#it feels like barely anything happens

[class1akids]

Do you think deku's gonna arrive before bakugo awakes? I hope deku will have a difficult time dealing with shigaraki!

Ngl, I'm so done with this Shigaraki fight that I honestly don't care. I really want the story to move to a fresh perspective. It's been dragging enough.

After the War Arc being mainly about the pros, and in the VH Arc, most of Class A having been sidelined, I was really hoping in the endgame to spend more time with Class A interacting with the villains.

Instead, we only got extremely brief moments of highlight so far and again, we are stuck watching the same pros we did in the previous war arc. Like, I literally dgaf to see Endeavor fight, or BJ or Mirko, or any of the pros. The only kid on the Shigaraki battlefield is Bakugou and his been dead for 3 chapters and in any case, we know he'll be back. And I hate AFO and I’m bored to tears with his endless speeches on every battlefield about how he wants to write a fix-it for a comic he read a 100 years ago. 

The pros have changed - blablabla - is a really tired, old theme. Mirko losing limbs - yawn. The hyped UA Big 3 never gets anything really done - what's new? AFO gloating - ok. 

Like, I'm a bit scared if we go over to Deku, he's going to eat up all the focus again and we'll never get character moments for anyone else (unless in the big rush-style of back-to-back reveals post-Dabi dance).

My interest is in to have the kids get hype moments and good ways to close their arcs, and interact with each other, I’d like to have nice cameos from fave characters I haven't seen for a while and finally to get the villains saved.

But I suspect we can’t get on with saving the villains until MC-sama gives his go ahead. So probably, he’ll show up before we move elsewhere.

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[lunarharp]

more phoenix wright situations

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[tswwwit]

just reread whump au for the nth time now, and it suddenly occurred to me what in god's name would've happened if dipper just straight up kicked the bucket right after saying, "i love you."

i can't imagine bill's reaction would've been a good one. i'm getting chills just trying to picture it, honestly.

in fact, just the image of dipper dying in general, and seeing the aftermath of that from bill's pov, has my whole body breaking out into goosebumps.

awesome.

also, let's just assume that bill hasn't yet figured out the whole reincarnation thing in this scenario aha

(i just really like angst okay? lmao)

Oh man, Bill? Oh Bill. Bill.

He would be very, very upset.

Also this is a good opportunity for the ol' classic:

[bingus35]

A lot of people have pointed out this might be foreshadowing for future cross guild lineup. Seems like the theme here is “people with crushed dreams/people who grew stagnant rediscover their dreams once again”

Crocodile and Moria are classic examples for people with crushed dreams. Crocodile had somewhat rediscovered his dream in Marineford, but judging from the newest chapter he still hasn’t abandoned his old Utopia plan (lame)

Buggy gave up on his dream 20 years ago, and just now regained it and said it out loud while also calling Crocodile and Mihawk’s way of doing things lame (goated)

Mihawk is still unclear, but one clear thing is he used to be way more of a threat than he is now. Who was once called Marine hunter is now basically a perpetually bored grandpa who just wants to a quiet place to drink and sleep -> He grew stagnant

Doflamingo, despite being active in the underworld and keep saying shit about the new era, doesn’t really do anything to change it -> which is why Law rubbed it in his face with the “I broke the gear” speech

[cathodic-clairvoyant]

Oh hi there transfem discussing her experience in the trans community i just had a quick question about your post

What does tme mean?

Oh okay i see i understand, thank you.

What does transmisogyny mean?

Ah I see, I get it.

What's a trans woman?

Oof scary. One last question.

What's a woman?

Thank you for being my own personal google (not like you had anything better to do right?) and derailing the point of your post for my own personal education. I will now add nothing of value to this post in return. Bye bye!

[littlegreenwyvy]

A lot of the more 'drastic' effects that I got within the first few months of HRT have mostly subsided.

