasizing each word he responded with so as to get his point across. “That’s not a valid reason and you know that.” his coach rebutted, shaking his head with distaste.

He loosened his grip and the pamphlet dropped with a loud “thud”. Raking his hands through his graying, jet black hair he began, “Listen, I'm gonna try and find a way to get you out of this— but there's no guarantee they won't find a way to terminate your scholarship. Ill have an answer for you by tomorrow.”

“Ouff.” The younger male let out a heavy exhale. “That bad?” he cringed.

“That bad.”

The rest of that day was ruined for Ken as his only hope of starting a successful baseball career was entirely in his nimble-minded coach’s hands. Easy to guess he didn't have much faith in him.

He roamed aimlessly around the massive halls of his school, taking note of every detail that the scattered decor offered. The curve of the walls when he was about to enter the gym, how the lights dimmed when he got close to the designated faculty/staff areas, and the navy blue bean bags littered across the library that helped transform the original cold, uninviting room into a welcoming space for all.

He admired how many windows the academy had, leading beautiful, warm natural light to pour from literally everywhere. He found comfort and belonging in the school as he strode, the expectation of being kicked out heavy on his shoulders only strengthened his love for the establishment.

Eyes lightly stinging from unpoured tears caused him to clench his eyes and shake his head frantically— his soft locks swinging across his face before he pushed them back into their place.

“Hello? Kenj.”

“Huh? Oh. Hi [name].”

“What?” She shrugged apathetically. “I didn't mean to ruin your main character moment but I needed your half of the history assignment like— yesterday.” she deadpanned, moving her hands around frantically.

“That wasnt due until Thursday!” Kenji negated, turning towards the girl. The height difference was quite intimidating from an outside perspective, but nevertheless the girl continued to argue.

“Are you actually illiterate? Like is there anything up there?” she pointed to his skull. “PLEASE let me know because if not I will gladly sign you up for the reading comprehension classes my little cousin takes.” she scoffed aggressively, turning the lightweight ring she had on her finger excessively.

“I’m alright, thank you.” Kenji sassed, pulling out his phone to “check his syllabus”. A couple beats of silence passed before he pressed his lips into a thin line and smiled.

“Oh my god.”

“I'm not stupid. Here.” He spat as he opened his backpack and lightly shoved a manilla folder into the girl's chest. “You're so irritating, like— why get me worked up in the first place?!” she pushed him back lightly. “You're evil. I can’t even—“ she rambled, unconsciously letting Kenji push her into the direction of the cafeteria. “See, this is entertaining!” He gushed, opening the cafeteria door and letting go of the girls backpack. “Bye friend!” he cheesed, turning back around to look for his clique— wherever they were.

The cafeteria was bright and energetic today, students laughing and arguing supplied audio for the usually silent enclosure; the clicking and clacking of plates and trays held a soothing melody for the ears of everybody there to enjoy while they worked and ate.

“Ohhhmygod that's crazy. He can't just do that can he?” Nia murmured as students bustled by their table to meet their friends. “Its not his fault, i'm here on scholarship so technically the school can revoke it whenever they want.” Kenji clarified.

“That bites man, im sorry.” she sympathized, shoving 3 sticks of strawberry pocky in her mouth. “S’okay. Coach Hayashi will find a way out for me. He always has.” he tried to reason, arms cradling his pounding head.

Nia dropped her pocky and rolled her eyes. “Now you're just lying through your teeth.” she chuckled. “Whatever.” Ken huffed, grimacing as his headache got worse.

“OVER MY DEAD BODY.” The younger woman fussed, slamming the door. “Cmon, [name] its not such a bad thing!” her counselor eargly hooted, “You’ll only be doing it for a week— max. And… well, you dont really have much of a choice anyway.”

The student exaggeratedly flopped onto the cream colored bean bag, glancing back at the colorful walls of Mrs.Aoki’s room. “Theres nobody else up for it?” she sighed grabbing a multicolored throw pillow; hugging it close against her chest, “I’ll take literally anybody else.”

“Im afraid not.” her words echoed around the lively expanse, bouncing around the colorful furniture and across the motivational poster spreads on the walls. “Be grateful he’s even up for this. Listen— the only person who can strain this arrangement even more now is you. So if you want to ruin your chances of ever getting into a good university, go ahead.”

The veiled wisdom hidden between the statement of the older woman became loud and clear against the young girls ear. “Your right.” she conceded. “Ill be there tomorrow.”

“Thats the spirit!” Aoki rejoiced, offering her pupil a soft smile.

© @onlydijah on tumblr. DO NOT copy, translate, or claim any of my works as yours. thank you! 💘

masterlist

[ricksanchezbignaturals]

i rewatched s7e3 and the weird sort of straight washing that happened with unity was worse than i realized in my first 1 and a half viewings. so im here to be a little bit more of a hater lol.

okay so like fuck this bitch in particular

now, i understand that unity has appeared in the comics which i haven't read so it's possible there's some lore there that idk about, but here's the deal as i understand it and why this specific alien acting like the face of unity bugs me so much. this alien is part of a species that, as of the episode in season 2, was very recently assimilated by unity. so like im not sure why there's so much focus placed on her specifically. having her act as a representative of sorts made sense in the first episode, she was a president on the newly assimilated planet that rick and the kids were visiting. but like, that's it, right? it doesn't make sense to me why she would be any more important than any of the other, what? trillions of life forms unity has under its belt? like the only reason for her to be here at all is to be recognizable to the audience, which like, fine. i think it's a little dumb, but whatever. the problem isn't having her as a symbol (personally i think it'd be cooler to not have an entity like unity tied down to being primarily represented through one body but i digress), the problem is that she's treated like more than that in this episode.

this is a part i didn't notice until my rewatch that really irked me.

these are concurrent shots from the scene when rick shows up and starts spraying unity. we see it in virginia telling rick to take it easy through the body of this human, then we see it continuing the conversation from its spaceship in the body of the alien. i am like super not a fan of the implications of that. this alien is not supposed to be unity any more than any one of my cells is me, but here it's depicted as though whenever unity does something in any of its bodies, it's coming from this lady. and like, that'd be super lame even if it wasn't an obvious womanification of a nongendered entity.

now im no english major so i don't have an elegant transition to put here, but yes, it is time to talk about pronouns. yeah yeah, ik, trans person gets hung up on pronouns, bite me okay, it's relevant. i went back and watched the first unity episode to be sure id remembered correctly, and yes, in that episode nobody uses gendered pronouns for unity. morty says "they" which seems more to be referring to a number of bodies, and other than that, people mostly say "unity" or "it". as for the new episode i noticed rick using nongendered pronouns twice

but after that he goes with she/her for the rest of the episode

and yeah, i think that is pretty disappointing. i didn't catch that "it" until my rewatch, but the use of "them" did make me really happy but then everybody started she/hering it. the combination of all that emphasis being put on a female body and people calling unity she so much makes for an episode that manages to be significantly less queer than the one that came out in 2015. it feels weirdly cowardly after that "we're all a little gay" bit in the last episode and doesn't inspire much confidence in me regarding rick's relationships with nonwomen. like stuff can be gay if it's for a joke, but there's more money on the line now than back in season 2, so rick's ex lover needed straightening up.

idk. i still like the episode because im easy and focusing on rick's mental health and relationships always makes me happy, but man, i am certainly not happy with how they handled unity. they really did it dirty, watered it down to being pretty much just another alien lady.

(also to be clear, i am not trying to shit on the writers here. obviously idk exactly what went on, but im pretty comfortable placing the blame squarely on execs)

[scaly-freaks]

Also, on a side note/rant about the Aemond grooming discourse. My sister was truly up in arms citing specific episodes of the last season to prove that the woman was secretly “in charge,” and a pedophile, because “she continued to see him.” Idk, that rubs me the wrong way, because it truly sounds no different than like people saying “well, she continued to work in that place even though she was sexually harassed, clearly she wanted it.” Like, as you’ve said, even if he was a kid, he’s still the son of a king and has the equivalent to a nuclear bomb at his beck and call. My sister tried to say “well, she could have given him to another sex worker,” like no?? If he asked for her in particular, she’d have no choice; also, idk how it would be any better if she sent him off to have sex with another fully-grown woman.

I sometimes wonder whether this absolutely insane response is the result of some kind of cognitive dissonance that Aemond fans get from seeing someone whom they’ve imagined as this domineering, sex god character act in a submissive way to someone. Like, I have a sneaking suspicion that they wouldn’t have as much of an issue if Aemond were reacting through hypersexuality or rough sex with this woman, even if both were in response to him having/being forced to have sex at a very young age (both of which actually ARE common responses). Like obviously, there is an air of wrongness in the scene, because he very clearly sees her as a type of mother figure, in a way that’s very reminiscent of a son with his mother. That is very alarming, but, again, I don’t think they would have as much of an issue if he were having another common reaction to having sex way too young.

Personally, I never got the “daddy dom” Aemond vibes because literally no aspect of his character would ever scream sex god. From a young age he looked down on Aegon for his drinking and sexual proclivities, his closest confidante is his (until recently) sexually-repressed mother who uses religion as a means of sublimation, he spends all day training, and all night likely reading. So the brothel scenes weren’t shocking to me due to the implications on Aemond’s character (though it was shocking seeing how skinny Ewan Mitchell was). Idk, like you said, it’s just a classic “applying contemporary understandings of power to situations with different contexts of power and oppression than most of us could even comprehend.” And it personally pisses me off to see a woman who had no agency in this scenario be labelled as predatory. Like y’all, Foucauldian power analysis was about the intersectionality of power, aka the ability to hold more power in one context, and far less in a broader context, you can be an abuser in one context, and abused in another. And, in Westeros, there are very, very few contexts that would equate to having more power and agency than the son of a king.

So on one hand, I get annoyed by seeing a woman get shat on by other women as a means to defend their image of a man, an image which I personally find to be entirely inconsistent with his character (so the literary analysis system in me goes berserk like klaxon klaxon does not compute), and also seeing women ignore blatant power imbalances but then invoking them as a means to hate other women. Idk, maybe it’s a trend I’ve noticed, similar to how a “pick me” has morphed from genuine discourse on internalized misogyny to a criticism of any women who don’t necessarily identify with traditionally feminine behaviour (but who are doing so out of genuine interest rather than a desire to appease me). But it does piss me off. That doesn’t mean I don’t believe that groomers should be reviled, but rather, that there’s a huge trend of male or white power being ignored in favour of criticizing the actions of those in the more marginalized position.

Anyways, rant over!

