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#is this the most niche post I’ve ever made? who knows. enjoy I guess
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Ranking 60s music euphemisms for sex
Hold me tight
The classic. Honestly quite sweet and gets the point across every time if you’ve listened to enough songs to know what you’re looking for. 7/10
All through the night
This one is more obvious and slightly cruder, although still very euphemistic. Suggests they are doing it literally all night which like, good on the guy I guess. 5/10
In the dark
Many variations of this one, my favourite being the guy from Eleanor who falls in love with her right after they have sex which is pretty hilarious. Most obvious of all of them so far, still good though. 8/10 mostly for the guy from Eleanor.
Knowing/learning from each other’s knowing
This is included mainly because I love Dusty Springfield, what an awesome song. It has a nice Biblical connotation as well. The most obviously about sex of any on this list, but it’s a banging (ba dum tss) and sexy song. 9/10
Things she does to me
A classic Beatles and Beach Boys one, can’t go wrong with it. I like the connotation that the guy’s head is spinning cause of what the girl is doing. Used to great effect in Don’t Worry Baby, although there it is followed up by ‘when she makes love to me’ just in case you missed it. Used properly in A Hard Day’s night which is a surprisingly sexy song because of this line. 10/10
I like it when you do that
This is a stupid one, included so I can mention the song I Like It which is Gerry and the Pacemakers so my Scouse blood obliges me to mention it. More euphemistic than most others on the list but still the most clearly about sex? Much to think about. Dumb song, funny euphemism. 8.5/10
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linklethehistorian · 11 months
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You know, being around Tumblr for like…5 years now, I’ve seen a lot of silly, goofy posts from fandom peeps making jokes and memes about themselves having to pretend to be ‘normal’ about a certain topic or thing they’re passionate about when around their friends, or wishing that someone else cared about their fics or OCs or whatever-else-have-you as much as they do themselves, so that they’d have a reason to share their trivia and go all out on the subject without being labeled as ‘cringe’, and like…yeah, they’re kinda funny, and don’t get me wrong, they’re definitely relatable to an extent, but…most of all, I just find them sad.
I know there are a lot of people — especially when making posts aimed towards fic writers — that’ll be like, “just do it for yourself!”, or “write/draw/create like no one’s watching!”, and that is genuinely good advice; I’m glad that it’s out there, because it is a very important step in being able to enjoy your hobby and/or your passion.
…But at the same time, something I never hear being said that I think really should is: while yeah, you should be able to create for yourself like no one is watching — in the sense that you should try to tune out the naysayers and just do what you love above all else — you should also allow yourself to be free enough to create like everyone is watching, in a good way.
Yes, realistically speaking, most people in the world right now probably don’t care that much about that super niche fic you wrote, or that OC you made, or whatever else it is you created or saw that you’re so excited about, but…so what? Who cares if not that many people have noticed it and given it the attention it deserves in your eyes? Why are you letting that stop you?
Go out there and make that ‘official blog’ dedicated to that creation you love, build that music playlist of perfect vibes for your OC or your favorite character, create hundreds of drawings and drabbles and fics and edits and posts and whatever else that you so want to do, talk like the whole world is listening with bated breath for your next statement about an update or interesting tidbit about that thing you made!
What is anyone going to do about it? Call you cringe? Send you hateful messages or make nasty comments? Delete them. Block them. Cut them off. They’re just a bunch of losers who have never learned a better way of coping with their own personal misery and unhappiness besides trying to drain the joy out of other people’s lives. And if you’re afraid your friends would do that to you — guess what? They’re not really your friends. There is a time and place for everything, sure, and there are going to be some people who enjoy doing different things with you more than others, but if you genuinely can’t just be yourself and have fun around the people you love without fear of being judged over something fictional or otherwise harmless, then you’re not in a very healthy situation.
And I’ll tell you something else, too.
When I started writing my most beloved fic of all, I had no idea that it would ever possibly get more than maybe one reader at best — if that — because of how extremely specific and niche the plot and the main pairing (and even the secondary pairing) was. I thought that it would at best sit on AO3 in silence forever and at worst receive massive backlash from a certain part of its primary fandom.
And I’m not gonna lie; it has received a few nasty comments over the years — but you know what it has mostly received? Love. Love, and appreciation, and support, and all of the things that in the beginning I never would’ve thought was possible.
I made an official blog for my fic, and it actually has a few dedicated followers that aren’t all just my close friends. I have playlists for it, I’ve made art, animatics, development notes on each chapter, I celebrate milestones with actual polls and events! I talk like people are listening, even when I’m not always really sure that they are, just for the fun of it, and you know…I’m happy.
And personally, I think that kind of obvious love and joy and dedication for what you do sells itself more than any type of attempt to appeal to the so-called ‘critics’ ever could.
Do what you love like others already love it just as much as you, and the rest will eventually fall into place.
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long meandering post i’m bothering to even post at all about “i guess i don’t necessarily dislike horror but a) i dislike so many specific examples of it and b) people can be so embarrassing about liking it lol yep this one’s going in my cringe comp”
i can say i Like horror in the sense that i realize some people do not like it at all ever in any way whereas i’m like yeah that can be fun to me. in fact like my positive reaction is going to be like yes this was specifically Fun, i’m Humored, i want to laugh about this, specifically re: whatever is supposed to be scary about it like oooo hehehe it is in the very same vein as like, if one enjoys thrill rides. However. there are so many works i do not like or respect or have any interest in and i am hard pressed to think of many things in the past like decade i’ve especially enjoyed and even plenty of those were like Eh / had enough i disliked/disrespected actually to be too underwhelming to care about. i’m not very enthused. gtmpota is the most engaged i’ve been re anything belonging to Horror and obviously that is children’s horror which like yes i am not kept up at night or anything but i wouldn’t expect to be and i don’t really expect that of Horreur for Adults either, and i do like and respect horror aimed at children more. there is a real inherent difference when A Premise is that children exist in a world where their perspective is limited and they know it (i.e. like what is being kept from me, There’s Something There) and demands made of them / situations they’re put in can be arbitrary and crucially, they All very markedly lack power in their own lives. adult horror being like “this isn’t baby stuff. children’s horror would never be like wouldn’t it be fucked up if [gore]” like yeah that would in fact be fucked up but it’s not exactly like more sophisticated(tm) and hard t Mature in terms of themes/ideas for it? like yes the idea is eternal like doesn’t it make us all uncomfortable that we exist as vulnerable biological machines and various things make one more aware of this (including some Just Great concepts like “aaa what if someone was disabled. scary”) like yes that’s uncomfortable. but you can touch on the horror of mortality in children’s material as well even if like yeah you can probably not have graphic Imagery of anything in the realm of gore. even if there’s still some wiggle room there lmao. the Idea can be in play even if it’s like okay grownups only now: a lot of blood. jarring huh. like yeah i guess
anyways this is already sort of seguing into my like “yep this is going into my cringe comp” like ppl talking about liking horror can get so embarrassing about it lmfao like i prommy it’s not that Inherently Edgy, when i mean clearly it’s not That Niche and also more so that the material is not necessarily that Edgy either. that something can be like “this effectively plays into social anxieties” by being reactionary. or going “would that be fucked up or what” by presenting situations that are fucked up for people who do in fact lack power and then repeatedly doing and Saying nothing more with it than just saying “fucked up, huh. sucks.” like yeah i guess. when this is also a step away from the common like “This is fucked up / sucks” angle which is like, okay at this point in Watching someone with less power have fucked up things happen to them, is this arguably some power fantasy / voyeurism happening here when it’s time for things e.g. like oh no here’s extensive sequences of this woman going nooooo aaaaaa re some advancing menacing presence here’s extensive sequences of her being physically attacked in close proximity and possibly also sexually assaulted, like, this is a Genre which is a Lens but what might better example of “is there artistic merit in this being supposedly disturbing for its own sake” than like oh uh haha yeah it’d be fucked up if someone was sexually assaulted right.......like sure one can be supposedly aiming for something being shocking for the sake of being shocking, but i don’t think is inherently Edgier than anything in a way of say, being More Challenging / Less “Safe” than material in other genres (which of course can utilize material that Could be associated w/horror for being like, alarming / jarring or whatever) and this is to say i was already sighing wearily abt tweets like “media today....it’s so Safe and Saccharine.....” like i mean, is it. what are you talking about, specifically. i think we can agree that at any point in time while there’s Maybe trends and norms in Specific genres / areas of media production, All Media is not All XYZ. anyways this person was like wow soooo true and maybe that’s why i enjoy everything with a lil bit of Horror nowadays......like i really couldn’t think of a work of horror that would’ve made me go “wow makes me think. this is a really complex & challenging idea.” at all more than anything in a completely different genre. like going “would it be fucked up or what if [xyz]” and answering “um well. yes i can say that if that happened, that would be fucked up” isn’t a bold thought-provoking experience. i suppose it’s like well but horror presents the Fucked Up scenario in the first place, and that’s what’s more interesting and intellectual(tm) potentially than all this feel good nonsense i’m so plagued by out here. like I Suppose Potentially Yes but yknow how often the “is this bad? is this scary?” thing being presented is like. here’s some Concepts that might seem fucked up and shocking to be aware of to you: poor people........a black man........disability........like. 
dipping into some specifics as a way to simply gesture vaguely around lmao like. a subgenre i just have a deeper inherent dislike / disinterest in is like. well there’s a couple of answers here and i’m realizing for a pretty [handshake] reason lmfao anyways i’m not interested in zombie shit when it’s like. first of all it’s not like wow yeah i’m Too Scared to an unpleasant degree but rather like, say the one time it was like alright i’ll watch train to busan then, i had to work up the nerve for ages because i was like, it’s gonna be too depressing. and it was in fact sad but not quite proportionally to how hard i was avoiding it at first but it’s like. well it’s always noted like “the variations in how zombie movies play out adapt to current mainstream anxieties” like so. the reactionary factor lol. when What It Is is that what feels Exclusive here beyond “wouldn’t it be fucked up if you or someone you knew died” (yes) and “wouldn’t it be fucked up if you were subject to physical violence (and then died)” (yes) but the loss of Humanity(tm) thing. imo if there’s anything there it’s Again the like. isn’t it fucked up we’re vulnerable biological machines and some grit in those gears can utterly change the nature of our existence, like for one thing, that oops now we’re dead? yes. but also don’t start getting into “disability.....so scary right” like so nuanced and so not reactionary there.....but again that’s not Exclusive. it’s like, what if people were dying....but First they stopped being people??? and crucially also that they hang around to Menace the living humans. like oh my god what if there were just. sooo many other people who aren’t really people and they’re coming to ruin things for you, the few who are Not set on destroying and consuming others?? it’s like the “would it be fucked up or what if You are the only actual person / you can’t Know if other people are really people the way you Know you’re a real person b/c of experiencing your own internal existence” philosophical / thought experiment type situation like and what the fuck of it? we already Do have the problems of dehumanizing Others / not acting as though they have the same internality / Personhood that we do / rather acting as though Others are also threatening us and our personhood and fullest humanity. so i hate it being so literal in horror there and i do not enjoy that and not in a “wow this idea is too challenging for me, i only want comforting material” way necessarily lmfao like what is challenging about “what if....others weren’t as human?? and you and real humans had to save yourselves” and where it’s just unnecessary like what if your loved one was fated not simply to death but inhumanity so you had to face that concept and take them out also like. yeah that’s a depressing specific application that i thusly want to avoid but because it’s like, what if this Relationship stopped existing, but overly fantastical like. i don’t think fantastical things are bad in horror lol i think horror shorts are often better than shit with a whole story and oft B/c, like children’s horror, it can get more fantastical than like “ohhh this is Real shit” that is instead like. yeah i guess the inherent uncertainty of everything like mortality and such is a pretty inherently heavy idea but i don’t know that what’s done with the zombie subgenre and its literalness isn’t more about the fear of [what if other living people are less human than me] in the face of recognizing that others also have power so that power could be wielded against You and all that you hold dear, my god their constant menace....there’s Anything i suppose in how like you know. considering how night of the living dead is supposed to be the thing that Made the subgenre even though it’s like, not in those words lol the living dead i said. and ends when the sole surviving black man is immediately assumed to be among those threatening inhuman dead people and is killed by. wikipedia describing it as “an armed posse.” and speaking of “is this even A Metaphor for anything Besides the menacing hordes of [other people]” it’s like, i’m not a scholar here but plenty of sources talking about like oh is the folklore inspiring this idea of the living dead stemming from enslaved people in haiti. where it’s about Your experiences being dehumanized rather than [Others] and how people are just their bodies as these vessels to provide labor to someone who owns them. like that’s something, and then naturally idk the Mainstream Hollywood Twentieth Century version that makes it a Genre is like. kicked off again with any recognition of the dehumanization / othering of a black man as the protagonist, but that element is not what defines the genre conventions going forward, instead what’s the central factor is like “what nowadays makes us worry about the ways we’re inherently threatened by the rest of humanity” more so
another specific example is that the idea of everything going on in the exorcist is like come on. you’re killing me lmfao. i guess there’s some kind of Story going on with the priest guy like what if you don’t have faith b/c you see you have little control in this world but like okay whatever b/c and Then it goes “but what if thee devil walked up like ‘i’m real bitch.’ hand on shoulder ‘and so is christian god’” like wow satan thanks for restoring my faith and saving my soul in every way that matters even though i died. thoughtful. it’s so fucking zany in concept though like okay first of all [horror happening within the satanic panic] like yeah damn kids these days have their hasbro ouija boards and don’t go to church and instead vandalize it probably before doing some drugs b/c they renounce jesus. so what’s gonna happen but inevitable demonic possessions. what if my charming well behaved daughter perhaps on the cusp of pubescence started being....Not charming nor well behaved :0 i’d be so scared if a child stood there confusingly and also pissed on the floor, that is decidedly not the way a lady navigates a social gathering. and if she did the stairs thing like dear you are never going to get a boyfriend like that. but also not only the “so this coincidentally like tween girl acting out in ways disruptive to this household and so Not Like Her Usual Sweet Self and with all these traits and behaviors that are decidedly a) not properly Feminine in appearance or manner and/or b) so vulgar(tm) especially sexually so” element but the like whoa hang on....based on a true story....am i next. is like that that true story is (i am relaying this secondhand idk i haven’t done the research. misinforming you that it probably wasn’t the devil) like probably this young girl having been sexually abused and the way that can make children in fact act out disruptively including via like “wow isn’t this too explicitly sexual for a child” / hypersexuality like hmm. and funny that the exorcist is like damn in this day and age everyone’s like “mental health” instead of making room for “the influence of the devil” and the way that like nonfiction exorcisms can be looked at from this lens of like, is this in a way a form of Treatment, especially for people with limited resources / access to alternatives, what of say, how prior women could be easily institutionalized and going “hmm actually maybe i could use an exorcism” could be another way to Address A Problem. it’s just like oh and i guess some people died and the life of a child was at stake and there’s other like “yeah that would be fucked up if that happened” stuff but it’s like. this is like what ohh so many demons in here and the devil dropping in, it’s a party in here ha ha what are you gonna do about it ooh. like This is all the forces of hell??? a household is disrupted and unhappy and darn it this mother can’t connect anymore to this unruly daughter who is not the picture of innocent girlhood anymore by a long shot etc etc like. on the one hand you have “what if a boy was influenced by the devil” and it’s like he’s the antichrist or just As Good As and is going to be running around killing people. if it’s a girl maybe people can die courtesy of the devil involved but mostly it’s like wow scary that she’s scary huh. what i’m saying is like. doing any “so like. Why is xyz disturbing / scary / Horrific exactly” analysis is like. i don’t feel it is provocative to be like what if kids these days Weren’t going to church less / being less religious and what if girls these days weren’t threatened by the corruption of ungodly sexuality and what if nobody ever reacted to things like trauma and abuse in ways that seemed alarming or incomprehensible to people outside it
oh i also forgot the matter like ohh my god. oh my god i forget how but this has something to do with pazuzu ;o; when it’s like well you realize i’m sure that like amulets or statues of pazuzu being used to protect mothers and children. but.
