#isn't nearly as important as what you actually do

[nhaneh]

So the thing that bothers me about the terf wizard game isn’t so much the people who are just playing it, but the people who have this incessant need to defend playing it, proclaiming that it’s wrong to call people out for it.

Like sure, seeing people I have or have had some degree of trust or respect for playing the game does feel kinda disappointing, but there’s a degree of simple out of sight, out of mind - I can’t really have opinions about things I don’t know about, y’know?

But the people who insist that they should not only be allowed to play the game (which none of us had the ability to take away to begin with) but to play it without any feelings of guilt or awkward discomfort about it? Worse still, the people on twitch or whichever with the express purpose of making money from the latest big AAA release who argue that they shouldn’t have to grapple with the ethics of the situation?

No. At that point, you’re not just consuming a problematic piece of media - you’ve chosen to actively promote it, and actively reduce or even dismiss the ethical issues surrounding it. You’re not just squaring the round hole to fit the square block every block, you’re declaring the ethical matter a complete non-issue that isn’t worth considering.

And people are damn well in their rights to judge the fuck out of you for it.

[noxtivagus]

woah i. wrote a lot.

[ozzgin]

Just read your arranged marriage kidnapped by a most post and the humor in the servants always thinking reader is in peril. The same going for monster hubby (He just thinks they're submissive and breedable)

Like none of them realize they are a moster fucker cause they hide it so well. Like just imagining reader be like "oh be gentle with me I'm a dainty maiden" and then giving him the night of his life is hilarious. Or them having dinner and the servants feel bad for them cause monster hubby is eating human meat but their just thinking about other things he can use his tongue on.

Or maybe someone comes to rescue them from the terrible monster finally. But they don't wanna leave and instead fight the knight off. The knight thinks they've been brainwashed or something. Meanwhile the servants think the knight just wasn't good enough to rescue them.

Content: gender neutral reader, monster romance, NSFW! [Part 1] | [More Monsters]

The servants are not blind by any means: they can tell, quite plainly, that their monstrous Lord has a soft spot for you. Not only that, but the beast nearly worships you! They've come up with many theories, the latest one involving witchcraft. Surely you must have some sort of magical trickery under your sleeve in order to subdue their Master. There's no other way around it. All previous humans have been devoured, or have died in a pitiful attempt to escape, terrified to the bone upon gazing at his blasphemous Majesty.

You can't blame them. It's probably better for everyone involved if you omit the fact that your source of witchcraft lies in your...genitals. Well, not just that, of course. Your husband had started to lose hope. His appreciation of humans never came to fruition before your arrival. He was expecting you to cower in fear, not throw yourself at him.

He wondered if you wanted something from him in return, but no one could possibly pretend so flawlessly: the way you clung to him unprompted. The way you hungrily took him in, tears welling in your eyes, refusing to let go until you could feel his load avalanching down your throat. The way you'd trap his hips with your legs, despite being weak and feverish, asking that he doesn't stop yet. If that wasn't proof enough, your whines and moans were loud and clear. To think he could have his own little human, one who isn't repulsed by his monstrous form. He would've been content with mere tolerance, yet someone who begged to be fucked by him? He's been delirious ever since.

He loves everything about you, naturally, but he can't deny the shameless addiction he's now developed towards your body. He'd pound you anywhere and anytime if he could. If he needs to leave for official matters, know that the return will burn in the back of his mind.

"An important date, Sir?" one traveling servant will ask, glancing at all the scribbles in the calendar.

"Indeed", he answers solemnly. It's the times when he can finally fuck you dumb.

While the servants worry about their devilish Master being put under leash, for the other fellow humans the opposite seems to be true. You recall your last "rescuing" attempt distinctly. During one of your evening walks, burly, foreign arms swept you off in an instant. Before you knew it, you were holding onto the armored shoulders of an unknown man, as he made his way out of the traditional garden.

"I'll get you out of here", he promised between heaving breaths.

You stared in confusion. What was he saving you from? A good dicking? No matter how much you explained that you do actually like your newly appointed husband, the hero wouldn't budge.

You ended up just walking back home when the man fell asleep.

"That was quite the long walk", your monster partner remarked, polishing his weapons.

"Oh no, I was kidnapped", you state casually. "Got us some fruits on the way back."

Would it have been better to lie about it? On one hand, you do feel terrible for whoever attempted to retrieve you from the claws of the tyrant. Your husband is very possessive, and you know he'll scorch the Earth until that treacherous pest is gutted and fed to the pigs.

On the other hand...he becomes particularly savage after such incidents. You won't be able to sit properly for the next few weeks, but it's worth it.

Tough luck, you tell yourself, lounging in bed with a satisfied smirk and torn apart hole.

[xxsabitoxx]

I’m all for fuck boy Satoru, womanizer Satoru, can’t stay loyal to one woman Satoru… but I offer you… love struck Satoru who doesn’t know what to do with these emotions.

Satoru who just immediately assumes you want him for his body and can’t fathom why you’d be interested in anything else.

Satoru who’s shocked when all you do is give him a kiss on the cheek and thank him for taking you out and walking you home.

Satoru who’s immediately overwhelmed by this change of pace and finds himself texting you the next morning asking when you’d like to meet again.

Satoru, who’s leaving women on read and deleting the dating apps he browses for fun because all he can think about is you.

Satoru who can’t believe it but he’s actually nervous as he walks up to your apartment to take you out on a 2nd date

Satoru who is trying desperately to impress you and seem so smooth and cool but finds himself getting shy and soft spoken when you smile at him from the other side of the dinner table.

Satoru, who's hands shake as he hesitantly reaches for your own while walking you back home after a wonderful dinner.

Satoru, who's blushing as you see a quiet place to sit in the park at chat under the stars. Letting you drag him over to the bench as you tell him quite boldly that you don't want the date to end yet.

Satoru, who finds himself melting into the comfort of your presence, listening to you talk about your life, your friends, your family, things you love and things you hate.

Satoru, who is listening so intently that his brain short-circuits a bit when you ask him to tell you more about himself.

Satoru, who finds himself at a loss for words, nearly tells you it's not important and to continue talking about yourself so he can hear you speak. But instead he opens up way more than he anticipated.

Satoru, who walks you home hours later after having one of the longest and most meaningful conversations with you, noticing he isn't as nervous now that he feels that you both know each other beyond just surface-level things.

Satoru, who's frozen in place as you get on your tiptoes and place a chaste kiss on his lips, thanking him for such an enjoyable night.

Satoru, who finds his heart soaring out of his chest as you shut the door, feeling as light as air as he practically skips away from your apartment, a large grin plastered to his face.

[tossawary]

The funniest "early family reunion" on the Death Star / crack canon divergence AU that I can think of right now is Darth Vader and C-3PO. Threepio gets separated from the others somehow and ends up running into Darth Vader in some random hallway, and it's just a real "What." moment for Darth Vader. (Threepio is screaming in terror and begging for his life, of course.)

Because, like, that's the droid that HE built for his mom. That's the droid that followed his wife around during the Clone Wars. What the fuck is Threepio doing HERE??? NOW??? Did Obi-Wan (Vader has still caught the Kenobi vibes on the station here, obviously) have Threepio for the past NINETEEN years? That asshole. That sounds SO annoying, too. Good. Obi-Wan deserves that.

Thankfully, this is not as catastrophic as Vader getting R2-D2, because Threepio has had a memory wipe and no one ever tells Threepio much of anything (he's got some information on the Rebellion but most of it is outdated, especially after the destruction of Alderaan). But Threepio has spent the past two days or so hanging out with Luke Skywalker, and also witnessed the destruction of the Lars farm, both of which as revelations may cause Vader to flip out in weird ways. (Artoo is STILL around too??? That traitor.) Possibly, this may be enough of a distraction to allow Obi-Wan to actually slip away and live, but maybe not.

The important thing is that Threepio is taken off the Death Star somehow, so he can become "Death Vader's gaudy gold-plated protocol droid who has anxiety and is annoying as hell but Vader takes him EVERYWHERE". Imperial soldiers from random troopers up to genuinely important Admirals occasionally have to deal with "droid-sitting" duty while Vader is out doing scary, evil Force of Nature stuff and they all hate it, because Threepio never shuts up, has a knack for wandering off (he's trying to pull a daring escape) and nearly getting himself torn to pieces (people have actually gotten hurt trying to follow him), and most people don't have the guts to just turn Darth fucking Vader's pet droid off for a little while. Vader COULD just reprogram him or put in a restraining bolt or take Threepio's legs off, but he can just pick Threepio up with the Force, so it's whatever to him. (There IS a tracker installed, but Threepio doesn't actually know where to run anyway.)

Threepio's official role is "translator" for Darth Vader, which Threepio has somehow taken to also mean "mediator". So, whenever an Imperial officer is getting threatened by Vader, there's a stuffy protocol droid behind him saying things like, "Oh my! I'd listen to him if I were you! What happened to the last fellow was rather unpleasant," and, "It's impossible to get good help these days, isn't it, Master Vader?" and it sucks. The only one who could really do anything to stop this is the Emperor and Darth Sidious couldn't care less about his apprentice's latest purse dog droid.

Unclear whether or not Vader at this point actually has any real fondness for this piece of his past / reminder or his lost loved ones, is just super lonely, secretly thinks Threepio's surprisingly deadly antics are funny, or is using Threepio as bait for R2-D2 (come get him, you little fucker) and the others. Might be a combination of all these things.

