#in verse post

[shayneysides]

hobie: kill yourself

pavitr: WHAT THE HELL BRO WHAT DID I DO

original format from @ha-youwish in this post!

[milimeters-morales]

i know Pavitr is crouching a bit but god. this fucking height difference??? Pavitr saying *“hobie my guy!” hobie saying *“man like PAV!!! BIG STEPPA” god they make me so happy!!

[pokimoko]

I can't keep being fundamentally changed as a person by animated movies, it's just not sustainable.

[tecochet]

mary jane's husband and his boyfriend

[thewistlingbadger]

Fuck Miguel because HES actually the first anomaly. He abused his power/ability to travel between universes to take the place of someone else. Had he not done that, that universe and everything in it would still be around. But Miles? Miles ACCIDENTALLY got bit by spider that wasn't where it was supposed to be. How tf was he supposed to know that?

[shesnake]

Spider-Verse Artists Say Working on the Sequel Was ‘Death by a Thousand Paper Cuts’

Why don’t more animated movies look this good? According to people who worked on the sequel, Across the Spider-Verse, it’s because the working conditions required to produce such artistry are not sustainable.

Multiple Across the Spider-Verse crew members — ranging from artists to production executives who have worked anywhere from five to a dozen years in the animation business — describe the process of making the the $150 million Sony project as uniquely arduous, involving a relentless kind of revisionism that compelled approximately 100 artists to flee the movie before its completion.

While frequent major overhauls are standard operating procedure in animation (Pixar films can take between four and seven years to plot, animate, and render), those changes typically occur early on during development and storyboarding stages. But these Spider-Verse 2 crew members say they were asked to make alterations to already-approved animated sequences that created a backlog of work across multiple late-stage departments. Across the Spider-Verse was meant to debut in theaters in April of 2022, before it was postponed to October of that year and then June 2023 owing to what Entertainment Weekly reported as “pandemic-related delays.” However, the four crew members say animators who were hired in the spring of 2021 sat idle for anywhere from three to six months that year while Phil Lord tinkered with the movie in the layout stage, when the first 3-D representation of storyboards are created.

As a result, these individuals say, they were pushed to work more than 11 hours a day, seven days a week, for more than a year to make up for time lost and were forced back to the drawing board as many as five times to revise work during the final rendering stage.

"For animated movies, the majority of the trial-and-error process happens during writing and storyboarding. Not with fully completed animation. Phil’s mentality was, This change makes for a better movie, so why aren’t we doing it? It’s obviously been very expensive having to redo the same shot several times over and have every department touch it so many times. The changes in the writing would go through storyboarding. Then it gets to layout, then animation, then final layout, which is adjusting cameras and placements of things in the environment. Then there’s cloth and hair effects, which have to repeatedly be redone anytime there’s an animation change. The effects department also passes over the characters with ink lines and does all the crazy stuff like explosions, smoke, and water. And they work closely with lighting and compositing on all the color and visual treatments in this movie. Every pass is plugged into editing. Smaller changes tend to start with animation, and big story changes can involve more departments like visual development, modeling, rigging, and texture painting. These are a lot of artists affected by one change. Imagine an endless stream of them."

"Over 100 people left the project because they couldn’t take it anymore. But a lot stayed on just so they could make sure their work survived until the end — because if it gets changed, it’s no longer yours. I know people who were on the project for over a year who left, and now they have little to show for it because everything was changed. They went through the hell of the production and then got none of their work coming out the other side."

[aesthetic-uni]

Miles “Who’s Morales” vs Gwen “Gwwwwanda” vs Pavtir “You seem like a nice young woman I do not know” FIGHT

[stitchedspider]

btsv leak

[collieii]

someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.

there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!

so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"

miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)

[pandadrake]

Shots fired by the Spider-man sequels.

Was ruminating on how Miles and Miguel are technically both 'Spider-man 2' in their respective universes. Got me thinking about the other Spider-successors in the cast, and also what if they all got matching T-shirts or something.