oh And i forgot i dropped that thread like, when i was talking about another subgenre i’m like “i dunno about this one” lmfao i was thinking of things focusing on gore b/c it’s like. i recognize easily like yeah the “fucked up or what” factor and the eternal Efficacy of such things like Yes it’d be fucked up and yes it’s [handshake] with “isn’t being not only mortal but able to specifically be killed fucked up” like (haha) eternal, yeah maybe kinda, something continuously grappled with everywhere to be sure, can’t argue with that. and i’m like, i don’t think i’m that squeamish about it relatively but i don’t enjoy the material really even if there’s like, what of morbid fascination, is morbid fascination and its indulgence Necessarily Bad, maybe not or say maybe not always, classic wiggle room affordance but like. i think i don’t like the Potential for dehumanization in the same vein (lol?) as zombie movies for example. like this person is here to ultimately serve to be just A Body. which isn’t always how it is and etc naturally lmao but i’m just not that interested you know....and it’s also the case that like, things i especially had a strong reaction to that had to do with physical violence / injury / death weren’t like graphic scenes but rather like [murder onscreen but very Without graphic detail] and [only slightly specific description of graphic injury / death in an irl event] so like. don’t think it’s about simply going like oh gross
anyways it’s like. don’t think it’s necessarily like Bad or A Failing Of An Artistic Work to be going like “isn’t this scary? it’s for the sake of being scary” or this is funny for the sake of being funny or this is heartwarming and feelgood for the sake of being heartwarming and feelgood. but same as it’s like okay is this Funniness about say, something like making trans people or disabled people the butt of the joke? i happen to think that’s bad and the “funniness” is not at all bold or groundbreaking or challenging but rather playing into and elevating the status quo and existing power dynamics. and it’s the exact same thing when it comes to is the Horror about presenting trans people or disabled people as scary now rather than funny. and i think that simply like Presenting a situation that’s fucked up / Would Be Bad / would be at all unsettling or scary or whatever is like, not inherently less “safe” or more “challenging” so like i guess congrats to someone if they think oh the media landscape is so sterile these days so i turn to horror and enjoy That like well okay but maybe you just like horror But that’s also new to you so that experience seems more fresh / novel / surprising. i sure just don’t think it’s inherently The Edgier Art Genre than any fuckin thing else lmao and it is embarrassing to just posit otherwise like yes my Intellectual Boldness(tm) allows me to experience horror and go “i enjoy this.” like again not that it’s any Worse to be going “would this be fucked up or what” like i think horror shorts can work great for the genre Because they have to only go “would this be fucked up or what” and can dip into the fantastical. still “loving” this memory of this short that was like “what if someone was nd” basically and yknow as though that’s not everywhere like aaaaa you know what would be a creepy signal that....something’s WRONG with this person.....that they’re just a little OFF and maybe that’s THREATENING and you should be ready to perceive them as A THREAT / SURPRISINGLY INHUMAN.....would be if they [insert something that could be some utterly mundane nd behavior] like yeah put it next to the [something that could be utterly mundane / normal about disabled physicality....i’m so scared help] lol
anyways it Can be bold and edgy and actually challenge anything ig the way comedy can but it’s not like it’s inherently thus and it’s like this is embarrassing whenever someone who knows they broadly like horror is positing that they’re like engaging in edgier shit than others for it lol like please rein it in. anyways when i’m here i’m here to have fun. however i’m Not here for. at this point i hate to say it lmfao. a “spooky” factor though again by this point i Am like i think horror for kids is more interesting / fun on avg certainly. don’t get me wrong i can think of a couple of guys known for this whose work i do not enjoy / am not interested in, bit of a handshake with [i do not much like or respect stephen king] lol. like i also don’t want Simply An Aesthetic out here thanks, i’m good....but i think there’s plenty interesting going on in that like. when making things in the context of [the life experience for children] it’s like they Are always grappling with things and anything Can be inherently challenging and again like, the existence defined by little power and limited room to operate. and i don’t know, maybe it’s more so the case that people who might go “yep. this is my perspective” about plenty of adult horror might think about how it is to exist as a kid and go “uhhh it was just safer and easier and better? you didn’t have to pay bills. take me back XD” like, is that it, do you think lol. i sure think that being Intrigued abt anything having to do with horror from i suppose as long as i can remember had to do with having a different kind of childhood experience than just vibing & thriving And it had to do with being queer / nonbinary And it had to do with being nd. and say, i never latched on to like “boy the monsters fascinate me” lol but certainly like, in other ways it Could be like oh i relate to these people who were/are posited as Possibly threatening / possibly the antagonist, wild how there’s that correlation of “hmm these traits and behaviors would seem strange and suspicious and even threatening maybe” lol....while funnily i think there was some aspect of parents (mine. one of them anyways) thinking Horror For Children was not very Appropriate(tm). definitely knew that was A broad parental response to goosebumps in retrospect and Eventually we owned a few but i think that sure took a while and i maybe have a sense before that that i wasn’t Supposed to read them, alas lol. always enjoyed the suspense and general mood like, think it just speaks to [what if there was reason to be worried throughout about what’s going to happen / a miasma of being under threat] lmao like you don’t say. and it’s fun and humorous to be sure lol i love the flair and funniness of perusing goosebumps phantom of the auditorium The Book
losing the thread as ever and it’s 7pm so wrapping it up by going “i’m just wrapping it up” insert the posts like why do i need a conclusion paragraph / thesis like um just read it again. how about signing off with the humor of my thinking like “it’s fun how horror shorts can go ‘would that be fucked up or what’ w/some simple concept and not have to do anything beyond that / execute it briefly / very to the point. i’m imagining a premise like wouldn’t it be fucked up if you were just a person among people in an everyday setting and everything’s proceeding mundanely except that at any given time when doing something innocuous while clearly navigating this ordinary situation, proximate people can suddenly if temporarily snap into this surprisingly Hostile mode, inexplicably over that [nothing] moment” and then in retrospect it’s like oh my god lmfaoooooo So totally just turning a Horror lens on [existing as an autistic person]
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thefeedress · 3 years
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FFA MUSINGS
I was 17 when I learned the terms "feeder" "feedee" and "feederism" from stumbling across one of those trash documentaries about the kink. Apparently, my sexuality revolved around extremes and predators: creepy straight men coercing naive women into transforming their bodies and their lives - the women didn't particularly seem to be getting off on it or even have much agency in the whole thing. The men were awful. (Sometimes, these days, I look back and wonder how much all the negatives of what I saw were exaggerated by the editing…)
That was my lightbulb moment, where I discovered the label for something very personal and private that I'd had all my life but always felt confused and ashamed about. I now also had the pleasure of feeling extra disgusting and very alone, having been shown what horrible company I was in, and that I now knew I was a feeder, but apparently all feeders were men.
Any furtive investigations online (in the reasonably early days of the internet) seem to confirm this suspicion: female feeders were not A Thing, there might possibly be one or two others out there at best. Male gainers only seemed to exist in their own niche in gay subculture, and although I was happy they were out there somewhere living their best lives, they were obviously Not For Me.
I was 34 when after years of pushing it all to the back of my mind, I finally gave in. I've been with the same (non-feedist) partner since my early 20s, so I just assumed that I'd never be able to explore it irl anyway, and that was that. I can't remember what happened or why I decided that I had to try to find some others to connect with, even just to chat with, but in the end (with my partner's blessing) I found and joined Feabie (of which I have many opinions but I'll leave those for another time…) and interacted with other feedists online for the first time in my life.
Guess what: straight male feedees exist. They exist, and there's fucking loads of them!! Tons of the buggers in my inbox all day every day for weeks. Pretty heady experience going from outcast freak to Much Sought After Item - apparently female feeders really are quite rare, or we don't have much of an online presence (or most of us are lurking in a secret lair somewhere that the others haven't invited me to, rude….) or they're also out there somewhere thinking they're the only one.
The unbridled glee of feeling popular and desirable for being something I'd always felt ashamed of did wear off a teensy bit after the endless onslaught of "hey" "hi" "how u" "ayy babygurl" "I'm looking for a feeder please accommodate all my kinks even though I'm a total stranger and I clearly don't give a shit about you as a human being" "You're a woman on the internet I'm entitled to your attention don't be difficult what's your problem" and my current favourite, the bizarrely ominous "Can I ask ur opinion?" (The answer is no my friend, if I wanted to be spammed with anonymous torso pics that I'm meant to manufacture comments about that you can get off to I'd have asked YOU.)
But. I'm still completely overjoyed that male feedees exist, that I've spoken to so many cool and interesting and lovely guys, that I've had experiences I'd always assumed I wouldn't, that I FINALLY MET OTHER FFAs and they are awesome and now I'm close friends with one and it's freaking GREAT. All of this has also lead my partner and I to discover polyamory and now I'm in love with two people who love me back NOBODY EVER SAID YOU WERE ALLOWED TO DO THAT WHY THE FUCK DID NO ONE TELL ME
There are so many nuances and preferences I'd never considered. I knew what I liked and that's what I sought out in terms of porn and that was that. Actually talking to feedees and learning about the whole spectrum of things they each did or didn't enjoy or want to participate in was a revelation, and also helped me clarify my own preferences myself.
There are still things I've yet to come to terms with or decide how to feel about. The main things I'd always felt guilty or ashamed of were less to do with fat or fat guys, it was the feeding itself.
Where being an FFA is concerned - I like to think that if I'd ever been lucky enough to have a fat boyfriend when I was younger, I wouldn't have been shallow enough to care what anyone else thought. It's possible I'm giving my younger self too much credit; I know for certain that some people in my life would have made nasty comments, I was also hugely insecure myself, and I have no idea what it really would have been like. I have no doubt that living all my life in a fatphobic society has affected me in more ways than I'm even aware of (same as everyone else in some way, I'm guessing....). I think any uneasiness I felt there was less worrying about shallow friends or family members, and more how to find potential fat partners without offending them. I have always been conscious of the fact that the majority of fat people would very likely be horrified to be thought of and objectified through the lens of this fetish. You never know what someone's relationship to their own body is, but it's safe to bet that it's a more complex one than it seems, and also, unless you're expressly invited into that relationship by that person, it's none of your fucking business.
But anyway, the main reason I never had many hangups about it was that I don't think I even *was* attracted to fat people when I was young - sometimes I'm not sure I was even attracted to anyone. I had crushes on boys all the time, but I never thought of anyone sexually. My teenage fantasies were pure belly kink: stuffing, chugging, bloating, inflation, any kind of ridiculous fantasy belly expansion - the actual fattening aspect of feeding was less a part of it, and fancying fat dudes was never connected to it. By the time I'd begun to join the dots and wonder if I liked fat boys, I'd started to happen across media that portrays the worst of Feedism, and since I liked sadistic fucked up stuff and already felt ashamed of it, all of that just confirmed to me that I was right to hate myself. Even now, when I'm exposed to much more conversation about this kink than I ever used to be, I notice a lot of love for soft feedism, wholesome fatness appreciation, body positivity, romance (all of which I absolutely love, don't get me wrong) and I still sometimes feel Iike I'm being left out of the party. Keeping my fingers crossed for more consensual femdom-feedism love (and content, ugh…)
But… what would have happened if I hadn't gotten the fuck over myself and put myself out there, tried to find others? How many other young people see themselves portrayed horribly in the media and hide parts of themselves FROM THEMSELVES forever? What happens next? I've apparently found the one person who likes all the same twisted things I do, but actually getting to see him irl ever or do any of the things we want to do seems impossible, and not just because of Covid.
This fetish is lonely for most of us I think, in some way or another. There aren't many feedists, there don't seem to be as many female feeders or male feedees, there probably aren't many people who will share the same preferences within the fetish that you do, and frankly when you filter out the people who aren't crazy or creepy or don't know how to hold a conversation, the pool shrinks even further. I've seen plenty of posts bemoaning how hard it is to find someone, but seriously, having spent most of my life in a vacuum where this stuff is concerned, I'm still buzzing from having engaged with the small handful of people I've engaged with, even just to chat to.
What I want to say to my younger self is: you're a good person. You're just a kinky bitch, that's all.
I feel like this description probably applies to all the best people, I can live with that.
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Tumblr Writers Q&A
Thank you lovely @cheesybadgers for the tag, this was interesting to do! 💕
1) How many complete fics/one shots do you have that you have not published (yet)? None, if I’ve got them I post them.
2) How many WIPS do you have right now? None.
3) Do you take writing requests or write original ideas, or both? I’ve never turned down a request, I always think it’s fun to see other people’s vision for the characters and it’s so rewarding when you can make them happy by realizing it. When I was writing a lot, most of my work was from requests but I did sometimes write ideas I’d found that I just liked myself.
4) If you do take requests, how many do you currently have? None.
5) How many fandoms do you write for? Lately I have written for Pedro/Star Wars/I guess technically Narcos since I wrote a little Carrillo ficlet?
6) Are there any fandoms you wrote for in the past that you no longer write for? I spent three years being an active writer for the Hobbit fandom and loved every minute of it...it completely shaped my Tumblr experience, gave me most of the followers I have, and brought some people into my life who are dear friends to this day. That said, I feel like I couldn’t write a Hobbit character now if my life depended on it, I think I’ve drained that well dry.
7) Do you write for ships, reader inserts or other? I’ve only ever written reader inserts and I think one (?) OC. That’s partly a choice to cater to what plays best on Tumblr and partly because I just find reader inserts fun. (Never used y/n though! 😅)
8) Niche fandoms/characters you write for? None, really!
9) Do you read fics as well as write them? Oh yes! I love reading fanfic and I have strong feelings about supporting other writers, it’s a huge part of my fandom experience.
10) What is your favorite genre to write for? Fluff, always. Romantic fluff is the most fun thing in the world for me to write.
11) What is your favorite trope (to read/write)? I’m always a sucker for only one bed, friends to lovers, fake dating, arranged marriage, huddling for warmth. I don’t know if domestic bliss counts as a trope, but I just eat that up too.
12) What do you do to get motivated to write? Honestly, as someone who’s completely driven by external motivation, this is the struggle. Readers who are excited to read what I’m writing are the best possible creativity fuel. I’m a publisher, not a journaler, so I don’t write for myself.
13) Is there a trope/genre you like to read, but not write? Smut. I read and enjoy a lot of deliciously explicit fics, but I find it too intimidating to attempt myself.
14) Any characters/fandoms you want to write for that are never requested? I think it would be a lot of fun to write for the Triple Frontier boys or Cassian Andor, but I’ve never taken a crack at them.
15) How long have you been writing fanfiction? Six years ago I made a Tumblr account and held my breath while I clicked “post” on my first-ever fanfic.
16) Did you read fan fiction before you started writing? Not so much, actually!
17) Do you only post on Tumblr, or any other sites as well? I use AO3 as my backup since I’ve always written everything directly on Tumblr and didn’t want all my fics going down with the ship if the hellsite ever implodes.
18) What do you personally consider the word counts of “Drabble”, “One shots” and “fics”? I honestly have no idea! I’ve always just called everything I write fics 🙈
19) Which do you prefer to write more? HC, drabbles, oneshots/fics, multi chapter stories, other? Definitely one-shots, maaaybe stretching to two or three parts. I have an idea that I love but haven’t done anything with because I can’t do it justice with a one-shot and I lack the attention span for a series.
20) Are there any stories you have discontinued? If so, why? Nope, but again I don’t tend to do multi-chapter fics.
21) What is one of your main “pet-peeves” as a writer on Tumblr? Anytime talented writers aren’t getting the recognition their work deserves, it drives me up a wall. And some fandoms are more clique-driven than others, so you see it happen a lot 🤐
22) Do you write at a particular time of day? Basically it’s whenever I have free time and feel inspired. It’s a lot easier now my kids are older and it’s not as much of a challenge to get time to myself.
23) Do you listen to music, ambiance/noise, etc to write or do you need silence? Definitely silence, I need to hear my thoughts.
