#if only because I crave validation

[i-will-write]

Guess who posted a new wip instead of working on literally anything else? That's right: me!

[silverwhittlingknife]

I noticed something in a lot of your Dick and Tim fics. It's probably so obvious, but you always write that Tim is watching Dick. In your newest one, Tim's watching Dick, in The Return Tim's watching Dick, and you even write that Tim is always watching him. Is Tim trying to read Dick? Trying to understand? Or does he understand him by watching? What is he trying to figure out by watching Dick? What does that say about Tim? I really hope this is intentional lmao because I would be embarrassed. Maybe this is just something so obvious that I'm just getting now.

YES IT’S ON PURPOSE <333 Anon. Anon. I'm so sorry this answer took forever, but listen, this was a really delightful ask <333 I think about this a lot.  I really love origin stories—I like stories that resonate through a character’s history. 

And for me, a whole lot of what interests me about Dick and Tim is that theme of watching and being watched. Seeing and being seen.

"Watch me on the trapeze, Tim. I'm going to do my act...'specially for you." | "Timmy, don't look." | "I turned away... I couldn't watch. Then I heard you crying and I turned back... I'm sorry, Dick. I didn't want to hurt you by telling you all this." Dick's watching me. Gauging my reactions. (Tim watching Dick watching Tim!) | "I'm taking off the blindfold." "No!" | "I can't see him. You can't see him. But I know Robin. And Robin's always there when you need him." | I love that kid. Too much to let him see me like this. (But Tim spots him anyway.)

Spotlights and lighthouses and cameras and photographs. Blindness and vision and masks and detective work and trust.

I'm going to try to be coherent about this but it's gonna be incoherent sdfsf BUT I'M GOING TO TRY so. Below the cut, a really long grab-bag of my rambling on vision and watchers and watching.

Tim + watching / Dick + being watched / different dynamics

Tim's origin story

Being watched goes with vulnerability/exposure

Incomplete list of moments with Dick and Tim and vision

Tim + watching

The first time we see Tim's face in LPoD: a close-up on his eyes looking for Dick, a close-up on his eyes at the moment that he sees Dick, a pullback to his face at the moment of recognition, a pullback to his face + his camera (you could maybe even argue that Tim comes into existence at the moment that he sees Dick, like, conceptually. the act of seeing is his defining characteristic. it is the thing that makes his character happen. he is the kid who's watching.)

Tim's a very vision-centric character: he's first introduced as a camera, then as a pair of binoculars, then as a pair of eyes. His whole backstory is about watching: watching Dick's parents die, watching Dick on TV, watching Batman and Robin. I've grabbed a few panels above with Tim watching Dick but there are so many more. His major deductions are all vision-based: he sees Dick-the-acrobat and later recognizes Dick-as-Robin; he sees Bruce-in-the-past and recognizes him as Bruce-of-our-time; the climactic moment in Red Robin is about going into a dark cave with a torch so he can see what's there.

And he's a detective. He pries into secrets. He analyzes people. He's a worrywart and a fusser who always wants to understand what's going on with other people. In a lot of those panels where Tim's watching Dick, his inner monologue is busy deducing Dick's emotions and trying to psychoanalyze him. Tim's caring and watchful and intuitive... but all those qualities also make him very very intrusive.

Dick + being watched

Dick performing acrobatics for Bruce, Donna, and Tim in Detective Comics 38 (his first appearance), New Teen Titans 16, Batman 441, and Nightwing 88 (where he reflects he's glad to be back in the hot glare of the spotlight)

Dick's a detective too, of course - Tim deliberately mirrors Dick, both in-universe and out-of-universe. But also Dick's a performer who loves being watched and also wants to control how he's seen. He gets a kick out of showing off, making puns, kicking ass, taking names, and he gets a kick out of having an appreciative audience. And he's got a kind of yearning for recognition - it hurts, when Bruce won't look at him, and in fights with Bruce, Babs, Roy, he'll often bring up the past, trying to get them to acknowledge a shared history.

