#because their Whole Thing is Self Sacrifice

[anyydidi]

WRITING THIS POST BECAUSE I'M SO SICK OF PEOPLE MISCHARACTERIZING FORD!!!!!!!!!

Before we begin, everyone is entitled to their opinion. If you really think Ford wouldn't truly care, you do you.

That being said, I feel like people who claim that Ford wouldn't do a single thing to bring Stan back if their places were switched do not understand his character at all.

Don't get me wrong, I don't think that he would open the portal. At least not right away. The one thing I agree with is that Ford wouldn't put the life of his brother above the whole planet like Stan did. He realizes the threat of the portal and Bill too much to do that.

But have people forgotten that Ford also loves his brother? Yeah, he was angry, bitter and resentful, but he wouldn't have just let Stan die in the multiverse. Especially since that would be entirely his fault he got stuck there in the first place.

For people thinking, "But Ford was too blinded by rage! He didn't care for Stan until after Weirdmaggedon!", have you seen the show? Have you read the journal? Through everything that happened, Ford kept a photo (tattered and worn, obviously taken out a lot) of him and his brother in his left, inner breast pocket which is the one closest to the heart. If that wasn't enough, for those who haven't read the journal, Ford kept reminiscing about and mentioning his brother before the portal incident. Even though those lines were often crossed out, it was obvious that at least unconsiously he had Stan in mind a lot. And at the end of the journal, it is written that he worked day and night, to the point of passing out, to bring Stan's memories (and essencially Stan himself) back. (Oh and have we forgotten about the absolutely shattered expression he had when he erased Stan's memories? You don't look like that for a person you don't deeply care about).

Still not enough to believe that Ford cared about Stan before Stan's sacrifice?

Let's talk about the fact that when Ford was at his lowest, that being paranoid, sleep deprived, tortured by Bill, drowned in guilt, and completely alone, he reached out to Stan? He says it himself, "I needed help, someone I could trust." After everything, he still trusted Stan to an extent and believed him to be his last hope. You don't give trust like that to people you truly hate.

Ford was self-absorbed and egocentric, but also hurt and betrayed. That feeling came from a misconception, but that doesn't make it any less valid. It is understandable that he acted towards Stan the way he did, with venom and bitterness. But we can be angry at people we love and still care for their well-being.

How I said earlier, I don't think Ford would really open the portal. He wouldn't risk the entire world for Stanley. But I do think he would do anything in his power to be able to bring Stan back safely. You cannot be telling me that he'd be able to live with the guilt and not do anything about it if he could. After all, in his head, it would be his fault. He got tricked by Bill, he built the portal, he made Stan come to him and showed him the portal and he wasn't able to let go of the journal and fought Stan for it. I'm convinced he'd still throw some blame at Stan for some of the fight to make himself feel better at first, but after some time he would just blame himself completely (the same way I think Stan did with the science fair incident). The guilt for all of that would eat him alive.

Let's not forget, Stanley worked for 30 years, basically half his life to bring Stanford home and I believe Ford would be willing to do the same. He would just go about it differently. He would either try to get rid of the threat of Bill and then be willing to upgrade the portal and turn it on again, or maybe try to find a completely different way to get Stan back from the multiverse, or in the end something entirely different, I'm not fully sure.

What I am sure of is that Ford wouldn't just let Stan be stranded in the multiverse without doing absolutely nothing. Maybe he wouldn't succeed, maybe Stan would actually have to find his own way back home because Stanford wouldn't be able to find a solution without risking their entire universe. But Ford would at least try, give it his all, because despite everything, he still loves his brother. Differently than Stan loves him, because Ford is a different person than Stan, but he still does.

So I beg you, people. Stop taking Ford's complex character from him. He can be a selfish, self-centered asshole, but he's not heartless.