24) Do you outline your fics at all before writing? No outlines, we die like men. Sometimes I have scenes or bits of dialogue in mind, but I always write chronologically, so I sit down with an opening idea and just go from there.
25) Do you post your writing as soon as you finish it, or do you schedule it to come out at a specific time/day? I really just post whenever I’m happy enough with the fic to share it. Sometimes I spend a while tinkering or letting it settle, but I also really like that sweet, sweet instant gratification so it’s hard to wait too long.
No-pressure tags for @seasonschange-butpeopledont @keeper0fthestars @darklingveracruz @insomniamamma @hnt-escape @moonlight-prose @princessxkenobi @mishasminion360 @supposedtobean80sgroupie and anyone else who wants to share!
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curious-minx · 3 years
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Notable 2020 Video Game Soundtracks That Can Be Enjoyed As Standalone Experiences
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Video Game Music is gaining recognition, with many soundtracks receiving vinyl pressings, orchestral concert reviews, and an increasing presence on music streaming platforms such as bandcamp and Spotify. We’re also witnessing the uprise of indie video game development teams where games are being made by the sort of passionate type of game designer that takes soundtracks seriously.  Soundtracks by small teams of developers such as Celeste, Undertale, Disco Elysium, Hollow Knight, RuneScape, and Lisa: The Joyful are titles with soundtracks that easily stand up against the likes of bigger budget productions made by reliable sources of video game music like Square-Enix and Nintendo.
2020 is no exception in terms of having one of the biggest budget soundtracks around with Final Fantasy 7 Remake, which builds upon a legacy of industry-standard-creating soundtrack work. Taken as a whole, Final Fantasy 7 Remake’s soundtrack is clocking in at over 8 and half hours of music. The soundtrack has three composers with the Beethoven of video game music, Nobuo Uematsu, most notably coming out of retirement to get the job done.  Here are some other amazing 2020 video game soundtracks more conducive for standalone background listening:
TETRIS EFFECT by HYDELIC 
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Genres: EDM, Ambient Pop and straight up Ambient 
Describing this album makes me feel like I’m some sort of burnt out fanciful raver, head permanently lodged in the clouds. The level of giddy technicolor enthusiasm rivals that of Icelandic Sigur Ros frontman Jonsi, but if he wanted to keep his post-rock firmly planted in the outdoor music festival on Mars territory. Despite the album’s notable two hours runtime, each and every song feels like its own uniquely crafted composition, no repetitive motifs or nostalgia-baiting.
There is unfortunately still a Tetris movie in some sort of shaggy state of development in Hollywood right now. The movie is being billed as a dull biopic about the creator of the Tetris game. Whereas listening to Tetris Effect you imagine a Tetris movie directed by someone more fitting like the Wakowskis. Tetris Effect’s opening song “Connected (Yours Forever)” is a bonafide vocal pop song, like a more sugary CVRCHES-style cooing of the lyrics:
“I’m Yours Forever
There is No End in Sights For Us,
Nothing Can Measure the Kind of Strength Inside Our Hearts,
It’s all connected we’re all together in this life, don’t you forget it
We’re all connected in this”
Try your best not to imagine a cast of Hollywood’s most beautiful plucky orphan mutant misfit youths using the power of Tetris to heal a broken and dying planet!
Notable Track: Next Chapter
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HADES by DARREN KORB
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Genres: Progressive Metal, Folktronica, Folk Metal, Dimotika, Greek Folk Music
Darren Korb has become one of the most notable video game composers of the past decade. Korb, an integral member of the Supergiant family, continues to outdo himself with each and every soundtrack. Bastion and Transistor originally found Korb creating a niche for himself with downtempo folk-infused electronic soundscapes and even some vocal pop with collaborator Ashley Barrett. Hades is an altogether different beast for Korb, who much like the developers of Hades, have found themselves at the height of their powers.
Korb also contributes vocals on this album, and I can say without hesitation that these are some of the nicest vocals I’ve ever heard from a video game music designer, because video game musicians are bonafide musicians.The album clocks in at two and half hours and separate from its game is still an absolute thrill ride.
Notable Track: In The Blood
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DEFECTIVE HOLIDAY by MECHATOK
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 Genres: Ambient Trance, Balearic Beat, Progressive Electronic, Nature Recordings, Spoken Word, New Age
One glance at the album artwork is all it took for me to know that I must listen to this album. Defective Holiday is an indie walking simulator that is explicit about its intentions: a lightly interactive one hour experience. This soundtrack clocks in at only 31 minutes and it is purely the most conventional album in terms of length.
Last week in late November, Mechatok announced a collaboration with one of the leading zoomer Swedish cloud rap mavericks Bladee, the cofounder of the Drain Gang. Last month gives a pretty clear picture of what kind of circles Mechatok is floating in on. Highly online gonzo vaporwave maestro James Ferraro is another apparent influence on this soundtrack, especially regarding the way the sinister mundane dialogue is woven into the soundscape. There’s one particular track on the Defective Holiday OST, “Rescue Shot Buibo”, that is adorned with standard trap-style drum fills that give the album a shot of energy before wandering back off into the haze. This soundtrack and video game is all about the pure vibe and aesthetic nature that are currently trending in these extremely stressful times.  In a time where all of our holidays were defective from the very start, I think the casual walking simulator will remain a genre high in demand. I have a feeling we’re going to hear a lot more from this empathetic young German.
Notable Track: Valley
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Last of Us II by Gustavo Santaolalla, Mac Quayle (and Ashley Johnson)
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Genres: Ambient, Cinematic Classical, Dark Ambient, Spanish Folk Music 
L
The Last Of Us is a horror game where the music itself is arguably playing a critical character role, which can only be expected billing two titans of audio visual soundtracks. Of course Academy Award winner Santaolalla knows his way around a soundtrack. Wielding a resume of astonishing versatility in various TV and film projects, he might have found his higher calling in not only video games but in the horror music canon. Last of Us is an extremely emotional series, and with the wrong soundtrack, the experience could become insufferably bleak. The occasional  splashes of color and light are what make this soundtrack so unsettling and eerie. Not since Silent Hill 2’s Akira Yamaoka has there been such an effective standalone horror video game soundtrack experience. No wonder Gustavo Santaolalla is one of the only video game composers integral enough to the game to warrant a cameo banjo-playing character model based off of him.
As if having one major composer from prestigious TV and movies wasn’t enough, Mac Quayle, composer of the whole Mr. Robot series, contrasts against Santaolalla’s acoustic contributions. The soundtrack itself is sequenced in a way that switches between the two composers. “The Cycle of Violence” composed by Quayle, a track that more than lives up to its name, is immediately followed by Santaolalla’s somber “Reclaimed Memories.” This dance between violence and heart is what the Last of Us excels at as a franchise, and that is why this soundtrack is an effective stand-alone experience.
The only disappointing part of the soundtrack is that Ashley Johnson, voice actor of Ellie’ three songs, is not included in the game’s official tracklist. Ellie’s “Take On Me” a-ha and “Future Days” Pearl Jam covers have made a little history by being the most powerful songs sung by a video game character. When Ellie sings and plays on her guitar they aren’t some little Easter egg idling moments to provide levity for this heavy revenge horror story. These songs are used to make some of the strongest character development choices made by a video game character seen in recent years. Ellie is joining a small club of singing video game characters alongside Parapa the Rapper and  maybe the cast of obscure Atlus title Rhapsody: Musical Adventure.
Notable Track: Unbroken
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Persona 5 Royal Straight Flush Edition by Shoji Meguro 
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Genre: Acid Jazz, Alternative Rock, Alternative Metal, Lounge, Jazz-Funk 
This is one of those soundtracks that, much like Nobuo Uematsu’s work in Final Fantasy, is really the heart and soul of the entire Persona franchise (and his work in the adjacent Shin Megami Tensei universe is equally as noteworthy). Persona 5 Royal finds Meguro making his most complete, funky, and otherworldly opus that sounds like no one else in the biz.
You will find many people online scouring message boards, subreddits, bandcamp features, and Yahoo Answers looking for more music like Persona 5. Outside of Metal Gear Solid: Snake Eater, how many other games are packed to the brim with truly foxy songs!? Persona 5 could not predict how badly the title “Throw Away Your Mask” would age, despite the game being more than ahead of its time with the majority of NPCs wearing PPE. Be a good Joker, put on your mask and keep chasing Meguro’s acid jazz-infused dragon through many more semesters to come.
Notable Track: I Imagine
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Streets of Rage 4 by Olivier Deriviere & Various
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Genres: Electro House, Nu Jazz, Synth Funk, Acid House 
Composer Olivier Deriviere is a living definition of a video game soundtrack journeyman. He has a career stretching back to the early 2000s working on notable big budget titles like the divisive 2008 Atari fifth Alone in the Dark installment and Remember Me, an unsung buried gem from the PS3/360 era Capcom title. Remember Me is where Deriviere’s electronic leanings started becoming especially prominent in his sound. On the Streets of Rage 4 soundtrack Deriviere has completely come into his own element, developing a whole new sense of campy playfulness.
Electronic French House music can be a divisive genre. For every Daft Punk commercial success there is a band that ruffles feathers like Justice. I sense a strong presence of late departed French House titan Philippe Zdar of Cassius as well. If you’d played this soundtrack for me out of context, I would have guessed an obscure voguing tape from the 80s or a really talented mysterious DJ set. Instead, this is a sequel to a classic beat em up franchise that left a portion of players disappointed by the game’s four hour playtime. The soundtrack is over an hour and fifty minutes long of high octane House music bliss. Much like the Tetris Effect soundtrack, it is truly impressive how much depth these tracks have when they could have easily been nostalgic recycled beats. Sometimes a game’s soundtrack can offer more post game enjoyment than an actual game.
Notable Track: Chill Or Don’t
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Hylics 2 by Chuck Salamone & Mason Lindroth 
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Genres: Experimental Rock, Neo-Psychedelia, Hypagogic Pop, Stoner Rock, Jazz-Rock
A soundtrack that comes closest to capturing the experience of hearing the Earthbound or Katamari Damacy soundtracks for the first time. The Hylic indie RPG series is a wonderful and strange beast that is ready to frolic and show its playful side. Hylics is a part of a recent uprising of indie games being developed on the RPG Maker software. 2020 year has left us all with variations of the same stressed out adjectives: Weird. Messed Up. Surreal.
Why not listen to an album from a game that is the perfect embodiment of that surreal mantra? Step away from your computer, draw a bath, and put this album on. Thank me later!
Notable  track: Xeno Arcadia
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Ultrakill: Infinite Hyperdeath (Act I Soundtrack) by Heaven Pierce Her aka game developer Arsi “Hakita” Patala 
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Genres: Drum and Bass, Industrial Metal, Ambient, Progressive Metal, Acidcore 
Nothing says “modern indie game development” more than a game built completely from the ground up by one person. Ultrakill’s developer “Hakita” is one of those kindly folkloric DIY figures that make video games such an extensive art form. The game is a painstaking gloriously bloody ode to Dooms of yesteryear but with plenty of its own fine tuned style. The perfect soundtrack for when you’re painting your personal Hell a darker shade of gore, but also would really like to kick your ass into shape if you need an adrenaline boost to your Quarantine blues.
Notable Track: Panic Betrayer 
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Risk of Rain 2 by Chris Christodoulou
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Genres: Progressive Rock, Space Rock, Space Ambient,  Post-Rock
Something about the country of Greece brings the best kind of futurism out of the country’s composers. Christodoulou’s Risk of Rain 2 soundtrack is no Bladerunner knock off. This soundtrack for the colorful sci-fi indie rougelike is punchier and less nocturnal than your typical synth-heavy sci-fi soundtrack. Risk of Rain is one of the more successful Kickstarter series around and has the best quality an indie game can have: it feels like a labor of love on all fronts. There’s no reason a rougelike like Rain of Ruin or Hades needs a soundtrack this good, but Christodoulou casts a spell with his electronic-driven prog rock that makes you want to keep respawning. A huge missed opportunity if Christodoulou does not get to soundtrack an earnest sci-fi action-adventure for even big screens. Oh! This soundtrack also features some spoken word segments from Werner Herzog; what more do you need to know?
Notable Track: The Rain Formerly Known As Purple
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Warhammer 40,000: Mechanicus by Guillaume David
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A big debut project from an up-and-coming composer Guillaume David. Prior to the making of this soundtrack, David was a video game voice actor who worked on a Resident Evil Devil May Cry crossover voicing the character of “Hunk.” Warhammer 40K might become a franchise that more people will care about solely based on the quality of this installment’s soundtrack. When you see the title Warhammer 40,000, what sort of sounds come to mind? If you guessed “Neo gothic cyber Gregorian chants that seamlessly melds the ancient and futuristic”, you would be correct. A turn-based action game could possibly fall into dull territory, but with a visual identity as strong as Warhammer 40K  melded with a suitable musical atmosphere, the action and world becomes irresistible. This soundtrack is a brisk 56 minutes and the other soundtrack on this list with a more conventional runtime. Not a second is wasted on this dynamic and fantastical soundtrack. Prior to hearing this soundtrack I had no intention of ever looking into playing a game based off of something as convoluted as Warhammer 40K, but now I very much want to know what these robot priests are about. That’s the magic of a quality soundtrack.
Notable track: Millenial Rage
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Honorable Mentions:
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Happy Listening! 
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fire-lady-ilah · 3 years
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Thank you to @theboyfrommakapu for the tag! Post under the read more.
1) How many works do you have on AO3?
26 total (although I think I have 2 or 3 that I either orphaned or deleted, can’t remember) on uhmeduh.
Oh, and 2 on another account I made specifically for my bad 10 year old me’s fanfics. No, you don’t get that one.
2) What’s your total AO3 word count?
126 862. Which is, frankly, more than I thought. I think it’s grown quite a bit in 2021, to be fair.
3) How many fandoms have you written for and what are they?
7, according to AO3. One is an original work, so I guess 6? Except Far Cry 4 and 5 are considered different by AO3, as are Persona 2 and 5. I personally consider it like 4 or 5 fandoms.
A:TLA— 20 fics
Persona 2 & 5— 1 fic (crossover between the two)
Far Cry 4 & 5— 1 fic (crossover between the two)
PJO and related fandoms— 3 fics
Original Work— 1 fic
4) What are your top 5 fics by kudos?
1. Silence is a Virtue — 191 kudos
2. sometimes you’re born evil (sometimes you’re not) — 149 kudos
3. In Which Ajay Just Wants a Vacation — 91 kudos
4. musings of a common man — 75 kudos
5. Lost. [tied with] undercurrent — 37 kudos each
Silence is a Virtue and IWAJWAV are both multi chapter fics at 23.6k and 19.2k, respectively. sybe (syn), moacm, and undercurrent are all part of the same series of short fics and range from 4.4k (unfinished) to 7k. Lost. is a theoretical first chapter of a multi chapter fic. 4/6 fics are ATLA, 1 is Far Cry, 1 is PJO.
5) Do you respond to comments, why or why not?
Yeah! I used to not because I’m incredibly awkward about it, but when I started commenting on fics myself and realized how nice it is when the author replies, I started doing it myself. I really enjoy recognizing regular commenters. I just need to stop talking so much about worldbuilding and hinting at stuff in my replies, I think ^^’.
6) What’s the fic you’ve written with the angstiest ending?
Hm. Probably either what is a legacy to a dead man (it is worth far more to those still living) or Shattered Porcelain. The former is most likely more angsty to readers, but the latter holds a special place in my mind because I know my OCs intimately well.
7) What’s the fic you’ve written with the happiest ending?
Most of them, to be honest. I am, at my core, a fluff writer, even if I also enjoy throwing in sprinkles of angst every so often. The entire the dragon king series is going to end pretty happy if it goes according to plan. If I had to pick a finished fic then probably Apricot Blossoms— it’s just sweet kids in love, you barely notice the darkness on the horizon.
8) Do you write crossovers? If so, what is the craziest one you’ve written?
Kinda? Sorta? Not really? Two of my published fics are crossovers but they’re like, crossovers within the same extended fandom.
