#it gets better the more the story progresses

[lurkingshan]

Unknown Episode 11

Well, let me get this out of the way upfront. This episode brought us to the big moment we've all been waiting for, the final turn in Yuan and Qian's relationship--and unfortunately, it didn't quite land.

I've been sitting with this episode, contemplating my disappointment with the first sequence, and I think it comes down to this show that has been so assured and confident through most of its run faltering at the crucial moment and seeming to lose faith in its own storytelling to the point that it used editing tricks to compensate. The choice to chop up and sequence this narrative lynchpin of a scene out of order is baffling, and it's a choice that significantly stepped on the most important emotional climax of the story. I was confused to go from the conversation outside to a sudden kiss, then disappointed when we cut back to a very short exchange between Qian and Yuan that was supposed to provide the basis for this turn with only some thin dialogue that didn't connect the beats of the scene, and then into an intense sexual encounter (that was constantly interrupted by repetitive flashbacks) that should have felt like a triumphant and revelatory moment but didn't because of the way we got there.

I know I'm not the only one feeling that way, since folks have been creating and distributing reedited versions of the scene, and Youku actually uploaded a new version free on YouTube with all the flashbacks removed (a clear move toward fan appeasement after the show received a lot of negative feedback on the scene). The editing and the flashbacks were annoying, but honestly the fundamental problem was the scene they wrote did not sufficiently sell the change for Qian--he goes from saying he is still not certain what he wants to being ready to be dicked down in a couple minutes' time, with nothing in the exchange providing any new information or impetus for the shift. The performers did great work but unfortunately the writing and directing and editing decisions around this sequence were just bad; it's frustrating for this to happen with arguably the most important scene of the romance.

A note about the novel: the way this final turn happened there was quite different and, candidly, better in just about every way, from the impetus for the change to the beats of the revelation to the progression of physical intimacy on a pace that felt much more attuned to the emotional complexities at play. I do not know why the show did...this when they had better source material content to work with, but here we are. I absolutely recommend that anyone who loves this show read it!

So, with that disappointment expressed, on to the rest of the episode, in which Yuan and Qian settled into their couple era. I was deeply amused by Qian taking to their sex life like a moth to a flame to the point of daydreaming in meetings, but I do wish the episode had focused more on the natural tension and role confusion that should have resulted from this huge shift in their relationship. They touched on that a bit in the scene where Yuan asked Qian if his hug was from his brother or his boyfriend, but they didn't delve into those complexities in the way I hoped they would. I enjoyed their date at the local restaurant (and loved their friendly neighborhood gangster helping to set the mood) and how much it felt like they were surrounded by their history as they moved through all of these familiar locations where they've had important moments. I didn't much care for the insertion of the health scare plot or the time spent on Le and the doc, though I'm always happy for more Sam Lin even if it comes in the form of a weird late stage and wholly unnecessary ship.

My favorite scene between Yuan and Qian in this episode was far and away the discussion on the stairs with Qian reflecting on his fears of becoming more like his mother and Yuan biting him to snap him out of his fatalistic attitude (this felt like such a classic Priest tribute, she always has biting in her romances). It was a helpful re-centering of what they do for each other and why Yuan is an important presence in Qian's life. I didn't think we needed the health scare for Qian, but I did love Qian choosing to go to this place where he found Yuan to contemplate his life and what matters, with Yuan in turn reflecting that even though he's seen a lot more of the world now, he still prefers to come home to this street. I found that exchange so moving and I think it was important for Qian to hear that.

And that scene led to my other favorite thing in this episode, which was everything to do with Lili and her bond with her brothers. I teared up to see her standing against the wall where Qian has measured their growth talking about the sneaky ways she would try to care for Qian when they were younger, with San Pang listening attentively and gazing at her adoringly. It was such a small moment, but a really lovely window into their relationship dynamic and the shared history they also have together. And when Yuan and Qian came in hand in hand and she just ran to them and offered up her love and acceptance, I felt so much warmth for this family and everything they've survived together.

[wings-of-ink]

Update!

Hey everyone, just wanted to check in with you. I hope you all doing well!