[radiation]

My Thoughts On MORPHEUS

Rewatched The Matrix yesterday. Everyone knows that Morpheus is fucking dope, but few realize he is one of the most moe characters of all time. Here is why:

Ok so at the beginning of the movie, Morpheus really appears to be this mythical figure, and that's how a lot of ppl view him. But something often overlooked is that, as the movie progresses, the more you see Morpheus acting mundanely, dressing normally, making mistakes, and getting the absolute shit beaten out of him & needing to be saved. Seriously, the gap between how he comes off when he first contacts Neo (larger-than-life, near-omnipotent) and when he gets kidnapped (totally fallible & vulnerable) is huge. You also see other characters doubt his absolute faith in Neo and it’s like wow yeah. This is really just some dude who is incredibly driven and passionate, and dedicated to his own ideals to a fault. He acts the way he does because he has a very clear image of the role he needs to play and has structured his life around it, choosing to embody this whole badass character in order to fulfill it. And from the way his appearance of perfection is shattered later in the movie in moments of monotony or when things spiral out of his control, I really believe how he acts when he meets Neo is suuuuper scripted. Like he has spent so much fucking time planning the perfect way to present himself and rehearsing exactly what he will say and do and how he will dress. And its funny to watch The Matrix knowing how totally badass & collected he is seen as in pop culture because he truly is incredibly incredibly dorky

This goes without saying but I also believe he is gay as fuck for Neo, but I need you to understand that the way he goes about it is sooo cute. I mean ok everything surrounding "You are The One and I've been searching for you for years" kind of speaks for itself. But also think about when Neo talks to the Oracle, she says this thing about like "knowing you're The One is like knowing you're in love". We can naturally really easily extend this metaphor to Trinity's explicit prophecy of her falling in love with The One, and knowing that's the case that also extends the metaphor to Morpheus knowing Neo is the one = Morpheus being in love with Neo. And I think how excited he acts around Neo, how physically affectionate he to him, arguably flirting with him during the dojo scene and shit bla bla bla sounds lame as fuck to write but I do think yeah whether literally or metaphorically that's kind of what's up. I think we can be confident that Morpheus loves Neo, and I think romantic love is a close approximation, or at the very least there are certainly real & valuable parallels to be drawn to it

But back to the previous paragraph, the specific kind of devotion towards Neo that Morpheus experiences where he is putting on all kinds of airs trying to mystify Neo, viewing himself as a supporting figure to prop up Neo as the savior -- Morpheus's underlying adoration is expressed through the language of respect, restraint, and selflessness, and a kind of self-sacrifice he is like...excited about. Feels very similar to the whole "best friend who is in love with the main character, but nobly tries to get him another love interest / somehow make his life better without any respect to his own desires". It's very sweet and well-intentioned, but totally excessive. Nobody else is asking you to go this far man this is just you. And it also comes off as a really big obfuscation of at least quasi-romantic feelings, both externally and internally, lacking a lot of self-awareness, so it makes it feel like Morpheus has this like elementary school crush he doesn't quite understand yet and it's really funny and delightful

There is definitely a certain writing style in The Matrix that is dramatic, over the top, and mythological, but compared to Morpheus, Neo and other ppl in his crew speak and act in ways much more grounded. Something I noticed a lot is just how much doubt and disillusionment all of the characters express in living life outside the Matrix, in the effectiveness of the revolution, and of Neo being The One, but Morpheus is totally an exception to this. The only person who puts on nearly as much airs, acting as dramatically and poetically as according to plan as Morpheus is Agent Smith, and like the dude isn't even a person he's a program. But even then Agent Smith expresses disappointment in his own life, and Morpheus doesn't. Seriouusly Morpheus is like the only guy in the movie who does this shit. By seeing himself as a mechanism in a prophecy to save the world and minimizing his own wants and discomforts for the greater good, he has kind of dehumanized himself in a way that's kind of sad. I think it's very easy to buy into it and take his self-perception at face value, and I think most people have, but there are a lot of moments in the movie where you can see through that. That underneath the appearance of a pure legend is a real person who means the absolute best, who is endlessly dedicated and adoring, but suffers from a one-track mind makes Morpheus a really fucking cool and unique character, and has one of the greatest impacts in making the movie's scenario feel believable. And also makes him sooooooooo cute. Anyways I forgoet what happens in the other mvoies this is only about the first one. Rewatch The Matrix 1 and open your eyes and you weill see the truth.