Oh, wait, that one fic I wrote and published when I was 11 was a weird Harry Potter and mild Avengers crossover. So yeah, I guess.
9) Have you ever received hate on a fic?
Not really, no. I occupy a pretty niche area in all the fandoms I write in, so you kind of have to search out the content I make. I’m also not popular at all in the grand scheme of things, which I’m mildly thankful for. I have some popular fic writers as friends and I see some of their commenters sometimes.
10) Do you write smut? If so, what kind?
I guess? It’s not something I make a habit of, I just in general am not that horny, but I have one published smutfic on AO3 and a ficlet on Tumblr that, if it isn’t really classified as smutc definitely is close. The smut I write is pretty soft and loving and is exclusively LuZhao so far.
11) Have you ever had a fic stolen?
Not as far as I know.
12) Have you ever had a fic translated?
Nope. If someone wants to I’m all for it, and theoretically I could translate my own fics into two other languages, but if there isn’t a demand there wouldn’t be much purpose other than me practicing. Who knows though, maybe one of my fics on my account will show up translated into French or Norwegian by me. Or maybe Russian, but that would be an effort. My Russian... isn’t great.
13) Have you ever co-written a fic before?
Currently (kinda, fixing my laptop has made it take a hot second) co-writing an OC centric fic with @theboyfrommakapu. I also betaread two of @izzymrdb’s fics, and she called me their coauthor in a comment once so... I guess that counts? I also had plans to make a massive crossover with my own fic and two of my friends but then I fell out of PJO and into ATLA pretty hard.
14) What’s your all-time favorite ship?
LuZhao, definitely. I’ve just created enough stuff around it to make it my favourite. I’m also quite fond of Jastavian in the realm of PJO.
15) What’s a WIP that you want to finish but don’t think you ever will?
I fully intend to finish my two main multichapter fics eventually, but I doubt I’ll ever finish Butterfly Kisses. Especially to the extent I have it in my mind.
16) What are your writing strengths?
Uh... ¯\_(ツ)_/¯ Maybe worldbuilding within an established world? I actually prefer AUs to canon compliance, but when I want something to be canon compliant then I will make sure that it is as fully canon compliant as possible (or, to the extent that canon doesn’t contradict itself). For example, at the moment all of my OCs are completely canon compliant. If I somehow were asked to publish them, they would not contradict any existing work. I put a lot of work into my OCs and worldbuilding and it definitely shows.
17) What are your writing weaknesses?
If you asked my girlfriend? My paragraphs are too long and I don’t know how to use commas. She’s right about that, of course.
If you asked me? I’d probably say something a little more vague. I’m bad at the whole “communicating just enough” aspect of writing (and of life). I tend to get absorbed by my worldbuilding and want to tell everyone every little detail, which makes no sense because you don’t need to know it for the fic’s promises.
18) What are your thoughts on writing dialogue in other languages in a fic?
So long as a translation is provided, I see no issue if it’s accurate. One of my first fandoms was Hetalia so... yeah.
19) What was the first fandom you wrote for?
I’m not sure if it was Harry Potter, Sherlock, or Hetalia. But it was definitely one of those three and I was about 10 when I wrote it.
20) What’s your favorite fic you’ve written?
Surprisingly I haven’t mentioned it so far, but solntse moye / luna moya. Azulon and Ilah have a relationship I really like, and they both have such distinct inner voices.
Tagging:
@percabeth4life @izzymrdb @crookedmouth-mountainbones @ohmygodtheywereparabatai (I know you write on Tumblr so this would be hard, but consider it another request for you to post your stuff on AO3 ❤️) @thetruecthulhu9 @ariya-167
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silverwhiteraven · 3 years
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Wings of Broken White - Ch. 4
Tag List: @marichatmay
[ Posted on Ao3 ] [ Chapter 1 ] [ Chapter 3 ] [ Chapter 5 ]
[ Summary: Alya takes Marinette somewhere, and it turns cute. ]
Alya decided that Marinette wasn’t getting out enough despite the fact that they shouldn't be going anywhere when it was still late winter.
“Girl, you hardly go anywhere anyways unless it’s for someone else!” Alya argues as she dragged a snugly bundled Marinette down snow and salt dusted sidewalks.
“Hey, I went to the school’s Valentine’s party last month, that should count for something!”
Allya scoffed at the weak defense. “You were, like, a ninth-wheel, Marinette. Rose and Juleka, Nathaniel and Marc, Mylène and Ivan, Nino and I, we were the wheels on that bus. You on the other hand…” She trailed off to emphasize her point.
Marinette scoffed. “I think you missed a set of wheels, Als. Max and Kim were there. Chloé and Adrien showed up, too.” 
“Max was there sporting an Aro-pride flag pin and keeping Kim company,” Alya shot back. “They were just being single-wheels, together. And Adrien, with Chloé? More like she had kidnapped him to a secondary location! Adrien clearly wasn't the one to decide to show up. And remember the color coded cups? He was using the one for the ‘Single, just here to support my friends’ category. Just like Max, just like you. So my point still stands: You need to get out more often, just for yourself.”
Marinette sighed, relenting. “Fine, but next time, I get to decide where I go, so no more surprise trips.”
“Yesss,” Alya pumped her fist in the air victoriously, her wings spreading out, too. Marinette laughed and pushed her hand back down to her side while she dodged out of the way of one fairly the overexcited wing.
“Anyways, where are we going? You said something about, ‘You’re going to love it, my treat!’” Marinette quoted in an exaggerated mimic of Alya’s voice, causing both girls to burst into giggles.
“Just a café,” Alya says coyly, almost teasingly. It made Marinette squint in suspicion.
“It wouldn’t happen to be the same café you mentioned two weeks ago on the Ladyblog, right? The one they planned to theme after Paris’s new heroes?” Marinette asked, teasing her friend right back with her confident guess.
“You remembered! Yep, that’s the place! And it’s not just any regular themed café, either. It’s a cat café,”Alya revealed dramatically, while spreading her wings again to wrap them both in a mock cocoon of unnecessary but playful secrecy. Marinette balked.
“Wait, so you’re basically taking me to a ‘Chat Blanc emphasis-on-the-Chat’ Café?”
Alya snorted, pulling her wings back. “Yes, but it’s actually called ‘Hero Rescue Café’. They work together with the animal shelters around Paris, most of the cats they have are available for adoption. The profits are even donated back to those shelters to help keep the animals cared for. Isn’t that cool?”
“Mhm,” Marinette nodded along as Alya continued to rave excitedly and lead the way to their destination. I wonder if they’ll have any cats that look like Blanc? Probably not. Blue-eyed white cats were already popular, and no doubt are even more so now. Not that I could adopt a cat anyways, but it’s a niche thought. Wait, why is it a nice thought? It’s not like I like Chat Blanc or anything, no way! I don’t do crushes! Oh, who am I kidding? Marinette groaned in defeat to her own thoughts, making Alya stop talking and look at her.
“Something wrong, Marinette?”
“Oh! Sorry, I didn’t mean to worry you, I was just thinking about how sad I’m going to be if I see a cat I really want to keep but can’t?”
Alya nodded in acceptance of the awkward excuse, and Marinette sighed in relief. I can never tell her about my crush- I’m scared to find out what kind of match-maker she would try to be. Or even worse, tell me I have no chance! I mean, I know I have no chance, but still, ow. Would Ladybug have a chance? Wait, she and I are the same person! If I don’t have a chance, neither does Ladybug! Hold on, why am I even thinking about this!?
“We’re here~!” Alya announced, breaking Marinette free once more from her internal chaos.
“Is that a cat in the window? There’s a cat in the window!” Marinette let herself get distracted by the café and Alya laughed.
“Duh there's a cat in the window, it’s a cat café, what else would be in the window?” She teased, but Marinette only laughed.
“Well I know that, but I can still be excited over a cat, can’t I?”
“Save it for when we go inside,” Alya winked, opening the door for them both. There was a second set of doors past the first, and Marinette realized that they did the smart thing and made an enclosed entryway.
“Oh, this is to keep the cats from dashing outside, like at a dog park,” she mused, making Alya chuckle.
“Yeah, and gives people a fur-free place to hang up their coats. Oh, look!” She added excitedly, pointing to the opposite wall from the hanger rod. There was something that almost looked like a long shawl or a barber cape. Marinette recognized it easily. “They have wing-covers for patrons to borrow, in case we don’t want the cat’s playing with our feathers. That’s so thoughtful. They really went all-out on this place.”
Marinette smiled and nodded in agreement as she slid off her jacket and hung it up. “It really is sweet of them. Are you going to use one?” Alya shook her head.
“Nope. My wing’s are tough, I can handle a few clingy kitties,” she declared with a proud smile, and Marinette only chuckled as she opened the next set of doors for them both.
Unsurprisingly, Marinette enjoyed the café. She spent a lot of time admiring their logo that was embedded in the resin coating of their tables. The stylized lettering was inspired by some of the animal-themed Akumas. Then the entire name was encircled by the white belt of Chat Blanc and the red and black yo-yo of Ladybug. Symbolic of two heroes saving those in need. They really thought this out. Maybe Ladybug should show her respect here some time.
Surprisingly, the café’s cats also enjoyed Marinette. Alya was convinced they had met every single cat in the building before they even got their drinks. Marinette was just embarrassed and spent a lot of time spreading her attention between each feline before shooing them all off towards other guests. One of the cats, sleek black with yellow-flecked green eyes, was too stubborn to leave, so she let him claim her lap indefinitely. 
But, completely unbelievably, the café got a surprise guest. Chat Blanc himself showed up out of the blue. Alya had spotted him running across a rooftop across the street, and proceeded to book it out the door, fly after him, and then shamelessly ask to take a photo of him with the cats that were inside the café inspired by him and his partner. He was stunned at first, but agreed, soon enough beaming happily as he surrounded himself with cats.
“Is he crying?” Marinette whispered to Alya as she recorded the feline hero sitting on the floor with at least five different cats climbing his back, shoulders, and into his lap.
“The happiest tears I’ve ever seen,” Alya confirmed.
Once Alya was satisfied she had taken enough pictures and video footage for the blog, she turned her focus to getting a few personal memorabilias.
“Mari! Come here! Take a pic of me with Chat, please? I want something for my desktop background, this would be perfect!”
Marinette agreed, to the annoyance of the cat in her lap. She managed to get the photo, a cute scene of Alya, her nerdy school friend, and Chat Blanc, her dorky friend-but-only-because-she’s-secretly-Ladybug, doing a silly pose with their arms linked, wings flared out, and several cats surrounding them.
She gave a thumbs up, and Alya whooped, standing to take back the phone. Marinette stepped forward, only for the clingy black cat from earlier to entangle himself with her ankles.
With a squawk, she went tumbling, but was deftly caught in the arms of Chat before she could meet an untimely end via a floor of cats.
Marinette flushed scarlet. Chat Blanc smiled shyly. The black cat jumped up on them, getting his lap-seat back. Alya, of course, got another photo.
All three of them managed to laugh it off, but not without Alya demanding another picture of the two and the cats before she would let them stand up.
“Marinette, I’m texting you copies to keep for yourself. Sorry, Chat, I’d send you some but-”
“No worries,” he chuckled and rubbed his neck, waving her concern away with his other hand. “Secret identity means secret number. You’ll be using your own pictures on your computer, though, right? Consider me honored by that,” he bowed dramatically and the two laughed as he straightened. “And Marinette, I’d be more than happy to let you do the same if you wanted, too,” he played the comment off with a wink.
“Time for me to go,” Chat Blanc continued before either girl could respond. “Chat out!”
They watched him dash out the doors and off over the rooftops.
“Girl...Did he just flirt with you?” Alya looked at Marinette, awestruck.
“What? No! There’s no way! Nope!” Marinette flustered and started walking out in a feeble attempt to escape the accusation.
“Uh-huh, because feeling ‘honored’ to be a screensaver for one girl and being ‘happy’ in case it were to happen by a second girl, is totally the same thing,” Alya followed after, determined to tease the life out of Marinette.
“Yes, exactly! Completely the same! It would have just been awkward to say the same line twice, so he just reworded himself, that's all! He was just giving permission to use his picture for personal use, nothing more, nope!”
Alya laughed before winking playfully. “Yeah, girl, sure. That was all, nothing more, nothing less. Whatever you say.”
“Thank you,” Marinette nodded in finality, ignoring the teasing sarcasm from her friend.
Later that day, Marinette saved one of the café photos as her phone’s background, making sure to put a completely different photo as her lockscreen to avoid any further notice or teasing about her and Chat Blanc.
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violetwolfraven · 3 years
Text
Peace and Joy
@spot-king-of-brooklyn I’m your secret Santa! @newsies-secretsanta
You said your favorite ships are sprace and/or javid and you’re good with pretty much anything so I’m gonna write two separate vaguely holiday-related oneshots in the reincarnation AU. Don’t worry though nothing heavy, just fluff. No COVID because I’ve had enough of that dude and I say so. Enjoy! Happy Holidays!
Tw: referenced past period-typical homophobia.
...
Spot couldn’t remember being this happy... ever. Not in the early 1900s or in the early 2000s.
Well, the closest he could think of was 1902, when he and Race moved on from being newsies and from being leaders of their respective boroughs and rented that old apartment in Brooklyn together. But that had been muted by the need to be careful. They couldn’t be normal young people in love because they always had to hide.
And that was fine at the time because it was expected. It was them doing whatever it took to be together not knowing they’d ever get the chance to do it another way.
Now, in the bright, beautiful, forward-thinking 21st century, they could be safe. They could be in love without fear of the consequences. They could go out Christmas shopping together, and Spot didn’t know if that counted as a date, but it kind of felt like one as he watched his boyfriend bop a little to Mariah Carey’s All I Want For Christmas Is You as he looked around.
He ended up having to look away before he started blushing too hard. Even if he wasn’t the King of Brooklyn this time, he still had a bit of a reputation as a stone cold badass. For all he knew, one or more of their more mischievous friends could be spying on them right now. And besides, this thrift store probably had stuff he could get the few Brooklyn kids who’d come back, too.
He was still deciding if Hotshot would think it was funny if he got him a tank top that said ‘hot stuff’ on it. The others would find it funny, but Spot honestly wasn’t sure if it would make his former second uncomfortable.
“Hey, Spottie, ya think my little brother would like this?”
Spot turned back to see Race holding up a bright purple worm on a string, but a giant version of one. One that was big enough to be a scarf.
“Knowin’ your family,” he admitted, “I think any of ‘em would be happy to get one of those.”
It was true. Honestly, the most sensible Larkin brother was the second-oldest, Crutchie, but Spot could still see him proudly wearing a worm-on-a-string-scarf to school after winter break ended.
Besides him, Medda, Race’s mom, tended to embrace whatever unique fashion choice she could find. And Jack, of course, didn’t let being the oldest of four stop him from being a theatrical little shit who liked drawing attention to himself.
And Romeo was somehow even more eccentric than Race, so he would definitely like that thing.
Race grinned, “I’m gonna get Ro a worm scarf for Christmas.”
“Your family is ridiculous.”
“Thank you. So, what’re ya gettin’ for Denton?”
Oh, shit. Spot had completely forgotten about getting anything for Denton.
He really should get something for him. After all, the teacher hadn’t even known Spot when Jack asked if he could stay with him. All he’d needed to know was that Spot needed a place to hide from his terrible parents and couldn’t stay with the Larkins, mostly because Medda had a strict rule about her boys’ partners sleeping over unless it was absolutely necessary. (it was also because Spot couldn’t think of anyone he’d want to live with less than Jack Kelly, but Denton didn’t really need to know that, did he?)
So far, Spot’s parents hadn’t shown any signs of missing him, and Spot couldn’t decide if that hurt or not, but it barely mattered anymore.