[lu-cider]

here's some ATSV meme redraws!! (o^^o)

(feedback on the ALT text is welcomed with open arms)

[absolute-artlad]

someone mentioned that Fool should have gold leaf webbing... so that's the lore now I'm stealing that

[milimeters-morales]

Miguel saying he isn’t even gonna deal with Hobie. Hobie being the one to tell Miles how to break out (showing off more of his entire meaning as well). Telling him to be his own person to an almost annoying extent to Miles. And being the first person to just get rid of his own watch. Ohhhhh

[breadly-art]

Headcanon: touch starvation

"No pares" - don't stop

English is not my native language, but I tried my best :'3

Miguel hates it when unfamiliar people get too close, everyone knows about it. And he hates it when they touch him. He doesn't really stand people at all and tries to stay away from them whenever possible. Of course, as long as there is no need to beat the shit out of someone. Everyone around him is "work colleagues", no more and no less, so the safety of the multiverse is the only unchanging reason why he continues to test his nerves. So…he has no friends. Only the younger brother remained from the family, who had long preferred cyberspace to the real world, so communicating with him is no different from communicating with Lyla. And a hologram can never touch you. It is intangible, neither cold nor hot, just a sparkling piece of air. But none of that matters, because Miguel has a job and no time for such minor things. After all, no one has ever died of loneliness, right?

He diligently closes his eyes to the fact that he has been dying of cold for a long time. It's maddening.

It has nothing to do with his irritability. It has nothing to do with his workaholism. No. And everyone in the spider society knows that the best way to talk to Miguel O'Hara is through the transmitter on the watch. And to speak only to the point. Literally everyone tries to adhere to these rules. Except Peter B. Parker from Earth 616B.

At first, everyone thinks that Peter's funeral will take place soon. Then they begin to watch cautiously, periodically trying to warn Parker, but soon give up. And at some point, Miguel also gives up. But not at all because he is no longer annoyed by Peter's clinginess. Just for some reason, his constant touching does not cause rejection.

Miguel feels warm again.

Hope you enjoed that! I've almost never done comics, but I'm very happy with the result. I will be very glad of reblogs/// Thanks for your attention!

[prettyboybun]

Thinkin about going to the mall with him while he's got a dildo nestled all the way deep inside him <3 I do most the talking when we're out in public anyways, all he's gotta to is try not to make it obvious how good he's getting fucked beneath his clothes.

I wanna see his dazed out expression while we move between stores. I want to murmur in his ear, "Yeah, puppy? That feel good?" just to hear him stifle a whimper. Maybe stopping by the food court to sit down for a little snack as he subtly moves his hips up and down on the chair. Gently asking him his color every once in a while, getting a small, "G-Green..." in response, smiling and whispering in his ear what a good boy he is.

Touching him over his pants when we get back to my car, promising to fuck him properly when we get home <3

[writer-room]

I think another clear theme of Spiderverse is that, as we’re told in the first movie, anyone can be Spider-Man. But in the second movie, Miguel tells us that Spider-Man has rules. Certain things have to happen, certain people have to die, certain people aren’t meant to be Spider-Man. And the message there is that, once someone makes those kinds of rules, you run. Because it’s just not true. Anyone, literally anyone, can be Spider-Man. There is no requirement. We’ve been shown you don’t even need to be bitten by a spider!

And with the amount of people comparing Spiderverse to the queer experience, this is especially important. There are no rules to being queer. There are no labels that are exclusive. There are no labels that are even required. As soon as someone says you can’t be queer in a certain way, or certain identities don’t ‘count’ for whatever reason, you need to run. They are liars. There are no rules, and there never have been. You are queer because you said so, and this is your decision alone.

If you decide you’re Spider-Man, then you’re Spider-Man. And if you decide you’re going to save everyone you can, then you will. It’s as simple as that.