Also another thing I wanna mention that but its only tangentially related -- I think its very interesting how Neo is treated as a protagonist. I can't place exactly why but way the movie is written and shots are framed, he really isn't treated as an audience insert, and many moments in the movie are from other characters' perspectives (including their perspectives towards him, bereft of Neo's own expression). The movie honestly, more than identifying with Neo, expresses empathy and adoration towards him. So it kind of feels like literally everyone in the movie has a crush on him and so should you LOL. Morpheus is definitely a part of this, but I also appreciate the romance between Trinity and Neo feeling equally or more from Trinity's perspective, neither of them really being the object of desire, but if you had to choose one it'd definitely be Neo

Well let me know what you think & Dont try to troll this post because this is real shit

[fizzyginfizz]

What was your childhood headcanon for a hp character that changed as you grew older?

The break-up in HBP after Dumbledore’s funeral.  I used to be so frustrated with Ginny, thinking there’s no way she would tolerate this poor excuse for a break-up, the overprotective nonsense, her sidelining.

However, these were thoughts that were born from a time in my life when I was learning how to advocate for myself. I was learning to use my voice, learning to be me - and I felt every argument or conflict that I gave ground on was a sublimation of this sense of self I was still in a process of discovering. So that’s the lens I saw this conversation through.

Now, I see that whole interaction not as a girl learning to claim her own power, but as a woman who has learned a lot about functional long-term relationships – and I find this “break-up” a gorgeous example of relationship goals. Both parties explain their feelings, explain where they are coming from, they aren’t downplaying their emotions and even disagreeing, they listen to the other.

But sometimes there’s a bigger picture and sometimes one person in the relationship has a higher emotional stake in the outcome, and that’s what is happening here. In this case Ginny sacrifices what she wants in order to give Harry what he needs. Because the stakes are so danged high. He needs to believe she’s safe, that he’s keeping her safe. Even if it’s not entirely true, he needs it and it’s not a permanent relationship dynamic or pattern for one person to understand in that moment, in that situation, in that scenario, the other person’s needs may come first.

And Harry’s “he knew that at that moment they understood each other perfectly, and that when he told her what he was going to do now, she would not say, ‘Be careful,’ or ‘Don’t do it,’ but accept his decision, because she would not have expected anything less of him” is one of the most romantic, most beautiful statements of seeing and being seen in these books. That line is the reason why I roll my eyes whenever people say, “Harry just has a thing for Quidditch players” or “Ginny is a fangirl.”  No, they understand the deepest core of each other. This conversation no longer frustrates me - it’s what convinces me they’re going to be alright in the end.

[legendary-alliance-stance]

okay but sometimes I think a lot about the urn of saint viktor skill

how it’s basically a Self Sacrifice skill to heal others

and I can’t stop thinking about what that implies about viktor

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[yellowocaballero]

So fucking glad to see someone talk about SSS Class revival hunter 😭 I lived it so much and I feel like no one ever mentions it against more popular titles like ORV or even The Lout of the counts family, so I'm so glad to come here and see your amazing takes :>

Thank you for the ask which lets me talk about SSSCRH (the version I read was titled 'Suicide Hunter', which tbh I like more - no beating around the bush).

It's hard to draw an accurate comparison since I'm going off just the webtoon for SSSCRH, while I'm going off both the webtoon and the webnovel for ORV. And I love ORV, ORV is my media blorbo right now, it hydraulic presses my brain, I am writing ORV fanfic - it's, like, funner to enjoy. But SSSRH is just better. In the vast majority of ways it is is better. It's better than the holy trinity by a wide margin. TW talk of suicide obviously.