Because Denton didn’t really have any rules beyond ‘do your homework’, ‘take a shower occassionally’, and ‘if you leave the house, let me know where you’re going.’ He helped Spot pick out a Halloween costume, let him spend Thanksgiving with Race, and gave him money for Christmas shopping. He was fine with Spot being gay and having a boyfriend, even if there was an added rule with that of ‘you can’t have the door closed if you’re alone in your room with Race.’
He gave Spot space, but also made it clear that he could come to him for anything he needed help with. He never hit him, never pushed when Spot wanted to be alone, never even raised his voice unless they were in an already-loud room and he needed to get his attention.
In short, in only a few months, he’d become the best adult Spot had ever had in his life. He wasn’t his father, but he was closest thing Spot had ever gotten to a dad.
The Denton they’d known in their last life had been kind of like that, too. He’d helped as best he could whenever one of the newsies got into trouble, always being there for anyone who needed him since Kath first introduced her new reporter friend to her newsie friends. Of course, Spot hadn’t been living with Denton then, so he’d never really thought about it.
“What do you even get a middle-aged man for Christmas?”
Race shrugged, “Power tools?”
The idea of getting Denton power tools was so ridiculous that they both laughed.
“Uh... he’s a writer,” Race pointed out, “So... fancy pens?”
“Fancy pens? We’re at a thrift store, Racer.”
“Well we don’t gotta stay here forever. There’s a Barnes and Noble across the street.”
He wasn’t wrong about that, but Spot wasn’t sure about the whole ‘fancy pen’ thing. It seemed a little generic.
“Yooooo! Spot, check this out for Jack!”
He was holding up a bright blue sketchbook that said ‘Sketchy Bitch’ on the cover.
“Oh yeah, ya definitely have to get that for Cowboy.”
Spotting (no pun intended) something else on the shelf behind him, Spot grinned.
He had the perfect thing to get for the man who’d taken him in.
...
“This is gonna be so fuckin’ awesome.”
Davey snorted, “You’re way too excited ‘bout this, Jackie.”
He loved his boyfriend, but he had a tendency to get overenthusiastic about things.
Well, he loved that about Jack, too. And he loved being able to call him his boyfriend, now. That they didn’t need to hide this time.
He and Sarah had both been a little worried about their parents’ reaction, but it had turned out to be for nothing. They’d each gotten a t-shirt with their respective pride flag for the first night of Hanukkah, and Jack and Kath were always welcome to come over as long as at least one parent was home.
Davey loved Jack just as much in this lifetime as he had in his first, but it was different, not having to hide it. It was good different, but definitely different. Being able to be who they were and be in love and knowing that it was generally frowned upon to be homophobic now, at least where they lived.
And being able to do random shit that was romantic and fun as hell, but not something would even occur to most people to do.
After a sleepy conversation once Crutchie, Race, and Romeo had fallen asleep watching White Christmas (which Davey appreciated for the choreography in the dance numbers) one time about how there weren’t really any Hanukkah movies, Jack had collaborated with Kath to write a lesbian Hanukkah musical romcom to post to YouTube.
Objectively, it wasn’t that great. It was good for a movie made by a bunch of high school juniors, but they couldn’t afford good cameras or microphones or anything. Plus, it was appealing to a very niche audience, so Davey doubted this movie would get more than twenty views.
Still, it meant a lot that Jack was so excited about it, that he was working so hard on props and editing in the lighting and music for it so Kath and Saz could play Jewish lesbians fake-dating at a holiday party who fall in love. It was cute.
“It ain’t gonna win any awards,” Jack admitted, “But I think we’s got somethin’ good here!”
“We do,” Davey agreed.
Was he actually talking about the romcom starring his sister and her girlfriend? Partially. It was a pretty good movie for something produced by teenagers.
But they had something good there that wasn’t on the screen of Jack’s laptop, too.
Jack seemed to share those thoughts, with the way he was smiling.
“What’s with the look, mi amor?”
Davey rolled his eyes as the other boy put his arm around his waist.
“Like you don’t know, love,” he chuckled, “Remember the last time we did somethin’ like this? And by ‘we’ I mean ‘you.’”
“Shh,” Jack shook his head, “Nope. We don’t talk about the latkes incident.”
“You mean when you almost burned down our tiny little kitchen trying to—“
“We don’t talk about it!”
Davey laughed. It was funny, how Jack couldn’t, in any lifetime, cook anything more complicated than like... chili or stew. While he could make something edible, he couldn’t make anything that was really considered good.
“Davey, love, luz de mi vida, it was literally over a hundred years ago, so stop. Bringin’. Up. The. Latkes. Incident!”
He punctuated the sentence by hitting Davey with one of his mom’s throw pillows.
“Okay, Jackie, I get it! Stop hitting me!”
“Fine,” Jack grinned, “I ain’t almost burned down a kitchen in over a century, babe. I thinks that’s a good record to have.”
“Most people never almost burn down a kitchen,” Davey pointed out, “I know I—wait, did you just call me ‘babe’?”
Jack was definitely not meeting his eyes to try to hide how he was blushing, “Uh... is that okay?”
Davey smirked. Jack didn’t get flustered that often, but it was adorable when he did.
And even if he had almost burned down their apartment, it had been cute back then, how he’d tried so hard to try to do something nice for Davey for the holiday season. It was cute now, too.
That was one thing that hadn’t changed through the decades, he guessed.
“It’s definitely okay, babe.”
...
“Spot, is this a... ‘Best Dad In The World’ mug?”
“...if you cry, I’m outta here.”
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purrincess-chat · 4 years
Text
Kill Em With Kindness CH4
It’s here finally! And Adrien is getting more involved too since I know a lot of you really wanted him to do more even though this is more Marinette doing things with Adrien’s support, but I digress.
Read on AO3
Chapter 4
“So,” Jagged said a few weeks later, dropping onto the couch. Marinette sat scratching Fang under the chin, and the croc melted under her touch. “How are things with little miss liar?”
“Going well. We’ve successfully blocked her from going to the movies with us and from attending a party Nino threw,” Marinette said. “And I got her to wear a medical boot for a week because she claimed she hurt her foot to get out of gym class.”
“Is that all?” He laughed, and Marinette’s eyebrows knitted together.
“Well, yeah. That’s our plan. To keep inconveniencing her with her lies,” Marinette said, and Jagged sat forward, shaking his head.
“If you really want to get to this girl, you’re going to have to do better or else she’s going to learn your game and start fighting back,” Jagged said pointedly, and Marinette pursed her lips.
“I guess you’re right, but we don’t know what else to do without stooping to her level,” she said, lowering her gaze, and Jagged placed a hand on her shoulder with a smirk.
“You’re forgetting one very important thing, love. You’ve got something that this girl doesn’t: Your Uncle Jagged.” He jutted his thumb to his chest and waggled his eyebrows. “And he’s about to show you how to seek some good old-fashioned revenge.”
***
“Marinette? Is that you?”
Marinette sat up, lowering her sunglasses to peer up at Alya, Nino, and their siblings. She rolled onto her side, digging her toes into the hot sand as kids and teens scoured the banks of the Seine for the perfect spot to enjoy the beach.
“Oh, hey, guys! I’ve saved a spot for all of us,” she said, gesturing to the open area.
“Great, thanks. You’re amazing, but quick question, is than an alligator next to you?” Alya pointed to Fang sunning himself beside her.
“It’s a crocodile! You should know that cuz you’re a grown up!” Chris corrected, crossing his arms over his chest, and Alya rolled her eyes.
“This is Fang. Jagged is performing tonight in Berlin, so he’s busy doing show prep, and he really didn’t want Fang to miss the beach in Paris, so he asked if I could watch him today,” Marinette said, giving Fang’s belly a rub.
“And you said yes?” Nino quirked a brow.
“Of course! Fang is such a sweetheart, aren’t you?” She cooed, patting his scales affectionate. “He just wants to soak up the sun like all of us.”
“Can’t argue with that I guess,” Alya said as the kids crowded around to pet him.
“Marinette, hey!” Adrien called, and the rest of the class followed closed behind. “Thanks for scoping out this awesome spot.”
“It was no problem. I came early so Fang could enjoy the beach as much as he wanted today,” she said with a smile.
“Whoa, is that Jagged Stone’s crocodile?” Kim asked.
“Yep.” Marinette smirked.
“Whoa, Jagged really trusted you with his crocodile for a day?” Alix asked in disbelief, and Marinette winked over her sunglasses.
“That’s awesome!” Kim grinned, dropping his bag and rushing over to join the kids. “Hey, Lila, do you ever get to babysit Fang since you and Jagged are so close?”
The girl who had all but blended into the back of the crowd upon seeing the crocodile stiffened as everyone turned to her, but she was a natural, so it didn’t frazzle her for long. “Oh, yeah. All the time. Jagged trusts me so much.”
“Yeah, he tried to call you about today, but you’re always so busy, so I told him my schedule was clear,” Marinette said.
“Oh, that’s understandable,” Nathaniel nodded.
“Alright, well, let’s set up the volleyball net. I want a rematch with Alix!” Kim said, shooting her a playful glare.
“We can rematch all you want, but you’re still going down!”
Marinette smiled as her classmates all settled into their niches, Marc applying gobs of sunscreen to Nathaiel, Juleka and Rose setting up an umbrella, Nino and Alya helping the kids with a sandcastle. Lila picked a spot as far away from Fang as possible, which was fine because it left the spot next to Marinette wide open for Adrien to drop his bag.
“Do you mind if I sit with you?” He asked, rubbing the back of his neck.
“Of course,” she said, cheeks pink from more than just the heat.
“I can’t believe Jagged actually loaned you Fang for the day,” he said, lowering his voice and glancing around at the class to ensure they weren’t close enough to overhear. “I mean, it’s so crazy that he wants to help.”
“Well, the part about a show in Berlin and Fang wanting to go to the beach are true. I get along with Fang so well that it wasn’t a big deal,” Marinette said with a shrug. “But Jagged told me that in order to really pull the plug on Lila, I need to start using my own connections.”
“Hmm…” Adrien tapped his chin. “Ya know, between the two of us, we can probably work our way around pretty easily.”
“Lila has lied about a lot of famous people,” Marinette pointed out, and a smile curled on Adrien’s lips. “What?”
“Do you want Clara Nightingale’s number?”
***
“Don’t be bemused, it’s just the news, and welcome back to Side-by-Side. I’m your host Nadja Shamack, and I’m joined today by teen fashion model and face of Gabriel Agreste brand, Adrien Agreste!” Nadja declared with every ounce of a reporter’s camera enthusiasm. “Thank you so much for agreeing to come on the show today, Adrien. How are you tonight?”
“I’m doing quite well. Thank you for having me, Nadja,” Adrien replied, leaning back on the couch casually.
“Glad to hear it! We’ve got quite the scoop for you all tonight because you have been quite the busy bee lately,” Nadja said, shooting him a knowing smile. “You star in the animated Miraculous movie voicing Chat Noir. You just had a new spread for Gabriel’s summer line come out, so how do you unwind after a long day of being a famous teen model and voice actor?”
“Well, Nadja, there are a number of ways, but I love spending time with my friends the most. We actually just went to the beach recently while it’s set up here in Paris,” he said, and Nadja jumped at the opportunity.
“Yes, tell us about that.”
“So, my school friends and I all decided to hit the beach together, and it was a lot of fun. We played volleyball, built sandcastles, ate lots of ice cream-”
“You did have some ice cream, didn’t you, and there have been a lot of rumors flying around because a lot of people happened to notice you spending a lot of time with a fellow classmate in particular,” Nadja said with a smirk as a picture flashed on the screen of Adrien and Marinette smiling over ice cream on the beach. “Lots of people are speculating about the two of you online especially after you posted this to your Instagram.” The image changed to Adrien’s post with Marinette and Clara at the spa. “What can you tell us about your relationship with Marinette Dupain-Cheng? Any rumors you’d like to clear up?”
“Certainly,” Adrien said with a laugh. “Marinette is a good friend of mine. She’s super talented and a really gifted creator. She actually made the swimsuit and hat she wore to the beach which is way awesome, and it was really cool because she and Jagged Stone are very close – he views her as family – and she was actually babysitting Fang at the beach for him while he was performing in Berlin, so we got to hang out with a crocodile all day which was cool.”
“Was he well behaved?” Nadja asked.
“Very,” Adrien chuckled.
“Now, you say that Marinette is a good friend, but is she a good friend, or a good friend?” Nadja quirked a brow, and Adrien sat back with a laugh.
“Just a good friend,” he said.
“A good friend that you take to the spa with Clara Nightingale?” Nadja said pointedly, and Adrien bit back a laugh.
“As I said, Marinette is super talented, and she has invited me to hang out with her and Jagged a few times lately, so while we were at the beach, we were talking about how stressed we are since she keeps pretty busy herself, and I normally go to the spa every other week because when you’re a teen model, facials are a must.” He paused to gesture to his glowing skin.
“So, anyway, I invited her to come along, and sometimes when Clara is in Paris, I invite her to come along too because she loves that spa and always goes whenever she’s in Paris anyway, and Clara loves Marinette, she actually wanted her to play Ladybug in her music video until they changed ideas, and she happened to be coming to Paris around the same time, so I text her to see if she wanted to tag along, and she did. So, we all went and hung out and had an awesome time.” He shrugged at the end as if it were no big deal.
“So, there is nothing romantic between you two?” Nadja asked, and Adrien shook his head.
“No, but she and I are great friends, and she is doing really amazing things for herself. I felt like I was the least accomplished person hanging out in the spa that day,” he chuckled. “Maybe sometime soon you’ll have her on the show talking about her fashion line. I think she’s absolutely going to kill it.”
“I look forward to it,” Nadja said. “And since you two are just friends, teen girls in Paris can sleep tonight?”
“Yes, please get some sleep,” Adrien laughed, and Nadja turned to the camera with a smile.
“You heard it here first folks. Adrien Agreste is still single,” she said. “After the break, we’ll talk more about Adrien’s role in the Miraculous animated movie, so stay tuned, and we’ll be right back!”
502 notes · View notes
doorsclosingslowly · 3 years
Text
tagged by the glorious @sl-walker
How many works do you have on AO3? 44
What’s your total AO3 word count? 265.827
How many fandoms have you written for and what are they?
Star Wars, Shadow and Bone/Six of Crows, Supernatural. If we're counting stuff that never got polished enough to post, Yu-Gi-Oh!, Harry Potter, Cobra Kai, Lord of the Rings, Inu Yasha, .......
What are your top 5 fics by kudos?
The blue man (Star Wars TFA; Kudos: 547)
Armor (Star Wars TFA; Kudos: 417)
Coarse and irritating (Star Wars TFA; Kudos: 358)
Head shot (Star Wars TFA Kudos: 344)
Reveille (Star Wars TFA; Kudos: 344)
All the same series!
Do you respond to comments, why or why not?
I respond but sometimes I'm super slow. I do appreciate every single comment and some of them I've read so often I can almost recite them, but I'm not actually good at making the words go (yeah I know I write for fun but that's one of the reasons why I'm such a slow writer, and also I love suffering)
What’s the fic you’ve written with the angstiest ending?
They're both about Maul after losing to Sidious, which is such a miserable point in this life already: the one in which I made it Worse aka the OG zombie Savage fic, Coming home early is always a mistake, and then there's Maul decades after, trapped with something that might just be his brother, Keep quite still and wait
Do you write crossovers? If so what’s the craziest one you’ve written?
I invent crossovers to torture my best friend. In the last one, Gilgamesh was made Hokage. Generally though, I sometimes enjoy the characters-in-world-from-different-story type but I haven't written anything of the sort. Except! My Supernatural/Mines of Falun crossover. And I'm currently writing a Shadow and Bones fic with a de Sade pastiche in it. Those are my kind of crossover
Have you ever received hate on a fic?
I'm not remotely visible enough to get hate I think! Like, I generally get less than 500 hits, so why would anyone bother
Do you write smut? If so what kind?
I do write sexually explicit fic when the characters vibe with it (like From Each According to Their Ability, To Each According to Their Need which is Jesper/Kaz/Inej) but I would describe it as... more interested in the tenderness you get from being utterly weird in the way that makes your partners feel understood than in sexiness, I guess.