[fullhalalalchemist]

URGENT: Congress about to pass a mass censorship and surveillance bill under the guise of "protecting children"

May 13 2023

The Senate has been in a "do something!" mode regarding children's online safety. They're using this as an excuse to push for widespread internet censorship and surveillance. The EARN IT Act, has a slimmer chance of passing with widespread opposition and some senators saying they won't vote for it. TLDR;The real threat is actually KOSA (s.1409), the Kid's Online Safety Act, which will mass censor and surveill the entire internet by giving all 50 state attorney generals the power to remove content that is "harmful" for kids, and force you to upload your govt ID online to access the internet. I'll explain how it works below the action items but it's absolutely urgent that anyone who likes having a free and open internet fights back. It's all hands on deck, because this has so much public support it's insane:

HOW TO FIGHT KOSA

CALL YOUR REPRESENTATIVES & THE COMMERCE COMMITTEE

This is a link to the Senate Commerce Committee phone numbers and a call script to read off of. (202) 224-3121 connects you to the congressional hotline

Opposition is getting drowned, and these upcoming weeks will be heavy for lobbying and they're using young people to do it. We NEED to show these senators that young people are actually opposed to this and don't want it.

2. Sign these petitions

Open Letter Against KOSA

Petition 1

Petition 2

Petition 3

Petition 4

Resistbot: Text PHJDYH to 50409

3. Spread the word.

The opposition is getting absolutely drowned online. Dove has nearly 100k signatures to push for KOSA. Influencers on tiktok are pushing for this without ever having read the bill. Fucking Lizzo is sponsoring it. If you have twitter, reddit, tiktok, are in any community, SPREAD THE WORD, PLEASE.

Here is a linktree with all the above petitions for easy shargin: Link to linktree

HOW KOSA WORKS

First, KOSA pressures platforms to install filters that would wipe the net of anything deemed “inappropriate” for minors. This means instructing platforms to censor. We saw how these filters impacted websites firsthand with tumblr in 2018, with not only blocking all adult content but also sfw queer content such as suicide hotlines, art archives, wiping out entire blogs because they had queer fandom related posts, etc. Places that already use content filters have restricted important information about suicide prevention and LGBTQ+ support groups. KOSA would spread this kind of censorship to every corner of the internet. And who gets to decide what is and isn't harmful for minors? Oh don't worry, just every single state attorney general and the FTC, which is appointed by the president. You know, the same attorney generals that just banned gender-affirming healthcare under the guise that it "ruins mental health" of minors. This is why the Heritage Foundation was one of the first to sponsor the bill because they can use it to censor trans content, and Senator Marsha Blackburn of Tennessee is it's co-author.

Second, KOSA would ramp up the online surveillance of all internet users by forcing websites to use age verification and parental monitoring tools. Yup, that's right. Now every single person who wants to access the internet has to upload their govt ID online to third party apps that get hacked all the time. You queer in a red state? You undocumented? You an activist? Have fun getting all your online activity and metadata attached to your govt ID.  

Over 90+ human and LGBT rights groups agree that KOSA is dangerous and updates to the 2023 version won’t and can’t address the big problems with the bill. This bill has MASSIVE bipartisan support, and the authors Blumenthal and Blackburn (yes, that Blumenthal that's pushing the EARN IT Act, and who also sponsored the RESTRICT Act and SOPA/PIPA if you remember) are using the tragedy of mothers who lost their kids to online harassment and young adults who've been traumatized online to lobby for it, and got Dove the company to use a bunch of influencers to push for this under the guise it prevents eating disorders...I wish I was lying. There are already 30 co-sponsors.

It is all hands on deck. I'm dead serious when I say if this bill is passed it is the beginning if not end of the open and free internet.

[creatingblackcharacters]

Lesson 1: "White Man Painted Black"?

Okay, I recognize that this is a strong foot to step off on! But! If you learn nothing else from this series, if you decide for whatever reason to forsake me: this is the ONE perspective I'd like you to take away!

You may have heard this quote before, when Black fans deride a character design as 'a white man with the brown bucket tool'. On its face, it means exactly what was said. But specifically, what it means is that we recognize that whomever designed the character drew the way they normally draw for a 'default' character in their mind- default usually meaning White/Eurocentric features- and they added a shade of brown within the line art to make that character now 'Black'.

Now if you're feeling defensive, wait just a moment! This discomfort is not inherently a bad thing!

I'm going to use both a 'real world' example first, to show you what your Black fans and peers are seeing, and perhaps you will also understand our discomfort!

(if anyone was curious, my folder for this lesson is titled 'brad' lmao and you'll see why)

(I'll have y'all know that I actually worked very hard to make Blackface Brad look mildly presentable lmao I'm sorry, I'm wheezing, I can hardly breathe looking at him 🤣)

You see how, despite knowing where this was going, and using one of the darkest shades of brown in my Skin Tones arsenal, you still know that that's Brad Pitt? That nothing about his hair texture, his lips, his nose, or really anything other than the palette change... changed? And you can still see that?

It's incredibly hurtful to be told that that's supposed to be you. You know it's not, you know why it's not, but rather than hearing how it makes you feel unseen and what they could do to be better (since they wanted to draw a Black character!), the artist lashes out at you.

And as an artist, you might have worked VERY HARD to do this! That might be a real handsome guy you drew!! But... is he really Black? Did you walk into it with the intention, that you were drawing a Black Character, or did you draw a character that just happened to be Black? It seems like a silly thing, but it matters!

Okay. I just finished laughing over Brad. Now let's get into some more perspective changes:

Now, imagine you drew a character. You want to make her Black, so you change the hair and skin colors. All right! You have your Black character... right?

Changed ONE feature about her? (You should obviously change more than one feature, but let's just go with the simplified example.)

What if, instead of just changing her palette, we changed her:

Hair?

There isn't nearly enough time in the world, let alone in this little scribble and blurb, for me to describe the IMPORTANCE of Black hair in Black character design. There are so many ways to do curls, afros, braids, twists, locs, SO MANY HAIRSTYLES!! Get used to searching in the 3C-4C hair textures!!!! I plan on doing an entire lesson or two on hair alone, but suffice it to say, Hair Texture is thee BIGGEST giveaway that you 'painted a white person Black'- from cartoon styles to realistic! It reveals itself in your writing as well- just based on how your character takes care of their hair, how your describe the texture, how other people might perceive it... it lets me know just how much research was done. Because we can have straight hair! But again, that's a conversation for a whole 'nother lesson so- come back later 👀?

Lips?

I love our lips, I really do. There's a long history of shaming Black women in particular for the way our lips look. So when I see them done in all their glory, it makes me very happy. Two-toned lips vary in shade and intensity, so make sure you're using references if you want to be 'realistic', but it doesn't have to be that hard. Even a little subtle shift like this in the design/story description lets me know that a creator was thinking about me.

Nose?

One thing I've noticed ever since I starting drawing is that... people in a lot of mangas/manhwas barely have noses! I admit, out of all the features on the face, the nose isn't the most important. I think they should be, especially when you want to emphasize that your characters look different! People have different types of noses! I especially want to gear this towards those with a goal of drawing realistic portraits and the like- there, the nose is ANOTHER dead giveaway. There are Black people with aquiline and straight noses- we aren't a monolith- but is that why you drew it? Consider why you went for that nose specifically. That's part of the intent, in all this!

Now, you might be looking at me and going "Ice... this is just character design". To which my answer is: Yes! It is! It feels so basic, and yet if you ask your Black friends/peers how often they've come across this feeling of not being properly drawn/written, from fanart to professionally produced works, it's unfortunately common despite how simple of a concept it is.

I hope that you can walk away from my first lil lesson with new eyes. Remember, it's the thought that counts, but the action that delivers!

[lemonlover1110]

𝐁𝐨𝐧𝐝𝐬 𝐨𝐟 𝐅𝐫𝐮𝐢𝐭𝐢𝐨𝐧

Sukuna

[Chapter 1] Offerings

Story Masterlist - Next Chapter →

Pairing: Trueform!Sukuna x f!Reader

*Just want to preface that this is a historical AU but there will be some historical inaccuracies so if you see something odd, don't point it out. Also this is still a curse AU! if that isn't clear with four-armed Sukuna. Anyway I hope you enjoy!! Any general story warnings can be found in the masterlist!

Discord +18 - Twitter - Ko-Fi

Sukuna is missing something, he’s not sure what it is but he knows that he’s bored. He’s bored of everything that once thrilled him, tired of the same routine. But no matter what he does, he feels empty. 

He’s done everything possible to soothe that boredom, which has come to the expense of many lives. It entertained him until it didn’t. Occasionally he does find joy in the horrors that he causes but it doesn’t feel like that’s enough anymore. There’s something that he’s missing, but he’s not quite sure what it is. 

He has everything a man could possibly want– Although he isn’t exactly a man so his wants and needs are obviously different. He isn’t going to be fulfilled by the foolish ideals of happiness that men have. He doesn’t have much of a guide though, therefore he’s lost in how to fix his problem. 

“Uraume.” Sukuna’s voice isn’t all that loud, yet Uraume nearly comes running to fulfill his request. The temple is uncomfortably quiet; everyone is ready to fulfill Sukuna’s every request, and their king does not raise his voice unless adrenaline rushes through him, or he’s upset. No one knows which is the worst of the two. 

“My king.” Uraume kneels down before him. He’s quiet, too embarrassed to even bring up this question. It’s unlike him. Uraume is truly the only person that he respects which is why asking the question is hard for him to actually say. He wouldn’t trust anyone else with it though.

“What do men usually do?” He asks, which is odd for Uraume to hear. Sukuna was a man too, once upon a time. But he doesn’t remember that stage of his life, and he’s sure he wasn’t happy either which is the reason why he’s the monster he is now.

“I’m not sure.” They sound reluctant. “If you could be more clear, I can search for an answer.”

“Get out.” He orders, and they bow again before exiting the room. He wants to be left alone to gather his thoughts. He has all the time in the world to figure himself out, but he wants even more time. He doesn’t want to be bothered now of all times at the very least.

“There’s a woman with an offering.” A servant tells him from the other side of the tatami doors, followed by a shrill cry that makes a smirk come to his lips. That’s his answer.

Sukuna wants a successor. 