I can't believe I'm saying this but you need a basic understanding of Buddhism in order to understand SSSCRH. It's not about Gongja's suicides - he doesn't suicide from depression or lack of self-esteem. SSSCRH is about suffering in the Buddhist sense - dukkha. I don't want to make this an essay, so I might reblog this with more information, but extremely shortly:

The Four Noble Truths of Buddhism is the truth of suffering, the truth of the cause of suffering, the truth of the end of suffering, and the truth of the path that leads to the end of suffering. You've heard that Buddhists say 'life is suffering'. To put it one way that doesn't require defining a lot of words: the cause of suffering is experiencing the world as we percieve it instead of how it truly is. Suffering isn't just being miserable and in pain, and life isn't suffering because life sucks and global warming exists and people voted for Trump. Life is suffering because we can experience beautiful and joyful moments in this world, but we do not exist in the moment of that happiness or place our ego/'self' between us and that happiness. Living in that moment, accepting the moment as it is unconditionally, is freedom from suffering. The Buddha tries to free people from suffering through teaching Buddhism.

"What does this have to do with the webnovel and manwha about a guy murdering himself thousands of times" it has everything to do with it. Because SSSCRH is about suffering, and it is about using suffering as a tool in order to experience a world unfiltered by ego and break down the artificial boundaries between human beings. Suffering in SSSCRH is not a bad thing. Gongja has the unique capability to (reincarnate.) experience a person's suffering in unity with them, which dissolves the delusion of separation between people and puts us in touch with the reality of oneness.

The Murim arc was fucking insane because Gongja pulls a Big Bodhisattva Move and walks through the suffering of the world in order to achieve full understanding of the human experience. He takes all of the suffering of the world into himself and is liberated. You can tell it's Buddhist because death was not presented as a bad thing - death was an aspect of a happy ending for the Heavenly Demon lady, because she was finishing her life according to her own joy, and because her teachings were passed on she did not truly die.

But the purpose of embracing suffering is to discover the ability to fully embrace life, and that's where Heavenly Demon's teachings were incomplete - as the ghost dude said, Gongja hasn't even experienced his own full life and the infinite capability for his own happiness. You can only feel the depths of sadness when you've felt the depths of happiness. Sadness deserves its place in the world and it can strengthen you, but so does happiness.

Gongja is attention-seeking, envious, and unbelievably petty. When he drills down into his own desires and why he wants the things he wants, you see that he has a very strong sense of justice and right and wrong - he realizes he doesn't want to be famous, he wants to be acknowledged, but on an even deeper level he is desperate for love and to be loved. Everything he does is to experience love, and as such he learns to love others. His love for the Flamey Asshole was purely parasocial and ego-filled, with no concern for who he was as a human. Throughout the manwha, he grows to care for people as they truly are and pierce through any delusions or misleading outward appearances. He has released all attachment to life and death, and as such does not fear death, and as such has taken a step on the road towards becoming a Boddhisatva who frees others from the cycle of samsara, and as a result has learned sick sword techniques and is sooo good at beating people up.

I think the only other thing I want to mention here because otherwise this is an essay: in almost every time loop/regression story, only the final regression matters. In stories with dungeon monsters and NPCs, only the humans matter. The regressor exists in a space where there are no consequences for their actions, so they act terribly and do whatever because none of it matters. In Groundhog Day Bill Murray acts like an asshole because he can. That's not the case here. Everything Gongja does matters. The NPCs are fake, but Gongja never treats them as anything less than real people who deserve life. Once he understands a person's life he never treats them as unimportant. No loop is thrown away and no person or life is disregarded. His choices matter, the way he treats others matters, and Gongja never treats anybody as if they don't matter except for himself.