Have you ever had a fic stolen?
Not that I know. As I've said, I am a minuscule slug in a massive ocean
Have you ever had a fic translated?
Someone asked about translating Your death is a number but I cannot count that high into German! They haven't finished and sent me the link though, and really, I don't envy them. Translation's fucking hard
What’s your all time favorite ship?
I've never had one single favourite for anything in my life! I like way too many things
Whats a WIP that you want to finish but don’t think you ever will?
I genuinely plan to finish very single one of my million WIPs posted at some point. Yes, even Epicenter
What are your writing strengths?
Weird set-ups and texture through details maybe? Honestly being positive about myself is hard except in terms of: I do really like the ideas I come up with and how I'm spinning out the implications
What are your writing weaknesses?
Humour is super hard and not my strength, which means the fact I've decided that Jesper is the most interesting character in Shadow and Bone/Six of Crows should be classed as an act of self-harm. Honestly, why. Part of that struggle is that there's so many kinds of funny and in-between working out the character's sense of humour and trying really hard, I sometimes stop caring about what possible readers might find funny as long as I do.
Also, I'm slow. So slow. I plot several fics per week and take weeks to write a chapter
What are your thoughts on writing dialogue in other languages in a fic?
I've written dialogue in other languages! Maul talking to Jagrub in Your death is a number but I cannot count that high, where Jagrub speaks way better Mando'a than basic and because Maul only half-understands some Mando'a words that's how I wrote it.
Death Watch must be getting impatient. As soon as Maul forces himself to raise his eyes—turning away from the coddling indifference of the holocam—Jagrub starts talking. “Mand’Alor? Vercop’ashnar verborir—” and then she lets out a jumble of other words, even more unfamiliar, before she cuts herself off.
She’s not one of those, usually, who address him directly. Maul understands Death Watch’s tendency to converse in Mando’a—if he is to avoid appearing an outsider and risking another schism, replying in kind is indispensable—but his early training held no space for anything that would not advance the revenge of the Sith, let alone the languages of minor regional hegemons, and neither Kast nor him prioritized resuming the lessons interrupted when Sidious attacked Sundari. Jagrub’s brow bunches up with the effort of simplifying her words to a level he can understand. “We should… Permission to send… scouts to find more of Rook’morut'yc?” A frustrated grunt. “No, what will he… Weapons? Goore.”
Kast glances at Jagrub, and then at Ventress. She must decide the suggestion is urgent, because she explains in Common, “Jagrub is talking of slugthrowers. Impossible to deflect with a lightsaber. Mandalore has not fought a war against the Jedi in centuries, but they were more effective than blasters then, and enough should remain as heirlooms or in museums to furnish our army. A delay of a few days to retrieve them, if you believe that Savage will survive that long. Else, we’ll make do with the five we currently have.”
What was the first fandom you wrote for?
I've been spinning off stories from what I've read for as long as I can remember. The first thing I actually wrote and posted was an Inu Yasha fan comic about extremely minor characters the Shichinintai, because even as a thirteen-year-old I was niche
What’s your favorite fic that you’ve written?
I love most of them, but the ones that made me dive really into myself are probably my favourite. Your death is a number, Down in the Ground where the Dead Men Go, Riches and Wonders, To Each According to Their Ability
tagging @expatgirl @humanformdragon @submeowchinegun @skitter-kitteruwu @pomodoriyum @merfilly
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~hello~ !! For the meta asks!: 3, 6, 9, 12, 15, 18, 21, 24, and 25 :))
Hello!! Thank you for sending these; I was really excited to see that ask game and I was hoping somebody would send some in. It still took me a while to actually answer them though, and for that I apologise. But without further ado! Some meta answers (under the cut because they ended up being fairly long, whoops):
3. What is that one scene that you’ve always wanted to write but can’t be arsed to write all of the set-up and context it would need? (Consider this permission to write it and/or share it anyway.)
I thought of a few examples, but they could basically be grouped together under a common theme: whumpy/angsty scenes that were self-indulgent as all heck. The whole self-indulgent aspect often required the characters to be just the teeniest, tiniest bit OOC and/or necessitated rather unrealistic plot circumstances. So it was simply easier to keep such scenes as maladaptive daydreams, rather than trying to think of explanations for the character/plot issues…or exposing myself to judgement for them LOL.
Receiving permission to write/share one such scene anyway is an opportunity I can’t let slip by though. It might be because I’m writing this while running on zero (0) hours of sleep—let’s hear it for insomnia, y’all!—but I suddenly couldn’t remember any of my newer ideas under this category. However, I did recall a one-shot I had started writing a couple of months ago that sort of counts? “Sort of” because I could actually be arsed to write it since I was, ya know, writing it. Only got about six hundred words down though.
…should I share those six hundred words…?
………nahhh. I don’t think I’m quite ready for that yet.
But here’s the gist of it: Coulson and May (because of course it’s Philinda) were married for quite some time before the Attack on New York. But then Coulson DiedTM and then got ResurrectedTM. But gasp of horror, he had to lose his memories of his romantic relationship with May because reasons. (I actually did have some ideas for those reasons but sshhhh this is about me yeeting context and setup.)
The first half of S1 still happens as normal (except MayWard doesn’t happen because??? Vows) and it’s now post-E20 “Nothing Personal”. The morning after (or a morning soon after, whatever) the T.A.H.I.T.I. reveal! May’s mom—who doesn’t know about GH.325 and whom May fed a cover story about Coulson divorcing her or something equally as oof, IDK—shows up at the hotel and starts ripping into Coulson for breaking her daughter’s heart, then dragging her back into the field with her ex-husband (him), then accusing her of terrible things and forcing her away again.
Poor guy’s confused as heck, and so is the team, and soon enough so is Lian. The only one who understands what’s going on is May, and she’s freaking dying off to the side like why is this happening to me and eventually everybody’s like! Explain??? (Was thinking about including something from Coulson like, “Are you still keeping things from me?” Just for that extra smidge of angst, yay!)
So yeah then May gives a, like, two-sentence debriefing that elicits more questions than answers. Coulson decides to take May aside and they have a heart-to-heart. Lots of feelings and angst and hurt/comfort and at some point plenty of kissing too. Just! May hiding her feelings for Coulson’s sake but really magnified, plus some actual apologies and consideration of the grief May’s been through on Coulson’s part.
And uhh yeah that’s basically it I dunno hdsjncjshd. I warned y’all it’s OOC, plot-bendy, and very self-indulgent!
6. What character do you have the most fun writing?
I don’t think I could name a single character for this. I get different things out of taking on different voices, you know? I guess recently I’ve found myself gravitating towards more taciturn and introspective points of view, like JQ from my original novel Rosewood or M. Yisbon from my…other original novel Temple.
Generally, however, I like tackling stories from an outsider’s perspective. That’s why I so rarely write my more “substantial” (serious? demanding? for lack of better words?) projects from the PoV of my “preferred” character. This usually means writing from their love interest’s perspective, but not always. With shorter fanfic, using a more removed/unconventional/niche PoV can be really fun. Like, I once wrote a canon compliant ficlet purely(-ish) about Philinda from Tony Stark’s perspective. That isn’t always sustainable with stories that demand more character development or closer character studies, however, which is why it’s a good thing I like writing drabbles!
9. Are you more of a drabble or a longfic kind of writer? Pantser or plotter? Do you wish you were the other?
My word counts tend to run long, but I usually only write one-shots for fanfic. If I’m even inspired with a novella- or novel-length story idea for a fandom, you already know I’m in deep with them. And if I actually find the motivation to plan and execute that idea? Dangg. That’s only ever happened…twice, maybe thrice, and I’m in a lot of fandoms.
At times, I wish I could go for more of a middle ground ’cause, like, you know what I love to see? An AO3 dashboard with several completed novellas for my ship/character of choice. I mean yes, I hecking love >90k fics, but sometimes I’m in the mood for quick reads…and what am I supposed to do when I burn through all the drabbles and 2k one-shots? (Besides despair and/or reread my faves desperately.) Novellas are basically always safe for me LOL, and I’d hope to be able to give as much as I take.
Ultimately though, I think I’m okay with where I am with regards to that. I wish I could write more in general, but I’d be okay with “writing more” just meaning “writing more one-shots”, ya know? More than okay, really. I have mad respect for fic writers who have, like, a hundred or more one-shots under their belt for this one ship. The fandom ecosystem would be incomplete without them (as well as every other type of writer, but sshhh that’s the type of writer I’m closest to being right now).
I’m definitely a plotter, and I definitely prefer it that way. It’s cool having such a detailed record of my process. I like feeling like a frazzled genius on the brink of a major discovery with all of my different outlines and colour coding and many drafts and various websites.
12. Do you want your writing to be famous?
Not exactly. It might be cool if my original works were recognisable in the world, but I don’t think I’d want to be recognisable. As for fanfic, I’d low-key enjoy gaining a place in that fandom’s community as a fic writer. Like someone who gave and got fic gifts from fic writer friends, who participated in challenges and GCs, who received writing prompts on Tumblr, whose name was known for doing a certain trope/genre a bunch of times… Ya know what I mean?
Unlikely to happen when I’m so hecking hesitant to publicly (i.e., outside of AO3) claim credit for my writing, but fjnskfsjhfjs. A writer can dream, right?
15. Which is harder: titles or summaries (or tags)?
Of those three, tags are the easiest for me, for I have a reliable system for figuring out those.
Next easiest would probably be titles. For fanfiction, I like to use titles that are a quote from the source material. You should have seen all of my old Hamilton fanfic… I was really proud of some of those titles. And I don’t mean, like, whole lines—usually only two to five words. It’s a unique type of wordplay that I just love dabbling in.
And lastly, summaries. Sometimes inspiration strikes me and a snappy and intriguing synopsis just jumps out—one that I’m quietly pleased with—but most of the time I’ll spend way too long trying to think of such a synopsis and eventually just go with whatever I’d come up with so far. And live with my quiet dissatisfaction for the rest of time.
18. Do any of your stories have alternative versions? (Plotlines that you abandoned, AUs of your own work, different characterisations...?) Tell us about them!
Typically, no. If I have deleted scenes, I save and publish them separately, but that’s about it. I sometimes think of AUs for my own work and might talk about them in my author’s notes—might even talk about writing them—but I never really do anything with them.
Although…
It’s not uncommon for me to decide a plotline isn’t working for a certain story or to think of an interesting but undoable arc for a certain character, but what I’ll do is make a whole new story for those ideas. Once I’m done developing the original idea and the branched-off one, you probably wouldn’t be able to tell they grew from the same roots. Does that count?
21. What other medium do you think your story would work well as (film, webcomic, animated series, etc.)?
That depends on the story. I’ve actually written stories in other mediums—movie screenplay, musical stageplay, poetry, TV show scripts, play scripts, roleplay—but the novel does tend to be my comfort zone. Sometimes, if I have an idea that I think could work, or would even work better, as another medium, I’ll label it as such in my folder of ideas and decide not to write it as a novel.
Most of the time, my non-book projects are collaborations. I’m working with five different people on six different story ideas: two webcomics, one stage musical, one anime, and two animated TV shows. Little concrete progress has been made in any of those, mind you, but they’re still fun to discuss!
24. Would you say your writing has changed over time?
Absolutely. But I’ve been writing stories since I was five years old, so we would hope so, huh?
I wouldn’t say my writing’s changed completely, though maybe that’s just my insider’s perspective.
25. What part of writing is the most fun?
Oh gosh, I can’t believe you’d make me choose. Writing is just such a wonderful experience for me; I love just about everything to do with it. Admittedly, not all the time, but. Since that barely qualifies as an answer, however, I’ll give you this—
The endings. Not only that intense feeling of rightness when you wrap up that last sentence, but also the moments before. The adrenaline of knowing you’re almost there but you gotta push just a bit more to actually get there. And also the part right after—the real wrap-up, honestly: the revision and the editing. Heavens, I love revising and editing my work.
Which is not to say I don’t like writing it out for the first time, too—there’s nothing quite like seeing your cursor scroll to the next page, like going from a blank expanse to a Oh man, how many more lines are even going to fit on this page?, like watching that page counter tick up another number. However, there’s something cathartic about finally ironing out those problems I had to force myself to stop worrying about earlier because “just finish the first draft dangit”.
I guess that’s not really the end of the writing process, but whatever. Close enough (as fic writers are wont to say).
Another thank-you for these asks, and feel free to come back with more at any time! ;P
Send in fun meta asks for your friendly neighbourhood writer!
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even more prompts catchup
April 5th: What was school like for you, or what is it currently like for you if you are still in school? Elementary, high school, post-secondary?
i Hate/d school lmfao......like i do Like To Learn and Know Shit, and of course Sometimes / on some occasions it was like, hey i'm having a good to pretty great time at school, but those were usually Special occasions or teachers going out of their way to give us you know, fun projects / go beyond the Standardized Testing curriculum, which natch they couldn't always do / did require sort of going Above & Beyond, rather than being the constant, guaranteed experience of like hooray for school......it's like, oh hooray re: the Play Scenes my fourth grade english class did that was like, an Extra thing, where we got to audition and i just had a great time like oh right, clearly Theatre in retrospect, or hooray re: the field trips, or projects we did In Class, since i hated homework.......i was always that accursed (i mean, not accursed for Me, but) combination of "really a terrible student but also gets great grades" lmao i forever do things Last Minute but like, when i was At school, in class, i'd just power through whatever work there was then & there usually, and in middle school would sometimes do hw on the bus, as i was the last on the bus route to be picked up in the morning or dropped off in the afternoon, but as soon as i got home i was in Home Mode and yknow. didn't just sit down and continue School Stuff asap. also hardly ever Studying unless it's the night / morning before a test lmfao but i had a great memory for that stuff, so studying that last minute was like "yep, i Do remember this from going over it 2 seconds ago" so yknow, despite hating school / no good Study Habits(tm) or anything, i did fine. i also read a ton, at home or at school and at any other point. so i was also like, quiet and generally ~well behaved~ or whatever lol (the like "how are kids (or anyone) supposed to stay focused and on task for 7+ hours a day..." thing), segue into next paragraph
i also remember like, 3 day a week preschool being the first time i was, you know, in some sort of School and also around other kids that much, i did have this sense that like, somehow there were Rules that i wasn't following, not re: Classroom Rules or something, but wrt socializing with peers, like that everyone else had something going on in how they interacted which i wasn't gonna get right, & i had this sense of like, not really being Allowed to interact lmao, even being 4 years old i have a few distinct memories re: this of like, a) choosing to play by myself in the classroom or when outside, and b) my "best friend" being the one person who just like, chose to hang out with me lmfao, but i was like oh cool Having A Friend lmao, like i didn't Not want to have friends, i was just already aware of like, i don't feel like i can just up and interact w/these people and i don't feel like they want me to, and c) re: that being aware of whatever Rules Of Interaction existing and that i wouldn't meet them / abide by them and thus there'd be some kind of repercussion for not meeting those rules, and not being allowed, i remember that like. there was this other indoor playspace in the lower level and there were toys i wanted to play with but Refrained from, and it was like, why did 4 yr old me get the idea i Wasn't Really Allowed, and most of what i can theorize is that it was like, well other kids might want to play with that, and the Normal / Better kids should get priority lmao, and/or being nervous that it just might otherwise lead to some sort of Interaction i wouldn't feel ready for.....and d) sitting at a table with like whatever 4 or 5 other kids or something and amongst ourselves someone was like "oh put your foot in the middle if you're [x]" and i tried to join in on a technicality lmfao and also just in, you know, active efforts to be Participating with these other kids on their terms, and it did not pay off, something that repeated uhhhhh, forever i guess lol. insert that post like can allistic people be normal for 5 seconds.....
