#is literally a scene taken from my childhood

[follows-the-bees]

The use of mirrors in the show during intimate moments is fascinating.

There are two parallels that jump to my mind.

In 1x6, during Ed's panic attack, he crawls into the tub and covers himself with Stede's robe. The low lighting of the candles gives the scene an air of intimacy. When Stede first joins Ed in the tub, the two of them are shown in separate mirrors, physically symbolizing where they are at the moment. Ed is physically, emotionally, and mentally separated by the bathtub and his childhood trauma of killing his dad is triggered by trying to push himself to kill Stede.

After Ed opens up and tells Stede about his past, about the Kraken, Ed and Stede are no longer shown in separate mirrors. The barrier is breeched in all three ways: physically (Stede breaking the seal of the tub and touching Ed's shoulder), mentally and emotionally (Ed opens up and tells Stede (the first person ever)) about this part of his past. He comes down from his panic attack and starts to feel safe. That intimate candle lighting is blurred, just like the lines between men, by the reflection of a mirror that contains the image of Ed and Stede together.

In 2x6, Ed and Stede are shot together through a mirror again. Not only is the lighting a soft orangish-yellow, it is during a physically and emotionally intimate moment. As the camera moves with our heroes, the frame of the mirror can be seen on the left-hand side. This flips from the reality of the previous shot: Ed is standing on the opposite of the doorway, while the trauma of earlier separates them (the doorframe is a literal barrier between them) to the intimate moment that is only between our two leads when Stede invites Ed to share his space: pulls him across the threshold.

Just like in the tub scene, it is Stede breaking the barrier, waiting, and Ed responding to it, both of them feeling safe. But the scenario is flipped: Stede is the one who has locked himself away due to a triggered childhood trauma, and Ed is the one who goes after and check up on him.

Stede

The other scene in which mirrors are relevant is centered around Stede and his identity.

When Stede first leaves to go to sea, he looks at himself in the mirror; a nightgown and cap are taken off to reveal Stede's real clothing underneath. He is physically shuffling off his old life for a new one.

The next time we see Stede checking himself out in the mirror is in 2x5. Stede has lost all of his fine fabrics and this is the first chance in months for him to wear the fancy outfit.

And just like in the first scene, Stede ends up taking most of the outfit off (there isn't a shot of where he takes the outfit off - it could be in front of the mirror - I think it would be in character for him to take one last look as he takes it off.) But this time, the symbolism isn't completely leaving a life behind for another: it is more communal. He is combining all parts of his life, putting his captain hood, his found family/crews needs first, while hanging onto that softness that he posesses. The red shirt is Stede's red silk.

Bonus gif of Stede putting on a fuckery outfit (minus a mirror).

[roz-boz]

Funny how after every "qUIrKy rELaTaBLe" protagonists I've read about in YA books the only character I was able to relate to on a personal level was James Herondale from TLH

[jennifercheckapologist]

Playing House

Synopsis: literally just that scene from Jennifer's Body but hornier and with Ellie like I can't stress that this is just a hornier version of the scene from Jennifer's Body but badly written and hornier.

Warnings: not quite fingering, not quite grinding... a secret third thing ? mdni for... pretty obvious reasons; reader and Ellie are best friends (like Jennifer and Needy); Ellie's a little loser-ish but she figures out what she's doing; Ellie calls the reader mama... I don't wanna talk about it

Word Count: 673... I don't have much to say

On TLOU2 & Palestine

“We can play mommy and daddy like we used to.”

Ellie feels like she can’t move. You’ve managed to pin her in place with one sentence, your eyes wide as you look up at her like she could break your heart if she answers wrong. It’s not fair at all; you look incredible- like you belong here.

Your skin is glowing as you sit up on your knees in her bed. It’s mesmerizing, and she can’t figure out what’s appropriate to look at when you look like this, eyes all low and legs exposed, “Is that my Evil Dead T-Shirt?”

She watched you closely as you nodded back at her, your teeth sinking into your bottom lip. You weren’t even trying to play fair. Her mouth felt so dry she wasn’t sure if she should speak again- especially when all she could think about was the two of you back in middle school, practicing kissing and playing House under the covers of her childhood bed. She could feel the heat rising in her cheeks, god, this was so embarrassing.

She attempted to wet her lips as you crawled toward the edge of her bed to touch her. You placed your hands on her shoulders and leaned in to whisper into her ear, “We used to have so much fun together.”

You were right. She’d felt every inch of you over the years, tasted so much of you back when you were just exploring. You were her best friend long before you were gushing about the boys at school. And you were all grown up now, just like her. God, you were so pretty she needed to touch you and here you were, practically begging for her.

It was almost as if she’d been waiting for permission all night, and now she’d gotten it. She placed a hand between your thighs, “Oh, mama, are you all wet for me?”

You nodded back at her, your mind already fuzzy. This was just what you needed and she was always so warm, the feeling of her touching you was already too much. You would do anything she wanted at this point; everything was for her.

Ellie took her other hand and took hold of your jaw, forcing you to shake your head no instead, “I don’t know if I believe you.”

It’s amazing. One second you were on your knees, pulling her in, and the next you’re on your back and at her mercy. She’s so pretty like this, with a little wrinkle in the middle of her forehead as she concentrates on spreading you open. She’s already glowing from her sweat, cheeks ruddy and full and her tongue peeking out of her mouth as she thinks of what to do with you.

Now you’re the pathetic one, but you can’t even find it in you to be embarrassed. Instead, you’re whining her name like she’ll take pity on you if you hit the right note. Your back hurts from how hard it’s arching off of the bed when she decides to show enough mercy to press the heel of her palm right where you need it. You could cry when she doesn’t pull away when you lift your hips to grind into it.

Instead she coos at you like she’s doing you a favor. It’s too much and not enough but she’s whispering to you like a promise, “I know, mama. I’m gonna take care of you, I promise.”

You want to call her a liar. You don’t feel very taken care of, but then her fingers are spreading you open and there’s no point in arguing when you’re so close. Now you’re babbling. Begging for something you can’t quite identify- anything really. You’d give anything to cum but she’s toying with you like the sound of her fingers spreading your wetness- making such a mess- isn’t pure torture.

“Could make you a real mama,” She takes her fingers into her mouth before she begins to practically chastise you, “but you have to be patient.”

Housekeeping: I like never write smut or x reader fics, but I have needs and thoughts; this divider is from @saradika ; I believe @seattlesellie infected me with the "Ellie calling you mama" bug, but my memory is awful

sorry, God for writing this on Christmas Eve, tipsy a few hours before getting ready for a Candlelight service; I'm black and a femme lesbian and this is real Ellie focused so it doesn't matter, but it's my truth <3

[cosmoeticss]

Haven’t I Been Good to You? | Aemond Targaryen x Velaryon!Reader (18+)

my masterlist

Words: 2K

Pairing: Aemond Targaryen x Wife!Neice!Pregnant!Reader

Warnings: 18+ (minors dni), good old fashioned targcest, p n v, overall bad writing because I haven’t properly written in so long

Note: Reader is Rhaenyra’s heir/eldest daughter and the argument takes place after the dinner scene. I tried not to use any physical descriptors but those gorgeous targaryen platinum locks so I hope thats okay and you enjoy. Literally crawling in my skin right now because I’m about to post this, existing is an embarrassment, if you see this ily thank you for reading.

part two

Aemond was anything but cooled off when he returned to his marital chambers that night. He bound into the room, his displeasure from the night clear in his body language and his labored breathing. His wife sat stoically in front of her vanity, clad in only her night dress as she combed through the length of her silky, silver curls.

Aemond stared her down in disbelief as she barely acknowledged him. How could she honestly be angry with him? It was her bastard brothers who started the disagreement, who started the rivalry to begin with, who teased him their whole childhood and took his eye that fateful night on Driftmark. And here she sat, his wife, shoulders back and proud and angry with him.

Gods, she was beautiful when she was angry. If he didn't know her so well he wouldn't be able to tell. She was so serene and regal and surprisingly calm when she was upset. He often thought of how opposite they were in that sense. He thought of how hot tempered and quick to snap he was, and how she thought everything through before it slipped from her pretty lips. He envied this about her, and yet it was what he had loved most about her as well.

Aemond couldn't help it. He broke first. "Where are the children?" He inquired, steadying himself to the best of his ability.

She hardly gave him the time of day as she answered, her eyes not leaving her own reflection. "I've settled them into bed,” she said.

The Prince furrowed his brow. "Did you not think that I would wish to bid goodnight to my sons?"

"The hour is late. They've had their fill of excitement for the day, Husband."

Husband. Not her usual 'my dearest love,' not 'my darling.' He was in trouble far more than what he had bargained for. He eyed her in disbelief. "You're truly taking their side?"

She finally turned then, vast (e/c) eyes meeting his violet one. "There is no side to be taken, Aemond,” he hated her formality when they argued, "We are a family. We're supposed to be on the same side. Did you see how pleased the poor King was to see everyone finally getting along? Our mothers finally found some common ground after all of these years and yet you ruined an otherwise pleasant night with your wounded pride."

"My wounded pride?" he spat harshly, raising his voice at her. "Did you not see the way your beloved brother laughed as they sat a roasted pig in front of me? Or have you forgotten the torment I was subject to as a child? What do you expect to me to do, (Y/N)?"

She stood then, the silk of her long night dress accentuating her rounded stomach. "You are to be the Royal Consort one day, you will be King!" she scolded him sternly, silencing him. "I expect you to be the bigger person. I expect you to act with dignity and not meet the teasing of a child with the ferocity that you did tonight!"

Aemond softened at this, turning away from her to face the burning embers of the hearth. He did not retaliate, only moving to sit in a chair placed in front of it. He gripped the arms of the seat trying to calm himself, breathing deeply.

His wife watched him carefully. "It is not fair. I know it isn't," she swallowed, her eyes glazed over as she did. "I know that it angers you that I love my family after all my brothers have done to you, after what Lucerys has taken from you and I am sorry, Aemond. I truly am."

He was silent still, eye glued to the flames before him as if they were the most important thing in the room. "I cannot keep atoning for crimes I did not commit," her voice was almost pleading as she stepped closer to him then, slowly, testing the water carefully. When he did not retaliate,  she kneeled on the floor in front of him. "I know that you would not have chosen me to wed on our own, dear husband."