But one thing that seems to be 'staying' is that I can giggle myself into a laughing-fit the likes of which I and my friends have never seen. "Are you laughing or crying?" is a phrase I hear at least once a week, and which goes unanswered for a good several minutes before I'm able to regain my composure (the answer typically being 'both' by that point).

Being happy is cool :>

[darkvolley]

Excuse the YouTuber in the corner I'm too lazy to switch to a different video but, it's probably a pretty easy conclusion to come to that KH might function off a somewhat stable time loop but nothing has really made it feel blatantly obvious than realizing that actually, since Ansem SoD sent Young Xehanort to Scala, that would mean there would have to be a starting timeline where the first SoD went back to start the loop, meaning there has to be a timeline where Xehanort never left Destiny Islands MEANING there has to be a timeline where SoD never existed, and as such neither did Xemnas and Terranort never happened along with basically everything else. So are we in fact confirming that KH does indeed function off a stable timeloop that never truly "started" somewhere and has just always been this way, or what in the world could have happened to still lead Xehanort to Scala without interference? Cuz now I have to wonder, if we're going by stable timeloop, then either Sora creates the tear in time every loop effectively creating endless ones over and over which could lead to a bigger problem(or not a problem at all if it's supposed to happen??) OR this is somehow the first deviation, which doesn't feel likely considering obviously Quadratum and Srelitizia being there seems to be decidedly factored into the equation here, but maybe I'm wrong. Maybe it hasn't been. Or maybe the problem is that Sora's genuinely not supposed to be there. Idk where I'm going anymore, but basically if time started somewhere and it hasn't always been a loop, how did we get HERE to the point in the screenshot where SoD/practically everything was able to exist to "create itself" essentially??? And I don't think that's possible without outside intervention, so it's gotta be a stable timeloop!

[robotpussy]

The Emmett Till movie conversation is going to have a lot of differing sides to it. While there are some who don't want to see a movie about a child who was brutally murdered, the film does not focus on the actual killing of Till, and is actually a movie that his family has been trying to get made for years. It focuses on the aftermath of Emmett's death, and who he was as a person through the words of his mother.

I promise it is not the 'black trauma' film people are thinking it is. And I completely understand WHY people would not want to see it but I just know there are many talking points that are going to come from this.

[superbellsubways]

im gonna be honest gang ive been feeling more and more hopeless as of late and seeing everything thats going on both online and in the real world im just like. wow the misery never fucking ends!!!! we live in an actual hell world and its exhausting!! fuck

[extra-somethin-somethin]

hey so do you think wtv keiko had to deal with growing up with yusuke could be considered a type of parentification

[itsalwaysforyou]

the black sky and all those lights

a silly little something i wrote for jalentines!!

When Mal opens the dormitory door, Jay is standing in the hallway in his workout gear, hair tied up in a bun. He’s already grinning in that way he does when he wins a fight. Mal rolls her eyes at him. Grabbing her bag, she says bye to Evie, and joins Jay in the corridor. 

She scowls as they walk, her workout clothes tight on her skin. Jay had insisted they’d do things properly, and not in their usual leather. 

The hallways are decorated for Valentine’s Day, making Auradon Prep even more gaudy and colourful as usual. Pink and red hearts plastered across the walls, boasting the abundance of love here in Auradon. Jay’s had a thousand notes in his locker. Mal’s had none. Every morning, she watches Jay approach his locker like he would a target on the Isle. Weight forward, shoulders squared; ready to fight if needs be. And the paper falls to the floor like blood, only sickly pastel. Scrawled glittery gel pen. Words confessing passionate love, or asking him on dates, or doodles of hearts. Jay smiles the whole time. Greets and winks at girls. Scrunches those notes up in a fist. 

“Everywhere looks disgusting,” Mal says as they approach the sports hall. Heart-shaped bunting crests the doors.

Jay holds the door open for her. “It’s fun.”

“You would think that.”

