#is this how people feel about supernatural

[gay-dorito-dust]

Hii i’m not sure if you’re taking requests or not but if you areeee

Can you write smth about Ford x reader where they obviously got a crush on each other (but they dont confess they’re shyly dumb) but the crush got bigger bc reader decides to peck Ford on the cheek as a “Thank you” bc he helped them with smth, yanno yanno :33

Ps: I really really love your writing waaa keep up the good work!!

The crush you harbour on Ford and him on you was the least subtle thing ever, everyone could see the way you looked at each other as though the other hung the stars in the sky; you were both smitten kittens but were too scared to admit it for one reason or another.

You didn’t know when exactly you started having a crush on Ford, you merely assumed that was always the case ever since you met the man with the beautiful brown eyes, and you were perfectly content with that but what you weren’t content with was how everyone wanted you to confess.

‘He doesn’t like me like that, I’m not sure he likes anyone within a romantic aspect.’ You’d use as your excuse whenever anyone brings up the fact that you had yet to bear your heart to Ford.

‘Then you haven’t seen the way he looks at you.’ They’d respond and you could only look at them as though they’ve grown a second head. However they spoke the truth as Ford was equally as infatuated with you and would find himself pushing back the work he didn’t think required all his attention, all in favour of spending time with you whether it be star gazing or anomaly hunting.

Ford couldn’t remember the last time he felt light on his feet, head in the clouds and as though he was thirty years younger then he actually was and it was all thanks to you. While he wants to confess he found himself unable to do so when he looked into your eyes and found everything he could ever wish for within them; only to end up speechless as your eyes flickered with multiple emotions at once as he remained stood still as a statue, staring at you with a fondness within his eyes as you spoke random things to fill the silence.

This half attempts to confess -or lack there of an attempt- was enough to annoy the people close to you both as Stanley wants to put his head through a wall, Dipper vowed to himself to never be this bad and Mabel was on the verge of screaming at you both to kiss and get it over with at this point; the slow burn was killing her with how hesitant or chocked up you both become in each others presence.

They just wanted you two to cut the bullshit and start being a couple, solely just to make up for the months they’ve all have to suffer from seeing you both obviously pine for one another.

So currently you and Ford were looking for a so called ‘flying pig that may or may not be waddles parent or ancestor’ as Mabel had said to you both that very morning. So when Ford asked dipper if this was true, you swore you’ve never seen a boy sweat as much as Dipper did when he tried his hardest to convince you both that such a creature exists within the woods; you and Ford shared a look that spoke your unwillingness to believe, before agreeing to go out and look for this flying pig that may or may not be waddles’s ancestor.

‘Even if this flying pig is waddles’s ancestor, wouldn’t waddles also have wings by that logic?’ You asked.

‘Not necessarily my dear as the wings could be a hereditary trait that can skip multiple generations and appear in someone later down the line.’ Ford replied as he pushed up his glasses that were slipping down his nose, ‘however even I have to admit that this flying pig phenomena being real is slim to none despite everything else we’ve encountered here.’ He adds and you couldn’t help but laugh.

‘Then the billboard should read as this: Gravity falls, we’ve got everything to satisfy a diehard supernatural fanatic, just no flying pigs.’ You said in a goofy voice as you playfully nudge Ford in the side as he smiled softly, looking at you and feeling his heart become full; but before he could say anything a demonic squeal echoed throughout the forest causing you both to stop just as the birds stopped chirping.

Ford instinctively stood in front of you protectively as you tried to deduct where the blood curdling squeal came from. ‘What was that?’ You whispered my resting your chin on Ford’s shoulder as he reached for the gun at his hip upon instinct.

‘No clue dearest but I believe we might’ve found our anomaly.’ Ford replied lowly for only you to hear, only for the sound of wings beating filled your ears as a plump silhouette of a winged creature could be seen from a distance. You couldn’t help stop yourself from commenting ‘that could be a thousand things before it could be a flying pig-‘ just before you could finish the sentence the plump silhouette must’ve spotted you as it started flying towards you both at high speed; it was downright frighting.

‘FLYING PIG!’ You screamed the moment the figure got close enough to identify as both yourself and Ford ran began to run away from it as fast as your legs could carry you. ‘And here I thought Mabel had eating too much of that edible glitter and hallucinated.’ You added as Ford quickly took your hand in his, intertwining your fingers as he pulled you with him to hide behind a random tree, pulling you in close to his chest where you could hear his heart against your ear.

The demonic flying pig flew past you and it was them did you notice how massive those wings were for a creature that was of the same size of an average adult pig, but still it was scary to see a pig with teeth as sharp as razors; what was even more scary was the fact that pigs would eat anything and everything. You cuddled up closer to Ford instinctively as he held you close in order to comfort you. ‘It’s okay my dear, it’s gone now.’ He whispered against your head, kissing it as his hands rubbed up and down your back. ‘It must’ve gotten mad that we were within its territory and felt the need to scare us off.’

‘Well consider this officially scared off.’ You muttered against his turtlenecks finding the honest comfort and protection within his scent as you allowed it to invade your senses.

‘We’ll go back home and forget that we were almost flying pig food and watch some movies while drinking hot chocolate. How does that sound my dear?’ Ford asked and before his brain could comprehend what had happened, you had kissed his cheek and Ford felt his cheeks blossom with heat and his eyes widened.

‘That sounds perfect as long as I’m with you to do all of that of course.’ You replied softly as you looked at Ford with a soft, almost pleading expression and Ford felt his resolve crumble to dust as he averts his gaze from you.

‘I would love nothing more my dear.’ He admits and you were quick to clutch his hand in yours and drag him from your hiding place and begin your walk back to the shack, all the while keeping your wits about you in regards to one flying demon pig. ‘Then it’s a date!’ You exclaimed as you could hear Ford choke on nothing behind you, which only made you smile.

You’ll tell Mabel that you didn’t see a flying pig, but got a date out of trying to make up for the disappointment.

[fallingskiesandrisingseas]

But what was most baffling to all that met the Pevensies after they came back was that they were kind.

Really. Not pretending, not because they were insecure. True, empathic. Far too understanding for children their age. They all have music in them.

Peter’s hands feel too small for him, but he shakes hands all the same. Gentle pressure. There is nobility behind those eyes. Eyes that always border on the supernatural sort of blue, especially in the dark.

He plays the guitar, gently coaxing otherworldly sounds out of an instrument that did not know it could be played like that. He helps his siblings with their homework, is taller much faster than his peers. Seems to take up more space, even though no one understands how a teenage boy manages that.

He doesn’t like doing nothing, ever. He instructs his classmates in grammar, gives away figures he cuts from wood with a knife that seems too sharp for a boy that small. He never hurts himself, though.

As the years pass, Peter grows strong. But he is gentle. He does not seem to be brash, even when many of his friends are. Peter keeps his emotions in check. Noble. Not undangerous, but not belligerent. Peter only ends fights, and only with people that deserve it.

He offers advice, a pat on the back. Teachers wanna dislike him, some do not like the look behind those eyes. Most find they cannot. Peter is popular with both adults and children, speaks sense and laughs often.

Peter is kind. Pious, devout. His faith is unmovable like rock. Did the kids meet God on the estate of their uncle?

Edmund plays the violin. A sad Edmund is a rare sight, but when he plays sad he can keep his whole floor awake. Somehow, Peter always finds h him quickly, effortlessly attuned to his brother’s moods. They play chess, then. Their chess master must have been a champion, Ed beats people with ease. He’s usually not smug about it.

Ed speaks politics and war in earnest, accepts critique graciously, is elegant in a way Peter never manages. Peter speaks frankly, but Edmund can wrap words up real nice. He doesn’t mince words, but his classmates grow into liking the sound of his voice. They appreciate that Edmund does not lie, even when speaking tactfully. Edmund can dial the temperature in a room, change it to suit himself.

He, too, laughs often, but Edmund is known to smirk. He likes being right and he often is. He’ll entertain anyone with a good story, always seems to have the right information to help you out. Remedies to illness, connections, job openings, how to sneak out of PE.

He’s a spider in a web. A bit reserved for a 11 year old, and oddly well-connected. A real ghost when he wants to be, but he never scares people with it.

Aslan would not approve of that. He believes in God as well, but much more intellectually. He’s got the intelligence to back it up and wit to match. A scholarly belief, but not lacking conviction.

Teachers like his enthousiasm, remember a moody nagging child when he left and see a secure young man come back.

Edmund will stand up for what is right. He gets into some trouble like that, but his verbal agility saves him always. Edmund has strong principles and will not bend them for anyone. No matter the trouble he gets in.

The bond with his brother is unbreakable. They even walk the same, chest out, left hand on their belt. They seem most at ease when fencing.

Susan was always warm and tenderhearted, but when she comes back there is a difference.

She seems to have gained authority. It’s real strange watching a 13-year old use her beauty like a grown woman, but Susan has learned to wield it, to stun people so she can creep under their skin. People LISTEN to her now.

Her wit is like a knife, but she avoids cutting deep. Susan is reasonable, and strong, and principled. The little drama others get involved in does not bother her, and she seems immune to petty insults. She has killed before, with her hands.

She will do it with kindness now. She is not very approachable ( that would be Lucy ), but she is kind. She used to mother over her brothers and sisters, but now that they have raised each other in a court full of magic she has gotten more relaxed. They listen to her on important issues, trust in her judgement. Her brothers does not deem himself more important, she is both well-spoken and well-respected by her siblings. Equal. It baffles the old men that teach her. Irritates them, too.

There is an air of mystery around her. Half a look is enough to get what she wants, Susan’s friends laud her security in herself, her Mona Lisa smile. She seems to temper moods easily, makes people feel at ease.

She most of everyone exudes royalty. It’s the grace. Susan plays the harp, her long fingers dancing across the strings like she’s had a lifetime of practice. She’s elegant, never caught off guard. Jamais faux pas.

She does not get angry. She knows who she will be. She is anxious to become an adult, yes, but she only wishes to look how she feels. Not to look differently. Yet the wish to be taken seriously, to have someone see you as an adult, it makes her surprisingly similar to her peers.

Her friends have not been old yet, is all. But Susan is calm and collected. People see her as someone you can tell a secret to. She never hurts someone, is usually a neutral party, speaks sense to adult and kids alike. She is not ignorant, however, will use every trick in the book to keep the peace. She knows when to go nuclear. Vis pacem para bellum.

Lucy is a sun in human form. She has a joie de vivre that is unmatched, is gay and golden-haired and never in a bad mood.

Lucy is kind by default, does not turn it off, does not turn it down. She’s witty and funny and quick on her feet. She has been grown before, yes, but enjoys being young for a few years more. She dances, sings old tunes. Her voice is her favorite instrument, you can usually hear Lucy coming.

Whistling a tune in the halls is known to improve the moods of everyone who hears it immensely. Young girls need to figure out who they are, but Lucy knows, knows what she’ll be and who she likes and what kind of people she wants to be around. She is not pretending, never moody. She can get sad, of course, but her older brothers and sisters are always nearby when that happens.