At the same time, he's a very private person who withdraws and hides and pushes people away when he's upset. Right before Tim shows up, Dick's just ghosted the Titans because he's having emotional turmoil and doesn't want to have it in front of them, and they're trying to respect his wishes... but that solitude doesn't last long, because then Tim tracks him down. Tim will do this again when Dick's having an emotional crisis and trying to avoid everybody in Nightwing 110.

Possible dynamics

Tim watches Dick in Robin 11, while silently analyzing Dick's anxieties about Two-Face

"The watcher and the person being watched" is a dynamic that really interests me, partly because it can be so complicated?

You can see in Dick and Tim their very first roles: enthusiastic performer and the enthusiastic audience member. Dick likes to perform and show off and entertain; Tim likes to watch; those are roles they both easily slide into and they have a lot of fun together! But also you can look at the harsher side: the crime victim and the voyeur, the amateur photographer and the guy who hates being photographed. Dick's intensely private about his vulnerabilities; Tim's intrusive and watchful and constantly trying to figure out how other people tick. Sometimes Tim's the caring friend who watches Dick closely, reads him well, understands him; sometimes he's the nosy mini-detective who pries into Dick's secrets. And that's just two different ways of describing the same thing!

One of the things that kinda fascinates me about Dick and Tim's relationship is that in a lot of ways it's built on a bunch of low-key boundary violations. A lot of their early relationship is driven by Tim's desire to know more about Dick vs. Dick's reluctance to get close to anyone from Gotham; Tim's often out-of-line, but without his pushiness, it's hard to see how they would've developed a relationship at all. Later on, their friendlier relationship is marked by Dick teasing and low-key bullying Tim; it's pretty obvious that Tim isn't actually bothered by this, but it does involve Dick ignoring whatever Tim's claiming he doesn't like ("Quit it!" "Shh").

And one of the aspects of those boundary-violations is that Tim has a habit of witnessing things that Dick would prefer that nobody see. Tim's a witness to Dick's first and most miserable tragedy; he sees the aftermath of some of Dick's fights with Bruce; he's there when Donna dies. And he's sharp and observant and analytical, and I like to imagine this as being something Dick's not entirely comfortable with.

When Dick first meets Tim, it's before he's learned to wear a mask. And Tim spends a lot of time trying to see through Dick's masks, and he's pretty good at it, and a lot of that prying comes from love and care, because one of the ways that Tim shows love and respect and admiration is by trying to absorb absolutely everything about you, like a little sponge. But there's also something unsparing and even threatening about the search for the truth of someone else. It can be comforting or threatening, to know someone's watching you.

And I love how all that complexity is wrapped up in Tim's origin story? Both the giddy childish "Watch me on the trapeze" and then the awful grim reality of what Tim actually sees as a result and then the difficult connection when Dick and Alfred finally get Tim to explain how he knows their secret identities.

Tim's origin story

Tim (recounting his origin story in LPoD): My parents held me back as the thing moved to you. I cried out to warn you. (Two panels where we see just Tim's eyes, as he watches a crying Dick. He sees Batman approach and start trying to comfort Dick.)

I think fiction sometimes presents "being understood / seen / known" as an uncomplicatedly good thing, and there's nothing wrong with that! But I like complications, and I like the way Tim's origin story frames that moment of witnessing as difficult and fraught. Tim doesn't want to tell Dick how he knows their secret identities because he thinks it'll hurt Dick to know it: I don't want to hurt you, Dick, and I'm really afraid I might. And he's not wrong. It is painful; it does hurt; it's not something Dick's happy to know.

Dick's a very private person, and there's a painful intimacy to Tim's origin story - it's not Tim's fault he was there, but at the same time, it's not like Dick chose to have the most traumatic moment of his life on stage in front of an audience of strangers, you know? It's kind of a violation. In NTT/NT/Nightwing, Dick's pretty violently hostile to photographers, and he's intensely private about trauma in general, and I like to imagine this as partly a reaction to that foundational trauma of losing the most important people in his life and also doing it publicly.

