ppl love giving the. troll. kids? yknow. giving them bloodcolors unrelated to their. associated colors. as if they dont have the blood colors written into them
tbh my latest biggest theory for why HoO and onwards is such a dramatic drop in quality and consistency is just. Rick stopped making teaching guides.
Like, the Lightning Thief teacher's guide is SUPER in-depth with even stuff like sources about middle grade child psychology and exact specifications of where he's applying that, explaining what different character's goals/motivations are, their dynamics with each other and their environments, etc etc. Even specifying which specific myths certain plot elements are supposed to reference or be about.
That stuff just doesn't exist for later books. There's activity guides and smaller, significantly more simple teacher guides for later books but they don't go into anywhere NEAR the same level of depth. The TLT one is a full lesson plan that breaks down the book at every level and explains what's going on and more or less why Rick did that. The others are all basically just glossaries of terminology and some simple question guides.
And they didn't even use the TLT teacher's guide for the Disney+ show because they clearly aren't adhering to any of what's discussed in that breakdown of the book.
By creating a teaching guide alongside writing the actual book, that's forcing you to document what you're doing, why, your sources, and information about your characters and the story they're in. It's like an even more in-depth version of a series bible. But that's lacking for later books (and etc) and it shows because that level of thought and depth and attention just isn't there anymore.
Canonically speaking, jc' reaction to someone he doesn't like/has strong negative feelings towards, because that person was a jerk to his sister, is to regulate his emotions according to how his sister feels. In a jyl lives au, after wwx's return, canon jc is going to his sister, saying something like: 'while I think we should throw at least a cup of tea at him because he left us you and a-ling like that, it's your choice, jin zixuan was your husband. What are we feeling now, jiejie?'
Any other LGBTQ+ Headcannons that are canon is the comic??;)
*patiently awaits Cupioromantic Donnie*
hmm... had to think about this for a while and talk about it with co-author, but here's what we got. we mostly base this stuff on how plausible it is in show/if there's evidence for it. with a dash of personal experience. This only applies to residuum, btw. I have different personal headcanons for these characters outside the comic.
april: lesbian. this is mostly based off of the fact that most aprils get with their caseys & the comment she said to dale. which could be taken as disinterest in dale specifically, but she seemed more concerned with impressing that popular girl earlier and that reads as more... saphic, i suppose. or at the very least homoromantic.
raph: raph is just raph. we look at him and basically just *tv static*. go crazy. all we got is jokes or stuff that has too little evidence to support. so, yeah, he's whatever you want him to be i guess?
leo: trans. already said my reason in the other post. also, gay. if gay were a power source he could power the entirety of the united states for five months straight without a single power outage. failing power grid notwithstanding (< thats the actual word. its supposed to be mushed together like that. wack.).
donnie: as much as i'd like him to be ace/aro spectrum rep, he just doesn't have the evidence in show for us to apply it to him in this comic. it's funny, for being hc as ace so often he sure is the most outwardly romantic/sexual turtle in the show lmao. one! cherry: "you're so cute, but you're so mean! why do i always go for your type?" two! astrogirl?? (whatever her name is) he is very very romantic with her. he has a type y'all. also just look at those two, he's a leg man lmao (bootyyshaker9000 anyone? ha!) anyway. and with the bromance/instant chemistry he had with that one guy in the purple dragons... Pan. or possibly Omni as he does seem to favor... cute brutal femme... Yeah. Omnisexual.
(you have no idea how fucking bad i want this boy to be ace spectrum. hes got the colors y'all!! The Colors!!!!! but alas... i am bound by my canon plausibility creed for this comic)
mikey: ace. possibly ace/aro. he shows interest in literally no-one. we're aware that the common hc is pan but... we know a pan 13 year old, and let me tell you ahahahaha, kids going through puberty are very uncomfortable to be around sometimes, especially around their partners. or crushes. and mikey... well, that boy is ace behavior personified lmao. aces in the back you get what we mean right?? right??? anyway commiting to aroace
What do you think about how most people summarize orv's themes as love. I saw one of your reblogs about how it's too simplified for other works?