I have noticed that even with a so-called liberal approach to sex work, most people still view sex workers with a degree of disgust and a refusal to humanise them (usually subconsciously, but it filters through in how they speak of them). In-verse, Aemond's disregard for Sylvie - a whore is a whore - was especially telling because everyone last season was swearing up, down and sideways he respected women because he "loves" his mother, or "listened" to Criston. None of the men in this show respect women LMAO not even Corlys (he literally dragged Rhaena for not having a dragon and not knowing anything about the "sea" when Rhaenys said she should take the throne of Driftmark).

Rhaenyra was more powerless than Aemond when Daemon left her alone in that brothel with her pants down. She was a young girl, and she was dressed up as a peasant. The things that might have happened to her if a group of drunk men found her and were too conked out to hear her yell that she's the princess? Unfathomable. But I don't see half the amount of bald outrage for her situation than I do for Aemond's.

I fully agree with you on the case of Aemond's "daddy domification" going way too far. I think he has it in him to rough someone up sexually but it wouldn't be pleasant for them. I think he's selfish, and he only considers his own pleasure/pain and not the pain or discomfort of others (minus that one scene where he apparently felt sorry for Jace, but post-eye-removal, they may have scrapped empathy entirely). I also think he's set up on screen to be this "woe is me", poor little white prince who feels sorry for himself more than he ever does for others, but when the fandom takes it at face value, that's when it gets really fucking annoying.

He burns the Riverlands for fuck's sake. He slaughters men, women and children because he cares about his own feelings of anger and betrayal more than how others will suffer because of them. There is very little feeling in him displayed onscreen, but because straight women have turned him into the archetypal "I'll fix him" trope, now we're seeing Frankenstein-headcanons of a man that doesn't actually exist in the story.

The thing about Aemond being set up as Daemon's foil is that Daemon is shown to care, whether it's about his niece or his brother. Aemond appears to care about nothing but himself. He is the ideal foil because he doesn't give a fuck (do not get me started on that stupid scene of him regretting Luke's death, and not the fact that his nephew is dead because of it).

If Alys is having a ball fucking with Daemon's head, she is not falling in love with a petty little prince like Aemond except to fuck with his head even worse.

I am very objective about Aemond and that's why people may accuse me of not liking him, but I can be very harsh on Aegon too so that's really not an issue.

[vechter]

was reading ur post about how even tho dick is super loyal to bruce there’s a line and bruce knows not to cross it, what do you think the line is for dick? like what could dick do that would make bruce stop talking to him? genuine thoughts those two are insane…

hmm. like i said- i don't think even the two of them know what it is. but there is some vague place where dick feels like he needs to be responsible for sort of keeping bruce in check. like, if you take the very first confrontation in war games after firefly shooting dick in nightwing (1996) #99:

and when bruce tells him that it's just him and dick again and starts off on a spiel about crime-fighting and the people who partake in it, dick leaves! he arrests tarantula, tries to turn himself in and when that doesn't pan out, he leaves his nightwing suit under jason's memorial and goes off to join the mob.

how much of this is dictated by his own failures (like let's be real, man was Going Through It) and how much of it is because another robin is dead? particularly after all that effort and energy into being a safety net for tim? how much does dick blame himself for not doing the same for steph? in dick's eyes, he failed himself AND he failed bruce.

i will admit, though, that this storyline varies slightly in nightwing (1996) and batman (1940). in batman (1940) #634, he watches bruce drink bourbon and gets a recounting of everything that has happened so far. alfred makes jokes that it's the three of them again, just like old times. and dick ends it with "he still gives me hope". so... idk.

in knightsend, dick thinks bruce has killed someone and goes Off. panels below from robin (1993) #8:

but surprise! it was just bruce faking the man's death so he could fool shiva. so, there's no real wrong that has been committed and everything goes back to status quo.

i won't even bother with nightwing (2011) #30 because somehow, dc forgot that they ended that run with this and the infamous "i'm not your boy" panel:

but i love to consider the implications of this. bruce asking dick to let his friends and family mourn him is crossing the line. it's a shitty choice, not really much of a choice at all, actually; bruce tells dick that dick is the only one who can do this and there are lives and identities on the line. of course, dick has no option but to say yes. he has already been unmasked and compromised the rest of the bats. there is no good option here.

also, i've said this before- i don't fuck with batman beyond much because a) idk terry and i can't be bothered to know him and b) i've only read volume 3 (2010-2011) but it's one of the best ways to answer your question, anon!

basically, jokes captures alfred and bruce and dick go to rescue him. but dick and bruce haven't worked together in a while so bruce forgets to consider movement when you have a partner in the field. dick gets shot like 1000 times, bruce does the minimum to stop his bleeding, calls an ambulance for him and goes off after the joker. he doesn't visit dick in the hospital or apologize because he feels guilty but sends him a suit via alfred saying it's waiting for whenever dick wants it. dick loses an eye. i summarize this poorly so please read batman beyond (2010) #4.

but, dick ends up coming back to help terry who reached out to him after getting annoyed with bruce's MO of hiding relevant information etc. and after they complete the mission:

OUCH. panels above from batman beyond (2010) #6.

so like i said, dick will always come back for the kids even if they exist in a world where dick cannot forgive bruce. this ended up being too hodgepodge of an answer so i apologize for that but i hope this helps!

edit: omg anon i just re-read what you asked and realized how i completely switched around bruce and dick aaaa sorry!!!

[littlemissmanga]

I am very disrespectfully asking for “He was looking at your ass and that ass is mine.” with Crosshair 🫶

Orders received! And I am most disrespectfully saying hell yes!

This is why I love prompts like this - I never would have read this and thought of Crosshair. But you did and now I have THOTS. (also fucking win for the Jack Black gif)

I (again) blew through the 200 word limit, but this isn't too bad.

Send me one of the following for a 200 word clone drabble

Pairing: Crosshair x (gn) Reader

W/C: 478

Warnings: SFW but groping and implications, mentions of impact play, possessive Crosshair (is he ever not?)

He cut through the crowd like a blaster bolt, unconcerned by the way his shoulders pushed the other bar patrons aside. The only thing he was concerned with at all was you … and the sleemo dancing far too close, eyes roving over you.

You didn’t look too concerned. In fact, you looked a little too comfortable for his liking. Crosshair knew if you wanted you could lay the man on his back in 30 seconds. You were choosing to indulge him.

Maybe you both needed a lesson.

With just a few more strides, he came up next to you, grabbing your arm and deftly pulling you into him. You turned and looked up, the shock in them melting to something softer in recognition. Before you could even offer a greeting, his lips were on yours — forceful, demanding, incessant. Not satisfied yet, Crosshair wrapped his free arm around your waist, pulling you into him as he let his hand slide lower to grab your ass possessively.

Your little yelp only inspired him to deepen the kiss, claiming your mouth with his and savoring your taste.

His eyes snapped open and cut to the man behind you, smirking at the flustered and indignant face he wore. “Can I help you?” he mocked.

Cross could feel your head turning to look over your shoulder, but his arms held you firmly in place, preventing you from catching the other man’s gaze. “Cross…”

It only took two heartbeats for the man to understand his message and leave.

“Crosshair,” you repeated pointedly, bringing his attention back to you. Gods he loved holding you so close, looking down at you all pressed up against him like this, proving to himself and everyone else that you were his. “What the blasted hells was that about?”

“He was looking at your ass,” he said, leaning down to nip at your pouting lip. You were so cute when you acted like you hated his behavior. But the way you pushed in closer and let him slip his leg between yours told him otherwise. “And that ass is mine.”

Driving his point home, Crosshair grabbed your ass with both hands, pulling you just to the tips of your toes so you rested your weight entirely on him. “Don’t make me remind you again, doll,” he warned with a squeeze.

He could feel himself hardening as your lips parted, shiny from his spit and the tacky gloss you coated them with. But fuck if the way you smiled, open mouthed and hungry eyed didn’t make him want to take you right there.

“Or else what?”

Karking tease. You were doing it on purpose.

Leaning in close, Crosshair made sure you looked him dead in the eye when he hissed, “Or else I’ll mark it up so much not a soul in the galaxy will question who you belong to.”

A/N: IDK why shit like this is so damn indulgent when this behavior is so awful IRL. But god this was fun to sink into and write.

[thesalemwitchtries]

Dreaming Of a Grave: Chapter Two

Word Count: 3,190

Pairing: Matt Murdock x Named! Fem! Enhanced! Reader

Warnings: Descriptions of injuries sustained through physical assault (no implication of sexual assault at all, so maybe goons beat reader up in her apartment, but they weren't total pricks about it?), There is mention of a man being a creep towards young girls and physical violence against him because of it, the girls are fine, mention of distrust of police/government, Also I didn't change Mrs. Cardenas' existing dialogue, but for everything I created it's in Spanish, because the broken English being spoken when two other speakers are present and when she understands English just fine and then also being killed off for white male plot reasons... none of that sits right with me, so she speaks Spanish and Foggy is accommodated by Matt and Karen, as is perfectly common in an American setting I feel. I know that it was for an English speaking audience but still, subtitles or something. Also when they address her in Spanish they call her Sra, just because I've never spoke to someone in their native language and used an English title, it just was too weird for me to write it that way idk.

Masterlist

Thank you so much for reading! Any comments or feedback are much appreciated!

Also I am not a native Spanish speaker, I've been studying it for a long time, but I've been practicing French and Arabic more lately, which sometimes are all jumbled together in the Non-English half of my brain, so if you see something wrong or funky, please let me know, I would rather be corrected than go around not knowing, especially since it's my favorite language.

Another person might have struggled to focus when faced with the amount of turmoil that Matt Murdock was currently against. Luckily, or perhaps unluckily for those who cared about him, Matt had been capable of excellent focus ever since he was young. Beyond being able to tune out any extra input or hone in on the important bits, when Matt cared about something, he could drive out everything except for his goal. 

His problems with Fisk, the Russians, keeping Claire safe, that could all wait until after work. For now, his attention was locked in on the nervous woman who’d walked into their offices, claiming to have been directed there by Brett’s mother. 

Karen helped to translate as Mrs. Cardenas spoke, given her soft voice and more gentle demeanor, Matt felt content to let her do the questioning while he listened in. According to Elena, two weeks ago men came to her apartment building and tore into the walls with sledgehammers, leaving many people without power or water. Their landlord refused to answer them or help, and when they went to the police, they were told that there was nothing to be done, it was an issue for the city to solve. 

A whole building of people and families, left completely on their own. They deserved to have hope that justice would be served on their behalf. Nelson and Murdock could give them that, though it may take a few months in the courts.

The case that Mrs. Cardenas had brought them was daunting, to say the very least. 

Armand Tully had a reputation as a predatory landlord. His properties were rent-controlled by the city, which was the only protection that tenants had against his greed. Buildings crumbled under his purview. Leaky pipes, faulty wires, and poor security all combined to leave only the most desperate candidates willing to build their lives in his apartments. 

