#instead we are treated with so many great female characters

[mydaylight]

I must admit I have a lot of respect for Madam Yu (Yanran’s stepmom and Yanhong’s mother) for refusing to marry Yanhong to Gu Tingye after he tells her about the salt farms worth 27000 liang per annum to convince her about the marriage. I don’t think it was reasonable to expect Tingye to throw his children on the streets, but Madam Yu not wanting her only daughter to marry a man who clearly prioritizes another woman and basically only wants to marry to provide his mistress and kids with a stable situation is understandable as well. And she impressed me by the fact she wasn’t even the slightest tempted by the money. I was reminded of Minglan backing off the marriage to the He Family later on, which was not an entirely dissimilar situation when you think about it. Of course, Tingye is not entirely unsympathetic and would probably be decent enough to Yanhong, but I think in the end Madam Yu made the right call to cancel the wedding.

I really like how the drama compares the kinda flippant attitude dads have in this drama versus the more protective and uncompromising manner of the mothers (and grandmoms!). Mr Yu wanted Yanhong (and Yanran previously) to marry Tingye because of how rich he is due to the Bai’s family’s assets and we also saw how Sheng Hong settling for the Yuan Family for Hualan - against Ruofu’s protests, if I might add - brought her more harm than good eventually. I think the series is trying to make a point of how Mr Yu, and Sheng Hong and many other men are oblivious to the struggles of women due to their own male privilege, whereas women like Wang Ruofu, Madam Yu, Grandma Sheng, Youyang Grandma Sheng etc. are less likely to push their daughters or granddaughters in an imperfect marital situation because their own experiences as women inform them on how likely they are to suffer because of it.

[verosikastrikerstellaexcuser]

Soooo. The new Helluva Boss pride thing and that comment about Striker and Stella not being there. I am genuinely more and more irritated by this "Strikers Straight" horse shit as time goes on.

Really? This guy is your no-pride straight homophobe? -_-

How in any way was this scene not homosexual in nature. Like am I just stupid or what? Striker was specifically latching onto how Blitz is strong and impressive for making his own business and gassing him up over it even before there was a need to to still carry out his assassination "Not many imps start businesses on their own... thats pretty impressive sir". There's clear admiration there. He suggests Stolas dying would be good because it would end "the one who treats you like a plaything" he implies he'd like to see Stolas dead not only for his own sake and for his hate of royals, but for Blitz's sake too. Like, HELLO!?

I'm sorry but the more I look back on it, the whole Striker's straight thing does feel like a retcon. He wasn't originally. I believe that he was changed, because he's mean about Stolas and "good ones" rich people, and we can't have that. He's an antagonist to Stolitz AND a potential "shipped with Blitz" character so he's not a pet/favoured villain or morally grey character. No, instead hes just full on MEANIE BAD!!!! Who's only purpose is creating Stolitz drama. Making him straight is a way of trying to make him boring and more laughable to the yaoi obsessed audience (if you like gay male ships YOU ARE FINE I DO TOO I'm specifically talking about the ones who take it to a fetishistic degree and are raging misogynists). The less Striker is able to be paired up with other male characters in this show, the less value he has outside of being a joke and the less interest in exploring relationships with him there will be since so often do only gay male relationships get to have any interesting depth. Note how other male characters who aren't in gay relationships are treated by this show, COUGH MOXXIE.

And you know what the saddest part of this is to me? In this one single Striker and Blitz scene, they literally had more chemistry and were a more interesting dynamic than Stolitz despite several episodes of that god awful ship. Think about it. They both have clear admiration and respect for each other, interest in each other. They've both been mistreated by royals and had rough pasts so understand each other on that level. They've both had to claw their way to success at the cost of great struggle. So now, they're conflicted. Because they're both obstacles to each other as much as they are love interests. Striker does not want to compromise slaughtering royals and wants to do his job. Blitz wants to preserve his business. They are competing over their goals in life while also attracted to each other. They are a "toxic" or complicated ship without there having to be a creepy unaddressed power dynamic and without the empowered one constantly needing to be portrayed as victimized by the narrative to try and make the relationship seem more even and less creepy.

This is so much more interesting as a kind of "relationship that never could be", to me, than "OMG my daddy bought me that imp for a day as a child then he randomly reappeared into my life again and stole from me, so now I will hold his business over his head to get sex from him and constantly demean him. All while he clearly indicates that he is repulsed by me. Then I will proceed to cry he doesn't like me romantically!"

But no. Striker doesn't get to be bi or gay. However, pan IS slapped onto several female characters... THAT NEVER GET ANY SCENES WITH WOMEN LIKE STRIKER GOT WITH BLITZ. Good fucking God man! If you're gonna make all these supposed women that like women, WHY DO NONE OF THEM BARELY EVER EXPRESS INTEREST IN WOMEN THAT WE GET TO SEE!?

Only the men's sexualities are actively shown. The women, we need to be told what their sexuality is. Because Viv hardly ever bothers with pairing them with anyone or letting them express sexual behaviors. Tiring.

[amysgiantbees]

I just find it strange that the developers chose to rewrite Wyll. I love new Wyll I think he's fantastic and I don't necessarily want the previous version. But I find it bizarre that there was somehow so much negative feedback about old Wyll that they risked completely rewriting him.

Now I love all the companions. This is not Dragon Age Orgins where I debate recruiting Ogrun every time. But I just find it strange that the reason given was Wyll's negative feedback when most of the other characters have been unpopular too. Like Lae'zel is infamously unlikable to a great many people.

People love to bully Gale and there's even lines in game that call him pathetic. The DEV's in the IGN interview even agreed that Gale killing himself can be a good ending, " I really liked Gale setting off the bomb with the brain, and actually that felt like the right ending to me.

AS: In many ways it is, yeah." Which feels problematic to say the least, like I get supporting player choices but suicide is never the "right" way to do things.

Or even I'm pretty sure I remember Neil Newbon talking about how he was sure a lot of players had killed Astarion permanently in their playthroughs.

Then there are people being absolute freaks on the internet about Halsin all because he's polyamorous.

Like these characters are wildly popular too but they certainly have their haters. So why did they lack such confidence with Wyll? The best source I could find on early access Wyll is this article https://gamerant.com/baldurs-gate-3-wyll-early-access-story-change-karlach-explained/. It says that this change was made to make his story stronger, make him more unique, and give him more complicated emotional ties. Unless he was really basic before they did not accomplish this. He has less content so his story lacks the depth the other's do. It's also inconsistent, with you being able to put him off being a duke by telling him he'll be too power hungry which he has never been. His emotional ties are rushed. He never really confronts his father, having the tadpole do most of the work and never hashing out his feelings beyond that he's fine.

It wasn't supposed to be this way. According to the article he was meant to have a dark side like Shadowheart "According to the panel, depending on whether players allow him to go through with killing Karlach, he will become a radically different companion instead of if she is recruited." Which would have been cool but if they didn't have enough time to do that maybe they should have tweaked what they had.

Plus, according to the article in early access he was "a straightforward hero who develops a violent side regarding his patron or goblins." This article too show's that his early approval matches current Wyll pretty well except for dealing with Aunty Ethel and more goblin hate https://fextralife.com/baldurs-gate-3-early-access-companions-guide-wyll/.

I just don't know I just find it so frustrating that it was the black main character they chose to tweak and ran out of time to complete his story and still haven't fixed it with a patch. And in the IGN interview the devs kind of sounded like there wouldn't be anymore patches and it's just frustrating. Wyll deserves just as much content as any one else.

[sserrafeim]

People that are mad Feyre had a child will always be weird to me.

“She said she didn’t want a child!”

Yeah. And she changed her mind. It’s something people do but judging by how most of you behave in this fandom I’m confident you believe that something like that can’t happen and it should be punishable by law.

“Her whole arc in acomaf was about how she didn’t want to be a breeding mare for Tamlin only to become Rhysand’s in the end.”

I need you pro-Tamlins and anti-Rhysands to step back for a moment. She had one child. ONE. If she had stayed with Tamlin in Spring, having kids & hosting parties would be all that she would be able to do. Look at Lady of Autumn who had seven (six, technically) kids with Beron and tell me that that wouldn’t be Feyre’s fate with Tamlin - you can’t. She chose to have a child after thinking about it and having a conversation with Rhys. It wasn’t seen as her “wife duties” or her “duty to her court and husband”. It was her choice through and through.

I understand that you wanted her to remain a one-dimensional badass female warrior and you’re upset that she made her own decision to have a baby but bffr.

“She was sidelined because she was pregnant/had a baby.”

We learn in acosf that her pregnancy is already dangerous due to the baby having wings and yet you wanted her to go search for the trove and put herself and her baby in even more danger? The IC hiding the severity of the situation from her wasn’t a good idea, yes, but it wasn’t an unreasonable decision to make on their part and we’re literally told why they did it - you just love to hate them and turn them into the bad guys every chance you get.

Hofas takes place, what, 3 months after acosf? Five? Nyx isn’t even one year old and you wanted Feyre and Rhys to leave him with a nanny so they could deal with the girl that fell from the sky? What if they died? They’d leave a baby behind all alone. But you don’t care about that. You don’t want to realise that they aren’t just rulers now, they are parents too and they went through an ordeal not that long ago. Of course they’re going to send two of their most powerful people to deal with the problem instead of going themselves - it’s what rulers do.

I love that we’re treating child-free people with more respect and kindness as a society but that doesn’t mean that we should hate and shit on people that choose to have kids. Calling a fictional character a breeding mule because she had a kid… what kind of message does that give to young women in this fandom who are also mothers? You’re supposed to be a grown adult, act like it.

