There's something to say about plays that are technically timeloops
Or more accurately realizing they're in a play, that plays into the concept of timeloops
You've reblogged before of plays being timeloops, but its been on my mind for a while, bc it fucks me up so hard
Rosencrantz and guildenstern are dead having the main guys realize mid play that they're in a story, and in their last moments going 'with the knowledge we have now, surely we'll change our story next time!'
But they never do. Bc they can't. Their fates were sealed before the play began, and by the time they realize it's already too late again
Same with hadestown. You as the audience already know how this story is gonna end, be it via mythology, or listening to the album, or even watching the musical before
Hermes and the cast know how this story goes, they've played it so so many times before, even them hoping that the story might change one day. Still knowing it won't
aaaa i am eating all of your words right now (very positive)
this is so. yes. i love this.
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Hey do you want another angsty scenario? Mario and Luigi get called off to another adventure while Peach stays back and watches the kingdom....except the brothers just don't come back. She sends out search parties, contacts other kingdoms, nothing. Did they die? Did they go back to Brooklyn? Did Mario abandon her for someone else? It keeps her up for weeks, months and absolutely wrecks her.
Omg... ;_;
I can picture what such an ending would be like. Months after having chosen to stay in the Mushroom Kingdom to start a new life there, the brothers would one day hear of a strange surge of energy being spotted near the oustkirts of the realm, causing a mild fright to the local fauna. Curious, they would decide to go and investigate.
"Are you sure you don't need me to accompany you?" Peach would ask, casting Mario an insistent glance.
"Not to worry, Princess! I'll watch over him," Luigi would chime in with a wink, ruffling his brother's hair on his way and hefting their toolbag over his shoulder. Mario would mutely follow, his gait however slightly more hesitant than usual.
"Be safe!" The Princess would call after them, feeling inexplicably unnerved at the sight of them leaving.
Mario would stop at the door, pausing to give her a reassuring smile. His deep blue eyes shimmering in the morning sun, his expression one of tender affection and gentle regard.
"We'll be back before you know it, I promise."
And with a small parting nod, he would turn and exit the front gate.
...That would be the last time Peach ever saw him.
No one had believed the magic portal would ever return. But it had. And with its final, abrupt vanishing, it had taken everything from her. 🥀
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israeli terrorists gang-r//ped a child for 3 days in 1949
from ‘state of terror’ by thomas saurez
notice the recent isr//eli obsession with imagined stories of brutal violent 'pelvis-breaking' - sexual violence enacted by Palest/n/an men onto isr//eli women - projection, at its finest. every zion/st accusation is a confession.
similar to how isr//elis faked stories of 'babies baked in ovens' by Palest/n/ans, when, IN FACT, it was isr//elis who threw Palest/n/an babies into burning ovens during the Nakba of 1948.
REMEMBER: the events described in the picture happened in 1949, meaning it is very likely that these isr//eli r//pists are alive and well today, living safely in stolen Palest/n/an homes, encouraging more isr//elis to go to G//za and massacre and r//pe Palest/n/ans. on Oct 7th, many claimed that the murder of these r//pists is 'terrorism' - i disagree. to me, at least, it is justice. this justice must be served to all isr//eli r//pists and murderers. anyone who holds the isr//eli citizenship is either directly involved or indirectly complicit in this violence.
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THE SEQUENCE OF ALL THE CHARACTERS SHARING INFORMATION IS SO FUN!!!!!!! esp the spotlight on hinako I love her a lot I’m glad she’s getting attention 🫶🫶 i feel like hinako didn’t want kids but would still fight to death to keep them safe ESP SINCE SHE’S A COP/INVESTIGATOR TOO i hope we learn more about her in t3…..
OUGH Hinako deserves so much attention!! I makes me crazy that we simultaneously know nothing important about her, and also she's the minor character/victim we know the most about: she has a full appearance, several outfits, we see her doing domestic tasks, we know her career and see her working, and we know her full name. (I also find it really juicy to have these two cop/investigator character in a murder "mystery" series that are completely detached from their usual role; it was fun to give that back to them in the au.) It's so interesting because originally I thought she was the one to want kids and Kazui held her back, but with recent info it definitely seems like he wanted a family more than her... And you're right -- that doesn't stop her from kicking anyone's ass who stands between her and protecting these kids 😤😤😤
And ah thanks!!! It was so fun trying to map out potential investigation methods >:3 The group is very limited because they're basically in prison (even if they're going free at the end). But at the same time, there's ten sets of skills and connections and knowledge which definitely helps. Plus, ten bodies in general is helpful -- you can have a lot of distractions and actions going on at once with so many people... I was so focused on thinking who could go in and out of the facility, but I wanted to add that Muu's parents help a lot too! They can't do much information-wise, but with their money they can pull some strings on the outside.