Right now, I am feeling good about getting chapter 3 out by 4/30. It's a crunch for sure, but barring any disasters in the work itself or my personal life, I feel like it is doable. My aim is to get it to a point where it is release-worthy but will still need fine tuning after the fact. I generally like to edit things a couple times at least and have it play-tested, but I won't have time for all that. But, this is a work in progress, and I can always make improvements as I go. There are also a couple segments that I did not have time to add, but they're not pivotal to the story. I will add them if I find the time before the 30th (sorry to those who wanted to make a tasty cake for someone).

So far, I have gone through chapters 1 and 2 again and made some corrections to typos and grammar. I added a white hair option with some flavor text, and some other flavor text for purple eyes. The option to have your MC's hair turn grey (streaked or fully grey) from stress/illness was added, but I did not do it in the way I needed to, so if I have time, I'm going to fix that before release. I also updated some of the variable values of certain choices. A name bank was added for anyone who might struggle to come up with a name for their MC. I made all but one of them correspond to the marks. There's a wild card in there for the adventurous, lol. The codex was also updated.

Today, I am editing chapter 3. My very gracious boss encouraged me to take the day off, and I'm feeling pretty good, so I'm using this as an opportunity to get some serious work done.

If you're curious and don't mind my rambling about my life, you can read about my ordeal below!

I am feeling much better. I had a couple rough days in the past week, but mostly brought on by medication my dentist wanted me to take to stave off possible infection in a broken tooth. I had a less-than-stellar reaction to it, and it gave me insomnia and anxiety. Simply fantastic.

But, I had the root canal yesterday (got lucky and they had a cancelation so I was able to go in 5 days early). I am happy to report it was not bad at all. In fact, it may have been the easiest dental procedure aside from cleanings that I've ever had, lol. I was in and out within half an hour, and the endodontist numbed the fuck out of my mouth. The biggest pain was the drive there and back since I live so far away.

I chilled the whole day and took a glorious 2 hour nap, and have been sore but totally good. I even watched one of my favorite comfort-animes, Natsume Yuujinchou. If you are ever feeling poorly and down in the dumps or just need to relax, it is cute, a bit funny, and lighthearted - so I highly recommend it. So, all in all, I feel recharged and more than ready to see chapter 3 with fresh eyes!

Thank you to everyone who sent me encouraging messaging about the root canal. It really truly helped me show up for that appointment without feeling completely vulnerable. I was still anxious, because that is just what my brain do - I can't even see my GP without my hands shaking, lol. But, going into it knowing what your experiences have been helped so much.

Anyway, sorry for prattling! I'm going to get back to it now! ^_^

[gentlebeardsbarngrill]

04/25/2024 Daily OFMD Recap

TLDR; Guz, Samba, Con; Vico Ortiz; Nathan Foad; David Fane; Wendy Andersen; Watch Parties; Fan Spotlight; Pixel Art; Cast Cards; Love Notes; Daily Darby, Today's Taika

= Guz, Samba, and Surprise Guest Con! =

So many pictures from Guz Khan's show on the 24th! Samba also did stand up to introduce Guz, and Con just so happened to show up for support!

Img Srcs: Samba's IG, Con's IG

= Vico Ortiz =

Another episode of DateMyAbuelitaFirst is out! Checkout the Podcast here

Img Src: Date My Abuelita First's IG

= Nathan Foad =

More Nathan, today it's goofy Nathan

Img Src: Nathan Foad's IG Stories

== David Fane ==

Our favorite Kevin, David Fane made an appearance with some friends, and as a fun bonus Oscar Knightley was there as well!

Img Src: Robby Magasiva's IG

== Wendy Andersen ==

Our Red Flag Crew Member Wendy has found some Kittens at her current place of work and they are going to be adopted by MOTAT! (Museum of Transport and Technology) I can't get over how many of our cast & crew keep finding so many cats!

