#in both senses of the word!!

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[soldrawzz]

Hello New Comers

I'm Sol, the artist and owner of this strange little corner of tumblr. I just wanted to take a moment to say Hello to new followers and wish you all a wonderful spring season! I'm currently working on little projects here and there to spark up my creative drive. I haven't done much drawing/artsy stuff in a very long time (for various reasons) so this blog has sort of become my virtual sketchbook to encourage myself to be creative again. As you can see my current muse happens to be the Moomins; But I take interest in many subjects and draw, paint, sketch other subjects as well!! I enjoy a little interaction and would love to hear from any of you about what you'd like to see in the future, if you have ideas for more Moomin sketches/drawings you'd like to see me try my hand at, or if you'd just like to drop a friendly 'Hello!' I plan to eventually set up some commission prices for the future so keep ur eyes peeled for that!! Send me a msg with your questions and curiosities any time!!! My door is always open!!

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[butcharium]

I often do think it is important to call myself a woman. In past I've had kids ask me "are you a man or a girl" and in hindsight I think these kids were quite perceptive of the world. Especially when you're in your 20s it's men and girls, I've seen students write pieces describing themselves as men, but their female peers of the same age they call girls, but I have also heard bisexual women say they like both men and girls. In past I've fallen into that myself and said that yeah I'm a lesbian I like girls, but do I? No I am in my twenties and I am actually only attracted to my fellow adults - women. It does feel more serious, less trivial, both to be and be attracted to women as opposed to girls, and that can be a bit uncomfortable to be faced with. It is also important to me as a butch. I am no longer a tomboy I am a butch I am no longer a girl I am a woman. I am a woman and women can be like me. I don't feel like I've succeeded enough at adulting to call myself a woman, but that doesn't matter. I am 25, and if the word bears other connotations so be it, that's not my problem.

[ohtendril]

2.07 - 3.08

[apdreadful]

I’ve decided that from here forward I’m writing Tommy and Buck/Evan as long term canon. In the words of Buck himself “Who cares?!”

I get the feeling that Tommy is difficult to get really angry. Mostly based on his past. And his general roll with the punches attitude thus far. So I don’t foresee a lot of strife or fighting in his future with Buck. Except the first time Tommy experiences the after of that big marshmallow Evan Buckley doing something really dangerous and reckless..again.

And Tommy who never gets angry, who never shouts at Buck, who flew a helicopter into a goddamn hurricane in the middle of the ocean, really loses his shit this time because Buck cannot understand why Tommy is so upset that he dropped into a dangerous situation against orders AGAIN.

Tommy pinches the bridge of his nose to keep from shouting “Bobby told you not to go in. He told you not to risk it. That the floors were too unstable”

“There could have been someone left” Buck replies “Someone needed to check. It had to be me”

“Why? Because you’re fucking super human? The great Buck Buckley from the 118 who scoffs at danger, has survived a tsunami, getting trapped beneath a fire truck, throwing a blood clot, and was officially dead for three minutes after getting struck by FUCKING LIGHTNING!”

“How do you know about all of that?”

“That isn’t what matters”

“I think it is” Buck takes a step toward Tommy “Have you been stalking me babe?”

Noticing the mischievous smile Tommy shakes his head “Oh no no no. You are not going to adorable your way out of this”

Bucks shoulders sag and he sighs “I’m ok Tommy. Not even a scratch”

“I can see that” Tommy lets out a deep exhale “I understand the risks of the job. I’m not like your exes who would get all distraught over you removing a cat from a tree. But for fucks sake, you are worse than the EOD guys when I was in Afghanistan with the walking - or in your case running or jumping- right into the worst case scenario with no thought of your own safety” Rubbing his forehead he continues “Evan. You’ve got a savior complex and it’s noble and selfless..”

Buck cuts him off “It’s not a savior complex. I’m not stupid. I understand that sometimes no matter what you do you can’t save them. But sometimes maybe you can, and in those cases, I just make the most sense”

Tommy crosses his arms to keep from strangling him or kissing him stupid again to shut him up “How is that? How does you possibly dying make any sense?”