Also, we’ve seen so many posts and headcanons about how great of a dad Rhys would be but Feyre gets all this hate and criticism? It’s reeking of double standards and misogyny in here.

[acourtofthought]

What would you say are the top 3 (or 5) strongest clues that say Elucien/Gwynriel are gonna happen? The ones that really feel so solid to you.

Ooooh, this is a good question.

For Gwynriel:

That Gwyn is the only character to treat Az's shadows as being separate from himself. It' like a guy who begins dating a girl who has children but he never pays attention to them versus the guy who goes out of his way to get to know the children, proving that he understands the girl and her children are a packaged deal.

That Az is not looking as Gwyn as someone in need of his protection. I'm sure there will be some of that in their book, mates always look out for one another, but there is a big difference between "we can do this together" versus, "I'll do it for you so you don't get hurt".

That Gwyn seems to have a bloodthirsty side to her personality, just as Az does. He can torture in a symphony of pain which means he has chosen to finesse his craft. He's not "let's get this over as quick as possible because I don't like it," it's, "I'm going to draw this out nice and slow and make it hurt in ways you never dreamed." I think he feels guilty about his enjoyment of it afterward because he thinks it makes him a bad person but I think he gets satisfaction from the actual act. Someone like Gwyn who was excited over the thought of the Valkyries cracking skulls and skewering their enemies is well matched for his brutality.

That Gwyn and Az seem to prefer a smaller group of friends over being extremely social, the life of the party. Neither seems to mind their alone time.

For Elucien, there are so many:

That Elain and Lucien share important core values. They are quick to apologize for failing others, they both prefer to avoid violence, they both enjoy being social and engaging with others. There will never be a time where they have to check up on one another, "I'm sorry, is this too overwhelming for you? We can head home if you need".

That Lucien has been loyal to Elain and only Elain ever since he found out who she was to him. No, he did not instantly love her but he chose to respect their bond while he took the time to learn about her whereas he could have easily continued his rakish ways especially after learning she was engaged to someone else. Loyalty to the FMC is sexy.

That Lucien was the one to meet Elain's father and live in the human lands. These are two enormous parts of Elain's past, things that mattered a great deal to her and it will only ever be Lucien who has insider knowledge of who her father was and what being human is about.

That SJM retconned Lucien's father so he'd have the power of the sun in his veins and had Elain constantly by the sunniest windows, as if any bit of darkness was abhorrent, claiming that she needs Sunshine.

That Elain has not yet touched or truly gotten to know Lucien. If the author wanted us to see why they were poorly matched, she would have shown them interacting. She would have shown that despite their best efforts to acknowledge their bond, they were just not fitting. Instead, she has Elain keeping Lucien at a distance book after book and I will never believe the answer to that puzzle is because "she doesn't like him," "she's clearly not interested." An author would more likely prevent two mates from interacting in a major way because she knows there is something there. She knows characters like Elain and Lucien need to remain apart because their chemistry will be obvious the second they start really talking.

Because Elain can hear Lucien's heart and because she is the most beautiful female he'd ever seen. Because he knew she needed fresh air when every single other person in the IC just accepted her being cooped up in her room for weeks. There is a connection between Elucien that is never going away and it would ruin any other romance for either character. No matter what Elain might share with someone else, Lucien is always going to hold a piece of her that the other cannot touch.

[arataka-reigen]

Fall Anime Lineup Review by yours truly 🙋‍♀️🍄🌻

This season, I decided to watch as many anime as I could just for funsies :^) in total, I have started 19 shows, and I will be reviewing most of them here to help you decide whether to give any of them a go or not.

(This review will include exclusively animes that debuted this fall, so no second seasons or continuing shows from the summer season)

I will be classifying these anime in three categories: "definitely worth the watch," "anime i've dropped," and "not a masterpiece, but check it out if you like the premise"

Reminder that this is my personal list, and as such it 100% reflects my personal tastes (like my preference for female main characters and yuri shows)

So I might give 5 stars to shows other people would find bad, and that's okay! I invite others to make their own lists as well <3 (insert lets take ibuprofen together meme here)

(Last thing: i've added cw for only a few shows, and this is by no means an extensive list of all possible triggers for any of these shows, so watch at your own risk and if you want more info you can always ask or dm me)

Without further ado, let's get on to it (under read more because im not a jerk to make you scroll past All That)

Definitely worth the watch / Top 5 Shows of the Season

The Apothecary Diaries

Summary: Drama, Historical, Medical, Mystery. An apothecary gets kidnapped and forced to work in the emperor's palace as a low-level servant. She is determined to quietly work until her years of servitude are over, but when the emperor's infants fall ill, Maomao uses her medical abilities to solve the mystery of their illnesses and accidentally attracts attention to herself, being brought to work in the inner palace instead.

Rating: ★★★★★

Review: This show is incredibly well animated and voice acted. The characters are brilliant and the stories are beautifully touching. It appears to be slightly episodic so far, with Maomao having to solve a new mystery or save someone's life every episode, but there is still a sense of a continuous story being told and I can't wait to see where it goes.

The strongest part of this show is definitely the MC. Maomao is incredibly competent, self-assured, and a no-nonsense person, but she is also completely obsessed with drugs and poisons, going so far as to test them out on her own skin and become completely giddy when she is presented with the opportunity to work with drugs in the inner palace.

Another great quality is the sorority between women, Maomao was raised in the red light district, and the courtesans there taught her a lot about life, which Maomao applies to her everyday life.

If you only have time to watch one anime this season, this is the one I'd tell you to watch.

CW: self-harm, child death, kidnapping, classism.

Edit to add one more cw: pedophilia (it is treated as a bad thing and not endorsed, but it caught me by surprise while i read the manga so i thought to warn this is an upcoming topic that will probably appear on ep 6)

Sousou no Frieren

Summary: Adventure, Drama, Fantasy. What happens when you are a 1000 year old elf who has to live on after your friends' death? For 10 years, Frieren and her companions fought against the demon king, disbanding after he was defeated. The story accompanies Frieren after Himmel, the Hero, dies, and she has to come to terms with the fact that the short 10 years she spent with him have made a big change in her life.

Rating: ★★★★★

Review: Much like The Apothecary Diaries, Frieren's tale is not full of battles and fast paced episodes, actually it is slightly episodic, accompanying Frieren as she goes around collecting spells (that's her hobby) and traveling around the land through all the places she went with her party back in the day, seeing their statues and getting to experience new things while trying to figure out what those 10 years of adventuring meant to her.

This is MadHouse we are talking about, so of course, the animation is one of the strongest attributes. Sound design is also very good, you get to feel the quiet moments and appreciate them. The ending song is so good.

Also like Apothecary, Frieren's greatest qualities are the characters, especially the MC and the feelings they have to face.

Tumblr loves characters haunting the narrative right?? You guys are gonna love Himmel, the Hero istg

CW: death, grief, mild violence.

My New Boss is Goofy

Summary: Iyashikei, Workplace, Comedy. Momose used to be harrassed by his last boss so he decided to quit his job and joing a different company. Momose's new boss, Shirosaki, is an airhead and being in his presence is a fun and healing time for Momose

Rating: ★★★★★

Review: SALARYMEN YAOI. This show will heal your soul. The animation is simple but pretty, the cute effects like the ones on the gif above really help set the mood of a cute show. You've heard of cute girls doing cute things on anime, now get ready for cute salarymen doing cute things such as adopting a cat and naming it their shipname, riding the merry go round together, etc.

Also, may I offer you a canon bi/pan male character who is not embarrassed to come out?

Btw this is iyashikei, so nothing really happens, that's the whole premise of this genre. No drama, only healing. Idek if there is anything i could put as content warning. CW: cuteness overload.

I'm in Love with the Villainess

Summary: Isekai, Fantasy, Comedy, Girls Love. Rei wakes up in the body of the hero of her favorite otome game. Her favorite character in that game happened to be the villain, though, so now she is determined to dedicate herself to pursuing the villainess.

Rating: ★★★★★

Review: I debated a lot whether or not to include this on my top 5, but the incredibly deep and honest discussion about sexuality on ep 4 definitely swayed my decision in its favor. The animation is nothing special tbh and at times can feel very static, but the character design is good enough for me.

This anime is like if Maria from Hamefura was the one who got isekaid and then fell in love with OG Katarina, so... yeah, of course I love it.

It seems that this anime will go in some interesting and unexpected directions as well in the future so I consider this is a must watch of the season.

CW: classism, discussions of homophobia, mc can come off as a bit of a stalker,

To complete my top 5:

I'm Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness

Summary: Romance, Comedy, Fantasy. Despite being innocent, Charlotte is accused of evil deeds, has her engagement annulled, and is forced to flee her country. While crossing the forest, running away from royal guards, she collapses near the residence of one man known as "The Demon Lord"

When he hears her story, said Demon Lord decides to let her live with him and teach her all about the naughty things in life (such as splurging on clothes, eating dessert instead of dinner, and playing games all night long).

Rating: ★★★★★

Review: EXTREMELY WHOLESOME. You'll be cheering for these two to get together in no time at all.

It's kinda like My Happy Marriage, but with less drama lol the female lead was raised as a servant in her own home, much like Miyo, and then gets rescued by a male lead who wants her to learn how to assert herself and live for herself, pursuing her dreams and valuing her own life.

Not a single moment with the male lead so far has been anything but incredibly wholesome and funny, Allen is genuinely a good person who wants Charlotte to heal for her own sake. He gets incredibly happy when she hides a secret from him because it means she is becoming her own person.