Img Src: @WendyWings Twitter

== Watch Parties ==

Friday April 26 is the last day for the Short Poppies Watch Party this week! Episodes 6, 7, 8 are on the docket! 3:30 pm PT, 6:30 pm ET, 11:30 pm BST You can watch short poppies on your own on Amazon Prime Video, or if you want to stream with a group you can join us on the Rhys Darby Faction Discord. Hit me up for a link on @gentlebeardsbarngrill on tumblr, or @aspirantabby42 on twitter.

== Fan Spotlight ==

= Cast Cards =

Our sweet, ever present with more cards crewmate @melvisik has brought us the "Spanish Captain who Stede and Ed tricked with their nifty lighthouse fuckery. 'Has vuelto a ganar, Barbanegra!' "

Img & Quote Src: @melvisik's Twitter

== Pixel Art ==

Our darling crewmate @blueberreads is at it again! They've animated one of the most iconic scenes from S2! Watch it with the music here on their tumblr!

== Love Notes ==

Hey Lovelies, I'm late again, but I'm kinda glad today. Do you know why? Well, because sometimes there are only so many things we can do in a day. Sometimes all we can do is get up in the morning, and feed ourselves, and the rest of the day is a bust.

Sometimes all we do is work, and we can't remember to drink water or take our pills. Sometimes we can do a lot! Sometimes we can do all the things.

So just remember, whatever YOU did today is enough, okay? You're making progress, bit by bit in whatever you're dealing with right now, and it doesn't have to happen all at once. Look at what you did today, and be proud of yourself because you made a huge, or a tiny step forward, and that is STILL A STEP FORWARD, and you can be proud of yourself for that.

One of the hardest things that I struggle with is that I have started to understand my own boundaries, and my own limits-- and sometimes other people don't respect those (none of you, don't worry). There's going to be people in this life, sometimes people close to you, who are supposed to be supportive, but they're dealing with their own struggles and sometimes try to push you past your boundaries for their own sake.

This is just a gentle reminder, that even if THEY tell you that you/what you're doing isn't good enough, that's absolutely NOT true, okay lovelies? You are doing enough. You are going at your own pace, and that is perfectly acceptable, and absolutely necessary for you to keep going.

Don't destroy yourself for their piece of mind. You deserve better than that. Go at your own pace. You're doing great. Be proud of yourself-- I'm proud of you. Hope you all have a wonderful Friday/Early Saturday Lovelies. Take care okay?

== Daily Darby / Today's Taika ==

I'm in an Uproar mood with the digital going live in the US. Gifs courtesy of @bizarrelittlemew and @soapbubbles511!

[i-guess-im-into-this-now]

The Apothecary Diaries

S1E16 First Watch

Here's where I watch The Apothecary Diaries for the first time and give my thoughts, analysis, predictions, and occasionally I stumble into a joke.

To start at the beginning:

Episode 1

My character/locations cheat sheet

Suiren - Jinshi's attendant

Lakan - mysterious officer

Basan - an officer who works in the palace

Jinshi is deeply divided on whether he should have allowed Lakan access to Maomao. He's going to feel pretty guilty if things go badly.

Jinshi explains the details of the case of the metalworker's estate to Maomao. She's always interested in a mystery.

Jinshi: What's with all the sudden enthusiasm?

Dude is asking a question he knows the answer to.

Solving mysteries is where Maomao shines. Jinshi knows this better than anyone. It's one of the things that knocked him head-over-heels for this lady. But he's a little ticked at how easily Lakan was able to hook Maomao's interest. Lakan who hasn't even met Maomao yet, knew exactly how to lure her out. Perhaps Jinshi was hoping that Maomao would refuse, and release him from the deal he made with Lakan. Why did he agree to this? Jinshi is supremely uneasy with all of it.

As the conversation progresses Jinshi takes a more comfortable position on the couch, no longer bothering to behave as a proper palace official or even an employer in front of Maomao. Rather his pose is more like the casual sprawling one might do with family or friends. Jinshi is so persistent in how he stays open and inviting to Maomao, even in his body language. In this scene, Maomao is kneeling properly at the low table. Her body language is formal.

Lakan had provided an address to follow up with the mystery if it intrigued Maomao.

Maomao: How well prepared. It's like he anticipated this happening.