Her hands reached out to take his, and he allowed it, watching down the bridge of his nose as his wife gently held his hands in her small ones and brought them both to her lips, kissing them tenderly and repeatedly. "We have been honest and good to each other in these near seven years as man and wife, though," she stated, eyes wide and pleading as she rested her chin on his knee. "Have I not been a good to you?"

"You have," Aemond's voice cracked, his eyes fluttering shut at her soft inquisition. He breathed deeply, removing one of his hands from hers and carding it through her beautiful hair. “My love.”

"I have given you my body, mind, and soul. I have given you my virtue, and my fidelity. My heart has only ever belonged to you," she whispered as her husbands tensity began to dissolve between her nimble fingers and lips. Her soft kisses continuing slowly up his arm. "I have bore you two beautiful, healthy boys. Boys that will be Kings and Warriors one day, and I carry another inside me."

The air was stolen from her as Aemond halted her pecking and surged forward, lifting her swiftly from the stone floor to straddle his lap as if she weighed nothing. She gazed down at him, moving to gently remove her husbands eye patch. He hadn't minded the action for years now, as it was a bother to wear and his pretty wife had never judged his appearance or what he had lost all those years ago. She set the patch on the end table next to them, not taking her eyes off of him as her hands slid up his shoulders and found their home at his jawline. Her thumbs moved in slow circles on his face.

"I have given you power," he whimpered at this, gripping the soft meat of her thighs. "Outside the walls of this chamber you are my equal, and one day we will rule the Seven Kingdoms side by side, however we see fit to."

"Yes," he groaned hoarsely, continuing his kneading at her thighs, sitting up to press his lips to her throat, leaving hot opened mouth kisses down her neck to the swell of her breasts as he detangled the strings of her shift, baring her supple chest to him.

"You would like that wouldn't you, My King?" Aemond growled in agreement, continuing his ravishing as she slipped her fingers to the base of his neck and weaved them into his hair, gripping it tightly. "And in this room, you will rule me as you see fit."

"If that we're true then I would bound you to our bed, little wife," he sank his teeth delicately into the flesh of her breast, tongue swirling against the skin, causing her head to snap back in pleasure and a breathy moan to fall from her lips. "You would never leave these chambers. Who would be left to rule if I'm buried inside this sweet cunt for all of our lives, hmm?"

"You have many years before we are crowned for me to ride you, my dragon. And I plan to mount you morning and night,” she grinding into him, their lips meeting finally in a messy kiss. "Surely you'll tire of bedding me by then."

"Never," he pressed his forehead to hers, their breathing hot as he moved a large slender hand to cover her swollen stomach. "I enjoy no sight more than your belly swollen with our children."

She rutted her hips against his once more, her weeping cunt begging for friction. "Please, my dearest love"

"I wonder how the realm would feel if they knew the truth of their precious Princess?" he smirked as she fucked herself on his covered length. "If they knew how she begged for me each night? How wet she gets without me even having to touch her."

"Aemond, please," she wined.

"You wish to ride your dragon, my Queen?" he began hiking up her night dress to rest on her hips.

She panted at his movements, so tender, so achingly slow and teasing. "Yes," she whimpered.

He cocked his brow at her. "What's stopping you? Claim me then."

She didn't have to be told twice. Her trembling hands moved frantically to the strings of his pants, unfastening them and pulling them down to his thighs. He hissed as she took his length into her hand, stroking it sweetly before he lifted her hips and guided her to sink down on him. Her eyes screwed shut, crying out in pleasure as she adjusted to the size of him. Neither of them moved for a moment, their breathing tense and labored.

Aemond brushed a lock of hair out of his wife's face, her forehead falling to meet his as he cradled her head with his hand. "Alright?"

"Mhm," she hummed needily, bracing herself as her hands dropped to his shoulders. Aemond's free hand moved to cover the swell of her stomach, a lazy grin forming on his lips, before finding it's way to her hips once more, helping to roll them against his. Aemond cursed, his jaw going slack as his wife unraveled above him. Once she found her footing, she picked up her pace, bobbing up and down steadily, her finger nails curling into his shoulders. His hips snapped up to meet hers, and she cried out, his name tumbling from her lips like a prayer. Something came undone in him at the sound, his hands were everywhere then, cupping her full breasts, wrapped around her throat, sinking into her thighs. He was pawing at her like she would disappear if he let go for one second, grunting like a wild animal as he rutted against her.

"So good," he captured her lips in a searing kiss, all tongue and teeth clashing. "So pretty and all mine."

She babbled something nonsensical in appraisal, her heat clenching around his cock as he worshipped her, their movements becoming sloppy as they approached their peak. "I'm so close."

"Say you love me," he demanded, fingers making their way to her pearl as he toyed with it, causing her to squeak at the touch. "Tell me again that you're mine and mine alone."

"Please," she panted, whimpering as he fucked into her relentlessly, hitting her sweet spot with each thrust. "IloveyouIloveyouIloveyou."

Aemond's fingers were torture, slow and taunting. "Say it." "I'm yours," she cried out. "Only yours. Please--"

"Let go," he permitted, following close behind as she toppled over the edge, back arching and eyes rolling back as she was overcome with pleasure. They were still, chests heaving and hot breath mingling as they came down from their shared orgasm. Her nimble fingers tangled into his hair, brushing it away from his sweat soaked neck. He fell back into the chair, pulling her close and wrapping his arms around her. "I would've chosen you," he broke the silence after a long moment. She lifted her head slightly to look him in the eye, confusion evident as if she had not registered what he said. "When you said that you weren't the wife I would have chosen for myself. If I had been presented with a choice, I would've chosen you."

Her gaze softened at the sincerity and raw emotion flickering in his eye. "Then choose me now. Choose our family," she gripped his shirt tightly, pleading with him. "Love me more than you hate them."

Aemond sighed deeply, covering her hands with his. "I do love you. More than anything."

"Then promise you will try." Neither wanted to admit what they both knew, that even if he did, it was too late. The King's health dwindled more and more by the day, and the wounds cut between the Greens and the Blacks were too old and too deep for even their love to heal. The time was coming where they would have to choose. War was looming and their last chance at peace had slipped through their fingers like flowing water. So they didn't, and chose in silence to carry on pretending while they still could.

Aemond cupped her face gently, and pulled her into a soft, sweet kiss. "I promise," he whispered, the sweetest of lies, and he met her lips again in a more fervent kiss.

And she let herself hope, she let her self believe, just a little while longer.

[lineli225]

Tomura Shigaraki 's abuse and neglect under All for One

I've decided to make this post due to the fact AFO's abuse towards Tomura is often ignored and even denied, so I'll be bringing a collection of scenes that prove he was being severally neglected during the 15 years he lived with AFO

1- Malnourishment and Underweight

At the beginning of the story Tomura used to be very skinny, his spine visible, very accentuated collar bones.

We can't see if his ribcages are exposed too since he's always dressed, but we can tell he is abnormally skinny and thin.

Some theorize AFO's purposefully keeps him in this state so he's more weak and frail similar to Yoichi. Or so it adds to his tiredness and numbness.

He's also been shown randomly struggling before (it could've been the aftershock of Stain attack, i don't know)

2- Lack of hygiene

He literally lives in pure filth, trash bags, old soda cans, paper, boxes, packages of food that seems ordered other than homemade, it lingers all over his floor, he is clearly a hoarder

It's completely different of the kept and clean bar, and now before you say "That's Tomura's responsibility, he's an adult he should clean it himself!" just think for a minute, if you had a son, that you see as your heir, and bets on their future so much,If you truly cared about them and saw they felt into a hoarder mindset, wouldn't you at least help?

Why not even Kurogiri cleans if Tomura was being cared by him? This clearly is intentional neglect, specially to keep his mood constantly down.

3 - His teeth

Tomura canonically has crooked teeth (compare his teeth to the other's in the jump festa art), cavities or at least what looks like plaques or dirt all over his teeth.

For someone raised by someone as filthy rich as AFO, he should've had access to dental care

4- Shaggy hair

His hair looks un-brushed, shaggy and dirty, which had no reason for before MVA when he became homeless, so why even at the start? How long has he taken a bath or a shower?

Look at the blatant difference in this scene after he showered at the PLF mansion

5- Unkept, ragged and broken nails

despite his hands also being very skinny, his nails are also all rough and broken Now, I know Tomura isn't a kid to have someone cut his nails for him, but this implies he was never teached how to take care for himself.

Besides of course his clear symptoms of depression and suicidal idealism, which, are very obvious, All for One IS neglecting Tomura by keeping him in that state /knowing/ he isn't being capable of taking care of himself.

6- His bedroom

First of all: No windows

Second, notice how empty it used to be, he had nothing but a bed and a desk, but right as he committed his first murder he started to receive toys, AFO is lovebombing and manipulating him to kill more

7- The obvious neglect to his pain

Notice how every time Tomura panics or is even wounded, he is just ignored and left on the floor bleeding out, puking or writhing.

Which uh- it isn't normal to watch your kid writhe in the floor while smiling and monologuing

8- 24/7 Surveillance and lack of privacy

There are cameras everywhere, AFO spends most of the time watching Tomura, even in his own bedroom, and even talks to him, Tomura probably hasn't had any privacy ever since he was 5

Which is a sign of abuse and control

His entire childhood from 5 to 20 is often relatable for people who grew in cult like environments, and homeschooled children who grew under controlling parents, despite the abuse not being as "obvious" since AFO never directly physically hurt him, the neglect and psychological torture is still there, that and more all the manipulation, gaslighting and grooming (think of Mother Gothel from Tangled as an example of this type of abuser)

By the way, talking about it

9- Gaslighting

"but wasn't /you/ who desired my power?"

The entire body possession plot is a clear evidence AFO never saw Tomura as anything other than a toy to play with, the same way he saw Yoichi, but so many people say the possession was a retcon because "early afo cleared saw him as his heir, he even said it's all for him!"

Well, argue with the literal "he's the next me", while he is.... weirdly caressing the screen while he watches his kid with no privacy- 100% creep behavior

10- AFO's bizzare behavior towards Tomura

The way All for One's hands are often shown caressing him or encasing him somehow, which yeah, it's part of the symbology of Tomura's character (hands that can both hurt and save)

But knowing AFO represents /hurt/ and, you know, i'ts kinda weird to caress the kid you kidnaped off the streets like that-

Cuz yes! Picking kids from the street even if they are orphan is illegal!! You should take them to a police station instead :D

Tomura was KIDNAPED by AFO, not saved.