So far, this anime hasn't had a single problematic trope this type of romance anime usually has, and i don't think it will. What it does have are fun tropes like: "and there was only one bed", side characters hardcore shipping the MCs, male lead who is genuinely a good person but laughs and talks like a villain, etc.

ALSO, this series has not one but TWO catgirls <3

I could genuinely talk about all five of these animes for hours, but I still have lots of others to review. Hit me up if you want to talk abt any of them, though, i'm gonna be super happy.

Honorable Mention:

Spy X Family Season 2

Rating: ★★★★★

Anime I've dropped or will probably drop soon

The Vexations of a Shut-in Vampire Princess

Summary: Comedy, Fantasy, Vampire. Komari is a shut-in vampire who is weaker than most vampires because she refuses to drink blood. One day, she wakes up to the news that she was appointed as commander of a unit of the imperial army and must now do her best to win wars and survive while all the vampires under her command fight for her position

Rating: ★½ (a full star is too much, so I'll give it half a star)

Review: This one is bad, fam. The reason I found why it is so bad can be summarized in a 3 words: the male gaze.

Komari is filled to the brim with yuri bait, with every female character being into the MC, but all of it is 100% targeted to male audiences. This show is NOT classified as shoujo ai, so i wouldn't get my hopes up and ultimately dropped it after only the first episode.

If you need one more reason to Not watch this, I'll let you know that in less than 10 minutes of the first episode the MC almost pisses herself because that's a thing they decided to include for no reason at all.

My Daughter Left the Nest and Returned an S-rank Adventurer

Summary: Adventure, Fantasy. After losing his leg as a newbie adventurer, he retires and returns to his hometown, becoming a handyman for the village. One day, while searching the mountains for herbs, he finds a child and raises her.

His grown-up daughter leaves to become an adventurer herself, and after years, she hasn't returned home not even once...

Rating: ★½

Review: Oh, I wanted this one to be good so badly 😭 it was one of the animes I was most looking forward to after reading the premise. Actual dilf character who is in his 40s and not in his 20s? I wanted it to be good. But, alas, it is bad. There is nothing problematic with it at all, the anime is straight up just bad. Bad animation, horrible pacing, terrible exposition, abhorrent setup of the story, not enough moments dedicated to setting up the story and making the characters interesting at all.

I Shall Suvive Using Potions!

Summary: Isekai, Fantasy. The God of Earth accidentally kills Kaoru and, as compensation, offers to lead her to a new life in another world with any power buff she wishes for. She chooses to be able to make potions with any effect of her choice, infinite storage space, and other stuff

Rating: ★

Review: ngl the first half of the first episode was pretty interesting, with Kaoru dying and then bargaining for compensations, but after this it just gets very very very boring. Nothing too bad about this one, it's just not worth anyone's time.

Tearmoon Empire

Summary: Fantasy, Time Travel, Comedy. Following her execution at the guillotine by the hands of the revolutionary army, Mia Luna Tearmoon wakes up to learn she has returned to when she was 12 years old, before the downward spiral and decline of the empire that led to her death. She finds her bloodied future diary, and decides to use it to change events to ensure she doesn't end up at the guillotine once again.

Rating: ★

Review: i honestly still don't know where i stand with this anime. It's got an interesting premise, but the development of the story is not at all interesting. This and the S-rank Daughter anime are under a category of "animes i wish had better writers."

CW: death, torture

The Family Circumstances of the Irregular Witch

Summary: Fantasy, Comedy, Gag Humor. Alyssa, a witch who lives alone in the forest, picks up an abandoned human baby one day. 16 years later, Viola had not only grown into a daughter who adores Alyssa, but also into a woman of exceptional proportions, and the people around them mistook Viola for Alyssa's mother

Rating: ★★

Review: it pains me to drop this one ngl, as it is a very sweet mother & daughter story and I feel like we don't get enough of those. The story can be very wholesome at times, and i've had more than a few good laughs with it. But it's just not interesting enough to keep you watching, and most of the jokes get old pretty fast. I'd recommend watching just the first episode because it is cute and funny enough by itself

Not a masterpiece, but check it out if you like the premise

Hoshizuku Telepath

Summary: Comedy, Girls Love, Supernatural. Fifteen-year-old Umika Konohoshi, with a love for aliens and space, is having a hard time socializing at school, but she hopes her words will someday reach other people. When self-proclaimed alien Yuu Akeuchi enters her life, Umika will learn more about being open.

Rating: ★★★★

Review: Just cute girls doing cute things + this one is actually classified as Shoujo Ai, so i have high hopes for a bit of romance. So far, it's just been very, very cute, wonderful animation, cute characters, cute interactions, cute everything

None of these characters are neurotypical btw.

I highly recommend this one, it almost made my top 5.

16bit Sensation: Another Layer

Summary: Time Travel, Workplace, Comedy, Otaku Culture. Konoha is an illustrator who loves beautiful girls and bishoujo games. She works at a video game studio and dreams of making bishoujo games. However, in the present, where mobile games are all the rage, Konoha spends her days as a sub-illustrator just coloring the back of background characters.

One day, after some happenings, Konoha got her hand on a masterpiece of a bishoujo game, and upon opening the package, she is suddenly taken back in time to the golden age of bishoujo games (the 90s). She joins a company named "Alcoholsoft" in pursuit of her dream of making games.

Rating: ★★★★

Review: Main character loves infodumping about her special interest so much she manages to get herself a time travel deal after infodumping on a random old lady.

This is another anime that almost made my top 5. It has a slow start and the continuity sometimes makes no sense ngl, but the premise is still very interesting. I was used to stories where characters get isekaid into a completely different time and space, but this girl is just sent back 30 years in time so she can witness the boom of her beloved bishoujo games.

The MC can get kind of annoying sometimes, but it isnt too unbearable, I still highly rec it.

Shy

Summary: Action, Super Powers, Drama. As the planet approached its third World War, individuals with superpowers appeared from around the globe to maintain peace. They became the symbols of their respective nations, striving to limit crime and bring evildoers to justice. Teenage heroine Teru "Shy" Momijiyama is Japan's representative in the world of heroes. When a mysterious threat called Amalareiks emerges, Shy must work together with her fellow heroes to stop them at all costs, all while dealing with her own feelings of inadequacy and shyness.

Rating: ★★★★

Review: a lot better than I expected, the myanimelist score does not do it justice istg. This season is full of shy and reserved main characters, but I feel like they get to be a lot more interesting than your usual shy characters. Both Hoshizuku Telepath and Shy deal with their shy characters in interesting ways and I rec both.

I also absolutely adore Iko, who is one of the first people saved by Shy in the anime, but she ends up badly hurt, which sends Shy into a spiral of doubt and fears.

CW: mild violence, death, grief, self hatred and suicidal thoughts

Migi and Dali

Summary: Comedy, Mystery, Suspense. Osamu and Youko want to adopt a child, due to their increasingly old age, they decide they can only take one kid. They decide to adopt Hitori, a gentle and beautiful boy.

However, Hitori's humble and overly polite exterior is merely a facade. In reality, Hitori is a carefully crafted character played by identical twins Migi and Dali. They did all that to be able to infiltrate their childhood town and uncover the mystery of their mother's death.

Rating: ★★★★

Review: This show is batshit insane and absolutely hilarious. These twins mistrust everyone around them and are constantly on edge to maintain the facade of being only one person, the extents they go to keep this up make for hysterical situations and I just couldn't stop laughing while being absolutely horrified by everything that goes on in this. This is a very disturbing anime, though, and the cw for this is gonna make you question whether or not you can trust my opinion, and you know what? I don't know if you should trust me either. But like,,, it really is that fucking funny. It is also just incredibly disturbing and fucked up as well, so watch at your own risk.

CW (this one is very problematic, don't say i didn't warn you): non sexual forced infantilization, non sexual forced pet play, non sexual groping, forced partial nudity, forced eating, minor incest vibes, implied murder, invasion of privacy, surveillance, classism, fursona, bullying, kidnapping and imprisonment. Most of these things happen to a minor, so.. yeah... not great...

If you would like more info on these cws before starting this anime, feel free to send an ask or dm me.

Ron Kamonohashi's Forbidden Deductions

Summary: Mystery, Detective, Comedy. Totomaru wants to solve murders and help people, but lacks the skills for it. Following the advice of one of his seniors, he ventures out to enlist the aid of the reclusive Ron Kamonohashi. Five years ago, Ron was the most promising detective from the illustrious Detective Training Academy Blue; yet for reasons unknown to the public, he sank into obscurity.

The true reason Ron withdrew from the detective world was not from lack of desire, but rather from something out of his control—and Totomaru might just be the key for his return to his former calling.

Rating: ★★★

Review: This is the classic sherlock ripoff that comes around all the time. Not saying it is bad tho, it is quite fun and the dynamic between Toto and Ron is very good. The animation is pretty decent as well. I have only seen one episode so far, but I already like it.

Our Dating Story: The Experienced You and The Inexperienced Me

Summary: Romance, School. As part of a punishment game, Ryuuto is forced to confess to the girl he likes, Runa Shirakawa, a very popular student.

Runa doesn't have a boyfriend at the moment, so she simply agrees to date him.

They have different friends and ways to have fun, and they are different in almost every way. Nonetheless, they begin to relate with each other.