I do not like this at all. This Lakan is too good at maneuvering Maomao and Jinshi.

Maomao request a day off to look in to the case, and Jinshi is not happy. Not because she's missing work around the residence, but because she walked so willingly into Lakan's well laid plan for her. He's probably also pissed at himself for allowing this, but apparently Jinshi really wants to know the rest of Lakan's courtesan story. Jinshi can't see what Lakan has planned, and he's very worried about Maomao. Suiren is completely fine with Maomao leaving. Smiling and waving? Is she actually happy that Maomao is leaving, or is she looking forward to drowning her in work when she returns? I can't read her yet. I miss Lady Gyokuyou and the Jade Pavilion ladies who were so sweet.

Basan. Another mystery. Damn those golden eyes! Who else had eyes like that?! Maomao said he looks familiar, and he does, but like who? Gaaaaah!

Basan is suppose to escort Maomao on her investigation, and he's still acting like an ass, and I'm still wondering when I can see Jinshi fight him again. Maomao says she can tolerate his bad attitude, since she views him as harmless. That's good, because sometimes with trauma, especially from sexual trauma, aggression can be a trigger. I don't like that she has to just put up with this guy's pissy attitude.

Fuck me, Basan and Gaoshun?! Well a blood relationship between the two at least explains why Jinshi and Gaoshun feel comfortable letting this guy go all around the palace with Maomao. Is Basan a child of Gaoshun or like a nephew or something? Is this going to be enough for Maomao to at least question if Gaoshun is a eunuch or not? No. The answer is no, but she should!

Of course Maomao solves the mystery that was left by the metalworker for his sons. A majority of this episode is spent unraveling this mystery, but as far as I can tell the details aren't important to the larger story, so I'm not going to bother describing the twists and turn of it. Basically we get to see how a father would rather go to extreme lengths to create a puzzle for his sons to try to solve upon his death, then give them words of encouragement or advice while he was still alive. The youngest son tries to reconcile the family by passing on compliments he heard his father say in private and never directly to his children. Maomao wisely bows out of that bullshit, but suggests they seek medical treatment from Luomen if they develop symptoms like their father had.

On the return trip, Basan gives Maomao a considering look. Perhaps he's starting to see how brilliant and capable she is? Maybe he will try to rein in his bad attitude where it comes to Maomao? Or maybe... he will fall in love with her! I don't know why I'm looking for more drama from this show, it's already angsty enough. Even so, maybe a romantic rival would help push Jinshi and Maomao past the standstill they've come to.

Lakan is back. He thanks Jinshi for Maomao's work, which I understand within the context of this show, but it still pisses me off. It smacks of misogyny as it's a subtle way of affirming Jinshi's ownership of Maomao, and demonstrates Lakan's lack of respect for women and servants.

Lakan then goes on to explain what happened sounding far too pleased, like he's already gotten everything he wanted. Jinshi knows all of this is part of a stratagem from Lakan, but what his goal is, is yet unclear. Jinshi doesn't know what happened on Maomao's outing (in his head he refers to her as "the apothecary," here which I find odd). She never reported back about her findings. And maybe that is what has Lakan looking so smug. He's uncovered that truth that Maomao is Jinshi's courtesan in name only. And even though Jinshi may be trying to hide what he feels for Maomao from Lakan, I'm sure Lakan is aware. Maomao is a soft spot to attack or control Jinshi.

Jinshi notes that Lakan is very good at discovering people with talent. And now his attention has landed on Maomao. He talks about the three sons each finding their proper place, and I can't help but think that Lakan believes "finding one's proper place," also applies to Maomao and Jinshi. It's possible that Lakan is insinuating something to Jinshi about him not being in his proper place; perhaps he knows something about Jinshi's true identity. But more likely Lakan is thinking that Maomao is not in her proper place here in Jinshi's residence. Lakan gave her a test and he was delighted by her ability to pass it. Does he intend to remove Maomao from Jinshi's employ? This guy is definitely not done with Maomao.

Lakan: The late metalworker's creations were absolutely remarkable though. There was this simple looking metal piece, that when combined with a ritual utensil... it looked truly magnificent.