That was not short. There is a lot more. The female characters are so good and so rich. From a craft perspective it is excellently paced and has a wonderful sense of set-up/payoff and balances tone and maintains a lot of momentum, which is really hard in a time loop story. You have to do a few very specific things to write OP characters well and SSSCRH does it very well. There's more to say from a craft perspective and it's hard to judge accurately from a webtoon but it's good. I was so strangely struck the entire time about how sincere and genuine it was, how it said what it said with no trace of irony of confusion, and I think that's what stuck with me the most.

TL;DR: SSS Class Revival Hunter is good for a lot of very normal reasons, such as excellent pacing and set-up/pay off and characters, but it's also so sincerely and genuinely Buddhist that it blew my tits clean off.

[solei-eclipse]

a VERY old oc from when I was like 16. not gonna lie looking at it makes me cringe really hard

planning on maybe bringing him back as an ALNST OC (though I'm not sure about entering him in 40 since there's already so many)

here's his sister!

[hanzajesthanza]

honestly as much as i dislike triss for her treachery i mostly dislike her because she becomes sympathetic. if i had to choose between fighting in a war or being able to stare at philippa eilhart’s boobs all day i know what i would pick

[tortoise-teapot]

solas haters are so annoying

like i promise you there are a million other perfectly good reasons to not like him besides "he's full of himself." which is the impression some people get after his dialogue in haven, and usually what they bring up in their crit posts. like... that's not even really accurate. hes a bit self centered sure (he's the type of guy who leaves only 1/8th cup milk in the bottle and doesn't write it on the shopping list) but at that time he's just infodumping.

if you're gonna hate him at least pick a reason that is true 🙄 for example unless you stop him he full on murders a scared guy who made a mistake out of ignorance.

"but robin he has killed a whole bunch of people! notoriously so!" i hear you i hear your point. the difference is that this time it was personal and in cold blood.

[anotheruntitledsong]

i did like the hidden palace but (SPOILER if anyone hasn't read it?) i'm genuinely so annoyed at how Arbeely is handled like... I wish i could be sad but i'm just fucking irritated. I was overly invested in him and that's def why but i just feel like they did him dirty

[trans-cuchulainn]

love when i see a book rec list where half the items on it are things i liked / thought were okay / haven't read but am intrigued by... and then there's just one thing on there i hate and it ruins the whole list for me. i'm like. sorry. if you enjoyed the vibes of XYZ i cannot trust your taste at all. i object.

[lokis-wager]

Just got through some playthroughs of 5 Days a Stranger, 7 Days a Skeptic, and Trilby's Notes, and now I'm wondering how the Chzo Mythos isn't an embedded part of tumblr culture.

[dreampearls]

the one thing i actually really like about genshins writing that they keep on doing is the fucking. Dual identity shit like with pretty much all the archons + albedo + scara + literally the epitome of this being the traveler twins. I am going to pull my hair out

[foldingfittedsheets]

Truly, one of the greatest love language is someone agreeing to eat something atrocious for your benefit.

My first experience with this was in college. My friend Charlie invited me to a jazz club. One would think he’d learned his lesson. I thought nothing of this and agreed to a fun night with a guy friend. We arrived and I saw nothing romantic in the outing.

The menu at the club was very traditional date food- steak, oysters, romancey food. But still, I didn’t catch on. This food didn’t sound like what I wanted. In fact, what I wanted was a hummus plate. Charlie took this turn of events with a slight wince but ordered one for us.

The hummus plate arrived. Sitting politely on the corner of the garlic bomb was a spicy pepper. Laughing, I teasingly dared Charlie to eat it. You see, this kind of rough humor was common among buddies. I thought we were in Buddy Rules. But Charlie was operating under Date Rules; eating the pepper would be a romantic test of his bravery.

He bit the pepper.

His skin was almost as pale as mine and he went bright red instantly, tears stood in his eyes as sweat broke out across his whole body in protest. He barely managed to swallow as he began coughing, his body reflexively trying to spew forth the poison in his mouth.

I was doubled over with laughter and didn’t feel bad until a few days later when Brendan informed me it had been a date. I scoffed initially and only slowly realized Charlie had been intending it as a date. I repented the pepper and promptly dated Brendan in self defense.