“They all have people that need them. They all have someone they belong to and..” he trails off with a small shrug

And Tommy hears the words he doesn’t say. He is…expendable. And just like that all of the anger drains out of Tommy to be replaced by a something else. “Evan” he says softly.

“I know” Buck interjects “I know that people love me and they would be sad, especially Maddie. And I don’t want to die. But I don’t want someone who has someone they need, and that needs them, to die either. I couldn’t live with that”

Tommy closes his eyes. This man..How can he be so adorable and selfless, yet so completely stubborn and a pain in the ass about his own safety?

Once he calms his thoughts and finds the words he wants to say, he opens his eyes to see Evan looking at him calmly. Like he expects Tommy to see the sense in what he said.

“Evan. I know we haven’t really put a label on this. On us. But that’s because I don’t want to pressure you. I’m the first man you’ve been with and you’re still figuring out who you are, and I understand that. But let me clarify something for you. I need you to come back to me. Ok?”

Buck blinks “Huh”

“I need you to come back to me” he repeats “Like Bobby needs Athena, and Karen needs Hen, and yes like Maddie needs Chimney.

“And Jee-un. Jee-yun needs her dad”

“Yes, and in that same vein, Christopher needs Eddie” he agrees, trying not to give in to his exasperation. “I need you. I am that person who needs you to come home Evan”

Evan stops whatever he was about to say. Startled awareness creeping into his eyes..Tommy sees a mix of emotions flit across his face. Surprise, joy, fear, everything just races across that expressive face and then Evan sinks onto the barstool at his kitchen island. His hands coming up to cover his face.

Tommy’s stomach clench’s. He pushed too hard, too soon “I’m sorry. I shouldn’t have said that. I do care and want you to come home but..”

Buck looks up at him “Don’t you dare take that back”

“I’m not taking it back. I just don’t want to push you”

Something else crosses Evans face at that..but he tugged at his bottom lip with his teeth. “You aren’t pushing. You aren’t pressuring me. I am in this just as much as you. I just don’t know how to say what I want to say without it sounding lame and emo as shit”

“Did you just hear me? You can say anything to me Evan. Whatever it is”

Buck rolls his bottom lip between his teeth again. “I’ve never questioned why I do this…I mean it’s the whole reason I was born. To save my brother. To save Daniel. That’s what I do, that’s who I am. It’s why I became a firefighter. To be the one who saves people. The 118 is my family. And I would do anything to protect them from harm”

“I’m not asking you to stop. I would never ask that. I just want to remind you that you matter to a lot of people, and you also have someone who is waiting for you”

Bucks voice is thick “I know that. I get that. But…Nobody has ever. I have never belonged to anyone, like that”

In a sense of deja vu Tommy closes the short distance to Buck. Tipping his face up, he kisses him. Not soft and gentle like their first kiss in this kitchen. But bold and deep. Branding Evan with his mouth. Pulling back he says fiercely “You belong to me like that. For as long as you want..you belong to me and I belong to you, like that”

“I will ALWAYS need you to come back to me Evan”

ao3 like per request

[somnimagus]

My page for @kairizine. It was such a huge honor to be part of this wonderful book with everyone, I had so much fun!

[id in alt!]

[kiaxet]