“Take it to the servants, answer to her needs.” Sukuna answers, not really caring to listen to any requests. His mind is now preoccupied, detailing his next course of action. He needs to find the perfect woman to carry his heir, which he knows will be a hard task– Perhaps the hardest challenge that Sukuna has come by in all of his years of living.

“Please eat, Haru.” You put the bowl beside the young boy’s mat. You’ve been slowly watching your brother’s health deteriorate, slowly watching his death near. Worst of all, you have been looking for a cure that seems impossible to find because it’s not something that’s affecting anyone important. 

It’s not a disease that’s affecting anybody else, really. It’s not infectious, you quickly found that out. You were glad about it at first, but then you realized that there’s no cure yet. Days pass by, and he gets worse. He refuses to eat anything, and when he does, he can’t keep it down for more than a few hours. His death is imminent.

“I did everything I could to get the right ingredients for your favorite food. Auntie made it extra special for you.” You make sure to tell him, but he can barely move. You kneel down beside him, grabbing his utensils and preparing a bite. “Just one bite, Haru.”

“I’m sleepy.” Is all he manages to mutter, and you feel a pull on your heartstrings. Your hand caresses his arm.

“Just one bite, okay? Then you can sleep all day.” You try your best to convince him. All he does is sleep, and no matter how many hours he sleeps, he wakes up tired. He prompts himself up, and you’re fighting back a smile– It’s barely any progress, if you can even call it that. “Open up.”

There’s a smile on your lips as you bring the food to his mouth, and he begins to chew. He takes the utensils from your hand, grabbing the bowl of food and putting it on his lap. You stand up and tell him, “I’ll get you some water.”

“He’s finally eating something.” You share with your aunt, making sure your voice is low since there isn’t all that much space. Her eyes go to him, and she really wants to say that it’s a sign of him getting better but it really doesn’t mean anything. Sometimes he eats everything that’s made for him, but he throws it back up. 

“I really wish this meant he was getting better… But we both know that he’ll get worse tomorrow.” She responds, and you want to curse her for even mentioning it but you know she’s right. You don’t like hearing it though, you’re helpless. There’s nothing more you can do for Haru, you’re just waiting for the day to come. 

“I really think he can get better.” Your eyes begin to feel with tears, knowing that you don’t even believe yourself. You’ve tried everything you possibly can, but you know that his time nears. You can’t just accept that fact though, he’s your baby brother, you can’t let him go. “Let me get his water.”

“I’ll get it… Think about what the medic said.” Your aunt reminds you of the visit from the physician. One that you’ve forgotten because you refuse to consider his one and only suggestion a possibility. The words flow back to your head,

“Your best bet is the deity up north. You have to bring him an offering, and if he deems it worthy enough, he will cure him.” “But if he thinks it’s beneath him, he’ll kill you.”

You don’t want to risk anything, but lately that seems like your only option. He’s not getting any better, even though you so badly want to say that he is. Throwing up everything he eats is not much improvement than not eating at all. You just have to figure out what is considered an offering worthy for the deity to save him, and to save yourself. 

“I’ll be back, I have to figure something out.” You say, smiling back at your aunt and your little brother. They barely acknowledge you before you leave the house, which you’re thankful for. You just need a moment to gather your thoughts, decide what you’ll do next. 

You need to sort out your offering for the deity, an offering that will hopefully sort out all of your problems.

“My king, there’s a woman with an offering.” It feels like the hundredth time that week in which Sukuna hears that sentence. Humans are greedy beings, and they all fucking need something. It’s unnecessary, purely materialistic– It’s a side of humanity that he appreciates though. How much a human is willing to sacrifice for wealth or the promise of good fortune. Sukuna can’t judge, he's the sole winner in the end.

“Let her in.” He says, and the tatami door slides open. A poor maiden with a pale yellow kimono, and a woven basket in hand. You walk in with your head down, following the strict instructions that were given to you. 

You’re trembling as you kneel down in front of the deity, bowing down to him. You remain bowing for however long he pleases, keeping your eyes shut because there’s tears building up. You have never been this terrified. Willingly putting yourself at death’s door is no easy feat.

“Rise.” He orders, and you straighten your upper body, remaining on your knees. You don’t dare look anywhere past his feet, keeping your eyes low and steady. You know that he’s staring you down, studying you. A smirk on his lips, thinking about how he’s found her. “What do you want?”

“My brother…” Your voice is shaky, and you try your best to compose yourself. You can’t start crying in the middle of it, you’ve gotten this far, he’ll surely kill you if you begin to sob at his feet. “He’s sick. The medic can’t cure him, and he told us you were our only choice.”

He’s not really listening. Something about a brother is all he grasped. He’s more into the way your lips move, and the tears of pure fear that well up in your eyes. He can tell that you really made an effort into your look today, even though you don’t look extravagant. Which for some reason he likes, he doesn’t want an arrogant woman in his chambers, he already has enough of them. He especially doesn’t want one of them carrying his heir.

What really draws him in is that certain look in your eyes. The clear innocence that’s written all over your face. You’re the perfect lily that he can’t wait to tear apart, petal by petal. That finalizes his decision.

“What do you have for me? Open the basket.” He orders, and you do as he says. Regret washes over you as you open it, immediately knowing that it’s not enough. You don’t know what came over you when you had the bright idea of picking it. You unfold the cloth with shaky hands, revealing the gift for him. He’s usually furious with these types of gifts, since they hold no value to him but he wants to hear your reasoning since he has other plans with you, “Why do you come to me with this?”

“Pomegranates aren’t native to the land, and they’re scarce this time of season. I found some while searching for an offering and thought it was a sign.” You explain, and he scoffs. A stupid reason, one that should get you killed. If he wanted fruit, he would send Uraume to get it for him. He guesses it’s creative though, especially when almost every person that walks through the temple is willing to sacrifice a life. But you don’t gain points for creativity, no one ever has.

“Pomegranates? What am I supposed to do with that?” He’s mocking you, and you swallow the lump in your throat. He’s right, what is he supposed to do with a pomegranate? He’s not like you, he’s not just going to eat it. You’re usually smart about this type of thing, but you guess desperation got the best of you this time around, and now you have to pay for the consequences. As to be expected, there’s no answer from you, and he orders, “Look up at me.”

Your eyes slowly move up his body to his face, and you’re in awe at the sight. A mix of emotions flow through your body. He really isn’t a human. You were terrified earlier, but now you’re simply astonished. You never really believed the tales that were told about him since you couldn’t wrap your head around the fact that a being like him could exist. But now he stands before you.

“Do you really think I’ll do anything with the fruit?” His voice sounds serious, but there’s a hint of a smile on his lips. You shake your head which irks him. “You have a voice don’t you? Use it.”

“No, my king. My apologies.” It’s strange, but you sound more confident as you look at him compared to before. It brings some sort of satisfaction to Sukuna since usually people that are allowed to look directly at him can barely communicate.  

“I’ll give you a chance to redeem yourself.” He’s thinking about how merciful he is– Which isn’t entirely a lie since Sukuna never gives a second chance. Except you have no idea how you can redeem yourself unless he dismisses you. Little do you know what he’s thinking for you. “I have a proposal for you.”

“A what…?” Your eyebrows perk up as curiosity takes over you. A proposal from a deity, it’ll surely be something that you have yet to hear. 

“Bear my child, and I’ll forgive you.” He says, and you almost fall back. Your ears must be deceiving you, there’s no way that the proposal that you just heard is real. Your eyes are wide open, and you hear him laugh. It must be a joke then. 

“Uraume!” Sukuna yells, wanting it to be clear that he doesn’t want to waste a single second. Not even a second later, and they’re in the room, waiting for their king’s command. “Take the maiden and prepare her for me tonight.”

“Wait– You’re serious?” You dare to ask. You haven’t even agreed, yet he’s getting you ready for tonight, to have a baby with him of all things. “You don’t even know my name, why would you want me to carry your baby?”

“What’s your name then?” He asks, clearly irritated by the question, and you have no choice but to answer. If you don’t, you’re screwed. “There we have it. Take her, Uraume.”

“Wait!” You shout, but Sukuna isn’t going to listen to more of it. Uraume guides you outside, a task that they usually do harsher. At any other time, they’d be dragging you outside but you’re not just anybody. 

You’re the woman that will carry King Sukuna’s heir.

[radiance1]

The Ghost Prince does not, under any circumstances, answer a summoning after it was made aware he existed. None know why he doesn't, some are bitter and hateful of it while others are thankful that it's one less bloodthirsty manic to deal with.

The Ghost King meanwhile hasn't been seen in multiple eons, so the magical community who wanted to use his power just, stopped, trying to summon him for a long time.

Most magic users knew that the Ghost Prince never answered a summons, and that the Ghost King just dropped off the radar.

So could you really blame Constantine for not taking it that seriously when some wannabe hotshot cultists try to summon both of them in the middle of a city to wreak havoc?

He'll give them some credit though. Points for doing it in broad daylight and actually being somewhat of a threat with not relying on just summoning the Ghost royalty and figuring out what to do from there.

The area they were in was somewhat destroyed, then the cultists manage to complete the summoning circle to summon both of them and Constantine, well he just light up a smoke.

It isn't going to work anyways so what does it matter?

...

Is that a fucking Ice cream truck he hears? Who the fuck is driving an Ice cream truck while their city is being under attacked with cultists trying to summon eldritch ghost royalty?

He'll give them some points for dedication, though.

Then he looked at the cultists and nearly had a goddamn heart attack to see that the summoning circle is actually fucking lighting up and working.

The Bat is so gonna give him a headache over this.

----

Danny Phantom, crown prince of the Infinite Realms. Does not answer summons.

For one, it is annoying as shit, whenever someone interrupts his day just to ask for infinite power (that he can't give), world domination (that he won't do) or infinite riches (which he also can't do).