Rating: ★★★

Review: this romance is quite fun and cute, Runa is very carefree about her relationships and isnt embarrassed by things like sex or whatever, she is quite experienced (as the title says), but she has never experienced real love so she just goes around dating in search for it. Ryuuto is very different and gets embarrassed just thinking about holding her hand. He also wants to make her feel appreciated and figure out what her interests are, so he is one of the first dudes to actually treat her like a human being, which, god, it is so real how men take women for granted and this anime shows that by the juxtaposition of Ryuuto being an actual decent person.

Anyways, it doesn't get a higher recommendation from me because the main source of conflict so far in this anime is another female character, who hates the female lead. And that. Uhh. I don't like stories like this. Im a women loving eomen. Im a yuri enjoyer. Im a girl's girl. So, i'd enjoy it more if the antagonist wasnt a girl who hates the female lead. But it is good enough so far to give me hope that this will change in the future.

The Yuzuki Family's Four Sons

Summary: Slice of Life, School. The Yuzuki family, which consists of four brothers, lost their parents two years ago. Hayato, the eldest son, is a hard worker and the pillar of the family. Mikoto, the second son, is calm and collected, but he has a soft spot for his younger brother Minato, the third son, who is energetic and lovable, but clumsy and awkward. Gakuto, the fourth son, is a studious and mature first-grader who is often referred to as a "wise man." The story follows their daily lives.

Rating: ★★★

Review: this is the only actual shoujo of this list. The rest is either shounen or not classified as either. I have only watched one episode so far, so I can't say a lot about it, the first ep was cute and wholesome, as most slice of life is. I say go for it if you want some wholesome family.

Undead Unluck

Summary: Action, Comedy, Super Powers. For the past 10 years, Fuuko has been afflicted by a condition that brings extreme misfortune to anyone who touches her. This has resulted in the deaths of her parents.

As she stands on a bridge above train tracks, Fuuko is touched by a strange man, causing the footing underneath him to break and dropping him in front of an oncoming train. However, when Fuuko finds the man's corpse, she discovers that his body is regenerating and that he is coming back to life.

The man is immortal and wishes for death. Together, the two will look for the best death possible.

Rating: ★★

Review: god, this one is absolutely insane and so full of blood and death, help. But it is good, I had A Lot of fun with the first ep and I'll give it a chance because I can see myself getting really into the main couple. This is a hardcore shounen tho, so it does include some classically annoying tropes, especially since the dude has to touch her to be hit by her unlucky powers.

This season only had 2 shoujos, and one of them had a classic shoujo problem (problematic age gaps), so i didn't watch it. Here is to hoping next season has more shoujosei.

Thank you for reading until the end (wtf, are you crazy) and happy watching <3

[theloganator101]

The Great BNHA Review: Characters or Check Lists?

Oh Characters...

The bread and butter to all stories.

The thing that gets a story from Point A to Point B, the thing that allows us to connect with the story and helps it feel alive. You can pretty much make any character for your story, from the gentle and kindhearted to the more rough around the edges... to making them likable or unlikable. There are many ways to write a character and how they can make your story come to life.

And by bringing this up you know where this is headed... that BNHA utterly failed at expanding their characters into being people we're supposed to care about.

I could make a long fucking list of how BNHA failed every single one of it's characters it introduced but to keep that from happening, I'm just going to either list certain characters or just group them together since some of them share one common thing that's holding them back from being good.

Starting off with!

Shota Aizawa:

He was supposed to a hardass with a hidden heart of gold for his students, but what he ENDED up as was a walking hypocrite who hated Izuku for no other than he was associated with All Might and couldn't control his quirk... and then CONTINUED to give Izuku a hard time and labeled him as the "problem child" like... I don't even have the energy to get mad here, I'm saving THAT for another time in this review.

Oh and then there's him holding up this ridiculously high standard for his students to reach or else he fails them... which is exactly what happened when he failed Sero in the finals but allowed Bakugou to pass for doing the same.

Which again his hypocrisy gets in the way of that!

And not once does he ever get called out or punished for his blantant abuse in power and instead gets complimented and praised for his methods as if he's the next Einstein.

Fucking end me.

The Todoroki Family:

Oh how Hori totally fucked you guys over in the end... Natsu I'd give a pass since he ended on a more believable note, but sadly I can't say the same for Rei and Fuyumi.

As they were never allowed to think bad of the guy that made their lives hell and were instead to jump on the forgiveness train and take Endeavor's side so they can be a "Happy family" again. Which... no, that's literally stockholm syndrome.

Class 1-A:

... (Sighs)

Oh my babies... oh my favorites... look how that monster Hori ruined you all...

He tried to have this found family dynamic for them all, only for it all to fall apart since... you know, they barely interacted at all and got any screentime.

And it also didn't help that Hori had all of them as bystanders to Izuku's suffering, make fun of his interests, and follow Bakugou when he led them to beat him into coming back. So it really doesn't work when you have these things on your mind and fails to convince you that they give a shit about Izuku and his wellbeing.

And the worst part is that they ALL look like they have stories waiting to be told, but we don't get any of that. At most they're only used to fight against the minions while the Cash Cow Triplets fight the big hero.

Every Female Character in this Series:

Oh boy what even is there to talk about? Since they barely have any personality of their own and are only made to be fanservice for the pervs that likes watching anime girls in bikinis. They definitely deserves much better and to be in a story that'll treat them with respect and dignity.

ESPECIALLY to those like Hagakure and Miruko.

All Might:

Oh All Might, how the story did you dirty.

If there's anyone in this story that I feel sorry for the most (That isn't Izuku) It's All Might.

All because of how he started off at the beginning, people clung to the idea that he's a quirkest asshole who Izuku needs to steer clear from... even though he's literally the one to save Izuku from literally living in misery.

All Might deserves to be an actual mentor and father figure for Izuku, not fucking Aizawa who openly expressed his hatred for the boy.

The League of Villains:

I already made a post on how the narrative did them dirty and I don't feel like repeating myself, so I'm just gonna leave a link here while adding this.

What was even the point of building them up to be forgiven by their foils if they were just gonna die in the end? It was all just a big time waster.

And of course, we can't talk about characters and how the author failed them without talking about...

Izuku Midoriya:

Oh Izuku... the most tragic and wasted main character I've ever seen in an anime series.

He started off so strong only to get worse as the series went on. He should've been the shining definition of what a hero SHOULD be! He should've been the one to realize how fucked their world was and strive to change it for the better and to prevent others like him from suffering like he did.

But... we didn't get any of that.

We don't get acknowledgment of his past, we don't get him rising from his pain and become something more. Instead we get a watered down version of him at the beginning who has NO reaction or introspection to anything whatsoever, not to the world they live in, to the way things are handled, and even to him losing OFA.

For some odd fucking reason, Izuku is never allowed to grow out "I'm worthless" mindset or realization that everyone in his life has failed him in one way or another. He just praises it all like the fanboy he is and just stays where he is.

And then there's the fact that he just flat out refuses to ever acknowledge his past in any meaningful way, as whenever he DOES bring it up, he talks about his past self as if he's a different person from him. To which I can kinda see how this could be symbolic of something... But it just doesn't work as it only makes him look horrible for forgetting his roots and just wanting to fit in with the other people with quirks. To which it somewhat feels like "Fuck the quirkless they're useless so why even focus on them?"

He's a hollow version of the idea of his character, just blankly reacting to things in front of him and praising Bakugou for being the best thing to come around. He honestly deserves better and deserves to be with a writer that won't bully him and give him the depth and development he needs.

Now who else am I missing...?

...

Oh yeah!

Katsuki Bakugou is still trash.

Look forward to the next part.

(Roundabout starts playing)

[tacorerooster]

Long Thread Shadow and Amy Rose. So with Sonic Movie 3 continuing the trend of Sega (or at the very less Sega of America) not giving a shit about Amy Rose, I’m gonna list all the shit she SHOULD HAVE BEEN IN, but was left out of

First off Every 90’s Dic Animated Cartoon (SatAM, AoStH and Underground), Amy around during each one of those productions yet she doesn’t show up, yet Tails and Knuckles both do, even tho A. She came out the same year as Tails and B. Showed up BEFORE Knuckles

Next would-be classic games collections minus Gems & Origins. Amy & her debut game Sonic CD for a long time was excluded from many of the Classic Collections, like Sonic Mega Collection, the DS collection & the Sonic's “Ultimate” Genesis Collection which had Archie & Spinball

Then we get to the modern era and oh boy this is fun. She’s in the 1st Sonic adventure as a playable character, all be it a Slow Character but still relevant, In SA2 she is not playable but has plot relevance, which I will get to later when talking about Movie 3

From there you have Heroes, Shadow, & 06. In Heroes she is a speed type like Sonic & Shadow, but can’t do ring dash or wall jumps & as many fans make clear she has the least popular group. Thank you, Shadow, for being So popular & taking Rouge from being apart of OG team Rose.

In Shadows game she is in 1 level & a cut scene at the end, even tho AMY was who got Shadow to be himself, Shadow Fans forget this. Tails & Knux who he has no history with get many. Heck Maria & Omega get more then Amy, despite being flat characters that exist to prop up Shadow

Next up 06, same before she in 1 level but gets 1 extra mission in the hub world. Whereas Shadow gets himself a whole campaign + vehicles, + his side characters get cooler gameplay than Amy. What does Amy get? Will she’s not long fast & for some reason can turn invisible. Clearly one of them got more attention during development. It also didn’t help Amy’s status as a love interest with Elise being there.