Lucy is genuine and fierce and convinced, immovable at times. Admired for her drive, but respected for her empathy. She speaks to everyone, often distributes flowers. There’s no naivite in her at all, she simply wishes to be like this so that the world may imitate her. She likes to see people prosper, is the first with praise.

She will go far, is the consensus. There’s steel beneath the soft exterior, Lucy has fire below the flowers. She’s well-liked and well-loved. She has love in spades, it seems, animals and stragglers and misfits and outcasts. She’s popular, her room is a good place to get a cup of tea and someone who will listen to you for some time. After a while she no longer bothers with the door.

That a heart that size fits in a girl that small is a mystery to many. Lucy does not think it is a mystery at all. It is the heart of a lion.

Her faith is as vocal as the rest of her, she sees it confirmed in all that is beautiful, all that is kind. She never tries to convert anyone but there are several people who have told her that version of God is someone they would like to know.

The Pevensies often see each other at parties, where they like to stand together. Edmund knows about everyone, everyone knows Peter, everyone likes Susan, but it is Lucy who knows everyone.

They are kind, but not weak. Peter gets his knuckles bloody sometimes, Edmund does not abide by the rules of unjust teachers. Susan and Lucy solve their problems differently but no less effective. Kindness is their usual way of operating, but they are still kings and queens. They will not allow cruelty, will not let bullies go unpunished.

They are sure of what they are and sure of what comes after death and this makes them kind. Kind , not harmless. Kind, not spineless. Kind, not ignorant. Kind, not naive.

Kind despite. Maybe kind because. The kings and queens of Narnia are proud of what they are, honour the teachings of their lion friend. Kind.

When the crash happens and three siblings die, everyone they know mourns deeply. Without them, the world is less kind.

[seongwars]

forget me not | iv

Pairing: Jeong Yunho x witch!Reader AU: non-idol | supernatural Summary: Yunho should be happy--he's got everything going for him and he's set to marry the love of his life! So why is he standing outside of your shop on the night of his engagement party? Word Count: 7.5K (my bad) Warnings: infidelity, use of the k word

Fic Masterlist

a/n: my stitches reopened and I had to go back and get restitched 😬 so I spent all day in bed editing this chapter. i love reading everyone's theories and feedback is always welcome!

The first time Haewon saw Yunho, it was at your dorm during a study session. You were both surrounded by books, notes, and various pieces of stationary scattered across the floor. While you were focusing on writing out your note cards, Haewon was dancing around the room in an attempt to “activate her brain cells”. 

She had been caught up in her own world until the sound of a knock interrupted her antics. You stood up to answer the door, and a low voice followed, mingled with a chuckle—deep, familiar, and warm.

Yunho.

He was your best friend, someone she’d heard about but hadn’t paid much attention to. But that day, something was different. He sat with a pile of books and a look of quiet concentration that intrigued her. His presence was magnetic, though subtle, and without realizing it, Haewon found herself sneaking glances at him, captivated by the calm determination in his demeanor.

She wasn’t sure when it happened exactly, but at some point, between stolen glances and shared laughter over late-night group study sessions, she started to fall for him. Yunho was kind, always the first to offer a helping hand, and his dedication to his friends and family was unwavering. He had a way of making everyone feel valued and heard.

And when he asked her to be his girlfriend, she was over the moon. 

"Did you know Yunho was going to ask me out?" she beamed, her voice laced with an excitement that made your heart sink.

You froze for a second, your pencil hovering above the page. There was a flicker of something—disappointment, maybe even hurt—but you quickly swallowed it down. 

"Maybe," you muttered, your voice light, almost teasing, though it took everything in you to keep it that way. Haewon didn’t see the way your grip tightened on the pencil, or how your smile didn’t quite reach your eyes.

"I can’t believe it," she gushed, oblivious to the turmoil behind your composed expression. "I mean, I’ve liked him for a while now, and I wasn’t sure if he felt the same way, but when he asked me…God, it was perfect."

"That’s great, Haewon" you said, your voice quieter than before, trying desperately to sound convincing. 

You fell in love with the way Yunho truly saw you, even when you tried to hide parts of yourself. He understood you in ways no one else ever had, knowing your fears, your dreams, and all the things that made you tick. Somewhere along the line, you stopped worrying about what he would think of you because with Yunho, you never had to pretend.

That’s when you knew you loved him—because the idea of life without him didn’t feel like life at all.

But how could you tell him? You weren’t like Haewon—bold and unafraid, able to voice her feelings as if vulnerability wasn’t terrifying. She was all confidence and ease, speaking her mind without a second thought, while you were cautious, overthinking, content to blend into the background.

Telling Yunho how you felt would mean stepping into the unknown. You couldn’t bear the thought of losing him if things went wrong. So you stayed silent, burying your feelings deep, hoping that somehow, you could protect what you had by keeping your secret. 

But things went wrong anyway.

You tried not to not let their relationship affect you, told yourself you were happy for them. Haewon and Yunho were two of the most important people in your life, and they deserved happiness. You repeated that to yourself like a mantra, hoping that if you said it enough, you might actually believe it. 

It hurt seeing them together, knowing that while you were happy for them, you couldn’t help the ache in your chest every time Yunho laughed a little too easily at something she said, or when she rested her head on his shoulder like it was the most natural thing in the world.

The worst part was that you couldn’t even be angry. How could you? Haewon hadn’t done anything wrong; she hadn’t stolen Yunho from you, and Yunho hadn’t abandoned you. It was like watching sand slip through your fingers—nothing to hold on to, nothing you could do to stop it.

Yunho was happy, and you cared about him enough to want that for him, even if it wasn’t with you.

After you disappeared, everything fell apart in ways neither of them expected. Yunho and Haewon participated in search parties, posted on social media about your disappearance, and cooperated with law enforcement. But there were no answers, no trace of where you’d gone or why. The emptiness you left behind was palpable, a gaping hole in both their lives.

At first, Haewon believed they were grieving together. She felt the weight of your absence in every corner of her life, and Yunho, in his quiet way, did too. But then, she began to notice the way their relationship shifted. 

It was subtle at first: a slight distance in Yunho’s eyes, the way he seemed preoccupied even when they were alone. He would zone out in the middle of conversations, and even when he held Haewon in his arms, his heart wasn’t fully there. 

Slowly, painfully, she realized the truth. Yunho wasn’t just mourning you—he was waiting for you. He was still tethered to you, pulled by an invisible force that Haewon couldn’t compete with.

She never considered herself a mean girl. Sure, she had grown up in a comfortable world, surrounded by friends who were a little more tightly wounded and concerned with appearances. But now, standing on the other side of it, Haewon could see the truth for what it was. Yunho was never really hers to begin with. She hadn’t stolen him—not intentionally—but she had taken something that was never really hers to claim. 

Then there was Sungjae. 

Sungjae had never been a close friend, not really. He was more of a background figure—someone on the outskirts of Haewon’s social circle who, little by little, had weaseled his way in. He was everything Yunho wasn’t: impulsive, flirtatious, unpredictable. And it was those very qualities that ignited something in her.

The affair began quietly, like a secret Haewon wasn’t ready to admit even to herself. It started innocently enough—casual conversations, coffee outings after shared classes. They’d stay up late in the library, long after everyone else had left, talking about things that felt too personal, too vulnerable to share with anyone else. Haewon convinced herself it was nothing more than a close friendship—after all, she had a large circle of friends. What harm could one more friend do?

As time passed, the line between friendship and something more blurred. In the quiet moments following your disappearance, Haewon found herself relying on Sungjae in ways she hadn’t with Yunho in years. He became her anchor when the world felt uncertain, someone who made her feel alive and seen.

At first, it was easy to justify: she and Yunho had been drifting apart. Haewon had noticed it in the way their conversations had become shorter, less meaningful; the way they sat together in silence more often than not, the air between them filled with unspoken tension. 

But there was also something darker about Sungjae—something tied to the past Haewon desperately tried to forget. The night you disappeared, Sungjae had humiliated you, his cruel words cutting through the air as everyone watched in uncomfortable silence. And Haewon had stood by, doing nothing. She had stayed silent, too afraid to confront him, too indifferent to speak up.

Yunho had done nothing, either. His usual kind, gentle demeanor had turned into passive inaction, making excuses whenever Haewon brought up the topic like "It's just a phase" or "They’ll work it out."

“Do you think Sungjae had something to do with Y/N’s disappearance?” Haewon suddenly blurted out as the two were cooking dinner. 

Yunho froze, his jaw tightening. He knew the answer—he had always known. The last time anyone had seen you was when you stormed out of the apartment, cheeks flushed with shame and frustration. And yet, Yunho couldn’t admit it out loud. Admitting that Sungjae was responsible meant confronting his own failure, his own role in pushing you away.

“If he did,” Yunho said, his voice low, a dangerous edge creeping in, “I’ll kill him myself.”

“But you were the last one who saw her.”

His entire body tensed, the weight of Haewon’s accusation hitting him harder than he expected. He turned to face her fully, eyes dark and cold.

“You think I had something to do with Y/N’s disappearance?” His voice was low, hurt and anger threading through each word. He could feel the bile rising in his chest, burning with the injustice of her suspicion.

“That’s not what I said—”

“But it’s what you meant.” Yunho cut her off. “You think I’m the reason she’s gone?”

“I’m just trying to figure out what happened,” she murmured, her voice softer now, though the accusation still lingered between them. 

“All I did was walk her out, and the CCTV proved that! You have no idea how much Y/N’s disappearance is affecting me! But to even suggest that I could’ve done something…” His voice trailed off, swallowed by a surge of emotion.

“I can’t do this,” Yunho muttered, his voice barely audible now as he turned away from her. Grabbing his jacket off the chair, he headed for the door, his movements tense and deliberate. “I’m done with this conversation.”

His footsteps faltered just before reaching the door, the frustration inside him boiling over. He spun back to face Haewon, his voice sharp and biting.

“Every time it comes to Sungjae, you choose him. Why?”

“I–” Haewon’s voice cracked, but Yunho didn’t stop. The door clicked shut behind him, leaving a deafening silence in his wake.

Haewon knew it wasn’t fair to keep dragging him along when her heart was no longer fully his. But the thought of actually leaving—the finality of it—terrified her. The knowledge that once she walked away, there would be no going back was something she wasn’t sure she could handle.

And then Yunho proposed. 

It caught her completely off guard—a moment she hadn’t prepared for despite all her doubts and uncertainty. She hadn’t expected him to propose, not now. But instead of facing the truth, instead of admitting that her heart had drifted away and she was entangled in an affair with someone else, Haewon did the only thing she could think of: she convinced herself that accepting Yunho’s proposal would fix everything.

Haewon felt trapped. She felt the walls closing in, suffocating her as she tried to play the part of the happy fiancée. On the night of the engagement party, everyone around them was celebrating, toasting to their future, but all she could think about was how wrong it all felt. Her heart wasn’t in it—not fully—and she knew it.

