#idk which ship i like more so I GUESS this is where i am at now

[the-ebonarm]

The dovahkiin has

Two Hands

[caruliaa]

bad decision maker (me)

[piningpercussionist]

(ooc)

I want you all to know that if I had the energy for it. There are so many posts stored in my drafts I long to queue... but neglected to preemptively tag, despite knowing I am Like This....

Anyway, there is a slight chance the queue might run out tomorrow unless I can get more responses in there-- I am,, tired,,

[loguetowns]

the one that (almost) got away

roronoa zoro x fem!reader

it takes him 12 hours to realize

3.6k words

a/n: ok listen, i think i started writing this like 6+ months ago and it’s just been sitting in my drafts bc idk how to commit to endings so y’all are gonna have to take this as it is. also i have no concept of how sailing works or how long it takes oops

9:00 pm

“y'know, there's really no point to a farewell party if the one leaving isn't there.”

you look up from your spot on the library floor. your eyes land on the green-haired swordsman leaning against the doorframe and you smile.

“i’ll be there in a second. i just have some more stuff to go through.”

zoro eyes the mess of books surrounding you, recognizing a few of nami’s atlases and robin’s textbooks. “you haven’t finished packing yet?”

“i’m mostly done. i’m just trying to decide which books i want to keep.” catching his eye, you joke, “why? you want me gone that bad?”

crossing the room, a scoff leaves his lips. nothing could be further from the truth.

“you got me. i am so sick of you,” he says with a grin. “can’t wait to get rid of the annoying librarian invading my napping spot.”

zoro plops down on the bench behind you, catching a whiff of your shampoo as he lies down. you sit with your back to him, sorting through your piles, but zoro can hear the smile in your voice when you speak.

“you’re such a pretender, eh?”

zoro puts on a look of overdramatic offense, a hand on his chest. “me? you’re talking about me?”

at his poor acting, you turn around. you rest your chin on the bench, your face so close to zoro’s that one could only describe it as a kissable distance.

“you act like i'm all in your space, but nami told me that you never used to spend any time in here at all!”

“pfft, why would you ever trust what that con artist has to say?” zoro pokes your forehead. “you see it with your own eyes. am i or am i not here every day?”

you purse your lips as you think back to the last few months; he’s right.

you’ve spent most of your days in the ship’s library, and zoro has almost always stopped by. in the beginning, it would be for a few minutes, but over the last little while, he’d be in here as long as you were.

zoro smiles as he watches you think, eyebrows furrowed as you replay the last few months in your head. little do you know that this is exactly why the library is his new hideout. watching your pretty little mind work — doing what you love, thinking and studying and reading — is a far better use of his spare time than anything else he could be doing.

“anyway,” he says. “i guess your silly star stories have been a good trade-off.”

now it’s your turn to be mock-offended.

“silly star stories? you’re the one who asked about the constellations in the first place!”

“only because you kept talking about these fictional gods like they actually did something important.”

“says the guy who's completely enthralled by hades,” you roll your eyes.

“king of hell, god of the underworld,” he grins. “that’s my kinda guy.”

zoro laughs when you shake your head at him. he’ll never tire of teasing you; you are far too adorable with your little sigh and a ghost of a smile on your lips.

“did you know,” he says with a playful look. “that you still owe me about ten more constellation stories? d’you think you could squeeze in one more before we head up?”

zoro smiles at you, and you can't help but smile back. 

you have so many treasured memories with zoro in this library; ones of just the two of you (him napping while you studied), ones with nami and robin (and sanji until nami kicked the boys out for their incessant bickering), and ones where the night listens in as you recite the history of the stars.

whether you were telling the story of another righteous deity enacting justice, or the tale of mere mortals who insulted the gods, zoro would listen with his eyes closed, lying across the bench as he is now, and you’d sit in front of him as you are now.

everyone’s waiting for you upstairs and you hate to disappoint, but some things are more important — like telling a silly star story to a silly swordsman.

“of course i can.”

12:00 am

raucous laughter and cheering that’s loud enough to deafen anybody; empty plates, once piled high with food, now scattered around the room; bottles on bottles of sake and rum and whiskey and every liqueur that one would hope to find on a pirate ship.

these are zoro’s requirements for a good time, and suffice to say that your farewell party has them all in spades.

zoro watches his friends’ tomfoolery from his spot at the table (currently, luffy’s trying to get franky to see how far he can slingshot him) when you plop yourself into the seat beside him.

“this,” you say as your arm knocks against his, “is the best party i’ve ever been to.”

zoro takes a swig from his glass, “you haven’t partied until you’ve partied with pirates.”

“seriously! you guys are insane!”

as if to prove your point, franky chooses that exact moment to show off a juggling sequence involving a barrel of whiskey, a giant potted plant, and a squealing chopper.

you gasp at the spectacle but quickly dissolve into laughter when nami saves chopper, and it’s with both awe and pure excitement that you turn to zoro. laughter is etched into your lips, your cheeks are flushed, and zoro can’t help but marvel at how you’re even cuter when you’re having fun.

“what, you’ve never seen a cyborg man toss a speaking reindeer in the air before?”

you nudge him with your elbow, “well, excuse me for leading such a mundane life where animals don’t speak and men don’t tinker with their bodies.”

“ah, but that’s where you’re wrong.”

you look at zoro quizically.

he takes a sip of his beer, “most men do tinker with their bodies.”

it takes you a moment to catch his innuendo and zoro roars with laughter when the realization hits you. embarrassment tinges your pretty face and you shove him with a loud “ew, zoro!” but he can’t stop cackling.

“you’re disgusting!”

you make to swat zoro across the chest but he quickly catches your hand. he leans in to waggle his eyebrows at you, “but i’m not wrong, am i?”

you groan loudly, which only makes him laugh again.

perhaps it’s the alcohol that let his inhibitions go, or maybe it’s the fact that he doesn’t have much longer with you, but when you hastily change the subject and there’s no longer a reason for him to still be holding your hand, he doesn’t let go.

when nami joins you two, his fingers slips between yours and to his surprise, yours do the same. sanji joins your threesome, then franky and robin, and in no time at all, it’s no longer just the two of you at the table.

but zoro doesn’t care.

drunk, carefree, and more content than he’s ever been, zoro closes his eyes and smiles. he lives in the moment, and in this moment, he’s happy — happy with a full stomach and a full glass, happy to be surrounded by his favourite people, and happy that, under the table, you’re still holding his hand.

3:00 am

“and what’s that one?”

hands swinging between you, you and zoro dodge the tide as you roam further and further from the thousand sunny. the sand is cool under your feet and the tide kisses your toes with each step. your other arm is stretched above you, pointing at a constellation in the distance.

“what is this - a pop quiz?”

you smile, “i want to make sure you don’t forget about my ‘silly star stories.’”

zoro groans, “has anyone told you that holding grudges isn’t healthy? keeping going and you’ll turn into a bitter old thing some day.”

you stick out your tongue, “you’re just afraid you’ll get it wrong.”

“wrong?” zoro scoffs. “i’ve gotten the past six right.”

walking along the beach, you and zoro fall in step with each other and your footsteps match the ebbing waves in perfect rhythm. you smile in his direction and his chest is flooded with a warmth that has nothing to do with the copious amounts of alcohol he’s consumed.

“alright, let’s see what we got here.”

zoro follows your gaze at the cluster of stars you’ve chosen, and he grins when he sees the constellation. “really? at least try to make this hard for me, please.”

his cocky attitude leaves you speechless, making zoro laugh. 

“you’re so annoying!” you shove him with your free hand and the force of his stumble pulls you along, and you shriek as he drags you into the ocean with him. he doesn’t let go of you, not even for a second — not when water splashes your legs, not when zoro’s pants get soaked as he spins you around. 

your laughter is warmth in its purest form, the kind that you can feel all the way down to your cold toes. when he sets you back down, you give his hand a little squeeze, to which zoro answers back with a tender smile.

now with wet feet and a distance between you that’s even smaller than it already was, zoro continues to walk alongside you.