Charlies act of romantic heroism went unappreciated but the spirit was there.

Many years later when I’d given up on boys I was dating my beloved wife. Together we took a trip to Taiwan. One of the wonderful things about new places is the food. I still dream about the food in Taiwan. Even the humblest train station cream puff was several orders of magnitude better than any I’ve ever had in the states.

But one place we went was like. Italian food as interpreted by Taiwanese cooks. Some of the combos were as bizarre to me as many Italians probably feel American Italian food is. Specifics escape me, but it felt like I was dreaming some of the menu at the time. At the end we decided to get a chocolate fondue, because why not. We were on vacation.

The liquid chocolate was served with all the things one would normally expect, strawberries, sweets, the usual chocolate accompaniments. And then we saw the tomatoes. Tomatoes and chocolate. We all stared at the tomatoes in horrified fascination.

Now, I hate tomatoes. I can stand a tomato sauce but raw tomatoes and I have nothing to talk about. So I knew that if I tried it I’d find it as repugnant as I’ve always found tomatoes. But I was haunted by the idea that someone who actually liked tomatoes would like tomatoes in chocolate.

My beloved loves tomatoes. And chocolate. I turned the biggest puppy dog eyes on them and begged to know if the combination was actually somehow delicious. My wife insisted that it would be heinous. Still, they speared a tomato sacrifice and coated it in chocolate, for me. For me, they ate it.

It was so wretched that their face collapsed into instant regret. But they didn’t spit it out. They knew I got sick if people spit out half chewed food. So they soldiered on and swallowed the cursed chocolate fruit.

Their devotion utterly delighted me, and even years later I adore that they suffered that tomato to reassure me that indeed, it was bad.

[artist-issues]

If you haven’t seen Wish yet and you love Disney, do not go see it. I am telling you now. It is ripping out the hearts of the Disney movies you love and then waving their corpses around as if celebrating those hearts.

I’ll explain why, again: the message of Wish? Awful. Anti-Disney.

But they've been doing this for a long time. Saying one thing with their movies, and saying another with their PR and Disney Parks Soundtracks.

I'll explain.

Main Idea of Disney's Wish (and the You Are the Magic theme park song and merch): "The power to make your wishes come true is in you."

≠

Most Disney Movies' Idea on How to Have Wishes: "Do what's right, (trust a higher power) and something even more wonderful than what you wished will happen."

Don't try to argue with me about this. You have to look underneath the slogans and the sweater designs and the song titles to what the stories actually support to acknowledge this.

Because you can’t say “do what’s right” has power unless you answer the question “who gets to decide ‘what’s right?’” (Which, coincidentally, is a question Wish brings up and then doesn’t answer.)

Audiences of Disney used to accept that wishing on a star was much like prayer; there’s something you long for, and it’s out of your hands, but you wish for it and you do what you know is right in the meantime. And you’re not crushed, you’re not downhearted, because somewhere in your mind you trust that the combo of those two things—wishing on a higher power and diligence to do what’s good—will be what makes your wish come true.

Trust in a higher power—COMBINED WITH:

—diligence to do what’s good.

The Blue Fairy (higher power) gave Geppetto his wish specifically because he had demonstrated commitment to do good, whether he got what he wanted or not. The Fairy Godmother (higher power) gave Cinderella her wish specifically because she kept on being kind and good to low creatures like mice and wicked stepsisters, whether she got what she wanted or not.

Do you know why that combo (higher power + diligence to do good) is impactful? Timeless? Important?

Because it’s selfless. You want something, but you’re not going to sacrifice doing the right thing to get it. You’re not going to focus so hard on making what you want a reality, on your own, that you miss out on things that could be more important than what you want. And, you’re not so self-focused as to believe that if you don’t do it, it won’t get done.

Jeez, that’s the whole point of The Princess and the Frog!