And Tim's part of that audience. And he sees the worst part, the part that Dick can't talk about. He sees the bodies and the blood. He has nightmares about it for years. He hears Dick crying and sees him holding onto his parents' bodies. Not at all the kind of first impression Dick would want to make. Not at all the kind of person he wants to be seen as. And that understanding can be painful, because it's so close to the bone, and when Tim's just a stranger, it's upsetting, because Tim knows things that Dick would never have chosen for him to know. Their few conversations about it are awkward partly because Tim's thirteen and awkward... but at the same time, it's not Tim's fault so much as the situation! There's no way for Tim to talk about what he saw that wouldn't be uncomfortable for Dick.

... And yet, and yet. Tim's also one of the last people to see the Graysons alive. He sees Dick and his parents together; he even takes a picture with them. He remembers the whole thing so vividly he'll recognize Dick's somersault years later. He sees the grief. And so I think of that connection as kind of a metaphor for witnessing. Tim sees these things and they become real; Dick can't hide from them; in the act of being seen he's caught, he's in a spotlight, all the grief made real. You can't hide, that way. And Tim's got this unforgiving memory; he won't ever forget; he won't ever stop knowing.

But then, too: Dick's seen, he's known. Even at the very beginning, when Tim doesn't know enough to understand what he knows, he knows the important things.

So that shared memory is a barrier and a bond between them. It can be a source of discomfort or a source of comfort. And that's how I think about Tim watching Dick in general - it's complicated, and sometimes Dick's glad of it, and sometimes he resents it, and also it just is, it's a fact of Tim, that Tim watches. It's notable when he's not watching, when he's turned away.

Being watched goes with vulnerability/exposure

So I'm going to talk about the fraught feeling of being watched more in a little bit, but first: I think it's fascinating that Dick likes screwing around with games where Tim can't see!

Here's Nightwing 25 - Dick's come up with the idea of trainsurfing while blindfolded:

Tim: Are you sure this is such a good idea? Dick: Shh! Listen. Tune into the changing sounds and - Tim: I'm not so - Dick: JUMP!

Here's Robin 49 - clambering through a tunnel into No Man's Land:

Dick: Hard not to think about the river. All the water above us. And bugs. This tunnels' probably full of 'em. And rats. Big ones. Big blind rats with teeth as long as -

Here's Gotham Knights 9 - ambushing Tim in a sorta game of hide-and-seek:

Dick: Gotcha! Tim: Augh!

I feel like mmm I don't want to emphasize power dynamics too much because it's easy to overplay it BUT when I think about headcanons it's interesting to me to think about how maybe when Tim can't see, Dick's more in charge / in control, and so he feels more comfortable and less vulnerable, and that's often when he's most relaxed and playing around the most?

Whereas the moments when Tim's looking at him are often a bit more fraught, as here in Lonely Place of Dying:

Tim: I'm sorry, Dick. I really am. I didn't want to hurt you by telling you all this. Dick... Dick: It's all right, Tim. No matter how old you are, there are some things you never forget. Or get over. (Silent panel: Tim's watching Dick as Dick turns away and stares into the window.)

Or here in Nightwing 6, when Tim wakes him up from a nightmare:

Dick (internally, imagining a kid falling): He shouts to me. He always shouts to me. I never hear what he says. Tim: Nightwing! Wake up!

Or here in Gotham Knights 26, when Bruce is accused of murder:

(Silent panel where Tim's watching Dick.) Tim: I'm sorry. This must be hard for you. Dick: Me? Why? Tim: Well, I mean, it'd be one thing if we really knew he was innocent, but as it is - Dick: Wait, what? Stop right there. What are you saying, Tim?

Here's Tim spotting him before he can get away in Nightwing 110:

Dick (watching Tim from a distance, internally): Still, Timmy played it through nice and clean. Disarmed the perps, protected and avoided the cops. Kept any civilians from getting shot. God, I love that kid. Too much to let him see me like this. Tim: Hey! (appearing on the roof above him, fake-cheerful) You weren't gonna leave without saying hi, were you? Dick (looking away, very quietly): Hey, Timmy. Tim: Look at you, man! Back on both feet! Think you're done stopping bullets with your body for a while? Dick: Hope springs eternal. (Silent panel with Tim watching Dick, who's turned away.) Tim: You okay, Dick? Dick: I'm fine. Tim: Well, where're you staying these days? Dick: With some people.