Tully presided over another twist in the cycle of poverty, ensuring his tenants had to spend their own money on these repairs and legal fees, money that could’ve been saved to afford a better landlord.

Worse still, no one could fight Tully. He kept barely within municipal code, and allowed other suits to be tied up in civil courts for as long as possible before doing the right thing. Matt and Foggy had detested running into his cases when they were interning, it felt like a betrayal of their roots.

To Matt, Wilson Fisk was like a blackout rolling through Hell’s Kitchen. Even when Fisk wasn't the direct cause, the increasing spread of darkness through the city was emboldened by his mere presence. The worst sides of everyone around him were encouraged, their greed and cruelty nurtured to monstrous levels.

People feared the Devil of Hell’s Kitchen for the pain left in his wake, but he wasn’t the one inspiring lowlifes like Tully to start smashing in the walls of family homes. All for a quick buck and an investment opportunity. 

Elena’s voice wavered as she explained that the tenants had exhausted all of the options that they could. They were desperate, and it was a relief for Matt to know that at least he was still capable of making one right decision, it could even be easy.

Talking with Claire had him questioning if he really was doing more harm as the Devil than good, it certainly hadn’t been good enough to help protect her last night. However, if Matt hadn’t decided to leave Landman & Zack, he would be defending an asshole like Tully against a vulnerable woman like Mrs. Cardenas right about now. 

Maybe he wasn’t doing the right thing as the Devil of Hell’s Kitchen, in fact he was pretty sure that he wasn’t, but he couldn’t stop. The work had to be done, and if the city was going to paint people with sin, Matt would prefer it to paint him. If it did, then the people who deserved better could finally have better. Matt Murdock would be there in the daylight, always ready to listen out for the weak, to help them the way that God and his father wanted him to.

Karen walked around the table to offer Mrs. Cardenas a box of tissues. Meanwhile, Foggy was already moving on to next steps, thinking aloud about strategy; “This says Tully offered them 10,000 dollars to give up their rent control and vacate the premises. Maybe we can pressure him into giving a better payout.”

While that’d be the easiest solution, Matt knew before she spoke that Mrs. Cardenas wouldn’t go for it. He could hear her head and gold earrings shake in unison, and a whiff of aerosol hairspray accompanied the resolute motion.

“No, Señor Foggy. We do no want money. We want to stay in our homes,” she pleaded, barely holding back her tears while trying to get them to understand her position. Matt already understood, he wouldn’t want to leave his home either. 

Matt remembers when aliens tore a hole in the sky and started smashing Hell’s Kitchen apart— as if anyone could forget something like that. He’d been sheltered with Foggy in their broom closet of an office at Landman & Zack, desperately trying to understand what was happening, worrying about the Nelson’s, and dreading the possibility that he may die before passing the bar. Below the more urgent panic, as the trembling ground and ear-splitting attacks slowed into one of the worst headaches of his life, Matt worried about Hell’s Kitchen, his apartment, if there would be even a scrap of home left to return to. 

He had prayed for a long time that day. Just as he was about to reassure her, Mrs. Cardenas took a shaky breath and continued speaking. 

“Hay algo más. Los obreros, son solamente un ‘city issue’. Pero, uno de mis vecinos, Ms. Charlotte, ella fue… atacada por ellos.”

“They attacked her?” Karen gasped, pen almost falling from her grip. She and Foggy exchanged a frantic look, and Matt’s back straightened, posture growing as stiff as the curl of his frown.

“Pienso que si, pero no me digas lo que sucedió—”

“She thinks so, but her neighbor won’t tell her what happened,” Karen translated, stumbling over the words a little in her shock.

Mrs. Cardenas grabbed another tissue from the box that Karen had provided for her as she spoke, explaining that she thought that her neighbor had been hurt while standing up to the workers.

With Karen intermittently translating for Foggy, Elena explained that once, an older man had been following some of the building’s young girls home from school. Rumor has it that when Charlotte found out, she began walking home with them to keep them safe. One day the creep dared to say something inappropriate, and Charlotte maced him. She then allegedly stomped so hard on one of his hands that the story says she broke every finger. Allegedly.

He never returned, and she leads a pigtailed parade into the building almost every afternoon.

Elena figured maybe Charlotte had tried to stop the damages, having been one of the only younger adults there that day, working from home. Many of the working tenants were out, leaving only children, older residents, and few others. People had been scared, many of the children down Elena’s hall had gone to hide in her own apartment. Mrs. Cardenas also swore that she’d seen Charlotte injury-free just that morning before the workers arrived.

“La próxima día, la ví en el vestíbulo. Charlotte tuvo moretones en la garganta y las muñecas, y en el pómulo— la piel está rota.” Mrs. Cardenas spat out the list of injuries as if they stung, jerkily motioning to her own body as she spoke. Karen turned her mouth into the palm of her hand and closed her eyes, Foggy looking between her and the stone-faced Matt.

“What does that mean? Guys, what happened?” 

Foggy’s question was absorbed into the tense silence of the conference room. 

Matt pulled his hands from the table and tightly knotted them in his lap. It was good that his glasses shielded the old woman acrost him from the full force of his glare, Mrs. Cardenas wasn’t the intended recipient of his rage. No, it was someone else entirely that he’d be searching for that night. The Devil had heard its name being called, and wanted nothing more than to punish the kind of worm that would beat a young woman in her own space. His fingers twitched, knuckles turning even whiter from the force of his restraint.

“Seriously, what did she say?”

Sensing the lump in Karen’s throat, Matt took it upon himself to answer Foggy’s question as best he could through the gritted frown on his face. He translated what Charlotte looked like when Mrs. Cardenas saw her in the building lobby the next day, from the bruises on her neck and wrists, to the one on her cheekbone that came from a hit so hard that the skin had split open.

“Jesus, and they still claim that these were contractors? Maybe brutes for hire, but certainly not plumbers.” Foggy scoffed, shaking his discomfort off in the only way that he knew how. Unknowingly, he’d set the Devil to work inside of Matt’s head, achingly familiar with the work of hired goons. Maybe there was more at play here. Or, you could be obsessed and paranoid.

“Did she say anything about what happened? Give some story or excuse?” Foggy asked, leaning in across the table. Karen picked her pen up again, turned to a fresh page of the notepad and copied down the injuries that Elena had described. The gentle scratching filled Matt’s ears as he thought. He arranged a tentative plan of action, the rest of the day could be spent on gathering information, and once the sun had fully set, he’d let the Devil pick his favorite of all the violent thoughts running through his head.

 “Excuse? No, no. Ella no hablará con nadie sobre eso. Intenté muchas veces, y nada. Brett, el hijo de Bess, lo vistió, sin uniforme, sin placa. Pero ella, no… no budge.”

Shifting in her seat, Karen turned toward Foggy and Matt, head bowed towards the table as she spoke; “She won’t talk to anyone about it, Brett Mahoney visited without his badge and uniform, but she still wouldn’t explain.”

“Sra. Cardenas, por qué Charlotte no se ha ido a hacer una denuncia? No es ‘city issue’, eso es criminal, asalto con agresión.” Matt asked, wanting to know why an assault charge hadn’t been filed. Were there more cops on Fisk’s payroll then he’d thought? Maybe they’d dismissed the charges to cover up what had been done.

“Si, yo sé, y le dije. Nada.” Mrs. Cardenas spread her hands in defeat as she explained that even though she’d explained this to Charlotte, it had done nothing.

“Mrs. Cardenas, if those men hurt her, why won’t she file a report?” Foggy asked, brow furrowed as he tried to understand this neighbor. There were many reasons why victims of various crimes didn’t come forward, maybe if they could help to ease her fears, then they could move forward with charges. 

It would certainly make the civil case more valid if they were also filing criminal charges against the workers. 

“Pienso que está herida y tiene mucho miedo. Más por los funcionarios que los obreros. Ella fue tajante, no quiere hacer una denuncia, no quiere hacer nada sobre eso.”

This wasn’t good news for the civil case. Injured and scared, Charlotte wasn’t willing to file a report because she was more afraid of the officials than of the workers returning. She was firm about not doing anything. Matt wondered if someone had already convinced her not to step forward. Like that one scumbag had said, there’s gonna be another light in another window.

“Sra. Cardenas, vamos hacer todo que podamos. Foggy hablará con su abogado de la gentador esta tarde, y hablaré con tu vecina sobre sus opciones para ayuda. Estarámos en contacto.”

It was such a relief to hear that something would be done, to have a plan, and Elena sighed, reaching across to squeeze Matt’s hands, “Gracias, Senor Murdock. Muchas gracias.”

Karen led Mrs. Cardenas out of the office, and Matt explained to Foggy that he was going to be spending his afternoon speaking with Tully’s lawyers on behalf of the tenants.

“Tully’s lawyer?” Foggy asked, exiting the conference room hot on Matt’s heels, “Do you know who reps him?”

Matt grabbed his cane from the corner, not even attempting to hide his laugh before he turned back around, “Yeah, I know.”

“Landman and Zack!” Foggy insisted, arms gesturing at his sides in a way that agitated the air, the smell of anxiety wafting towards Matt. Apparently deciding that Matt didn’t quite get it, Foggy leaned forward, voice straining with hushed emphasis, “Landman and mother-freakin' Zack, man!”

Karen and her soft perfume breezed through the door behind him, having guided Mrs. Cardenas to the taxi waiting for her on the street below. 

“Ooh, sounds impressive.” She made her way to her desk with the notes and information from their meeting, “Are they looking to hire?”

“Oh, you wouldn't be happy.” Matt said, gesturing to Foggy with his cane, “We used to intern there.”

“Oh, right.” Karen bobbed forward over the desk, how could she have forgotten about the first thing that Foggy brought up whenever the cooling fall air came in through cracks in the windows, or when the lights flickered, or if Matt breathed too loudly. Karen had made the mistake one of her first mornings on the job of thinking out loud about how nice a bagel would be for breakfast. Matt had groaned from his open office, and before she could ask, Foggy was suddenly opining in the reception space about a place where there were all the free bagels that you could eat, every. single. morning.

Foggy flicked his hands around in annoyance, defeat and coating his dry words, “And they offered us a job, a great job. Which we turned down to go off and save the world. Now they hate us.”

Karen and Foggy shared a smile as he finished his speech, all of them knowing that he wouldn’t change a thing, even for free bagels. As much as he complained about their circumstances, Matt knew that he loved what they were doing, that Foggy wouldn’t have survived long in a place like Landman and Zack. 

Letting Foggy in was easy, it was impossible not to really, and staying friends with him was even easier because Matt saw that Foggy was one of those people that was effortlessly good. Unlike him with his devilish shadow, Foggy didn’t have to struggle to make the right choice. Greed and desire could tempt as much as they wanted, he wouldn’t cave, even if he pretended differently. When he knew something was wrong, Foggy Nelson would not do or endorse, and having him by his side always made Matt feel more at ease.