It just got annoying being summoned all the time so. One day he just, well, no. And hey, it worked out well enough for him to not continue doing it.

Then he also learned that Pariah Dark is basically the same, after he got out the coffin and stopped trying to take over the world for whatever reason. He was actually a pretty swell guy!

He was just with him too, with him being not so swell at the time for making him go through lessons about Ghost etiquette, rules, stuff that's expected of him as the crown prince.

And don't even get him started on the engagement and marriage proposals.

Overall, he just wanted to find an excuse to leave. Then he felt the familiar suggestive pull of a summoning and, instead of rejection as he usually does in a second. He thought for a bit if he wanted to go with that or crown prince duties.

It was tempting, but dealing with cultists seemed worse than this so he was about to reject.

At least, before he heard an Ice cream truck playing in the background. He doesn't even know how the hell that popped up through the pull but by the gods has it been a while since he's had Ice cream.

So he answers and is gone with a pop.

Pariah Dark just stares for a good second or two, before breathing out and deciding to also answer. Fright Knight is just there, off to side, questioning what he should do now.

Danny wastes no time with the cultists on the other side and in fact, he pushes them out of the way and goes diving for that Ice cream truck he hears. Only to realize he doesn't, have any money on him.

Fuck.

Pariah Dark is less inclined to follow the rules imposed by humans like money, but he does know it can be important. Once in a while. Not that often, but it has its times.

So when he sees his adopted son being sad over being unable to pay for some kind of human delicacy, he digs around in his hair (yes, his hair.) and pulls out some money and puts it on the counter as payment.

The man inside the tiny vehicle had shrieked before getting what they wanted. Which is good. Fear is a good motivator, Pariah thinks.

Unknown to him, it wasn't out of fear (Well, mostly) but because the Ghost King placed down a coin made of pure, solid gold on his counter.

The two then go about their business in the human realm, completely forgetting about the fact that they were summoned here for something.

Constantine is both relieved and about to have an aneurysm at seeing Infinite Realm royalty only answering a summon because of Ice cream.

[pluckyredhead]

What the heck is going on in Batman/Gotham War?

I know a lot of people in fandom are confused and/or upset about what's been going on in Gotham War - why is Bruce acting like this, what is Selina doing, why are the Batkids taking sides. So I figured I would fill you all in on what's been happening in Batman and Catwoman since Chip Zdarsky took over with Batman #125, because it has been BONKERS and I have been enjoying the hell out of it.

Below, the quickest summary I can manage while still being comprehensive:

[Content warning: mental illness, abuse, suicide (...ish), LOTS of violence.]

The first arc, "Failsafe," starts with Batman and Robin (Tim, in this case) in pursuit of the Penguin, who is on a killing spree. In the very first issue, Tim gets shot in the neck. Bruce has to take him to the hospital, but first he has to strip him out of his costume and put him in civilian clothes to preserve their secret identities, triggering memories of when he had to do the same to Jason's dead body. There is LITERALLY NO PURPOSE TO ANY OF THIS EXCEPT WHUMP (Tim is back in action with a fucking BAND-AID on his neck very quickly), which is how I knew this was going to be good. Beat Tim up! Make Bruce cry about Jason! I want these men to suffer! (There is also SO much to be said about Tim's own Poor Mental Health Decisions throughout the entirety of Zdarsky's run so far, but that's for a separate meta post.)

Anyway. Bruce leaves Tim in the hospital and goes to confront Penguin, who turns out to be dying of mercury poisoning. He kills himself and makes it look like Batman did it, forcing Bruce to flee. (Penguin actually faked his death and is alive elsewhere under an alias, but that's not important right now.)

In the Batcave, a massive robot called Failsafe emerges. Failsafe attacks Bruce, who usually eats killer robots for breakfast, but he can't seem to get the upper hand on this one. Duke, Cass, Steph, and Dick show up to help, but Failsafe beats them all too, while Tim gets an injured Bruce away and to the Batcave.

In the Batcave, Bruce puts on a weird purple and red Batman costume and a new personality takes over: the Batman of Zur-En-Arrh. Now, Zur has a very complicated history going back to 1958, but for the purposes of this story, all you need to know is that when he was younger, Bruce decided it would be good to hang out in a sensory deprivation chamber until his mind created a secondary personality, Zur, who is essentially Batman without Bruce. Zur is pure efficiency who does not care about anything but the mission. He created Failsafe, for one purpose: to kill Bruce if Bruce ever crossed the line and killed someone. And right now, Failsafe believes that Bruce killed Penguin.

Failsafe nearly kills Tim, which Zur is okay with writing off as an expendable soldier's death, but this causes Bruce to take control of the body back because "Tim isn't my soldier...HE'S MY SON!" (Tim Nation, why are you not ALL OVER this story? It's catnip.)

Babs calls in the JLA (SuperBat fans, you will also want to read Bruce's adoring description of Clark when he shows up), but of course Failsafe has kryptonite, which it stabs Clark with. The League dumps Clark and Bruce into the JLA jet and distracts Failsafe while Tim flies Clark and Bruce to the Fortress of Solitude. Bruce tells Tim he's a good boy and jumps out of the jet and into the ocean so that Tim and Clark will be safe from Failsafe. He's rescued by Arthur, who takes him to Atlantis to heal. THIS HAS ALL ONLY BEEN FOUR ISSUES SO FAR.

Two weeks later, Bruce wakes up to discover that Failsafe has taken over Gotham. He teleports up to the JLA Watchtower on the moon to lure Failsafe there, then blows the Watchtower up, hoping to catch a ride on one of the Javelins. But Failsafe has already destroyed them, so Bruce RIDES A BOOSTER ROCKET BACK TO EARTH, OXYGEN MASK CLAPPED OVER HIS FACE. The whole thing has some powerful Scooty-Puff Jr energy.

The only tricky part is reentry, when Bruce starts to burn up - his costume is fireproof, of course, but his chin is exposed. SO HE TAKES OFF HIS LITTLE BAT-PANTIES AND PUTS THEM OVER HIS HEAD. I swear to god this happened in a real comic book and the entire "Bruce falls off the moon and survives" sequence is utterly delectable goofy nonsense and I truly cannot recall a time I've had more fun reading a comic book.

Anyway, Bruce lands directly outside of the Fortress, BECAUSE OF COURSE HE DOES, and runs inside to find Clark and Tim. While Clark keeps Failsafe distracted, Bruce and Tim program nanobots to inject compassion into Failsafe. I SWEAR TO GOD. They zap him with the nanobots, but Failsafe pulls a high tech space gun out of the Fortress and shoots Bruce with it anyway, apparently disintegrating him. Tim falls to his knees in the snow, weeping. TIM NATION, WAKE UP, THIS RUN IS CANDY FOR YOU.

But of course Bruce isn't dead! That wasn't a killing gun, it was a "zap you into another dimension" gun!!! THAT was the compassion!

So Bruce finds himself in a dystopian alternate Gotham, and I'll be honest, I didn't love this arc ("The Bat-Man of Gotham") as much as I loved "Failsafe," but it has its moments. In this Gotham, Bruce Wayne is dead, so Regular Bruce is like "Oh boy, time to Batman this place up." Also he's plagued by hallucinations of a skeleton version of Jim Gordon who is still wearing a trench coat AND A MUSTACHE. Like I said, it has its moments.

This Gotham is controlled by Arkham, and anyone who is diagnosed as "crazy" is locked up. A new villain, Red Mask, is in charge, and Selina and a Venomed-up Harvey Dent work for him. Bruce teams up with an orphan kid (of course) named Jewel and goes after Red Mask, who turns out to be some guy named Darwin Halliday and ALSO...the Joker. Well, he's the Joker who hasn't been Jokerized yet. But one time he breathed in some chemicals that let him see into the main reality of the DCU (???) and glimpsed Regular Joker and now he wants to build an interdimensional machine to mentally connect with Regular Joker across universes which he assumes will make him insane, NATURALLY.

Bruce attacks Red Mask, who sics a Venomed-up Ghost Maker on him. Ghost Maker cuts off Bruce's right hand. Bruce cauterizes it with an electroshock machine and ties some spikes on it (SERIOUSLY) and goes after Red Mask again. Meanwhile Red Mask mentally connects with an alternate dimensional Joker...but instead of it driving Red Mask insane, he's what drives the Joker insane. Desperate to become the Joker somehow, anyhow, he jumps into the interdimensional portal, and Morally Dubious Alternate Universe Selina kicks Bruce in after him.

Meanwhile, Tim is in full "I KNOW I SAW HIM DIE BUT HE'S NOT DEAD" mode, which: bless. So he teams up with Jon Kent, which...gosh, what an astonishingly boring duo. I love Jon, I love Tim, they're perfectly nice and normal around each other, I'm falling asleep. Anyway Tim fights Toyman for a while and then makes a VERY stupid costume where the entire torso is a giant light-up R, because "I want him to see that Robin is coming to save him." GET A THERAPY, TIM.

Bruce finds himself first in the Michael Keaton Batman universe, then the Red Rain universe, BTAS, Batman Beyond (yes I know they're the same universe but I guess he goes there twice), Silver Age, Kingdom Come, Gotham by Gaslight, and more. Adam West gives him a utility belt. The Dark Knight Returns Bruce builds him a robot hand.

Finally Bruce and Red Mask reach the end of the multiverse, which is a Gotham asteroid floating in space, surrounded by giant Jokerized sharks. LUCKILY BRUCE HAS BAT-SHARK REPELLANT IN HIS ADAM WEST UTILITY BELT!!! Honestly this whole arc was worth it for that moment.

Bruce knocks Red Mask out, but now he's stuck. He has a device from Batman Beyond Bruce to get home, but it's only good for one person, and he can't leave Red Mask there to die. Of course, that's when Tim shows up in his stupid giant glowing R costume and they hug it out, thereby fulfilling but also compounding all of Tim's issues since 1989.

