#idk why he's so weird about it

[sipsteainanxiety]

after the many, many years of being bakugou’s friend, kirishima could say he has never seen his best bud so in love with someone before—so deeply and irrevocably smitten with you.

it was the little things, mostly, that piled up and up until it was so blatantly obvious that bakugou had fallen—and he had fallen hard. making you bentos, hanging around your desk, walking you home… he’d never behaved like this with anyone before, kirishima mused. it was jarring, in a way. but kirishima was happy for his friend, and he couldn’t help but to keep an eye on the two of you whenever he was in the vicinity (whether bakugou knew he was there or not).

lovestruck, was the word that came to kirishima’s bewildered mind the first time he saw bakugou trailing after you. following you like this great shadow around the agency. he never seemed to leave you alone for too long and he’d always have this little pout on his face whenever you’d shoo him away so you could do your own work. kirishima didn’t think bakugou even knew about the extent of his own feelings—not at first, anyways. and when he tried to confront the blond, he’d act all gruff and grouchy, his ears tinted a violent pink.

bakugou could deny it all he wanted, though. kirishima saw right through him.

what really cemented everything for kirishima—really hammered it in that his best friend was finally getting some of the happiness he deserved—was the time bakugou had caught you from falling off a ladder.

you’d been trying to hang up some decorations around the agency—to “brighten things up a bit” you’d said. kirishima had been too far away at the time—but he still saw the moment you’d leaned just a bit too far to the right. the moment your foot had slipped and you’d tumbled off that tall ladder with a small yelp.

bakugou had been exiting his office at that precise moment. and kirishima swore he had never seen his friend run so fucking fast before in his life. a small explosion propelled him forward—charring the wood and frame of his office door. just so he could catch you before you cracked your head open on the floor.

kirishima watched—from his position across the agency, his legs tensed—as bakugou held you tight within his arms and looked down at your shaken form. he watched as bakugou played off his breathlessness as though he hadn’t just dead sprinted across the hall to get to you on time. you wouldn’t ever know, kirishima thought to himself, how desperate bakugou would have to be to move that fast. and kirishima finally relaxed his stance once he saw bakugou set you carefully down on the ground, hovering over you as he scolded you for being so inattentive. you only rubbed the back of your head as you smiled sheepishly up at him. if bakugou hadn’t been smitten before, he certainly was now.

kirishima couldn’t have been happier, really. and he found himself quietly slipping away, a smile on his face at the idea of bakugou finally, finally being in love.

[iaxsl]

zoro and luffy got married a while back and never bothered to tell anyone. nami knows because she was there but hasnt told anyone because theyre both insufferable. usopp found out when he saw them makeout in a closet or something on the merry (he shut the door and ran to nami looking for answers). by the time they reach wano almost everyone on the crew knows that theyre married except sanji who found out after zoro and luffy kissed at the celebration party.

[daisysmalia]

Why are people so insistent on claiming Tim was lying when he says the ‘no Buck was actually into Tommy?’

Like he says it here;

And someone on twitter tried to tell me this was him still saying Buck was confused? Like I’m sorry but if you watch the ep objectively it’s all about Tommy. Buck wants to hang out with him, he felt he clicked with him, he wants to see him. I understand you can have your own interpretation but please don’t try say that the creator has a different one than what he intended. Eddie was the misdirect, the twist was ‘oh I guess it was you.’ And Buck and the audience had that realisation at the same time.

[beanghostprincess]

Luffy not knowing about Zoro promising Sanji to kill him if he ever ends up losing himself makes me go feral because that's something they can only know about. Because Zoro's respect for life and death goes beyond anything, and Sanji knows he understands. Sanji knows that if somebody has to kill him, it's him.

And I don't even think it's because Sanji assumes Zoro's opinion of him is hatred and it would hurt less for him to do this, but because Sanji knows only Zoro would be able to treat the promise as it is. Because he would put Sanji's wishes before any feelings he has for him. It's not that Zoro doesn't care, but I think he respects people's ideals and decisions to the extent of being able to kill Sanji if he so desires.

That being said, he'd do it if there's no other way to fix it. If it's either dying or living as an emotionless machine, which is the same as dying for Sanji, Zoro would fulfill his promise. And there is just... Something about Luffy not knowing. Their captain. The man they're devoted to the most as if he were their God. Luffy doesn't know. It's something only the captain's wings are aware of and the thought of these two keeping this from Luffy until the end is just insane. Not even trying to make it romantic here, but the bond and respect these two have for each other is crazy.

Maybe it's the poetry of it all, too. Somebody like Zoro, who has looked at Death in her face multiple times and said "no", ending Sanji's life, who wants to give in to death to not experience a fate worse than death for him.