Already, he was moving away from sarcastic complaints, turning back to Matt so they could start working on a plan for how to approach this case. “We'll need to load for bear if we're gonna take them on.” 

“I'll hit the precinct to check for complaints against Tully.”

Foggy’s panicked objection was cut off by Karen calling out, “Is that before, or after you go talk to Elena’s neighbor like you said you would?”

He released the hand that he’d had on the doorknob, he’d been so close to leaving. Unfortunately Karen seemed to have her own radar for picking things up, and she wasn’t always keen on offering slack. Matt could sense, but was in no way fooled by the innocent tilt of her head. Beside him, Foggy’s eyes narrowed. Just one step and he’d have been out the door, no such luck.

“After,” Matt nodded, having to accept defeat, “Thanks, Karen.”

“No problem,” she chirped back, mirroring the sarcastic smile that he’d given her. Hands spread between the two, Foggy abandoned his professionalism in favor of once again being annoyed at Matt Murdock.

“Wait, wait, hold on. How is it that I’m going to Landman and Zack, while you go and talk with the damsel in distress?”

It’s not as if Matt could say that he was going to speak with the neighbor not just for the case, but also for an illegal extracurricular activity where he would be using his super senses to try and identify the assailants. Matt sighed, shifting on his feet. Half-truth it is.

“Well, from what Mrs. Cardenas described, it seems like the only way that Ms. Tanner would answer the door for a man in a suit is if he looked like he needed help. What was it that you call it again?”

Foggy threw his head back, groaning for a long moment before facing Matt again. Though his face spelled his disapproval, his eyes shone with the reminder of their first meeting and love for his friend.

“The ‘wounded duck’, you’re gonna wounded duck yourself.” Foggy said, one hand on his hip and head bobbing. His free hand leveled an accusatory finger at Matt. “I swear she better not be hot, because this is becoming cosmically unfair. You need a new phone for all of your girls, and now I’m going to play chum while you’re off being a hero.”

“Chum?” Matt laughed, hearing Karen tilt her head in confusion, before her hair rustled with a shake and she focused back on organizing the new files. There were maybe three whole files in the whole cabinet, but Matt could hear her moving them around repeatedly on slow days. So, almost every day.

“Yeah, chum!” Foggy burst out, leaning forward to hiss out a plea to Matt, “I can't go to L and Z alone. They're gonna shark attack me, Matt. Look at me, I'm delicious.”

“Well, take Karen.” Matt said through his chuckling, pointing over at the woman who had been trying to mind her own business.

“I-I mean, yeah, if she wants to.” Foggy stumbled and shrugged, taken completely unaware by Matt’s suggestion. His heart raced despite the way that he was trying to play it cool, and Matt fought off a smirk.

“Oh,” Karen straightened with her own surprise at the action, before tossing her hands up. “Sure. Never seen sharks feed up close before.”

Matt chuckled as they all prepared to leave the office, “Try not to splash too much. It attracts 'em.”

“You both are so funny.” Foggy huffed in mock despair as he turned to grab a coat. The two just laughed louder. “That piece of notebook paper on the door has my name on it first, you know. Which means that only one of you is allowed to mock me at a time.”

Already out in the hall, Matt called over his shoulder, “Of course, that’s why we were taking turns.”

“Oh wounded duck off, Matt!” Foggy cried, and the laughter of his friends followed Matt all the way down the stairs and out onto the street.

[fenharel-archived]

saskia i haven't read that game informer dav article yet (i will) but i NEED to hear about your mixed emotions 👀

looking at the spoilers we got objectively i think it all sounds very cool and exciting (besides of the gameplay stuff. they can talk about how cool their 3 ability combos are all they want they won't face me, lol). i love that i guessed right with who the evanuris are. i love that we get to hang out in solas' house AGAIN. the little snippet about seeing how isolated and alone he lived there is So sad 😭. i love that it's almost confirmed that he'll take up some advisor role for rook, even if he's kinda forced too lol (its giving johnny in ur head vibes a little bit, no? ooh i bet the haters are going to love this. 💖) love love love the little mention that there seems to be much more reactivity in terms of ur race and background then what im used to from prior dragon age games (no more morrigan explaining lavellan elven lore??? yes please!!!!!!). or that the magic seems to be more present in this game than in the previous titles, something i was 100% waiting for!!!!! ("imagine spires of crystal twining through the branches, palaces floating among the clouds" plLSSSS!!!!!!!)

buuuut. this is where the mixed emotions comes in. pls. dont click on read more if ya'll have normal and sane opinions on trespasser and the veil. i dont wanna embarrass myself and i dont wanna annoy anyone, lol.

sooo uh. idk how to say this without sounding absolutely bonkers but. i used to say that i dont know how i'll be able to stand a new protagonist who will be against solas. i had 10 years to make peace with that. and i thought i did, but since the gameplay reveal and now the new spoilers i....... i.... "rook stopped the ritual and trapped solas in the fade" legit makes me want to throw rotten tomatoes at them. like i KNOW. I KNEW. what was gonna happen. NOTHING so far has surprised me. so i legit cannot tell ya why im being so irrational rn but its the truth, lol. 💀

im not exicted by any of the actual cool implications we got with ~advisor solas whispering in ur head~ spoilers because i legit wanted him to do whatever he wanted to do. i do not want to stop him and i want him to succeed with everything always. KNOWING that was not gonna happen so idk man. idk what to tell ya ksjdfhsjkdhfsjkhf

i think that a level one noob is able to stop 9+ year cooked up plan with the help of a rock like its nothing isnt helping because it feels like cheap disney writing to me. but everything i just said prior still stands. i AM being irrational. BUT I WANT TO BE EXCITED. LIKE IM NOT LYING WHEN I TELL YOU I KNOW THIS ALL SOUNDS FUN. MAYBE THIS IS CONFIRMATION THAT HE'LL SURVIVE THIS GAME TOO. AT THE END OF THE DAY THAT LITERALLY ALL I CARE ABOUT. BUT ARGHHHHHH i will now try to manifest the cool headcanons im seeing. i will manfiest them. i will become sane and normal about this and be excited. i will be SO excited and i will make a rook i like. this is my mission now

[magicstormfrostfire]

Fanfic fanons that are now canon in Monkie Kid!

This is a sequel to my post in 2021 'Things that I have to keep reminding myself are not true (or at the very least not confirmed) in 'Lego Monkie Kid' because Fandom and Fanfics have warped my perception of reality' back when we only had seasons 1-2! I made a funny list of lmk fanon tropes I found in fanfics so much that they kinda made me forget what was real and what was fanon. But after season 4 and the special, I decided to go back over things because a LOT has changed. So, without further ado, lets get into all the juicy details (with pictures!) hehehe~

Despite the events of 'Shadow Play' the rest of the gang does not know about Macaque

Okay so this one got solved immediately after season 2. Like Mac just showed up right where s2 ended. He made his presence known. Repeatedly! Relentlessly! I love him btw.

MK has never told Sun Wukong that Macaque appeared while he was gone

I listed this one specifically because some fics decide to either have MK confess to Wukong that Mac's been in contact with him after his debut episode, or MK might keep it a secret. But in the grand scheme since his debut, its kinda irrelevant now. Man is everywhere.

The Gold Fillet has not been mentioned

This is also no longer true! I mean we see it a lot but there's not a conversation about it specifically. I think that counts... (We're gonna get to the juicy ones I promise)

MK's real name has not been mentioned in the Dub

Still true! (I should clarify; I mean they havent told us what it is. Only that MK is a nickname because his real name is too long.)

MK does not have any confirmed biological family details

Whew, okay so this one is harder. We know that MK was adopted by Pigsy after being born from a stone on FFM just like Sun Wukong. So while its not exactly like Wukong laid him as a stone egg (I mean...he might've idk) its safe to say he is more related to Wukong biologically than anyone else. Right?....I think.

MK does not have an older sister

Still true, for reasons above! (Him having an older sister happened in fanfics a lot more than you'd think)

Reincarnation has not been confirmed or denied

Comfirmed now! It was HEAVILY implied in season 3 toward the end anyway heh.

Red Son and MK are not dating

YET. (But they do have cute moments -crosses fingers-)

Pigsy and Tang are not dating

Im HAPPY to say that this one is actually sort of implied to be canon? I could list a bunch of knowing looks and one off remarks but I'd be here all day gushing so I'll just go with the most obvious piece of evidence. Season 4's Pig-Napped! Has a moment where Tang is trying to get through to Pigsy, who is trapped in his ancestor's body. He mentions that he has "dedicated his life to this man (Pigsy)" and idk how else to read that if ya know what I mean. (Also this cuddle moment when he got Pigsy back. Tee-hee)

Sun Wukong and Macaque have not had any kind of relation or relationship confirmed beyond "Beloved Friends"

This one is ALSO having some VIBES but not anything confirming enough for me to outright say its canon. Though there's...there's somethin' goin on. Shadow Play set the table but seasons 3-4 gave us a FUCKING ANGST MEAL.

and the special we learn a lot more about Macaque and Wukong's relationship. They were canonically a lot closer and more affectionate than I had originally expected and the implication of being "sworn brothers" the two sharing a home at FFM, and peach metaphors/nicknames I could write a whole book about. I can't really say it has anything as concrete as Tang saying his life is for Pigsy, but I can say the implications are MIGHTY, and their wounds are DEEP. (Shadowpeach flows in my veins so deeply, season 5 please give me what I need its Sonadow but Monkey men please gods, all of the gods, just give me--)

Mei, Red Son, and MK have never had a party or a sleepover

Weirdly enough, this totally happened??? Like not gonna lie out of all of these things on this list, this one was the one I didn't expect to come through. But they did sleep over at Red's place, and had a beach party at the end of s4.

Lady Bone Demon has not been directly referred to as White Bone Spirit in the Dub

This is true, likely because they just went with a different name entirely for the English dub.

The Shame Temple is not for sex

YET.

There is no Easter Bunny, There is no Tooth Fairy, and there is no Spindrax

Honestly considering what happened to the spider gang as a whole, I'm not surprised this is still true....(RIP)

MK has not called Pigsy Dadsy (Update: a few people have confirmed this has happened) and Mk has not called Sun Wukong Dad

Im including these two together (even though the Dadsy one was already confirmed in s1) for a few reasons because I feel like I need to talk about why.

MK not only has called Pigsy Dadsy, he says flat out in season 4 that Pigsy is his dad, due to adopting him. This is in reply to Mei saying that Wukong is his dad, due to the whole stone monkey thing. While its implied he and Wukong are cut from the same cloth somehow, both being mystic stone monkeys, MK only sees Pigsy as his true father.