“moving on from your pathetic distraction attempt,” — you let out a dramatic gasp — “i’ll tell you exactly who we were looking at.”

pointing at the starry zodiac sign, zoro speaks with complete confidence.

“virgo the maiden, otherwise known as persephone, wife and muse of the best god of them all, hades—”

“fanboy much?” you tease but zoro pretends not to hear you (the little tug of his lips tells you that he does).

“—who snuck her a pomegranate seed because he couldn’t bear for her to leave him.”

zoro puffs his chest with pride, relishing in this one niche study of which he is now an expert. it’s incredibly endearing how pleased he is with his answer and you almost feel bad for correcting him.

almost.

“good answer,” you grin. “but you left out the little detail about how she was kept in hell against her will.”

zoro gasps, “are you accusing my idol of being a kidnapper?”

“your idol!” your cheeks already hurt so much from smiling but another giggle slips out. “first of all, these aren’t my accusations. historians have told their love story this way for years—”

“slander is what this is.”

“—and secondly, why would you want to look up to hades? he’s literally the antagonist in every story.”

“he’s the king of hell! that’s so bad ass.” zoro winks at you, “don’t be surprised if you hear them calling me ‘zoro, king of hell’ some day.”

“what’s wrong, demon of east blue doesn’t go hard enough for you?”

embarrassment rushes to zoro’s face and he’s never been more grateful for the night. “who told you that? was it usopp or nami? i bet it was nami.”

“i might hold a grudge but i don’t snitch,” you flash a mischievous smile. “anyway, let’s get back to how you want to be just like devil who tricked a poor girl in returning to the underworld.”

“come on, can you blame a man for doing whatever it takes to stop his beloved from leaving him?”

it sounds like an innocent question — harmless banter, really — but something in the way he says it makes you stop dead in your tracks. a silence falls and in its wake, all you can do is stare at the man you’ve spent the last several months with, the same man that you have to say goodbye to tomorrow.

moonlight falls unto the both of you and bathes zoro in soft light. it illuminates his eyes and when you meet his gaze, you see a sense of longing there that you feel in your chest. a longing for what, you don’t know — or rather, you don’t want to know.

at least, not yet.

so you hold his hand a little tighter, and underneath the watchful eye of the gods and constellations, muster a smile,

“i guess not.”

6:00 am

if this was any other morning, zoro would be awake and working out already. he'd be done his fourth set of bicep curls or, at the very least, working on his form. he could even be in the middle of deadlifts (because he knows not to skip leg day), but he definitely wouldn't still be in bed the way that he is right now.

the thing is though, if this was any other morning, he wouldn't have you sleeping next to him, curled into him like you were made to be a perfect fit.

he's never been more glad to still be in bed.

your breath matches the rise and fall of zoro's chest, perfectly in rhythm with the waves outside his window and the beat of his heart, like the universe meant for all these things to be in harmony at this one singular moment in time.

your lashes flutter in response when he shifts his weight.

he takes a peek at you, “psst, are you awake?”

eyes still closed, you manage a noncommittal grunt but your body says otherwise.

zoro can’t help but smile as he watches you start to wake up. your toes wiggle beneath the covers and you rub your eyes before looking up at him with an adorably sleepy look that he would love to wake up to every day. 

if only he could.

you focus your gaze on zoro like he’s an anchor in a sea of slumber. the way that you look at him, as if he’s the only thing that you see, fills his chest with a golden warmth akin to the breaking dawn.

you offer him a soft smile, and zoro wonders if the sun knows that you glow brighter than it ever could.

“why are you up at this ungodly hour?”

he chuckles, low and tender, “’m used to it. i’m usually up by now.”

“freak,” you mutter. zoro laughs, and you can’t think of anything else that sounds more beautiful at six in the morning.

you’re not usually up this early but what you notice is that, at dawn, time has a habit of moving slowly. it’s as if the morning casts magic upon those who rise with the daylight — and you’re so thankful for that.

because if time moved any faster than this, you’d have to say goodbye that much sooner.

“are you going to miss us?” zoro puts his arms around you.

you murmur into his chest, “of course, i will.”

“who do you think you’ll miss the most?” 

you give pause and zoro’s almost certain you can hear his heart beating a little louder — he can definitely hear it. he doesn’t typically get nervous like this but, then again, nothing about the way you make him feel is typical.

you seem to have come to a conclusion because you look up at zoro and he holds his breath. 

“sanji.”

he blinks.

“wait, are you serious?”

you’ve never seen zoro looks so wonderfully scandalized before, and you burst into a fit of giggles. as soon as you start, he knows he’s been had. he scowls but only for a moment; for who could be upset in the presence of such twinkling laughter?

 “silly man,” you snuggle closer, "of course i’m not serious.”

“okay, good.” you can hear the smile in his voice. “i don’t know if my ego could handle losing to him.”

zoro holds you close, his thumb tracing circles on your skin. his movements are slow, steady, comforting — ‘round and ‘round, in the same spot, like he’s drawing an invisible mark that is only known to the two of you.

"but, you know,” you hum, careful not to disrupt the peace. “you wouldn’t.”

“wouldn’t what?”

“lose.” and after a beat, you quietly add, “you wouldn’t lose to anyone.”

and just like that, zoro’s on cloud nine, airborne and weightless. he’s always known that he has a place in your heart, but this is the first time that you’ve ever hinted about where that place may be. if he allowed himself to be hopeful, it almost sounds like a confession. 

but almost isn’t good enough for him. zoro wants more — wants to find out exactly where he belongs in your life, wants to know if he can make himself at home there. 

it’s a shame that he’s out of time.

you interrupt his thoughts with a whisper, barely audible above the sound of the ocean and his aching heart,

“will you miss me?” 

more than anything.

9:00 am

surely, zoro’s dream to be hades has been granted. otherwise, why would it feel like he’s in hell, standing on the deck, all alone and watching your dinghy sail away from the thousand sunny?

zoro’s had his fair shares of farewells while aboard the ship, and to be honest, yours wasn’t any more emotional than anyone else’s. you left with a smile as beautiful as the morning sun and with far less tears than he expected (which he’s thankful for because he would hate to see you cry). as far as bittersweet goodbyes go, yours was definitely more sweet than bitter.

and yet, here zoro stands, with a bad taste in his mouth that he can’t explain. he can still see you from where he stands, and watching your little boat in the distance is the only thing that seems to settle his uneasy heart. 

should he have bid adieu privately? maybe he should’ve left you with a memento of some kind? should he have done more than offer you a quick hug? was it his imagination, or did you hold onto him just a beat longer than you needed to?

zoro’s so occupied by these messy thoughts that he doesn’t even hear sanji approach him.

“well?”

startled, zoro can only stare at the blond cook. ignoring the dumb look on his face, sanji continues.

“what’d she say when you told her?” sanji nods in the direction of your boat.

“told her what?”

“that you love her,” sanji takes a drag of his cigarette, looking at zoro directly now.

he speaks so frankly, so matter-of-fact and candidly, that it takes zoro a second to really register what it is that he’s saying. 

he loves you.

and as soon as he thinks it, the truth comes barreling through all the doubts clouding his head. clarity floods his chest as he comes face-to-face with what his yearning, pining heart has been trying to tell him this whole time.

he loves you. he loves you. he loves you. he loves you. he loves you-

fuck.

he loves you.

and he never told you.

epilogue — 9:30 am

sails closed, your boat floats with the current and the salty breeze reminds you that your adventure with the strawhats has come to a close. compared to the never-ending bustle of the crew, it’s almost too quiet being at sea alone. the silence lends itself to your overactive mind, working full time to unravel the tightness you feel in your chest.

you’re lost in thoughts of what could’ve, should’ve, and would’ve been — so much so that you don’t even hear the commotion behind you. it’s not until you hear zoro call your name that you hear the frantic swimming and you whirl around.

“zoro! what-”

“can you help me first?” he splutters.

you pull yourself together long enough to run to the side of your dinghy, pulling a sopping wet pirate on board. zoro leans back, trying to catch his breath as you rummage through your things.

“are you crazy? do you know how far we are from the sunny?” you throw a towel over him before reaching for another. you start drying off his hair, frantically fussing over him.