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Milk and Green Apple for Penelope
(for this ask game)
Since we haven't introduced Penelope yet, as is standard, we'll do a quick write-up here. Penelope is a Galápagos fur seal (Arctocephalus galapagoensis). She's an accountant who works at a bank located in a tundra which primarily caters towards terrestrial animals. Though she doesn't particularly like her job, and initially picked this posting because it was the best option available to her during her CPA experience program, she sort of... got stuck.
Finding work is difficult. She was lucky enough to get rehired by the same branch after finishing her work experience program, but she can't really find anywhere else willing to hire her right now, and her branch is hesitant to let her go, considering that she's one of the most competent people available to her department. She can't really quit, but she can't really move forward, either, so she's sort of... stuck in limbo.
She's well-paid enough that she can live relatively comfortably, but she was at least partially a diversity hire to begin with, and the place she lives in now just plain isn't made for her. She's an aquatic species in a relatively dry area, and most of the species that her branch caters to are smaller prey species - hares, kea, and lemmings, and the occasional arctic fox. Most of the infrastructure is built for people half her size or more, and being an aquatic species, she's not really built to be living terrestrially 24/7 - wearing glasses is all well and good until your prescription breaks and the best replacement pair you can find is built for a stoat, and sure, she can afford a doctor if anything comes up, but no one in her area would really know much about her species, and can she really afford the time and effort added to the expenses of flying to somewhere else entirely just to see a specialist?
As is, she feels just... stuck. She handles it, mostly, with a mix of "gritting her teeth and bearing it" and "heading out to a nearby city which actually has infrastructure for anything bigger than a fox". She sort of has to make a Day of it every time she travels out, but it's better than staying in the same town all day, and paying a bit extra for a night out isn't *too* bad, all things considered. The situation, as is, is perfectly fine. She just... wishes that she could make something of her life beyond being stagnant in a town that she expected to just be a stop in the road.
🥛 [MILK] What is your OC's relationship with their biological parents like? What about their relationship with any non-biological parental figures?
Well... it's complicated. She doesn't have a bad relationship with them, per se, but it's a bit distant - she moved to an entirely different part of the world to take this job, and most of her communication with family members is by video call and similar things as a result. She cares for her family, and she wouldn't trade them for the world, really - but they expect a lot from her, and she's been stuck at the same place long enough that she's not sure she can live up to it.
Penelope sits in the awkward sort of space where she was academically successful, but that success didn't really transfer to almost anything else. She's got a job, she's good at it, she's got a degree - but she still can't get a job besides the one she's been stuck in for years already, and "still working at the same bank" isn't the sort of thing that feels good to say, especially when you've been in the same place for far longer than you've ever wanted to be.
Her parents love her. Her mother still holds out faith that she'll get that one promotion - just a few more years and you'll get your big break, just a bit more work and they'll notice how industrious you are, just a tiny bit more effort and you'll get a better position - but you can only believe something so much when you feel like you've been stuck in the same rut for so long. There's only so much you can hear about how you have so much potential before you start feeling like you're wasting yourself, and at this point... having the same things repeated starts feeling a bit like every day she doesn't get that break is a day she's wasting her potential.
She does not currently have any non-biological parental figures. Probably a bit late in her life to get one, but who knows at this point, honestly?
🍏 [GREEN APPLE] How do they differ from the norm and how are they punished for it?
...there's a lot.
Though her workplace tried to provide accomodations when she first arrived, it's been more than eight years, and nowadays she has to do most of her accomodation herself. Her eyes aren't really made to focus above water, she's got a very different body plan than most people at the branch, she's a predator big enough to make most of the other folks in her branch a bit instinctually nervous, and being one of the only seals that most people know means that she's been re-introduced to the same three harbor seals entirely too many times by now.
People don't really make chairs for people with tails the size of their bodies around here, which means that chair backs that accomodate her are generally a matter of either custom order or hoping that she's going somewhere that's dealt with one of the other half-dozen folks with the same needs.
Penelope is, fundamentally, Not From Around Here. She's not a species that's found around here, she's not a species that's especially adapted for here, and despite being a seal that's only around a metre long she still towers over most of the people at her branch. The closest person to her size is an arctic fox in the tax department, and he still doesn't really have the same sort of experience as her. She doesn't fit The Norm, pretty much in any way, and it... really, really shows.
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