Listen I don’t know you and you don’t know me but for your information tumblr advertises you as the top gutterman blog
So congrats. 👏👏👏
Holy smokes, I...what? 🤯🤯 Wow. 😳😳 That's pretty cool! Thank you for telling me! ❤️
James Whitmore Jr is worth every bit of attention you can give him.
Also while I am flattered, I defer to @nade2308 and @thethistlegirl for Gutterman content. They are geniuses and have fantastic edits and stories!
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content warnings: implied blowjob and mentions of pregnancy and children
gojo!actor au and he’s just a bit of a loser.
and i mean that in a literal sense. he’s good enough to be nominated for the emmy’s, the oscars — all these prestigious awards. but he never wins.
each year, he dresses up all posh. puts you in a pretty gown and shows up — just to lose. and it’s an annual routine now, you look forward to it. he’s never taken these awards so seriously anyway. it's all a big joke, and you get free food!
but one year — one year, he wins. it’s shocking — to you, to him, to everyone. cheers and yips are so loud as he stands up. the next day people will publish articles about how this was deserved, how he should’ve been awarded a long time ago.
he walks up there — a soft red hue of a kiss on his cheek as he manages to stare and directly talk to his wife, despite the massive crowd, despite the mic, despite the bedazzlement. his eyes peer into yours as he speaks of gratitude.
and he finishes up with an endless list of thank yous — to directors, coworkers, production team, fans, his mom, his wife, maybe god if he exists? his wife again. his wife.
it’s the after party — you two never go but gojo’s manager warned him and you did your part in urging him, because he did win after all. people would be expecting him. he argues, he speaks of his comfy bed, and you proposition him — you tell him going would mean he gets head in the bathroom and of course, he’s a simple man so he agrees almost immediately.
after you deliver what was promised, under the fancy red glow of the bathroom you’re both in, you rub a hand to wipe your mouth as you stand up, fixing your dress as he fixes his trousers.
he speaks up, his tone rather serious and it scares you just a little. “baby, you promised me," he began. "you said if i won — you’d give me a baby.”
“that was 5 years ago, satoru.” you chuckled, as you fixed his mussed hair.
“and we’re here now — i won. it’s your turn now," his words teasing, but his eyes seeking affirmation in your gaze.
"you want a baby?" you asked as you looked up at his hopeful eyes.
“i want a baby,” he affirms.
“okay,” you smile. your hand trails down to his chest, only to suddenly push him back with force as he flops onto the toilet seat. “let’s give you a baby.”
bonus
"does this mean," he asked, "you'll give me a baby every time I win?"
“let’s start with one, satoru."
“but—“
“one.”
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pathologic but it's a lost 1920s german expressionist film [id under cut]
[id:
image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.
images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads:
'Pest', a film by Robert Wiene
Alfred Abel as Victor Kain
Ernst Busch as Grief
Lil Dagover as Katerina Saburova
Ernst Deutsch as the Bachelor
Carl de Vogt as Vlad the Younger
Marlene Dietrich as the Inquisitor
Willy Fritsch as Mark Immortell
Alexander Granach as Andrey and Peter Stamatin
Bernhard Goetzke as General Block
Dolly Haas as the Changeling
Ludwig Hartau as the Haruspex
Brigitte Helm as Anna Angel
Brigitte Horney as Maria Kaina
Emil Jannings as Big Vlad
Gerda Maurus as Yulia Lyuricheva
Lothar Menhert as Georgiy Kain
Asta Nielsen as Lara Ravel
Ossi Oswalda as Eva Yan
Fritz Rasp as Stanislas Rubin
Conrad Veidt as Alexander Saburov and Tragedian
Paul Wegener as Oyun
Gertrud Welcker as Aspity
image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).
image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.
end id.]
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top 3 ways in which i would like to fall in love
i enter into a secret romantic tryst with my co-star in a successful sitcom following the shocking cliffhanger finale in which our characters kiss for the first time. we reveal our relationship at an awards gala that year, much to our fans' delight.
a creative and precocious child to whom i am a sort of mentor figure to decides to set me up with someone charming, goofy, and just a little awkward at flirting through a series of meet cutes and quirky misadventures. the child serves as the flower girl at our wedding in the flash forward.
while reading a book alone in an independent coffee shop i am approached by a handsome and troubled stranger who begs me to pretend to be their girlfriend, just for a minute, because their vicious ex is about to walk through the door. i immediately jump into the role so comfortably they ask if i might be willing to pretend to be their girlfriend at their ex's wedding that weekend. we hook up in the honeymoon suite.
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