Of course, sometimes Tim's watchfulness is frustrating but also a comfort, as in Detective Comics 874:

Tim (watching Dick, who's looking away): Are you listening to me, Batman? I'm saying the gas the Dealer used on you was powerful stuff. Dick: I'm fine, Red Robin. Besides...you're here now. Tim: You're not fine. And with or without me, you shouldn't be out on patrol ye - Dick: Sshhh. Here they come.

(Later in the comic, Dick mentally concedes that Tim's right that he hasn't really recovered from the gas, and Tim saves him from drowning when he's hallucinating. So Dick feels kind of exposed by the scrutiny, but also... he invited Tim along, so there's trust there, too - Tim's perceptiveness can be a good thing, too, when things are serious.)

Incomplete summary of moments with Dick and Tim and vision

I think I already mentioned a lot of these but here is my LIST

almost the first thing that Dick says to Tim is "watch me on the trapeze, Tim" and then Tim does and he basically never stops watching;

Tim watches Dick's parents die and watches Dick sobbing on-stage and watches him on TV and recognizes him by seeing a particular trick because he's dreamed about Dick doing the trick in his recurring nightmares about that night;

in New Titans 65 which is their very first team-up comic after Tim's origin, Dick's training pre-Robin Tim and gives him a test about watching for details and later Tim's takeaway is "I saw how [the Titans] listened to you";

there's a moment in Showcase '93 12 which is just Tim watching Dick and analyzing what's going on with him and there's another moment in Prodigal which is the same thing;

in Nightwing 6 Tim sneaks into Dick's apartment and hides in the dark and Dick spots him and tackles him; one of their most important bonding comics is Nightwing 25, where Dick insists on blindfolding him to get him to rely less on vision; when they sneak into No Man's Land they're in the dark and Tim can't see again and Dick's teasing him;

there are multiple moments when Tim can't see Dick for a bit and panics about his safety, in Nightwing 25, in No Man's Land, in Transference, in Bruce Wayne: Murderer;

Tim's there watching when Dick's wedding to Kory falls apart and he's there watching when Bruce and Dick fight and he's there watching when Donna dies and he's watching when Dick and Bruce swing together on the night before Infinite Crisis, and when Dick goes down and almost dies in Infinite Crisis we cut to Tim watching and seeing it happen and screaming;

there are multiple moments which are just silent panels of them staring at each other trying to figure out what's going on with each other or having a stand-off - in Bruce Wayne: Murderer, in Resurrection, in Red Robin;

in the aftermath of Donna's death there's a panel where Dick's watching Tim from a distance and not approaching;

in the aftermath of Blockbuster Dick spends half the comic just staring at Tim from a distance and hiding himself because "I love that kid - too much to let him see me like this," but Tim sees him anyway and chases him down and then they lie to each other and *ranting* LISTEN TO ME the whole comic is about Dick trying to AVOID being SEEN both literally but also METAPHORICALLY AND --!!!

(the only thing i'm even as halfway obsessive about for them is the heights thing because also there are a bunch of moments involving falling or Tim being anxious about heights and worried that he'll fall or Dick will fall)

In conclusion

Consider the progression in all these moments where Tim's watching an upset Dick and worrying about him!! From reaching out instinctively-but-pointlessly when he's too far away in the LPoD flashback, to almost reaching out in LPoD but hesitating, to putting a hand on Dick's back to walk him back to the Cave in Gotham Knights 10, to physically dragging him clear of the water in Batman: Black Mirror!

In conclusion I don't have a conclusion but basically YES, "watching Dick" is a core Tim characteristic as far as I'm concerned, and Tim watches Dick a lot and that can mean all kinds of things from admiration to nosy intrusiveness to worry to care to gratitude to trying-to-figure-out-what's-going-on-with-him, and sometimes Dick's resentful and sometimes he's relieved and sometimes he's playful and sometimes it's a mix of all those feelings.