11- Proof Tomura doesn't /feel/ saved

During his fight against Bakugou, when he sees him being helped, besides being "broken" he starts to spiral on "why no one saved me even before i was broken?"

The visual including the granny that ignored him on the streets

AFO broke him.

He recurrently thinks back to when he was on the streets, even though he was already traumatized, and had already killed his family, he still had /hope/ he ADMITS he believes he could've been different if it wasn't for AFO

If AFO had truly saved him,he wouldn't think like this

12- AFO gifting Tomura the corpses of his family to intentionally keep him nauseated, uncomfortable and traumatized, so he never heals

Besides their weird placements- On a kid. the gangster's hands being in his chest...

13-AFO's intentional desire for Tomura's discomfort

If this entire thread didn't make it obvious already, All for One benefits of Tomura's tiredness, ill feelings, nausea, depression and suicidal mindset, and over all physical and psychological discomfort

This ensures he's submissive to his manipulations and orders, keep him feeling hatred and anger due to constant overwhelming feelings and makes it harder for him to think of why AFO does all of it at all.

I could go even deeper than this about it, but i've reached thread limit and am lazy, so I hope you enjoyed this thread!

Thank you for reading

[amostexcellentblog]

Finally watched Wings (1927) for the first time, and oh my, it really is that gay, it wasn't just that one kissing scene taken out of context.

The entire film turns on the relationship between the two men, progressing from romantic rivals to ride-or-die comrades under the duress of wartime. The ostensible female romantic lead is entirely unnecessary, tacked on at the behest of studio executives who wanted to boost box office. She appears in only a few scenes, does nothing to drive the main plot, and is absent from large portions of the film and at all the key moments. The actress, Clara Bow, knew the film was beneath her, once saying it was "a man's picture and I'm just the whipped cream on top of the pie."

I guess Top Gun did not, in fact, invent the military-pilot-rivals-to-friends-to-implied-lovers trope after all.

It's literally WWI Icemav. (Maybe an Ice-Lives AU where, freshly retired and bored out of his mind, Ice agrees to go to a museum exhibit with Bradley and Jake on the history of LGBTQ people in the military, where he stumbles on a picture of two unidentified WWI flying aces, standing close with their arms draped around each other in a way that could be friendly but somehow is more than that. Ice knows the pose and he becomes obsessed with finding out who they are.)

Using his contacts and military history knowledge he's eventually able to verify that the men are David Armstrong and Jack Powell. They came from the same town, but different social classes. Jack was impulsive and loved fast cars. David was more reserved. They were described as the closest of friends by their fellow soldiers. David died in the war, Jack returned home and married his childhood sweetheart, they had no children. When Jack died, he was buried next to David. That's all Ice can find, but it's enough. He sends his findings to the museum, then drives to the hanger just so he can hold Mav in his arms, but first he calls Bradley...

"You need to marry that boy."

"...I thought you didn't like him."

"I don't, but... But if he makes you happy then that... Jesus Bradley, you and Jake are the first ones, the first generation who can live your lives openly. Don't waste that chance, so many of us never got that, never even allowed ourselves to imagine what it would be like."

"Well, good news. I proposed a month ago and we've been trying to figure out how to tell you. We actually thought the museum exhibit might soften you up, but you got so fixated on that damn photo you forgot we were even there."

[imrllytootiredforthis]

sub yandere lix is the best type of yan because he's so unexpected, wdym the sweet boy from next door you've known since childhood is actually an obsessed masochist who lives for hair pulling and rough fucking, who doesn't wanna be called sweet names like angel and honey but slut and whore while being fucked by you. I mean the boys so sweet you could've been convinced his blood is honey, so who would've thought you'd walk into the scene you walked into now with Felix on your bed humping your pillow and roughly gripping his perfect strands while moaning out your name assuming you weren't there, which you find hot of course to walk into, but how did he get into your house?

he's literally the best subby yandere, he's like my favourite bc of how sweet and adorable he is too

like baby is just so obsessed and in love with you for as long as he can remember. he doesn't know what to do with himself anymore.

every time he watches a romance movie it's you he's thinking of, a book? you. mommy dommy porn? you.

before you're together he'll probably listen to those asmrs like 'mommy taking care of babyboy' or something. in the beginning he'd taken recordings of your voice in secret that he'd get off to (the meaner the better aka him starting random fights so he can record you yelling at him) before he'd realized that he'd needed something more. he desperately scoured the internet for someone who sounded like you, willing to pay an ungodly amount of money once he did find someone who did. he listens to you but not you every night, hand dipped below his waistband playing with himself, eyes squeezed shut, trying to imagine that it really is you touching him and talking to him.

he'd probably even find the va of the person that sounded like you as well and message them privately, asking them to make different scenarios, rougher things, punishments and degrading terms thrown in. he was always very polite though and paid them a lot for it and they probably appreciated the business.

it's hard and it's not nearly good enough because deep down he knows it's not you. not really.

he knows that and he can never forget that. but sometimes when he falls deep enough into his head, when time and space and pleasure and pain and every little thing melts together and nothing feels real anymore. when he feels like he's actually maybe going insane with want and desire and the desperate feral need to be yours, he can forget for only an instant that he's not.

of course the fantasy only lasts for so long and the post nut clarity/subspace would hit him hard. feeling so guilty and needy, he definitely cries during most of these, just wanting to feel close to you but of course you're not there.

it was one of these times where he goes to your house, but you're not there, not there when he needs you the most.

so he curls up in your bed, wrapping himself in your blanket, your scent surrounding and clouding his mind like a drug, with him taking it in like an addict.

he can't even help himself-not that he really wants to-his body moving on automatic and before he can even catch himself his pants are gone and your pillow is between his legs. the imaginary tone of your voice feeling all too real as he whines, working against the soft fabric almost violently, it's okay though because you still have two more on your bed.

his face up, moans free to roam because he knows that you'd like him more like that, you'd tell him not to hide his pretty noises that you love them too much. you'd love him. you love him.

his neck feels heavy and his eyes squeeze shut, his hands clawing through his hair for some reprieve, for a single strand of sanity in this madness.

and then you're there. standing over him. looking dark and mean and lustful.

he doesn't know if you're real or not, if his insanity desire has reached a peak and something inside of him has finally broke.

but you touch him and talk to him and you feel so, so, so real.

"such a pretty slut~ all pretty strewn out for me~"

tears stream down his face. his thighs burn and his cock throbs.

"a-all for you-only fo-for you, ha~"

and he decides, he doesn't care if it's real or not. it's you and it's always enough if it's you.

[youredreamingofroo]

On Repeat

// Click for HQ

Whew,,, I finally finished these! Thank you @elderwisp / @elksun / @living-undead / @dejasenti99 AND @yukikocloud FOR THE TAGS!!!! Holy wow :0

Tagging :

@circusjuney / @butteredfrogs / @mmonetsims / @flovoid

@birdietrait / @venriliz / @retrotrait / @mattodore

plus anyone else who wants to do this! Also feel free to ignore esp if you've alr done this, idk who has and hasn't im sorry 😭😭

// Extras under the cut - below is very long, so open w/ caution if you don't wanna scroll a lot 😭

This has taken the piss outta me (albeit fun), so i'm kinda just gonna explain how I think the featured line in particular is akin to the OC/Ship and not the entire song... as much as I'd love to 😭 Also it's just SUPER hard (for me) to find songs that I relate to my OCs, lyrics as well so skdjhnsjk

Roo's Song Oil & Water by Origami Button "When did I become like the ones I never thought I'd welcome in my home"

The above line in particular is quite literally Roo in the current story/character arc- He's looking at himself from a third person view and going "Oh. I am what I hate." He's looking at his old self, in college, and how he treated Leo, to now, looking at his present self and seeing the way he creeps on Leo, how he clings to him despite being several states over. Roo looks at the progression of his stalker-ish behavior, his obsession, how it went from just general clinginess that Leo could bear, to something completely unbearable after 7 years of no contact, it saddens him. So taking it quite literally, if he was at his own door and he knew how awful he was, he would slam the door on himself. A painful self reflection for him :')

Leo's Song Truth or Dare by Ricky Montgomery "Hiding in the closet, trying not to vomit, didn't even want it"

The entire first verse for this song can be applicable to Leo. As a teenager (15-16), Leo went HEAVY on drugs as a form of escapism from his parents, of course they'd always find him and get on his ass HARD for doing that shit. After a while of being sober, Leo started going to house parties, great idea- Flash forward to his third house party, and he finally cut his year long sober streak for drugs. as many as he could fit in his body. He had terrible influences around him so they encouraged him to do this shit, it didn't take long for his body to feel the god awful effects of taking so many drugs, so he ended up in the bathroom for a while- He tried to hold back the vomit because he was,,, partially enjoying his high, but he couldn't hold it back for long and ended up passing out, but not before nearly gutting himself from vomiting so much. Cut forward in time, and people got worried, bashed open the bathroom door and found Leo's unconscious body slumped over the toilet 🙃 Obv he came out fine, but it's a major moment in his life, because looking back on it, he realizes that wasn't what he wanted, he just wanted attention, he wanted to be cool, he wanted to be rebellious, but he didn't want to (nearly) kill himself. The render isn't one-to-one with the situation, but the lyrics are accurate so :3

Onia's Song Bloodstream by Soccer Mommy Scene used in render "Now a river runs red from my knuckles into the sink and there's a pale girl staring through the mirror at me"

Overall, the song talks about how the artist (Soccer Mommy) has lost her childhood innocence and how she wants to go back to her childhood and putting Onia's Sheep in Wolf's clothing motif aside, Onia misses being a child, and misses not knowing the pain and burden of being the complete opposite of what her parents wanted, so she spirals over this a lot, and like the lyrics say, "a river runs red from my knuckles into the sink," She tends to lean towards harming herself, in this case, her hands, and her knuckles- I can't draw or simulate blood in either blender or GIMP, so the red light is supposed to simulate the blood-sodden sink that she's standing over, and of course, "pale girl," is Onia, she's staring at herself, but additionally I like to think she's staring past the mirror, or staring through it (wink wink), she's spacing out and thinking about who she should've been, or who she could've been.