HOW ABOUT THAT @somerandomdudelmao DISASTER TWIN REUNION, HUH

Went a little feral to the tune of 2.2K words of self-indulgence. What else is new?

~~~~~~~

Donnie can't sleep. More accurately, he won't sleep. Not until he's done. He'd never been one to leave a project unfinished; death and resurrection hadn't changed that.

He taps incessantly, repetitively, on a keyboard and screen, the motions long since past inputting data and now only serving to keep him awake. The repetition is soothing, easy, and - counterintuitively - he finds his head drooping forward into sleep-

And he snaps back upright. No. Not until he can confirm Leo is okay.

Leo is behind him, he knows. Breathing. In bed. Asleep. Very much alive. And-

He jumps and whips around as a thud sounds behind him. "What the-"

Leo is on the floor.

Well, that answers the question as to whether his twin is awake.

For a fraction of a second, part of him wavers uncertainly. He loves his idiot twin. The question he hasn't been able to answer is whether his reaction to Leo waking up will fall on love or idiot twin-

"Leo!"

He can hear the exasperation in his voice, and yep, it's the latter. He takes a knee next to Leo and hauls him into his arms, lecturing him all the while, and if he can hear the annoyance in his voice then Leo sure as hell can. Sleep deprivation for the purposes of keeping his brother's soul alight had done nothing for his temper. "I swear to God, all you had to do was make a sound! Why are you such a difficult patient?"

He deposits Leo carefully on the bed - "Sit still!" - and checks him over, running every scan he can think of and making sure his brother's new body really is in good working order, spouting increasingly irritated commentary all the while. Of course the fall didn't hurt him - Leo is tougher than that, and Donnie does better work than that - but he still can't help the rising anxiety in his throat.

This almost didn't happen.

"-stupid, stupid selfless idiot!"

Donnie almost couldn't save him.

"Grrhh-"

Leo nearly died for real. Permanently beyond Donnie's reach. Well and truly gone-

"Do you have any idea how close you were to having nothing left to save?"

And now here Leo is, in perfect health, sitting on Donnie's bed with a big dopey grin on his face as Donnie chokes on his anxiety and damn near shakes himself apart-

Oh for fuck's sake.

"Hey. Are you even listening?"

Leo speaks up for the first time since he's woken up, voice shaky from disuse. "D-Donnie?"

And that is not a goddamn answer to anything Donnie has been saying, because of course it isn't. It's Leo. He's always had his own priorities. "Yeah. No. You're not fucking listening." Donnie heaves a long-suffering sigh, sinking back into the routine comfort that irritation at his twin provides. "At least you're talking." Small favors. "Although I'm surprised you're not throwing your stupid jokes at me." Even smaller favors.

He stops short as Leo's hand closes around his wrist, drawing Donnie's arm to Leo's plastron. "You're real," his brother breathes, looking from Donnie's hand to Donnie himself with tears streaming down his face. "You're real!"

And then, in the space of a thought, Leo's joy breaks, his smile turning desperate. "Are you?"

For a moment, Donnie stares at his twin, wondering at the sudden change in expression. He takes a breath-

And the part of him that had lain dormant for so long after he'd woken up - the part of him that had been screaming for his twin's safety ever since they'd recovered the few scattered embers of Leo's soul - gasps to life, blooming like a time-lapse video of a flower and reaching to the edges of Donnie's soul. Leo had called it their twin sense, and Donnie hadn't had it in him to argue after a while. Whatever it is, it's back, connected to Leo's renewed presence, and-

Donnie's heart floods with emotions. Relief and joy sprout quickly and are nearly swept away in a tide of exhaustionanxietyfearfearfearfearFEAR-

But down beneath it all, steady against the rising wall of terror, is the little blue spark of hope that his brother always carried. His core. The thing that let him continue on in the face of insurmountable odds, and lent that same strength to everyone around him. A ninja's greatest weapon.

It's Leo. It's Leo-

And Donnie can't leave him alone in his fear. Not when there's no need for it. Not when they're safe.

He lets that breath out, and sits next to Leo on the bed. "Mhm. I'm alive. And you're alive. We're safe. The Krang are gone." That's all the news that's fit to print, or at least the most important parts. What else does he have to say?

Oh.

"I'm sorry I..uh…"

He's sorry he what? Died? Left a mess for Leo to deal with? Didn't do enough while he was alive to keep everyone else alive in turn after he was gone? Kept his brother's soul in a fucking mug, because that was the only way he could ensure he wouldn't break it while Leo was still fragile? All of the above?

…yeah, it's all of the above.

He owes Leo one hell of an apology, and he's never been good at any of this, so instead he shrugs haplessly and leans forward, pulling Leo into his arms and hanging on tight.

It's a matter of moments before Leo has him flat on his shell on the bed and is sobbing into his arms. Normally he'd hate seeing his twin cry, but it's proof of life - proof that Leo made it, that his soul is intact enough for him to still be Leo, that he's alive and awake and here - and Donnie will take it.

And if he's squeezing Leo back pretty hard himself, well, that's fine too. Nobody else needs to know.