The alcohol didn’t help. Glass after glass, Haewon drank to drown out the noise in her head, to silence the guilt and doubt. She wanted to forget, to numb herself to everything, but instead, it only made her feel more exposed.

She avoided Yunho most of the night, choosing instead to party with her friends, laughing too loudly, her smile brittle around the edges. Yunho tried to get her to slow down, to pull her back to him, to hold her close, but every time he did, it felt like the air was being sucked out of her lungs. It wasn’t his fault, but being near him only made the weight of her choices heavier.

Finally, something inside her snapped. Right there, in front of everyone. The frustration, the guilt, the suffocating pressure of pretending—it all came to the surface. She knew it was unfair, that Yunho didn’t deserve it, but she couldn’t stop the words from spilling out. 

Now, as she laid in bed next to Sungjae, the weight of her betrayal closed in on her. The wedding was fast approaching, a date circled on the calendar like a death sentence, and there was no backing out now. The dress had been chosen, the invitations sent. Everyone was expecting a celebration, but all Haewon could feel was dread. 

Yunho had betrayed you too, hadn’t he? He had stood on the sidelines, just as complicit, watching as Sungjae’s cruelty unraveled you. And yet, he had stayed—stayed with her, proposed to her, tried to build a future with her. It was laughable. 

The two of them, pretending like they could escape what they’d done, like they could forge something real out of ashes. But the truth had always been there, lurking beneath the surface. 

They were no better than the man lying next to her now.

Perhaps this was what she and Yunho both deserved—two people who had betrayed you, condemned to a life of misery together.

Life in the Emporium was nothing short of magical surprises.

Each day began with a quiet ritual, a moment of calm before the shop's unique energy fully awoke. The first thing you’d do each morning was reach for the incense—carefully selected for its cleansing properties—and light it. As the fragrant smoke curled into the air, it seemed to reset the entire space, gently sweeping away the lingering energies left behind by the previous day’s visitors.

Above, the flowers in the hanging garden stirred with the first touch of morning light, their vibrant petals responding as if in greeting. You watered them with a flick of the wrist, though it felt more like a gesture of care than necessity—they thrived on the shop's magic more than on water.

The shop had its own rhythm, a delicate balance between the mundane and the mystical. Travelers, clients, and even the occasional spirit wandered in, drawn by the promise of wishes granted—some simple, others far more complicated. You had seen all kinds: the weary traveler who just wanted safe passage home, the desperate lover seeking a second chance, or the ambitious merchant hoping to change their fortune.

But nothing in the emporium was granted without a cost, and the price wasn’t paid in gold or silver. Every transaction required something far more precious—a wish. Not the kind made on a whim, but a deeply held desire, pulled from the very core of one’s soul.

You would watch as they approached the counter, hands trembling ever so slightly as they revealed their request. Their eyes flickered with doubt as the weight of the exchange settled upon them. Standing before you, they were caught between what they needed and what they were about to give up, realizing that their wish, once surrendered, would be gone forever.

You always asked if they were certain. If they understood the nature of their sacrifice. But the emporium never rejected a payment once it was offered. 

You had become accustomed to the shop’s quirks, trusting its ancient magic to maintain a balance that you could only partly comprehend. It was more than a shop; it was a living entity, guiding not only the customers but you, its keeper, shaping the course of both your lives in subtle, unseen ways.

Everything functioned smoothly, like clockwork—until the day Yunho arrived.

From the moment Yunho stepped into the emporium, his presence unsettled you. There was a calm assurance in the way he carried himself, grounding everything around you. Despite never having met him before, something inside you insisted Yunho wasn’t a stranger. 

You recalled the strange memories that had flooded your senses—the wind whipping around you as you sat in a car with Yunho, the sun illuminating the way the corner of his eyes crinkled when he smiled. It felt so real, as if you’d lived that moment before, but then it dissolved into something deeper, something raw. 

The emotions had gripped you before you could react, dragging you under like a riptide. Your knees buckled, and the world tilted, leaving you gasping for air. Yunho was there, of course. Even through the thick haze of your feelings, he kept you steady, his arms the only thing keeping you from crumbling completely.

Even now, the echoes of that moment lingered in your body. You could still feel the weight of the emotions that had passed through you, as if the magic had left an imprint on your soul. 

“Fate has already tied their threads together.”

Your mind raced, trying to grasp Hongjoong and Wooyoung’s conversation. 

What did that mean? What threads? Could the connection you felt—this strange, undeniable pull—be part of some cosmic plan, one that had existed long before you even stepped foot in the emporium?

But how could you accept something so profound when you couldn’t even remember him? The thought haunted you, and yet, deep down, the pull toward Yunho only grew stronger, as if Fate itself refused to let you walk away.

You sighed, taking a long drag from your pipe, leaning back as you watched a few late summer blooms drift down from the skylight’s hanging garden. Their petals fluttered like tiny omens in the gentle breeze. Fall had arrived, and with the change in seasons, the line between the living and the departed would thin, bringing even more travelers and clients from different realms. 

The bell above the door jingled faintly, drawing your attention. You glanced over, catching the sleek, shadowy form slipping through the crack in the door—a flash of fur before it darted out into the evening. You immediately knew who it was.

“Wooyoung,” you called out. The cat froze mid-step, his tail twitching with surprise. Slowly, he turned his head, his onyx eyes gleaming mischievously in the dim light.

“Don’t even try it,” you added, placing your hands on your hips. He blinked at you, feigning innocence, but you weren’t about to let him slink away without answers this time.

The cat stretched lazily, as if he hadn’t just been caught trying to sneak out, then padded toward you with that familiar, too-casual saunter. By the time he reached you, he shifted back into his human form with a dramatic sigh, ruffling his messy hair as if you’d truly inconvenienced him.

“I was just stepping out,” Wooyoung said, giving you that infuriating smirk of his. “Needed some air. It’s stuffy in here with all this—" He waved his hand around vaguely, “—magic.”

You couldn’t help but chuckle at the absurdity of it. “You are magic, Wooyoung.” Your tone was teasing, playful. “Haven’t you had enough of the outside world and tormenting humans for one lifetime?”

“I’m a cat. Gotta see what the world’s up to,” he shrugged. 

There was a beat of silence, and you took a breath before speaking. “I heard your conversation with Hongjoong last night.”

Wooyoung froze for the briefest moment, his eyes widening just slightly before he masked it with another lazy grin. The shift in his demeanor was quick, but you’d known him long enough to recognize the flicker of panic he tried to bury. 

"It’s not polite to eavesdrop," he teased, his voice light but edged with a subtle wariness.

You weren’t about to let him wiggle his way out of this one. You had seen the way he was squirming, avoiding the real issue, and this time you needed answers. 

"What does fate have to do with me and Yunho?"

His smile faltered, a crack in his usual carefree facade. Wooyoung shifted uneasily, searching for the right words to soften the blow, but knowing there was no easy way out. He could feel your frustration mounting, the tension stretching unbearably thin.

"It’s... well, it’s like this," His voice lowered, and for once, he sounded serious. "Hongjoong thinks you and Yunho are bound together in ways that we don’t fully understand. It’s something that’s deeper and older…something that humans refer to as soulmates."

Soulmates.

It sounded ridiculous, unbelievable. You and Yunho, tied together by fate? He was just a traveler, someone the shop had revealed itself to. There was nothing special about him. 

"How?" you scoffed, shaking your head as if the mere action would dispel the ridiculous notion. "He’s a stranger, Wooyoung.”

Wooyoung shook his head, his eyes never leaving yours. He shifted uncomfortably, looking anywhere but at you. 

"Well… the thing is you have met him before.” But the thing is... you don’t remember. Because you can’t, Wooyoung wanted to say. 

"What are you talking about? Then why can’t I remember him? What did I forget?"

Your chest tightened. The frustration, the confusion, the pull you’d felt around Yunho ever since he first entered the shop—it all started to transform into something deeper, something more unsettling. It was as if a fog was lifting, revealing shadows of memories you couldn’t quite grasp.

He let out a long breath, rubbing his face. "It’s complicated. There are things...about you, that you don’t remember. That you chose not to remember."

Your mind raced. Memories? With Yunho? The man you barely knew, who had walked into your life like any other traveler? It didn’t make sense. None of this did.

"If I erased him from my life, then maybe I had a reason," you snapped, the words tasting bitter. Wooyoung winced but didn’t argue. 

"Fate doesn’t just disappear because you forget. He’s still tied to you, even if you can’t feel it." He paused, his eyes searching your face, hoping for some sign of understanding. "Maybe it’s why the shop revealed itself to him. It’s fate, pulling you back together."

You could feel the ground slipping from beneath you, your grip on reality loosening with every word he spoke. What Wooyoung was suggesting—soulmates, forgotten love, fate—it sounded like something out of a dream, a fantasy too far removed from the life you knew. 

"Why does it matter if I’m connected to him or not?" you continued, your throat tightening as the question lodged itself there, too painful to speak.

The air grew heavy, thick with tension, as if the walls themselves were reacting to the storm brewing inside you. The shelves rattled, and the shop’s energy pulsed erratically, reflecting the confusion and fear you could no longer keep at bay. The lanterns flickered wildly, casting frantic shadows that danced along the walls, twisting in the growing unease.

You tried to steady your breathing, to calm the chaos within, but your mind raced with unanswered questions, with the gnawing suspicion that Wooyoung was right, and it terrified you. 

Wooyoung’s face fell, the spark of his usual wit dimming into something darker, something almost sorrowful. He shifted uncomfortably again, as though he wished to be anywhere but here, at this moment.

"Because no one wants to see you hurting, Y/N,” His voice was barely above a whisper, thick with regret. "You were in so much pain that you thought forgetting him and becoming the keeper would make it stop."

That name again. Y/N. It echoed in your mind, a foreign weight on your chest. It felt like a name you should know, but it slipped through your grasp. A name tied to a life you no longer remembered. 

"That toy," he continued, "it triggered something, didn’t it? The memories—the emotions—they were too strong. And when you felt that, your magic went unstable. The shop could barely handle it."

You shuddered, the memory of that moment still fresh, still raw. But one question clawed at you, louder than the chaos you’d unleashed.

What had been so unbearable that the only answer was to forget?

“Why is it so cold?” you groaned, bouncing on your toes and rubbing your hands together, trying to get the blood flowing. 

The train station was always drafty, but today it felt like the cold had settled into your bones, refusing to leave. You shivered and glanced around, surprised to see no snow on the ground. It was odd—this time of year usually meant blankets of white everywhere, the world covered in a quiet stillness. Yet now, all you had was the biting wind and a gray sky threatening snow that never seemed to come.

Yunho stood beside you, his breath puffing out in small clouds as he huddled deeper into his coat. He laughed softly, his eyes crinkling at the corners as he looked at you. 

“You’re always cold,” he teased, nudging your arm with his elbow. “Should’ve worn more layers.”

“Easy for you to say. You’re practically a furnace,” you grumbled. 