[skitskatdacat63]

Fernando Alonso & His Relationship With Cards

I'm sure we're all familar with the cards on the back of Fernando's Vegas GP helmet by now, but did you know his relationship with cards goes a lot deeper?

I. Magic Tricks

You've probably seen or heard someone at least mention Fernando's propensity for card tricks. As far as I can tell he was doing them(publically) as far back as 2003 all the way to as recently as 2018. Even once performing a card trick, with a condom and a teddy bear(!??!?!??!!), in front of Valentino Rossi who said "How was that possible?"(x)

But how did this start? According to James Allen, "Fernando admits to having been heavily influenced by his grandfather, a mercurial figure, who taught him magic and card tricks, still one of his passions away from the race track."(x) And I'm not sure the validity of this one, because I couldn't find an actual source, but apparently he once said: "My parents are responsible for the two things I like doing most - driving and magic tricks. They bought me my first go-kart and a magician's kit."

In several interviews he described it as his hobby off track, and that he loved learning new tricks and surprising others in the garage with them! So clearly cards are pretty important to him both as a hobby but also to who he is as a person since they've been with him just as long as racing has.

II. Card Symbolism in His Helmets

This is the reason I originally made this post, but I thought I should also explain the origins of his card fascination first. As I said, we probably all remember the cards on the back of his helmet in Vegas, but did you know that wasn't the first time he had cards on the back of his helmet?

From 2008-2013, he used to have a pair of cards on the back of his helmets. The symbolisms of the cards themselves as well as the evolution of their design is really fascinating to me! Even more so with the recent development of the card choice in 2023.

Fernando said he wanted to reference his two titles in some way on the back of his helmet and after his friend sent him several ideas, he decided on having two cards(an ace of clubs and an ace of hearts, sometimes pictured with 05 and 06 on them as well), saying: "I picked the cloverleaf [the ace of clubs - Ed] to give me luck, but the only pity is that it doesn't have four leaves!"(X)

2008.

Here's the very first appearance of the cards! They're displayed flat, with the 05 and 06 clearly visible

2009.

Very similar to 2008, but with a slightly different design, and they're maybe a bit more straight with less shadow?

2010.

This is the first major change! I was sad they didn't have the years on them anymore, but then I realized they're sparkly to match with his signature lightning bolts on the top of the helmet!!

2011.

Honestly I'm still somewhat unsure if this is the actual 2011 helmet? It's pretty difficult to find clear photos of the back of helmets from older seasons. It's easiest to find them on replica sites or auction sites so I'm not 100%? But anyways, I like that this has the championship years on the underside of the cards

2012.

This is when I started getting weirdly emotional about the helmets. Do you see how they've progressed from being a centerpoint to being curled up and sad at the bottom of the helmet? Not listing the year anymore??

2013.

Same thoughts as 2012. And after this season, they cease to exist (just like his ferrari chair in the garage, WOAH CALLBACK), until cards make a reeappearance in his Vegas helmet, albeit in a different form

2013 Monaco(Honorable Mention):

For some reason 2013 helmets were easier to find proper pictures of, so I happened to witness this absolute beauty. The creativity of this helmet genuinely blows me away??? Wanting to keep the card motif, but making sure to incorporate it into the rest of the puzzle piece design?? Mwah! There was another special 2013 helmet but they didn't change the cards at all so I really applaud this one

2023 Las Vegas(The Return of The King):

The magnificent return! But look! The cards are different cards! Instead of being two aces, it's now an ace of hearts, a four of hearts(his driver number of course!) and, the, now iconic, representation of himself as a Joker. I literally could not believe my eyes when this helmet was released and I saw the Joker card, what a fucking silly old man....I really wonder if he felt nostalgic having cards on his helmet again or if he didn't think about it all and was just like, "ah cards because Vegas!!!"

III. Why Does This Matter?

*The rest of the post was factual, this is moreso my personal thoughts on the symbolism of the cards/designs

This post spawned from me recently watching the 2010 Bahrain gp and noticing "hey wait a minute...are those CARDS ON THE BACK OF HIS HELMET!?" It's a really tiny detail that's unfortunately covered up by the HANS device pretty much whenever he's wearing the helmet, so it's really difficult to spot! But I became fascinated with the fact that he had cards on his helmet before that recent helmet, and now here we are!

There's something to me about how the design of the cards evolves over the course of six seasons from the cards being front and center to being smaller, more folded up and closer to the bottom of the helmet. As I said, the 2012-2013 ones genuinely made me depressed because it feels, symbolically, like his hopes for getting another Ace are becoming more and more unlikely and falling away until they eventually fall falt and fade away entirely after 2013 and disappear for basically a decade.