~~~~~~~

Donnie is yelling at him.

Donnie is strong enough to have picked Leo up off the ground, well enough to be on his feet without support, running tests and reading Leo the riot act over his latest boneheaded maneuver - in this case, forgetting he was missing an arm and falling out of bed.

Donnie is yelling at him, because Donnie is here to yell at him.

And Leo is smiling, because he couldn't be happier. He lets the words wash over him, draping over his shoulders like a favorite cozy blanket that he'd lost so many years ago, and he basks in the warmth that is his brother's voice and smiles.

It's enough to interrupt the yelling for a question, though he doesn't really hear it - just keeps smiling, and says Donnie's name, and it's so nice to be able to say it with a smile now, because Donnie is here-

-he is, right? This isn't just a dying hallucination on Leo's part, right?

(It couldn't be- he remembers his death, remembers breathing his last, remembers being trapped- but this-)

He reaches out, taking Donnie's wrist in hand, and pulls his brother closer to him. "You're…real…" It certainly feels real - skin and scales, softer than his own, and his fingers barely fit all the way around the wrist instead of encircling them with room to spare - and he stares down at it, tears rolling down his face as he finally looks back up at his twin. "You're real!"

The Krang show you what you want to see.

The thought strikes him unbidden, turning his joy and relief to ice. It's a well-known fact: a Krang infection can show its host what they want to see, visions of comfort and family and home, and extract intel from the host's reactions. He knows that- he knows that, and-

And he'd died surrounded by Krang- and even if he couldn't see or hear or feel, he knows he'd been held captive-

But it's Donnie- he wants this to be real- he needs this to be real- he wants his twin back so badly he can't think, and the idea that this could be a Krang hallucination is almost too much to bear-

"Are you?" He can hear how choked the words are as they leave his lips, but he needs to know-

And Donnie stops, and sits down next to him, and tells him everything he wants to hear - everything he could've ever wished for. They're alive. They're safe. The Krang are gone. It all sounds too good to be true.

And then Donnie offers him an apology and a sad half-smile, pulling him into a strong hug-

And the ice in Leo's mind shatters in a flood of warmth as his twin sense opens for the first time since Donnie's death. He feels his twin's irritation, and deep-seated exhaustion, and a choking wave of guiltguiltguiltguiltguilt-

And beneath it all, steady and strong as ever, the thrum of unending determination, powered by an unfathomably deep well of love. It's the backbeat to the melody of Leo's life, the point-counterpoint to his own heartbeat- it's something he'd never had to live without until he did, but it's back, rushing in to fill the silence he'd known with the strength to go on and the knowledge that he is loved loved loved, strong and overwhelming and all-encompassing in the way only Donnie can love-

It's something the Krang could never imitate.

This is real. This is all real-

He throws himself against his twin, toppling them both over on the bed as he clings to Donnie, unable to stand even a fraction of an inch of space between them, as though he could push their hearts together through their plastrons, and he cries, sobbing out worry and terror and grief and the slow, crushing exhaustion of a losing battle finally lost. He cries as though the world was ending - and it had, once when the Krang had invaded and again every time he'd lost a member of his family, over and over until he'd sent his last hope through a portal that had cost his littlest brother his life and succumbed to death himself.

And now he's alive. Here, wherever here is, with Donnie. Clinging to his twin, and being held in turn as Donnie gently sits them both up, never letting go as Leo cries himself out.

It takes a while - long enough for Leo's gaze to settle into a stare and his thoughts to settle into a comfortable static. He's alive, Donnie is alive, and he has no fucking idea what else is going on, but he's just going to be okay with that for now.

His thoughts rouse enough to inform him of something wrong - the line of tension Donnie is carrying down his neck and over his shoulders. That won't do. Leo could try to massage it out with one hand, maybe try to get Donnie to talk about it, but Donnie never likes to talk about it, and Leo isn't one for slowly soothing away tension when he can just take an axe to the release valve instead. Plus, it gives him something definite to focus on, instead of…this whole situation. Whatever 'this whole situation' actually is.