The two of you had decided to take the train home for the holidays after your first semester of university. You were both exhausted—finals had drained whatever energy you had left—but there was excitement in the air as Christmas approached. 

“I’m surprised there’s no snow,” you mused, gazing up at the dull, overcast sky. The clouds hung low, thick and heavy, but still no sign of snowflakes falling. “Feels weird, doesn’t it? Christmas without snow.”

Yunho hummed in agreement beside you, his hands tucked into the pockets of his coat as he followed your gaze. “Yeah, it’s like something’s missing. Hopefully, it’ll snow while we’re home.”

His voice was hopeful, and you could see the small spark of excitement in his eyes. Yunho loved snow—it wasn’t just the beauty of it, but the way it brought a sense of stillness and magic to the world. The kind of magic that reminded you both of simpler times, of building snowmen as kids and staying out too long until your fingers were numb.

The next morning, Yunho’s wish came true.

Snow. Fresh, untouched snow covered everything. The rooftops, the streets, the trees—it all glistened under the early morning light, as if the entire world had been dipped in magic overnight. 

This was the moment he’d been waiting for, the moment he hoped for when you both had been standing at the train station, wondering if Christmas would even feel like Christmas without snow. Now, it was here. His wish had come true.

But more than that, he wanted to share this moment with you.

You blinked up at the sky, a few lazy snowflakes still drifting down, landing on your lashes and melting against your skin. Yunho stood beside you, watching the way your eyes lit up, the way you took in the moment like it was something precious. 

The two of you stood there for a while, wordlessly watching the snowfall together. It was the kind of stillness that felt sacred, the kind that only came with the first snow of the season. 

As Yunho glanced at you, his breath caught. You weren’t doing anything special—just standing there, bundled up in your oversized hoodie, your hair slightly messy from sleep, your cheeks flushed from the cold. You weren’t trying to impress anyone, least of all him. You were just you, in the most effortless way, and somehow, that had always been enough.

There was a simplicity to the moment that felt different, more profound than he expected. Last summer, when you’d spent long, sunny days together, he’d thought he understood what he felt for you. He cared about you more than anyone, maybe more than he should’ve let on. It was a love that had grown quietly, steadily, and was beginning to envelop him. 

It was too easy to love you. Too effortless, too natural, as if his heart had always been meant for you. And that’s what made it so dangerous.

He knew that sometimes, love—no matter how powerful—wasn’t enough. The thought of risking what you had—this simple, effortless connection that meant everything to him—for something as unpredictable as love felt like falling into the ocean.

And Yunho wasn’t ready to make the jump. 

He groaned, pressing the heels of his hands against his temples as if that could somehow ease the pounding in his skull. His head felt like it was being split open, a dull, relentless ache that refused to let up. The events of the previous night were a blur—fragments of conversation, too many drinks, and the sinking realization that he’d gone well past his limit.

He’s supposed to head back to Seoul today, back to his life and the steady rhythm of work that usually kept his life in order. But there was no way he could face that right now, not with the amount of alcohol that had been consumed. 

The events of last night came back to him in disjointed, hazy flashes. He remembered the way your fingers brushed against the plush toy, followed by the sudden paling of your face right before you collapsed to the floor. 

Yunho’s heart had nearly stopped at that moment, the world around him crashing into stillness. The usual hum of the emporium faded into nothing, the vibrant colors of the shelves and strange objects blurring into meaningless shapes. 

His legs moved before his mind could catch up, and he was running, sprinting toward you as if the very air had been torn from his lungs. The world shrank, narrowing to the sight of you lifeless in his arms.

"Y/N, stay with me," he whispered, panic thick in his voice as he cradled your unconscious body. It was the same terror he’d felt the day you disappeared, the same helpless, gut-wrenching fear that had kept him awake at night, haunted by the thought that he’d never see you again.

Yunho held you like his entire world depended on it, his arms wrapped tightly around you, desperate and unrelenting. He pressed his forehead against yours, as he cradled your head against his chest, the warmth of your skin barely noticeable as panic surged inside him.

“I’m sorry, just please, please don’t leave me,” he begged, his voice barely holding together. His fingers tightened their grip on you, trembling with the fear that if he let go, even for a second, you’d slip away for good.

He couldn’t lose you, not when he had just found you again.

Then came Wooyoung’s revelation. You had chosen to disappear from his life. It wasn’t an accident, or some cruel twist of fate. You had asked the shop to erase your memories—all of them. He could still hear Wooyoung’s voice, bitter and sharp, recounting the details, but the exact reason why Wooyoung had been so angry at him was lost in the fog of the night.

He remembered the sting—the way the door slammed behind him, the coldness of the night hitting his face as he stood there, dazed, confused and frustrated. You were alive, bound to this strange realm by forces he didn’t fully understand. But worse than that, you had willingly cut him out of your life.

After that, things blurred even more. He’d ended up at a bar, the numbness setting in as he ordered drink after drink, trying to drown the sea of emotions that threatened to consume him. Somewhere along the way, Yeosang had joined him, and Yunho found himself pouring his heart out—his frustrations, his guilt, his failures. He had ranted about the weight of trying to be the good guy while everything around him crumbled.

Now, in the harsh light of day, the weight of it all hit him with a different kind of intensity. His heart felt heavy, and he had no idea where to go from here.

Yunho sat up, staring at his phone as if it might give him the answers he was too afraid to ask for. His thumb hovered over Haewon’s name on the screen, trembling slightly. He wasn’t sure what he was going to say—he didn’t have a plan, only a sinking feeling in his chest that told him he couldn’t keep pretending everything was fine. 

The line rang once, then twice. By the third ring, his heart had started racing, the weight of everything he had to confront pressing down on him like a vice. When it went to voicemail, Yunho’s stomach dropped.

“Hey, it’s Haewon! Sorry I missed your call, but leave a message and I’ll get back to you soon!”

The artificial cheer in her voice made his skin crawl, and for a moment, he couldn’t speak. He could almost picture her—smiling, carefree, the version of her that had loved him wholeheartedly. But that wasn’t who she was anymore. That wasn’t who they were.

"Hey..." he finally whispered, “give me a call when you get a chance.” Yunho waited for a beat, as if hoping she might pick up at the last second, but the line remained silent, empty.

“Yunho? Aren’t you getting ready to head back?” His mom’s voice was gentle, but it startled him from his thoughts. She appeared in the doorway, concern etched in the lines of her face. 

He didn’t respond immediately, his gaze dropping to the floor. “I don’t know if I’m going back,” he admitted softly, his voice thick with uncertainty. 

His mom walked in, taking a seat on the edge of his bed, her presence warm and calming. She had always been able to read him better than anyone, even when he was trying his best to hide. Mrs. Jeong didn’t say anything for a moment, just letting the silence hang between them, giving him the space to breathe.

“Tell me more.”

Yunho sighed, running a hand through his hair, feeling the weight of everything he’d been holding in. It was strange—he felt like a teenager again, venting to his mom about his problems, but this time it felt more suffocating. The future he had thought he wanted, the life he had worked so hard to build, no longer felt like his.

“I’m hungover. I’m miserable. I don’t want to marry Haewon. I’m not happy with my job or where I am in my life. Mingi is my only friend, Yeosang kind of hates me, and Y/N…” He let out a watery chuckle, the sound laced with bitterness. “She’s gone.”

There it was, the truth laid bare—the reality that had been gnawing at him for months, too terrifying to confront. The words hung in the air, heavy with the weight of everything he had been trying to ignore.

Mrs. Jeong’s gaze softened as she listened, her heart heavy with a mother’s instinct to protect, but knowing she couldn’t fix this for him. She reached out, placing a hand over his. 

“You’ve been carrying this for a while, haven’t you?” Her voice was soft, laced with a sadness that only came from witnessing the quiet battles of someone you love.

Yunho looked down to their joined hands, his throat tightening. The words he had held back for so long hovered on the edge of his lips, threatening to escape. 

“I thought I could handle it. But—" He paused, his fingers gripping hers a little tighter, his chest heaving as he fought to keep the floodgates closed. 

"I don’t want to keep pretending I’m okay,” he continued, voice cracking slightly. “I’m tired, Mom. Of the job, the engagement, everything. It’s like I’m suffocating, and I don’t know how to breathe anymore.” he replied, quieter now, almost like he was talking to himself. It was the first time he’d admitted it out loud. The fear that had been chaining him to a future he didn’t want.

His mother exhaled softly, her brow furrowing as she absorbed his words. After a moment, she squeezed his hand and spoke gently, her voice calm but firm.

“You’ve always been so considerate. Always thinking of others. But have you thought about what you want? Truly want, not just what you think you should want?”

It wasn’t something Yunho had ever allowed himself to consider fully, and even now, the thought seemed almost too outlandish, too selfish. But the way his mother looked at him, with such understanding, made it feel less frightening, less impossible to confront.

“You’re allowed to want something different, Yunho. You’re allowed to change your mind. You’re allowed to choose yourself.”

Her words struck something within him, unraveling the tightly wound rope of expectations he had tangled himself in for so long. He hesitated, his heart pounding as he dared to voice the question that had haunted him for months.

“So you wouldn’t be upset if I called off the wedding?” His voice was small, almost as if he were afraid the very mention of it might cause everything to collapse around him.

His mother shook her head, her expression soft and reassuring. “Of course not, Yunho. Haewon is lovely, but…” She paused, choosing her words carefully, as she looked at him. “I always felt like she wasn’t the one for you.”

Yunho blinked, surprised by the admission. His mother had never said anything like that before, and in all their talks about the wedding, she had always been supportive, never giving any sign that she might have doubts of her own. 

“Why didn’t you ever say anything?” he asked, almost incredulous. 

“Because you’re finally listening to yourself. This is your life, not mine, not anyone else’s. It wasn’t my place to tell you how to live, Yunho. I wanted to believe that you knew what was best for you.”

“And if I quit my job?” he asked, testing the waters, anxiety sparking in his voice. 

“Gunho would be thrilled,” she laughed. “You know, he was absolutely livid when you took the finance job over the Tigers. I’ve never seen him so upset with you! He ranted for weeks about how you were wasting your talents behind a desk instead of being out there building the ultimate dream team.”

His mother’s laughter faded, replaced by a more serious expression. “We’ve all had our hopes for you, Yunho. But those were our hopes, not yours. Life’s not a straight line. It’s full of twists and turns. You don’t have to stay on a path that doesn’t feel right anymore.”

There was something comforting about the idea, the notion of stepping away from the path he had chosen, back to something that felt more like home—more like himself. Sitting with his mother, he began to wonder: What if it wasn’t reckless? What if choosing the life he truly wanted wasn’t some wild, selfish fantasy? What if it was okay to dream again?

His mind wandered to you, to the quiet snowfall and how the snowflakes caught on your lashes. He thought of that summer, driving to the beach, the wind in your hair and the sun beaming down on you, like the world itself couldn’t touch you as long as you were together.