Hero's Song Following Eyes by Soccer Mommy "An awful feeling started creeping over me and what I saw was like no horror I had seen"

I'm keeping this short and sweet. It's not easy to find a song (that I like) that's about being haunted or cursed so. I had to re-use her song from her intro post, which isn't bad, but I did hope to find a new song kdsjhnsjk Anyways. Hero's cursed, pretty much anywhere she goes, she is forced to perceive ~the horrors~, sometimes she's forced into a blank space, a void (SOMETIMES,,, not a lot,,, rarely moreso), where she'll be tormented for who even knows how long, this moment in particular, she was walking along this catwalk in the dark, she eventually felt something that felt similar to someone dragging their fingers up your spine, in a moment of fear, she turned around and just. saw. She looked onto this,,, being, what she saw was "like no horror I had seen,,," Although to be fair, the creature isn't all that horrifying (which in my defense.. I'm a blender novice so </333)

The Hiraeth Song Nomu by Good Kid "Four eyes entwined draw four separate lines and none of them point to you"

I think this song overall is a perfect example of Roo and Leo's relationship both after Leo's confession and after Roo tried to reconnect with Leo. After Leo confessed, he tried to keep their relationship going, but it didn't work out, so he gave up (Roo didn't realize Leo was pulling such a weight and he just let their friendship fall out) After Roo tried to reconnect (aka the CURRENT storyline), Roo has been trying to keep things together and has been trying to make things work, but Leo has long-since given up on their friendship as a whole. Now in terms of the lyric above; Post-Confession, every conversation they had together would not be the same, they couldn't look each other in the eyes, their eyes would connect momentarily and separate almost immediately; Nowadays, if they WERE to be living together or near each other, they just would NOT be able to talk to each other, because Leo would be fed up with Roo and trying to avoid as much eye contact and general verbal+physical contact as possible with him. Roo, on the other hand, is just terrible with eye contact so he would have a terrible time trying to engage in eye contact with Leo.

The Ithanel / It's All Wrong Song From Eden by Hozier "Babe there's something broken about this but I might be hoping about this oh what a sin"

Ithuriel and Nanel's entire relationship is inherently toxic, they are not toxic to each other, but the underlying (or moreso, the OVERWHELMING OVERLYING) dangers of this relationship makes it toxic, broken in a way. Nanel risks her life going to see Ithuriel outside of work-related interactions and Ithuriel risks her life by just. seeing, talking to and loving Nanel. Whether they know (they do) or care (they dont) about these dangers, they still want this relationship, they live on, literal, prayers that they are not caught and that they can continue to love each other in peace, but overall, their relationship, in the eyes of the heavenly council (ehhh W.I.P term for IAW lore stuff), is a sin, and nothing but a sin.

Ithuriel's Song What You Mean by Rome Hero Foxes "Cause every little god damn thing you do makes me wanna get close to you"

The lyrics speak for themselves... Ithuriel is very dedicated to Nanel, and literally every waking moment of seeing and knowing Nanel drives Ithuriel up the walls because she loves her so much.

Nanel's Song Future Me Hates Me by The Beths "It's getting dangerous, I could get hurt, I know, I've counted up the cons, they far outweight the pros."

This is semi-foreshadowing, but Nanel knows that her and Ithuriel's relationship is forbidden, wrong (not cuz its gay necessarily,, 😭), and the way Ithuriel's heavenly role works means that their relationship status and every interaction outside of a required interaction is a risky game of one or both of them being punished and sentenced to death. But ! Nanel loves Ithuriel wayyyy too much to let how insanely dangerous their relationship is to get in the way of them loving and being with e/o.

Nirvana's Song 1999 by Beabadoobee "And I'm not wasting time again, closure instead of s^x, and I'm not wasting time again" Idk if I need to censor s^x but i am justttt in case...

Oof, Nirvana... Nirvana has always been sxually active, she's always had one-night-stands with other men, she's tried to continue things after that ONS, but it never works, she's tried to have relationships with women, but they just use her for s^x. She's tired of wasting time with people who just want her for her body, she's tired of s^x, she just wants, well, closure, she wants someone who will love her for her, she wants a relationship without s^x, or at least isn't s^x-focused, she just wants to know someone will love her past her body. Although aforementioned is all just a habit so she will unfortunately end up right back where she started and continue this uncomfortable and sad spiral.

[bellewintersroe]

Hiiii I was listening to music with my dad the other day and the song caballero by Alejando Fernandez came up and all I could do was think about carlos being in love with the gf (reader) of another driver. The song is about respecting the other guy in a way but what if he didn’t and that’s when I thought of secreto de amor by Joan Sebastian it literally says “Delante de la gente no me mires. No suspires no me llames. Aunque me ames. Delante de la gente soy tu amigo. Hoy te digo, que castigo” and i love the idea of carlos trying to be a gentleman like with the first song and then snapping bc he knows reader loves him too and having an affair with her and it being their secret like the second song

You don’t have to write anything I just wanted to get the idea out of my head and I thought I’d share

No I LOVE this, this is so creative honestly thank you for the inbox I appreciate it sm!! I’ve tried to use some Google translate and I got a bit confused (I’m so sorry) but I’ve attempted to write something along the lines of your scenario because I absolutely love it and how angsty it is. I’m not aware of the songs so I apologise if it’s not exactly what you were imagining. Feel free to inbox me again if this is all completely wrong HAHA.

Carlos Sainz x AlonsoGirlfriend! Reader..

warnings: smut, mentions of affair (I’m sorry) hurting feelings, secrecy, jealousy… reader is Spanish but I won’t try butcher the translations.

Desde el día en que te miré Ibas bien acompañada Ibas con él de la mano De repente te reías De reojo me mirabas The champagne Carlos had consumed all night began to weigh heavy on his eyelids, wandering around the room as though he was in a subdued trance. His intoxication was, of course, due to the expensive alcohol he’d drunk excessive amounts of, but deep down Carlos knew there was something else weighing heavily on his sobriety. Her. The dark, olive skin exposed between the risky slit in her black dress, the valley between her breasts, the almost jet black hair that cascaded down her spine- she had him in a trance.

Carlos’ heart tightened, jaw falling a little slack at the sight of you once again. It was movie like. The beautiful girl, gently batting her eyelids at her prince-like boyfriend, and the depressed, drunk man watching from the corner. Alone. Her hands smoothed up over the other man’s creased shirt, flattening the material crisp over the bicep as his hand reached out to curl at the curve of her hip. His finger tips tightened into the flash of her behind. The corners of her red lips turned and she offered him a simple kiss, once on the cheek. Fernando caught her again, this time catching the plump of her lips. Carlos grimaced. That was enough. Carlos had enough of seeing the scene and turned back down to the alcohol in his glass. Simultaneously, she spared a singular glance in Carlos’ direction, one he assumed he was imagining, a deluded sight he could only dream of. No es mi gran amigo él Pero claro lo conozco Y no suelo ser aquel  Que no le importa con quién Trato de ser respetuoso The man that Carlos so desperately wanted to trade places with? Fernando Alonso. His childhood idol, his fellow Spaniard on the grid and good friend, mentor- he was everything Carlos respected and more. Carlos knew better than to sought after a taken lady, especially one of his friends. Fernando was a lucky man, a lucky, lucky man… as soon as they were embracing, did she begin her journey towards Carlos. He felt the tips of his fingers unconsciously dig into his jeans and the swell of his heart speed. Carlos’ eyes fell down her body, her beautiful curves, the sleek of her dress clung to all the right places, hair bouncing with each stride she took. Ay, pero ven tantito Es la única vez que te voy a contar mi secreto Si no tuvieras compromiso, te perdería el respeto

With a sparing glimpse back to an occupied Fernando, busy talking to another young, beautiful woman, Carlos fell to the temptation of the beautiful woman, who was now inching closer to him. She was unearthly, a goddess, and when she offered him a smirk, he had to double take that it was actually aimed towards him. He would risk it all, he knew he would, the brush of her arm against his caused a deep breath to catch in his throat. She offered him a sympathetic smile at the strange noise it created.

“I’m sorry… I’m Carlos.” He cleared his throat, the sound of his voice almost startling him. Her dark eyes fell to the outstretched hand in front of her. In that moment Carlos didn’t know if she wanted to laugh in his face or punch him. He was puzzled by her confused expression.

Slowly, she raised her left hand, the cold metal of a ring touching his own almost making him feel physically sick. “I’m sorry. Im not used to shaking with my left.” She laughed, a soft, gentle kind, one that had Carlos already grinning to himself. She then offered her name, soft hand still embraced within his own. Carlos swore he’d never felt skin as soft as hers. She offered her name, a beautiful one, one in which Carlos repeated.

When their hands retrieved, he noticed the diamond cladded on her ring finger. His teeth ground against one another as they shared a glance at the ring, then back to Fernando.

“I’m Fernando’s-” the woman’s face winced as her eyes gazed over what Carlos now recognised to be her fiancé, with the hand on the waist of another woman. He recognised the the heaviness in her voice, the sigh which escaped her lips sounding almost painful. “-I’m getting another drink. Would you like to join?” Y si no fuera un caballero, te lo juro Te arrancaba de sus brazos sin pensarlo ni un segundo Eres la mujer que más me gusta en el mundo Pero tengo un respeto por ese suertudo

The minutes spent together turned into hours. Hours of uninterrupted conversation and laughter. Carlos felt as though she had captured his heart in a way no woman had before, she was sensual, even in the way she talked, Carlos thought he was imagining things when her gaze fell up and down his front on numerous occasions. She was swift, but flirtatious. Her eyelids were becoming heavier as the night and alcohol effected her. When a hand rested on Carlos’ forearm he had an overwhelming desire to pull her in his arms and spend the whole night with her. Although he recognised his feelings to be beyond lust (which was frightening for Carlos to happen so quickly) he still felt the twitch of his manhood whenever she would hold eye contact, or touch him. Occasionally she would bend forwards, exposing the further curve of her breasts. Carlos pretended not to realise. Y si no fuera un caballero Te robaba, y no un beso, sino toda la semana Para hacerte el amor hasta que te cansaras Pero soy un caballero y mejor Mejor no te digo nada When the night was nearing its end he felt almost desperate to express his feelings, he was almost certain she felt the same. It was bad, he knew it was. He still felt like there was too much respect for Fernando to pull any kind of move on the beautiful lady. God, he was so lucky. So, so lucky.