like in elementary school i wasn't really making friends either, incredibly, i was Amicably Tolerated by many people then & like, again also at any point after at least lmao (and it helps that i was generally in teachers' good graces, not that i narced on anyone ever, but i had like, my Niche as the Academically Successful One, and also i was the kid who draws, another shoutout to some post and tweet about how being The Drawing Kid was like, some measure of respect but also disdain lmfao...) and sometimes people would again like. choose to interact with me repeatedly, and i'd sort of be nonplussed at best b/c it's like, okay thanks but in this situation i didn't Choose this any more than i choose [Trying to be in the group but being rejected/excluded], so it's kinda weird, i was friends with someone for a few years in elementary school but we just were Coincidentally in the same class for those years, when we were in different classes in 3rd or 4th grade and just weren't seeing each other it fizzled out, in middle school i made another couple friends where we were all being Funny lmao, but i didn't go to high school, so once again we weren't seeing each other, and [At School] was where i always had most Interactions with people, didn't see people much outside of school even if we were hanging out / being friends During school, for [a whole tangent] reasons, so. guess the good news is i'm still in touch / friendly acquaintances with some people from school from college, but even then, there was Some more social success or whatever, but not all That much, and i was still unhappy like, not having many friends, often being like "i'm going to the cafe a block away b/c i have no social occasions here and i want to get out of the dorm / be around people," that if i was with more than one other person i could end up the third wheel friend lmao or nobody is paying attention when you talk or oh no i put myself out there hanging with a friend group but maybe people thought you were a joke or something, thanks. smh
and that like, speaking of college, i went early but this was, for my part, truly primarily driven like "well i hate school so if i can Not go to high school, okay" and like, while i got in and everything it was still like "tf is college, i've never known what i Want To Do so i wonder if i'll figure this out, but i'm not expecting to last past the first semester / year b/c this is college and i'm a terrible student actually lol" but then turns out i kept doing well enough like A's & B's like oh woops i guess i'm still here, then, hope i can figure out what tf "credit hours" means (finally did lol).....then sophomore year was a bunch of just Agonizing over "what tf do i major in," something i never figured out, wherein i might bring something up & it got parentally shot down like "never heard you talk about that" like what tf Did you hear me talk about? are you thinking i had my life figured out by age 9, b/c i didn't think that, i'm only 15/16 even Now, even being the Regular college age it's like, nobody's figuring their life out then. also i didn't tell my parents things, so. and then i settle on something that sure, Might've been of interest, but also it was like, a) a program that barely existed and req'd taking classes at a like 30 min away campus and also the head of department had Just retired and the most heinous teacher in the related fields was now in charge, brilliant and b) the sort of thing you'd just wanna start taking prerequisites for like as soon as you set foot on campus, like, great. and c) i was like, hardly feeling all the Academic Ambition anyway b/c i never had, b/c i hate/d school, and b/c i still didn't Know what i wanted to major in, and i was stressed n depressed and also realizing oh right, i'm not cishet, and oh right, i'm never going to get along with my family b/c [long tangent] reasons and that's kind of concerning, here i am impending Being 18 and like, how do i get out of this b/c it's becoming clearer that i'm not just gonna start getting along with the 'rents now that i'm not an elementary schooler and also now that i'm realizing the Reasons being at home sucks. guess i learned stuff in college lol but also it was like, the experience of getting to be Away From Home and existing every day without parents literally / figuratively over my shoulder at some point every day, and getting to do shit on my own and figure things out while Not At Home.....i also had a lot of fun taking a couple classes from this one music prof lol. he was this weird really enthusiastic and really knowledgeable guy lmao like great, these evening classes where we go over to the arts building and he plays things on the piano off the cuff and tells a lot of tangential stories while we're learning about like, beethoven technically, or folk music. didn't need those classes but they were great, i've had these teachers who were totally into whatever they were teaching and had a great time with that
also acknowledgment to the fact i was a No Extracurriculars person all through school, k thru 6 and college alike really, although i took dance class for that k thru 6 period, just that was separate from school actually (and another fun "being away from home" thing and Theatresque performance thing i enjoyed) but besides that it was like, how do i figure out what i want to do without committing to joining this whole thing, i don't know How to sign up for stuff really either, and it'd probably entail "asking for stuff" and needing to coordinate more rides and etc and that's just a hassle, and i wanna go home from school asap anyways, and then like, when it came to college, i was again at first thinking like "well idk what i'm doing and i hate homework so i'll probably mess it up in this first year anyways" and figured that doing anything Extra outside classes was just gonna be too much, and also, it's like, i've never been in these kinds of groups before and why am i gonna start in college, where there'll probably be all these people who Have done this stuff before, and are also 18? e.g. even though it was like "hey you're away from home and don't have to ask/tell anyone else anything to do this club stuff or whatever!" supposed ideal environment for trying stuff out, it was like, maybe i'm theoretically interested in auditioning for the fall theatre production, but the last acting experience i had was like, "2 month drama class in middle school" or "that 4th grade [section of a] play" so like, not really Any education or experience or Training re: any of that stuff, and a bunch of 18 yr olds who might've, or [age peers] who were theatre people who had already done stuff so they weren't getting Lead Roles or anything but they were getting cast / taking classes / joining an a capella group while i'm like right on, i'm over here with some sort of Grade Honor Society (??) saying my gpa qualifies me to join and be able to experience some further academic rigor/requirements lmfao and i'm like absolutely not. get away lol. anyways so bit of a chaotique Post K12 Zone Education Experience there lmfao, all kinds of things i'd Like to Learn and even take classes on, but didn't like, right i love learning languages but never took classes, love math and shit but only got to a certain level of calc and even then seemed to miss some Lore, never did anything re: theatre, etc and so on. so you wonder if some advantages re: high school would be like, more chances for those extracurriculars (or regular curriculars) but, as though i wouldn't have the same qualms about getting in on any of it, and as if i wouldn't've still hated school but also still been at home, F. and i think people can be a lot more normal to each other when it's college and you're Not stuck in one building together 8 hours a day lmao, got some gentle "occasional Bullying style attention" in middle school, but had juuust enough like, [that Niche of good grades / kid who draws] and people who Were friendlier to me that it was you know, unpleasant, but didn't have to be that huge a deal, and then i was outta there soon enough. also, in college many people are 18 or older, as opposed to 11 to 13. anyways the rest of my school story was that in the end the problems were "i don't know what i want to major in and also now's a worse time than ever b/c i've realized my existence At Home is untenable, and naturally i am quite depressed & stressed about things, and i gotta say absolutely virtually every adult presence was either totally unhelpful to Counterproductive here lmao, like, not much anyone could do really but it's helpful when someone is like, i'll treat you like a person vs simply just going 'uh why are you not doing the academic stuff good enough'" lmfao like. the whole time Not having friends i'd wanna talk to through class and happening to get good grades in part b/c i somehow Could as easily as i did and also i was afraid of getting C's or worse b/c "tfw i wasn't even yet in a grade that gave you A thru F grades yet but my older sister caught shit for getting a C
like :/" and etc means adults are like My Student Is Fine, and also, what are you gonna do even if they aren't, i guess. i just had to figure out completely for myself Why and How i really wasn't Fine and that was quite difficult and also took a long time. then there was a mutual prank of "i drop out of college at the tail end of things" and "now i have to be at home with parent/s more resentful of your obvious Waywardness (insert: not being cishet, and the fact it occurs to me that my being autistic was always causing 'problem' behavior i was getting shit for like, the whole time lmfao, even if nobody knew / labeled it like oh this is for ND reasons, or if it was both true i tried to come out (smh, thought i Had to b/c that was part of Not Being Cishet) and it was simply ignored / unaddressed and yet it sure fueled further specific resentment of my not Performing Gender properly, or "worse," so that went well, in that i eventually abruptly left and did not maintain contact, in the interest of "the levels to which i was thriving was like, that if i bailed and like died 50 hrs later it'd still be what i want to do," true to that i did not / don't regret it. and what do you know, i was first able to bail to a relatively nearby friend from college's home, whose family also liked me lmao. shoutout to school still being where i made Any friends, except a friend i made who was a coworker of several years. and Online Friends, which, another school connection, that like, i can more readily Connect w/people via talking about interests, something that happened Sometimes at school in person lmao but not much, but also that i Talk About Interests in a way through Drawing, which, well shoutout to doodling in the margins of papers throughout school lmfao, it didn't hurt! that's my saga.
oh and that footnote, i also really enjoyed the "in middle school you either take language classes or 4 Electives you rotate through each year" and those electives sure featured some more varied and hands on activities i had a great time with. shoutout to like, cooking, and to shop class, my Car Designs were great apparently, idk how. shoutout to my Intuition re: engineering or something lmaoo.....very fun to just end the schoolday in that big garage space where you could actually open that garage door right to where all the buses were, beautiful. Oh, and that's another footnote, when my last class of the day in 8th grade was english, i'd sometimes finish work early and my teacher would let me go to our spacious library, with the v nice librarian who'd recommend books to me she thought should be checked out more often b/c she knew i liked to read that much, and also just generally had teachers / other adult staff kinda wandering in at the end of the day, talk about "i don't really relate to other ppl my age" where i did generally prefer to be around adults, so that was fun. oh and also shoutout to hating school lmao wherein during like, middle school when the schoolday started at like 7:30am or smthing disgusting and i just learned to like, view whatever time it was in a "at least it's almost [x]" like well okay, first period is math and that kinda sucks but at least once it's over this hardest part of the day will be over, then next class is kinda more chill at least, and then it'll be the last period before lunch, etc etc etc where i could sort of keep up that stamina like telling myself at any point it was Almost [a more encouraging time of day] lmao like. kinda fucked up to have to be dragging yourself through the weekdays like that, but
Oh! goddamn and i didn't even get into that if i ever got in ~trouble~ in elementary school it was stuff like Not Paying Attention, but where half the time that might be some other kid beside me messing around lmfao and i'm not gonna be like "uhhh follow the rules!!!" (and that even when i was In Trouble like go sit in the chair where you have to be quiet there for like 10 min i might say something to some other kid in that zone and they'd be like "um it's the quiet chair you have to be quiet!!" or "uh we're getting into the next lesson and you have to put that book back asap" like wow these other kids are dweebs about Rules lmfao) and there'd just be times like, it's 1st grade and i know how to read pretty well already but we're going over the alphabet like stoppp i know the Phonics already........or the ways ND people can kind of Intuit some stuff more successfully, like in third grade learning multiplication i neverrrrr studied but just broke it down like, okay i remember the Fives b/c of telling time, i know the 2x table and stuff, i know the commutative property, if we're all the way at the 8x and i haven't Memorized stuff, i can still like, break it down to say, [5 x 8] + [8 x 2] or something when i see 8 x 7, even if it takes a second lmfao.......and stuff like the tragedy of when i Did make a friend in like, 2nd grade, who i think we didn't even talk to each other ever?? i was playing legos or smthing by myself once during Indoor Recess and she just started playing agreeably along with me, aka someone socializing on My Terms apparently as our Introduction, and we just were friends past that but one time, not even during a Lesson Session, we were messing around quietly making each other laugh as the incredibly important process of "put papers in your folders" was going on, and since we were Not Paying Attention for some reason the teacher made a whole example of it where i had to carry my desk across the classroom for the Shaming Element of it and also so that i had to permanently sit way further from that friend, so that was kind of discouragement re: interacting at all. thank you to that teacher, who'd later once Gesticulate to me from across the gym that i should put my arms down at my sides rather than being crossed (we were rehearsing some class performance) & i had no idea what she was trying to convey, so afterwards she told me i had to have Reduced Recess Time or some shit because of Ignoring her instead of putting my arms down lmfao. and i was irritated at having been misinterpreted / my Intentions dictated to me and punished like that, but i was also used to it from adults lmfao and did not bother explaining myself lol like yeah god forbid i left my arms crossed on purpose and now i have to read some more during recess. tl;dr school has so much nonsense & i def had some Times re: being autistic & also just being someone who hated school forever lmao, think it was Also 2nd grade where one arbitrary sunday night i just cried out of frustration at having to go back for another normal school week. classic. oh and that also, while i wasn't like "oooo booksmart people who hate not having a Definitive Correct Answer to things &/or ohhh autistic ppl So Good at math, in a way everyone hates and disrespects, but they suck at Literature/Arts which requires you to reflect on humanity and shit," like, not only was i the drawing kid but i was also apparently ahead of the curve as it were at like, Literary Analysis lmfao where there was a few times in elementary school i'd be the kid providing the Interpretation like "what's this poem about / what's the theme or Symbolism in this story," but from elementary school to college it's like, for god's sake don't ask me to come up with a story / work with some really open ended prompt, i don't Invent in that way, and when i try to draw on Inspiration i'll get stuck on some specific source and be unable to do anything but just rip it off really lmao. but then again i was prolific in "it's 1st grade and you write and illustrate a little short story or smthing in these booklets
that we then have a simple little binding process for" like ohhh fancy, i got a tootsie roll lollipop at Awards Time for writing a shit ton of those lol. but that's like, when you're too young to have that much of a Creative Process anyways lmao. but then, my older sister, whose Thing was writing, has an incredible 2 Volume like, noir mystery saga from those elementary school times, it's a classic lmao. anyways once again so much to say about School lol closing the door after meandering on that one for this long lol
April 6th: Are you able to drive? If so, was it difficult to learn? What was difficult about it? If not, do you use any alternatives?
i did learn to drive, tbh just universally it's like, at any point you're driving there's A Lot to pay attention to at once, even if you think you're Good At That or whatever, which i sure don't think i always am lol, and it's pretty wild we just, you know, let everyone go around as fast as they want in machines that can kill you or someone else, and this is also Unnecessary b/c like, let's have accessible & reliable public transit so that everyone can travel without Needing to have a car / someone else who will drive them. i didn't think i had too much trouble learning to drive, but it had to help that i just took it very seriously from the start lmao like, well, i'm quite aware i could kill someone with this. the driving classes i took were alright, i remember the instructor being pretty chill and friendly lol. rip to the fact i could be tense when driving with parent/s, when driving a manual i'd always like screech the tires when accelerating out of a Stop, until all at once it was like "and i'm driving that manual car alone on a road trip & wouldn't you know it, only literally once did i have that issue of not getting out of a stop smoothly enough" lmao like the Anxiety......really like yeah i had an alright time learning and think i'm solid enough at driving / like doing it, theoretically, but Driving Is Wild just in general and let's have that public transit
April 7th: How are you with sarcasm and/or metaphors/figures of speech? Do you interpret things very literally?
i think i Usually get what people mean with these Devices but i can't really say lol, but anytime you know, someone is being more Implicit in what they say, plenty of times i can infer one implication and only later realize they probably meant a different one, or yknow, i make whatever initial inference i make and can be stuck like "???" and have to like, mentally run diagrams about the interaction lol......meanwhile i'm not always remembering that like, if i'm shifting context mentally that's necessarily able to be inferred by whoever i'm talking to lol, whether it's about getting into some adjacent topic or like, i don't think it tends to be very clear even in person when i've started being sarcastic lmao, like i know that can be true for anyone but it's like well, guess i gotta make it clearer i'm doing a bit......flipside of that or something lmao that people are more Obvious than they think they are sometimes about like, idk, when someone is sort of making some sarcastic remark to you but the sarcasm is also sort of only to themself, aka just like okay i know you mean this more dismissively / disparagingly than re: what you're saying just at face value lol like. just always fun >:/
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lesbiangracehanson · 4 years
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for 'lets get personal': 1, 2, 4, 7, 14, 19, 24, 26?
27, 38, 39, 40, 41, 43, 44, 45, 47, 52, 54, 62?
63, 65, 66, 74, 76, 79, 82, 84, 95?
hope you have fun with all those!
i’ve just added all ur messages together hahaha + also gonna put this under a keep reading thing loool
1: 6 of the songs you listen to most? did this one! 