Macaque has not been redeemed yet

This one is a lot more nuanced. While Mac is no longer their enemy and is a reluctant ally, I wouldn't call him redeemed necessary. This is mostly because around the end of season3 and all of season 4 we begin to delve into the complexity of Wukong/Macaque. It's shown that both parties did damage and hurt each other in the past. It feels a bit black and white to try and put all the blame on Macaque and say he needs to be 'redeemed' now that we know more about the two monkeys. But for the sake of argument, I will say that as of season 4, Macaque can be considered one of the good guys even if they're not his 'friends.'

His relationship with Wukong is just beginning to mend and that's a whole different can of worms, but as past antagonists go, I'd say he's got a seal of approval when it comes to being a reliable ally.

Aaaaannnddddd that's all the ones I had! This was really fun to comb through all of the fanfic themes and see how much they've snuck their way into canon (or were flat out proven to be the deal from the start) since season 2! Hopefully once season 5 rolls around I can address some of these unconfirmed fanfic themes again, and maybe even have new ones! (Right now the only one I can think of is Azure having romantic feelings for Wukong but since he's kinda gone idk if that would ever come up)

If anyone has some other fanfic themes that are so fanon they get mixed up with canon, let me know so I can make a list! mwhehehe UwU

[willowcrowned]

Was reading a fic that touched on Qui-Gon teaching both Anakin and Obi-Wan and was suddenly struck by "Obi-Wan assures Anakin that he'll be fine, because Qui-Gon is better than he used to be, on account of Obi-Wan clicker-training him throughout his padawanship."

IDK what to do with this other than offer it to you because. It doesn't seem like Qui-Gon would be receptive to Pavlovian processes. But also. Obi-Wan is a conniving bastard.

no okay thank you SO much for sending this to me because it plays into my latest favorite interpretation of Obi-Wan and Qui-Gon’s relationship in a really interesting way

Recently I’ve been really enjoying unpacking the potential that Qui-Gon subconsciously parentifies Obi-Wan over the course of his apprenticeship, because I think it applies a really fun extra dimension to the existing dynamic of uptight nerd attempts to control guy whose modus operandi is bulldozing through a situation in the most efficient and least appropriate way possible. Obviously the implication in TPM is that Obi-Wan is Like That because of Qui-Gon—it’s a sort of survival strategy—but making it a direct result of Qui-Gon’s own insecurities just adds that little extra special something that makes the Star Wars Flavor.

The basic idea I’ve been playing with is that Obi-Wan readily encourages Qui-Gon’s parentification of him because to Obi-Wan’s messed up ridiculously insecure and in need of therapy brain, being parentified means he’s needed, he’s useful, he can’t be tossed away. Of course the problem with being fifteen and deciding that you’re now responsible for a man fully in his forties who continuously gets chewed out by his boss is that at a certain point all that internalization of Rules and Proper Behavior you did as a child because you were terrified of being so unworthy you’d stop being loved is going to kick in, and you—subconsciously—are going to start believing that it is your responsibility to train the middle aged man in your care into being an Upright Young Man. Which like, as things go? Is a pretty standard Obi-Wan interpretation.

The FLIP SIDE of that though—the Qui-Gon side, the even weirder and messier side—is that Qui-Gon is parentifying Obi-Wan out of a very real and very deep fear that he cannot and should not act as a responsible guardian as a child (which, well, he’s not wrong. but he’s right for all the wrong reasons). Subconsciously, he’s trying to set them on more equal ground, trying to keep his influence on Obi-Wan to a minimum so he doesn’t have to acknowledge the responsibility of shaping Obi-Wan both through the ways he’s absent and the ways he’s present. And of course it’s not going to work! Of course it’s not! Even when he’s an adult, Obi-Wan will always be too aware of the rules that constrain his actions as a padawan to put himself on the same level as Qui-Gon. As a child, all he’s going to do is feel… abandoned on some level. The parentification might confirm that he’s needed on some level, but it can’t replace what for him is a very keen awareness that, on some level, Qui-Gon doesn’t want to be his master. Kids that get forced to be an adult to early, even the ones who think they like it, are always going to be fundamentally, subconsciously aware that they’ve been denied a childhood that other people weren’t. For Obi-Wan, I think that subconscious awareness manifests as a desire to affirm himself as an adult—to convince himself that he wants the responsibility, that it’s right for him to have the responsibility.

And he does that by clicker training Qui-Gon.

There’s a very fun feature of relationships mired in guilt (especially the ones where the guilt is born from a very deep love and a fear of failing that love) where, over time, certain patterns develop in which each person subconsciously takes advantage of the other’s guilt. When Qui-Gon bulldozes through an interaction, overstepping their jurisdiction by half and disobeying several direct mandates from the council, Obi-Wan finds himself… conveniently left behind for Qui-Gon to find later, when he returns wracked with guilt over having forgotten his apprentice but unable to admit to it because admitting to it would mean admitting to his fears, and admitting to his fears would mean admitting to the truth of his unfitness as a master, and admitting to that would mean he loses one of the very few remaining deep, meaningful relationships he has left. When Obi-Wan follows the letter of the law, refusing to break a single rule—even the ones designed to be broken—Qui-Gon goes ahead on his own, and just so happens to find himself injured and cornered by attackers he could have easily fought off with Obi-Wan’s help, left bleeding and tired for a guilt-wracked Obi-Wan to find, knowing that he never should have abandoned his master, knowing that he’s an awful apprentice, that he’ll never be up to Qui-Gon’s standards, that he’ll never confess that, because confessing it might finally make Qui-Gon realize it, and if that happens then he gets replaced and one of the deepest, most meaningful relationships in his life slips through his fingers.

It’s not healthy for either of them—it’s actually entirely the opposite—but it’s effective. And by the end of Obi-Wan’s apprenticeship, Qui-Gon is at least 30% less likely to go off on his own and start doing things he really shouldn’t, and 40% more likely to never, ever leave his padawan behind.

And then Anakin shows up, and suddenly everything they’d so carefully repressed and talked around and ignored becomes a big glaring issue in the face of Star Wars’ own #1 complicating factor

[ragingstillness]

BSD 107 - spoilers and meta

Ok I’ve scrolled down enough to tell that no one else is talking about it so I’m gonna lose my mind here. I am very very biased. 

So obviously we’re getting parallels between skk and sskk in that they’re both fighting each other and trying to get the other out of some sort of danger caused by Fyodor and/or Fukuchi. Have we considered the zskk implications of this? 

I’ve been saying all along that I think Mori’s gonna be a huge part of saving the day in this arc but the way it’s going a/sagiri might agree with me. 

Because up to this point Mori is the one thing Fukuchi hasn’t accounted for. To our knowledge. Obviously if Fukuchi’s done any research on Fukuzawa he’d know that the two of them have a contentious relationship at best but that can be explained by their status in Yokohama. Their true past, fighting together as reluctant bodyguard and reckless doctor, was dictated by Natsume and idk exactly why but I don’t think Fukuchi was able to get into anything of Natsume’s (quite possibly because Natsume’s a fucking cat most of the time lol). Not to mention that while Fukuchi would have access to most military records, I don’t think he’d have time to read through them all, and would have to justify accessing the top secret ones. One of which is Mori’s involvement in the war. We’re still not clear on why Mori was a top secret military asset but it’s not super important. Obviously Tachihara would be able to pass some information onto Fukuchi but Mori seems to have been aware of Tachihara’s background and ability and would have taken measures to guard against that, not to mention Jouno could also intercept the information. 

All this to say that I don’t think Fukuchi is as aware of Mori as he should be. I think he’s taken control of so much of the Port Mafia by turning them into vampires that he’s written them off, unaware that when he closed his net, the puppetmaster slipped out. And as far as we’ve seen, aside from Dazai’s rebellion and a few small independent actions by ppl like Kouyou and Aku, the loyalty Mori’s cultivated is absolute, especially among the higher echelons. Fukuchi can’t control the Port Mafia, not really, without wresting control of it from the man who already has that control. 

Mori is the king of pragmatism, the knower of all secrets. He sees where the tide is turning and throws his support behind whoever is going to let him come out on top. And tellingly, even at the beginning of this arc when everything was going to shit, Mori picked the Agency over the Hunting Dogs. He went personally to rescue Kenji when last we saw him. It gets mentioned in that recap that Mori going personally is something Fukuchi wouldn’t be able to predict. He’s the fly in the ointment, he’s the important piece Fukuchi’s forgotten and it’s going to stab him in the back. Knowing Mori, likely literally. 

Especially now that Fukuchi’s stabbed Fukuzawa. Now I can debate about how romantic zskk is all day, but regardless, Mori seems to keep a particular eye on Fukzawa at all times. So if Mori remains free and not a vampire at this point, do we really believe he doesn’t know Fukuchi’s stabbed Fukuzawa? Hell no. I fully expect Mori to interfere in that fight very soon and we’ll get to see just how unstoppable the two of them were when they fought together in the old days. The tiny flashbacks we’ve seen where Mori mentions how unstoppable they are take place post the destruction of an entire organization by Mori and Fukuzawa alone. The only people to have ever done that before are Chuuya (accidentally in Suribachi city), Dazai and Chuuya (working together on Mori’s orders), and Odasaku (on a suicide mission). We are long overdue a look at the original soukoku. 

Sidebar, there’s also significance to Mori’s specific ability. Elise is, as of right now, one of the only abilities we’ve seen that can speak and definitely the only one who appears to be able to take independent action. I fully believe that we have never seen her used to her full potential. Which would be very in character for Mori to keep in his back pocket. But clearly, a/sagiri is pulling out all the stops this arc, no reason to believe he won’t pull this one. 

tl;dr I am very excited by this arc and think that now we’ve seen Aku and Atsu, Dazai and Chuuya, we’re going to see Fukuzawa and Mori, and it’s going to be amazing. 

[ctlightner]

@summerchild-finn

Hi! Finally saw this reply, and I will absolutely explain.

First of all, I want to be clear that I love Alva. She's a spiritual successor to Megara from Disney's Hercules, and I think she has a very well done arc in the movie. This is not me hating on a canon female character for the sake of gay shipping. I think she and Jesper have great chemistry... I just think Jesper and Klaus have even better chemistry.

Part of that is the nature of the flim: it's a buddy movie, so it's important for the two buddies to bounce off each other and make us believe they're good together--if not romantically, then platonically. I can't say I've watched a lot of buddy movies, but if I were writing one, one of my top priorities would be to make sure the leads worked well together on a base level.

However, if we look more closely at the language of film--how the scenes are laid out, the shots, the cuts, etc--I think the movie starts resembling a romance when it comes to Klaus and Jesper.