But it seemed her luckiness had run out, something that broke Carlos’ heart to see her eyes wide and scanning the room for her missing fiancé. “Where has he gone?” Carlos cleared his throat, the first mention of Alonso all night. “Um..” she glanced down to her phone, no notifications, nothing. She recognised the same sickness she felt every time something like this happened with Alonso.

“I think… he’s gone home.” Carlos watched her gulp, sliding her phone back into her clutch, the slight tremble of her fingers causing his brows to furrow. It was as though on instinct that he reached out, steadying her tremor. “I should go.” Her voice barely reached above a whisper, focusing on the gentle hand Carlos had placed on hers. She intended the words to come across more inviting than what they did, fear grasped her too much to speak up. It was now or never.

“I will walk you…” finally, a smile grew on her face. One that Carlos reciprocated as they shared a moment of silence, eyes meeting, speaking a thousand different things that words could not.

Delante de la gente no me mires. No suspires no me llames. Aunque me ames. Delante de la gente soy tu amigo. Hoy te digo, que castigo…

“I need you.” Her soft pants had Carlos writhing up against her body, hips bucking harder into hers. “I needed you all night… Carlos.” All he could do was moan in response, teeth grind in together in pleasure as he pressed his lips onto her cheek bone.

Every breath, every sound, every movement had Carlos feeling like he was driven crazy. And when he watched her slide the ring off her finger, dropping it to the floor below he felt all respect for the other man go out of the window. The sex felt too good, it was lustful, dirty, anything and more that Carlos could have dreamt of. He felt selfish, but at the same time he didn’t care. He wanted her, he needed her, and now he had her.

Her body below his moved in time with his, the bounce of her breasts sending Carlos into a pleasure filled trance. “I needed you.” He managed to tell her back. She was tight around him, wet, it was pure bliss. Carlos could feel his orgasm creeping up on him quicker than anything. He wanted to finish inside her, make her his, claim her as his own and vice versa.

His release was beyond earthly. He almost couldn’t compute the level of pleasure as he collapsed on top body, still squeezing, caressing, stroking her skin and hair. His hips still milked his orgasm as he unloaded his seed deep inside her, arm wrapping under the warmth of her body and holding closer and tighter than before, sealing a promise that he would never let her go, and keep her as his own…

[hey-i-am-trying]

ME RANTING ABOUT MISINFORMATION ABOUT BAGI AND WHAT NOT

A missing piece people don't realize about the workers' murder arc is that Bagi was not all that bothered by the workers' death at first, she was more worried about how Cucurucho would retaliate and also by the cannibalism, because yeah, cannibalism doesn't exactly scream mental health.

It was seeing the grief of the living workers that changed her profoundly, it filled her with guilt. And I cannot help but think of young Bagi who didn't have a body to bury, didn't have closure, and refused to even acknowledge the possibility that her brother was dead, being so moved by such an open sight of mourning.

Bagi ran herself stressed not knowing a way to help Cellbit AND stop the murders, she refused any solution that would harm him, she went after talking with people who were close with Cellbit and whom she also trusted to not turn information to the Feds. I am sick and tired to people saying "Bagi told random people about the murders". List of islanders Bagi actually told: Roier, Bad, Pac, and Mike. All who were in one way or another connected to enigmas themselves. People who she knew had more information about Cellbit past or that she thought deserved to know for their own safety.

Bagi never called Cellbit a monster or even insinuated he would hurt the eggs, I really don't know where this misinformation came from. In the separate scenes of Bagi and Bad confronting Cellbit they were they quite literally saying he was more than a murderer, and that he was being consumed by his history of violence

(Also, I get it that watching your blorbo drown in blood is fun and all. But like, did you watch Cellbit's story and believe he turned back into a murderer and being brought back to the violent cycle he was forced into is a good thing? Did watch him seeing his childhood room for the first time and asking himself what he did to deserve to be taken away from his family and made to kill people to be able to survive? Did you see that and then when he told Bagi he didn't care if he died again because he died enough time and did not get that Cellbit murdering people is also him losing grasp on the importance of life itself? Did you not get that this was not a developing arc for him? This was him at his fucking worst after having the best things in his life taken again, again and again. Murder was not enrichment for him, it was a poison that killed parts of him too)

Anyway. That is for now. I think. Just a lot of shit I needed to get out of my chest.

[kookidough]

analysing vance hopper because he lives in my head 24/7 !

tw for like. literally everything the black phone covers!!!!!!

also there's some special effects gore rather far down in the post idk just i feel like i should warn you just in case

okay so before anyones like "but bee!!!! he only had 6 minutes of screen time in a 102 minute long movie!!!!! he was only on screen for 5.8% of the movie!!!!!" and to that i say i Know it was a real tragedy so a lot of this will be built on personal interpretation and subtext and stuff said behind the scenes and whatnot

so firstly i wanna rot about what his childhood/upbringing might've been like..... i havent quite decided on something definitive but i think we can take one look at his character and realise that is glaringly obvious he had a bad childhood, in one interview the actor that plays him (brady hepner) says "the background i had set up for vance is that the reason he was the way he was is his home life was fairly difficult, you know maybe his dad was either not there for him or he wasn't supportive, maybe he was fairly abusive, and so that creates a hair trigger sense of rage in vance" hair trigger meaning his patience is literally as thin as a strand of hair it does Not take a lot for him to snap

there more to it after that which i'll get into soon but yea thats the gist of it it's clear he had absent/neglectful/abusive parents and that would certainly contribute to why he's so angry all the time, maybe acting so explosive was the only way to get his parents' attention, either good or bad, so he just internalised that. obviously rage and anger issues like vance's lead to violence (not in all cases but in his case it does) and i think a neglectful and abusive upbringing would obviously expose him to more violence than a normal childhood would, therefore normalising it and desensitising him to it, whether he's seeing it play out in his own home and/or on television or something like that (because i doubt his parents would be the kind to monitor what content he's viewing)

i feel like he has little control over his life and that only adds to his anger, which in his case leads to a fight when his buttons are pushed too many times. i think he probably takes great pride in being the toughest in town and whatnot and winning fights and being perceived as strong and scary is good to him and helps him regain control/power, something he doesnt have at home. the rest of the quote from the interview i mentioned earlier states "this pinball machine could have been the only thing that he has in his heart that's like, good, like 'holy cow i did this, i set the score,' so when someone comes along and messes it up for him, it takes away the only thing that he has. i think that that's when he switches to a 'now you're gonna pay for that'"

similar to what i said about fighting, the pinball machine and his high score is something he has control over and its an important part of his reputation/image like. hes literally pinball vance ! and the whole thing about that high score being the "only thing he has in his heart that's good" implies that hes. well. pretty shit at everything else, which is pretty much canon if you remember that gwen said vance was held back twice in school. makes me think that while he's not the brightest in school he's certainly street smart

moving onto ermmmmm him getting kidnapped era because im sure youre wondering "well bee if he's so street smart then why did he get kidnapped" so may i raise two theories (this is. literally all i got and its not even concrete, me and my friend gray (@staggersz) tried to figure out how this could even happen and this is the most plausible thing we've got. so shoutout to him real quick he has had to deal with me being unnormal about vance for like a year and a half thanks king couldnt have done all this without my rotting buddy)

so either he got taken by surprise (most likely option) or vance's trust was gained first via getting given quarters at the pinball machine and small talk and shit like that but this is unlikely because i feel like it'd take a loooooong time for someone like vance to trust a some random stranger adult man when he clearly has issues with trusting and respecting people older than him and people with authority (e.g. cops, his parents, or school officials) so yea being taken by surprise would probably be the most realistic option, i always see people on tiktok being like "how did the grabber kidnap vance hes so strong!!!!" dude its a 15 year old boy against like. a 45 year old man who's already claimed two lives its really not gonna be a fair fight here

before i get into the next part i wanna quickly address a theory i absolutely Hate and it is so easily disproven and that is the theory that vance is the grabber's son or is related to him in some other way and i see it Far too often on tiktok and i HATE it. from what ive seen this all stems from his dream sequence where he kicks open the fence to albert's house and, presumably, goes inside after being dropped off by the police after the grab n go fight. idk if some people just straight up didnt realise this but clearly in real life he is going to his Own House??? in the dream it's only albert's house because this is how he chooses to show gwen the house she's trying to find her brother in, the house that he himself was killed in??? i hate the theory i hate it sm

the dream sequence itself is interesting though as the ghosts seem to only be able to conjure up what theyve seen in real life (like how bruce can picture the outside of the house and show that to gwen but the house number is all flipped and not right beause he doesnt know it) so vance being able to picture the house and the number and the gate and every detail would imply that hes seen it before, but im going to explain that away as either he got out once before like with finney's failed escape attempt, or the house is most likely on the route he walks to school or the grab n go or something and he hasnt actually been there prior to being kidnapped

mini rant over now onto being kidnapped i guess, so i used the missing posters to try and estimate a timeline of how long each ghost boy would've been in the basement for (although the missing posters are notoriously unreliable for details such as looks/height/age/etc, the dates seem to all line up). so we know the order is griffin, billy, vance, bruce, robin, finney, right?? if we use the poster date then billy was taken on may 4th, 1976, a month and two days after griffin was taken (april 2nd 1976). vance was taken on september 23rd 1977, almost a full year later (stay with me im going somewhere with this), and after that bruce was taken on july 18th 1978, again almost a full year later

its established in the movie that the grabber stalks his victims before he takes them (canon because we literally see the van watching finney and gwen as they walk home from school early on in the movie) but we dont know how long he does this for since griffin/billy and robin/finney were taken such short distances apart and then the others were taken such long distances apart, also it's possible he could stalk his next victim while the previous one is still alive, etc etc lots of confusing factors, but if i've done the maths right then the absolute maximum time vance could've spent down there is 9 months and 25 days, or 298 days, so erm . let that sink in !