He thought of meeting you for the first time at six years old, running across the street and greeting you as if he’d known him your entire life. It was as if he’d found his other half that day, the person who made him feel complete even in his innocence.

But then, more painfully, he thought of meeting you for the first time again. Only this time, you hadn’t known him at all. 

With you, there was no need to fill the silence. Everything felt easy, natural, like you were meant to exist beside each other. You were his best friend, the one person who made him feel like himself. And suddenly, Yunho knew. 

It was you. 

The version of himself that existed when he was with you—that was who he truly was. It was a terrifying realization, but at the same time, it was the most certain thing he’d felt in a long time. You had always been the one constant in his life, the one person who made everything feel okay, even when it wasn’t.

And he didn’t want to lose that. He didn’t want to lose you.

He wanted a future with you.

Yunho swallowed, his pulse quickening, but for the first time in what felt like forever, his mind was clear. 

“I think…” he began, his voice steady, resolute, “I know where I want to go from here.”

Pushing open the door, the familiar chime rang through the shop. It was empty, save for you, and Yunho’s breath caught when he saw you standing behind the counter, bathed in the glow of fading daylight. 

He glanced over at you, watching the way you moved, how you seemed so different and yet so familiar. The person standing in front of him was still you, the same person he’d known since childhood. The memories from childhood rushed back again—the snow, the summer sun, the first time you played baseball together. It all made sense now, in ways it never had before.

“Yunho,” you greeted, your voice carrying a warmth as you lifted your hand with a graceful flick. The scroll hovering beside you shimmered for a moment, then dissolved into the air, disappearing as if it had never existed. 

“How are you feeling?” Yunho asked quietly. There was something boyish, almost shy, in the way he looked at you, like he was a kid again, standing in front of his crush, hoping for something, anything, that would tell him he was making the right choice.

“Better. Thank you for being here the other night. It seems like you were a big help to Wooyoung.”

"I'm glad to hear that," he murmured, his voice soft as his gaze lingered on you, his eyes softening as if he were seeing you for the first time all over again. There was a quiet admiration that he couldn’t quite hide, no matter how hard he tried to keep his emotions in check.

"I uh…" he hesitated, his eyes flickered away for a moment, as if searching for courage in the silence between you, “I’m leaving for Seoul. Just to take care of some things. I wanted to see you before I left.”

You tilted your head, curiosity lighting up your eyes, the corners of your lips lifting in that familiar way that made his heart stutter. A playful yet gentle hum escaped your lips. 

“Oh? And why’s that?”

Your question hung in the air, teasing him, pulling at the tangled mess of feelings he'd tried to bury for so long. He looked at you, a faint flush creeping up his neck as he struggled to find the right response. 

“I—” he started, but his voice faltered. His pulse quickened, and for a moment, he felt completely exposed. “I couldn’t leave without saying goodbye.”

The air around you seemed to still, the gravity of his admission settling like dust in the corners of the emporium. The idea of leaving felt wrong to him, and yet it was inevitable, something he had to do. 

Your eyes softened with understanding, feeling more like home than any place he could go. Something in your gaze recognized him, sensing the invisible thread that tied you together. 

“No matter where you are,” you said quietly, your voice carrying the same calm assurance that had always soothed him, “the emporium will always be within reach. As will I.”

The words were simple, yet they held a promise—a promise that went beyond physical space or memory. The emporium was never bound by the ordinary rules of the world, and neither, it seemed, were you. Your small, understanding smile made Yunho feel that, despite the uncertainty, everything would be okay.

“Besides,” you continued, a playful glint flickering in your eyes, “I can always ask Wooyoung to lend a helping hand. He knows the way.”

“That cat does nothing but bully me,” he muttered, rubbing the back of his neck, recalling how Wooyoung had made him a target of mischief.

Your laugh filled the space between you, a sound that seemed to chase away the heaviness for just a moment. Though Yunho tried to maintain his frown, the corners of his lips betrayed him, lifting into a reluctant smile. 

Even though you didn’t remember him, it didn’t matter. There was something deeper between you, something unshakeable. And that, in its own way, gave him the strength he needed to leave.

You stepped forward, that invisible thread that had always seemed to exist between you tugged at your heart, drawing you toward him. It was a connection that transcended words, possibly even space and time. Yunho’s eyes lingered on you, their quiet intensity making your heart skip a beat.

“The next time I come into the shop,” he began, his voice low, “I’ll be ready to make my wish.”

You searched his face, trying to read the depths of what he meant, but all you found was that same gentle fervor staring back at you. 

“You’ve thought about it?”

“I have,” he admitted. “With everything that’s happening, I think I finally know what I want.”

The weight of his words settled between you like a promise. Whatever his wish was, it wasn’t something to be rushed—it belonged to the future, a time when he was ready to claim it. And somehow, you understood that.

“I’ll be waiting,” you whispered, though you knew Yunho heard it.

As he turned to leave, a sudden thought gripped you, pulling you back from the brink of your goodbye. “Yunho… before you leave…”

He froze at the sound of his name on your lips, his heart fluttering. Every breath, every glance, vibrated with something unspoken, something powerful.

“Who are you?” you asked, your voice soft, tentative. “To me?”

<< iii | v >>

taglist: @babymbbatinygirl @intowxnderland @hwasa28 @thedistractedwriter @beabatiny @lovelyglares @spenceatiny18 @tiny-apocalypse @sunnysidesins @heyitsmetonid @jwone @laurenwidjaja @potatos-on-clouds @xuchiya @syubseokie

[vidavalor]

Hello lovely! I'm wondering if you have any thoughts about Maggie in Final1 5? Isn't it weird that she wants to go back to talk to Az and Crowley while Nina's working? Something about it feels off to me.

Hello right back. 💕 There's chamomile mint tea and shortbread since we're on a Maggie theme, if you'd like some. Maggie's behavior from that scene on is super fucking weird, I agree.

Before the milk run-- when Maggie becomes the only involved character whom we lose track of a bit during The Final 15-- versus how she behaves when she returns is so strange as to be something that I consider maybe additional proof that things are not at all what they seem to be in The Final 15.

On Maggie and Crowley's weird Final 15 behavior, a possible meaning to all the allusions to robbery in S2, and what Maggie and Nina might be able to tell us about what happened at the end of S2.

TW: brief mentions of show's non-consensual possession/rape analogy.

Think for a moment about how truly weird Maggie's request for her and Nina to go back to the bookshop in that moment actually is...

It's only been a matter of minutes since Maggie and Nina were basically hostages in the bookshop who were almost killed by Michael and Saraqael. Crowley saved their lives in getting them out of the shop maybe, what? It's been a minute since I rewatched that bit of it but it couldn't have been more than 15 minutes prior?

The beings in the shop but for Maggie and Nina are supernatural and so left magically without using the door but while we the audience know that these people are no longer in the shop because we were watching it, Maggie and Nina do not know that. When Maggie suggests to Nina that they go talk to Crowley and Aziraphale, they have no way of knowing if the beings that just tried to kill them are still in the shop. They didn't even see Aziraphale leave with Whoever Derek Jacobi Is Playing yet because Nina was all "where's the other one?" to Crowley when they arrived back in the shop.

Maggie is literally like: Nina, I know you opened the business you own late and are the only one working right now and have a line of 20 people waiting for their morning, pre-work coffee but what if-- just hear me out-- we just made them wait an indefinite amount of time to voluntarily go back into the place where we nearly died a matter of minutes ago that could still be full of the people who wanted us dead and we did this for no other purpose than just to tell off my beloved adopted godfather and his partner, who just risked harm to save both our lives? And to maybe then also stick our noses into their love lives in return or something?

I mean... WHAT?!?! lol

Consider, even, how even more weird that is when Maggie, just *prior* to having gone to the mini-mart, had never been more on the same page with Nina and never more understanding?

She sacrificed her own want to go sleep behind the counter of her shop to offer to help Nina. It's a big moment of change in their relationship and shows a lot of growth for Maggie. She's gone from someone who is caring but has a tendency to only think about how things make her feel to seeing things from Nina's perspective. She's matured through the season into being someone more ready to be a partner to Nina. Maggie offering to help Nina with her morning rush-- and Nina accepting the help-- is the sweet, romantic moment showing that these two are heading in a positive direction, both individually and together.

When Maggie gets back with the milk, though? After she's been out of our sight for a few minutes? She's behaving very differently.

During S2, Maggie is shown to be a pretty guileless character. She might have the occasional judgemental moment but she's not deceptive or tricky and she really wouldn't hurt a fly. When Maggie comes back from the milk run, though, her insistence on Nina dropping everything and going with her in that moment is not just weird behavior but manipulative in a way that could not be more out of character for Maggie.

Nina has been in an abusive relationship where she was afraid of displeasing Lindsay. Maggie is aware of this, as it's been the subject of multiple conversations between them throughout the season. So, when Maggie gets so bizarrely insistent on Nina dropping her work-- her livelihood, her purpose, her job-- to meet Maggie's demands in that moment? When this isn't an emergency of any kind and isn't at all time-sensitive and there is no objective reason why Nina should be halting her job to do what Maggie wants in this moment? Maggie is being controlling in a Lindsay-like way. She keeps at it, knowing that Nina will give in and agree to go with her because Nina is used to doing that with her partner.

Nina hesitates and isn't sure whether or not to go with Maggie for a moment and I don't really blame her? This is the complete opposite behavior to Maggie before she left for the mini-mart. Maggie is suddenly acting quite a lot like her polar opposite-- the Lucifer-and-Heaven-paralleling Lindsay.

Maggie is also literally on Nina's shoulder like a devil the whole time in the scene in which she's convincing her to step away from the shop and go across the street with her to the other shop for a chat and...

...listen to what we just said there...

...it's a parallel to the thing that Whoever Derek Jacobi Is Playing is doing with Aziraphale, is it not?

So, what happened on the milk run?

Who did Maggie run into at the mini-mart that we couldn't see in the ending of S2 without it giving the game away? I wouldn't be surprised if, on this mirror-happy show, on the other side of learning in S3 that it was The Devil with the coffee in the bookshop in The Final 15, we also had a scene that showed that, while on her milk run, Maggie had a run-in with Sister Teresa's killer.

Did Hastur possess Maggie as part of Satan's plan? Was the idea to use Maggie and Nina to further trip Crowley and Aziraphale towards disaster to get Aziraphale? If so, it kind of half-worked. I'm not convinced that anything Maggie and Nina said to Crowley really mattered-- I think they weren't telling him anything he didn't already know or feel and that it's largely misdirection for the audience. What was effective, though, was the impression Aziraphale got upon seeing them leave as he was coming in.

Maggie and Nina being back in there at this weird time and then rushing out with smiles and comments like that they were "just leaving" and they were sure Crowley and Aziraphale had "a lot to discuss" seem to have led Aziraphale to assume that Crowley had asked them to come back and to the conclusion that he must have done so to tell them of his intent to ask Aziraphale to marry him. It's Maggie and Nina leaving the shop that reinforce to Aziraphale the idea that, when Crowley stands up afterwards, takes off his glasses, and says he supposes he has "something to say", that Crowley is only trying to communicate a proposal and not a plan.