(warning, this turned into 3k of film analysis. very long and image heavy. spoilers for klaus, and the discussion assumes youve seen it at least once)

Exhibit A: The Touch

Step one is a base of good chemistry, but then we add in things like Jesper accidentally touching Klaus' broad chest and pulling away quickly (~43 min in):

But that's not the beginning and end of this sequence, otherwise it would simply read more platonic. See, when Jesper firsts lays his hands on Klaus, his eyes travel to his hands. And then he realizes what he's done and glances up at Klaus:

The shot lingers on this quiet moment between them, filled with nothing but touch. And if that was it, well, yeah you'd get people reading it as romantic, but it still could just be platonic as Jesper realizes he's breached the personal bubble of the man he thought was an axe murderer two nights ago. But something happens between Jesper realizing he fumbled over the touch barrier and him pulling away:

A POV shot. Through Jesper's eyes.

When we shift into Jesper's head, we're privy to a full reaction from Klaus. We don't know exactly what's going on in his head, but he's not angry. If anything, he looks quizzical. Part of this is because Jesper doth protest too much about how much he cares about toy delivery, and this mountain man is re-learning social interaction after decades of isolation.

But again, the movie pauses here. It's not a long, long shot, but it is about one second long. That doesn't seem like a lot, but you can fit quite a bit of information in one second of a movie. Furthermore, the entire sequence, from the initial touch to pulling away is a solid 5 seconds. The movie purposefully delays us here, on this moment, to make sure we see them interact in this way.

Let's play Swap the Genders for a second. If Jesper was, idk, Jespina, how would this interaction be different? Theoretically, it's the same actions and the same, surrounding implications of plot context. But we as an audience have been trained to read "boy and girl share brief, awkward touch" as foreshadowing for a romantic future. In all genres, not just romcoms and dramatic romances, though you bet your butt they're extremely deliberate in those. And with how long the movie lingers here, it would absolutely read as romantic if this were m/f.

But Wait There's More!

Exhibit B: Jesper, The Light

At about the 55 minute mark, we get another interesting sequence. By this point, we know that Klaus' store of toys is drying up, and he hasn't been keen on making more. Jesper, meanwhile, is still a few letters shy of being able to go home to luxury, so he gets an idea on how to convince Klaus to make more toys for Christmas.

We see Klaus out chopping wood when the magic wind we saw earlier in the film (that convinced him to go on the initial deliveries), leads him up to his workshop. Once there, he's greeting by a curtain obscuring part of the shop. A lantern within exudes soft, comforting golden light, and we see a silhouette moving.

The silhouette is feminine, from the look of hair pulled back, to the curvy spine, to the soft triangle of the lower body that implies a dress. We're to assume there is woman there, and as the sequence continues, we're led to assume this is a woman Klaus knows.

He starts to approach, a look of surprise on his face. Then we get a close-up that further betrays his want and concern and hope. This is all portrayed without words, by the way. It's just a series of well-executed shots and poignant music. It's an excellent example of how to raise tension via shots when you have a very stoic character. Klaus doesn't really move his face much. He doesn't mug to the camera like a desperate Let's Player to illustrate that he's having Complicated Emotions. Instead, the shot changes intensify. By the time Klaus is ready to see who's behind the curtain, so are we.

And after all that buildup, the feminine figure reaches out and flings the curtain away to reveal...

Twink Supreme.

Klaus is annoyed the silhouette wasn't who he thought it was and gets more annoyed the longer Jesper tries to pitch him on making toys for Christmas. Klaus tries to get him to stop, but he helps himself to the workshop and starts touching things he shouldn't. This culminates when Jesper yanks a sheet off a wall.

He reveals a very dusty fixture with a familiar-looking masculine woodcut, and a less familiar, but notable feminine one. And underneath their slot are completely empty ones. This is the first time the scene has been shunted into darkness since Klaus entered the workshop.

Klaus is horrified at this thing, even though we can surmise he made it himself. This is forbidden, even to him.

He orders Jesper to leave. Jesper obliges, and we follow him back to the post office where he meets up with absolute cinnamon roll Margú and finally decides to help her write a letter so she can get her own toy like the townies. Jesper goes to Alva for help and via the power of pop ballad montage, we see them get a little closer and end the sequence with the letter in hand.

Now, Jesper knows he can't ask Klaus for help making Margú her toy, so he sets off to make it himself despite not being qualified in the slightest. It's the thought that counts, right?

As the ballad ballads on, we get a crossfade from Jesper working by candlelight to Klaus still sitting and brooding in his dark workshop. A crossfade is a type of transition from scene to scene where one picture gradually fades into the next. As we fade from Jesper to Klaus, we get an incredible image:

Jesper is in the forbidden zone. His visage has replaced the dusty, hidden remnants that have been there so long. Moreover, once again, the movie heavily contrasts light and dark. Much like how the curtains obscuring Jesper earlier were the only light in the darkness of the workshop, now again is Jesper the beacon of warmth. A beacon that Klaus has turned away from, much like he did the tree carving before.

Now, I need y'all to put a pin in this. I swear I have a conclusion to this sequence, but I need to talk about something else first.

Exhibit C: The Porch Scene

Klaus eventually shows up to the post office and sees that Jesper made a mess of the woodworking for the gift. He starts fixing it, and the two head out into the night to the nearby Sámi camp/village to deliver Margú's toy. The ballad is still going, by the way, and it rises back up in lyrics and power as the young girl tests out her... snow-windsurfing board? It looks dope. Jesper seemingly for the first time understands the meaning of doing good deeds. Eventually, they return to Klaus' home, all excited from the escapade. Especially Jesper.

As they stable the reindeer, Klaus admits that it's been a long time since he's felt this way, and that "she" used to tease him when he got that doofy smile on his face. Who is "she," Jesper asks.

"My Lydia," he replies.

Klaus recounts how he and his wife found enjoyed their little mountain hideaway. But, he says, it wasn't going to be the two of them for long.

Light blossoms again as we flash back to a younger Klaus and his wife, excited to start their lives together, and very excited to start a family, a large one. At least seven children judging by the niches on the tree. Unfortunately for them, no children came. And then Lydia got sick. And then she was gone. He supposes he lost his way after she died, making birdhouse after birdhouse because she loved birds.

"Then," Klaus says, turning to gaze fondly at Jesper, "you showed up."

He says that he never thought he'd feel this again--"this" of course being the joy of seeing children's faces when they got a new toy he worked hard on. No, "this" doesn't refer to romance, but again, if Jesper were Jespina, we would absolutely be expected to take this as, if not foreshadowing, then barely-subtextual confirmation that there are romantic feelings somewhere in the mix.

But that's not just looking too hard through a queer lens at this interaction. Remember that pin from the previous section? Pull it out and let's discuss. See, the movie, through film language alone, equates Jesper to Lydia.

We were expected to believe the silhouette from earlier was a woman's. A woman who we understood to be important to Klaus. Now, we know that she wasn't just important, he loved her, was married to her. To see her silhouette in Jesper's positions the two as equals if they can so easily be mistaken for each other. Essentially, something about Jesper reminded Klaus of Lydia.

But of course, the movie didn't do this just once.

The movie equates Jesper to Lydia when it crossfades between the post office and the workshop during the breakup sequence. I mentioned that Jesper is the light in the darkness here, but superimposing him over something so important and devastating to Klaus places him squarely within the field of those feelings as well. And once we learn that the carved tree was Klaus and Lydia's wish for family, suddenly Jesper being there in the frame puts him as family.

Now, could you read this as just platonic "found family?" Yeah, absolutely, and the film does a great job doing that later on when the Sámi enter the workshop. But I argue that the movie has gone out of its way several times to specifically equate Jesper and Lydia. These two people are both lights in the darkness for Klaus. They tease him good-naturedly. But most importantly, the porch scene recontextualizes a much earlier scene from being merely mysterious to Lydia outright endorsing Jesper's presence in Klaus' life.

Back around the 30 minute mark, Jesper approached Klaus after a successful day of getting the kids to write letters for toys. He implores Klaus to give away his myriad of toys that're just collecting dust in the workshop. Klaus is seemingly less than impressed, until a strange wind blows in. We see this odd wind several times throughout the movie, and Klaus seems to understand what it wants, despite it not speaking. During the porch scene, we learn that he believes the strange wind is Lydia's spirit keeping him company and giving him a nudge in the right direction if he needs it. At the end of the movie, the wind tells him it's time to let go and to move on. At the point where Jesper is trying to persuade Klaus to do deliveries...

The strange wind circles him in a halo, forcing Klaus to pay attention. The wind's approval--Lydia's approval--is what makes Klaus decide to help deliver the toys beyond the first one.

Essentially, not only does the movie equate Jesper to Lydia through imposing their likenesses over each other and through similar light/dark contrasts, it has her appear in the beginning and straight-up endorse Jesper's entry into Klaus' life.

Exhibit D: "Ah, Young Love!"

This next section is not so much about the homoeroticism as is it why, despite my love for Alva, her canonical romantic entanglement with Jesper pales in comparison to the accidental (?) homoeroticism of Jesper and Klaus.

There's a line that the boatman says about 39 minutes into the film after Alva has a very public, very angry confrontation with Jesper. At this point, the kids are very reward-driven, attending the school-turned-fish shop purely so they can learn to write so they can send a letter so they can get a toy. Alva yells at Jesper about how the violent, constantly feuding families won't stand for their children attending school together. She views his sending the kids to her as a threat to her ability to save up enough money to get away from Smeerensburg forever and pursue her dreams somewhere she'll be useful and appreciated.

After Alva leaves, the smug trickstery boatman says:

"Ah! Young love."

I have always found this line incredibly grating because it's a classic example of Telling rather than Showing. Now, people in recent years have pushed back against that old adage, but there are times you want to show something to the audience rather than just stating it in a straightforward manner. Romantic relationships, for one thing.

As I mentioned at the top of this post, this is a buddy movie between Jesper the Postman and Klaus the future Santa Claus. They are the main characters of the film. Both of them need to carry this movie equally, and the best way to do that is to make sure they have excellent chemistry with each other. The film succeeds at this, and then some.

Alva, on the other hand, is not the main character. She is a major supporting character, and I think the movie would be lesser if she were absent, but her and Jesper's romantic relationship was always doomed to be Told rather than Shown. Because theirs is not the most important relationship in the movie.

I think the film could have done better about this, though. Getting rid of that young love line, for one thing. It's the sort of line you have someone say in the hopes that you can sneak in some romantic foreshadowing for the canonical couple. Unfortunately, it's about as subtle as a brick to the face.

