CASTIEL'S NARRATIVE AS A THREE-ACT PLOTLINE.
all interactions with him will be slotted in one of these acts; they're mostly adapted to the modern era but can be relocated/adapted to the 19th or 20th centuries if needed. mostly based on pullman's his dark material and influenced by kripke's supernatural.
act one: apocalypse. castiel, the seraph bearer of the title of 'the shield of god', is sent to earth to investigate on the breaking of the seven seals, which marks the beginning of the apocalypse. he's tasked to find a way to stop the rise of lucifer, which would prompt a second battle against the archangel michael, a disastrous outcome for mankind and all life on earth—however, the mission fails with the breaking of the sixth seal. lucifer acquires a human vessel and through him, castiel finds out that the apocalypse had always been scripted to happen. with the knowledge that the regent of heaven lied to him, castiel deserts the heavenly host, determined to find a way to stop the war by himself. for spn writers, this act mostly follows season four/five according to canon.
note > after his defection, castiel is effectively a fallen angel. he's still very much an angel, with his wings intact. a seraph falling is a serious matter, as seraphim, while not the most powerful, are the highest-ranking angels in the heavenly hierarchy and those considered closest to god. other celestials and demons may react to this.
act two: war in heaven. the apocalypse has been stopped. lucifer is sealed beneath the ice of lake cocytus and so is st. michael, but now heaven is without its regent. pardoned, castiel is allowed to go back to heaven—but the new fragile peace is threatened by raphael’s (michael's second in command) rise to power. raphael would restore michael’s reign and see the apocalypse through. seeing as castiel is the only one actively opposing this design, heaven rapidly splits into factions, and his supporters convince him to wage war on raphael. the kingdom of heaven is thrown into a civil war. for spn writers, this act more or less matches season six, but does not follow the entirety of its canon.
note > castiel is the leader of a faction of angels who oppose the restoration of michael's rule; talks of a republic, a council instead of a viceroy, begin to spread through the heavenly ranks. again, celestials and demons may react to this.
act three: metatron. knowing he's fighting for a losing cause, driven by despair, castiel manages to contact the runaway archangel and scribe of god, metatron—the first in line to the heavenly throne. metatron, featured as a tertiary muse on this blog, has hidden on earth since the fall of eden. he is the only angel who can rival michael's claim as the regent; with his help, castiel wins the war against raphael. however, it soon becomes apparent that metatron's tyrannical streak runs far deeper than even michael's, being as blasphemous as to fancy himself not just a regent, but a king altogether. a title reserved to god alone. having inadvertently handed him the throne, castiel reorganizes his forces to depose the new tyrant and build the republic of heaven.
note > metatron is selectively available as a muse on this blog. interactions with him require some plotting. he has been hiding for centuries among indigenous communities around the world, granting them his protection in exchange for stories. when castiel finds him, he lives in an ainu settlement in the north of japan. demons and other celestials may not remember him.
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i can't figure out what i think is worse
lucien and tamlin already being close friends by the time amarantha comes around and their friendship slowly deteriorating under the curse, the hopelessness, tamlin's issues and the unspoken guilt he feels for what amarantha did to lucien
or
lucien and tamlin barely knowing each other before the curse, being friendly but not overly familiar, lucien stepping up to defend the high lord who took a chance on him only to get beaten down so brutally, them slowly growing closer through the years as they watch their friends fall around them until all they have left is each other
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thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.
the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)
there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.
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the benefits of being mexican and adhd means you're always late to a party (@phanniemasquerade ) 🤪
i'm mando, and i'm half a month from being exactly a decade younger than dan. first mask is a nod to my area of study, second is based off alebrijes. i'm gay as fuck and in an inchresting Situation that is extremely similar to phan except we're somehow not technically together. i started watching dnp (+listening to muse) a decade ago and even did a few phandom meetups back in the day, thought they were cringe for a while, and now i'm back to being cringe <3
i might want to do some music stuff if i ever get off my ass, but mostly i want to get back to writing rpf now that i have dnp's blessing... and to not let whatever i wrote in grade 8 be the only phan stuff i have out there :/
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Some days you want to work hard on your little fanfic epics, spending hours detangling the lore and timeline and plans for stories crying in the night for an update, and some days you're sick off your rocker and just hacking a lung out while haze-blinking into the horizon as you halt reading someone else's fic summary mid-first sentence to hard left turn into a very blurry but detailed daydream about the dwarves thinking Bilbo died in the Battle of the Five Armies while Bilbo--unaware of a king and his company upending their own mountain in a fit of grief as he heals among the Men or Elves--ends up in an awkward Race to Mordor with a Sauron he is barely aware of alongside his own ironic Nine, made up of himself, Gandalf, Bard, Legolas, Tauriel, and a trio of dwarves (Dís, Gimli, Gimli's mom) plus an unexpected favorite cousin (Falco Chubb-Baggins) who all broke off from the first convoy of Blue Mountain immigrants to Erebor to go along and protect Bilbo.
Place bets now on how Thorin & Company hear of their burglar's survival and latest insanity (highest bids placed on the remaining Blue Mountain travelers passing along word vs a smarmy message from Thranduil), how quickly they shake off their shrouds of mourning and royal pseudo-widowhood, and where exactly on the path between Erebor and Mount Doom they manage to catch up to and dog pile an unwitting Hobbit.
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