#institute of computer

[enskochi]

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[catattack08]

Tiny chibis of s1 archive crew for my own reference

[dinosaurspen]

Drawing of the Whirlwind computer.

[thatcorridorman]

I archived the magnus archives

idk link to the full thing is here https://docs.google.com/spreadsheets/d/1vA6kin0H5bk_Nu15WTnwmAEPTAx9MLVO/edit?usp=sharing&ouid=117712544114786577413&rtpof=true&sd=true

I genuinely don't know what anyone would use this for, and honestly doing recreational paperwork is crazy and i need to sit with myself for a bit and think about this one

anyway john's case numbering system sucks so i made a new one, not really that good but it acts better as a call number system. In real life there would be albums and catalogue numbers but thank god the magnus institute archive does NOT exist so that's not an issue

[catenary-chad]

AC/DC is a VERY smart song, one of the reasons it’s my favorite lyrically in the show is that it’s so explicitly about electric trains and has multiple references to super interesting issues/traits with them. This doesn’t go into the broader electricity puns (which are shockingly versatile), just the ones most relevant to trains

“Feel my magnetism”

I’m still trying to figure out if this is an issue with remotely modern electric trains and motors, but I have heard a claim about a turn of the century New York Central S-motor (one of the very first mass produced electric locomotives!) basically “picking up and stealing” some tools left near the track this way and then dropping them when switched off.  Basically the whole “pulling in things with magnetism” has at least some real life precedent with trains.  

“AC/DC it’s okay by me/ I can switch and change my frequency”

This was perhaps the defining feature of the CC 40100 Electra’s helmet was based on.  Due to inconsistent electrification systems (due to early 20th century tech limits) it’s very common to have 2,3, even 4 voltage locomotives and EMUs since it’s cheaper and easier than replacing all that infrastructure.  Having both AC and DC compatibility is actually super old, the New Haven Railroad had one of the first AC-powered lines ever and the very first AC locomotives there had to be equipped for both it and the existing DC third rail in other sections.  But being able to run on multiple AC frequencies is much more recent, and the CC 40100 was an early example of it.  The Northeast Corridor in the US actually requires trains capable of running on THREE different AC voltages/frequencies, being able to “change your frequency” is an important requirement there (and in continental Europe)  

Basically, silly 70s-80s era bi allusions are just how electric trains are.  It’s so out there but so on the nose.  It’s probably the single smartest writing decision of the show because it works so well and talking train media otherwise NEVER talks about these aspects of electrification.  

“I can shock you, I can set you on fire”

The history of diesel and electric trains involves so, so much spontaneous combustion.  Exploding is almost exclusively a steam engine thing, but if they wanted to dramatically kill Electra or Greaseball or any of the Nationals, this is always an option and weirdly underused.  

“I can reach up and pluck down the lightning/watch the conductor, see the live wire”

Direct reference to overhead electrification and how pantographs are raised to make contact.   Also fun play on train conductor/electrical conductor, which is popular in trolley/train jokes.  This system is something almost exclusive to trains and part of why they are so established, efficient, widespread and convenient as electric vehicles.  They’re genuinely absurdly OP vs basically all other forms of traction since they don’t have to carry their own fuel/power supply and can have ridiculously high single-unit power since the only limit is how much capacity the power grid has (and how much can be practically used without wheelslip).  Due to their fixed paths they can run this way vs needing batteries and totally bypass the decades of density limits those had.  Even today batteries are not really practical as a main power source for anything bigger than commuter EMUs and switchers.  

(Trolleybuses are a thing and there’s been attempts at sticking pantographs on trucks… and I guess bumper cars technically count too lol) 

Shoutout to Stexico for having a very different chorus with somehow the exact same sentiment. 

“Macho/Hembra es mi conector” (Male/Female is my connector)

This is just a hilariously matter of fact statement about the electrical connections on AAR standard passenger engines and coaches, which I think Mexico uses since their rail system is so US-based but I could be wrong (privatization axed basically all their passenger services around the time Stexico came out and there’s very little even today).  The stuff about “with my switch I connect you” is also incredibly matter of fact because there’s usually a separate switch or dial to turn on head end power on locomotives.  