my general opinion is that saying "x is about love" is usually too damn vague as an analysis. while love is not a universal emotion (shoutout to loveless aros,) it's a common enough human experience that I really think that you need to specify what ABOUT love is being explored. is this a work about the depths of love? is it about the transformative potential of love? there are a thousand different ways love can manifest, and about a billion different ways a story can offer insight on the nature of love. I think it doesn't do justice to a story if you're not specifying what exactly it has to say about love.
all that out of the way, yes. many of orv's major themes are about love. specifically, it relates the love a reader has for a story to the love that a person can have for another human being. a story, like a person, can contain depths unknown to both author and reader - it is impossible to ever reach a complete understanding. there is always some element that will be impossible to communicate. something left hidden behind a wall.
but you can love that story, that person, anyway. you can offer your own interpretations, and try to understand as best you can. and the love and effort you put in matters deeply. the way that you can affect other human beings, specifically, matters deeply. even if it seems like your efforts will never reach that person, even if they are justifiably hurt by your efforts, even if your interpretations are wrong, even if you are the sole reader of a story. it matters that you were there and tried to love it as best you could.
orv also has a lot to say about love, self-sacrifice, and salvation. kim dokja's love of the story and his companions is a major motivator to why he destroys himself over and over. it's paralleled to his own mother, who sacrificed herself for his sake, and who he resented all his life and yet can't stop making the same choice when it comes to the safety of others. that sort of love and salvation hurts as much as it saves. it's as selfish as it is selfless. it's the same choice his companions make in order to get him back. they love him. they would be able to live with his resentment and guilt if it meant he would survive.
kim dokja's love for yoo joonghyuk, specifically, is both selfish and selfless. it is his love for yoo joonghyuk that was (unintentionally) responsible for much of yoo joonghyuk's suffering. the choices kim dokja makes out of love are what mitigate yoo joonghyuk's suffering, and eventually are what allows him to free himself from his eternal cycle. again, it is the love a reader has for a story, and the way that a reader both craves conflict and craves for the characters they love to overcome it.
it is the same love that drives yoo joonghyuk and han sooyoung to repeat the cycle again, as a choice this time. selfishly and selflessly. han sooyoung damns the world to apocalypse because she wished to save kim dokja's life. yoo joonghyuk chooses both regressions and his time in space to grasp at the chance to keep kim dokja alive. neither of their choices is guaranteed to save him. they know that. love alone isn't enough to save someone. but they make this choice because they love him, knowing that he would hate the choice. they create the story together because they want their sole reader to be understood by it.
and that's the end theme of orv's meditations on love and the nature of stories. if you love a story enough that it saves you... well, perhaps it's possible that the story, too, loves you back.
none of this is easy to describe in a sentence. I agree that it's probably easier to just say "orv is about love?" but I wish more people identified it further beyond that, since that usually is where the discussion just stops. I find orv's discussions on love to be some of the most compelling presentations on the topic that I've ever seen in fiction, and I like discussing it! i want to treat it with the complexity that it deserves.
gang i have to share this P. G. Wodehouse quote with you all because ever since I found it I can't stop thinking about it. it's from a letter he wrote when he was 78 years old to his friend Guy Bolton (many thanks to P. G. Wodehouse: A Life in Letters)
I have been on the sick list myself, but am better now. Inflamed bladder or chill on the bladder or something, the symptoms being agony when I passed water, as the expression is. It brought back the brave old days when I used to get clap.
he really said "yeah the pain from my bladder issue reminds of the days when I used to have so much sex I repeatedly got venereal disease"
“The water,” Will says, crossing to Mike’s side. His hand, the one turned the shade of fresh ink, extends to cover Mike’s, and there’s that thing again, that sensation of something, nothing, everything. Sparks and warmth, and cool, steady constants and everything in between. Mike could stay here forever, but his throat is getting drier by the minute, so that’s probably not very realistic.
will and mike survived the upside down which unfortunately forces them to confront their Shit capital S. official liza qulizalfos signed apology for ending the future is a benevolent black hole like that.
FOR @taeiris THANK YOU FOR YOUR INSANE ART which inspired this piece
if any of you remember, it's from this miwip wednesday!!!
tagging @elsbianism as promised!! hope you enjoy el!! thank you for your lovely reply to the post <33
listen. the post about making an idv edit for every song on this album was a joke. i don't want that kind of pressure. but every day i get closer and closer to making it a reality.
i made this rather quickly because i was listening to this song while packing and got so excited i immediately stopped what i was doing just to make it. despite being pretty simple, i'm actually very happy with it; i used some techniques i never even knew existed back when i first started editing, and it's cool to think about how far i've come.