The film seems to be going for a Bad First Impressions/Enemies-ish to Lovers thing with Jesper and Alva, but it really falls flat. They just don't spend enough time with each other for me to believe they're falling in love. Not to say they don't have cute moments. The montage where they help Margú write her letter is really nice, and the film shows Alva scooting closer and closer to Jesper as they hang out more and get to know each other. However, it's a montage, one with a song covering the bits of dialogue we get from them as they work. If the movie wanted to make me believe that Alva and Jesper had as much, if not more, chemistry together than Jesper and Klaus, then they probably should have changed the scene to be less focused on the montage and more focused on them playfully bantering back and forth.

But again, I think the relationship was doomed from the start, purely because Alva is not a main character. They probably would have had to make Jesper the eventual Santa Claus and nix Klaus in order to give Alva the proper amount of room.

(However, I think that would have ended up making the movie a bit too much like Rankin-Bass' stop-motion Santa Claus is Comin' to Town. Think about it: that special starts with a postman narrating about letters; it emphasizes that the question "Why do people write letters to Santa?" will be explored and answered; the main setting is a depressing, grungy town headed by a cartoonishly evil leader; there's a jaded ginger-haired schoolteacher who learns to loosen up and love life again, etc.)

I wish things had been different with Alva, or maybe that they had been allowed a longer runtime to really sell the relationship. As it is, it's fine. It works for what it is. But Jesper and Klaus' relationship is simply deeper, more subtle, and more meaningful.

Conclusion

Thank you for coming to my post about why Klaus is an extremely gay movie despite not being a gay movie. I wish I could wrap this up more academically, but I've made my thesis obvious and I have work at 7:30am tomorrow.

Hope this answers your question!

[batbeato]

The more I think about ikuko and tohya the more frustrated I get. The implications of tohya's living situation is so dark but it feels like (to me as someone who only read the vn and none of the side content) ryukishi didn't really consider those implications. I understand we only met tohya at the very end, so there wasn't very much time to explore his character and how the decades post massacre has affected him, but it still bugs me.

I often joke that umineko would be peak media if tohya was trans (and ikuko didnt pick him up to be her roommate/pet but thats not the point i will be focusing on since thats removing an aspect of the story rather than adding onto it). I understand why some are against this idea, battler is shown behaving in ways that are seen as stereotypically feminine (like his crying) and making tohya trans might come across as saying because of battlers behaviour he can't be a man. But to me personally, battler and tohya are distinctly different people, so tohya being trans isn't a statement about battler's manhood.

(Also trans tohya doesn't need to be trans fem, tho I did lean on that idea initially, I have been in recent times thinking of a more masc enby tohya)

This is completely my own lil au idea that is very self indulgent so ill try to keep it brief but:

The concept of this freshly traumatised 18 being forced to build a life for themselves with no family or support, finding people who care for them and then also maybe discovering something about themselves along the way is incredibly compelling to me. I just like the idea of showcasing what it would be like to separate oneself from one's family to living as ones authentic self and the pain and new trauma that comes with leaving one's family.

I also like this idea for tohya because it would have shown that sayo wasn't doomed, that someone like her could have lived, not easily, but she could have. It would have shown that sayo's tragedy was a preventable one (I know lion already exists but I feel like their existence makes it seem like sayo could have only found happiness within the family and I feel like this idea could have shown that she could have also found happiness outside of it too. I also just adore the idea of having tohya and sayo mirroring each other).

Since ikuko isn't a part of my lil au concept when ange meets featherine she'd be meeting tohya, but wouldn't reconise them as battler in a similar way to how battler doesn't reconise kanon amd shannon as the same person, the parallels!!

Again this idea is very tailored to me and me specifically so I understand if this au idea isn't anyone else's cup of tea.

I just wish that since ryukishi had ikuko taking tohya in that he would have explored the darker implications of that (since i feel like battler's dissappearance post massacre is a mystery in itself, but the answer of that mystery only has its pieces fit together because they needed too (how did battler/ tohya find time and resources to write and publish the forgeries? Idk he had a rich benefactor) with no care for the implications of the whole thing) unfortunately as far as I know ryukishi didn't have any interest in exploring these matters, so I'm glad that other people have taken these ideas into their hands and explored them.

Ultimately its not something I hold against umineko too hard and I hope I didn't sound too negative in all this, but it's something I always come back to. Oh well it just gives me ideas on how to explore such topics in my own stories.

Hopefully this is coherent, I tend to be rather terrible at explaining my thoughts, sorry for ranting in your inbox. Feel free to ignore this if its too much.

Hmm, I see what you mean about trans Tohya. ...I feel like there's some latent exorsexism in the queer community that the base assumption of "trans character" is "transitioning to the 'opposite' gender they were born as" such that you have to clarify. I haven't really thought about trans Tohya but it could be interesting, fun way to take the text that heaps on even more Tohya-Sayo parallels like you mention. Also the "leaves the family, explores identity, comes out as trans" narrative is fun and, like you said, would definitively showcase how Sayo could have lived.

(Also, I agree with you that Tohya's gender doesn't have to correlate to Battler's at all. People's identities can change greatly after incredibly traumatic events, let alone amnesia on top of that.)

I think the general problem of Tohya is that while I love him and you can infer a lot about Tohya if you stare closely enough at the works he wrote, we also just don't see him enough, and he also isn't foreshadowed enough. Yes, you can guess that he's going to be a thing, especially if you're savvy and know about the Divine Comedy (Dante writing about the past from the future). But even when Ikuko as "Hachijo Tohya" first appears, and Featherine appears, there isn't really any foreshadowing about Tohya.

Even if Ryukishi had gone ahead and made Tohya trans, if he kept Tohya to the surprise end twist, it would still feel like it needed a lot of fleshing-out the way Ikuko and Tohya do now. So making Tohya trans would add a lot, but it's also only a fix if Tohya is actually given the spotlight for it? Like, properly putting in hints about his existence with Featherine/Hachijo's appearances. Maybe in this AU, Hachijo is Tohya with a wig and some vocal training, so Ange notices some odd looks from Hachijo, or maybe Hachijo's voice sounds vaguely familiar like she had heard it long ago, etc. etc.

Ikuko and Tohya, on paper, have the most fucked up relationship. They are also the only confirmed human characters to form a witch-character as a combination of two people, which seems relatively unexplored with Featherine excepting the tidbit about her memory device perhaps relating to Tohya's own memory issues. And yet, they don't really get explored, and the potentially-toxic elements to their relationship don't ever get explored. Yukari doesn't even ask about them, instead asking Tohya why he didn't want to see her, instead of why this much older woman didn't, say, inform the authorities of a missing person.

Oh, and this isn't discussed as often, but Tohya is canonically disabled (wheelchair user), and is, as far as I'm aware, the only visibly disabled character in Umineko, or at least the only one with any prominence. It's... sort of implied that Tohya can't walk, but really I think you're just supposed to assume this because he's in a wheelchair? He also never wheels himself around, instead relying entirely on Ikuko. Which, yes, some wheelchair users are not able to walk/stand, and some do not have arm strength to be able to move themselves around. But the assumptions the text asks you to make, the deliberate contrast it makes between Battler standing and Tohya sitting, come off a bit odd given that it never explicitly confirms the extent of Tohya's disability. The reader is meant to assume "in wheelchair = cannot walk/stand or move himself around", I guess.

...Sorry, tangent. Point is, Tohya and Ikuko seem very surface-level and maybe even half-baked in some respects. It's this thing Ryukishi does sometimes, especially with his commissioned works, where he clearly has a lot of things and cool concepts for a story/character, but just doesn't have the time to fit it all in, and instead implies it.

I think this is one of Umineko's big flaws, because it could have had the space to do a lot more with Tohya and Ikuko. But, perhaps Ryukishi hadn't settled on precisely what was going on with Battler's survival when working on earlier episodes, or he thought he would put it into later episodes and then ran out of time, etc. In the end, they just ended up with Ikuko being mostly author-insert and Tohya not really having his own voice, which lends well to a lot of fun speculation and fleshing-out as well as to the potentially abusive nature of their relationship, but not as well to the text having actually fleshed them out beyond interpreting their forgeries as Tohya's internal struggles somehow... which can be very subjective.

For me Umineko is peak media anyway. I used to be a Fate fan. At this point I can survive any number of bullshit writing decisions so long as the concepts are insanely cool enough that I can gnaw on them for a few years, with good enough characters/story that there's some flesh to keep me actually fed. But it would be interesting to see a Tohya that doesn't exist in Ikuko's shadow, or that has more room to exist in the story at all. Whether with your idea of trans Tohya or something else.

(Ryukishi please give us Umineko GouSotsu I promise you no amount of obtuse/clumsy writing or reused animation will keep us from loving it. Please revisit Umineko please give us more did you know I think about Umineko scrapped content and Ikuko/Tohya toxicity every day plea -)

[stilesssolo]

Okay.. let’s hear it! Initial thoughts of the new album!

Ugh sorry for the delay on this. I listened to the (first) album when it dropped at midnight, finished it and saw her say “double album, 15 more songs!!” went “that’s nice. I’m going to bed” fully intending to spend most of today listening and relistening to fully take it in, but then there was a crisis at work and I suddenly had a shitton to do in a very little amount of time which was not a conducive environment to fully digest these *very* dense songs. I still haven’t sat down and done nothing but listen to half the songs on the anthology, so. I am never more jealous of west coast time zoners than during new music drops. 😂

I immediately logged off the internet when I heard it had leaked Wednesday so I truly went into this blind. My initial thoughts are… well… okay! I don’t dislike it. But I don’t love it, you know? The songs are very dense but I still don’t think it’s her best writing (and I’m a Bruce Springsteen girlie; I love a cryptic lyrically dense album). There are a whole bunch of songs that I really enjoy and some REALLY good lyrics. But I remember hearing Cardigan or YOYOK for the first time and how that felt and I just don’t get that on anything here. I also cannot acknowledge the implications of how many goddamn songs are about Matty Healy and how in love with him she was without risking a mental breakdown!!! The idea that CARDIGAN was written about him… I cannot do this… take me back to when we thought The 1 was for sure about Harry Styles. I was present for the Gillette rain show “I’m the happiest I’ve ever been” psychotic break and I STILL was not prepared for the amount of psycho behavior on this album regarding the rat man!!!!

I think I have two main problems with this album. 1: it is too goddamn long. I am not one to complain about getting more content but I feel like a lot of these songs are just saying the same thing and not doing it in a way unique enough to justify having both of them. Like I think we could have EASILY trimmed a lot of fat and gotten these both into one 20-ish track album that would have read better. I feel like a lot of this has to do with the social media culture now of more, more, more, always racing towards the next thing— like how a day after we got 1989 TV the swifties were clamoring for rep TV. Like we just got 5 new songs!!! Slow down!!! I would have preferred quality over quantity lol and this album very much felt like quantity, quantity, quantity.