“you think that just because chopper gives you the clearance that you can push yourself over the limit-”

“y/n.”

“this is why you’re always on house arrest! you’re actually insane, you know that?”

“y/n.”

“i know you work out, but for goodness’ sake, zoro, you’re only human-”

“y/n.” zoro holds your wrists, forcing you to stop with a start.

in all your worrying, you didn’t realize that you’d been gravitating closer to zoro until you’re staring into his dark, obsidian eyes. there’s clarity in the way that he looks at you. his eyes are shining with a fierceness that you’ve only seen in his worst fights, and you brace yourself for whatever comes next.

because you know that this will change everything.

“hades and persephone.”

“huh?“ you blink at him. “did you hit your head-”

“ask me if i think hades loved persephone.”

you stare into zoro’s eyes, desperation reflecting back at you. there’s a hidden question there and you understand immediately.

quietly, you ask, "do you think hades loved persephone?”

“i do,” he whispers. “i think he loved her and he would've been stupid to let her go.”

your breath catches. zoro places a hand over yours, surprisingly warm as his fingers find their home between your own.

the heavens watch on as the two of you finally open your hearts and give way to the stuff that myths and legends yearn for — a connection that can only be described as fated, destined, purely and resplendently magical.

the gods smile at the two lovers who find themselves falling into each other, laughing as you confess, over and over again,

i love you.

[skadream]

i just straight up dont think that yaoi or slashfic is about girls fetishizing gay men like it wouldnt be such a Thing that exists if thats ENTIRELY what it was.

i feel like there was an article about yaoi as a way for women to explore darker tropes in romance which i dont agree with because women have been writing straight romance with dark tropes since forever but the reason that article was torn apart was just to immediately dismiss the entire concept of BL as women fetishizing gay men. am i making sense lmao.

i dont DISAGREE that there were and are a lot of people whose only/earliest/most prominent exposure to queerness has been through slashfic / fandom shipping / BL and that can have an unfortunate side effect of not knowing how to handle queerness in real life but thats usually just the case for young people who learn and grow out of it AND!!!!! we live in current year where people are just more open about queerness and theres more real life stories out there and more representation out there

i guess maybe there IS something to be said about women using the lens of a queer male relationship in order to explore darker tropes being kinda weirdly heteronormative but also maybe a way to fantasize about such things without having it involve any dark tropes toward women, and we can talk about THAT cuz i think THAT could be an interesting path to explore and discuss, but it always just kinda ends at "fujos bad women who fetishize gay men are bad" etc without any further nuance

or we could talk about the fact that male writers just dont know how to write women so the closest relationships ALWAYS end up being between men even when the male lead has a female love interest, so those male relationships tend to be what people gravitate toward

or we could talk about how a lot of the women who write M/M are queer themselves! many are even lesbians! but theyre still just women who fetishize gay men so i guess thats all there is to it

its almost like its misogyny all the way down or something idk

[matan4il]

911 ep 709 first watch reactions

The way this ep starts with giving us a clear shot focused on the front, solely on Buck sitting between the man he's dating and the man he's been married to for the past six years, and only on them. XD I'm here for it.

Oh, Bobby. :( Feeling unworthy of his medal, and remembering his dad, and how everything went wrong after he got it. </3

Aaaah. Man, IDK. The openly and explicitly homophobic and racist captain cartoon just feels like an easy target now. Prejudice doesn't seem like it mostly gets expressed that way anymore, and when we only teach people to reject that kind, we not only fail to teach them to recognize subtler forms, we may be misleading them to think those more nuanced ones don't count.

Love Athena trying to "save" Bobby by contacting Amir. I'm always a sucker for a couple where they both save each other.

I enjoyed the little play with "Mother Hen," and I know it's not specifically about Buddie, but it is damn funny that when she's told she's raising more kids, they're the ones the camera focuses on. lol Raising a kid together for 6 years, still a couple of morons in desperate need of parenting from their colleagues. Even when Bobby's "wordless goodbye" moment with Buck is letting him cook for the 118, Eddie's by his side and they're doing it together. I swear, 911 said, "Take note, this is what a marriage looks like" and then just kept hammering the point for 6 seasons now.

Okay, I am pretty sure that, while Bobby's acceptance of Buck's first relationship with a guy, is really lovely, "Because we haven't had to talk about it" is not an actual good criterion for discerning whether someone is good for their partner or not. People whose spouses are abusive don't talk about it, either. :/ I am NOT saying that's Buck and Tommy, because it obviously isn't, it just feels like a line thrown in there to be cutesy, but which isn't actually helpful to people, who might take it too seriously.

I AM GONNA LOL FOREVER. So, just like Buck's bi awakening was all about Eddie, now Eddie's messed up whatever he has with Kim is gonna involve Buck, too? Gotcha. Battlefield boyfriends being off-battlefield boyfriends once more.

So... Buck was going to see Tommy, in an ep where TPTB have already paid for Lou in the role, so might as well use him as much as possible, but instead a non-emergency run in with Eddie's current whatever-Kim-is makes Buck ditch Tommy, and run straight over to Eddie's to help him? Look, I'm obviously a One True Pairing kind of shipper, so Buddie are it for me, as much as I can enjoy and see the value of Buck and Tommy as a stepping stone, and nothing will make me stop shipping Buddie (especially not after the tsunami eps), but 911 is feeding me way too well with how it frames these scenes and stories, I don't think the show's trying to get me to stop.

Man, if anyone's ever had a doubt that Eddie is the world champion at denial, this kitchen scene will def cure that.

"I'm worried about you." "Yeah, I'm worried about me, too." And then Buck, the one person who can ALWAYS penetrate through Eddie's denial wall, no matter how thick it is.

Eh, IDK how much the part where they try to re-define Shannon as the love of Eddie's life works, or how much it just serves to show he's still in denial, just a different kind than before, when Buck got through to him that he can't go on like this with Kim. For one thing, in his little retelling of their dysfunctional r/s, Eddie doesn't mention that Shannon was leaving him a second time, even before she died. Literal denial and repression.

So I'm gonna choose to believe Hen and Karen will get Mara back, because I can't deal with that particular storyline otherwise.

Kim's reaction is too deranged for me. Who does something like that, even if we assume the kindest of intentions? And then Marisol and Christopher's timing... I didn't sign on to watch a soap opera, but I guess I'm getting one free of charge?

"Now you gotta save yourself." If that ain't a painful summary of what growing up means, IDK what is. the conversation with Bobby's dad in his sleep was a good, painful scene, built right, leading to him hopefully getting his closure through saving his wife from a fire, and leaving us with just the right amount of suspension for next week and the season finale, where we'll see if he can let go of his past mistakes without a doppelganger dressing up like his dead wife...

Thank you for reading! If you’re looking for more, you can find my s7 reactions tag here, and more of my Buddie meta and content in my pinned post. xoxox

[lazyfandombean]

Psst, you!

Hey, hey you! Yeah, you! I've got a question for ya. Do you feel normal about SCC (Sweet Cap'n Cakes)?

-> Yes -> No

[❤️Yes] [Ohhhh, I see. You're in denial, aren't you? ;)]

[❤️No] [Aha! Just as I projected- I mean suspected! Suspected. Yeah.]

Well, I've got some GREAT news for you! Have you ever felt saddened by the lack of SCC-centric fanfiction? Specifically the kind that depicts them as brothers instead of bandmates or partners (no shade to those depictions btw)?

No? Shut up yes you have /j

Yes? Fantastic! Well, no, sorry that you're sad :/ BUT! Be sad no longer! For I've come to save the day!

In the form of my newfound SCC hyperfixation!!!

That's right!! I've been going crazy about The Guys™️ for the past week or so, but to my absolute SHOCK, there are hardly ANY fanfics for them!!! And almost all them revolve around them as a SHIP! And no offense, but I just don't like reading about ships all that much, sorry!!! :(

SO!!! How am I going to fix this dilemma, I wondered? But THEN! I remembered something!! Something very, VERY important:

'Oh yeah I'm a fanfic author.'