As someone with some amount of facial blindness, any tips on how do you gain a better understanding of a person's facial structure?
I'm honestly not too sure, although I will say, looking at the face you're about to draw from as many different angles as possible and with different expressions would probably help a lot. That's at least what helped me when drawing Miguel! 😊
I keep hearing from other artists that looking at faces and objects as if they're basic shapes can help, but that really hasn't helped me very much, at least not with the kind of work I do. It would definitely help with stylized art though! I do think with practice, most things tend to sort themselves out eventually, I for instance used to have a hard time putting whatever I was drawing into a 3D space in my mind, but I find I don't struggle with that so much anymore.
I hope that shed some light on it, I'm sorry for not really having a straight answer though... But like I said, practice is probably the best tool, unfortunately lmao. Be sure to make the practice fun as well though!
Cartoonicly never sees or hears Tim due to stuff happening around him. It never changes. Tim never is heard.
That's basically the relationship a lot of people like to give Jason and Tim with the whole Tim was a big fan of Jason's but Jason didn't know and I'm really not partial to it myself so I'm gonna have to pass
Wanted to give my two cents on the whole wuwa character design. The person saying that having distinct facial feature is not aspiring or interesting needs to watch their wording especially towards POCs.
Most game always suffer from same face syndrome. This is mostly prominent with the females. No matter what a distinct a character looks like with their hair color or eyes. You plaster them on another character they practically identical. Genshin Impact and League of Legends suffer this big time.
Genshin Impact
(Link to where I got the first 4 images: https://m.hoyolab.com/#/article/11600510)
League of Legends
Besides their face ornaments you would believe these are all the same characters right? Nope! They are all different characters.
This is just for a skinline. When compared with the other female characters og skinline they still have all the same faces.
As far as I know the males have distinct facial features.
Same person has point out that Taoqi is a thicker than most of the female girls and I agree. Look at the comparison.
Small things like these make the game interesting and unique. Ethnic features and facial differences are important to everyone because it makes the character feel unique and we can relate them physical.
Not everyone is going to have the same eye shape, lips, nose, and mouth. But society excepts us to have the same feature and shuns/discriminates those who lack them or chose to embrace their features.
Which is why character creation games like Baldur's Gate, Elden Ring, Sims 4, and Cyberpunk allows players to adjust and modify their character to look like them so they won't feel like they need look a certain way.
Sorry for the rant. That post really trigger me.
First of all, thanks for sharing your thoughts. A rant it may be, but it was really interesting! Mainly because I didn't think about it from this angle before, but now that you mention it, it's so obvious :9
As a person of color myself, it is a little disheartening when non-white characters look the same but with a different shade of skin, lmao.
I don't play LoL, and haven't actually seen anything about it at all, so I hadn't seen this, though it doesn't surprise me. It's a common joke that women have less variety in their designs than men, and it gets pointed out a lot.
It's mostly modern anime poisoning or something, it's in the water I swear. Where it's just the same character but different colors and personality...
About the Genshin vs Wuwa thing, I agree that the comment of "faces" not being enough seems almost... insensitive? I don't know how to describe it, but I get it. They are so focused in the intricate clothing of Genshin and the large amount of accessories and at the same time disregard what actually matters when it comes to uniqueness, lol.
(In my eyes, clothing in character design, doesn't have to be incredibly decorated, it can be either way as long as it portrays accurately the character that's wearing them. So that whole argument is moot to me, since it's just a matter of stylistic choices and how you wish to portray an environment, etc, etc.)
Meanwhile, the fact that Genshin only uses like two bases for their characters feels like they've streamlined their design production to pull out 'bangers' each time. Just dressing up the same doll each time, changing out the wig and repainting their faces. I still like some designs from them, but it's clear they don't put much effort in the actual body of the character LMAO, they just let the fancy colors and accessories do the talking.
Anyways, hopefully we get more characters with more unique traits instead of some outfit change, both in Wuthering Waves, and in other franchises.