But when they return? They're not the same cards! Instead of representing Fernando's championships, they now represent him as a person, displaying his driver number and his persona of being a Joker!! Though I do think it's interesting he happened to keep the Ace of Hearts, even though he talked more about the Ace of Clubs before. I'm not sure it's actually this deep in reality, but I like to think that it's him not letting his championships(and the lack thereof) define him, but rather letting who he is as a person shine and be the centerpoint instead! But on a sadder note, as @suzuki-ecstar said to me, maybe the Aces aren't there anymore because he's lost all hope for a chance at a third Ace entirely :(

[petitesmafia]

if you think about it Albatross is actually scary as hell,,,imagine being on the battlefield fighting for your life and you hear a mf LAUGHING

[quatregats]

Something I've been thinking about is how Patrick O'Brian manages so skillfully to write characters whose actions contradict their beliefs, which I think is honestly a big part of why his characters feel so real. Mostly with Stephen and Jack—e.g., and perhaps most notably, Stephen has notably leftist sympathies (honestly I have no idea how to characterize his politics in period terms) who nonetheless becomes very comfortable with his rise to the landed gentry, while Jack is a card-carrying Tory who much of the time sympathizes far more with working class sailors and farmers than with the upper classes—but I'm sure he does it to a lesser degree with some of his minor characters (James Dillon, while perhaps not precisely minor, comes to mind), and I love that he's able to do that, especially the way in which he embeds it in the narrative. We see how they're all unreliable narrators of themselves; we understand how they want to be seen and how that does and doesn't coincide with the reality, but most importantly, this isn't presented as something reprehensible, just as a part of their own humanity. They are not their expectations for themselves, but they don't need to be those expectations to be beloved.

[koipalm]

i like the idea that locus is touchy

[hanzajesthanza]

“what does geralt get from that friendship…”

another post examining the weight of geralt and dandelion’s friendship… because i don’t think people recognize how painful and debilitating loneliness can become.

the witcher as a deconstruction of the genre takes fantasy tropes to their most logical ends—it asks us to consider what The Lone Swordsman feels, looks into the humanity in a Cold-Blooded Killer. and it turns out he’s not cold-blooded at all.

that despite some superhuman abilities, he laments and worries and curses himself, just like any other worker of any other profession. just as the farmer is scorched by the sun, the washerwoman’s back aches, and the scholar goes half-blind studying, a witcher deals with all of the pains and annoyances and dangers of his job in a mundanely human way.

but the farmer, the washerwoman, and the scholar have something the witcher does not have—they’ll always be seen as human and part of their society. at the end of the day after enduring all of their labor, they have their wife to caress, festivities to attend, and taverns to frequent. but for a witcher? after the killing is over, what does he have? no one and nothing. not even a thank you. he is met with fear and hatred everywhere he goes, baseless bigotry and dislike.

I did my job. I quickly learned how. I’d ride up to village enclosures or town pickets and wait. If they spat, cursed and threw stones, I rode away. If someone came out to give me a commission, I’d carry it out.

so he faces not just loneliness, but being deliberately ostracized and cast out from society. geralt can’t even find a polite word in most settlements, much less a friend.

‘(…) Tell me, where should I go? And for what? At least here some people have gathered with whom I have something to talk about. People who don’t break off their conversations when I approach. People who, though they may not like me, say it to my face, and don’t throw stones from behind a fence. (…)’

this kind of loneliness is not a mere inconvenience. it’s completely altering to your self-perception and ability to see the positive in the world.

each day is not lived, but endured.

day in, and day out—forced to the most difficult and lowest labor in order to survive, and knowing that were you to die, no one would search for your body, few would miss you, hell, they might even spit “good riddance”.

in this situation, to find a friend, is not only friendship, but a rescue.

without dandelion, geralt may have drowned—drowned in solitude, amidst a sea of strangeness.

‘(…) And I’m alone, completely alone, endlessly alone among the strange and hostile elements. Solitude amid a sea of strangeness. Don’t you dream of that?’

No, I don’t, he thought. I have it every day.

because dandelion is not only a bright soul, characteristic rippling laughter and the strum of a lute, but someone who will intently listen to geralt, someone who mutually enjoys his company.

‘(…) you almost jumped out of your pants with joy to have a companion. Until then, you only had your horse for company.’

someone who doesn’t see him as strange and at the fringes of society at all, but as an utterly normal man.

and doesn’t impose demeaning, sappy sympathy onto him, but sobering and realistic “quit your bullshit” which ridicules the very thought that he should internalize societal hatred.