Now for the handheld games and it somehow gets worse for her. Dimps, the developers behind the Sonic Advance Trilogy + the Sonic rush Trilogy DID NOT LIKE AMY AT ALL! She gets to be the slow gimmick character in 1 & is not part of 2 but instead the hidden unlock you get the emeralds for.

In Rush, Dimps, makes Cream the Sidekick/Tails to Blaze even tho in the last game Amy & Cream where the female Sonic & Tails. They even write Amy as being abusive to Cream, A THING AMY WOULD NOT DO. Which is even dumber bc Marine shows up next game as the Tails to Blaze’s Sonic.

Now we have Sonic Battle, which does even less favors. Made by THQ (Not Sonic Team) you a cool Sonic fighting game, you let Amy form a Mother Child bond with a Robot, you give her some GODDAMN COOL ROCK LEE TRAINING WEIGHTS & Cream even says Amy is the strongest Women she knows.

But you have Amy starve herself for Sonic, not treat it seriously or for her friends to show concern. All her Attacks are Sonic driven, she thinks up a physical copy of Sonic to fight Rouge (which Fans use to say she is Crazy or Weaker than Rogue, both of them beat each up)

Finally in Handhelds is Sonic Rivals 1 &2 by Backbone Entertainment & Sega Studio USA. In 1 she is captured at the start ALONG WITH TAILS & saved at the end for Sonic to say he forgot about her & be creeped out by her. She’s not even in 2 so a good thing, can’t mess her up

We than get a period of time where Sonic games only have Sonic & Tails in them. So can’t mess her up like that (Unleashed is great for Her). In Sonic Forces while this point is minor, She along with Knuckles are leading the Resistance but Knux gets to be on the box & Amy doesn't

But I think the most damaging thing would be Sonic Mania. It makes itself out to be a celebration of all the things you loved about Classic Sonic from 1, 2, 3, Sonic & Knuckles, Knuckles Chaotix, Mean Bean Machine, Spinball and CD. But Amy somehow was not in any of it.

Hell I would say that Sonic Mania takes a good chunk from CD but no Amy. You get Amy Doll which explodes when it hugs you. (Get it the joke is that Amy is crazy & explosive and you don’t want her to hug you and should always run away from her ha ha so funny)

Fang Bean and Back get full sprites in Mania not Amy. Oh yeah and Mighty and Ray get to be playable but not Amy. There was even a hashtag for Amy to be added, only for Christin Whitehead or Sega to say - nah. (This is also why Origins and Superstars are better than Mania, Amy)

A pattern with all this is when people who aren’t Sonic Team write for Sonic, Amy usually gets the worst treatment (not to say she is the only 1, just the worst. Sonic X in Japanese is Great for Amy. But the English try & mess it up, but you still you get good stuff for her.

Not getting into Archie because if we are grading quality of how Amy is treated, that is dead last. PS Fleetway Amy Sweep and IDW Amy is Canon which I’m happy about.

This all to say and go back to my main point about Sonic Movie 3. I have like the Sonic movies so far, 2 was fantastic, but with the Knux show, the flaws showed to it & the movies. All of it is just marketing. The movie universe isn’t here to tell stories its here to sell stuff.

Wondering what I mean by this. So far the main Sonic character in the Sonic movie are Sonic, Tails, Knuckles, Shadow and Eggman. 4 being mobians & 1 human. When looking at the merchandise for Sonic as a whole you see it plan as day it is always Sonic Tails knuckles & Shadow. (Only recently has Amy been include but she still gets left out from time to time.)

Amy is supposed to be the fourth member of team Sonic, NOT Shadow. He not only has his own team he doesn’t even like Sonic, Knuckles or Tails. Hell straight up has a vendetta against Tails. But marketing keeps pushing them together

That’s what Sonic Movie 3 is MARKETING, not a story, bc if it was Amy would be in it already. Bc we have Sonic, Eggman, Echidna Tribe, Tails, Knux, Chaos Emeralds, Pac, Shadow, Maria, Gerald, GUN & no Amy. & Shadow Fans will say it is perfectly fine he needs all that screen time

I want to like Shadow, but he just sucks up any light from others. Rogue on Team Rose, no Fans want Shadow alive again, Amy Rose game? No Shadow Game. Other playable characters, no only Shadow. More Sonic Characters in a Sonic Movie? No, only characters tied to Shadow. But yeah

[trekmupf]

maybe the way we treat mentally ill people and prisoners is still not fixed huh

Pro

Super suspicious package is suspicious of becoming plot relevant

McCoy hanging out on the bridge again. Also he is absolutely incapable of standing without holding onto something in this episode (did I make a screenshot collection? Of course)

The way Kirk handles Van Gelder with the weapon on the bridge

McCoy being a good doctor! Also gives further insight into his character: scientific curiosity, gut feeling, good patient care. Also his close ups are so beautiful, He's so expressive, 10/10 Bone's face

Kirk and McCoy dynamic! McCoy having him investigate, Kirk implying he doesn't have great psych personnel, McCoy sending a woman he has history with to annoy him and it absolutely working

That weird dove, hand and rainbow sign screams danger cult

So many scenes between Spock and McCoy. When they properly work together it's beautiful (jk they're always beautiful even whenthey're verbally bashing each other's heads in)

Van Gelder's pain and suffering while trying to tell them what's going on is terrifying and sad, but it tells us a lot about who he is

Kirk like I can totally try the crazy people device on myself!

At first voluntarily but who could have known, it escalades

Dr. Noel is great! She has things to do, is a good doctor in her field, an actual character with ethics and a moral compass (not letting Kirk kiss her as he's not himself despite clearly being into him), and she gets shit done! I'd argue so far the most a female character gets to actually do in an episode

Spock's face when he sees them kissing is gold (also Spock's face when Noel first says “We've met”);

Another “he's dead, captain” by McCoy

Love the last conversation between McCoy and Kirk

More of Kirk's character: Is a very mentally strong person who to a degree can shake out of the machines manipulation twice, and is very resilient – it's that this trauma is still with him, McCoy and Spock are worried and he reassures them he WILL be fine with a slight smile (but he isn't yet) (Shatner's acting is SO good here)

The horrors of psychiatry / mind manipulation (conversion therapy, shock therapy, forced medication comes to mind), in the 60's extremely relevant but looking around now, still relevant today (sadly)

Van Gelder calling out Kirk: “You smug, button-pushing brass hat! Wash your hands of it. Is that your system?” is a great callout to the people in power ignoring the people in the system

The absolute horrific death of the bad guy by his own device – even though it was his own design, instead of turning the narrative towards “he deserved this” it's made clear that this was a terrible death that no one deserves. Shatner's acting of grief here is great, and this mood stays until the end of the episode

The set up of Dr. Adams being a great man in his field who revolutionized health care for the better having turned to the dark, experimental side and being dangerous – achieving great things or doing good should never stop people from questioning what a (famous) person is doing later on and McCoy was right to do so

Introduction of the Mind meld!

The tension and pacing of the episode are excellent; especially the scenes with the machine are horrific and hard to watch

I cannot overstate how much I love everyone's acting in this episode, but especially Morgan Woodward's depiction of pain, mental illness & urgency and Shatner's suffering & pain at the end

Cons:

Noel making Kirk think they had sex when he was vulnerable was and uncomfortable ( I think it can be sooort of excused by neither of them taking the machine seriously and her having to think of something they both know didn't happen - she clearly wouldn't have taken advantage)

Counter: Fake womanizer Kirk (non con due to hypnosis) Quote: "To all mankind, may we never find space so vast, planets so cold, heart and mind so empty that... that we cannot fill them with love and warmth" - Dr. Adams

Moment: When Kirk uses the mashine for the first time and the viewer realizes how invasive and terrifying this is – he doesn't even know it happened Summary: Great episode with an open political commentary still relevant today, interesting and well acted one time characters and more characterbuilding for the trio – Kirk as Captain putting himself front of the line to find out the truth while Spock and McCoy support him from the ship and swoop in when he needs them to (and them teasing each other a lot!)

Previous Episode - Next Episode - All TOS Reviews

[ro-rogue]

can i just talk about unordinary and feminism for a sec?

many fantasy works attempt to position themselves as feminist; they show female characters who can fight better than the guys, who are rough around the edges and not like other girls. they often have a male character who is misogynistic, and who gets his ass handed to him by the female character. uno takes another direction: it does not even address sexism at all, in any way, shape or form, and that makes it much more feminist than these kind of works. (that is not to say that there are no other fantasy works that are highly and effectively feminist, of course; this is simply a generalization based on a frequent observation.)

the world of uno is so unique because even now, over three hundred episodes later, we have yet to see a character be in any way sexist. john calls a few girls a bitch, but he seems to use it only as the female version of 'fucker' or 'asshole'. never does he look down on girls simply for being girls. (he looks down on them for existing as a participating member of their society, though.)

on top of that, the way in which the female characters are written is really really great. many authors struggle with writing characters of the opposite gender, but uru-chan clearly does not suffer from that ailment. she writes her female characters like she writes her male characters: that is to say, diverse and different, with distinct personalities, and more or less feminine or masculine without it taking away from the depth of their personalities. their gender is simply another aspect of their character, that does not take away but instead adds to it. at no point are characters stereotyped, and any lack of character depth is due to them not having enough screentime. (the notable exception to this is, of course, zeke.) sera likes shopping and boba and pig-themed games. remi is kind and wears a bow in her hair and her naivety is unique to her and no other female character. elaine had a crush on arlo but got over it after he treated her badly one time too often. cecile is scheming and cunning and she plays the game of the hierarchy well. there are female characters with traditionally 'bad' feminine traits, whose flaws are discussed not in the context of them being women but them being people with unique and distinctive experiences. remi, for example, is naive not because she's a girl but because of the way she was raised, the people she's interacted with, and the experiences she's had. her brother was just as much of an idealist and also believed in the good of the people around him, until he saw proof of the opposite. and furthermore, women never put down other women for being 'too feminine' or anything like that.

moreover, uno does not attempt to position women as either better or worse than men. girls fight just like guys; the male characters have no problem fighting a girl just because she is a girl, and they don't hesitate to hurt them the way they would hurt a guy. to be honest, i really struggled with this when i first started reading uno: i felt as if it was morally wrong for john and arlo to fight girls like that. i have since come to the realization that that view is inherently misogynistic, as i did not have such problems with them fighting guys. uno really portrays women in the most feminist way possible: as truly, fully equal to men, with no caveats, no exceptions, no special treatment.

the casualness with which uno depicts men and women being completely equal in society is quite possibly the most feminist thing it could've done, as a webcomic about superpowered teenagers fighting against terrorists and the evil government.