And at first it's always Tim watching Dick, but later you've got Dick watching Tim too, and there's that moment where Dick's secretly watching him fight but Tim spots him in Nightwing 110 and there's a silent panel where Dick's watching him in Resurrection and at the very end of Robin there's a scene where Dick's secretly watching him fight but Tim spots him and in the very last issue of Red Robin Dick's watching the end of the confrontation with Boomerang and in Prodigal Dick's the one who notices his face is bruised and aaaaaaah

Anyway I think they're neat <3

[marrfixated]

(More thoughts and drafting! Some weird formatting I know but it was all one block in my notes)

Emma is doing just fine. Average. It’s really not so bad.

She’s just been dealing with a lot of change. And with too many things not changing.

Which is… an odd thing to struggle with.

Because she likes hange. Daunting challenges. The unpredictable. Doing new things every day and never being scared of them. And she likes independence.

She had thought so, at least.

After the show, she had been hit in the face with just how… isolated she was. She had only had two friends before the first season, but she had left them behind. Her mother wasn’t doing the best, and she didn’t have any nearby family.

She found herself laying in her bed in the middle of the day most of the time, scrolling through her contacts and old conversations.

Or scrolling through her comments on TikTok.

A few weeks ago, she had tried some stunt involving a motorcycle and an inflatable pool. She probably wouldn’t have messed it up if her hands weren’t trembling.

(She had forgot to check the breaks, and wasn’t sure if they were working.)

(They were.)

The blood dripping down her face and the gash in her lip didn’t sting as much as it did watching the video.

She looked ridiculous, and she probably always did. It was better when she had someone else to do it with. Maybe she was losing her touch.

She didn’t post the video.

She turned back to dancing instead, which did feel less embarassing, despite the constant mocking feedback. Sure, the jokes were “funny”, but she didn’t care about any of it. She didn’t feel the rush, she wasn’t planning every day, and she wasn’t known or loved for anything.

Except for what she lost.

And, the show, to an extent.

-Ugh, she misses the show. She shouldn’t, but as stupid as it sounds, she missed doing crazy things and talking to people. Having a chance of winning. Beating everyone. Being cheered on. It wasn’t always great, but at least it was something. She misses doing something.

And she really misses Bowie. She missed Bowie, but she knows better than anyone that she can’t go back to that. They just- have better things to do now. He probably does.

He’s got Raj- which is great! And she’s happy for him! She’s happy for everyone. For Wayne, however he’s doing, for Julia, despite everything.

And Caleb. For having Priya.

Emma is jealous that Bowie gets to have someone.

Emma is jealous that everyone else gets to have someone.

Emma is jealous that, unlike everyone else, winning the show probably wouldn’t have made her any happier.

She isn’t sure what would.

[kingsofgaytham]

i have finished my ofmd rewatch and yes i'm happy i did it cause my love for this show and its cast grew even more since i noticed so many tiny details or background subplots i missed the first time, the whole cravat exchange between Stede and Ed...but now my heart breaks even more for them, especially poor Edward, manipulated by Izzy and pushed to his limits where he once again puts on the persona he detests but this time he's also mourning the life he already envisioned in his head with Stede :((((

their reunion is gonna be so emotional and i hope by the end of season 2 we get to see Ed embrace his true desires (like soft, silk clothes and eating marmalade at the sunrise with his dumb boyfriend) and i'm excited for Stede to finally experience mutual love, not an empty spectacle put on for the society even tho he really needs to work on his thinking and communication skills cause this whole drama could've been avoided if he told Ed he wants to fix things with his family first ANYWAY i'm sure s2 will make me cry and laugh and scream and i can't wait 💜

[femmespoiled]

I've been seeing more infighting than people outside of the community hating us lately, it's time some of you wake up, because this whole mess is convenient to people who hates us and we're all enabling it. we're so busy fighting each other we don't have any time to fight them, maybe let's look at people who actually hate us.