Anyway things are fine now, right? Sure, Bruce is hallucinating that his family is on fire, and the Zur personality is not going neatly back into the box where it's been all these years, and he still has a robot hand (Damian, hilariously, immediately announces that he wants one too), but he's FINE. He is a little bit mad at Selina, because she broke out of jail (she was in jail because she killed her fuckbuddy because he was trying to kill Bruce), and also because she didn't tell him Penguin was alive and that would have stopped Failsafe, and also because Other Selina kicked into another universe. Selina, very fairly, is like "Well I'm not responsible for Other Selinas and also maybe don't build robots to kill yourself with and not tell anyone about them???"

THEN we got Knight Terrors, the summer event in which a villain called Nightmare caused everyone to fall asleep and, uh, have nightmares. Bruce, specifically, had a nightmare that he met an eight-year-old version of himself that vomited up a man-sized bat with a gun for a head. I laughed SO HARD. Bruce also had his body borrowed by Deadman for the duration of the event, so while he endured the psychological toll of nightmares like everyone else, he also endured the physical toll of everything Deadman was doing PLUS the mental toll of being aware of what was happening in the waking world even though he couldn't control his body. As soon as the event was over, he lapsed into a coma so that his body could get some damn rest.

Okay. Now we're up to Gotham War.

(I know, I know. But for all of you who are like "How could Bruce do this???" about Gotham War...*points up* THAT'S HOW. HE IS NOT WELL.)

Bruce awakens from his coma and IMMEDIATELY decides to Fight A Crime even though Babs is like "Maybe don't?" But he can't find any crime, which is...weird. His kids confirm that Gotham's been super quiet since he's been out.

Selina hears that Bruce is awake and is like okay, time to pay the piper. She calls all of the Bats to a meeting and explains that she's the reason crime has been down. See, villains like Joker and Two-Face always have goons, right? But what if the goon supply dried up because the goons have better jobs? So Selina has trained All The Goons In Gotham to be...cat burglars. No violence, no stealing from anyone who can't afford it. More importantly, no helping Scarecrow or whoever commit mass murder.

All of the Batkids are like "Hmm...I feel uncertain about this, but it's working...I don't know what to think..." except for Jason, who thinks it's hilarious and is instantly Team Selina, and Damian, who is staunchly Team Bruce. Bruce, meanwhile, is like "No! NO! THIS IS CRIMES, AND CRIMES IS BAD!" and Selina's like "I mean, robbing from the rich is basically a victimless crime" and Bruce screams, I swear to god, "MY PARENTS WERE 'RICH'!" Inexplicable scare quotes and all. I laughed so hard.

Anyway this is the basis for Gotham War and it is endlessly hilarious to me because everyone in the Batfamily is supposed to be a genius and yet not one single character has pointed out that:

There are jobs the goons could be doing that AREN'T illegal. It's not just violent crime vs. nonviolent crime. There are in fact many other jobs! I am POSITIVE Gotham needs construction workers and hospital orderlies. (Yes, I know it's hard for people with records to get jobs. That isn't addressed.)

Being Batman is SUPER ILLEGAL.

They are all so stupid.

Selina's plan doesn't even work, because one of her thieves gets killed by a rich person defending their home, and Bruce is like "See? This is why crime is bad!" and like...pretty much snaps. He's particularly fixated on Jason, even (rhetorically) threatening to kill him, which is when the other kids jump into the fray on Jason's side, all except for Damian, who like I said is firmly Team Bruce. (This makes complete sense to me, Damian has been dealing with severe trauma and isolation pretty much nonstop since 2018 and he and Bruce have finally made a tenuous peace, so I can understand why he wouldn't want to lose that.)

Also, Vandal Savage buys Wayne Manor. It's so random and SO funny.

OKAY BATMAN #138. Bruce has kidnapped Jason and injected him with a variation on fear toxin which will be triggered whenever Jason's adrenaline spikes, the idea being that Jason is no longer capable of killing - but in practice, Jason is no longer capable of even getting up off the floor, he's so terrified. I want to be really, really clear here: Bruce is like 90% Zur here, and the only reason he goes this route and doesn't kill Jason is because the remaining 10% that's still Bruce loves Jason and is trying to help him. He's just incapable of good or humane help because Zur literally can't do feelings.

Dick knows something is up and is sneaking around Bruce's Secret Other House We've Never Heard Of to figure out what it is. Damian attacks him to protect Bruce. Tim attacks Damian so that Dick can do what he needs to do, and handcuffs Damian to a parking meter:

THERE IS SO MUCH TO UNPACK HERE!!! TIM GO TO THERAPY! DAMIAN GO TO THERAPY! EVERYONE GO TO THERAPY!!!!!

Dick figures out what Bruce did to Jason (it's on the computer, for...some reason?) and absolutely loses his shit on Bruce, beating the crap out of him, which tbh is the only thing that felt off to me in this run because frankly I don't think Dick likes Jason that much. BUT WHATEVER.

Tim pulls Dick off of Bruce. Bruce leaves them both tangled in a net and flees as the cops approach. Zur's like "Good, fuck 'em" in Bruce's head, because the cops will expose Dick, Tim, and Damian's secret identities and Bruce will be free of the dead weight of a family, but the little bit of Bruce still in there throws Dick a batarang so he can free them all in time.

Then Bruce leaves. Damian is devastated.

I WILL NEVER RECOVER FROM THIS PAGE. Damian really thought he could have Bruce's love and loyalty if he turned on everyone else! Tim is going to be a therapy dog to a Wayne even if he has to settle for the one he doesn't like! That unresisting, blank hug made me SCREAM when I turned the page. Incredible. (Also the art fucking S L A P S, god bless you Jorge Jimenez.)

ALSO it turns out that Selina's second in command has been Vandal Savage's daughter Scandal Savage the whole time and they are turning Selina's cat burglar army into their own personal army WHOOPS. (This also feels very OOC for Scandal but at this point I trust Zdarsky with my life so let's see where things go.)

SO THAT'S WHAT'S GOING ON IN GOTHAM WAR. TL;DR:

Bruce is unhinged because he nearly died like 19 times in a week and it unlocked the smaller, meaner purple Batman that lives inside him.

Selina is unaware that you can get money legally.

Tim is going to have a nervous breakdown if he can't fix someone, ANYONE.

Damian needs a hug but ideally from someone he actually likes this time.

Jason is so scared.

THE END.

[cammys-imagines24]

°•Astarion When You're Injured•°

On the one hand, oh no, his beloved is hurt.

On the other, gods is he turned on.

Now if you were actually at deaths door, that would be different.

Astarion would be a nervous, furious, tear stained wreck. Worrying that he'd lose the single most important thing in his cursed existence.

The one thing that truly matters in his life. You.

But, if you're injured from just the run of the mill scrapes you get yourself into? Well that's fair game for him to be horny as all hell.

The way you wince when you roll up your shirt, a stab wound gouged into your abdomen.

How the blood trickles down to your breeches and stains your flesh, the crimson glinting in the slant of moonlight coming in from your partially open tent...

He'll feel his pants grow tight.

"Darling, I know you're injured and probably aren't in the mood but I must say you look positively scrumptious right now."

Astarion will watch you like a hawk as you stumble about your tent, looking for alcohol, bandages, a needle and thread.

The way you bite your lip to stifle yet another whimper, the sweet scent of your blood in the air. He licks his lips.

Oh, he could just eat you right up.

"Kitten, you've got to stop whimpering and groaning unless you want me to ravage you this instant."

When Astarion sees you go to clean yourself up though, he'll be absolutely affronted.

"Ah, ah. Don't you dare grab that rag, my dear. Have you forgotten about little old me? I could clean the blood off of you far better."

He'll say, sinking down to his knees before you. Have no fear though, the vampire will lick your wound til not a single leaking drop of your blood is left.

"This really gets you going?"

You'll ask, bracing your hands upon his shoulders for balance, your skin tingling from his attentive mouth. He's so skilled that you've nearly forgotten about the pain. Nearly.

"Well, my sweet, I could do without the you getting stabbed part but how can I resist when you're dripping red in front of me? You don't know the effect you have on me."

Astarion won't be selfish enough to ask you to take care of the little, well big, problem in his pants however.

He loves you dearly and he is here to help, in anyway he can.

You are injured and he understands that what you need from him isn't unbridled passion but sincere affection.

He will offer to stitch you up himself, seeing as your wound is in an awkward position and you can't really see it unless you're in front of a mirror.

The pale elf will tell you to lie down while he practically straddles you to get closer to the afflicted area.

Crimson eyes twinkling, fangs pearly and white as he smiles but he'll be gentle.

Threading through your raw skin carefully and giving your thigh a few affirming squeezes with his other hand when you gasp.

"See, pet? Aren't I just the best lover you've ever had? Flesh isn't so different from fabric and my stitches are perfect, wouldn't you say?"

Afterwards he'll wrap your stomach in bandages and get you anything you need.

Medicine to make you feel better and of course, all the recuperation time you need.

So much so that if the others in your camp need you that he will shove them out of your tent and order them to leave you be.

You'll not be leaving your bed for awhile that's for sure. Not while he's here to act as your nurse.

When you ask him to lay in bed with you, Astarion will give you one of his rare, tender smiles. Genuine with no mischief.

The fact that you need him and want him near is still a marvel to him.

It warms his ice cold spawn heart.

Makes him feel things he hasn't felt in 200 years.

"Oh, alright. My body is yours, in more ways than one."

Astarion will joke, flirtatious smirk slotting back into place along his mouth but he'll slip into bed without a fuss.

Your head resting on his chest, him mindful of your wrapped up abdomen.

Once you've had your medicine, rejuvenating sleep will call to you but before that you whisper how much you love him. Your words quiet in the night, against his ruffled shirt.

He'll hear you all the same and it disarms him.