Do you know what your problem is, Geralt? You think you’re different. (…) [You don’t understand that] for people who think clear-headedly you’re the most normal man under the sun, and they all wish that everybody was so normal. What of it that you have quicker reflexes than most and vertical pupils in sunlight? That you can see in the dark like a cat? That you know a few spells? Big deal.

dandelion isn’t “willing” to accept geralt for himself—he already has accepted him. and to him, it’s no difficulty, it’s nothing worth discussing, because he sees no abnormality and no strangeness in him.

while others “prefer the company of lepers to witchers,” dandelion has already offered geralt to share his room and board. not out of sympathetic pity, not out of fetishizing curiosity. because… they’re friends.

and what else does this friendship save him from?

not only from others, but from himself.

worse than enduring others’ apathy and hatred is one’s own thoughts—the darkness and negativity which builds from witnessing and experiencing such behavior.

dandelion���s ability to counter and dispel geralt’s pessimism and self-flagellating tendencies—again, not out of pity, but out of friendship—is undeniably invaluable. someone to rescue you from your darkest thoughts, when you begin to spiral.

and in this darkness, all you can do is cry. you cry, beg for someone to help you, please—

Help! Why doesn't anyone help me? Alone, weak, helpless – I can't move, can't force a sound from my constricted throat. Why does no one come to help me? I'm terrified!

to be alone, the saga reminds us, is worse than a death sentence. to be alone is to “perish; stabbed, beaten or kicked to death, defiled, like a toy passed from hand to hand.” to be alone is to suffer, and to be with someone is to save them from that suffering.

'(…) I wouldn't like anything bad to happen to you. I like you too much, owe you too much-'

'You've said that already. What do you owe me, Yennefer?'

The sorceress turned her head away, did not say anything for a while.

'You travelled with him,' she said finally. 'Thanks to you he was not alone. You were a friend to him. You were with him.'

it is true that geralt has saved dandelion countless times, helped him, gotten him out of some scrape… but to ask what did geralt get in return? are you kidding me?

did you ever consider that it is dandelion who saved geralt?

by being with him. by being by his side. by being his friend.

indeed, dandelion has rescued geralt, countless times, from the yawning jaws of endless loneliness. he’s helped him, chased away the danger of geralt’s own rumination. and he’s gotten him out of scrapes, his own insecurities and bitter helplessness.

so what does dandelion give geralt? what does geralt get from their friendship?

an amusing question. what one gets from friendship is the friendship itself. and that is more than enough.

[lovvelorrn]

i think i’m entering a new hyperfixation and oh man it’s fucking bridgerton

[copias-juicebox]

copias BIG ASS head.

Reblog if you agree.

[milf-harrington]

i keep seeing people say "oh eddie would be x in a modern au" "eddie would be y in a modern au" and im ???

a modern day eddie would still be a metalhead dnd player who's probably read the LoTR triology more than once; he'd just also own all the movies and know a bunch of useless trivia about the actual filming and production.

he'd probably still be a drug dealer, still gets held back a year in high school, probably has a second hand phone with a cracked screen that he only uses to listen to music, skips class because his teachers don't like him, runs a dnd club either in the drama room or the art room, either forges notes to get out of phys ed or just doesn't show up, he strikes me as someone who enjoys the process of burning music onto cd's so he probably has a bunch of mixtapes in his glove box and steve would hate driving with him bc his car wouldn't have an AUX port or anything so he'd either have to listen to the radio or eddie's music

a modern day eddie would still be eddie, he'd just have the luck of getting to experience all the nerdy shit that comes out after the 80's and also modern technology

[sonknuxadow]

genuinely the sonic and shadow generations thing sounds so fake but everyone keeps talking about it as if its real so i have no idea how to feel about it . i mean its not that i think its impossible but this whole thing sounds like something people would say when theyre just making shit up and calling it a leak

[thecrowsart]

👁️🦎🎯

(crops under cut)

[lunarharp]

leftovers of the day..not sure if i even like this brush

[spacestationstorybook]

shoutout to selfshippers with female f/os who are unjustly hated in fandom. because they "get in the way" of a popular ship, because they're "too mean," because they're villains or morally gray or just dare to do anything that inconveniences the protagonist. because they're rude, or not feminine enough, or feminine in the "wrong" way. because they fuck up and don't spend the rest of their life groveling at the feet of everyone in their life for daring to not be perfect all the time. your understanding, respect and love for them mean more than any of the crap other people say about them, and you fit with them perfectly. your ability to see past bad-faith and often downright misogynistic criticism is just more evidence of how perfect you are for them.

proship‏‏‎ ‎this is not for you. + this is not about bigots or sexual predators. that hatred is in no way unwarranted.