The sports hall is mercifully free of décor. They drop their bags in the corner and begin to warm up, another stupid practice Jay insists on. His top rides up as he side-stretches. Isle rule: never show skin, especially to the enemy. Except, Jay loved to parade around in those stupid sleeveless vests. She’s yelled at him plenty of times about it—Are you insane? You’re a walking target. He would just grin and say, they’ll have to catch me first.

Jay laughs as he grabs the practice swords from their stands. “Here.” 

He throws it, and Mal catches. The weight in her hand is familiar. Already, her pulse is thrumming faster, and maybe if she closes her eyes she’ll be back on the docks, with the wind ripping at her hair, and the salt stinging her nose, and half a dozen of Uma’s crew jeering over the clanging of swords. 

Jay chucks her a mask too, before attaching one to his own face. The mesh turns her vision slightly hazy.

“Ready?” Jay asks.

Mal’s watched fencing practise a few times, mostly as an excuse not to do homework and instead watch her boys wipe the floor with all those prissy Auradon princes. Coach Jenkins appointed Jay captain of the team a few months ago, a role he takes more seriously than she’s ever seen him take anything. 

“Rassembler! Salute! Lower the point. Masks down. En guarde!”

Mal lunges first, which Jay clearly anticipates, parrying her blow. He circles. Strikes. Mal blocks it. He’s quick. Reflexes honed to a sword’s point; learned by practise and theory. Mal lashes out again, just catching his free arm before he jerks away. She grins underneath her mask. Her breath comes quicker. Jay’s blade arcs down, hitting her chest. Mal swats his blade away. She hears him laugh. She growls. Strike. Parry. Strike. Block. Strike. Jay lands another hit. Their shoes squeak against the linoleum floor. 

“Come on, Mal,” Jay teases. 

Mal lunges like a cat on its prey. Jay’s blade grates against hers like steel against flint. Jay may be quick but Mal’s smaller, and she weaves her way through Jay’s blade until they both have the sword’s point angled at each other’s chests. 

They’re both panting. Jay lowers his sword first. Takes off his mask. 

“You came in clutch at the end,” he says. 

Mal huffs, wiggling the mask off her face and wiping her forehead with a sleeve. “You actually get training.”

“And now I’m training you!” 

His hair has loosened during the sparring, spilling out at the seams. He unties the bun; flips his hair down and shakes it out. In this late-afternoon light, his hair could be made of gold. Hair longer than Mal’s ever had. 

He pulls his hair back into its bun, deft fingers making quick work. When he straightens back up again, his face is slightly flushed from the match. 

And Mal looks at this boy she’s known most of her life; this face and these hands; a boy that has held her at the end of the world and the start of a new one. And she snatches back down her mask. 

“Again,” she says, lifting up her sword. 

She’s swinging before Jay’s even had the chance to pull his own mask back down. Her blade slices against his chest, and she hears the breath escape from his lungs. 

“Fuck!’

Jay’s blocking her hits in no time. Mal grits her teeth. A boy who’s inhabited every place she’s ever been. The shadow along the street; a fixed point on the rooftops. Those long, quick fingers that know their way around bandage; around open flesh; around her own hands. Like a comet to Earth. Like an eclipse. Totally consuming. 

And here, where the sun shines brighter than they could have ever dreamed, she is left blistering. Those girls that fawn over Jay, professing their love with the same ease that Mal can hold a dagger to a throat. Jay’s clicking tongue, and that low fry to his voice when he’s chatting someone up. Everything is always so easy to him. He can wrap anyone around his finger with a wink. 

His blade slams into her stomach. Mal pants, the budding pain in her side clearing her head. Jay’s standing above her like some heavenly deity. 

“Best of four?” he offers.

“Yeah, whatever.”

“C’mon. Let’s take a break.”

Jay drops his sword and grabs his water bottle from his bag. Mal joins him, still gripping her sword, gulping down her water like a man in a desert. 