I don't know what that thing is, but Lakan's scuzzy look combined with Jinshi's disgust is enough to tell me it's something terrible. What kind of ritual are they talking about here? Jinshi straight up lets us know that this is beneath him. What kind of ritual would be something that someone in Jinshi's position would never use? Jinshi knows that Lakan knows that this is not relevant or appropriate. Lakan so very clearly said it to see how Jinshi would react. And Jinshi is doing his best to hide his thoughts and reactions, but I get the feeling that Lakan can see everything. I can only guess based on the way my stomach feels nauseous watching this exchange that this item is used for something heinous like slavery or rape. Props to the storytellers here for freaking me out. I hope I'm wrong and the horrid thing is a spoon rest.

Lakan: I simply can't abide good talent being kept buried. ... Those who possess genius should receive the appropriate praise and attention.

He's going to take Maomao! Stop him Jinshi!

And Jinshi is actually VERY interested in Lakan's method of decreasing a courtesan's value. Is it that Maomao still owes money at Verdigris House? Is this time now at Jinshi's residence just boughten time, and not the end of her contract? Is this why Jinshi wants to know how to bring her price down? Does Lakan know that Maomao may still have a debt to Verdigris House?! Does he plan to buy out the rest of her time?! Hell no! I won't accept that! What the hell is happening?!

Lakan doesn't want to admit to the fucked up thing he did to that courtesan, so he tells Jinshi to ask Maomao how to reduce her price. This guy is terrible. He told Jinshi his messed up story then left off the part that Jinshi most wanted to know, with a promise to tell him if he could have a chance to test Maomao. Which Jinshi agreed to. When Maomao fulfilled her part, Lakan goes back on his word and refuses to say. Utter trash. And Jinshi let himself be sucked into Lakan's game. I hate all of this.

Then Lakan leaves a beverage for Jinshi's "serving maids," i.e. Maomao. WTF. I am so creeped out by this guy.

Lakan: Farewell. Until tomorrow that is.

Yeah, we're not getting rid of this guy any time soon.

Jinshi collapses the instant Lakan leaves. Yes, Jinshi is going to have to continue to deal with this nightmare who keeps making Jinshi's life difficult, but what is really bothering Jinshi is that he knows he fucked up. Lakan came to see how interested Jinshi is in his concubine, and baited him with his own story about a courtesan. And Jinshi showed him, that he is actually very interested in Maomao. Jinshi also let Lakan take Maomao's measure, knowing this guy has a knack for determining and using such talents. Jinshi is definitely going to blame himself for putting Maomao in this guys sights.

Gaoshun makes a request of Jinshi, that we don't get to hear about, but in the very next scene Jinshi is changing his clothes and asking Maomao to help him with some makeup so is he planning to go out in disguise somewhere? Is he going to visit the annex (one of these episodes will show me what it is!)? What did Gaoshun say to Jinshi? I guess we will find out next time, since that's where the episode ends!

I'm so creeped out by Lakan, but it feels like we are about to get into some plot stuff now, so I'm excited for that.

To start at the beginning:

Episode 1

Next Episode:

Coming Soon!

[physalian]

Villain Power Scaling (It's over 9000!)

@sarah-sandwich ask and you shall receive

Quick! We wrote an insanely, unexpectedly successful one-off fantasy series! How do we top the villain?

A bigger, badder giant space laser

The villain’s secret jealous sister

The same power, but purple now

The True Mastermind you’ve never heard of

JK, they’re not actually dead!

When you choose to continue on a series and have already committed to possibly destroying the legacy of the characters who fought and died to save the world once by undoing it for money, you had better have a damn good story to tell.

So if you decide your new threat is any of the above, you have quite the uphill battle ahead of you, my friend.

What is Power Scaling?

Power scaling is the nature of the ability of the heroes and the villains to grow more competent over the course of the story via new skills, new powers, or more training. Protagonist’s first fight (that they win, at least) will generally be against a baby, tier-one mook and not up against the main antagonist (*cough* Force Awakens *cough*)

As the story progresses, the mook that was so scary and so hard to beat oh so very long ago will become unnamed cannon fodder in the climax of the story. Generally speaking, this is a linear event and the hero and the villain are constantly one-upping each other until they come head to head in the unavoidable final fight.