[no-te-lo-voy-a-dar]

i just realized i sometimes say things actually quite self deprecating and don't notice until later?? if they are pointed out or the reaction is the opposite, like damn I thought i had all my issues noted but apparently not because i still say shit like that and apparently mean it - but i don't see a difference or i've noticed that forever so is there really a difference?

there's things engraved sometimes in your mind and self as a result of repetitive reactions and comments that you really just, take as a fact huh? they take root like weeds and u may chop the leaves but if you don't dig find all the root system u will keep having to trim and struggling with how much resources it's taking

anyways

[kennexara]

getting real fucking sick of the fact every month my brain spins a wheel with 3 sections labelled irrationally angry, irrationally sad, and irrationally anxiety and then spins another wheel with one section labelled ‘eat sugar until you’re sick’ and makes me live by the two results for an entire week and then afterwards looks back and is like ‘damn bitch you live like this?’ as if it isn’t fucking responsible. 

[lomakes]

I think I have really unrealistic standards on how much time I should take on a drawing

[marshmiillow]

Please click cause tumblr destroys quality but here's the latest system portrait: Martyn! :)

[looking-cool-joker]

i can’t get into discourse that i’m not mentally prepared for i can’t get into discourse that i’m not mentally prepared for i can’t get into discourse that i’m

[beepboop260]

Hey guys! I’m feeling marginally better recently. I think I’m going to purge my inbox/requests tho except for like one thing

[professor-tammi]

perhaps this is just me. but I feel there’s something uniquely validating about people who have absolutely zero experience with or even active disdain for fandom culture acknowledging any sort of Ship. just something very special about normies, so-called, seeing a moment and going “huh. are those two in love or something”

[aberooski]

The realization that I relate to Chazz just as much as I relate to Syrus is eye opening.

[lynx-tales]

I love clothing and it vexes me so much

[flautist10]

.

[charliemwrites]

Sniff, sniff…. Woof.

“Johnny? Johnny, baby, come here!”

Your big wolf boy comes bounding in from the living room as you shut the front door, immediately rearing up to sniff at your neck and face and hands. Satisfied, he licks your cheek and drops down again.

“Alright, listen up, handsome.” You grab his cheeks, scritching along his jaw and grinning as his big blue eyes go dopey. “My sister and her husband are going to stay the night. You are going to be a polite boy because you love me and don’t want to give my sister anything to talk shit about. Yes?”

A sneeze that he (for once) aims away from you. You laugh, drop a kiss between his eyes.

“Good talk.”

As usual, he follows you through the house as you shed clothes and shoes and bags. You ramble about the grocery store and your day, mostly just to get it out so your headspace can be clear for the evening. Helps to have a little (relatively) listener following at your heels.

He camps out in the bathroom while you shower, licking the glass door until you scold him - per usual. And again when he tries to lick the clean water off your leg. Only starts getting restless and grumpy when he sees you change into “outside” clothes rather than pjs.

You groan as he tries to herd you away from your own closet. Must be mixed with a shepherding dog because he’s a damn pushy jerk.

“Enough, bud,” you sigh. “Look, I don’t wanna go much either. But it’ll be worse if I don’t.”

He mouths off at you, a new thing he’s started up that reminds you of a husky. Maybe you should get one of those doggy DNA tests.

“I know I know,” you coo, shimmying into a pair of pants that your sister won’t be able to tease makes your ass look flat. “I’d rather snuggle up and watch 90s vampire movies too. But I already said I’d go and this means I’ll be able to skip seeing her on her birthday.”

More grumbles, but at least he climbs up on the bed to pout. You finish dressing and head for the vanity - no way you can go out with your sister without makeup.

As you pass, you roll him over to scratch his belly - politely ignoring his reaction. God, you really need to get him in for a neutering. If you catch him humping one more pillow—

When it’s time to go, you drop down to give him one last hug.

“Be good, baby. I’ll be home soon with some new friends. I love you.”

—

After dinner, your sister’s husband suggests a bar. And, of course, it’s a sports bar. Man can’t go more than an hour or two without.

You and your sister chat while his eyes stayed glued to the screens. Well, she chats. You mostly just provide the audience she constantly craves, the validation she always needs.

At some point your excuse yourself to order another drink, weaving between the patrons and sighing at a chance to let your face rest for a moment. While you’re waiting, someone brushes up close behind you, startles you.