"I love you too, sweetheart. You have to learn to be more thoughtful of yourself. Can't have you dying on me, now can I?"

Astarion's voice velvet, his fingers tracing abstract patterns along your back.

In his comforting embrace your eyelids droop, the pain a distant throb that you wish to have pass. His cold chest soothing against your flushed, exhausted cheek.

He'll pull you even closer, if that's possible and kiss the crown of your head.

"Sleep now, darling. I'll be here with you. Always."

[timkontheunsure]

Blitz's solo career?

Ok so is there an actual reason that Blitz thinks all Goetias are 'all the fuckin' same", and that "royal demons don't give a shit about guys like us"?

Fizz doesn't have this opinion, even after working with Mammon...

I assumed it was just growing up in a racist system, and having a lifetime of it rule class not caring being reinforced. But what if it's that plus, something that Fizz didn't go through. Something after the Circus but before Loo Loo Land?

Something that affected him enough to be in his bad trip years after. Someone that offered him a career if he slept with them?

We know he has trauma of being on stage, and ends up in a panic attack when he's forced onto one. Nearly saying when he's last performance was. "Oh, shit! Oh, shit! Oh, shit! Oh, shit! I-I... I can't do this. No, not again. I-I haven't performed since--"

When the crowd laugh he lights up.

And at the end of the episode, when they've got back Via all safe, the book and Loona's mostly forgives him; Blitz is still upset at his 'acting career' going up in flames.

Everyone else is happy to watch the fireworks and he's still grumpy, about a bit part on a very bad human sitcom. There's no career here. So what making him feel bad?

Blitz doesn't trust Mammon from when they're teenagers, but it's not quite "you royal fucks think you can do this EVERY TIME, like you can just play with our feelings because we're smaller and not as IMPORTANT!"

This looks like a trauma trigger about a royal discarding him for both sex and a job. It is directed at Stolas, but also every Goetia. Like it's not all about what happening here.

Why does he look angry at Stolas laughing at his jokes? He loves Stolas doing that, so who pretended to laugh at them?

Blitz says all royal are the same, after a very long list of things showing he notices when Stolas cares for him as a person. And Fizz tries sarcasm saying...

Which gets the biggest eyeroll of 'even Blitz can't be that thick'. So why does Blitz think that make it more fake?

Then Fizz says "They can't all be the same if some have taste, and some wanna fuck you." By inference any royal that wants to sleep with Blitz is one of bad ones.

And this is the point where he wants to stop talking about his sexlife, and change the subject after being it up in the first place...

They do a lot of foreshadowing in this show to what if this really isn't about Stolas, but past experiences being put onto him.

A royal that he liked, thought liked him back, and screwed over his job when he got tired of him.

If so Blitz might have a bit more to work through than denial, and getting Stolas to unlearn racist behaviours and microaggressions.

Still thinking they'll get there but might be being set up for season 3.

[noxtivagus]

i get distracted so easily but i promise i'll get more done ! eventually aaaa 🫶🏼

[thagomizersshow]

Apes are a kind of monkey, and that's ok

This is a pet peeve of mine in sci comm ESPECIALLY because many well respected scientific institutions are insistent about apes and monkeys being separate things, despite how it's been established for nearly a century that apes are just a specific kind of monkey.

Nearly every zoo I've visited that houses apes has a sign somewhere like the one below that explains the supposed distinction between the two groups, focusing on anatomy instead of phylogeny.

(Every time I see a graphic like this I age ten years) Movies even do this, especially when they want to sound credible. Take this scene from Rise of the Planet of the Apes:

This guy Franklin is presented as the authority on apes in this scene, and he treats James Franco calling a chimpanzee a monkey like it's insulting.

But when you actually look at a primate family tree, you can see that apes are on the same branch as Old World monkeys, while New World monkeys branched off much earlier.

(I'm assuming bushbabies are included as "lorises" here?)

To put it simply, that means you and I are more closely related to a baboon than a baboon is to a capuchin.

Either the definition of monkey includes apes OR we can keep using an anatomical definition and Barbary macaques get to be an ape because they're tailless.

"I've got no tails on me!"

SO

Why did all this happen? Why did we start insisting apes are monkeys, especially considering the two words were pretty much interchangeable for centuries? Well I've got one word for ya...

This the attitude that puts humans on a pedestal over other life on Earth. That there are intrinsically important features of humanity, and other living things are simply stepping stones in that direction.

At the dawn of evolutionary study, anthropocentrism was enforced by using a model called evolutionary grades. And boy howdy do I hate evolutionary grades.

Basically, a grade is a way of defining a group of animals by using anatomical "complexity". It's the idea that evolution has milestones of importance that, once reached, makes an organism into a new kind of thing. You can almost think of it like evolutionary levels. An animal "levels up" once it gains a certain trait deemed "complex".

You can probably see the issue here; that complexity is an ephemeral idea defined through subjectivity, rather than based off anything truly observable. What makes walking on 2 legs more complex than walking on four? How are tails less complex than no tails? "Complexity" in this context is unmeasurable, therefore it is unscientific. That's why evolutionary grades suck and I never want to look at one.

For primates, this meant once some of them lost their tails, grew bigger brains, and started brachiating instead of leaping, they simply "leveled up" and became apes. Despite the early recognition that apes were simply a branch of the Old World monkey family tree (1785!), the idea of grades took precedent over the phylogenetic link.

In the early years of primatology, humans were even seen as a grade "above" apes, related but separated by our upright stance and supposed far greater intelligence (this was before other apes were recognized tool users).

It wasn't until the goddamn 1970s that it was recognized all great apes should be included in the clade Hominidae alongside humanity. This was a major shift in thinking, and required not just science, but the public, to recognize just how close we are to other living species. It seems like this change has, thankfully, happened and most institutions and science respecting folks have accepted this fact. Those who don't accept it tend to have a lot more issues with science than only accepting humans as apes.

And now, we come to the current problem. Why is there a persistent idea that monkeys and apes are separate?

I want to make it clear I don't believe there was a conscious movement at play here. I think there's a lot of things going on, but there isn't some anti-monkey lobby that is hiding the truth. I think the problem is more complicated and deals with how human brains and human culture often struggle to do too many changes at once.

Now, I haven't seen any studies on this topic, so everything I say going forward is based on my own experience of how people react to learning apes (and therefore, humans) are monkeys.

First off, there is a lot of mental rearranging you have to do to accept humans as monkeys. First you, gotta accept humans as apes, then you have to stop thinking in grades and look at the family tree. Then you have to accept that apes are on the Old World monkey branch, separate from the New World monkeys.

That's a lot of steps, and I've seen science-minded zoo educators struggle with that much mental rearranging. And even while they accept this to an extent, they often find it even harder to communicate these ideas to the public.

I think this is a big reason why zoos and museums often push this idea the hardest. Convincing the public humans are apes is already a challenge, teaching them that all apes are monkeys at the same time might seem impossible.

I believe the other big reason people cling to the "apes-aren't-monkeys" idea is that it still allows for that extra bit of comforting anthropocentrism. Think of it this way; anthropocentrism puts humans on a pedestal. When you learn that humans are apes, you can either remove the pedestal and place humans with other animals, OR, you can place the apes up on the pedestal with humanity. For those that have an anthropocentric worldview, it can actually be easier to "uplift" the apes than ditch the pedestal.

Too make things worse, monkeys are such a symbol of a "primitive" animal nature that many can't accept raising them to the "level" of humanity, but removing the pedestal altogether is equally painful. So they hold tight to an outdated idea despite all the evidence. This is why there's often offense taken when an ape is called a monkey. It's tantamount to someone calling you a monkey, and that's too much of a challenge to anthropocentrism.

Personally, I think recognizing myself as a monkey is wonderful. Non-ape monkeys are as "complex" as any ape. They make tools, they have dynamic social groups, they're adapted to a wide range of environments, AND they have the best hair of all primates.

I think we should be honored to be considered one of them.

[judasofsuburbia]

something something caretaker! steve gets hired by rockstar! eddie to look after and live with wayne. everything is set up over the phone after eddie was given his resume so eddie's never physically seen the guy but he has enough positive reviews and references that it seems like there is anybody in this world that doesn't like this steve harrington fellow.

wayne munson soon becomes his #1 fan.

wayne keeps telling eddie all about steve in their weekly phone calls. anytime eddie tries to steer the conversation into something actually about wayne's health and wellbeing, wayne manages to involve steve. says that steve's blushing face is real handsome while steve rolls his eyes and laughs to himself across the room.

"you should come home on your next break," wayne says.

"i'm planning to."

"steve really wants to meet you," wayne says with an infliction.

"well, shit, wayne. from how much you gush about him, i'm excited to meet your new boyfriend too," eddie teases.

"oh hush, you. my casanova days are over. you, however, could use someone good."

the next break eddie has, nearly six months after steve starts working for the munsons, he arrives at nearly 11pm. he's quiet as he sneaks into the house he bought wayne years ago and nearly shits himself when he sees steve hanging out on the couch watching TV. he drops his suitcase to the floor, jolting steve out of his trance.

"oh god, i'm so sorry!" steve rushes to say as eddie clutches his chest and tries to steady his breathing.

"steve, i take it?" eddie laughs breathlessly.

"yeah, hi," steve stands from the couch and holds his hand out. "nice to finally meet you."

steve steps into the light as he does this and eddie's taken aback by just how handsome he is. oh fuck, wayne wasn't just messing around. eddie takes his hand, firm and strong, and shakes it.

"sorry to jumpscare you like that," steve smiles and his eyes twinkle in the low hallway light.

"no, i should've prepared myself," eddie says. "someone hasn't been in the house either than wayne or i in....well, ever."