“We should do this again soon,” Jay says. 

“Tomorrow?”

“It’s the Valentine’s Ball tomorrow.”

Mal snorts. “Yeah, and?”

“I was gonna go.”

His words are coming too slow; too considered. Like when he used to talk about his dad, or a particularly bad Barge Day. Rehearsed. A guard dog who’s smelled danger, prowling at the sidelines. 

Mal presents her blade. “En guarde!” she shouts, and Jay ducks her swing before scrambling over to his own sword. 

“Really, Mal? Another sneak attack?”

“I’m keeping you on your toes.”

They waltz around the sports hall, the blades clashing and slicing and singing.

“We all agreed we weren’t going to go to the Ball,” Mal says, jabbing at Jay.

“We never agreed anything.”

Jay lands a blow. They are at the dockyard, with its rotting wooden pier and dead fish stench. The screeching of metal; the shouting; Mal’s heart hammering like the tide. Blood, and life. The roar in her ears. A dragon’s call. Body moving without a thought, as quick as a lightning strike. Not having to look behind her because she knows Jay is there.

“Exactly!” she says. “Why would we want to go to some stuffy Auradon ball?” Jay tries to say something but she ignores him. “Why would we care about Valentine’s Day? It’s corny, and over-commercialised, and a stupid excuse to make everything about love.”

Jay has her backed up against a wall. With no time to mount his mask, his lips are slightly parted, and his hair is escaping from his bun again. He looks just like he did on the Isle; none of his perfect prince act that fools Auradon. His sword hovers above her throat. 

“Do you yield?” His voice is low.

Mal stares at him. Those eyes that have seen every part of her. All the blood; every smile; her pale skin in the dark Isle nights. The boy that has beheld her every action; weighed it all against his own understanding of the world, and decided that they slot together as easily as a bullet in a pistol.

“Who are you going with to the Ball?” Mal asks. She’s still clutching her sword. She could claim the upper hand, if she really wanted.

A grin creeps across Jay’s face. All those notes and heart-shaped lollipops. The giggling girls at his locker. He could pick any one of them. All of them so beautiful, in their sunset-coloured dresses. He could have anything he wanted.

“Well,” Jay says. “I was going to ask you.”

The sword’s point makes sure they keep their distance. Never too close. All touches so light; so fleeting, as if you could’ve mistaken them for a dream. As if you could’ve imagined the whole thing. All those nights in the hideout where the barrier of the body seemed thin, and the world became so small: just two kids who wouldn’t even dare knock knees. 

So Mal shakes it all away with a laugh. “I’m not going to the Valentine’s Ball.”

Jay lowers his blade. Neither of them move. “Not even with me?” 

“I’m sure there’ll be plenty of other girls who actually want to go with you.”

“I want to go with you.”

His words echo through the empty hall. His word is as steadfast as ever, the only opinion Mal will ever trust. Compass, anchor: Jay does it all. 

Heralded here, Mal as real as the vast sky outside. Here, in his gaze, held aloft by trust where there shouldn’t be and compassion where there shouldn’t be and understanding where there shouldn’t be. A home for all her broken bones. 

Mal’s lips unfurl into a smile. This ache in her chest. In her throat. Jay always being able to disarm her. Jay in every place she’s ever been. Jay as her shadow; her skin; her second self. A reflection in the mirror. The line of separation is nonexistent. Like the sun, like the moon: one cannot exist without the other.

[iamthemaestro]

man. I was hoping to like the akhenaten opera more but I feel like I can’t really say it’s more than an elaborate performance art piece. cool to look at but the music isn’t… anything really and there’s not much of a story being told. perhaps I’m simply not a minimalism person but I’m just bored

[herrmannhalsteadproduction]

HEAR ME OUT...what if? this season?

We get a Tony storyline.

[swinging-stars-from-satellites]

I hate when I get into these phases when once I process through one thing causing me anxiety there's another thing right behind it