And then 2: I miss when she used to really push herself to try different things and to get better at her craft. Not that I want her to be attacked and get backlash, but her insane levels of fame have made her so untouchable that no one can say anything remotely constructive without being crucified and I feel like it eliminates some of the drive she has to push herself to be better and write better (hello Speak Now and Red!!!). I saw Rolling Stone gave this album a perfect 100 score like???? Hello???? The album is not bad, but to grade it as perfection compared to others? Over Red? Over Folklore? Over 1989??? Let’s be real. And I feel like this album has a lot of “well it’s good enough” moments where I’m like… but is it good enough? Could we have worked to make this better? I feel like she needs new collaborators too. She does great work with Jack and Aaron but I feel like they know each other too well and it’s getting to the point where they’re not editing or pushing her as much as they should be. A lot of the songwriting here just felt complacent. Get Liz Rose back in the room I am begging!!!!!

Now that I’ve typed all that out I feel like I am being increasingly harsh, but idk. It’s a fine album. There are some songs I enjoy and I’m sure it’s gonna grow on me more as I listen and really digest, but it doesn’t really have any super stand out moments to me right now. I saw a tweet saying this album is not to top the charts, not to draw in new fans, this is for the swifties who know and care about Taylor’s lore and want to listen and know what was going on during this period of her life, and she just needed to get it out there and say it so she can move on. And I do enjoy the lore, don’t get me wrong, but I kinda hope that’s the case and the next album is a clean slate, because… other than the lore, there’s nothing really new or interesting here, sonically, lyrically, etc. I really hope her next album she takes a big risk and does something different. I also feel like she needs a BREAK. Like I don’t want any new music for the entire year of 2025. Go recharge and take a break and come back to us with your best work, queen. I feel like the rerecords and the constant churning out of new music and content is just watering down her undeniable talent.

I wanted to like this a lot more than I did, but you know. C’est la vie. I never was a big poetry girlie anyways, and I’ve seen some people say they love the album (and to them I say I’m happy for you I clap I cheer and i’m gonna let you rock!!) but for me… idk. We’ll see how I feel in a week. But throughout the day today I kept feeling the temptation to put Chappell Roan back on, so… I think that sort of sums up my initial feelings on the whole thing. 😂

[nerdy-hyperfixations]

Breaking news: local doctor arrested for sunscreen incident and is facing life in prison. More at 5

Okay, but seriously, tho. I hadn't gone to the Luau somehow until very recently, and when I heard people talk about Harvey's line there, I got really concerned. Like one person claimed, he asks to rub sunscreen on Maru's back, and Maru gets really uncomfortable. I was genuinely concerned because I personally rather there be no implications that Harvey, a doctor who owns the hospital he runs, would have a crush on Maru, his employee. Even if some people can accept that age gap they must obviously have, it's just actually immoral...

But bro. I read the dialog that everyone is so creeped out by. He doesn't say that. He legit says, "I wonder if Maru could use some sunscreen on her shoulders," with a completely neutral face.

It's weird at best that he's pondering out loud to you instead of asking her, but the game doesn't really let people talk to each other outside of cut scenes. Sure sometimes their dialog can be related, but the game can't predict who you'll talk to first. If he were to ask her in his dialog but you talk to Maru first it'd be strange to watch her answer a question he hasn't asked yet.

Some people point out that it's weird he specifically singled out her, and *that's* why it obviously points to something more creepy, but... considering she was standing right next to him. And is his only friend if you don't count yourself. (According to the wiki. Some people headcanon he has more friends lol) It's really not all that strange if he were just concerned about her getting a sunburn and thus thinking of her.

The other evidence I've seen is that Harvey asks Maru to dance with him at the flower dance, so he obviously has a crush on her. But like. Again. She is his only friend. If you talk to him, he talks about being nervous to ask someone to dance. I think some people read "someone" as meaning he has someone in mind, that being Maru, but I've always kinda assumed it meant he literally is just nervous to ask anyone. Which, of course he'd end up asking the one person he knows. It's ultimately understood that the person they dance with doesn't have to be a romantic interest but can be, so I don't know why this is used as Harvey *obviously* having a crush on Maru.

The shoulders specifically being mentioned is pretty strange, however, directly quoting an article here, that's right I'm pulling out the big guns, "people are most likely to under-apply protection to their chest and shoulders." (Source linked at the end) Someone has pointed out that her shoulders are covered, but only by what looks like a loose t-shirt, which you can get sunburns through. It is entirely possible that *as a doctor* Harvey might know people often miss their shoulders when putting on sunscreen, and is genuinely concerned she might end up a little sunburnt.

Also, Harvey is an easily flustered man: he blushes, a lot, pretty much every time he flirts. And maybe it's just cuz the characters aren't able to blush around anyone but the farmer, I wouldn't know, but he has a *completely* neutral face. Not even smiling.

Maybe this is just me in denial because I like Harvey too much that I don't want to believe it, but idk. I'm willing to say it's not out of line, and that he's not interested in Maru because that would be... insanely inappropriate of him as her employer.

https://www.google.com/amp/s/www.huffpost.com/entry/surprising-place-getting-sun-damage_n_595157ebe4b02734df2c8176/amp

[ppg-villains-defense-lawyer]

What are your opinions on each Gangreen Gang episode (Buttercrush, Telephonies, Schoolhouse Rocked, Slave the Day, Power Lunch, Bang For Your Buck, Aspirations)?

Honestly, I enjoyed all of them! There's not a single bad Gangreen Gang episode. But to break it down further:

Buttercrush: Ah yes, the episode that basically created the Ace X Buttercup ship (and led to many childhood crushes on our favorite green gangster).

A good episode overall. It really shows off Ace's manipulative side, perceptiveness, and charisma. Yes there are Unfortunate Implications TM if you want to read into it, but I always just saw it as Ace seeing an opportunity to both get the PPG to stop beating up him and his friends, and seeing a chance to have a superhuman on his side. Though I could see a future where he and Buttercup could genuinely get along and become friends, when they're both adults and he's not actively committing crimes.

Telephonies: Peak "boys will be boys" behavior in a good way... or a funny way, at least. I mean, who else would be stupid enough to prank both Mojo Jojo and HIM but smart enough to actually make it work? I honestly can't think of another villain that could and would pull off those kinds of shenanigans (Also the scene with the Professor... someone please sit this man down and warn him about phone and internet scams. He's the type of guy who would receive an email from a "Nigerian prince" asking for money and believe it. Bless him)

Schoolhouse Rocked: Another hilarious episode that also raises some important questions. Like, before Jack Wednesday, did nobody notice that the Gang didn't go to school? Or, did they just not care? And why were a bunch of teenagers put in a kindergarten class? Was it because they genuinely never been to school before and Jack was making them start at the very beginning, or because Pokey Oaks Kindergarten is the only school in Townsville? And if that's true, then where do all the older kids go who are just regular citizens-

Okay, I'm getting off topic. But yes, it's ridiculous and fun and even a little sad when you read into everything. We get to hear some of Arturo's backstory, we get to see the gang be massive trolls and menaces to everyone around them, it's great.

Slave the Day: Rewatching this episode makes me feel a bit sorry for Big Billy. As funny as the "we thought you were dead" meme is, it's clear that Billy doesn't feel loved or cared about, even within the gang. And... he really isn't, aside from maybe Grubber. He comforted him at least. Like, he was so shocked that the girls did the bare minimum of being superheroes and saved his life that he was ready to leave all his friends behind for good and dedicate his life to serving them.

Though I will say I don't think Ace and the others ever genuinely believed Billy was dead. I don't think they're that careless. Imo it was more of a joke and they just assumed he got scared and ran off or the girls caught him and threw him in jail. But either way, it's clear they weren't that worried and if he ever did get separated from the gang he'd pretty much be on his own.

Also, the girls were definitely in the wrong for beating up Billy at the end of the episode for turning on them. He admitted what he did was wrong, he was sorry, and he changed his mind at the end anyway and saved them. Idk, that part never sat right with me and really shows that the girls have a very rigid view on their roles as crime fighters, seeing violence not simply as a method to defend themselves and others but as a just punishment in of itself. And to a point you can't really blame them; they're only five and encouraged to use violence by pretty much everyone around them, even when it's unnecessary. I hope they gain more of a nuanced perspective as they get older and realize that's not a good way to be a hero.

Power Lunch: I enjoyed seeing which powers each of the gang got! I know it's officially tied to whatever food they were eating when they got hit with the girls' laser vision, but if you want to analyze it as revealing a part of who they are I think you could.

You could say Ace gets ice powers because he tends to act cold and mean, even to those closest to him. Snake gets super elasticity both because he's naturally flexible but also because he's often forced to bend to the will of others, especially Ace. Arturo gets super speed because he's spent years learning to be the fastest as a way to make up for being the smallest, Big Billy is a rock because he's, well, big, but also because he can be quite stubborn when he wants to be (ex. him insisting to "help" constantly in Slave the Day). Grubber gets super sonic burps because he often finds other ways to make his presence be felt and felt loudly despite being mostly voiceless; whether it's through his grossness, his talents with poker and music, even his voice acting skills, etc.

Bang For Your Buck: This is probably the one I rewatch the least, but there's still a lot of great comedy in there. I enjoyed seeing the juxtaposition of the girls trying to find genuine ways to earn the money next to the gang doing what the gang does best (aka robbing little kids and old ladies). The running gag of Ace being oblivious to obvious solutions felt slightly out of character, but I enjoyed it nonetheless. Especially watching the rest of the gang notice what he wasn't and being too scared to point it out.

I will say that I think it would've been better if at the end, the gang was able to buy the Destructo-Ray, got all geared up to use it to take over Townsville (or more likely, just blow up random shit for fun) only for them to find out that it was actually a snow cone machine when they tried to use it and they basically wasted all their money. Idk, the ending with the mayor felt a bit random and pointless.

Aspirations: Controversial but this is probably my favorite Gangreen Gang episode if I had to pick. We get to see the boys be both competent thieves and badasses and we get to see a softer, more vulnerable side to them through Sedusa, even if that vulnerable side is only revealed through manipulation. We see that they are capable of being scarily competent under the right conditions, and are desperate for love and basically anyone telling them they aren't worthless. I also headcanon that this was a huge turning point for them and made them decide to turn their lives around, but also fractured their ability to trust any outsiders for years onward, Ace especially.

I also really like the references to Buttercrush because yeah, what Sedusa is doing to the gang isn't that much different from what Ace did to Buttercup. You could argue that Ace's reasons were more defensive while Sedusa was actively seeking out the gang to use and I think there's some truth to that. But the nitty gritty of it is the same: manipulating someone younger and less experienced for the sake of power and personal safety.