Sometimes, things run askew. Maybe the hero’s super special power that saved them last time was a fluke, possible only in those specific circumstances, or one-time use.

Maybe they have amnesia, or the being that gave them that power revoked it, or using it cost them too much. Maybe they got seriously injured in the last fight using it and can no longer go near it if they want to not get hospitalized. Maybe the super power was another character that won the final fight for them last time, but died in the process.

It doesn’t have to be linear, but if you’re going to regress your character without creating a “why didn’t you do what you did last time” plot hole, you will need an ironclad excuse.

So, feast your eyes while I summon the Supernatural fandom back from the dead.

What not to do, as told by Supernatural

This show was originally written to last five seasons and five seasons only. No matter how die hard a fan you are or were, you cannot escape this fact, and neither could the writers.

Season one villain: A demon and her demonic minions

Season two villain: Psychic demon children and Papa Demon Yellow-Eyes

Season three villain: OG Demon Lilith, and Dean’s ticking demon-deal clock

Season four villain: OG Demon Lilith and preventing the rise of Satan

Season five villain: Satan and some douchebag Angels

Then you have Ten. More. Seasons. trying to do better than Satan and the douchebag angels to… varying levels of success and stupidity.

The problem: Supernatural tried to be linear with their power scaling, focusing on ramping up the threat level to nonsensical ends while undermining the threat level of all who came before.

The other problem: Sam, Dean, and Cas never stayed dead long enough for any of these threats to matter.

What I mean is this: In making the threat of the season so impossibly strong, by threatening the world over and over again no matter how many times they save it, by never committing to killing your three most important characters, by never letting the world go a little unsaved in the end, you’re left with a story that *says* it’s bigger, badder, bolder, but is really just a rinse and repeat that goes blander and blander each time.

Coming off Satan and the Douchebag Angels to… Cas and Crowley conspiring over the souls of Purgatory and the unseen war in Heaven because they didn’t have the budget for that, without any of the thematic weight of *why* it was angels and demons? Talk about a loss of momentum.

I rewatch a grand total of one episode of season six, “The French Mistake”. I have lost all context for the plot surrounding this episode and it’s virtually independent of the rest of the season because Sam and Dean get transported into the Real World as Jensen and Jared and poke fun at each other for 52 minutes. This episode is timeless.

The show wasn’t a complete disappointment for the remaining ten seasons or it wouldn’t have lasted that long. It had good beats, but they shot their load in Season Five. After five whole years of buildup to this main event it never recovered.

Alternatives to Linear Power Scaling

Anyone who has or even hasn’t seen Dragon Ball should know that series is famous for infinite power scaling. There’s always someone stronger, always some new secret powerup to unlock with the power of Screaming, always some new Super Sayan color that we promise is more powerful this time, for realsies.

That show is so dedicated to the bit that it’s gone full circle to being loved, not despite it, but because it’s so ridiculous.

You did not write Dragon Ball. Do not do this.

Instead of the infamous clashing multicolored power beams, what other ways can you up the ante of this new threat after your heroes have conquered all they thought stood in their way?

Give a damn good reason why this villain, who is no different than the last schmuck, is unbeatable by the macguffin this time.

As stated above, there’s no need to make the villain More Powerful* if your heroes have lost the world-saving abilities that helped them last time.

Exploit the hero’s other weaknesses

More Powerful* is never as exciting as you think it is. Often times, especially in superhero sequels, the villain isn’t necessarily stronger, but the niche power that they do have finds the chink in the hero’s armor that they didn’t have to worry about last time.

Make the hero’s niche skillset completely irrelevant

This time, the threat might not be something they can punch or shoot or smack with a hammer. This time, it’s their reputation at stake, or the villain is un-punchable because they’re simply unreachable, causing havoc the hero is helpless to stop.

