I honestly and truly believe all good AUs should be a little “”””ooc”””” in the sense that good characterisation involves understanding that changes a characters backstory and circumstances will have an effect on how they respond to the world around them
Good characterisation isn’t about creating a perfect 1:1 canon replica it’s about understanding why a character is different in your work and about grounding the changes you do deliberately choose to make in canon character traits
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There’s that post that’s like ‘everyone should get into a tiny niche fandom at least once’ fully agree, that was really fun -- but I would like to add that everyone should get into a fandom where their opinions run counter to major fanon because it really teaches you about sticking to your guns and trusting your interpretation of the text without having to rely on peer validation
because WHAT are people talking about sometimes
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I will forever be obsessing over Laios imaging himself as a wolf (a dangerous animal, and one that is [albeit falsely] associated with loneliness) and Marcille imagining him as a cute dog. It shows how negatively he thinks of himself after his fight with Shuro, and how even if he worries now that he's a nuisance to people/can't fit in, NOBODY PERCEIVES HIM THIS WAY. HE'S JUST A SILLY GUY. MARCILLE ASSOCIATES HIM WITH THE DOG BECAUSE HE'S LOYAL AND LOVEABLE.
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hello person who engages solely in fanon. your task is to explain this female characters personality to me without bringing up any of the other characters, calling her anything familial, calling her a girlboss, calling her wife material, or saying she's a slut. you have 20 minutes until the saw trap goes off. good luck
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flickr
ORQUESTA-DIRECTOR-ARTE-DIBUJO-TINTA CHINA-FOTOS-DIBUJANDO-PLUMILLA-PINTOR-ERNEST DESCALS por Ernest Descals
Por Flickr:
ORQUESTA-DIRECTOR-ARTE-DIBUJO-TINTA CHINA-FOTOS-DIBUJANDO-PLUMILLA-PINTOR-ERNEST DESCALS- Dibujar las escenas con muchos actores, el DIRECTOR DE ORQUESTA dirige a sus intérpretes, el conjunto de los músicos logran la atmósfera de movimiento y expresión plástica. Dibujo realizado con tinta china sobre papel, en la foto aparece la mano del artista dibujante con la mano del artista que sujeta la plumilla con la que dar los detalles a la obra. Dibujos del pintor Ernest Descals que tratan sobre los aspectos musicales.
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Leah Jeffries is playing Annabeth like she's one thousand years old in the body of a twelve-year-old and she is so correct.
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the fact that eric kripke isn't even christian really adds something to the way christianity is depicted on supernatural. because its really not about being christian at all, but about living in america, a country dominated by christianity, and having to decide for yourself how to handle that. faith is huge in supernatural, and the mythology of the show is very bible-centric, but notably, christ is never there. even sam, who starts out revering the angels, who once said he prays every night, doesn't actually call himself a christian or imply that he believes in jesus--the show is steeped in christianity and biblical lore and yet neither sam nor dean are christians. in fact, over and over again the church itself is depicted as a haunted house that sam and dean will only ever enter as strangers, as outsiders. priests, preachers, faith healers, chapels, crypts, etc. are all just iconography that create an intense sense of unease that sam and dean respond to instantly. as a jew, its very relatable. an essential part of living in america when you're not christian is that exact sense of unease, of knowing that the culture of your country has ensured that you'll get knocked over by christianity no matter where you go, that you'll see hundreds of people truly believing they're good people while doing awful things in the name of their god, and you have no choice but to confront that. kripke gets it
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