"don't worry, i'll try to keep mostly to myself as you two have quality bonding time," steve replies sheepishly.

eddie shakes his head. "you don't gotta do that. you're more welcome around us than anyone. i owe you so much for looking after him."

steve smiles. "you already sign all my paychecks."

right, yeah. eddie's technically this guy's boss. eddie's never really thought of it that way before. that means any plans eddie's monkey brain had in the last thirty seconds about flirting with the handsome caretaker is out the window. it wouldn't be appropriate. eddie slouches and gives steve a tired smile.

"i'm gonna turn in. see you at breakfast?" eddie asks, hopeful despite his conflicting internal monologue.

"be prepared for oatmeal," steve jokes. "it's the only thing he wants for breakfast nowadays."

eddie scrunches up his face. "you don't have any poptarts or anything fun stashed away somewhere?"

"depends. do you like brown sugar cinnamon?" steve asks.

"love it," eddie whispers.

"then yeah, your breakfast fate can be a little better," steve nudges his elbow and it lights up eddie's skin.

"thank you caretaker steve," eddie salutes and turns heel to his teenage bedroom.

over the next few days, eddie goes out of his mind. he watches steve just do his job, the job he hired him to do, and he's still going crazy over it. how steve prepares for everything, accidents and things eddie couldn't even predict. spoon feeds wayne if his hands are too shaky. jokes and messes around with him like he's family. wayne's eyes keep drifting over to eddie's when steve isn't looking, a smug little smirk on his face.

"it can't happen," eddie seethes when steve leaves the room. "you're what's important here and i need him to stick around."

"and i need you to stop moping about the country, getting your heart broken every other week," wayne retorts. "steve's a good boy. he would treat you right."

"we don't even know if he's gay," eddie grumbles.

wayne gives him an unimpressed look that makes eddie bark out a frustrated laugh. "take a look at his bedroom, kid. you'll have all your questions answered," wayne advises right before steve returns.

"jeopardy time?" steve asks, hands already on wayne's wheelchair handles.

"eddie is gonna beat us both," wayne claims.

"that so?" steve beams. eddie is glaring daggers at wayne.

"he's full of useless facts," wayne jokes while eddie throws up his hands and steve laughs joyfully.

eddie falls for steve more and more as the week goes on. he tries his best to restrain it, tries his best to never be alone with steve. catches himself from checking steve out (especially in his daily running outfit, god) and swallows flirtatious lines that nearly escape his mouth. it's hard to say no when steve invites him to watch a movie or hang out with him while he cooks dinner but he does. eddie has to be coming off like a total dick at this point but it's for the best.

steve is out running an errand so eddie finally decides to snoop only a little bit. opens steve's bedroom door and smiles at all the decorations. sure enough, there is a little bisexual pride flag sticking out of the pen cup on his desk. eddie is admiring framed photos of steve and some kids along with little handwritten camp postcards on his corkboard when steve enters the room.

"anything interesting?" steve jokes from the doorway.

"shit!" eddie yells, clutching his chest again like he did the first night. "fuck, i'm so sorry."

"don't be," steve shrugs easily. "it is your house after all. i snoop your teenage bedroom all the time when wayne asks me to change the sheets."

"still, i shouldn't be invading your privacy," eddie says with an apologetic face.

steve walks carefully over to where eddie is standing. "i don't think there is much privacy between us where wayne is concerned," steve says quietly with a kind smile, leaning up against the desk.

"i'm sorry about him," eddie groans, rubbing his hand over his chin. "he is a little pushy about my love life."

"no, i'm sorry that he's weird about us. i swear i called you handsome once and he has never left it alone since," steve admits with a small blush.

eddie's eyebrows raise. "you think i'm handsome?"

"are you kidding me? you got this whole," steve gestures in a circle, "rockstar bravado going on. hard not to admire the show."

"well, you've got a show i admire too," eddie admits, inching closer.

steve huffs, looking down bashfully. "do i?"

"mhm. smart, genuine guy with a heart of gold. makes wayne's days better. lights up a room. probably rescues cats from trees and saves drowning puppies," eddie smiles.

steve tilts his head from side to side. "i may have rescued a cat before but it was stuck under my little brother Dustin's porch."

"see? heart of gold," eddie repeats.

steve exhales deeply, twisting his mouth. "i wasn't sure if you liked me."

eddie reaches his hand over and touches steve's hand on top of the desk. steve looks up shyly to eddie's sympathetic face. "i didn't want to-- there's a power trip here, you know? like you said, i sign your paychecks. i'm not about to pull out the moves and make you feel like your job is at risk if you aren't into it."

steve nods before slowly rubbing his thumb over eddie's.

"and if i am into it?" steve whispers.

"well i--" eddie stutters.

"can i kiss you?" steve asks quietly. eddie's not sure he's ever been asked in his entire life.

eddie nods. when steve's lips touch his, it's all over. any pretense of keeping his feelings undercover blows up like fireworks underneath his skin. eddie feels as his resolve sparkles and cracks away into the air. he encourages steve to keep kissing him by pulling in his face closer. steve sucks his bottom lip in between his own when his watch beeps.

"wayne's meds," steve whispers.

"old bastard," eddie jokes. "watch a movie with me later?"

steve bites his lip and nods. "i know just the couch."

[halemerry]

I’m doing it. I’m breaking down the Scene. You know the one. I've been tearing it apart for a week straight now in discord and figured I should leave my observations here. So, uh, yeah, this one's a big one so buckle up folks!

I want to start with the build up because I can never leave well enough alone and because I think the framing we have coming into this sequence is important. We start with the camera on Mr. Acts of Service himself. Crowley, after banishing Muriel, starts cleaning up the bookshop. The music playing is the soft slow rendition of the opening theme. He is returning this space to the status quo, resetting back to normal, fully intending to do this for Aziraphale before dragging him out to the Ritz, falling back on their typical pattern of going out together for food and drink.

Now in a moment he's going to get interrupted by Nina and Maggie but before we get there I want to take a second to draw attention to the area of the bookshop that Crowley will be operating in for the bulk of this. This space is one we very frequently see Aziraphale in. It's his desk behind the till - a spot linked intrinsically to him, even down to the fact that it's located on the east side of the shop. The windows are throwing beams of light onto Aziraphale's chair and onto the same spot Crowley will stand during The Scene. This lighting choice will not change from now until our last shots in the bookshop and the way the blocking plays around these sunbeams is very aware (as Good Omens nearly always is) of exactly where they will land.

Nina and Maggie enter the scene to have a chat about boundaries and communication. Maggie, his own mirror, tells him flat out that he can't play with their lives like that. Maggie and Nina then both tell him that he and Aziraphale need to talk. And I don’t think they're wrong, exactly, but I do think that Aziraphale and Crowley are actually a lot better at communicating in general than they are in these following high stakes scenes. But that's some meta for later - for now I want to just focus on the particular way Crowley's been primed for the conversation he and Az are about to have. Nina in particular does something really interesting. She does exactly what we as the audience did when we first saw Nina and Maggie: she mistakenly projects herself onto Crowley. She says he has trust issues because she does and in the process accidentally frames the core of their problem as Crowley needing to allow himself to trust Aziraphale, a thing that he actively already does and has done for quite some time and has been shown to us several times throughout the two seasons.

Now the build up we get for Aziraphale going into this conversation is very small. By which I mean practically non-existent. We start at the end of his conversation with the Metatron who tells him to go tell his friend the good news - which notably does not imply that the news is something that would require Crowley to make a choice - and sends Aziraphale on his way. Now the most crucial thing in this sequence, to me, is the expressions Aziraphale makes when he thinks the Metatron isn't looking at him. While polite and smiley when engaged with him, Az's expression falls as soon as he doesn't have eyes on him. Something is wrong and Aziraphale knows it.

Aziraphale enters the shop. The doorway is dark and shadowy and he hasn't composed himself yet - though he does give Nina and Maggie a little smile as they leave. Then, as soon as they're not looking at him, but before he approaches Crowley, the tension is back.

He hesitates, then smiles and approaches Crowley. Crowley, planted dead center in that beam of light from earlier, takes off his glasses and promptly starts nervously rambling. The music cuts off here entirely, giving us nothing to focus on but the noises coming from our lead actors, the background noise from the street, and the ticking of the clock in the background. Aziraphale puts up his hands like he's going to interrupt then lowers them again as Crowley keeps talking, his face shifting into this helpless sort of smitten look.

Now look at the light and how it hits the bookshelves behind Crowley as he tries to get his confession going. It's in the shape of a wing. Keep an eye on that - when the camera chooses to show us this one wing of light is important.

Aziraphale then interrupts and there are two things I want to draw attention to here as Aziraphale fumbles for words. First of all is the fact that he glances in the direction of the door (and the Metatron) at least three times as he's struggling to speak.

Secondly, I want to draw attention to the words Az actually says here. He first echoes the Metatron's earlier statement about good news. He then does not roll into the news itself and instead glances at the door and says the Metatron. He starts rambling about the Metatron to a very confused looking Crowley and evetually talks his way into that the Metatron said something. He then hits a wall again, scrambling to find words and instead of explaining the context of what the Metatron says he lands on Gabriel. His brain latches onto someone obviously on the forefront of both their minds and something vaguely relevant to the news he's about to share. He rambles more about Gabriel's job, glancing once again at the door in the middle of this, still avoiding getting to the actual point or perhaps even synthesizing said point as he goes.

We then cut to what is framed as a flashback. I think it is very notable we only see this as Az is telling it to us. In other words that this is not us witnessing an event happening but us witnessing what Aziraphale is telling Crowley. This sequence is the single scene where the Metatron calls Crowley by name despite actively avoiding it in any real time continuity sequences. He uses it twice here which I think also is the strongest thread in here that tells us that we are seeing what Crowley is being told not necessarily what actually happened.

The instant the idea of restoring Crowley comes up the wing of light behind Crowley loses visibility. Crowley's speechless for a moment so Aziraphale fills the silence, already looking like he wants to cry as he talks about the old days. (I also can't help but to notice that the lights behind Az in this shot look like eyes.) Crowley finally speaks and circles around the beam of light he's been standing in like an object seeking to re-establish a source of gravity. The music cuts back in here with tense drawn out notes.