Make the issue not the villain at all, but the hero or their team

Maybe the villain is just a schmuck that would be beatable on any other day, but team infighting means that they make utter asses of themselves and the villain doesn’t have to lift a finger to win because they’ve taken themselves out.

This can get very dramatic like in Captain America: Civil War or the Teen Titans epside "Divide and Conquer". Or, to comedic effect in the Spongebob Episode "Mermaid Man and Barnacle Boy V" (the one with the International Justice League of Super Acquaintances).

Some would argue that the above options aren’t power scaling at all if it’s not linear, and that’s fair. You’re telling a story though—is your story going to be about the superpowers and how cool they are, or the people who wield them?

3. It’s not actually power scaling, it’s about stakes

Supernatural began to feel so stale because even though we were told the villain this time was bigger, badder, bolder, the stakes were always the same. OSP has talked about this, how threatening to end the world has a foregone conclusion of “never actually gonna happen” because what author is crazy enough to let the world get blown up and all their characters murdered?

Raising the stakes, too, is not linear. Last time it was the world, this time, it’s the life of the love interest, it’s someone’s sanity, it’s a ticking clock on a secret that’s about to go public.

That’s why the first five seasons of Supernatural were so engaging. Were Demons the problem every time? Yes. The Demons were causing the problem, but they were causing five different problems. It was finding and saving their missing dad, then it was uncovering the sinister plan of the psychic demon children, then it was trying to escape Dean’s deal, then it was trying to stop the rise of Satan, then it was trying to stop the apocalypse. It was not five seasons of demons trying to destroy the world.

The more personal the stakes, the more likely your audience will believe the hero could actually lose this time. That’s what will keep them engaged. Dean died at the end of season 3! They lost! There was no escaping that deal. Sure he came back in the pilot of season 4, but the entire 4th and 5th seasons are haunted by Dean’s PTSD and new pessimism about the world given what he’s seen and done in Hell.

4. Threatening the world without destroying a legacy

Covered in this post about timeskips and this post about sequels but it’s too important to not keep repeating.

So. The Star Wars sequels. Rain down your wrath like snow on a hot desert—these movies were a giant mess. The audience sat through six entire movies following the rise, fall, and redemption of one man who died to save his son and the galaxy.

Then, what, twenty years later, absolutely none of it mattered? New space Nazis are out for blood with the same equipment, same weapons, same soldiers, same reach, same motives. Within the theatrical release (because I am not paying money to buy content to do homework to understand a movie made for a layman audience) these movies undermined the legacy of the six that came before it.

It didn’t have to be a new galaxy-ending regime and the same rebels still rebelling for the same reasons—how the heck did they let another empire rise so fast?—it could have started small, inconsequential, and then the actions of the new cast then undermined everything Anakin worked for.

I feel like Mr. Incredible wondering why the world can’t just stay saved for ten minutes.

All of this is salvageable. End the world again if you want. There will always be bad actors out to do bad things, you can’t expect a utopia to last forever. But that bleak reality is for the real world, not fantasy. In fantasy, the sacrifice of beloved characters must matter. Otherwise, what’s the point of their story?

How do you do this?

Make the utopia the old characters died for last up until the new inciting incident, and make sure it’s the new characters’ fault, not just due to the passage of time

Make the villain threaten something other than their legacy

Make that legacy the banner behind which the new cast rallies, determined to make sure it wasn’t in vain

5. Or, burn the world down this time

Some of the best middle beats of a story feature a “did we just lose” moment a la Infinity War. The villain has won, fan favorites are dead, their home is in ashes, and now they’re not only starting from the bottom, they’re doing it with righteous vengeance.

Then the loss of the original character’s legacy *is* the tragedy, instead of a side effect. Then, in a way, they’re still part of the story, a ghost on the sidelines cheering on their successors, and we, the audience, are right beside them.

—

I have a shiny, fresh-off-the-press Insta @chloe_barnes_books now for this blog and my upcoming novel. Go check it out!