“Och, sorry, hen. Madhouse in here.”

You blink, tilt your head back to see a gorgeous pair of blue eyes shining down at you. Takes your breath away.

“Oh! Um, no problem, I get it.”

You try to scoot as much as you can - but it really is packed, especially at the bar - and the man takes the opportunity to occupy any free space you have.

Not that you’re complaining. He’s got the type of face they put on magazines with hooks like “sexiest man alive.” A killer grin as he winks down at you, arm bracing on the bar.

“Buy ya a drink for bein’ so rude?”

You’ve barely gotten the start of, “oh it’s alright,” out before he’s signaling the bartender. His stature and presence gets him instant service though, so you let it go, fidgeting restlessly.

Even his voice sounds like a sin worth committing. He’s too attractive. Too handsome to not know it; and definitely too handsome to be chatting you up and ordering you a drink.

“You here with anyone?” he asks with an edge that makes your spine prickle. Yet you almost feel like you imagine it. His tone is normal, his expression hasn’t changed and yet. Something subsonic in the timbre of his voice, maybe.

“My sister and her husband,” you reply.

“No husband of your own?”

You try to laugh, it comes out strained and awkward. “Ah, the only man in my life has four legs.”

Instead of looking annoyed by the brush off, his eyes spark.

“Dog?”

“Yup!” And okay, alarms in your head aside, you’re always happy to talk about Johnny. He’s a safe topic. You fish your phone out of your back pocket and show him your lock screen.

The man takes a quick look at the screen, an odd, private smile flicking across his face. There and then gone, before those intense eyes are locked on you again.

“He friendly?”

You laugh a bit, perk up as the bartender returns with your drink. “Not with men. Thanks for buying!”

as you turn to go, he grabs your hip. Not hard, or even too low. But you gasp quietly, the heat of his palm searing through your clothes.

“Name’s soap, by the way.”

Infinitely more nervous now, you stutter out your own and then retreat to your sister and her husband.

Spend the rest of the night pretending not to watch Soap. He doesn’t return the courtesy, eyes trained on you, lurking around the bar. So visible it seems to only you. Something about the way the light catches his eyes reminds you of when Johnny senses a threat. When he gets low and growly, hair standing on end, eyes focused.

Soap looks like he’s hunting you.

Thankfully, your sister complains about the noise after an hour or so and the three of you leave. You’re relieved to be going home.

As you step inside, you call for Johnny again.

“Wait, who the hell is Johnny?” your sister’s husband asks, an odd look on his face. “You’re living with someone?”

You snort a bit. Does he seriously not remember you talking about your dog?

“Yeah,” you joke, “he’s the love of my life, my one and only—”

You hear the clack of the doggy door and call out again. Johnny trots in panting.

“Did you just come in from a run?” you chuckle, putting a hand out in greeting.

He comes right up to you, presses his nose to the spot where “Soap” grabbed you and snuffles.

“I know, I smell wrong,” you soothe.

He grumbles and licks at your shirt, but you gently nudge him away, turning as your sister scoffs.

“You still do that thing where you talk to them like people?” She asks. “Don’t you think that’s… childish?”

“Johnny’s basically a person in a human body,” you reply, laughing. “You’ll see.”

“Dogs shouldn’t have human names,” her husband pipes up, reaching for Johnny.

“No, wait—”

Johnny snaps just shy of his fingers and puts himself bodily between you two.

“Easy!” you yelp, hooking your hand in his collar. “Sorry, I meant to warn you - Johnny’s shy with men.”

“He almost took my bloody hand off!”

“He’s just protective. Johnny, heel.”

He stops snarling, but plants himself at your feet right there, eyes sharply trained on your brother in law. Your sister snorts.

“How are you supposed to get men back here, then?”

You jump as Johnny barks, a full deep one that your rarely ever hear. Your sister startles too, then scowls.

“I don’t,” you answer, shaking your head. “Anyway, let me just get the sheets for the spare room and we can call it a night.”

Johnny stays close at your heels the entire time, though you swear he throws a nasty glance back at your sister’s husband.