howeverrrr in the movie gwen states that vance went missing "last spring" and september is definitely not in spring, meaning he could've been down there for a year or even longer. an explanation or excuse i could think of for the movie and the missing poster saying different things (other than the missing posters being known for some areas being wildly inaccurate) is that maybe he was taken in spring but wasnt labelled as officially missing until september, when he was properly linked to griffin and billy's similar disappearances and the mysterious grabber? i can imagine it'd be very easy for law enforcement, especially in the 70s, to dismiss someone like vance as a runaway until they get solid evidence that he was taken. idk though thats just my personal excuse / angsty headcanon for the difference in information

not sure what exactly killed him but we do hear from vance himself that "he took his time with me" so it was probably blood loss from a variety of injuries, if we look at him in his ghost scenes we can see his hair is absolutely covered in blood which indicates head injury, he clearly has a broken nose and bruising around his eyes as a result of it, he has these deep cuts on his abdomen area (apologies for the image quality but i believe they're like. sfx pieces you would wear under clothing)

and he also has just like. minor bruising (like the fingerprints on his arm) and other random blood splatters on his face and neck (assuming the blood down his neck comes from wherever he was bleeding on his head) so Yeah overall very unpleasant way to die obviously

okay now the part thats actually in the movie and it only took me 13 paragraphs to get here: vance as a ghost!! first thing i wanna point out is appearance wise i just want to say that when he's a ghost he's missing his choker and that fact Pains me. anyway personality-wise i feel like being violently murdered has, understandably, kicked his rage up to like. the highest level it could possibly go. he's insanely snarky and downright rude to finney on the phone, showing no empathy to the fact that finney is literally in the exact situation he was in

i feel like the whole "this is the nightmare end of your pathetic little life" and "if you knew what you had coming, you'd be fucking terrified" thing is definitely to scare finney on purpose and to get him to do something, vance might as well have just told him he's never going home cuz thats how it came across LMAOO, it is startling though because vance is clearly speaking from experience, that he was literally fucking terrified, and he is warning finney in his own weird way

the thing i think sets vance apart from the other ghosts is that while he does help finney, he does it for a different reason than they do. the other ghosts want finney to escape, to get out, to be free, to live, but personally i dont think vance cares about that. the only thing he wants is for albert shaw to be dead, for someone to seek vengeance, to do what vance couldn't. vance doesn't care if it's bruce or robin or finney or whatever boy could've come after that, he doesnt care as long as that man gets what he deserves after what he put vance through, and i see this through the scene at the end of vance's call where finney thanks him for his help and vance says, and i quote, "helping you? this isn't about you, fuck him! and apologies for being repetitive but to me it just literally proves that to vance, this isnt about finney or his escape, its just about revenge

we dont get to find out what happens to the ghosts once the credits have rolled, and i dont think we quite know enough about tbp's version of ghosts to guess what theyre up to, but i have a few theories :3 maybe theyre no longer bound to those two houses and they can now go anywhere they want in town? or maybe since their shared goal of stopping albert has been achieved, the ghosts can finally pass on to whatever is waiting for them next. i dont think vance would be content to pass on that quickly or easily as anger lingers, but i hope he'd be able to let go of it eventually, and hey we might find out in the sequel. i pray it mentions him cuz i will just die if it doesnt

sometimes, ok thats a lie, frequently i think about an au where he survived or escaped or whatever but ohhhh boy this post is already a train wreck so that au would deserve its own essay of a post :3 if u actually genuinely read this far then Wtf thanks for reading the ramblings of an absolute madman, only pure delusion could get like 20 paragraphs about a guy with 6 minutes screentime but hey thats how i roll, thanks again to my pal gray for letting me rot and thank u to my other pal ana for also enduring all this rot

hope u enjoyed my interpretation of vance hopper im going to crawl in a hole now and probably brainrot some more, thanks again for ur time :3

[simply-hyacinth]

You write L so wonderfully and so in character. I had a request if they’re still open: Could I request Reader (any gender) giving L his first kiss, teaching him how to kiss in the process, and L discovering that he really enjoys the sensation of kissing? I headcanon L as so mentally devoted to his work that his physical form has kind of taken a backseat, and so something like a kiss or touch from the right person can ignite in him a new understanding of himself. Thanks for reading! 💖

So, I was gonna answer this later because I have a truly astounding amount of homework to get done, but how could I keep you waiting? Anyways, I tried my best to adhere to your request, and I'm so sorry if it's disappointing, I've never really done this before. Please let me know if you want anything else written or rewritten, or literally anything. Your wish is my command. Also, thank you so much for your kind words! I am trying to write him as realistically as possible because I saw too much ooc L, and so I'm doing my best.

“Cake?” You asked, setting it down in front of him gently so as to not disturb his setup. 

“Thank you.” He responded. His eyes never left the screen as he picked up the fork and began to eat. 

He had arrived at your apartment last night and in typical L fashion, had given you little notice before knocking on your door with a briefcase of files and papers. He had turned your living room into a crime scene, and as far as you knew, hadn’t slept a wink since he had gotten here. 

You didn’t want to ask him any questions or bother him, despite how incredibly curious you were, but you did want to be sure he wasn’t wasting away under your watch. If that meant feeding him desserts every hour to ensure that something was being consumed, then so be it.

“Cake for dinner,” You said softly to the air, shaking your head as you served yourself a slice. “I’m living my childhood dreams.”

Taking a seat next to L, you very carefully pulled a blanket up to your lap. You watched him cautiously, worried that your movements might distract him.

“You are not bothering me.” He said abruptly. 

You froze “Are you sure? I can just go to my room if - “

“No, I quite enjoy your presence.” He turned to you. “And if anything, I should be the one worried about bothering you. I have completely taken over your living room with my research.”

In furious denial, you responded, “No not at all! I love having papers about - “ You pick up a paper and skim the first sentence. “ - mass murders…on my couch…”

L let out a soft chuckle, to which you gave him a smile in return. “I should be thankful that you have not yet tired of my existence.”

“How could I ever? You’re my best customer.” You gestured to the state of your messy kitchen - a result of all the baking and cooking you had done for him since he had arrived. 

He responded with a little laugh, and turned back to his screen. You admired how much he devoted himself to his work, however it worried you nonstop to see how it ate away at him, both mentally and physically. 

You didn’t pretend to understand what he did. As far as you could tell, he was a spy or detective of sorts. He never confirmed or denied your guesses, but there were certain aspects of his routine that allowed you to infer what you could.

What you were sure of, however, was that the only time he was ever able to properly relax was when he was around you. Which only made it that much more saddening that he was so immersed in his research at this moment in time.

But you said nothing. It was never your place to interfere or say anything. That was how the two of you worked.

You picked up your book from the table in front of you and began to read. It was nice, being near him and the two of you being allowed to do your respective things. In fact, the book you were reading was one he had suggested for you after you told him it had been a while since you found a good book.

So far, you were quite happy with the recommendation.

After a couple of hours of just being next to each other and occasionally exchanging words, you began to doze off. The book slipped out of your hands and your head dropped onto L’s shoulder.

For the first time in hours, he was completely taken out of his work mindset. The weight of your body slumped against his was so warm. He knew it probably would be best to let you sleep, but how was he meant to get any work done if you were right against him?

Lucky for him, you started to stir, yawning as you awoke from your brief nap. “You’re here?”

“I’ve been here since yesterday.” He replied quietly.

You quickly noticed how much of his personal space you had accidentally invaded and shot straight up. “Shit, I didn’t mean to - “

L reached over and took your hand. It was a bit of an awkward grab, but you understood he meant it to be comforting. “You do not bother me.” His words were firm. 

“Right,” You breathed out, unknowingly lacing your fingers with his. “I forgot.”

“You also seemed to forget that I was here,” He noted. “You were surprised.”

Your cheeks heated up at his observation. “I think…I’m not used to you being so present next to me. It was a bit shocking to wake up practically sleeping on you.”

He was silent for a moment, and then, “Elaborate. On the part about me being present.”

“It’s not a matter of you being physically absent, but I mean you’re always so absorbed in your work that it’s like you forget I’m here or even where and who you are. Mentally, you are on another planet almost ninety percent of the time.” You explain, embarrassed. 

This seemed to bother him. You noticed the way his grip on your hand loosened and his shoulders deflated even more. 

“I never meant to make you feel that way.”

Your heart broke at how defeated he sounded. “Not at all! I just want you to be aware that you’re allowed to relax around me. You’re under no obligations here.”

He nodded. “Then you should also know that I don’t mind you being close to me.” He looked down at where your hands were still intertwined. “I’ve come to enjoy being in contact with you.”

You laughed lightly, relieved. “Thank goodness. I could kiss you right now, you know?”

“You could.” He confirmed quickly. “It would certainly be an experience I’ve never had before.”

To that, your laughter stops. “Never? You’ve never been kissed before?”

“I think I, of all people, would know if I had been.” He said dryly. 

“Would you want me to kiss you?” You asked him, your words hushed and curious. 

He pondered it for a moment. “I would want you to, of course. I have no expectations on whether or not I will enjoy it, as I have no previous experience to form them from. However, based off of what the vast majority of the population would - “

You decided you had enough of his talking and leaned forward, pressing your lips against his and using your free hand to hold his face gently as you did. 

By kissing standards, it was not perfect. It was soft and awkward, but to you it was pure bliss. And as you pulled away and saw the gratified look in his eyes, it was fairly evident he felt similarly.

“How was that?” You asked teasingly.

“I’m not sure,” He replied. “I think you should do it again, for me to provide you with a satisfactory answer.”

You let out a laugh and leaned against him. “To be entirely honest with you, I haven’t kissed many people before.”

“In comparison to them, how did I do?” 

“Well, that was just a basic kiss.” You explained. “If you really want to be memorable, you should try a little harder.”

He raised an eyebrow at you. “And how should I do that?”

You gave him a sly smile and moved until his back was pressed against the couch cushions and you were positioned slightly above him, your legs on either side of his lap. 

“Just open your mouth…” And like the obedient boyfriend he was, he did. “...lean forward…” Your lips met his again and you pulled him in closer; so close that you could feel his heart pounding against your chest.

The two of you quickly fell into a rhythm, and for someone who claimed to have never been kissed before, he was oddly passionate.

Breathless, you pulled away and beamed at him. “I would say that was pretty good. You?”

“If I wished to rank it, I would have to kiss other people to properly make a comparison.” You met his eyes, a teasing spark illuminated within them.

You scrunched up your nose. “Don’t joke. You are horribly unfunny.”

“Your lies do not concern me.” He placed a small kiss on the tip of your nose, much to your surprise. 

“It appears you like being kissed then?” 

“If it’s by you, then yes.” He sighed, a mixture of content and sadness. “I apologize for making you feel so unwanted around me while I work. I truly appreciate your presence and your efforts to distract me.”