2: If you could meet anyone on this earth, who would it be? currently...... either victoria pedretti or amelia eve, i’ve been watching maybe too many interviews of them + i just think they both have such lovely energy + would just be nice to b around :(
4: What do you think about most? currently.......... the haunting of bly manor, generally.... whether or not i’m a bad person/if i’m doing enough with my life
7: What’s your strangest talent? being able to identify what s1-4 doctor who episode a particular murray gold piece of music is in, within about 10 seconds of it starting...... niche ? perhaps, but me + my sister tested this theory on a long boring lockdown day + it’s legit i’m afraid :///
14: If you are outside, what are you most likely doing? walking my dog 
19: What does your URL mean? grace hanson is a LESBIAN >:-) 
24: Do you have a collection of anything? postcards + badges! i like either keeping them for myself or sometimes passing them onto others as like a nice, surprise little gift - especially in lockdown i feel like i’ve started posting friends random things just for fun
26: Are you happy with the person you’ve become? not yet, but compared to me over a year ago..... i do feel happier with where i currently am
27: What’s a sound you hate; sound you love? sound i hate is nails on a blackboard lol, sound i love ..... i guess any music i like! or the sound of the sea
38: What’s the weather like right now? rainy + v windy :( 
39: What time is it? nearly 2am
40: Do you drive? If so, have you ever crashed? i’m currently learning to drive + am pleased to say i have Not crashed (yet)
41: What was the last book you read? severance by ling ma!! 
43: Do you have any nicknames? my sisters + some of my friends started calling me olive to annoy me + it remains a nickname looool
44: What was the last film you saw? suspiria (the 1977 one!) 
45: What’s the worst injury you’ve ever had? 2 summers ago i had a very bad ovarian cyst + apparently my pain threshold was too high for me to recognise that things were Not Good so it ended up damaging one of my ovaries beyond repair loooool + i had to have an emergency operation to have the cyst + the ovary removed rip, not to overshare on main but.... genuinely one of the worst experiences of my life lol would not recommend!!!!
47: Do you have any obsessions right now? not sure if it’s obvious :/// but ....the haunting of bly manor 
52: What is your astrological sign? gemini
54: What’s the last thing you purchased? mantel pieces by hilary mantel! 
62: What’s your favourite animal? Hmmmm dogs!!!
63: What is your secret weapon to get someone to like you? making them laugh imo!
65: Give me your top 5 favourite blogs on Tumblr. - i’m simply Can’t do this!!!!! i feel like i have like.... a fair few mutuals who i will just love forever + never unfollow + then also just blogs that i enjoy + look through on a regular basis but i’m not mutuals w/ + there’s essentially too many to narrow it down to 5 (janelle u are one of those mutuals i will never unfollow at this point i think ahjsbfjsdf if that’s what u wanted to know!! hahaha) 
66: What is your heritage? white + british loooooool im sorry 
74: What’s a song that always makes you happy when you hear it? hmmm a few came to mind: burning down the house by talking heads, maria by blondie, honey hi by fleetwood mac
76: In your opinion, what makes a great relationship? kindness, good communication + laughter 
79: What is the single best decision you have made in your life so far? LOOOOOOL have i ever made a good decision!!!!! impossible to tell, i think ... sorting myself out last autumn probably, i was really putting everything into doing my masters, i’d just started my bookclub, i was volunteering at a gay archive + working a bit too. i think deciding to do all those things to put myself in a better headspace + also putting myself out of my comfort zone was a good move for me + i’m proud of myself for doing it im ngl 
82: What is your favourite word? my mind is blanking on this, i’ve forgotten all words 
84: What is a saying you say a lot? ‘it is what it is’ asjdbsdjhf i say it TOO much, i think i started saying it ironically + it has become ... less ironic  
95: You just got a free plane ticket to anywhere. You have to depart right now. Where are you gonna go? anywhere that would let a person from the stupid little island that is uk, into their country atm loooool
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the1959project · 4 years
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December 31, 1959
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Ahmad Jamal, 1959
New Year’s Eve 1959 was as fruitful as New Year’s Eve 1958 — the night with which this project began. In New York, you could see Sarah Vaughan at the Waldorf or Sammy Davis, Jr. at the Copa (if you were loaded), Count Basie and Joe Williams at Birdland, Dizzy Gillespie — “evoking, from his homemade speaking tube, the wondrous sounds of a world yet to come,” as the New Yorker described it — at the Metropole, Ornette Coleman in his revolutionary run at the Five Spot with Randy Weston as support, Horace Silver (“experimenting to see what will make the human nervous system dissolve,” another New Yorker-ism) at the Jazz Gallery, Earl Hines at the Embers, Ernestine Anderson at the Apollo and hundreds more musicians remembered and forgotten making up the soundtrack to the end of one heady decade. 
The best summary of the decade written by its contemporaries, that I’ve found, came from Stanley Robertson of the Los Angeles Sentinel — a former editor at Ebony who returned to newspaper work while pursuing a pioneering career in TV.
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60 years later, most of his assertions and observations are just as relevant. If I had been more organized (an evergreen caveat), I would have read them at the beginning of the year and not at the end — but the fact is, at the beginning of the year I had only a tenuous grasp of just how much information and insight I was about to uncover. 
Throughout the course of this project, I’ve been asked — understandably — why. 1959 is only a cliche within a relatively intimate group of jazz heads; outside of their poo-poo-ing (anything but rehashing Kind of Blue and Dave Brubeck again, am I right?) and, of course, Fred Kaplan’s under-read tome, it’s mostly anonymous. Essentially, if you know about its significance in jazz you’re weary of it, and if you don’t it seems completely random. 
But the idea of a 1959 jazz timeline was one that I couldn’t shake. Yes, great records; yes, jazz history. But around those pillars of the music was so much blank space. Blank space that I realized I had the tools to fill — books and archives and music and Google — even if only for myself. There was simply too much material waiting to be put in some sort of discernible order, too much incredible music that begged a different kind of context and background — one based less on how the music sounded and more on the environment in which it was made, and who was listening. I figured I may as well try, not anticipating in the slightest that I would actually make it to the end of the year — much less that anyone would care either way. But, crazily enough, here I am, and here you are. 
What I’ve learned could (and hopefully will?) fill a book. The most surprising parts should have been the least surprising — the profound impact of racism, sexism and homophobia on what music got heard and how. Race in particular — again, duh — lies at the very core of American music history, and thus jazz history. To me, it goes both ways — jazz’s central role in American cultural history gets undersold precisely because it is Black music. 
New York wasn’t technically segregated, but the kinds of jazz you might hear on 125th Street and below 14th Street might as well have been from different worlds. The stuff that white people listened to is the stuff that we still talk about; the stuff that Black people listened to is generally presented as secondary — a reality that is obviously perverse given the fact jazz is and has always been Black music. Miles existed somewhere in between, as he was wont to; the fact that he was beaten by the NYPD immediately after releasing the most enduring jazz album — perhaps the album that truly launched the LP era? — ever will never not make me tear up. This is the crux of the whole thing: Who gets to be important? Why is jazz niche — still more often understood as a lusty cliche than an actual artistic movement — and not at the center of our understanding of 20th Century American intellectual and creative life? Racism, obviously. 
The jazz that was huge in 1959 tended towards two quite disparate poles: strange big band music made by white bands for white audiences that sounds flatly jarring to listen to today, and music by Black jazz artists who were uninterested in pleasing (mostly) white critics — music that was deemed by those critics to be redundant or sentimental or trite. Ahmad Jamal, sitting cheerily at the top of this post, is a case study of the latter phenomenon. Without actually having the numbers, I would hazard a guess that he was the top selling jazz artist (who anyone still listens to today) of 1959. “Poinciana” was running jukeboxes, and the success of At The Pershing inspired the rapidfire release of half a dozen more LPs. 
But Jamal is not generally cited as one of the canonical artists of 1959, or of jazz. Neither are Dinah Washington or Sarah Vaughan, who had their biggest hits (”What a Diff’rence A Day Made,” “Unforgettable,” “Broken-Hearted Melody”) in 1959. Same story with Erroll Garner, who sold out Carnegie Hall in 1959. Same with Ramsey Lewis, who spent all year on the Billboard charts with his remarkable album Down To Earth, as well as Jimmy Smith, Eddie “Lockjaw” Davis, Shirley Scott, and many others. Ray Charles, in his completely idiosyncratic way, was plucking the friendliest parts from jazz and placing them into era-defining pop music. 
The difference isn’t in the quality of the music, it’s in who was listening. 
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Some people have asked if I’m going to continue this project with 1960. The answer is no, because I have an actual job and about 500 other projects of similarly ambitious scale that I would like to tackle. But I hope that if you enjoyed it, you might use it as a way to look at the music you listen to differently. There is so much more to know about each of the records I posted here, and all the ones I didn’t post — we live in a time of literally unprecedented amounts of information, and this period was particularly well-documented. So listen to the albums, but then check the Wikipedia page to find the other albums, and look at the liner notes to see where the Wikipedia page is wrong, and read some old magazines and newspapers to see where the liner notes were wrong, and find some live performance that people even crazier than I am have dug up and posted. All it takes is a little curiosity, and the surprises are so worth it.
In any event, thank you so much for following along and happy hunting! I, for one, can’t wait to hear all the great new music coming in the next decade. 
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chicoriii · 4 years
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🎶Made for @lovesquarefluffweek Day 1 - Concert 🎶
Please, click on the picture to see it in full resolution, it looks awful when small and Kwamis are hardly seen.
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It’s the first time I take part in event like this. When I noticed concert day, I knew I need to do this, since instrumental music is my the biggest passion. I love jazz and classical piano so much, even though piano is not my favourite instrument.
It's great to combine my love for Miraculous and instrumental/classical music. I'm not a musician, but I can do it by drawing a fanart which illustrates music scene with my favourite side of Love Square.
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It’s one of my first attempts at drawing humans from years, I’ve never been good at it, Miraculous gives me lots of motivations to improve my terrible skills. I prefer drawing things like animals or various creatures (so also Kwamis), but humans are getting more and more enjoyable. So there’s lots of anatomy mistakes and so on, but it’s not too bad for now, I guess. Despite I made many improvements during drawing it, there’s still something wrong with Marinette’s face and I couldn’t fix it enough.
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Some background for this fanart:
I imagine it’s a first private concert which Adrien is playing specially for Marinette, he even rents a concert hall (he’s rich and romantic enough to something as much extravagant) when it’s not used. It’s not just one piece or two, he’s playing about 1-hour long piano recital (look at playlist below) only for his girlfriend (and magical creatures). It’s post-reveal, so Kwamis also can enjoy it without being hidden. While Tikki is excited about it not less than Marinette, Plagg is more interested in his Sugarcube, since he’s used to listening to Adrien’s piano and sometimes he’s playing with him. But rather cheerful jazzy-like improvised pieces, because he doesn’t like classical as much, especially sad compositions (Feast gave me some thoughts like these). Adrien decides to give a concert in a melancholic theme (so slow, soft, beautiful etc. pieces are played) to make this date as much romantic as he can. Even though blond boy is usually closing his eyes while playing on piano (like many instrumentalists), he can’t stop staring at his sweet girlfriend with his signature soft look™.
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One of my the biggest wishes is to see a scene when Adrien is playing on piano specially for Marinette, any good composition (I don’t like that one from Heart Hunter), preferably classical one. And I’d love to see an episode with a classical instrumentalist based akuma, rock and pop are not the only musical genres out there.
Classical music (and instrumental music in general) is highly unappreciated, so I'm happy when it’s represented in media, especially kid shows. This is what I love the most about classic cartoons, there’s lots of classical music. The Cat Concerto, Tom and Jerry episode which won an Academy Award, is one of the best examples of very creative use of classical piece for a slapstick comedy. Liszt’s Hungarian Rhapsody No. 2 was even played by two pianist, by classical and jazz ones.
Classical music can be enjoyed by anyone who has some passion to music at least. It’s a very eclectic type of music where you can find everything. Classical is not only over 1-hour symphonies, there’s also compositions shorter than typical radio-friendly song. It’s not only serious music, classical can be also playful with very catchy melodies. Everyone can find something for themselves.
🎹🎹🎹🎹 Playlist 🎹🎹🎹🎹
I'm also enjoying choosing played pieces so much and it's too hard, since there's tons of beautiful piano music, though I know only a very small part of classical world. It’s about one-hour long concert, so also recordings were chosen to last about 1 hour together.
As sonata is a musical form with several movements (usually three or four) and since not all of them fit melancholic theme of this concert, Adrien play only one or two selected movements. For example only the first movement of extremely popular Beethoven's Moonlight sonata - Adagio sostenuto - is that dark and sad piece which everyone knows. The shortest second movement Allegretto is still not fast but quite cheerful, while the last Presto agitato is... Check it yourself, it's one of my favourites music moments ever. 😊
I also decided to try selecting lesser-known compositions (but it doesn't mean they are all little-known) to promote them, so there's a chance than maybe someone gives this music a shot and discover something new to appreciate.
Fryderyk Chopin - Nocturne in B flat minor, Op. 9 No. 1 - I couldn't choose anything else for the beginning. Nocturnes are my favourites Chopin's compositions and this one I love the most. No word describe how much I adore it, it's the most beautiful piece ever composed.
Franz Schubert  - Minuet in A Major, D. 334  - The first time I heard it, I thought about Adrien. I think this short sweet piece describes his childlike innocence quite well.
Fryderyk Chopin - Prelude Op.28 No.15 in D Flat Major, "Raindrop" - This thing is shown on the screen of Adrien's smartphone in few episodes (like Captain Hardrock), but for some reason it's not what's actually played. I have no idea if it was supposed to be played, but was changed after rendering was done or it's just an error. It's so nice composition, though not my favourite Chopin's prelude, even if it's the longest one. Unfortunately, the piece which is actually heard in the show is unknown for me, I'd love to discover it, but I can't. All I know it's definitely not any other Chopin's prelude.
Ludwig van Beethoven - Piano Sonata No. 31 in A-flat major, Op. 110 - I. Moderato cantabile molto espressivo and III. Adagio ma non troppo – Allegro ma non troppo - It’s almost the whole sonata, the only missing thing is the shortest second movement. It's probably my favourite piano sonata, so I couldn't not choosing it.
Franz Liszt -  Consolation No. 3 in D-Flat Major, S. 172 - If once I wonder why I love this, this is because it's so Chopin-esque.
Franz Schubert - Piano Sonata No.16 in A minor D.845 -  I. Moderato - I discovered this wonderful composition thanks to Nodame Cantabile, my favourite anime and manga ever, which is focused on classical music college students and professional classical musicians. Two main characters are also opposites who learn much from each other. I gave a link to the performance made specially for Nodame Cantabile, because I'm mostly attached to it. Usually this piece is played faster and it kills the atmosphere in my opinion. This rendition is the most emotional I've ever heard.
How would be this list without any French composers? I believe Ravel and Debussy are a mustm since they are the most known and important, I believe, and I also added something from Satie, because he wrote lots of soft compositions for piano solo. Chopin was also half-French (from his father), but: "Chopin's biographer Adam Zamoyski writes that he never considered himself to be French, despite his father's French origins, and always saw himself as a Pole." (source: Wikipedia) Besides Chopin's music is very Polish.
Maurice Ravel -  Jeux d'eau
Claude Debussy -  Rêverie
Erik Satie -  Gnossiennes: No. 1 - Lent
Maurice Ravel  - Ma mère l'Oye, M. 60: I. Pavane de la Belle au bois dormant  - finish it with something very short but so beautiful.
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Many beautiful things are missing, probably the most fitting for this concert would be Liszt's Liebestraum No. 3, since it's love music essentially, but it's too well-known (one of the most popular if not the most popular compostion by Liszt) and I'm kind of tired of this. I'm also very sad because of Chopin's Prelude in E Minor, but two pieces of the same composers are enough and this is his the most known prelude, too. I couldn't not recommend this jazz trio cover, because it's too good, too atmospheric though a different take on this theme.
Jazz musicians are often turning compositions into something much different. Everyone knows Beethoven's Für Elise, one of the best- known and (in my opinion) boring classical pieces in existence, but this jazz trio cover (sorry, I can’t find it outside of Spotify and other streaming services, it’s a very niche band) is just outstanding, I can't stop listening to it! Jazz arrangements of classical music is something I love so much.
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