Is this me implying that I'm now writing a bunch of SCC fanfiction in a very roundabout way? YES YES IT IS! :D

In fact, I've already posted one on Ao3 and have turned it into a 'series'! By that I just mean that the 'series' is really just a place for me to dump all of my SCC-centric fics. I'll link the series here, BUT I'll also be cross-posting most, if not all, of those fics from Ao3 to here on Tumblr!

Oh also link btw:

But why am I talking about it like this on Tumblr, you ask? Introducing it in such a way when I could have just started posting SCC content? For two reasons!

One: Idk I just felt like it

Two: Because!! It has come to my attention that hardly anybody on Ao3 even reads SCC fanfiction.

And no, this isn't me begging for like... kudos or subscriptions (or followers, I guess it is on Tumblr? Idk I don't use it much) or anything like that. What I AM asking for is for people to read it. Not because I want to get popular, but because...

I am very self-conscious about the way I write SCC.

Well, to be honest I'm just self-conscious about the way I write any fictional character. It's actually the thing I worry about the most when it comes to fanfiction; whether or not I'm getting the personalities right. And I'm aware that it's more about how you perceive the characters, and that headcanons are a thing (I have plenty of them myself), but in my opinion, there's a line between having a headcanon and writing something ooc. Headcanons are fine, yes, and I use them a lot (especially when it comes to Undertale and Deltarune characters), but I feel like it can get to the point where it's so ooc that it doesn't even feel like the same character. And that's something I definitely don't want to happen when I write about my three favorite guys EVER. So basically, I'm asking people to read my fics specifically so I can get feedback on how to write the characters.

Why didn't I ask my friends? Bold of you to assume I have any /hj

But no fr, none of my friends play Deltarune, and I'm not even sure if any of them have heard of it. My sister has played before, but she never really got into it, and it's been so long that I doubt she would even remember who SCC are if I asked.

So, I've taken it to random strangers on Tumblr!

There's only one work in the series right now, but I'm currently working on another and have many more ideas sitting in a doc, waiting to be written! I'll also take requests if anyone has any (which I doubt will happen but anything's possible I guess), but before I post any more, I'd really like to get some feedback from... someone, I guess. I dunno I just really want to do them justice 😭

Anyways, that's all! Sorry that this was so long and probably annoying to read, I just thought it'd be funny but now I don't even know aldkdsfljk- but I'm leaving it like this because why not I guess

[hydrangeyes]

Brushing up on my writing through pit diving publicly into COTL:

- I have this AU (a solid one) called Death's Shepherd. I wanted to play with the idea that the Lamb has always had an affinity to death (as I have ideas on worldbuilding) even before the massacre/genocide.

- a pinch of death and violence (war), however, in this life, they have gone down the road of death. Obviously.

- This whole Au was going to be very picky with what was taken from canon, for example:

- was going to have it where the one who waits originally wasn't going to kill the lamb. That while it very much was a chance/option, I wanted to play into the info that he /was/ tampering with life and was planning to do a switch a roo of sorts. This still would have required the sacrifice of the lamb's followers, but the one who waits figures it was a price worth paying. The lamb.... not so much.

- speaking of the one who waits and a crown on two heads. After the one who waits is defeated, it is quickly noted (by some) that Narinders' soul is tainted due to his past research/experiments. As Death should have never brought life into the world.

- which is what I'm playing with. Resurrection is one thing (especially if the body and soul are still attached) but bring whole new lives, new souls into existence? Reconstructing spuls and willing them back into their past bodies? Mmmmmm yeah that has its reprocussions.

- I also wanted to play with the crown. Where whole yes, the lamb is the new death deity, the crown is the essence of death itself, like *trying to find the words* they just are. Idk how to explain it lol but yeah.

- everything else is fairly the same, tho I am cooking up having the goat be more involved main story wise.

- the goat becoming the new war deity (goats not as wiped out but damn are those numbers low, as when the hunt for lambs first started, alot of goats were either mistaken as lambs or were protecting them).

- anyway, this was based on an idea of the lamb having to navigate their new ascension; the nature of being a deity/what it means to be one; who can and can't be: of course, typical shipping mess (i guess, they'reboth a mess but like a puzzle piece and all that); the actual damage that happens when wiping out whole as DEITIES with no back up; and wanting to see how funny it would be if Narinder was force to be the Life deity rather than death (I have a whole thing about this)

- still tinkering with Nari's design and the Lamb's Names (They will have 2)

[spaceorphan18]

I just have some thoughts and, I just... they're just thoughts with zero intention of being inflammatory or derogatory. (I do respect all the other ships on the show, enjoy Kanthany and am looking forward to Benedict/Sophie, and am slightly annoyed I even have to have a disclaimer, my god fandom, sometimes...)

I think that in one way that Bridgerton, as a show, struggles a little (and I suppose I mean struggle loosely) is that it's chaffing between wanting to be (what is essentially) an anthology show vs a regular TV show where the characters are developed long term.

I think Simon and Daphne's story works within season 1. But like the book(s), it's a self-contained story that isn't intended to go beyond the happily ever after other than a cameo here and there. (I do hope Daphne comes back eventually to cameo, it's a shame she wasn't in season 3.) But their story isn't meant to go anywhere else.

Anthony and Kate is the most awkward story at the moment. Anthony is one of the few well rounded characters in the book, as he's the head of the household and in most of the books. And Anthony and Kate having to run the household feels a little like a missed opportunity to be developed on the show. Now -- I know it's because Jonathan Bailey is becoming hugely successful actor -- and the original premise of the show is supposed to be self-contained stories. But it's a shame, because I think Anthony and Kate have so much potential for good stories to tell, and I have a feeling they won't be.

The thing about Pen and Colin, though, is that they haven't been treated like the anthology format the two previous couples got. Their story has been treated in a more traditional, long-form tv style, in which the characters have grown and developed, and so Season 3 was their spotlight, but we've past that and... I still think they'll be getting a considerable amount of screen time in Season 4. (Obviously, not as much as Season 3 - and I hope people don't get their expectations up too much). But look at how much they both got to do in Season 1 and 2. It's A LOT. And Season 4 will probably be on par with that.

I'm super curious as to where we go from here. Season 4 kind of has its expected trajectory, and I can pretty much guess what we're in for (and am looking forward to it!)

But what happens after? Do Benedict and Sophie now fade into the background completely? What are we doing with Anthony now - which is still rich in possibility? Pen and Colin's story probably will wrap up (in a way) in Season 4 -- where do their individual arcs go, or will the by pushed back?

[And, as an aside that I don't really want to make -- if Nicola wanted to get off the ride, after Season 4 would be a good place to do it. I guess that depends on whether or not she becomes the next Jonathan Bailey -- and as much as I would love that for her as an actress, the Pen fan in me's heart would hurt]

And if you don't have these subplots in future seasons, what do we have? Neither Eloise's book or Francesca's book really have any sideplots (Francesca's especially) -- and yet you have all of these characters. I know they want to develop Gregory and Hyacinth more, but idk idk.

But I guess, back to my original point -- the further we go on, the less the anthology style works because we've started spending A LOT of time with these characters. I think the central romances will, for the most part, be fine, but the subplots and the previous couples and the long standing characters -- what does the show do?

I don't have answers, I'm mostly thinking out loud....

That all said - I really, really hope they get to Gregory and Hyacinth's books -- because I think there's potential for a lot of fun to be had in them. (I personally like them way more than Eloise and Francesca's books, so at least Netflix has one long term fan...)