You nodded acceptingly. “Well, do they at least work?”

L smiled. “They do.”

With a little exhale of relief, you rested your body against his and closed your eyes. “Anyways, you’re pretty good at that whole kissing thing. Maybe we can make it a habit.”

He squeezed your hand lightly. “I would like that.”

Because there was something so satisfying about kissing you, or even touching you, that made him only crave it more. L, whose mind was forever restless, had come to a complete halt the moment your lips had touched his. 

It appeared that the only tried and true thing that could ever relax him and bring him out of an overworked state of mind, was being with you. 

It was selfish. So incredibly selfish of him. To be with you, knowing the dangers, knowing the consequences, all because it made him feel good.

But he couldn’t help it. Not if it meant the possibility of kissing you again. And so he solidified this resolve in his mind that he wanted you, and only ever you. He knew there could be nothing good to come of this in the long run, but for now, you were both content in each other’s company.

L never stopped thinking about this moment. It might have been one of the only ones where he could truly say he was happy. 

[muninnhuginn]

In Defence of Qiao Ling

I've been musing on several threads relating to Qiao Ling in the last few weeks and have seen a few posts going around that have pushed me to actually try and put all my Qiao Ling thoughts into words and in one place.

Despite the title, I don't fully agree with the show's handling of Qiao Ling, but I do think she has been provided with a clear ongoing arc and so that's what I'm going to be focusing on here.

This got quite long so most of it is under the cut, but shout-out to @lizzieonka and @oceaniche for their previous posts on Qiao Ling, which definitely ended up inspiring some parts of this.

So, let's start with: what do we actually know about Qiao Ling?

Qiao Ling's Background

She's first introduced as the "landlady", for all it quickly becomes apparent that her relationship with Cheng Xiaoshi isn't quite that simple. Her family "took Cheng Xiaoshi in" but there's always been some distance and that's reinforced by the whole "rent" deal. (The fact that Cheng Xiaoshi is still adamant his parents will return likely also factors in to this.) Still, Qiao Ling herself clearly sees Cheng Xiaoshi as her younger brother and is willing to stake her claim on him as family to near-strangers (we've seen it both when she met Lu Guang and Li Tianxi).

Qiao Ling's social life is clearly contrasted with that of Cheng Xiaoshi. Where Cheng Xiaoshi's first "proper" friend was Lu Guang, Qiao Ling has her own circle of friends and is fairly sociable in general (she literally found a client by befriending a stranger when she came to learn martial arts). Xu Shanshan, for instance, is very much Qiao Ling's friend despite hanging out with the collective group at uni. Qiao Ling also spoke of Cheng Xiaoshi's childhood as something that happened to him specifically, implying that she herself was spared the bullying (which makes sense considering the fact that she wasn't the one with missing parents) and so had a more "normal" upbringing. Whether she spoke up back then or stayed quiet isn't fully clarified (not speaking up against adults is one thing but what about classmates?), but Cheng Xiaoshi doesn't seem to hold it against her either way.

Nowadays, Qiao Ling's role in managing the photo shop's side-business has her interacting directly with most clients. She's the most customer-facing of the three, relaying information between clients and shiguang. This is despite her not actually knowing the full details behind shiguang's diving process until season two, which in retrospect makes it more impressive. Qiao Ling taking on the managerial role (and what is also implied to be social media advertising) also has the (unintended?) effect of obscuring shiguang's roles in the business from the public, as it's Qiao Ling who earns the nickname of "witch". It took until Xiao Li saw Cheng Xiaoshi in the CCTV footage during the Doudou case for anyone to see through this.

Key Character Moments

In terms of Qiao Ling's key moments, we have four main ones.

In Doudou arc, Qiao Ling admits she saw Doudou being taken three years ago;

In season two, at the hospital, Qiao Ling asks for some trust and to not be shut out anymore;

Qiao Ling bonding with Li Tianxi and using their shared aspects to bring her out of her shell so she would help the investigation;

The revelation that Qiao Ling did, in fact, receive some form of Lu Guang's memories from Tianxi and her dismissal of their implications.

The main thread behind all of these scenes is that they are about information and what you choose to do with it.

My thoughts are two-fold here. First, how these scenes connect with Qiao Ling's arc specifically, and secondly, how they connect with the broader themes of the series.

Qiao Ling's Arc

Doudou

Let's begin with Doudou arc. In this arc, Qiao Ling reveals that she saw the kidnapping of a child several years ago. She hadn't told anyone about this for three years and likely would have continued to have kept it to herself if not for Doudou's father approaching the photo studio. In this arc, there is the following exchange:

Qiao Ling's main regret is that she didn't do something or say something as she saw Doudou being taken away. That her inaction may have ensured that Doudou's kidnapper was able to get away with him. And she specifically says "I didn't even have the courage to step forward and provide any information." (Tangent: Funnily enough, Lu Guang is the "star of courage" in the Star Warriors later in the episode, not Qiao Ling. Qiao Ling is "star of wisdom" who is meant to "light the way". Still fitting, but in a less straightforward way.)

Now, to me, this is clearly setting up an arc, not resolving one. Qiao Ling wouldn't have offered the information if not for the circumstances. And it tells us that for all Qiao Ling has friends and is sociable, she still holds certain cards close to her chest. She doesn't want to confront the past so instead she will hold her guilt tight and not say a word. Though, as this exchange shows, she does want to have that courage. And I'll get onto this later, but this ties in very clearly with the information she later holds regarding Lu Guang.

Hospital confrontation

Throughout this entire scene, even before it becomes a "confrontation" Qiao Ling is clearly feeling guilty. She runs after Cheng Xiaoshi when he tries to leave to help the police so that she can *do something*, make up for it the best she can. Guilt and avoidance are key traits for her and they both manifest here. They're still holding her back.

And, of course, there's her statement to Cheng Xiaoshi: "You're always trying to protect me. I really appreciate it. But what I need more is your trust." Qiao Ling knows what it's like to be locked out of the loop. She didn't know the specifics of diving for months (possibly years?) and it didn't really seem to bother her (or at least she didn't give the impression it bothered her when "Xu Shanshan" asked her about it). But she has her limits. And being locked out when the situation is actively dangerous? That's clearly past those limits.

Li Tianxi

Grouping together the final two scenes, because the first Li Tianxi scene is more a demonstration of character traits as well as digging in those sibling parallels between LTC-LTX and CXS-QL. Anyway, the first scene adds more evidence to the idea that Qiao Ling is more sociable and a people person. That she could could get Li Tianxi to open up by taking a more understanding approach and showing that she gets it to some extent. She's in the same boat.

Which means when we get to the final scene, this is what ties it all together. Qiao Ling has inherited the memories Li Tianxi saw from Lu Guang. She has seen Cheng Xiaoshi's "death". She has information now. But her first instinct is to dismiss it. To avoid it and refuse to confront it because the implications are too much.

But, see, she's been in this situation before with Doudou. She's had information and done nothing with it and regretted. She wanted to have the courage to do better. This is her goal.

And the implications of these memories? Do they mean Cheng Xiaoshi is in danger? Wasn't danger her red line in the sand? Didn't she tell him that "protecting" people and "trusting" them aren't mutually exclusive?

And finally, Lu Guang isn't Li Tianxi, but isn't the scenario here at least somewhat similar? Isn't Qiao Ling in the same boat as him here, wanting to keep Cheng Xiaoshi safe? Hasn't Qiao Ling shown she can connect with people through their shared experiences?

Qiao Ling isn't a confrontational character. She's avoidant. She will wallow in her guilt and not let on until it gets too much. But she wants to do better and isn't this her chance to do something? Say something? To not just be a passive observer and be left with regrets? I don't think it will be immediate by any means, but I think for her arc to conclude properly, she will have to conclude for herself that she needs to be open with the information she has and share it. If she's pushed into it, then it's just Doudou again. But if she chooses to share the information, then that's the pay-off set up back in season one.

Broader Themes in the Show

Broader themes regarding information and withholding of it. We see time and again in this series, that characters withhold information from others.

Liu Xiao and Lu Guang with Li Tianchen and Cheng Xiaoshi respectively, both holding more information than their "partner". Refusing to share it so that they can control them. Their reasons may differ, but the dynamics mirror each other in that respect. Unhealthy dynamic number one.

Li Tianchen and Li Tianxi, never addressing what Li Tianchen is doing with their powers. It allows Li Tianchen to pretend to himself that he is protecting Li Tianxi and carrying out justice. Li Tianxi is heavily implied in her telling of their backstory to know more than she lets on with regards to Li Tianchen's actions. But the refusal of both siblings to broach the topic eventually leads to Li Tianchen going where Li Tianxi cannot follow in his pursuit of vengeance and puts Li Tianxi in the very danger Li Tianchen wanted to avoid. Unhealthy dynamic number two. (There are more than this but I'm just sticking to these to keep this from getting any longer)

To go back to the hospital confrontation, when Qiao Ling says: "You're always trying to protect me. I really appreciate it. But what I need more is your trust." When she says this? It's a direct hit against the idea that protection should involve keeping people out. And in this case, Cheng Xiaoshi does start to let her in. They do manage to have healthy communication here now that Qiao Ling has been let in on the dives and is allowed to do something to help. She doesn't want to be passive.

She knows what it's like to be locked out, to be "protected" without having her own agency respected. But now, as of end of season two, she's on the other side. She has the information and Cheng Xiaoshi is locked out.

When Qiao Ling was assigned as the "Star of Wisdom, to light the way" in the Doudou arc, that's because it's her role in the show overall. Lu Guang certainly isn't going to push forward with healthy communication; he's too committed to his path for that. Cheng Xiaoshi meanwhile doesn't have the information needed to even start a confrontation. Qiao Ling is the only one in the position to lead the way with her knowledge. To provide the route to healthy communication once more.

She is the catalyst.

[kairiscorner]

I sort of have an idea for an imagine. What about a Filipino!reader where she loves to eat and her favorite is puto(the spiders probably always see her eating). So one time somebody like Miguel asks her what she was eating and she says "puto" with a warm smile and all and then Miguel is just baffled 😨 (you add like the other spiders who understand spanish in the scene).

The thing is puto is literally a cuss word in Spanish-speaking countries. It can either mean a rude word for a coward, a prostitute, or a slur for a gay man. And puto in Filipino is just rice cakes 😋.