Donnie had mentioned his stupid jokes, right?

"H-hey Dee?" His voice wavers from disuse, thick with tears, but he pushes through. "Why did- why did the tree buy a camera?"

"What?" Oh, Donnie is not going to see this coming. Excellent.

"To do a photosynthesis." It's nowhere near the level of pizazz he normally uses for a punchline delivery - he's still too tired and frazzled and clinging to Donnie entirely too hard for that - but that beautiful pause of a terrible joke sinking in tells him it had hit home nonetheless. Donnie moves - he can hear the telltale slap of face meeting palm - and then breaks down into helpless laughter, smacking the back of Leo's shell as the tension Leo had felt in his twin's shoulders abruptly relaxes. Good. It worked.

"This is so fucking stupid," is all Donnie manages as his laughter fades, and he slumps fully against Leo with a murmur. That's...abrupt. Sure, Leo had felt Donnie's exhaustion, but he hadn't realized it'd been that bad. He takes hold of Donnie, gently laying him down on the bed to rest-

Remember what happened last time Donnie fell asleep next to you.

He gasps sharply at the thought - not again NEVER again - and keeps his hand steady as he moves, laying both fingers gently against Donnie's neck and feeling for his pulse. It's easy to find, strong and steady and even, like it had been before the infection had taken Donnie's vitality and then his life.

But he's alive, and healthy, and sleeping. He's okay. And Leo-

Leo moves his hand to the side of his own neck. His pulse is also easy to find, quickened with the adrenaline of an unknown situation and multiple consecutive shocks to his system.

Okay. Take stock. Assess. Figure out a plan from there.

He's alive. Donnie's alive. The Krang are gone. And everything else…is a big fat question mark, with no easy answers and no indication as to where to begin looking for them.

Well.

Uh.