Electra is based on this very 70s bi stereotype/trope that lumps in the botanical definition of “bisexual” and makes characters “both male and female” in a way that’s inconsistently trans, GNC, and/or literally being 50/50 both in a way that doesn’t work that way in humans.  Velvet von Ragnar from Never Too Young to Die is almost IDENTICAL in this regard as another example.  But the hilarious thing is that it’s just… incredibly matter of fact and literal when applied to electric trains because so many of them are able to run on both AC and DC power because rail electrification is so messy and many of them are technically “both male and female” going off electrical connections.

Anyways, tangent aside

I do not know enough German to appreciate the intricacies of stuff like word choice or idioms in the translated lyrics but these ones are fun because they’re explicitly about overhead wires

“Steh unter Spannung”

I’ve seen the translation given as “I’m a live wire” but the more literal one seems to be “stand under tension/power/voltage”. “Tension” is often used in place of “voltage” especially outside of English, but there’s a fun double meaning with trains specifically. The allusion to voltage/power in overhead wire is obvious, but  literal catenary wire tension is also SO important specifically in rail electrification.  The wire has to be tight and straight enough to make proper contact with the pantograph (and getting the upwards pressure on those is also important).  Europe has mostly reasonably modern lines with adjustable weights to keep wire tension constant but the northeast US has HUGE issues with outdated systems with fixed wires that sag in the heat (then get snagged on pantographs and torn down) or snap in the cold when they shrink/expand.

“Ein Griff von mir” (A grip of mine)

“Holt den Blitz aus der Leitung,” (Takes the lightning out of the wire)

Also seems to be a direct reference to pantograph pressure/contact with overhead lines, similar to the English version of this line.  There’s a strong hand/arm association with pantographs in general due to their design, modern ones bend in arm-like ways and “touch” the wire in a very particular way.

Also this is probably just wild coincidence but “Griff” makes me laugh because Zaine Griff was the workshop Electra.  

[garadinervi]

Cynthia Schira, Panel Entitled "ABC Drawn Quilt", (cotton and linen, areas of warp-float faced 7:1 satin weave; warp and weft-float faced 7:1 twill weaves; diamond and point twills; combined twill; and plain weaves with areas of paired warps or wefts and plain weaves self-patterned by main warp and ground weft floats; woven on TIS Jacquard handloom with Jacquard Computer Aided Design), 1998 [The Art Institute of Chicago, Chicago, IL. © Cynthia Schira]

[wiltingwoods]

Tmagp 22 spoilers !!

Me: this case is too boring to be insignificant what do you have up your sleeve Jonny

Celia: Jonathan Sims and Martin Blackwood

Me:

[hikaaa-bi]

i just know that this is gonna be Alice and the rest of the staff in the next episode

[twiggyrogue]

If it wasn't for the TMAGP ARG snippets I probably wouldn't be as obsessed about Sam but oh my goddd with what tiny we know about him I'm not over it. He's got a canon birthday (!!! He's 33 at the start of the show! It's p cool to know that tbh!) so we know when the Institute burned down, he was 9 year old. So at nine, maximum, he went through the Institute's child experiment. That's age he went through potentially a version of the Milgrim experiment! Mr. Spider whom, this child might have actively tortured someone because he was told to?? And that's probably the terrible event that was brought up in the interview but maybe it wasn't! Maybe it's something worse!! Oh no!!!

The guy scored the highest in empathy in the entire test group at 98% and now his job is experiencing other people's horrors like of course he can't help but look into them, of course he can't help but internalize them when Alice has warned him of what can happen, I'm so worried about this man!!!

[discoonthegrass]

The Ultimate Computer: Kirk and a sub-skeleton crew are ordered to test out an advanced artificially intelligent control system - the M-5 Multitronic system, which could potentially render them all redundant.