[charlottesbookclub]

should we talk about the interlace on gwayne's horse's armor?

since I spend altogether too much time looking at stills and gifs of gwayne anyway, I figured I might as well share some observations I have about the really interesting visuals that are happening with his horse's armor

this is part art historical analysis, part gwayne meta, and part "let's look at some gorgeous images under the guise of doing visual analysis" so if that's your thing, please read on! if not, that's also totally fine – I get that this is hyperspecific and also a symptom of my very serious gwayne brainrot, so I'm putting everything else below the cut! 💚💚 (also it's quite long – sorry! 😅)

okay I want to be upfront about my qualifications and my shortfalls here: I'm an art history phd student and so basically all I do is visual analysis of objects. I've studied a number of medieval manuscripts that feature interlace (which is where I'm going to draw most of my knowledge from here), and I've taken a seminar (an advanced graduate course) specifically on medieval manuscripts, for which I wrote a research paper entitled "From Kells to Celtic: The Aesthetics of the Book of Kells Illuminations as a Marker of Irish Identity." HOWEVER I am NOT a historian of armor, so I will be taking my knowledge of interlace on other objects and applying it to the armor we see in the show

a short intro

so, the first thing that struck me about gwayne's horse's armor is that it's really different than the other equestrian armor we see, even amongst the other men who came with him from oldtown. to be honest, my guess is that this was likely done in the show to help him stand out and also show that he is a special and precious princess (which he is btw 😌😌) who needs fancy armor for his horse. I'm not sure if further thought went into it than that (but maybe it did! I'm happy to stand corrected here!)

however, the catastrophic levels of brainrot I've developed over this man have compelled me to read much further into it than that, which I shall now proceed to do with great enthusiasm! ☺️

first, let's look at the armor:

it's hard to find really detailed close-ups, but it's clear that the armor is incredibly intricate. not only do we have this very complex interlacing, but certain designs are marked out with different colors and internal patterning, making the whole thing even more visually interesting and complex

while interlacing is used across a vast range of time, cultures, geographical regions, and artistic mediums, given both the visuality of this armor in particular and knowing that westeros is based on medieval europe, seeing this interlace instantly called to mind a style that we today call "insular fusion" (I'm not going to go into all the specifics of it here because that's a post all its own lol 😅). it's a style perhaps most famously exemplified by The Book of Kells, but it is found throughout many different objects of the same period (ca. 700-900 CE)

now let's look at some fucking interlace hell yeah!!!!!!

from The Book of Kells (ca. 750-810 CE)

from The Lindisfarne Gospels (ca. 698-721 CE)

and two non-manuscript examples:

Animal Head Post from a Viking Ship Burial (ca. 825 CE)

and a later example, but one of my favorites:

Wooden Portal of the Urnes Stave Church (ca. 1050-1070 CE)

do we see the vision??? are y'all picking up what I'm putting down???

"okay, charlotte, I see the similarities, but why does this matter?" you may be asking yourself (or maybe you aren't idk), and the answer is: this type of interlacing had some super fascinating meanings and uses, some of which I think we can apply to gwayne! 💚💚

let me break it down from least to most potentially related to gwayne:

the aesthetics of interlace as an identity marker

use of interlace in a religious context

interlace as a status symbol

the protective potential of interlace

and now let's go into detailllllllll!!!!!

the aesthetics of interlace as an identity marker

I bring this one up because it's what I focused on in my personal research on the topic of interlace, but I also think it's the least relevant to gwayne. my argument in my paper was that the aesthetics of the interlace in the Book of Kells have been thoughtfully and intentionally re-used throughout history and into the present as a clear visual marker of identity that draws a narrative back to the production of the Book of Kells. however, in terms of the show, we have very little indication that the particular style of interlacing we see on gwayne's horse is associated with any larger identity concepts. it doesn't seem to be associated with house hightower, as none of the other men with gwayne seem to borrow this motif, nor do we see it associated with alicent (as far as I can tell from the little looking I've done, but I'm more than happy to revise this!). for it to make sense as some form of identity marker, it would have to be clear what identity he's visually referencing, and since his use of interlace seems unique, I think it's doubtful that it's part of a larger visual invocation of identity

use of interlace in a religious context

part of what makes insular fusion so interesting as a style is that it is indeed a fusion of a number of different regional styles, including vine scrolls from the mediterranean, triskeles from the northern british isles, and zoomorphic (meaning "in the form of animals") interlace from northwestern mainland europe. although insular fusion is used to decorate christian objects (like gospel books and churches), its component parts are much much older and have connections to various pagan religions that significantly pre-date christianity. obviously it's impossible to be 100% certain of the exact significance of interlace in any of these religious contexts (there are no written records explaining it), but scholars have a few guesses

one suggestion is that interlace in some way represented the spirit world/the world of the gods, or perhaps even a point of connection between the human world and the world beyond. although the religion of westeros is obviously different than any of the real-world religions that used interlace in this manner, I do still wonder if there could be a religious connection here. it's pretty clear that gwayne's mother was quite religious, and alicent is as well. although we don't totally know gwayne's relationship with religion, we could certainly guess that it's at least a little bit important to him, given the beliefs of the women in his life. I know that the most common religious symbol in westeros tends to be the seven-pointed star, which is not something I see on the interlace on the armor, so I'm not sure how far I would want to take this hypothesis, but I did want to put it out there for anyone who might have further thoughts!

interlace as a status symbol

as I mentioned to in the beginning, I do think it's likely that this particular type of armor was chosen for gwayne's horse because it does come off as a bit ostentatious. the manuscripts with interlace that I mentioned above were hugely expensive and time-consuming projects, and only the most affluent religious communities could afford such luxurious gospel books. given the level of detail on the armor, I have to imagine that the same is true in the world of the show. in some ways, it's a mode of conspicuous consumption; a demonstration of the hightowers' wealth and influence. there's a reason gwayne's horse's armor stands out: because it's meant to. it's meant to set him apart, even from the other soldiers who came with him from oldtown

now this next part is just my own conjecture, but I also wonder if the armor is meant to speak to a more artistic sensibility on gwayne's part. after all, equestrian armor is a very functional object with a very clear goal: to protect the horse. from a purely functional standpoint, the interlace does nothing to serve this purpose (and may actually hinder it a little??), it simply adds a complex visuality to the armor. aside from just flaunting the wealth that must have been expended to commission such a piece, it also suggests that it was crafted by artisans who had both functional and aesthetic goals in mind while creating it. whether it was gwayne himself who directed the commission or not, it seems significant that he chose to use this armor that doubles as a kind of art piece. he does seem to be someone who enjoys the finer things in life, so it wouldn't surprise me if he had an artistic appreciation too, and was using this armor as a way to demonstrate that (or perhaps even just as a way to show his own personal artistic taste/preferences)

the protective potential of interlace

technically, I think "interlace as a status symbol" is the most likely reason for the armor being the way it is, but this one is my favorite theory, so I'm putting it at the top. circling back to the religious uses of interlace, another theory of its religious significance is as a mode of protection. some scholars think that its creators believed that the weaving, intertwined lines of the interlace would confuse and trap evil spirits. building on this theory is the fact that complex interlacing was often used at transitional or liminal points, such as the beginning pages of a gospel book or on the doors of churches. the idea here is that the interlace wields its protective powers at these key entry points against any evil entities that might try to enter sacred or protected spaces

interlace as apotropaic (a fancy technical term meaning "protective," often used in reference to magic or magical practices) seems particularly poignant for an object that was literally going to be worn into battle. now, I admit once again that there is little canon evidence to suggest that interlace is thought of in this way in the world of the show, so I'm running with this theory more because I like it rather than because I think it's legitimately based in canon. but I just think it's very sweet that gwayne's horse would be adorned with this complex interlace that seems to be woven with protective powers. even if gwayne (or others) didn't literally believe that interlace had those kind of powers, the fact that he still made the choice to invoke the idea of protection against harm and evil is a lovely thought. (it makes me think of how people today still might carry a rabbit's foot or have charms against the evil eye, even if they don't actually place stock in the beliefs surrounding those objects. I just think it's cool that generations of cultural belief still imbue these objects with a kind of magical aura). I just like the idea that he (or someone else?? otto? alicent? his mother?) chose armor that might have been associated with protection against harm

and now I'll finally wrap up!!

whew that was a lot! if you've read this far – thank you so much!! I'm honestly not even sure if these thoughts were coherent, but I kept thinking about this when I looked at that interlaced armor, and I just had to get the ideas out of my head lol

but I'd love to hear what others think about this topic! I'm certainly not an expert on the matter, and I'd be super open to hearing if others have different interpretations!