[eerna]

Personally I am 100% tired of YA heroines being assassin-types/skilled fighters over the last decade. It's so overdone that it's because a YA standard and is treated as the whole character instead of part of the character. Plus it's gotten so boring for the heroine to solve every situation either a blade. Maybe it's the sign of the times where we have to have bad ass females but I miss when heroines had other traits focused on that wasn't their deadliness. Like all of the main four girls in The Lunar Chronicles for example! Reading that series as it released in real time was so much fun, because each book was a love letter to the namesake and you got so many cool varieties of female characters with entirely different skill sets that were equally valued and not in competition to each other. Sorry if this turned into a rant but I'm kinda disheartened that I can't enjoy YA after it's become a trope market machine. And if you or anyone has recs with nuanced female protagonists that break the "girl with a sword convention", please let me know!

I know what you mean, women with swords is yet another trope that grates my nerves these days. I think YA was always a very trope-heavy genre, but even with that in mind there's still plenty of fun girls to read about, even among the popular titles! TLC is a great example, it came out smack in the middle of the YA revolution dystopia boom and still managed to have its own identity while playing into some of the tropes. As for recs for non-murdery YA heroines, off the top of my head I'd mention Vespertine (a nun gets possessed by a demon) and An Enchantment of Ravens (a painter gets kidnapped by a fae prince) by Margaret Rogerson, Heartless (court lady specializing in manipulation and adapting to her surroundings) and Gilded (peasant girl who specializes in lies, retelling of Rumpelstiltskin) by Marissa Meyer, Defy the Stars by Claudia Gray (space cadet who grapples with the reality of killing and what it means).

[metabolizemotions]

The creative choices on the show are as subjective as each of the viewer's interpretations.

I think a lot of why I personally feel deeply uncomfortable n resistant is the asymmetry.

I get the need for variety. The same thing may be expressed differently for different characters. A healing journey will differ from person to person. Each step is also taken on a personalized timeline.

But I can't help but think of the asymmetry of how the show dealt with Mason vs Beckett n even Dixon. They condemned Mason immediately at his worst but dug deep to show the sides of Beckett n Dixon that were still human despite it all.

The trigger shot scene with Beckett felt like 0 to 100 in his reconciliation with Maya. It felt like a 12-step program of which he skipped many steps when it came to Maya. From the get-go, we saw a sexist, incompetent captain who was demeaning to his team n constantly put them under stress n in danger, on top of endangering civilians n even equipment. For months, we saw this middle-aged man in a position of power, take perverse joy in bullying a younger female subordinate to appease his ego. That was workplace harassment. He also took out his unresolved trauma on the people around him, in this case, people he had authority over. Alcoholism was not the sole reason for all his bad behavior. Even if it was, it should not be used to excuse it.

The team, esp Maya, was trapped in this hostile work environment sanctioned by the female chief. This was a more common n insidious manifestation of toxic masculinity, one that was amplified by his position of power, n sometimes even supported by women, when their goals aligned in the power struggle.

Yet the show gave so much more grace n compassion to the bullies than the bullied. The team treated Beckett n Ross with more kindness n respect than they earned, n less kindness n more apathy towards Maya than she deserved.

Then he was given a long, carefully constructed redemption arc, while Mason, a rushed condemnation arc.

It felt like 100 to 0 with Mason. We saw Mason briefly in earlier seasons, mainly thru the eyes of Maya. We missed a lot of the in b/w. We caught him again at his worst. We only saw the side that was full of hate ideology, but not his side that was also human. We knew about his addiction n homelessness. But we didn’t see how as a young abused person w/o positive role models n a support system, he was vulnerable to these hate groups, which he clung to, when offered him just a semblance of belonging or respect. He had not learned to let go of his resentment of their parents n Maya but taught to transfer this unresolved hate to fill a meaning void.

The scene itself b/w Maya n Mason was great. It was an urgent n imperative story to tell. Maya's actions were right n necessary. But in the bigger scheme of things, it felt like a quick tie-up of loose ends, of a once-beloved brother, who came n went abruptly. Despite it being a logical narrative choice to wrap up the nature/nurture discussions of Marina n discovery that Maya's deepest fears about herself manifested in her bro instead. It's heartbreaking n yet disheartening that it was again about queer hate when it came to another main queer character on the show.

It is just jarring to juxtapose Mason with Beckett in 703 then 707. Also juxtaposing his empathy towards Maya with the lack thereof from the others, despite everyone having just been thru 706 n having witnessed Maya's breakdown. So, in a way, I see the actions of these characters as being designed with the goal to emphasize Beckett's empathetic side, in support of his arc.

When looking at a scene with 2 scene partners, what it is really about? Who it is really for? Would the scene be the same if one is replaced?

There are many different takes on this. For me, it was really about Maya, but choosing Beckett as the scene partner made the scene more for him. If it were for Maya, other scene partners would be more meaningful n realistic. Esp those who earned their right for her to be vulnerable with. Maya, who bottled her feelings, let alone spill her deeper emotions, to someone whom she never had a proper conversation with, not to mention a fraught shared history. To add, alone in a small enclosed space, while administering a shot that made her even more vulnerable.

For the realism argument, this was not more realistic to me than having Carina, for a show which took a lot of liberties. It was a choice to design the circumstances to make Carina n the others unavailable n combine 2 scenes together. Carina's also Maya's life partner n best friend. A more realistic choice for Maya to share this devastating heartbreak n grieving process with. It was a big aspect of their marriage. We saw many discussions b/w them yet when it finally came to the conclusion, it was with the least likely person, an almost stranger.

I see the trigger shot as part of Marina's baby journey I wish we get to see them undergoing together. It reminded me of 5b in that Marina's story about their own baby journey - again with someone of a fraught shared history, of a different nature - was more about him n to lead to his own bio family story. Marina's story was messy n got nowhere. And here we r, seasons later, rushing thru it.

It's not that Maya/ Carina or Marina should not have scenes with others. It's that it's usually more about the others even if it's their storyline. Or they r the backdrop for others' drama. They either isolate Marina or suddenly include them or one of them in an in-depth discussion of their private matters with others, usually something we hear about for the first time. I just don't remember something like that happening with other characters. Is it too much to ask to see a married w|w couple, with little screentime, share a meaningful conversation or moment first, also or exclusively? We so rarely see such a rep on TV. The show is not about Marina, but shouldn't their own story reasonably prioritize them?

[typicalarkhamknight]

MK11 intros

warning: sexually implied, curse words, violence mentioned.

Doing a little Mortal kombat writing heheh.. also this is just fanfiction, not canon lol. You can drop Y/N ocs suggestions if you like!

character: Y/N is another Lin Kuei of the clan. Well, a samurai Lin Kuei. Before he were born, a Lin Kuei ninja married a female samurai from japan. The mother d!ed in childbirth, so the father used her katana as his own weapon, to serve Lin Kuei and to protect his son. When he fell in battle, the young Y/N inherited the blade. Kuai Liang raised Y/N as his own son, making him a better warrior fit to be the first Lin Kuei samurai in history. Y/N also has a deep connection with the katana, he always hears his mother's voice while wielding the blade. He has cryomancer abilties.. just not the same as everyone in his clan. Without his mother's katana, he can't do cryomancing abilities. When he does, the katana inherits cryomancing abilties, can be turned into a frost weapon much like Kuai Liang's frost sword in MKX. (He and Takeda also had a friendly rivalry. Like a resemblance of Sub-Zero vs Scorpion, but kombat kids).

PART 1.

CASSIE CAGE

Cassie Cage: I know you're useless without that magical sword of yours.

Y/N: (Smirked cockily) For me, it is quite the opposite.

Cassie Cage: Well run it, B*tch.

—

Y/N: Has anyone ever tell you you're a great leader?

Cassie Cage: (Chuckles) Well am I?

Y/N: No.

—

Cassie Cage: Aren't you the guy who's heart's supposed to be.. "cold"?

Y/N: Yet my heart burns when I see you.

Cassie Cage: Oh get a load of this guy..

—

Y/N: I seek Takeda Takahashi for a rematch with him.

Cassie Cage: Aw, couldn't you just spar with me instead?

Y/N: Later, woman.

—

Cassie Cage: Say hi to your mom for me!

Y/N: She says hi, mother. (The katana glows and makes a noise of appreciation)

Cassie Cage: Aw..

—

Y/N: You're father is getting a wrong idea of us, Cassandra.

Cassie Cage: Oh. Wait— so who are we, exactly?

Y/N: That's a question you must answer.