"What the fuck," Leo whispers to the room at large, as though the walls could answer.

~~~~~~~

(A world away and still very close, a younger pair of twins cling to one another the way a drowning man clings to driftwood: desperately, clutching tight, as though letting go will spell their doom. Neither of them know where the emotions came from, or why; all they know is that each of them are damn glad the other is alive, and they'll do everything they can to make sure that continues to be the case.)

(What the fuck, indeed.)

[hazyrockets]

i rly hope in like 20 years or whatever we get a random update from phil that theyve paid the phouse mortgage off

[meamiiikiii]

mira !!! :]

[melodyatlas]

actually yknow what's underrated??? jayroytim

gimme post outlaws jason and roy besties with Extreme sexual tension that roy just fucks around with others to (unsuccessfully) get it out of his system and tim who is showing up around them both more and more bc he and jason actually understand each other in ways the rest of the bats don't and even tho they argue it's a good kind of arguing and they need the companionship and with all of this going on roy ends up falling into bed with tim and then when jason finds out he ends up going 'yknow what? fuck this. bedroom. both of you. now." and that's that

[waterghostype]

If you and I had met under more peaceful and carefree circumstances, I wonder how well things would have gone.

[solargeist]

ive been seeing a lot of your posts about grian and xelqua, and i am thoroughly confused as well as ridiculously intrigued

are grian and xelqua two completely separate entities? or do they have some sort of soul-binding thing? or are they two halves of the same person? maybe it's just because ive seen so much content where grian IS xelqua, but your take on it is really fun for me to read despite me not understanding it at all,,

can i just have a quick rundown of it? qwq

ehehhee my favourite topic...............

Most of the fandom sees "Xelqua" as just Watcher Grian under a different name, the name comes from his YT channel's name, however I write Xelqua as a different timeline Grian, so they are technically the same person, but different, their lives are not exactly the same.

Xelqua is "Grian" but Grian is not "Xelqua"

TIMELINE A: EVO/HERMITCRAFT Grian. The one that joined the Watchers first. Joining the Watchers splits into multiple timelines. This Grian runs away from the Watchers to Hermitcraft. Xelqua was his patron. He does not meet Xelqua until the end of s8. (other timelines don't matter he probably just died a bunch lol) -- TIMELINE B: A version of Evo Grian. He does not run away from the Watchers, this leads to him becoming a god-like figure, he rips own timeline apart, it does not exist. Xelqua has the ability to hop timelines, this is how he helps other Grians, usually giving them bombs. its an odd coping mechanism he has, (he gives other people bombs though sometimes.) Xelqua is a destroyer. He is the only version (of grian) to become this. (They are contradictory on purpose)

"Kid Grian prays to Xelqua. -> the same Grian grows up and joins the Watchers -> This leads to Another Timeline version of Grian becoming "Xelqua", a god-like Watcher. -> This Xelqua version protects/watches other versions of Grian, even the main timeline one who caused Xelqua's existence. Xelqua has always existed."

(This also implies that "kid grian" grows up to Be Xelqua ? Their lives were pretty much the same until the Watchers..)

-- Xelqua doesn't typically let people orr versions of himself see him, he helps from the sidelines.

Kid Grian prays to Xelqua, he grows up and is unintentionally the direct reason Xelqua exists, and Xelqua unknowingly watches Kid Grian--the original, and occasionally protects him. (Xelqua gets to see his own memories from 3rd person !)

Xelqua doesn't find out abt the main Grian til he finds him in s8, its very interesting for him to realize.

The Void is .. watcher radioactive, with it propped open all the time, its enchantments echo in Grian's ears and race in his blood, it has him feeling crazy, stressed, and exhausted. Xelqua crawls out of the void and pulls him down in it. Theres a brief moment in time where Xelqua is angry and bitter at this Grian for dooming his life, but they get this sorted out throughout s9.

Xelqua also has the ability to change into different forms of Grian, so he can become the "kid grian" version, or the evo one, or his own young watcher days, this affects his mental state though, its not the strongest ability ever.

If he's stressed enough he involuntarily turns into a child and is stuck like that for awhile, completely unaware, but usually ends up in Hermitcraft where hes safe (not like anything could hurt him in other worlds anyway, he's still ridiculous strong as a kid.)

I think that covers the bases HMM !!!

[synonymroll648]

headcanon that the reason sophie still has eyelashes to pull on the regular is that grady and edaline worked something out with the dizznees to get a tasteless formula to help eyelash growth specifically to put drops of in her bottles of youth. because there’s no way her ptsd-induced trichotillomania (oversimplified definition for those who aren’t familiar: hair pulling disorder) is gonna die down during the war, so they’re trying to make sure she doesn’t move from eyelashes to eyebrows or her Hair hair by giving her More Eyelashes

[sinlizards]

im not sure if youve answered this before, but im really curious about how you decide which contrasting colors to add where! i know about adding a reflected color of something next to it (idk how to explain that sorry) but i always find when i try to add little splashes of color while shading a piece, they look out of place!!

heres a rough general explanation feat. Beato + some extra stuff!

What I focus on with making a color feel cohesive is seeing where exactly i can use that color again through out the piece that way it balances everything out. To choose the colors themselves i normally just take the base color and saturate it in my preferred direction (i.e. parts of her blonde hair becoming green, her headpiece becoming hot pink)

for something with a Lot of added/different pops of color I tend to unify the whole thing by throwing a layer of overlayed color jitter on like 10% or less which helps those colors not feel so out of place (also this piece you can see more of where im adding color at overlaps or areas of interest instead of just the shadows)

something that can also help if you are going a more painterly route is having a base layer of a bright color and then laying down your flats lightly over top allowing the under layer to peak through which is what i showed in this breakdown (which you can also see me adding a complimentary color to areas of visual interest)

And lastly a lot of this is just kinda trial and error! as I said before i tend to work on one layer but for these final embellishment type things (added pops of color, halftone, patterns, etc.) i mostly save that for last and keep them on a layer above the piece because a part of the process is just messing around with a bunch of stuff and seeing what looks good

[paper-mario-wiki]

I love songs that sound angry and frustrated and hateful.

Not in the lyrics or anything like that. I just love it when I listen to a song and something about the balancing, the way the drum hits, the way the chords scream. I love it when a song is in pain, either physically or emotionally.