if nothing else, I hope you learned something cool about interlace! (and also just how far I have descended into madness over this man that I am writing pages-long analyses of his horse's armor 😅🤪)

[gayforminatozaki]

my guesses on who in twice is a homo!!!

note: these are literally just assumptions. I'm not insisting they ARE lesbian/bi/straight I'm just saying what I think based on things I've picked up on over the years. I'll add my reasoning for each guess after. once again these are ASSUMPTIONS and not fact I could be wrong for every single member. this is all just for fun please don't bet your life on this.

nayeon: imma be real I think she's bi, some of her mannerisms/actions seem not very straight to me. I get that being touchy is common there but there's a difference between being touchy and disguising interest as being touchy. pretty sure she also said gender doesnt matter but idk what context that was in so i won't consider it fully. I'm not 100% sure but yeah I wouldn't be surprised if it was revealed she was bi.

jeongyeon: she's def interested in guys. the lack of her being interested in women makes me assume she's straight. I think that ppl just started calling her gay bc she has a short hairstyle when debuting and bc a lot of women like her.

momo: straight/bi. I think it may be like jeongyeon where a lot of women like her so the homo-ness kinda translates over to momo herself, but also she seems to rlly be into certain actresses. I have other reasons but idk if they're true/too risky to decide rn + i can't think of anything rn. but ya I have a small hunch that she COULD be bi.

sana: I am a genuine believer that sana is, in fact, gay. during twice private life ep.7 from 2016 you can see sana's boredom. she barely talked at all which is very unusual. when she did it was usually very basic stereotypical stuff (e.g. saying her ideal date would be "going on a walk, riding a bike..." it seemed like she was just throwing out ideas from her tone. she also never brought up her hypothetical "boyfriend" during the activites while other members such as jeongyeon did). I wrote a lot so a few honourable mentions: fan of soljiwan, "when I watch tv I'm more attracted to the women", her old twitter account, "more female fans want to marry me" (projection), I can't think of anything else rn.

oh yea and the reason I don't think she's interested in/dating dex is bc if you actually watch the latest interview, it seems like dex hasn't gotten at all less nervous. they don't seem to be dating. dex just seems like a fanboy. he says so himself in the giselle interview that he thinks that if he contacted her he doesn't think she'll respond. I think sana in the dex interview was just taking the opportunity to flirt with a guy who was very clearly into her for entertainment purposes and my god I wrote a lot can you tell i made this whole post for sana ok next person

jihyo: straight. idrk what more to add just use your head

mina: her charming aura messes with my senses and may I just say I have no idea. she checks out girls a lot more than usual but?? idk that's too vague to determine. momo does the same. during the private life she was also quiet and didn't talk, but didn't seem bored out of her mind like sana. that could just be her quiet nature tho. idk if anyone has any reasons for anything lmk. but for now I'll say: undecided.

dahyun: straight.

chaeyoung: bi. she 100% likes girls let's not kid ourselves. the flirting/changing lyrics to female pronouns/singing born this way/etc- and honestly? take this with a grain of salt but I genuinely do think that she might've had a crush on mina a few years back- then it faded but the michaeng ship didn't. everything after a certain point in time is fanservice. idk this is all speculation, I'm basing it off when she did those "gay" things. but I also think she liked guys since she mentioned how timothee chalamet was her type ("guys who look sick") which we can uhh clearly see in zion.t. she was also really into the twice private life (keep in mind it was during 2016- less media training and before michaeng) and actively talked and participated during the choosing a bf game (idk what else to call it lol). anyways yeah that's why I knew she was a boyliker shoutout to me for calling it.

tzuyu: straight. she's had a crush on a guy before and shows no interest in women you know what that means!

[cheesysoup-arlo]

Cady’s Cousin (pt.2)

(pt. 1)/(pt. 3)/(pt. 4)

A/N: sorry this is mostly like “texting” also the relationship/couples I have in here are (karen and gretchen), (cady and regina), later I’ll add (janis and reader) and maybe (aaron and kevin g) idk maybe lol I won’t be tagging the ships since they’re not the main ship I hope y’all liked this lol

(Sunday 8:30pm)

*Cady created a group chat*

Cads 🦁: hey guys I made this group chat so (Y/N) can get to know you guys, you guys can get to know them, and just for fun 👍

???(1): aw Cady that’s so sweet, this is Aaron by the way lol

(Y/N): can everyone send their name please 🙏

???(2): karen 💕

???(3): Beyoncé

???(4): that’s Damian ^, this is janis 👾

Damian🌟: janis you’re no fun this is homophobia

Janis👾: yeah I hate the gays 🙄

karen💕: ??? u hat me 😞

Janis👾: no not you karen just Damian

karen💕: o okie 😽

???(5): the hottest bitch you’ll meet

(Y/N): hi Regina

Cads🦁: Y/N!!!

(Y/N): cads chill I know she’s off limits

Regina👛: aw baby you’re so cute when you’re jealous

Janis👾: barf 🤮

(Y/N): 😭😭😭

(Y/N): wait where’s Gretchen?

karen💕: sleping 😴

Damian🌟: Important question! Y/n are you one of them queers?

(Y/N): I would be offended if you thought I wasn’t

*damian has named group chat “fruit loops”*

Janis👾: I-

(Y/N): oh that’s-

Damian🌟: OK STOP BEING HOMOPHOBIC TO THE GAY BLACK MAN IM A MINORITY HERE

Regina👛: how’s everyone feeling about school tomorrow? I’m kind of excited mostly because the school cheese fries just hit different yk?

Cads🦁: I’m excited too but for classes I picked an extra math class this year

(Y/N): ha nerd 🤓

(Y/N): I’m nervous lol but at least I have you guys

Janis👾: I’m not excited I hate school it keeps me from doing more important things

(Y/N): like what?

Janis👾: sleeping

Damian🌟: I’m excited I decided that I’m gonna take the new senior only theater class which is a little out of my comfort zone but I’ll manage

Aaron🧍‍♂️: I was supposed to be graduated last year so I’m not excited at all

(Y/N): YOU GOT HELD BACK?!?! WHAT?!?!

Aaron🧍‍♂️: yeah I failed English and history so I couldn’t graduate

Cads🦁: it’s ok Aaron now you get to be with us for another year 😊

(Sunday 11:50pm) fruit loops

(Y/N): guys I can’t sleep

Janis👾: same I’ve been lying very still and it’s not working

Damian🌟: janis did you take the melatonin I gave you?

Janis👾: yeah but it’s not working 😔

Damian🌟: welp that’s a you problem then

(Monday 2:30am) fruit loops

(Y/N): do you think I can fit 40 mini marshmallows in my mouth?

Janis👾: oh absolutely

(Y/N): omg ur still awake too?

Janis👾: yeah lol

(Y/N): I just put 35 mini marshmallows in my mouth idk if I can fit more

Janis👾: if you fit all 40 I’ll give you 5 bucks

(Y/N): challenge accepted

(Monday 2:37am) fruit loops

(Y/N): I fit all 40 and almost choked lmao

Janis👾: lmao nice your $5 will be given at school

(Y/N): yippieeee

(Y/N): dude I literally can’t sleep

Janis👾: wanna call? That’s what me and Damian used to do before he got a good sleep schedule lmao

(Y/N): um sure me and my friend back home used to do that too

*incoming call from Janis👾*

“Hi” you whispered suddenly feeling a little more tired with her company even if it was only over the phone “hey” janis said with a small yawn “nice shirt” you say seeing her Lego movie shirt “oh um thanks” she says with a laugh “so what’s up?” “Let’s take turns asking each other questions until we fall asleep” you say with a little yawn “hmm ok favorite color?” She asks you “ooo definitely (your favorite color), how about you?” “Hmm either green or purple” “ooo good choice, hmm hobbies?” “I sing and write a little but I guess art even though I don’t consider it a hobby it’s more of a lifestyle” “art? Can I see some?” “Yeah sure I’ll show you some stuff tomorrow” you both yawn “shit it’s 3 am” janis sighs “fuck” you chuckle sleepy “um I’m getting tired” janis says with a tired laugh “me too” you say starting to close your eyes “good night (y/n)” “good night Janis” you say with a yawn falling asleep as she hangs up