—

Y/N: Your mother told me about bob.

Cassie Cage: Ugh. First, tell her it's Dylan. And second, why do you care?

Y/N: I can treat you better..

JOHNNY CAGE

Johnny Cage: Are you sure you and Cassie aren't.. keeping a secret from us? (Raised brow and smirked)

Y/N: You've kept many of your porn tapes secret.

Johnny Cage: Ah. (nodded) Soooo.. does that mean you have a secret with her too?

—

Y/N: Look.. whatever you think it was, it's NOT what you think, Mr Cage.

Johnny Cage: You two are like Harry and Sally, brings a tear in my eye.

Y/N: ... Fucking cold winds of hell.

—

Johnny Cage: Marry Cassie and be hollywood royalty.

Y/N: I love the offer, but I don't need becoming "royalty" to prove I am the greatest.

Johnny Cage: Just trust me bro.

—

Y/N: Making new movies, Mr. Cage?

Johnny Cage: When I'm done with the sequel.. you, my friend, are V.I.P.

Y/N: That isn't so bad..

—

Johnny Cage: Y'know you remind me of Sonya. (Chuckles) you got her grumpiness.

Y/N: Is that good or bad..?

Johnny Cage: Well friend.. you tell me.

—

Y/N: Earthrealm's mightiest champion.

Johnny Cage: Mini-Blueberry ice.

Y/N: Another disgrace.

—

Johnny Cage: Tell your mom I said hi.

Y/N: He says hi, mother. (Katana glows a bit of energy, just not the same energy with Cassie)

Johnny Cage: Ah, she loves me.

SONYA BLADE

Sonya Blade: Johnny's having theories about you.

Y/N: And all of them aren't true.

Sonya Blade: I'll find out.

—

Y/N: You're the mother I never had.

Sonya Blade: I don't mind adopting a grown man.

Y/N: I know that meant "recruiting more young blood".

—

Sonya Blade: You fight your mother in your dreams?

Y/N: It is called "training".

Sonya Blade: Sounds like she and I are the same.

—

Y/N: You know, I have never felt so intimidated by a woman before..

Sonya Blade: Maybe because you haven't met one until now.

Y/N: A deservedly low blow, Mrs Blade.

—

Sonya Blade: You have potential of being a part of Special Forces.

Y/N: I belong to the Lin Kuei, they're my family.

Sonya Blade: Special Forces will be your family when you suck it up.

—

Y/N: Let me tell you, I've never had any mutual connections with your daughter.

Sonya Blade: She spends time with you more than she did with others, including her friends!

Y/N: To be fair, I AM far more superior than them.

—

Sonya Blade: Kuai Liang didn't teach you hard enough.

Y/N: What makes you think you're better than him?

Sonya Blade: Here's your first lesson, Y/N.

[mintacle]

Jason Todd being girl-coded, you've opened my eyes! You are so right and suddenly a lot of things about him make sense (including why I like him so much), especially with how the narrative treats him (right down to turning a morally complex character into a straight-up card-carrying villain who eats puppies, ironically right around the time they did that to another female character, Talia). Jason is even written how I (a girl) tend to write angry victim power fantasy female characters. Like yes babygirl, scream and rage against the heavens about how unfair it all is!

I remember a post calling Jason "the Punisher for girls" except... yeah he kinda is. The Punisher is a male power fantasy with all that implies, while Jason is such a girl power fantasy and written with a lot of the usual negative narrative bias female characters usually get.

Except if we're honest and look past the superficial similarities of lethal force and guns, the narrative role of Batman is far more like the Punisher than Jason. Jason's role is the Punisher's daughter. Jason is if Lisa came back and was angry after what happened and big parent man Frank had to try to keep his (hysterical emotional angry-like-a-girl) daughter from crossing his arbitrary lines because she was going "too far" and tragically, he's unable to "save" her from herself and he must Move On while his child gets locked up or lies dying behind him (I can seriously imagine exactly how a proper Lisa-is-back plot would go down it's crazy how similar it'd be to Jason's return).

And another way Jason is girl-coded is that he's mentored by Talia, a woman. In comics you don't see male characters mentored by female ones often. Sometimes they can be taught specific skills by them for a brief time (like Tim and Shiva) but Talia's role as Jason's primary mentor and caretaker for several years is pretty unusual in comics.

True!! I'm glad my posts resonated with you so much. :)

I don't really know anything about the Punisher so I can't add my opinion to the mix, but other people will probably recognize your point.

But! On the subject of female characters mentoring male characters @benbamboozled made a great post actually about how women are seen as Having A Specific Skill or Expertise to teach whereas men are mentors For All, or For Life. And yeah Jason does break the rule absolutely! But we also don't get to see to much of that on page. He is in Talia's care for years, but other than Lost Days and utrh we just don't get to see these two interact. I either made a post or drafted and forgot about it, how DC won't publish Talia and Jason working together because it is vital to DC's agenda of keeping them marginalized that they each be alone nomatter how much reason and history they have to be in more frequent and meaningful contact.

At the same time, we really only see Talia caring for Jason in a motherly context, she isn't cast quite in the role of a mentor, rather sending him around to teachers than teaching him herself. It's a step in the right direction, but the fact of any mentoring and most interactions occuring off-screen, as well as their relationship being ignored later, or ret-conned like in the utrh movie where Talia was kind of replaced with Ra's.

For me a lot of Jason's girl-coded aspect arises from his opposition to Bruce who embodies patriarchal ideals. To some extent Jason is in the role of every person who has been let down by the patriarchy. The system we were told is for our benefit as well and which has let us down. It's about how we were let down by this world we thought was fair when we were smaller and trusted to be protected. It's about how our own father's have let us down, even if the time we last thought of them as protectors might have been many, many years ago.

None of these experiences are exclusionary to women either. I am not a woman, but I am queer. And I have been let down both by the idea that my father could ever be my protector instead of the one I needed protection from. And I have been let down by the idea I used to have of a world that would give me a voice without me having to prove myself every step of the way.

The need I have for more interaction between Talia and Jason is so much about two people villainized and victimized by the same patriarch-favoring narrative bonding and rising to challenge and upset the status quo. While I am aware that it will never happen and that DC already left Winnick a lot of leeway to have made Talia play such a type of role at all, logically it should be what follows.

Jason is girl-coded, but he also drinks his respect-women juices.

[elijahs-dumps]

Cassandra and her villain arc; was it bad? Let's discuss... (Rapunzel's Tangled Adventure)

Just wanted to say before we dive in, I'm currently working on a piece about Gonzo from the Muppets and some Hazbin Hotel stuff too. So stay tuned;)

Cassandra was mainly portrayed as snarky, cold, and even a little rude. She's almost a perfect opposite to Rapunzel, which makes them interesting friends. And it's nice that Rapunzel has another girl she can rely on, since I personally believe female friendships are important in media. Within the TV series, Rapunzel's Tangled Adventure, Cassandra is often seen budding heads with Eugene or helping with Rapunzel's misadventures. And as the show goes on, we see Cassandra actively looking out for Rapunzel more and more.

Even though Cass states many times in the first two seasons that she loves and cares for Raps, their relationship is quite unstable through out the show even before she became a main antagonist. Let's take a look at their relationship pre-season two to get a better understanding:

For example, in The Challenge of the Brave (S1 E4) when Raps joins the challenge, Cass feels like Raps is being a bad friend by trying to win something that means so much to her. She's annoyed by Raps' ignorance, and jealous of the admiration Raps is receiving. Yet, Cass never even told Raps how much the contest means to her. So instead of communicating her feelings, Cass starts to act more snappy with Raps and actively tries to get Raps eliminated from the game. However, it's not unreasonable for Raps to be unaware of Cass' wishes, especially since she struggles with social cue. Regardless of the fact that Cass should've been more patient with Raps, I think this episode would've been nice foreshadowing to her change of heart in season three if they didn't try to paint Cass as the victim in this episode. I don't understand why only Raps apologized, when they both should've acknowledged their wrongs.

In Under Raps (S1 E9), Rapunzel tries to make Cass feel better about being single by making her things and showing her appreciation for Cass. When this happens, Cass sort of gets annoyed for no reason even though Rapunzel's intentions are sweet. She doesn't even really verbalize if Raps is pushing boundaries or not, she's just... frustrated?

This doesn't relate to Rapunzel directly, but in Great Expotations (S1 E8) Cass uses Varian to get what she wants. Even though she does make up for it, it's still a testament to her character. Cass often acts without thinking about how others might feel or think, and the way she treats Raps in season one is a prime example of that. She does take into account how naive and ignorant Raps can be, but she refuses to show any patience for it as Raps recovers from literally being isolated for eighteen years. And Cass is supposed to be Raps' best friend! It's the same with Varian. You see, Cass isn't really a bad person. She just wants her moment in the spotlight, her moment to prove herself. In these episodes, that's often what drives her to make these mistakes towards her friends. This would be a great character flaw, and an interesting writing concept. But this show keeps having Cass in this same situation again and again, and she never grows from it. It gets old very fast.

Not to mention, Cass also tried to force Raps not to tell Eugene how she got her hair back when it first happened. All because Cass "doesn't trust Eugene". I thought this was strange, because I don't really know what kind of friend asks someone to lie to their significant other.

In the flashback episode, Beginnings (S3 E6), we learn that Cass never wanted to be friends with Raps to begin with, and there was a lot of guilty undertones on Cass' part of the relationship at least in its early stages from what we can see. Raps clearly latched onto Cass way too fast, because she was still fresh out of the tower when they met. And Cass wasn't ready to be what Raps needed (which was therapy). Cass was Raps' first friend besides Pascal, and I don't understand why Cass would take on that role if she wasn't going to put in the effort to at least try and be compassionate and understanding with Raps.