It's what helps-- big time-- to lead Aziraphale to not listen for a shred of coded language for the entire scene. Neither he nor Crowley are listening for that with one another, which is why neither of them can truly understand what the other is saying, but Aziraphale's part of that is really fucked to Hell by the presence of Maggie and Nina in the shop when he came back. That's all pretty suspicious since Maggie was out of our sight for a few moments and came back fixated on the idea that she and Nina needed to go to the bookshop right that very moment and that it couldn't wait.

The Final 15 is a dark parallel to The Baby Swap plot and Maggie and Nina are full of shadows of Sisters Mary and Teresa to a point that the final shots of both of them in the series are mirror images of the final shots of their S1 characters. Nina looking through glass at Crowley departing is the last shot of Sister Mary both in 2008 and 2019, while Maggie's last shot?

To me, it's one of the most eerie moments in the entire series because of how much it visually resembles Sister Teresa's death.

Basically two minutes after we hear about The Second Coming... in the same season where Maggie and Nina's partial-vavoom gives way to a (possessed?) Gabriel saying: the dead will leave their graves and walk the Earth once more... we are shown Crowley and Aziraphale's apparent adopted goddaughter unresponsive on the counter of her shop.

Is Maggie dead?

Is Maggie asleep, like we were led to believe she wanted to do earlier in the episode? Maybe. Is she comatose/unconscious? Maybe. It's just that, best I can tell, she does not take a breath during the shot which I feel had to be intentional on the part of Maggie Service, and she's in the same position as we last saw Sister Teresa in S1...

Then, there's the robbery theme and how Maggie and Nina foreshadow so much of the end of S2 back in this scene here:

In Good Omens, the shop is the character. Maggie is, symbolically, the records she sells. The show also explains that Maggie's shop used to be a part of the bookshop. Now, there are three characters, not two, who are A.Z. Fell & Co.: Aziraphale, Crowley and Maggie. At the same time, Aziraphale is also The Small Back Room. The shops are intertwined as the characters are, essentially, family in the story. The fate of one is the fate of the other, which makes what Maggie and Nina foreshadow when talking about Maggie's shop while trapped together in Nina's not just the fate of Maggie's shop in S2 but also of the bookshop.

Maggie says that if she can't close the door to her shop, someone could walk in and take records. Maggie is the records she sells so, symbolically, this means someone could take Maggie. We got a bit of a preview of that when Shax appeared to get into her mind during the attack on the bookshop and Maggie also became the one who unintentionally "let the robbers in."

These robbers, Maggie frets... they could empty her till-- take all her money on a literal level... take her mind, or maybe even her life, on another. (Not to mention the now chill-inducing use of money-related words and coins with regards to the paralleling Crowley...) These robbers could take forcible ownership of Maggie's shop-- so, of Maggie. Maggie's shop was born of the bookshop... so, they could take forcible ownership of the bookshop, too.

Not just the physical bookshop, though that, too. The symbolic bookshop. Which is not only Aziraphale but Crowley and Aziraphale.

But, if The Small Back Room was originally part of the bookshop, then the bookshop really isn't just Crowley and Aziraphale-- it's Crowley, Aziraphale and Maggie.

If the robbers come for the bookshop, they've also come for The Small Back Room because it is all born of the same, symbolic shop.

Is that what they did?

Is that why Maggie is last shown to us non-responsive in her shop?

Now, Nina's even more foreshadowing reply:

Nina said that, if she owned a record shop, she'd be more concerned about "someone breaking in and leaving more records behind."

What are records? They're the literal records in the musical and old film sense that Maggie sells, yes, and also Maggie herself. They're also books, like what Aziraphale sells, and Aziraphale himself. But they're also a third thing that's very much of note in S2.

They're also the life's work of a scrivener, like what Muriel does.

Nina foreshadows someone breaking in and leaving "more records behind"... which is exactly what happens in The Final 15.

Elspeth's graverobbing. Bildad stealing Job and Sitis' wine and food. The 1810 Clerkenwell Diamond Robbery. Aziraphale having the missing Shakespeare Robin Hood play in the box in 2.06. The robbery-based fantasy Aziraphale was telling Crowley in Lockdown: ...the other night, when a couple of young lads broke into the back and tried to steal the cash(cache)box!

The Final 15 is a robbery.

The last two episodes see the shop attacked during The Meeting Ball and into the next morning. Aziraphale is robbed blind of his entire life. Characters are taken hostage. Signals for help are tried and fail. The cop, it turns out, was a stooge for the robbers. Whoever Derek Jacobi Is Playing broke in through the open door and robbed the place blind, as Maggie foreshadowed. As Nina foreshadowed he would, what did the robber leave behind?

More records. Muriel.

To rob, as we know, is to steal. It's to plunder or strip a place from someone through force and/or violence. That is why it was once, in addition to being descriptive of physical goods stolen from a person, also a word that was used for rape, for which non-consensual possession has been analogous since the show's first episode. That is why some of us think that the music goes insane on the look to Crowley in the scene below. Satan is robbing Crowley-- forcing him to identify him as The Metatron to Aziraphale and the angels and to let Aziraphale go alone with him.

Satan attacked Crowley in front of Aziraphale and, while Aziraphale pretended he didn't see it, he did, which is why he led "The Metatron" straight out the door in an effort to get him away from Crowley. Because, speaking of characters behaving very weirdly... anyone have a better explanation for why guard dog Crowley sat in that chair like he couldn't get out of it and encouraged Aziraphale to go alone with a guy who once tried to kill them? It just doesn't make any sense unless his words are not really his own and there's only one character we've seen do that to him.

And if Crowley's not the only one behaving out of character, then what else happened to Maggie at the mini-mart but something similar?

What happened in The Final 15? Satan robbed the bookshop.

He and The Metatron don't give a toss about the shop itself and plan to destroy it alongside everything else once Armageddon gets rocking. They're there to get Crowley and Aziraphale out of the way for Armageddon by dividing and conquering. Just because we've yet to see blood doesn't mean this wasn't robbery by force.

Satan took hostages at the start-- letting the ones go he didn't care about go and keeping the ones most likely to influence the shop's owner: Crowley and Muriel.

Satan and The Metatron sacrificed Muriel to their plan, not caring if Muriel explodes along with the shop when they kick off Armageddon a matter of *checks watch* basically any minute now after S2. We think Muriel is better off in the shop at the end of S2 but I'm not totally sure they are. I think it actually might be one of the most dangerous places to be in right now. The bookshop didn't burn down this time-- it was burned as safe space in every possible way. It's a crime scene.

The Metatron and Satan are here for revenge. The Metatron is letting Satan have Aziraphale to get Crowley and Aziraphale out of the way for Armageddon. There is no real job offer-- it's all Satan tempting Aziraphale into falling. Satan's revenge on Crowley and Aziraphale is to force Crowley to help him take Aziraphale right out from under his nose. That's the start of it, anyway.

Besides Armageddon and daring to have a relationship and a sense of self outside of the demonic collective of Hell what is Satan really pissed at Crowley and Aziraphale about?

His kid. Adam. Crowley and Aziraphale helping Adam against him.

If Satan has been lying in wait, still very, very angry at Crowley and Aziraphale for turning his son against him and if he's now here for revenge, then who else besides Aziraphale is then most in peril here?

Yes, my Job-and-Sitis-paralleling poppet... your big, cross duck and your kids are most imperiled here and S2 showed us that your kids are not just humanity writ large but, specifically, Maggie. The Small Back Room is of the bookshop that is you and Crowley. Maggie is your Adam. Will Satan come after your daughter? It's a concept posed in your paralleling/foreshadowing story earlier in the season... actually, it was also the entire plot of that paralleling story earlier in the season as well...

I feel like not going with Ennon and Keziah's theories on Satan's behavior is probably the best way to form a Good Omens theory 😂 so I'll stick with the idea that Satan very much would dare leave a revenge body count of Crowley and Aziraphale's adopted kids, as the Job minisode proved he'd do even with the spawn of "God's favorite human", let alone anybody else.

As, speaking of foreshadowing lines, this is really even more S2 than it was about S1:

Satan will even have a whole pseudo-philosophical chat about it with you first, amused that he's standing in a place called Give Me Coffee or Give Me Death and ordering a coffee while the plan is likely for this place, the women making him the coffee, and everyone on this street and on most of the planet to be dead by tomorrow.

Maggie is the only character who actually asked for coffee using that exact word in S2.

[fras-redacted-shapes]

Early drafts/unused content in other languages

redditor AloysHellsalem posted about certain text strings that exist in localized files but are missing from English ones. So I took a look at the Spanish string table and tried translating them - these are machine translations, so they are bad and also funny (sometimes).

All of these seem to be some sort of very, very early draft given the number at the end of the speaker's name and because they don't even have corresponding text-to-speech files unlike files from demos/proof of concept.

More of a fun thing than anything else.

Most of them are from Saga's side of the story.

AMBIENT DIALOGUE - RETURN 2

CASEY_4585: I found more of those knit ornaments near [Witch’s] Ladle. The cult has been around here. SAGA_4586: Do you think they’re the ones behind all this? Dead people coming back to life certainly sounds like cult material. CASEY_4587: It feels like they’re connected. We need more evidence. CASEY_4588: Do you really think a ritual will do something? SAGA_4589: My rational brain says no, but maybe it’s time I leave it on the backseat. CASEY_4590: I’ve certainly had cases that made sanity look like a sick joke. SAGA_4591: I can’t believe you knew what Ikea was. CASEY_4592: What? A guy like me can’t have affordable furniture?

Original text:

PROFILING CASEY - RETURN 6

SAGA_4984: What’s happening to Casey? CASEY_4985: I can’t turn into one of them. I won’t. Fuck it. I’ll go to hell before I turn into one of those soulless demons. CASEY_4986: Well, I guess that’s literally what they are: demons.

That last sentence may be a weird translation on my part. I'm not sure how to make it make sense.

Original text:

Leaving the full string here, Saga profiling Casey about him feeling like a fictional character?:

MP_RE06_CASEY_FICTIONAL_SAGA_4987: being a fictional character. MP_RE06_CASEY_FICTIONAL_CASEY_4988: Was I even who I thought I was, or just an average detective torn from the pages of a bunch of mediocre crime novels? Did I exist in printing ink like I did in real life?, and vice versa? The thought always bothered me. The jokes. The similarities. The constant feeling that no amount of coffee could drown.

Original text:

There're lines that look like bullet points or just rough ideas, like the last one here:

SAGA_6910: What’s happening to Casey? CASEY_6911: Casey is turning into a taken, blame Alan Wake for it WAKE_SAGA_6912: Wake WAKE_CASEY_6913: Casey never liked Wake, even before all this. References to cult case in New York

Original text:

PROFILING ESTEVEZ RETURN 6

This looks like a very early draft of Kiran having a girl crush deputizing Saga into the FBC.