Tiana wishes to have her own restaurant, and she believes that only her own hard work will grant that wish. She misunderstands her dad’s advice before he dies. She isn’t willing to trust a higher power combined with her own diligence to do good—she only trusts her own ability.

It’s not until she realizes that Ray, the character of faith, was right all along that she learns—what she wished for was too self-focused. It wasn’t complete without love. Something bigger than herself. And getting that was never going to happen just based on her own hard work.

But you know what? It was never going to happen just by a “higher-power” flavored shortcut, either. Because Facilier offers her her wish if she’ll just trust him, no hard work needed. But what does she say?

Trust in a higher power + diligence to do what’s right = selflessness, and getting more than you could have ever wished for. And if your wish is selfish, doing those two things will change your wish into something selfless.

More examples? Get ‘em while they’re hot, in case Wish made you forget, just like the current #NotMyDisney executives have forgotten, what real Disney wishes are for.

Belle wishes to have adventures in the great wide somewhere--but when she's imprisoned and that chance is taken from her it's not reversed because she worked hard to make her wish come true. It's granted because she gave up her wish for her father: she just did the right thing, regardless of her wish. And in the end, she does get what she wished for, which is adventure in an enchanted castle...and much more, because she gets true love, a throne, and a castle full of friends.

How about the One Who Started It All? The one Wish is failing to pay genuine tribute to?

Snow White wishes for someone to love her, and he does--but when they're separated, she does not exercise power to make The Prince come back to her. Instead, she loves who she can where she’s at—the Dwarfs. In the meantime, she has faith that he will keep his promise, and that pure trust in a higher power outside of her control is a big contributing factor to why the Dwarfs come to love her, and learn from her...and in the end, even more than she could've wished happens. He does take her to his castle, but she also has seven new friends who also love her, and the Queen is dead. And she didn’t need to use “the power in her” to work harder and get it done. She just needed to not focus so much on herself at all.

How about a male main character? One who’s wish starts out selfish, but after learning to wish on a higher power and be diligent to do the right thing, gets more than he could wish for?

Aladdin wishes to be somebody different (somebody he believes Jasmine could love, somebody who lives in a palace and is respected and “never has any troubles at all.”)—but doing everything in his own power for that wish proves that it was selfish all along; so he switches to doing the right thing, regardless of if his wish comes true, and he gets even more than he could’ve wished. He gets real love with Jasmine, he gets his friend Genie, and he gets to be free from feeling “trapped” because he doesn’t have to hide who he is anymore.

Or Simba?

Simba wishes to get to do whatever he wants as King—but when Mufasa dies and he’s convinced it’s his fault, it isn’t for that wish that he goes back to Pride Rock to confront his past and his Uncle. It’s because he had an encounter with a higher power—his father—that helped him to realize his wish was selfish all along. He gives up the selfish wish, and he goes back to take his place as king, not so he can do whatever he wants, but so that he can take self-sacrificial responsibility that comes with ruling. And because he just does the right thing, finally, he gets more than what he wished for.

How about something more recent? Zootopia.

Judy wishes to make the world a better place by proving she can be what she wants to be and catching bad guys—but when she tries to make her wish happen on her own, in her own abilities, she fails and is forced to realize that she should’ve been looking for help by understanding “bad guys,” like Nick. It’s only after she humbled herself, admits she’s wrong, and changes her wish from “proving I can be what I want and catching bad guys” to “proving that understanding each other makes the world a better place” (much less self-focused) that her wish comes true—and so much more. She does make the world a better place, and she does get to catch bad guys, but she also gets to befriend one who was a good guy all along, and become all-around more effective at her dream job.

This is how Disney always has been. Because it’s at the heart of good storytelling, and even life (not to get too dramatic.)

The power is not in you. Because it’s not about you. Self-sacrifice, faith, and doing the next right thing regardless of if you get your heart’s fondest desire is what makes more than just your wishes come true. And there has to be belief in a higher power to make that message powerful.