The Squire of Gothos: A being that controls matter and creates planets wants to play with the Enterprise crew.

Feel free to reblog in order to help this poll reach the most people! Remember to vote on the other polls in this round, listed here!

[navree]

i say this with all due respect, and so much love, cuz i do actually like him, but on what planet is martin an important name at the magnus institute? like, jonah created the place and stuck around for the entire time as its head over and over, jonathan is the lynchpin of the ritual/the archivist/the literal archive itself, martin is just A Guy!

[acearchivist359]

so . tmagp 21 …….. what the fuck just happened

[dinosaurspen]

Above, Jay Forrester with a piece of Whirlwind's core memory; below, a technician running diagnostics on a piece of the Whirlwind computer.

[rwpohl]

cybernetics or control and communication in the animal and the machine, norbert wiener 1948

[sysig]

Somehow, the nurses always seem able to immediately rush in and break up any fight, no matter where one begins. The computer room up on the 3rd Floor has a live feed of the entire Institute at all times. How is this achieved?

👁️The Panopticon, the unmistakable, oppressive omnipresence of cameras that looms heavy day and night, and the threat of punishment if any retaliative action is taken against it, with the certainty that they'll be fully operational again the next day.

👁️‍🗨️The Invisible Eye, no matter how hard one searches there is no evidence of any camera to transmit, and yet the footage is sent regardless - the beguiling comfort of a false negative, with nothing to break, no way to stop it from sharing hidden secrets.

[updatebug]

I've seen the theories about how Chester and Norris aren't actually Jon and Martin following the most recent episode (or are and are evil / controlled by the web) and I'm not ruling it out but IDK.

To me, this could still be another case of Jon trying to warn Sam away (albeit one that goes horribly, horribly wrong). Like the statement starting immediately after Celia sort of convinces Sam to give up looking into the Magnus Institute is kinda damning and I can see why people are seeing it as a lure. But on the other side of things, Sam is still doing the same stuff that Alice keeps warning him is going to get him into trouble, he's engaging with the weird shit in the office. He's filling out the deeply cursed paper work and answering the deeply concerning questions.

So a statement about someone doing something seemingly innocuous (rolling a pair of dice) and being met with costly rewards and horrible misfortune doesn't exactly seem out of place. (we can all see the parallels between 'I refuse to give it the satisfaction of giving up', 'It's kind of compelling at this point.' and 'I still don't really know if they made me roll them' and 'I don't think I ever felt them calling me' right?)

Also insert small domino to big domino meme here but the first step to Jon destroying the world and possibly dooming the multiverse was literally him signing a contract (and the contract itself does have some supernatural significance based on the way daisy joined). I also think - given we don't know how much control Jon and Martin have over their statements (but there are thematic parallels) the Magnus Institute link might be at least in part Jon's own trauma - (please for the love of god this place is deeply cursed and the worse nothing good can come from this it only has eye mutilation and cursed dice) and part hey Sam remember your horrible hidden trauma about this place, it is so much worse than you think pls stop poking around while you still can.

Like I think the first statement, the 'canaries should stay above ground' was just a general warning. Look at this horrible thing that happened but don't look to hard, let's just move on, we're not even going to tell you what happened just allude to the horrors. Only Sam didn't take that warning. And Jon's been here before, in this exact position in fact, being kept ignorant never did him any favours it just meant he made things worse in his search for answers. So I think this is his way of saying look, this is the kind of thing the Magnus institute dealt with. This is how horrible it was, and how terrible it could be for you. STOP.

(I actually kind of think that the Gerry thing was another attempt to do this that backfired. Gerry was the one who properly clued Jon in about the world and if we assume that Jon has access to the supernatural files but only the supernatural files then he knows that Gerry was involved with the MI but not what happened to him after. So he might have been hoping that Gerry would give Sam this universe's version of colour theory only for Gerry to turn out to be a happy, friendly painter - better for Gerry but not as helpful as a haunted encyclopaedia)