Crowley talks about how Hell offered him his place back and he turned them down. Aziraphale in turn presses on ideas that we know he doesn't really believe. It's a echo of the bandstand and uses a lot of the same language of that fight - another fight we know features Aziraphale saying things he knows aren't true. By now, we have seen him multiple times this season express he does not want to go back and make it abundantly clear that the side they have made for themselves is important to him. We see him actively calling angels bad and incompetent, contrary to everything he's telling Crowley here. We see him be the one to repetitively remind Crowley that they are on their side and be the one that always draws attention to that first. Yet here he says Heaven is the side of light to Crowley - who by the way is literally framed in light. The frame is telling us outright that Crowley is already Good as he is, while Az's expressions are telling us he knows Heaven isn't.

Aziraphale can't tell him that he did not turn down the job and Crowley does another orbit. The music cuts again. This time, he stops with his back to Az, tilts his head upward and decides to ruin me by invoking God.

Here he is, hearing these awful things that he was sure they had moved on from, hearing these things he has tried for so long and so hard to help them both unlearn. But these sorts of habits and lessons are insidious and he knows that and he himself is even a victim of that himself. I mean, don't get me wrong, he recognizes this is weird, I think, but between his own self worth issues and the stress of the few days they'd had can't work out what exactly is off here. He's confused and lost and just been told, in his mind, that he is not good enough as he is - a thing he has always on some level also believed. Yet he reaches out to the parent that taught him that lesson in the first place for strength and grounds himself with that. He circles back to stand in the beam of light and, with that wing of light finally backlighting him again, he is brave and tries to be enough anyway. He bows his head downward, fully emerging the line of this body in the light and tries again. Because even now, even after that emotional blow, Crowley is an optimist who can't help but to try.

At first Aziraphale can't figure out quite what is going on here. He squints at Crowley and glances at the door again. Crowley meanwhile keeps continually glancing upward, whether at God or to hold back tears or some combination of both. In most of these shots Crowley bisects the room, creating a dark half to his left and a light half to his right.

Crowley says he relies on Aziraphale. Even here, even now when he's just hurt him. Because it is the truth. Because Aziraphale makes him feel less alone. Because Aziraphale proves to him that no matter how fucked the system is that there is still good in the world, even if he doesn't always agree with it.

It is only once there is no doubt what Crowley is doing that Aziraphale starts shaking his head in very small quick shakes. He looks panicked even as they both physically draw closer to each other. It's huge not here, not like this energy to me. Aziraphale asks Crowley to come with to help him run Heaven. This is the point where Crowley starts tearing up.

Crowley then says you can't leave this bookshop, trying to say you can't leave me. Az, nearly in tears himself, says 'oh Crowley. Nothing lasts forever' as a means to convey that the books aren't what is important here. Crowley, naturally, hears 'including us.'

Crowley looks down again, quietly agrees, and puts on his glasses, covering himself up again. He then wishes Aziraphale good luck and the music starts up again, still tense but sorrowful now. He leaves the light and heads to the door. Az can't help but to call after him. Please wait. And Crowley can't help but to listen. It's worth noting here that even as he rotates toward the north door, the light still gently hits his face. The shots in general are darker though. He's moved away from the light but it still can't help but to touch him.

"Come with me," says Aziraphale and then after a pause adds "To Heaven." Aziraphale, looking heartbroken, starts one of two 'I' statements he will struggle around in the next few moments. He lands on I need. Which. I want to pause there a moment because holy shit. That is not something they say out loud either. Az looks at him a moment, visibly struggling before he says his dialogue about Crowley not understanding his offer. Like he's said something he didn't mean to and needs to cover it up or like he can't handle the silence after such an honest statement. And on some level he's not wrong there. Because Crowley doesn't understand what Aziraphale is trying to say. But Aziraphale doesn't understand the way Crowley is reading it to course correct either.

Crowley says that he does understand and that he understands better than Aziraphale does. And he also isn't wrong either, from his perspective. Because he does understand the implications behind the offer theoretically in play here. Because he does know that the position Aziraphale is presenting him is not going to result in the outcome Aziraphale is presenting him with. There are some things you can't undo just like memories slipping through the cracks.

Az says there's nothing more to say, trying to dismiss Crowley despite having been the one to pull him to a stop moments ago. He puts on a fake polite smile for a beat but then his is jaw sets, mouth working as his eyes drop - unable to look Crowley in the eye.

Crowley tells him to listen as the music fades out and points upward. Aziraphale humors this, glancing up a few times before looking frustrated, saying he can't hear anything. The light from the window shines down in his direction without actually touching him. Crowley tells him "That's the point. No nightingales." The shot he's on here is a dark one without even any of the book shops pillars visible in it to brighten the shot.

Aziraphale looks frozen a moment here and then as Crowley calls him an idiot and says 'we could have been us' his face completely crumbles. He rapidly glances away to hide his face and Crowley moves and reaches to pull him back. They're both distraught. Az is clearly already holding back tears even before Crowley touches him. The angle of this shot frames Aziraphale in the light of the window. For the first time in this whole sequence Aziraphale is in the light, literally being physically pulled into it by Crowley.

The music swells, playing a similar theme to the one that plays as the Pillars of Creation are formed at the start of the season. They shift back and forth, the camera focusing on Aziraphale's face and hands. His hands move uncertainly, trying to reach out even as he's struggling emotionally. He is visibly shaking but he crucially does not pull away, not even a little.

His hands settle on Crowley's back, right where his wings would be, and for a brief moment gets taller, like he's allowing himself to lean into the kiss. They press together tightly, their mutual gravity sending them crashing together before they break apart. When they do Aziraphale looks devastated and his eyes move pretty much instantly to look out the window where the Metatron would be.

Crowley's glasses make him harder to read here, but he looks at Aziraphale like a man awaiting judgement in a trial he knows he's already lost. He's sad too, but as always, is waiting for Aziraphale's reaction. Because he might push continually at he boundaries of them as a unit but he has always let Aziraphale decide where to set them in stone.

Az fumbles over words here. He gets stuck on "I" here and lets it hang in the air. He then visibly thinks his words over, his expression slowly filling with resolve as he comes to some sort of conclusion. Then, like it's difficult to say, he falls back into old coded language. "I forgive you." A thing he has always said in response to things that he agrees with but cannot or should not allow himself to have.

Crowley sighs and tells him not to bother, refusing to fall into the old pattern that Aziraphale has. He is setting a boundary, for once, and even if it is one born from misunderstanding I am proud of him for being able to. He turns away and leaves. And this is where Az seems most in danger of falling apart. His lips move as Crowley goes, forming the start of a 'no' after him. He draws back from the door and turns his body away from it, physically distancing himself from anything that would feel like following Crowley. Except he can't help himself. With shaking hands he reaches up to touch his lips. He presses in, like he's trying to recreate the pressure and then his jaw works a moment and his expression sets as resolved.

The Metatron enters through the front door, which is framed in dark lighting. Aziraphale looks panicked and immediately turns his whole body away from him to hide his face while he collects himself.

He turns around after a beat and the Metatron asks 'how did he take it?' This is an odd question that only sort of half fits the fact that we are meant to believe at this point - that Aziraphale should be obtaining a yes or no from Crowley. It's not asking Crowley's choice at all. It's like the Metatron assumed a different conversation had happened or perhaps that he already knew the answer.

Aziraphale says he took it badly and the Metatron just takes a moment to direct a few casual digs at Crowley. He references him being stubborn and too curious - all the while avoiding the use of this name. At this point Az's eyes are locked out the window in the direction Crowley vanished to. The Metatron asks if he's ready to start despite originally having promised Az time to think over his answer. Aziraphale keeps glancing out the window.

For a moment he cracks, stepping away from the Metatron and back toward the east side of the bookshop. For the only time in this whole sequence he steps right into the sunbeam Crowley started in. It notably never illuminates his face as he mentions the issue of his bookshop (a statement absolutely not about the bookshop).

The Metatron explains Muriel will take care of it. Aziraphale looks back out the window with the start of an objection.

The Metatron interrupts him asking if there's anything he needs to take with him. Az's mouth takes a moment to try and form words. He steps out of the light again, starts to object, and then cuts off, eyes back to the window. Then his expression shifts again, settling in another state of resolve before he puts on his falsely polite face and follows the Metatron out.

As they leave the shop we cut back to Crowley. Crowley, who could've left to go handle his own emotions, did not leave. Instead he planted himself there, nice and noticeable. Like he wanted Aziraphale to see and know that he still has a choice. Like he needs to see Aziraphale make that choice for himself. Like he can't quite bring himself to be the one to close that last door. He stands there, framed by light, and doesn't move until the doors to the elevator to Heaven close behind Aziraphale. He then glances at Nina and Maggie and then gets in the Bentley, which starts playing the song that we now know he knows is supposed to be theirs. He turns off the music and drives away.

So there's a lot in these sequences and most of it probably won't help us figure out exactly what comes next, but there are definite signs that all is not as it's being presented to us. Whether he's actively lying or not, something is wrong that Aziraphale either can't or won't talk about frankly with Crowley. I suspect, whether it's under stress from a literal threat or because he believes that it is the safest option for them, that Aziraphale is doing all of this to protect Crowley.

There are also all sorts of signals here, especially in the lights, that gesture at the fact their togetherness is a net good. Together they are balanced and stronger for it and likely more in alignment with the Ineffable Plan. And, more importantly than that, that said togetherness is so clearly what they both want. They have loved each other longer than anything alive has ever loved anyone and none of this changes that. They both are saying that in their own ways here, even if those ways are not ones the other is particularly good at picking up and I for one cannot wait to get to see the payoff of them learning how to.