Monday 5:30am

“Pst…(y/n)? You gotta wake up” your cousin said lightly shaking you “ugh five more minutes” you mumbled “no come on up you gotta get ready” she insisted, you got up against your body begging to go back to sleep “good morning sleepy head” Cady said with an enthusiastic smile “cads what time is it?” “5:33” “doesn’t school start at like 8:30?” “No it starts at 8 and I wanted to make sure you had enough time to get ready and have breakfast, breakfast is very important” “uh huh…mm thanks cads” you say with a yawn deciding to get up and look through your clothes “meet me in my room when you’re done getting dressed, ok?” Cady said “um ok?” You said grabbing your favorite jeans and shirt then going to look for your jacket as your cousin left

(Monday 5:40 am) fruit loops

Gretchen🌷: good morning everyone soooo so sorry for not texting yesterday I went to bed early

Regina👛: it’s ok Gretch don’t worry about it

Regina👛: also damn I think Janis and (y/n) our new insomniac duo

(Y/N): unfortunately yes I’m so fucking tired also good morning Gretchen

Aaron🧍‍♂️: why are you guys up so early it’s not even six yet? I literally woke up because of all the buzzing

(Y/N): cads woke me up :(

Regina👛: my skincare and makeup routine take like and hour

Gretchen🌷: I like mornings ☀️

You finished getting ready and headed over to Cady’s room like she asked you to. “What’s up cads?” “Eee (y/n) ok so first of all how are you feeling about your first day” “a little nervous and tired I only got like 2 and a half hours of sleep” “oh goodness (y/n) why didn’t you sleep sooner?”cady says concerned “Because I wasn’t tired?” You half joked. Cady hands you a paper. “That’s a map of the school the way Janis sees it she gave it to me on my first day I feel like it could be helpful for you” “oh um wow thanks cads” you say giving her a half hug. Your aunt knocks on Cady’s open door “hey girls good morning” “good morning mom” Cady says enthusiastically, you yawn “morning” you say with a small smile “I’ve got to head to work but I’m assuming you girls have a ride?” “Yeah Aaron’s gonna pick us up I think?” Cady answers “alright I love you two, be on your best behavior and call me or text me if you need me” your aunt says as she leaves “bye” you and Cady say at the same time. You head to the kitchen and pour yourself a bowl of cereal

(Monday 6:40am) fruit loops

Regina👛: my mom is doing a coffee run what does everyone want?

Damian🌟: iced coffee, oat milk, vanilla

Gretchen🌷: just the usual for me and Karen

Janis👾: iced coffee, oat milk, lavender

(Y/N): um (your coffee order) please

Cads🦁: can you just get me a tea?

Regina👛: yeah of course I’ll get your favorite

Aaron🧍‍♂️: regular coffee, cream and sugar please

Regina👛: ok also who’s picking up who today? I can get Karen and Gretchen as usual

Aaron🧍‍♂️: my mom said I don’t have car privileges this week so I can’t give anyone a ride

Damian🌟: I can get janis for sure but if anyone else needs a ride I can get them too

Cads🦁: can you give (Y/N) and I a ride please we’re ready whenever you are 👍

Damian🌟: yeah I’ll be over in 10 then we’ll go get Janis because I know she’s not ready yet

Janis👾: I would be offended but it’s true

Regina👛: alright meet at our usual spot?

Aaron🧍‍♂️: 👍

Damian🌟: sounds good see y’all soon

[renjihoe]

Ichiruki and Pro Shipping

It is 100% okay if someone doesn’t like the Ichiruki ship, but one thing that bugs me is how the anti Ichiruki shippers claim their relationship is a pro ship. I’m genuinely confused as to why someone would say that when there are multiple popular ships that resemble theirs. For example Inuaysha and Kagome, Inuyasha is well over 50 and Kagome is 14. Kamisama Kiss: Tomoe is well over 100 (like Rukia) and Nanami is 17 (like Ichigo). There are plenty more ships like that where it includes a human and non human in a relationship, canon or not. My concern is how is something like that okay when it’s your favorite/canon ship but when it’s Ichiruki it’s a problem. Ichiruki fans may argue that Ichigo isn’t human (which technically would be true) but anti Ichiruki fans would say that it’s still a proship because Ichigo is partly human. So Ichigo isn’t human when you want to over sexualize him, but all of a sudden his race & age matters when Ichiruki is involved. I don’t understand that. The same thing could be said for the people that also over sexualize Toshiro (which personally makes me uncomfortable). So It’s okay because Toshiro is “over 100” but is he not CLEARLY a child? If he was human wouldn’t he be considered a child? It’s the same thing with Rukia to me, yes she is over 100 but is she not clearly a peer to Ichigo or am I tripping? Idk maybe the age is a thing that only applies when you need to use it as an explanation to defend yourself but hey I guess it’s not my place to assume 🤷🏽‍♀️

[they-reap-what-we-sow]

20 questions for writers

thank you for the tag @fanfictiongreenirises I finally managed to finish a tag game!!

1. How many works do you have on AO3?

168- with 44 podfics and the rest are regular fics!

2. What's your total AO3 word count?

346,848. unfathomable number who is she where did she come from

3. What fandoms do you write for?

Batman (Batfam) my love my life, but 9-1-1 is a close second with one-offs for a lot of my other passing interests.

4. What are your top 5 fics by kudos?

Floppy Bird - crack fic that was meant to be an angst fic that I never understood why people liked so much asfhjs

cocoa on a cold night - a classic timby holiday fic that I wrote in the middle of summer, talk about environmental storytelling

secrets un(revealed) - the only purposeful long fic I've ever written, and also the most trope mashing I've ever done with reverse robins, magical realism au, and delicious delicious miscommunications (in my head the only fic that deserves to be in the top five :wheeze: )

Eggshells - vent fic alert !! very embarrassing that people like this I try not to think about it ":)

taking the blade (for you and yours) - a round robin fic written with the server and CHOCK full of Damian suffering.

5. Do you respond to comments?

NO PICTURES. NO COMMENT. I DONT KNOW HOW TO READ.

no jk jk I really really try to but once I start getting behind it's just a whole spiral. these days I have a better chance of replying to a comment on an old fic than a brand new one because I dont want leave them half replied

6. What is the fic you wrote with the angstiest ending?

any of my death fics probably? I think with DC a death is a little more inconsequential than other fandoms just because of how often it's unpermanent, so as a concrete answer, I'll say for you (i would cross the line). nothing quite like parental grief.

7. What's the fic you wrote with the happiest ending?

happy ending wink-wonk or XD

probably Who The Hell Is Red Hood? - I've done things there with growth and healing that DC HQ would shudder to imagine

8. Do you get hate on fics?

Not regularly, thank everything, but the one controversial three-some I posted needed comment regulation lmao

9. Do you write smut? If so, what kind?

Yes and uh, the kinky kind? idk take a look for yourselves I guess

10. Do you write crossovers?

Yes, and they're ALWAYS unserious- Buck from 9-1-1 dating Emma from Friends (yes Ross and Rachel's kid) anyone?

11. Have you ever had a fic stolen?

Uh, not by a person? as far as I know? but I have found my fic on those like, document websites??? which is weird lmao just read them on your phones guys not everything needs to be uploaded

12. Have you ever had a fic translated?

nope!

13. Have you ever co-written a fic before?

weee yes! round robin my beloved, and also every fic @canonicallyshort and I have written in our threads. those count. to me. emotionally.

14. What's your all-time favorite ship?

I WILL GO DOWN WITH MY MULTISHIP (which really means I'm never going down at all) but really I dont think I will ever get over Merthur... or Buddie... or- you see what I mean?