SAGA_4989: The FBC. ESTEVEZ_4990: Saga Anderson, she’d be a great FBC agent. She clearly has what it takes: wit, guts and drive. And she’s not backing down from a paranatural fight. I can appreciate that. ESTEVEZ_4991: I should give her the recruitment (draft?) pitch. She’d be a great asset. SAGA_4992: I guess I should be flattered.

Original text:

SAGA_4993: What’s this “AWE”? ESTEVEZ_4994: What reactivated the AWE in Bright Falls? Does the threshold below the lake work in cycles or does it have a trigger? ESTEVEZ_4995: Whatever it is, it seemed more powerful than ever. SAGA_4996: The “threshold” in Cauldron Lake. That’s where I have to go.

Original text:

The following one is nearly incomprehensible

SAGA_6914: Parautilitarians ESTEVEZ_6915: Estevez relives a trauma, says the area of parautilitarians susceptible to supernatural forces (???)

SAGA_6916: doesn’t wake up ESTEVEZ_6917: They told Estevez the Dark Presence can steal forms, making it difficult to know who to trust SAGA_6918: Dark Place ESTEVEZ_6919: Estevez doesn’t know much, other than those who go there generally don’t come back.

PROFILING TOR AND ODIN - RETURN 5

Lots of fun tidbits

SAGA_3003: Where is Tor? TOR_3004:... Polaris ... in a web of hypocrisy. ODIN_3005: Take ... Control. duh duh duhuhuh. Take ... Control ... TOR_3006: Take ... Control. duh duh duhuhuh. Take ... Control …

SAGA_3012: The girl in the painting. ODIN_3013: I won’t remove it. That’s our family. Your (his?) daughter. TOR_3014: She left us! She took Saga and fucked off! So take that damn thing! I don’t wanna see her face!

MP_RE05_TOR_MOTHER_SAGA_3069: My mother. TOR_3070: But I wasn’t made to be a dad. I’m a god of rock! I can take the sky, rock stadiums but can’t change a diaper! TOR_3071: My life is a fucking storm. Freya deserved better. TOR_3072: It broke my heart, but I was proud of her for leaving. She could take care of herself. And her little girl. Saga will be a fucking star. I saw it the day she was born.

SAGA_3074: My dad. TOR_3075: …If she goes with you, she can never come back! It’s a one way trip for her. And I’m not letting a punk take me (?)! UNKNOWN_3076: (STATIC) TOR_3077: Freya isn’t ready for a nursing home. We kept it hidden for a reason! If you try this, I’ll hit you so hard with my hammer there won’t be any door left to open!

PROFILING TOR AND ODIN - RETURN 9

Now, these are super interesting :)

SAGA_5287: Mr. Door. TOR_5288: Freya couldn’t trust that bastard! He wouldn’t have stayed anyways! It’s not in his nature! We had to go! ROSE_5289: Tor, you’re scaring the other residents. I need you to put down that hammer. TOR_5290: A father needs to protect his kids, dammit! The door is a fucking spider and I’ll be damned if I was going to let my little girl get caught on its fucking web.

MP_RE09_ODIN_01_DOOR_SAGA_5293: Mr Door. ODIN_5294: I just can’t let you play with her heart. It’s nothing personal. DOOR_5295: Do you realize Freya will never forgive either of you for this? ODIN_5296: You’re not wrong, but… neither is my brother. Today you’re here, you’re Martin’s door, but eventually you’ll leave it behind and she won’t know why. Better she hate us than she hates herself. DOOR_5297: Then let’s see what you and your drunk brother can do.

Weird translation that last one.

The text for "I can't let you play with her heart" can be translated more literally to "I simply can't make you play with her heart." Which doesn't make sense, at least not without more context.

The line about Martin was probably meant to say "You're Martin Door".

There're a few other tidbits but none as interesting (in my opinion) as these ones.

[wisteriagoesvroom]

LOL I can imagine for vampire au Lando starting to third wheel Carcar and so even though turning Franco is a complete accident he can’t feel too guilty bc he uses it as an excuse to hang around someone else, and somehow he learns more about vampirism lore through a human grad student than he’s learned in his whole life (he’s lived a long time, lots of info to absorb). Then also, if you don’t mind my ask, what do they all do for jobs/how do they get money and would Franco keep studying ?

HELP this is so cute. ok. norpinto-frando vampire au for those who aren't up to speed...

Lando starting to third wheel Carcar and so even though turning Franco is a complete accident, [Lando] can’t feel too guilty bc he uses it as an excuse to hang around someone else -> screaming cus, absolutely. random associated headcanons for this... i'll rewind a bit:

carlos is the oldest vampire, like, moorish/medieval era. he met lando while they were both at a masquerade ball in the early 1600s and smelled each other right away (carlos like wood and ink, lando like gas lamps and wet stone).

lando is an tudor era vampire. like he actually knew shakespeare and said he was one of the best viral marketers of the era

oscar was turned in the early days of the australian penal colony, he's like first or second generation white australian but he refuses to be called british. he moved in to the house because the rent was cheap and he doesn't feel the need to live extravagantly -- even though he, too, is $$ loaded $$

oscar didn't move in until about two decades ago - very short by vampire standards, to them it feels like yesterday - but carlos and oscar are basically They Were Roommates atp even though they squabble con-stant-ly

their neighbours think they are a new age-y polyam group but because the people who live opposite them are students, nobody ever hangs around longer than a year to remember them or dig deeper

so franco definitely brings a fun funky fresh dynamic

he learns more about vampirism lore through a human grad student than he’s learned in his whole life (he’s lived a long time, lots of info to absorb) -> things that baby vamp!franco teaches lando include

tiktok trends, like how to make ur teeth comically large in photos. lando finds this hilarious

how to use venmo

creating a roster on google docs for who needs to do what house chores

jailbreaking an apple watch so it doesn't read their pulses (they don't have any), but it will remind them of the moon phases and when they might be extra hungry to feed

at one point franco actually puts his academic skills to use and helps lando hunt down some of his family tree, because since lando was turned and it's been so long, he doesn't remember much about them : ( so one of franco's little gifts to lando is helping him trace his heritage

what do they all do for jobs/how do they get money and would Franco keep studying ? -> i love how practical-minded you are. um well let's say this fictional supernatural creatures' market mostly runs on barter trades and goodwill agreements. the entire house sometimes just gets lazy tbh so lando or carlos will just dig into one of the old chests of random shit and pull out an antique and go: "do we think this is worth anything?" then they take it to an antiques dealer who is also a mage (alex albon) and there is a 1 in 25 chance that the antique is actually is worth something, so that bankrolls them for another half a year or whatever.

carlos makes a lot of noise about being "an art dealer" just because he sold a goya painting to a museum once.

oscar is a man of industry, of the "newer" world (australia) etc etc so he spent the 80s and 90s learning C++ and Java and Python so he legit just codes for a living. or when he feels like it. oscar has helped launch at least a dozen startups under various pseudonyms and one of them is even a blue chip company by now. he doesn't do it for money tho. he just does it cus he likes a challenge, and otherwise fights with carlos too much. when he isn't coding he likes to tinker and fix things just for fun. like, he legit knows how to fix a boiler and stuff. his familiar is definitely a grumpy orange neighbourhood cat.

franco keeps studying!! he is such a nerd that he's like "i can totally learn everything about anything now, and i could in theory do like 20 masters degrees, and nobody can stop me"!! then lando is like, "well you might get bored of it after a while or burn out". but franco insists he will not. in fact with his enhanced neurological abilities he goes on an academic bender trying to fast forward through an entire harvard's undergrad degree's worth of material in a week, and he ends up faceplanting on his desk. and then poor lando has to go and find a fresh chicken or something to kill and revive franco 'cus franco wore himself out too fast being a bb vampire with accelerated mind powers.

franco promises never to do that again (but of course he will continue to do it once in a while, and everyone still looks after him in his lil study hangovers because he is so very nice. also he taught them how to use venmo.)

and. one time. franco is like. "i can't find this rare sonnet do you know what library i could maybe locate it in" and lando is like "wait i know that one" and pulls out an honest to god original copy that he at some point got laminated in the early 80s. and franco is like. "um i think this should be in a museum??" and lando is like "yeah but i gave them a copy of this, cus i spilled ink on the corner of this in 1603 after a really good night out" and franco is like "???? ok ????"

then lando swans off to moodily stare at the moon or some shit.

[jesncin]

Are you at all excited for the upcoming Absolute Martian Manhunter book later this year? It'll be the most high-profile launch J'onn has been a part of for a long while, being DC's attempt at an "Ultimate Marvel" line. Given how the approach seems to be defined by removing elements of the characters' status quo - Superman has no Krypton tech, Batman is not a billionaire, Wonder Woman is the last of the Amazons etc. - I think there's a very real possibility that for J'onn they'd pivot in the opposite direction and give us a living Martian society. If only because J'onn has so little anyway, there's not as much to remove as with other members of the League, so the logical thing would be adding something back in to shake things up. I'm personally hoping for some combination of Weird and Noir.

I'm absolutely (heh) excited for it (because a new refreshing change even in an elseworld story is exactly what J'onn needs right now!) but also cautious and,,, concerned. DC's revealed the Absolute gimmicks for just about all the other solo supers but J'onn is essentially still a rumor? What's going on there? I was also concerned when Superman's Absolute gimmick was supposedly "he'll be more alien than human" "he doesn't have a fortress of solitude, no Kents, etc" which,,, sounds a lot like J'onn tbh but we'll have to wait and see. Sometimes writers do this thing where they try to do something new with Superman and it's just re-worked J'onn lore. And J'onn lore is fundamentally flawed so in turn that take on Superman doesn't work, but that's just me with early concerns.

Ooh! That's a good point actually! That feels like the most logical shakeup they could do, and YJa helped warm people up to the idea of a living Mars (which I also agree would spice things up and differentiate J'onn from Clark more). And I'd absolutely (heh) love more supernatural-weird-noir for J'onn! We finally had J'onn play into being a martian detective in the 2019 Identity run, but it was more cop drama than detective noir which I would love to see. My only addendum to the idea of a living Mars as an Absolute gimmick is, since YJa popularized this already, what else will this take do to innovate on that idea? My personal wish list is:

Revitalize J'onn's cast system (a mix of old and brand new characters. Don't just make him watch tv to care about humans. Give this martian relationships!!)

Figure out his themes outside of grief!! (I love sad Martian man but he needs to do more than that! It's been stagnating his character)

No Justice League stuff or other superhero cameos/team ups. (J'onn NEEDS to prove he can stand on his own as a solo character so he can stop being pigeonholed as the League's heart or therapist.)

Fresh new take on Martian world building (please get rid of Martian racism, it's dumb and never made sense. It's a shapeshifting society and the idea of characters like M'gann essentially "greenfacing" to "pass" is so weird)

Critical reimagining of J'onn's relationship to justice (we need to get rid of or critically examine his relationship to copaganda.)

