#isn't that always the way

[bleaksqueak]

Sometimes I check the ol' tumblr notes right before bed and see something that makes me laugh and guarantees I'll be doomed to think about that while I drift off.

[zmediaoutlet]

NEXT please! gonna send you this 400 times and set up a sprinto session for you

o shit

NEXT — the next line. meaning i will finish the sentence I’m on and write a new one, which you’ll get.

for ch3 of the Court of Nightblooming Flowers, uhhhhhh fuck--

She hobbles convincingly along the colonnade, her staff tapping on the parquet in the anticipatory silence, and Jared should watch with the rest when she raises the blackthorn and cries out—when the trumpets again sound, and the crowd cheers—but he's watching across the hall to where Eglantine is assembled, and the Winter Queen is no match for the poet he's sought.

[carolinanadeau]

you're talking shit for the hell of it. and we see you over there on the internet, comparing all the girls who are killing it. but we figured you out, we all know now, we all got crowns, you need to calm down. I've got a list of names and yours is in red, underlined. Mr. Superior Thinking... no, I don't like you. no one likes a mad woman - you made her like that. I can feel the flames on my skin. you did some bad things but I'm the worst of them. maybe I got mine, but you'll all get yours. I'm shaking my head and locking the gates. this is why we can't have nice things. seeing the shape of your name still spells out pain. sometimes I wonder which one'll be your last lie. now I breathe flames each time I talk. do you still feel like you know what you're doing? because I don't think you do. all you are is mean! and a liar! and pathetic! and alone in life and mean!

and you didn't see me here.

[whalesfall]

btw. your search for the most morally upright and ethical piece of media that has the most correct “representation” will destroy your ability to find the most profound and beautiful and human of stories. and may even destroy the stories themselves before they are created. if you even care.

[loriache]

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

[themis-cattails]

Themis' Fortune - page 38

Read from the beginning here!

[crackers4jenn]

spn is such a funny show, it'll be like:

Naomi tells Cas he has to choose "us, or them" and 'them' is meant to imply Sam and Dean both, but then

she makes Cas kill fake copies of Dean only

Or Metatron will speechify about how Cas is "in love... with humanity"

and then give Cas another lil speech about how it was all "to save Dean Winchester. That was your goal, right? I mean, you draped yourself in the flag of Heaven, but ultimately it was about saving one human, right?"

Ishim shows up and tries to tell Cas how weak he is for befriending Sam and Dean

and then when he wants to "cure" Cas of his human weakness, that weakness is just Dean

AND THEN you'll have things like

Sam will say that Cas is family, that he'd die for him

but he also refers to Cas as an "it" just hanging around in a vessel strong enough to take on Lucifer (in season 11!! It's not like he said that in s4 or something, it was like 8 years after knowing the guy)

Or in "Regarding Dean," Dean will say to Sam "and our best friend's an angel!"

and then when he's by himself in the mirror, he'll say "and Cast--Cas is my best friend."

[gay-impressionist]

france is burning.

667 people were arrested last night. they are curfews in place. public transport is partially closed at night.

nahel, a 17-year-old, was shot tuesday by the police during a traffic stop. he wasn't violent or armed, he wasn't a threat. but he broke the law and tried to drive away, so the cops killed him.

and now france is rioting.

there is a video so the government isn't trying to deny the facts for once. but the minister of the interior (in charge of the police) still insist that the police shot less people since the 2017 law on public safety.

but an analysis of police statistics by Le Monde, the most read newspaper in france, says otherwise. when the police shot on average 250 people each year in the five years prior to 2017, that number became 297 after 2017. for shots fired specifically on moving vehicles, the average used to be 119 and it's now 150. before 2017, there was an average of 0.06 deaths per shot. now it's 0.32.

more than ever, the police shoots to kill.

so france is burning.

[egophiliac]

CROWLEY SSR THOUGHTS

there is zero basis for this, but I can't get this thought of my head

I don't know why I decided to draw it this way

[1alchemistart]

gonna start scheduling older art (all from this year tho) to post, since i have so much un-posted art goddamn JKAKFKLSD

some desmonds :]

[hyakunana]

I hate the sewers . jpg

[wasyago]

we're at it again🕺

[gummi-ships]

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[starwarjotta]

Day 5 - caf since my scribbles can be totally illegible, here’s a transcript Obi-Wan: Here you go, Cody Cody: Oh, thanks, sir Cody: this... it’s caf? Obi-Wan: Ah, yes! I’ve noticed my teas are not really to your tastes, so I stocked up some caf for you instead! I hope it’s okay Cody: ... oh Cody: ...thank you.

[puppetmaster13u]

Prompt 115

“Seriously old man?” the rumbling voice nearly caused Tim to jump, his eyes darting away from where Ras was sitting, the Al Ghul almost seeming to perk. It was kind of hard to miss the man… teen… being? It was kind of hard to miss the owner of the voice what with how their hair looked like it was on fire. 

They motioned around at well, everything, crimson eyes looking exasperated. “Really?” They were definitely motioning towards him, interrupting Ras when he opened his mouth to talk. “No, I don’t want to hear it, I swear- Did he kidnap you?” That was definitely aimed at him. 

“N-no?” Tim was feeling slightly unbalanced and may be on hour sixty without sleep at this point, if the hour long nap was counted. “I need help finding my not-dad who's lost in time.” 

The being let out a strangled noise that Tim could nearly swear was almost another one, but couldn’t vocalize his slurred thoughts as the dude muttered something, motioning around as though he was tempted to strangle something or someone. 

Ras cleared his throat, looking almost awkward which was how Tim knew he had to be dreaming or drugged. Probably drugged. “Jordan, how good to see you, it’s been so long-”

“Can it Pops,” the being-named-Jordan scoffed, finger pointing towards the Demon’s Head. “Moms still pissed and isn’t coming back any time soon with you still pulling this shit.” 

Tim felt his brain stall, process for a moment, then process some more over what he just heard before his mouth ran before it could catch up. “Ras is married???”