But Wish?

Not only is it bad at showing instead of telling. Not only is it lazy and soulless.

But it’s characters rip the Star out of the sky and say “don’t wish on this. Wish on yourself, to get what you wish for. You don’t need a higher power. You don’t even need to sacrifice to do what’s good—whatever you do is good, because you are the one doing it.”

That is wrong. That is not true, and it is not powerful. There’s no sacrifice in focusing on or placing your trust totally in yourself, and it undoes every good thing Disney has done up until now.

And it undoes it on the 100th anniversary, and it flaunts Easter eggs of the very things it’s undoing.

[gallifreyanhotfive]

What Would Have Happened If The Other Doctors Stepped on the "Boom" Land Mine

One: The land mine is diffused by the power of parental love much sooner. Splice and Mundy join the TARDIS team after he decides that Splice will be his next fill-in granddaughter.

Two: Plays the recorder instead of singing. Jamie attacks the ambulance with his knife as soon as it attaches the lines to the Doctor, and it's only Zoe that stops him from getting killed. The detonation happens much sooner because the Doctor gets antsy and plays with the fiddly bits.

Three: Expertly controls his blood pressure to stop a premature detonation. Tries to keep his companion far away, but they discover the land mine anyway. Takes the land mine with him after it is diffused to use for spare parts in the UNIT lab.

Four: "Harry, I'm standing on a land mine." Doesn't bother with a counterbalance and just stands on one foot for the whole episode. Snacks on some jelly babies while waiting for the right moment.

Five: Has an in depth conversation with Nyssa about how he is regulating his biology on a molecular level. They use a cricket ball from the TARDIS as a counterbalance, meaning that he never gets shot or targeted by the ambulance. One of his companions still ends up getting shot, at which point he falls over, immediately self destructs, and blows a giant hole in the planet.

Six: Gets far too irritated for his blood pressure to stay low. Could really do with some of Evelyn's cocoa right about now. The land mine blows up because he cannot calm down enough to disguise his presence.

Seven: A much longer conversation on how the Doctor is a complex space-time event. The countdown finishes, but the land mine doesn't blow because he had disarmed it at the beginning of the episode. The entire time, he was just pretending the land mine was live in order to teach his teenage companion a life lesson.

Eight: Forgets he's standing on a land mine and blows up. Gets into a passionate conversation with his companion about the war industry complex. Soliloquizes about life and death. Almost sacrifices himself in an inferno of self-loathing, but his companion saves the day.

War: His associates go back in time and extract him before he steps on the land mine. This new version of him continues fighting the Daleks while the time echo standing on the land mine is used to blow a hole in the nearby Dalek command ship.

Nine: Has flashbacks to the War while standing on the land mine but somehow manages to stabilize his blood pressure thanks to the presence of Rose and Jack. Jack manages to diffuse the bomb while he is on it thanks to his experience with Villengard tech.

Ten: "I'm sorry. I'm so, so sorry." Tries to convince his companion to evacuate as much of the population into the TARDIS as possible because they would be safe there. Almost lets himself blow up, but his companion forces him to find a way to survive.

Eleven: The mine blows up in about ten seconds because he can't stand still. The entire planet is blown to smithereens, but his friends are okay because he locked them in the TARDIS.

Twelve: Gets into mind games with Clara while she is trying to figure out what he is standing on. Clara tries to take his place, but he doesn't let her. Missy eventually shows up and disarms the land mine because she wants to be the one to kill him.

Thirteen: Only manages to stay still because the Fam calms her down. Is oddly stoic about the entire thing and disappears into the depths of the TARDIS for several days after it happens. She never brings it up again even though Yaz tries to get her to talk about it.

Fourteen: God damn it this guy is supposed to be retired. He's supposed to be having a break. He talks about how much he loves his companion and how so, so sorry he is that he can't fix this.

Fugitive: This is a normal Tuesday for her. Probably has some sort of anti-land mine device in one of her coat pockets.