And so Miguel and the others thought you were cussing him when in reality you were painfully oblivious and unaware. And miscommunication and culture clash/shock.

Also, pasukan sa eskwelahan na naman 😭😭.

LOL HI POOOOOO, for real, nasa bakasyon mode pa me mgee, also omg that reminds me of the cute ass yt short i saw of a filipino mom teaching her kid about the dessert in front of her colombian dad LMAOOOOO i love it and I HOPE YOU LOVE THIS <333

(reblogs are greatly appreciated, it helps get my content out there! if you guys like what you see, please reblog it too <:D)

you said... what? — miguel o'hara x filipino!reader

you were happily snacking on your favorite childhood classic snack, a steamed plump rice cake that you bought from your home dimension before heading over to HQ. as you were just minding your own business, stuffing your face with the delightful treat, miguel had noticed you being at peace eating. he looked at the box of assorted colored rice cakes, some were white while others were purple, with some having bits of cheese on them.

"whaddya got there?" he asked as he looked at the rice cakes you had with you. you stopped biting into the food and looked up at miguel with a bright smile. "ah, my favorite dessert snack from back home in the philippines." you explained. miguel nodded as he looked at you. "what's it called?" "ah, puto." you answered him with a sweet smile, which starkly contrasted with miguel's contorted wince. "um... come again?" he asked you in a softer voice this time. "ah, i said it's called 'puto'." you repeated, but miguel staggered backwards a little as he was still in disbelief that he heard what he thought he heard. you handed him a piece, asking him to try it. "i love having some puto in my mouth, y'know? it fills me up just right after a long day." you said with a sigh of contentment as you dug into the rice cake again, smiling widely as miguel looked at the snack and back at you, unsure if he's comfortable with saying the snack's name.

he took a bite and could agree with you, the snack certainly was delicious... though the name kind of made miguel a little taken aback. he does respect that you and your people call it as it is, he'll just remind himself it isn't a dirty word, it's the name of this quaint little dessert that you loved dearly in this context. but if he's being honest right now, he doesn't wanna think at the moment, he just wants to savor the goodness of this snack you really love with you, regardless of what it was named.

[delopsia]

If Outer Range's characters truly are loosely based on the Greek Gods, then Royal is Chronos, Cecelia is Rhea, Rhett is Zeus, and Maria is Hera.

Let me explain.

The moment Outer Range's season one starts, we open up with a stormy shot of Royal and his horse, Tilly, riding in a dark field with Trevor's body.

Voiced over the shot is Royal speaking to the audience, "You know anything about a Greek god called Chronos? He carried a sickle. He used it to cut a hole. A tear in the cosmos, between heaven and earth, to separate this world from the next. To separate the known from the unknown."

Immediately, we establish a link to Greek Mythology, and this is repeated later in the episode when Autumn catches Royal throwing Trevor into the hole. Through season one, we learn that Royal has used the hole to time travel on three occasions.

To escape the shame of accidentally killing his father

When Autumn pushes him into the hole

And when he jumped back in after the hole transported him three years into the future.

Through this, it's somewhat implied that Royal is Chronos. He doesn't carry a sickle yet, but he is deeply linked to this hole; he's the only one aware of its presence aside from Wayne. The hole is consistently there when he needs it. To escape his father's death. To hide Trevor's body. To show him what will happen in three years, if he does not change fate. And it deliberately returns him to the exact time period he just left.

But that isn't the only thing.

I've seen a lot of debate on whether Cronus, God of the Harvest, and Chronos, God of Time, are the same entity. For this interpretation, I'm arguing that Royal is based on both because he shares characteristics of both of them. For simplicity's sake, I'm just going to keep saying "Chronos" since that's how they spell it in the show's official subtitles.

Royal is depicted as a cattle rancher; he's a harvester of some fashion. In art, Chronus is often depicted with a gray beard, and I find it fun that Royal happens to share this feature. Is it exact? No, but its a detail in common.

Now here's where I get to the big thing. When Royal was nine and jumped through the hole, it brought him to "present time" as we'll call it, where he was taken in by the Abbott's as their own, and lived along side Cecelia, who he later married. Technically speaking, Cecelia was Royal's adoptive sister.

What did Chronos do? He married his sister, Rhea, the goddess of the Earth. Establishing Royal as Chronos and Cecelia as Rhea.

Now that I've laid that groundwork let me get to something nifty.

Rhett is Zeus.

Here is a photo shared by Amazon Prime on their Instagram.

This photo originates from the S1E2 scene when Royal reveals what happened after Autumn pushed him into the hole (refresher: he traveled roughly three years into the future). As pictured below, it's the same outfit.

You're probably wondering what the hell an outfit is supposed to tell us. Well, I'll show you. The belt buckle.

Here's his S1 buckle compared to the one in the future.

S1:

Future:

We can assume that this is the buckle Rhett earns during episode 8, after he wins the Amelia County Rodeo Finals. It's a huge tradition that bull riders win buckles, and they wear these literal trophies with pride. With how Rhett has been chasing this dream for a decade, we can assume he's going to wear the ever-living hell out of that buckle.

But do you see that on his buckle? That, my friend, is a lightning bolt.

Who is the God of Lightning? Zeus. The lightning bolt (or thunderbolt) was his most iconic weapon.

But we can't draw from that, no no no. I have something else.

In S1E1, we are introduced to the fact that Rhett sleeps around a lot, a trait Zeus is infamous for. Who haven't they slept with? Until his childhood crush, Maria comes back into town, and he's still just as crazy about her, despite her never reciprocating his advances (until now) and telling him (in Spanish) that she doesn't usually go out with men like him.

Similarly, Zeus was enchanted by Hera, the Goddess of Marriage. (Haha, get it, Maria...Marriage...similar words...I'll stop) but she didn't want a damn thing to do with him. But as the story goes, both Maria and Hera come around and agree to be with them.

Which establishes Rhett as Zeus and Maria as Hera.

Edit: I remembered another detail, Zeus and Rhett are both the youngest sons!

I don't have a solid standing on this portion, but Perry reminds me a bit of Poseidon.

Poseidon was angry with Odysseus for blinding his son, Polyphemus. While Perry doesn't have a son, he does have a daughter, Amy. Who was "blinded" by her past and became Autumn. It's a stretch, but I wanted to share the thought lmao.

This...does partially concern me about how Rhett's relationship with Maria may be depicted in season two, but you know what? I am ✨brilliant✨at sticking my head in the sand.

[year2000electronics]

OHENSBNDMDNG okokokok let me tell you a story. While thinking back on brozone's flashback at the start of band together, my mind fell on grandma Rosie Puff, and how I've come to be really intrigued in her. How did she end up having to raise all of brozone on her own? Where the hell are their parents? But most importantly, how can we make one of the only other character traits of hers that have not much to do with brozone have some sort of hidden lore to it? I'm talking about the scene where she shows to be very very enthusiastic and serious about rummy, and supposedly other gambling games.

And for a while I've been SUCKIJG AND CHEWING on that crumb of bread. LITERALLY.

What could this mean for the world of trolls? Does gambling exist within singular troll genre clans? Orrrrr is there some sort of clandestine gambling world going on outside of the old troll tree where trolls of all different backgrounds and obscured pasts come together to gamble together? What the hell am I on?

But anyway! That thought never really went anywhere. It just stood in my mind. But I had no idea what to do with it.

And then.... Your trolls Royal Flush au came out of NOWHERE.

I've only just started reading the Google doc and I've gotten past the adaptation of brozone's fallout and, I just gotta say that I really appreciate you giving Rosiepuff a whole lot more autonomy and control over a bad situation. Instead of just staying in one place, where she barely made any huge life decisions that affected Branch (other than sacrificing herself) and having a very vague picture of what kind of person she was, this single paragraph in your Google doc about what she and branch did after brozone disbanded has done A WHOLE TON OF HEAVY LIFTING TO CHARACTERIZE HER THAT I REALLY, REALLY HOLD DEAR.

How she probably became a beam of hope to little baby branch after realizing his brothers are never coming back.

How her bold decision to completely change her and branch's life for a better future, makes her a strong, determined, and confident person.

How... She must've been the ONLY PERSON in Branch's life he could still rely on at that point.

Its just... I've known this lady for a single paragraph but her death just means so much more, and HURTS so much more. Dying in the place she used to thrive in.

SUDDENLY THIS BEAM OF HOPE, THAT WAS THE MAIN SOURCE OF BRANCH'S STRENGTH was taken away from him. So suddenly. So unexpectedly.

I'M GONNA KILL MYSELF

Sorry I went on and on about a character who had one paragraph dedicated to her.

But she also got one paragraph

So therefore she's worth talking about.

In trolls one, we're supposed to care about Grandma Rosiepuff's death because of her assumed importance to Branch without really knowing ANYTHING about her.

But in this AU, you just painted such a clear image of her, we knew her for one paragraph but we also realized she's all that Branch had for a good portion of his lonely childhood. So much more than just one scene of her being taken by a berger, than just one paragraph.

Just!!!!!!!!!! I'm happy I'm really happy with what you did with Rosiepuff. Slay in peace, sweetheart.

BUT NOT JUST THAT-

THIS ENTIRE AU'S WORLD BUILDING.... Is really really thorough!!!!! Like!!!!! It's so well done!!!!! I loved the introduction to the world at the start of the Google doc, AND I LOVED HOW YOU INCORPORATED THIS WORLD BUILDING FOR ROSIEPUFF'S BACKSTORY.

AGHJHHHH I NEED TO CONTINUE READING

Thank you if you went this far!!!!! You deserve roses for all the amazing work you have ever put out into this world big or small, I'm excited to see where this goes.

🌹🌹🌹🌹🌹🌹🌹🌹

THANK YOU SO MUCH AAA!! yeah i knew that if i was doing a big casino au i couldnt NOT give grandma rosiepuff some connection to it i mean come ON!! i think thats generally a big overarching theme of how the city of luxgoode takes advantage of vulnerable people and like, taunting them as if risk can make their dreams come true. people will ruin their own lives if they can save the ones they love, even for some of the casino owners (gristle and creek obvi but i think even chaz is a lower rung in this system, it goes up to the 1% mount rageons, especially and mostly v&v's parents)

i also just. love the idea of brozone sharing traits w their grandma. jd may have pulled a lot of the weight but she did raise them too!