15. What's a WIP you want to finish but doubt you will?

oh god I have so many wip that I am holding out hope for but my biggest WIP is an unpublished hellhole affectionately entitled "Death Pit" by everyone who is working on it- most notably because it features a literal Death Pit, every horror, angst, whump, and trauma trope you can think of, and a cast of characters and a plot thread so long we have 20+ page outline documents that aren't even fully updated... I shudder to think what will become of it one day, I imagine sentience isn't very far off

16. What are your writing strengths?

why is this an interview question. I dont know my strengths really?? um. I have good ideas, that one I'll say. execution is a different story (likely one that will never get told. like the rest of my good ideas)

I also think I do fairly well with scene descriptors. I really like to set a scene because I'm seeing a movie in my head and you all should too!

18. Thoughts on writing dialogue in another language in fic?

I'm down to clown globally! I dont like to use google translate though, so if im writing in another language it's only because SOMEONE on the server is a native speaker and can vouch for my text.

19. First fandom you wrote for?

oh god one direction. head in hands. it was an 'adopted by 1d' fic that I made my mom beta, and turned it in to my 6th grade English teacher as my creative writing assignment. then I made a poem about it. then I wrote a song about it. thankfully it never got published and is trapped in the cursed purple file folder it was 'hidden' in since 7th grade. my first published fic was almost 7 years later with a Gomens fic!

20. Favourite fic you've written?

AHh um. favorite child scene here, but top contenders include: lithium + 5 for its graphic design and medical accuracy, fiery veins on speechless days for its emotional whump that makes me hurt every time I reread it, [PODFIC] wither on the shore which is not a fic I wrote but one of my favorite podfics of @silk-scarlet-ribbons 's works.

tagging (if you wish to participate!) @canonicallyshort @silverandsunflowers @selkienight60 @crows-murder

[mochinon-yah]

I just realized we all technically have the power to ask any questions on this site, and I never got to doing it. So....

[Points S.E.E.S evoker at you]

Who are the fictional characters you ship your mutuals to? Doesn't have to be necessarily their self-ship. I am deadass curious. Spill the tea, Imbibitor's lover—

We can lower that down, brynn- no need to get all aggressive now-

*cough* ANYWAY!

I'll list them down below, and if they're not accurate or you're actually gonna fight them rather than making out with the characters that i chose then yeah, that is probably my plan 😀 /silly

Oh and! I'll mostly be using genshin and hsr characters because yeah-

@beloved-brynn -> heizou and ratio. NGL, YOU + HEIZOU, OR YOU + RATIO, OR EVEN THE THREE OF YOU WOULD TOTALLY BE SO FUNNY AND CHAOTIC 😭☝️ they can counter your wild statements while also being the (somewhat) saner one but could also say smth wild as well. I could see you and one of em (possibly ratio) be like "oh yeah, the other day, i was eating my lunch while watching that gorey movie-" "what." "yeah, i was hungry at that time, so like why not yk-" (this is based on my real experience guys, guess which dialogue is me lmao)

@meimeimeirin -> hmmmm, koh zhongli maybe? Okay, let me tell you the reason why... it's simply because she NEEDS someone who can pamper her! I don't know where that conclusion came from, but yeah. Anyway, if we're talking about other characters, then i think welt, or even zayne from lnd could fit. Basically: "I need someone older, just a little bit colder." lmao (oh, mochi, did this conclusion came up because you know rin's the youngest in her family and now you ship her with men older (and more experienced) than her? whaatt... ofc not, haha-)

@leftdestiny-posts -> absolutely cannot see them with anyone other than dottore. Cute and kind but is secretly crazy "i want to watch the world burn" x The human version of the word 'crazy' "as you wish, my love" would be their dynamic, i suppose...? WAIT OH! I can actually see shiro with ayato or maybe sunday! I bet they would like such a cute, innocent-looking darling to control, but then they would get so surprised and maybe super interested into trying to control the darling despite how crazy the darling actually is- (shiro ily, if ur crazy then we can be crazy together 💐)

@navxry -> arlechinno, and maybe black swan. Yeah, that's it. No explanation needed.

@jessamine-rose -> hmmm, would it be weird if i say capitano? I don't know why or how did i get to that conclusion, but yeah. And maybe blade? IDK WHY I'M PARTNERING HER WITH CRAY CRAY MEN- SORRY JESS, I (subconsciously) THINK YOU CAN LIKE CALM THEM OR SMTH AJFIAWOF-

@stardust-for-your-soul -> funnily enough, i can see her with aventurine. They'll say sweet words that probably have a double meaning and also probably have a teeny tiny bit (maybe a lot lmao) of 'enemies to lovers' moment. (wow, cherry, your new bf is a gambler- /smack). But anyway, i could also see her be with march 7th who is so bubbly and sweet, and i'd think cherry would love to tease march hehe

@teabutmakeitazure -> ACTUALLY NGL DAN HENG????? He would listen to her ramblings and also help her write her fics. It just sounds so cute in my opinion lol. Other than dan heng (who is obviously the best choice), zuri would probably look into red flag charas, like... yeah, aventurine- but still tho, dan heng! But i get what zuri is thinking tho, red is such a sexy color- /smack

@harmonysanreads -> ngl alhaitham or kaeya would be cute if paired up with her! Idk where did kaeya come from, but when i thought about it, instantly "cute!". I think, harmony has this really 'weird' calming aura that could make those two charas just fell in love with how comfortamble she can make them feel. BUT LIKE IDK THO-

@fishanonishere -> Albedo...... i think? Fish, i know what you are- i mean like as in how chaotic and just how 'what in the world is this person thinking???' you are. With how calming and 'would jump into any interesting topic' he is, i think fish and him could be such a cute duo. Fish's ramblings and their drawings are some of the things that make him really interested in fish

[badass-queer-couples-battle]

Propaganda:

For Vanoe: "vanitas promised his canon love interest, as a romantic gesture, that if she started to become a monster, he would kill her so she wouldn't have to suffer. and then later when discussing how vanitas will eventually turn into a monster himself, he said he wants noe to kill him when that time comes. pretty yuri. also i'm a lesbian and i like them"

"Idk they have such a homoerotic shoujo manga dynamic but they're guys. Or maybe not that much but you gotta admit this would be exquisite yuri if they were girls. Noé the gothic romance heroine etc etc"

For Wenzhou: "Basically in their family unit Wen Kexing is the wife but Zhou Zishu is the mom. Also there are lots of genderbends of them around but the best ones are those where Wen Kexing goes super hard on femme but Zhou Zishu deadass has the same personality and appearance - like shoutout to those artists/writers u r the real ones. Also lesbian Zishu still being called "husband" by Wen Kexing, mwah chef's kiss! He would SO be a butch."

"Wen Kexing is compared to a wife twice in the show and at least once in the book iirc. Canon malewife + wears red eyeshadow and rocks a red robe in his Ghost Valley Master getup + his husband is an emo assassin, they are so incredibly yuri even if they're guys"

For Ineffable Husbands: "Well due to neil mentioning that they was plans for a fem presenting 1960s scene of the two of them that never ended up happening, there's a lot of fanart of that. Plus, they are an angel and a demon, and both technically don't follow the gender rules of humans and many other species on earth, so while they do present very masculine throughout the show, they could be any gender and therefore they seem very fitting for this.(I do apologize as I don't quite understand what guy Yuri is despite your definition so I am guessing and have no clue if they count."

"Looks like m/m on first glance but they don't actually really have gender and Crowley dresses as a woman for a good few years canonically"

"theyre male presenting in the show but they dont really have gender so they could be wlw if they wanted to"

"While both characters spend most of their time presenting as male, they are supernatural beings without any real sex or gender. Crowley appears as a woman multiple times, and one scrapped scene included both Aziriphale and Crowley as women in the 1960s. Additionally, it’s very common to find “Ineffable Wives” fanworks, with both characters appearing as women. As well as having been an immensely popular fandom ship for many years, it has been confirmed that Aziriphale and Crowley are canonically in love with each other."

"Regularly turned into women in fanart. Both Aziraphale and Crowley are incredibly gender. They have been together in some sort of way for 6000 years. Heavy yearning. Cringefail. Divorced and married at the same time. Literally an angel and a demon. What more could you want?"

"theyre literally genderless and can be anything ever!!!"

"Their genders are ineffable and they have hopelessly pined for centuries"