Integrate Blackness more thoroughly into his character (CW Supergirl and that one Nubia Coronation special comic are still the only takes that have done this. Come on guys!!)

More thorough reflection of J'onn's multiple identities (undoubtedly what makes J'onn special. But the comics rarely dig into what it means for J'onn to be multiple people. I would love it if his identities [especially the racialized ones] weren't treated as so,,,disposable.)

Ma'alefa'ak please (I just want to see him again I don't even care if they do a bad job. However all I ask is he be a green martian and J'onn's twin again. And a slutty design.)

The last time we saw a big overhaul to J'onn's character was the New 52, and the major flaw of that run was that it had no clear thematic intention to how it interpreted his character. So we ended up with just a bunch of references and a convoluted edgy story that doesn't help J'onn become a self sustaining solo character. The Absolute line is the perfect platform to revitalize him as a character, but I hope the writers can think in the long term to combat his foundational issues.

[eldritchqueerture]

Okay I thought of something to ramble about and it’s the utterly bizarre and confusing relationship the CW show Riverdale has to chronological time. Apologies in advance for how long this rant will be.

Disclaimer: it’s been several years since I’ve watched Riverdale, and I never actually finished the show. This is all based on my memories. Also, I’m pretty sure the seasons I never got around to get EVEN weirder with their timelines.

So, season 1 makes the setting of Riverdale anachronistic as an obviously deliberate stylistic choice. The characters all have computers and cell phones, but they’ve also got rotary landlines, and the cars all look like they’re from the 50s, and the costumes tend to be vaguely vintage-inspired. Honestly I always found this element kind of fun - it’s a unique-ish style, and it pays visual homage to the era the original comics were set. (Side ramble: season 1 is both the most normal the show ever was and also the closest it ever got to being “good” in a traditional sense. Season 1 was a reasonably competent teen drama/murder mystery with an interesting aesthetic - it wasn’t anything groundbreaking, but it wasn’t terrible. And then it almost immediately went off the rails in ways that are wildly entertaining but a lot harder to take seriously. Post-season-1 Riverdale is, imo, the peak of “makes no damn sense, compels me though” tv)

And then in season 2(?), there’s an awkward cross-promotional thing where a bunch of characters go to the movies to see the 2018 film Love, Simon, and talk about how great Love, Simon is, and shuts generally urge the viewers to please go see Love, Simon - now in theaters. And it’s like. Oh. So it is set in the modern day, then? This is just a modern day town where everyone drives cars from the 50s?

And from then on it’s kind of hard to tell if the writers are trying to set it in a nebulous anachronistic dreamscape like in season one, or if it’s concretely set in the modern day - they kind of go back and forth.

And then. There’s the time skip. I can’t remember what season it is, but eventually, the writers announce that after the characters graduate from high school, there’s going to be a seven-year time skip, and the rest of the season will pick back up with the characters as adults. This seems like an idea that will accomplish a lot: it will allow the show to stop pretending that these clearly-in-their-20s-and-30s actors are fresh out of high school, it will allow the characters to take different paths after high school and then just pick up the story when they’re all back in Riverdale, and also, it will explain away why none of these characters are wearing masks or social distancing or at all acknowledging the global pandemic that is currently happening. Win-win. Makes sense. But then.

The characters are all about to graduate, and Archie is trying to decide what he wants to do after high school - does he want to go to college, or does he want to join the army? And right before graduation, he’s in the high school, and he sees a photo of a previous graduating class of Riverdale High posing in their uniforms before they go off to fight in what is very clearly WWII. And Archie hallucinates some soldiers in WWII uniforms during graduation, and that makes him decide to join the army. So WWII happened in the past. Makes sense so far.

And then the time skip picks up with Archie getting out of the army, and in all the flashbacks, it is very clear that he just fought in WWI. There’s trenches, and WWI-style uniforms, and Archie has shell shock (which obviously can and does happen in any war, but the way it’s framed in this feels very WWI-coded. I don’t know how to explain it, but it is.) So WWI is the present now?

And Betty’s post-time skip storyline is *just* Silence of the Lambs. Like she’s training to be an FBI agent and hunting down a serial killer and there’s a lot of VERY on the nose references. So the costuming and set design of her storyline is super 1970s, but then she meets up with Archie the WWI vet?

And THEN, in Veronica’s storyline there’s a scene where she’s arguing with her dad about his sexism and she says something like, “It’s 2021, dad, women aren’t property anymore,” and it’s like. ??? You just skipped seven years into the future?? Shouldn’t it be 2028? Was the show secretly a period piece set, very specifically, seven years in the past the whole time?? If it’s 2021 why aren’t any of the characters acknowledging covid? Was Love, Simon released seven years earlier in this universe?

And then Jughead gets kidnapped by Mothman.

sometimes i will learn things about riverdale and its just. more unhinged than i ever expected

[soullessjack]

not only should any autistic character who’s ever been infantilized by their fanbase kill and maim more people, but they should also fuck as nasty as possible too. as a treat

[ebenelephant]

i'm aware that destiel is the ship du jour of the supernatural fandom, but i am now learning that wincest has like three different dedicated tags on ao3 and i would like several two hour video essays on the subject right now please

[blackhholes]

teen wolf meme: [4/6] creatures -> chimeras

You found the perfect word, though, Scott... Because a Chimera isn't just a monster with different parts. It can also mean something impossible to achieve. An unrealizable dream.

[deancasforcutie]

in which Chuck is for once the audience surrogate intruding on a love not meant for his voyeuristic gaze, which in cultivating fondness and devotion between the threshold of negative space and plain sight constitutes The World

[sammygender]

^this but unironically

[sciderman]

(Idk if someone asked this already) since we’re on the topic of gender

sci what is gender to you and how do you see it in you and how you express it in your art?? (Just a young queer artist who wants some light shined upon them 🥺)

i 'unno ¯\_(ツ)_/¯

[cielkie]

idk how this would work in the OIAR bc i just feel like they wouldn’t let anyone from outside look at their files, but i think it would be really funny to have like. a college age researcher show up to the og magnus institute or the OIAR who’s like studying the paranormal or folklore or some shit (cue guy with an actual degree in parapsychology which makes martin shit himself when he tries to start conversation HELPP) who’s just like oh hi guys this is my honors project! :) can i look at some spooky stories? 🤗 and the OIAR/MI staff are like NO. DO NOT LOOK INTO THIS ANY FURTHER RUN FOR YOUR LIFE. but i feel like elias would 100% require that they help this person out, bc he’s evil and he’d want a fear to eat them, and like… it’s just funny to imagine like. the staff trying to keep the true nature of the institute/OIAR away from this totally clueless 22/25 year old and feeding them the silliest statements possible that don’t connect at all to throw them off track so this poor kid is confused and hopefully gives up. but also kinda bittersweet imagining them all coming together to protect a stranger from falling into a world they can no longer escape… the old “it’s too late for me but it’s not too late for you” makes my heart hurt

[good-beanswrites]

A second drabble of "Fuuta goes to get a 3am snack and Es is being Weird" LOL. I love @waivyjellyfish 's hcs of inhuman Es, and they would 100% use this to torture Fuuta. Nothing overtly supernatural happens, which just adds to his pain that it's all technically possible, but still creeping him the fuck out 😂

Fuuta blinked the grogginess from his eyes, the fridge light nearly blinding him. He shifted around some leftovers, picking out something that looked appetizing. He peered over his shoulder. It was the dead of night, and he’d hate to wake any of the others. Unfortunately, he had no such luxury himself. His grumbling stomach didn’t care about his need for rest. 

He placed a bite of cold food in his mouth. 

He closed the fridge door, revealing Es standing behind it. 

His coughing masked the sound of horror that would have come out otherwise. He’d leapt backwards about five feet, narrowly avoiding throwing the food directly at the warden’s darkened figure.

“You didn’t choose my cooking?” was all Es said in response to the mortifying reaction.

“The fuck are you doing!? I didn’t even hear you come in…” 

One would think that those clicking heels and collar of jangling keys would make Es into a walking noisemaker, but they were surprisingly silent everywhere they went. The prisoners had often joked about Es’ catlike steps. Fuuta in no laughing mood, now.

“Don’t you have a lot to do tomorrow?” He tried to shake the uneasy feeling swirling in his gut. “You’ve been talking about it all day, I thought you’d want as much sleep as you could get.” 

“I don’t sleep.”

“Does it look like I care that you’re drowned with work? That’s your own fault for trying to handle ten prisoners all by yourself. You’re not getting any pity from me.”

“Eh? No, I mean, I don’t sleep.”

Fuuta paused. “Stop fucking with me. I’m too tired for this crap.”

“I mean it. I was already awake when I heard someone up, I just wanted to investigate.”

“Bullshit. There’s no way you heard me from all the way down the hall, through that heavy door of yours. You’re probably hungry, too – but don’t get any ideas, these are mine.” He moved to the counter, transferring the food to another dish to heat. 

Es followed, their icy eyes flicking between him and the food. 

“You really prefer Mahiru’s cooking that much more?”

“Of course. Yours sucks. Don’t think I’ll give you any fake flattery just because you’re the warden.”

“I figured you would want me in charge of the kitchen instead of Jackalope. I’m just trying to help.”

“Tch. I’m pretty sure you’re trying to kill us.”

“With my cooking?” A smirk stretched across their lips. “There are easier ways to kill a person.”

Es stared at him, that odd smile on their face.

Fuuta tried to smother the shiver creeping up his spine. 

They had to have been messing with him. This is just how a bored warden gets their kicks, he figured. They sneak up on unsuspecting prisoners in the middle of the night and say ominous things. They just liked bringing up murder to get under his skin. And of course they slept. They slept, ate, and – he looked down at the dish of food. He had seen them eat, right? He wracked his brain for any memory of it. It would explain the poor-tasting cooking…

“Ah!” Es’ voice made him jump for the second time that night. He followed their gaze over to the doorway, where Jackalope was hopping into the dim kitchen. 

Es began to speak into the silence. This type of craziness, at least, was a familiar one: their insistence that they could speak to the little animal.

“I know, I know. … Yes, of course. I’ll be finished here in a moment.”

Fuuta’s gaze flicked between the pair. Tiny, black, beady eyes. Large, pale, round ones. Jacklope’s twitchy little nose. The way Es seemed entirely motionless.

“Whatever. I’m going to bed.” Fuuta grabbed the dish and stormed out of the room. He avoided meeting either set of eyes. Let them have their crazy, creepy conversations in the dark by themselves. He was out. 

Es’ voice echoed into the hallway as he hurried back to his cell. 

“Goodnight, Fuuta…” 

Fuuta tried not to look like a little kid running back through the darkened corridors, but he certainly didn’t take his time.

The sheets rustled around him as he got into. His back pressed against the cell wall, so he could keep an eye on the entrance. He strained his ears to listen for any unnaturally quiet steps.

Then he looked down at his food.

He had completely lost his appetite.