Moving on to season two, Cass didn't really do anything of substance until The Great Tree episode (S2 E14) which is a little weird in hindsight. But I thought her insecurities about needing to prove herself and how she always feel second place to Raps were pretty justified. We saw a couple times through out the series that people preferred Raps over Cass, or gave Raps opportunities when Cass worked harder for them. Still, I don't feel like that's Raps' fault. Waiting in the Wings did a perfect job of illustrating Cass' feelings on this subject, and it even made me like her more as a character because it gave her so much more depth. Still, the song talks about how Cass is going to keep waiting until her moment in the sun arrives no matter what, which contradicts her villain arc quite a bit considering the fact she did not wait at all. Anyway, I think Cass trying to insinuate that Raps doesnt trust her judgement anymore in these episodes was BULLSHIT. Raps clearly loves and values Cass, and trusts her completely. All Raps did was mkae a call that Cass didn't agree with, I dont think this meant that Raps wasn't listening or wasn't trusting Cass. The two of them simply disagreed on it, which they do all the time.

Technically, the thing that pushes Cass off the edge is the fact that she finds out she's Mother Gothel's biological daughter. But there was one other incident that set this villain arc into motion before the episodes within the House of Yesterday's Tomorrows. Cassandra's hand wound from Rapunzel.

When Cass injuries her hand during the final fight within the Great Tree, she blames Raps for it even after they talk it out and apologize. I didn't understand this at all, because yes Cass warned Raps not to use the decay incantation. But it's not like they had any other choice! And Raps was not in control of herself or the tree when Cass got injured. Not only this, but Raps also told Cass to leave before anything even happened. Why is Cass upset with Raps for not listening to her when she wouldn't listen to Raps either?

The season three opening episode, Rapunzel's Return (S3 E1), shows us exactly what Cass saw in the House of Yesterday's Tomorrows. We learn that Cass is Gothel's real daughter, and this is a huge turning point in the series. Because in this episode, Cassandra's entire villain arc stopped being about her own struggles and insecurities and how she's felt second place to Rapunzel this whole time, it became about the fact that Gothel chose Raps over Cass. I felt like this was a lazy writing choice, to make it seem like Cass' feelings of being inferior to Raps are more justified. But honestly, I think her villain arc could've stood well on it own if they just planted to the smaller seeds of doubt earlier on, and didn't involve Gothel in it. Of all people. Gothel is a naturally selfish woman who would never do anything that doesn't serve some kind of purpose for her. I find it hard to belief she kept Cass around simply to do house work around her cottage instead of just dumping Cass at an orphanage of some kind.

I also feel the need to mention the fact that Cass was absent for almost 12 episodes in a row, during what is supposed her season as the antagonist and her moment to have the spotlight, probably has something to do with why her writing in season three came out so half-baked. Combining this with the fact that her change of heart was only really hinted at in maybe five out of the forty-five episodes, episodes in which the conflict involving Cass' character is always resolved by the end, makes her entire villain arc seem out of character at first glance.

This season went to great lengths to make Cass' actions and attitude as nasty as possible, especially by having her show no remorse or doubts after Be Very Afraid (S3 E9). This is on of the reasons her redemption arc fell flat.

In A Tale of Two Sisters (S3 E14), we see the last bit of Cass' doubt be outweighed by her need to blame someone for the way Gothel abandoned her. So, she blames Rapunzel. But Cass knows Gothel was sick and abusive towards Raps, and she also knows it's not Raps' fault she was kidnapped. After all their years of friendship, I didn't buy the concept that Cass would let her anger manifest in a way that would blame Raps for a traumatic event that happened to both of them.

While I'm well aware that Zhan Tiri has been manipulating Cass since the House of Yesterday's Tomorrows, it still didn't make Cass's villain arc anymore believable for me. It felt like the show's way of trying to excuse its own crappy writing.

Once a Handmaiden (S3 E16) is when Cass realizes Zhan Tiri has been manipulating her since the beginning, and begins to regret her choices. So Cass disguises herself as Rapunzel's current handmaiden to try and find a way to extend some kind of olive branch. This gives us a little more insight into the headspace Cass has been in these past few months, and it gives the audience more room to sympathize with her (especially in the play scene). Yet, when Zhan Tiri reveals Cass to everyone and the guards start attack her, Cass is quick to become incredibly angry, even though Raps was trying to call off the guards. Cass literally takes over the entire kingdom, almost killing hundreds of people after spending the whole day bonding with Raps like old times. While I have issues with the amber-firing machine Varian made, I feel like the switch up with Cass in this episode was absolutely insane.

Cassandra's redemption arc, if you can even call it that, completely fell apart because it was so rushed. It was similar to Varian's redemption arc in that sense, but even though Varian's redemption arc had flaws he was able to sort of get away with it. Varian's villain arc was shorter than Cass', his crimes weren't as bad as Cass'. and he served at least a year in jail anyway. Cass served no punishment for her actions and got to leave Corona scot-free. This also plays into the constant contradiction Cassandra goes through this season of soul-crushing remorse vs homicidal rage.

Considering Cass was one of our main three characters for the entire show, I just think she deserved better when it finally came time to give her some more depth and complexity. But what do you guys think? Do you think Cassandra's time as an antagonist was poorly executed? How do you think they could've fixed it? Feel free to let me know!

[doodlegirl1998]

Oh my god...

I just realized something about how some characters are treated, so I'm gonna quote Joshscorcher from one of his fails videos

"You aren't a person, you ARE a disability! You're not a human, you ARE a skin color! You're not alive, you ARE a checkbox!"

Doesn't that just fit some of the characters in BNHA to a T?

We got the crazy yandere! The hotheaded rival! The hardass teacher with a heart of gold! The black guy!

And of course! The disabled kid who magically gets cured to be like everyone else!

Hori seems to believe that if he just adds pieces of representation or tropes that people like, they will just eat it up without question.

Not even considering or bothering to think about actual backstory, personality, goals, likes or dislikes.

You know, things that make a character an actual character!

Hi @theloganator101 👋,

This fits how MHA treats it's characters to a T or at the very least they develop from Nuanced characters to a stereotype which is never what you want from a series. Also Hori even fails at fitting these characters into the cookie cutter molds he tries to contort them into at times.

Let's give a few examples based on what you have said above:

"Crazy Yandere and Token Bi" = Toga (which the LGBTQ fans of MHA should be offended by, because having a Yandere who is coded very creepily (yet also not condemned for her creepy behavior in general or how she groped Uraraka without consent) as prominent representation is not good...

"Sweet generic shonen love interest" = Uraraka (well this is what Hori intends for her with IzuOcha endgame even with how weakly its built in the series. And Uraraka herself denying her feelings for Izu and freely simping for Toga. I feel so sorry for Ocha fans, how she has been written with Toga is a complete mess.)

"Hardass Teacher with a heart of gold" = Aizawa (or this is what Hori intends for him realistically a lot of his actions under a critical lense read as malice at worse and negligence at best but go off about how he cares about his kids, Hori. Despite dropping a building on them and making them believe their parents are kidnapped by villains. Or the fact that he expelled tonnes of other students prior to 1A without a care - what makes 1A so special?)

"Hot headhead rival" = Bakugou... (Well this is meant to be him, narratively speaking, but rivals are meant to inspire and respect each other. Bakugou doesn't respect Izuku, Bakugou abuses Izuku and acts as his parasite. Bakugou brings Izuku down at every opportunity.)

"The 'token black/ blasian' characters" = Rumi and Rock Lock. (While I'd say Rock Lock is good black representation. Rumi... She's not my favourite. I like strong female characters but the way she's so aggressive and violence hungry as a hero - that rubs me the wrong way. Realistically, I could see her killing a villain by accident through use of excessive force. And I can't ignore that she's used as a stick for Hori's gore porn fetish which isn't a great look as one of Hori's few Blasian characters.)

"The disabled kid who gets magically cured to be like everyone else." - Midoriya Izuku. (You could say this is the case for All Might and Aoyama too but Izuku is the most prominent example as the main protagonist.) Izuku's story and the lack of how his backstory is touched on is one of the one that's the most upsetting parts of MHA to me. Personally, I have a disability and mine can't be fixed, while I accept and embrace it now, I didn't when I was Izuku's age. I would daydream about getting "fixed" and being like everyone else so I could fit in. As an adult, I have now achieved many things that I was told that I could not hope to ever be able to do - and I didn't need to be "fixed/ made normal" to do it. Instead, I worked my ass off to achieve those things.

Izuku's story would have been way more powerful if he trained relentlessly with All Might, stayed quirkless and achieved as much as his quirked peers.

OR, if he had to gain OFA, the cognitive dissonance between how he was treated then in his backstory vs now should heavily influence him. Either way, he should have grown out of "Kacchan" and told Bakugou, his bully and abuser, to fuck right off.

The fact that Izuku isn't allowed to think of his backstory or one negative thought of Kacchan severely limits him. And it's one of the things that has stunted him as a character. All Izuku is now is OFA 'generic shonen protagonist' who will save Shig and destroy All for One. What a waste.

TLDR - developing good characters is like nurturing a particularly fussy plant, you can put down the right soil (backstory) to get readers hooked but if you get lazy and don't water it regularly (develop plot points, think through what is in character rather than what you as the Author want them to do, have them show up regularly) it (the characters) will never grow.