[whelvehitee]

I swear I have better things to do..... 😔

BUT ANYWAYS

SNOTLOUT BRAINTROT PT2

｡ﾟ•┈꒰ა ♡ ໒꒱┈• ｡ﾟ

｡ﾟ•┈꒰ა ♡ ໒꒱┈• ｡ﾟ

I can't believe they gave him so much personality in the series and then all of it went down the drain with every movie

I mean I get that they were just trying to put the main focus on hiccup and toothless with their development and the stories over all progression but they should've kept some elements from the two series too considering then perhaps more people would be compelled to watch them

Snotlout is definitely my favorite out of all of them with his sassy attitude but in the movies he just doesn't get the spot light my man deserves 😭

Like istg if dreamworks doesn't release a movie solely based on my beloved then I WILL REVOLT 😾😾

But in all seriousness they coulve at least kept his character development but they decided against it, like they really just kept him as a side character who was fawning over the ladies at every given moment even though in the series we see that he learns his lesson after his interaction with the wingmaidens in that one episode

I'm DROWNING in my sorrows now that there's no more snotlout content 😭😭😭

[wifflum]

Video games that suck and why they suck

Dark Souls spawned a wonderful genre with an excellent, new (besides Demon's Souls), combat system that has been improved to have everything you could think of asking for, by games like Stellar Blade. Dark Souls, even though it was first, however, sucks. Here's why it sucks.

Dark Souls was made by a self-proclaimed masochist who said, about the game, "these are ways I would like to die," and then set the entire game design team to the objective of killing the player at every opportunity. It's like hostile architecture as a video game. The game is trying to kill you at almost every step, but it had this amazing new combat system, so that was tolerated. Now the blind sheep that are the masses worship it.

Elden Ring and Sekiro, on the other hand, did not have this incredibly sadistic touch to them, and are far more fun to actually play. And these trainwrecks who love Dark Souls would say it's a skill issue, to not enjoy crawling your way to the next death spot like it's progression in Final Fantasy XIV raids only through a fu**ing level, let alone the boss fights, and would blame the victim of literal and admitted game design sadism.

Red Dead Redemption, Spiderman, God of War, and also Grand Theft Auto (at least the campaign) and Uncharted-- all of these games also suck. This is because they are not made with gameplay in mind, because the target audience hardly gives a sh** about gameplay and just wants an interactive movie. They are, as a popular and often contrarian video game critic put it, "ghost train rides". They are theme park attractions that are purely there to entertain from a distance, and not really to be interacted with like you would expect from a video game. Gameplay is secondary, and it's often almost tertiary it's so far from being considered important. That is why these games suck.

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Another somewhat extensive area for video games to suck in, is the Fallout and Elder Scrolls type of games. These games, instead of making story so fu**ing primary that gameplay, the whole point of video games existing at all, is ignored, do the exact same thing with their open-worlds and RPG mechanics. Just imagine a turn-based game like Final Fantasy 7, only the gameplay that can actually kind of stand on its own is actually gameplay that sucks co** and could never stand on its own.

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I play video games for combat. To have fun and display skill. Everything else is set dressing for that one primary thing, and games that suck either intentionally obstruct fun combat, like Dark Souls does, or might as well not even include it it's so bad.

-----------------------------

Some other games that suck are fighting games, because in order to get your ration of 3 seconds of neutral game per match, which might be pretty good but in my experience isn't anything to write to my girlfriend in jail about, you have to spend 8 million hours mastering filler moves that waste both players time and just drop the health bars to what they might as well be at the start, which is 3 hits until death.

Tactical RPGs are not that bad, I don't think, but dear God are they stressful sometimes. It's also slow and can get tiresome unless you personally are slow and tired and prefer that pace over action games.

First Person Shooters need defense options other than fu**ing sprint or better offense (throwing a flashbang is an offense action, as is laying a mine) for every situation, which Remnant: From the Ashes really put in sharp relief.

MOBAs, like League of Legends, need to be done differently rather than copying a game that had a barely passing grade on its combat system (DOTA 1 on Warcraft 3) because it took it from an strategy game where you're supposed to be spending 3/4 of your time managing your base and resources and only fighting a small portion of the time. Battleborn actually showed what MOBAs are capable of to some degree, although it didn't have dodges or anything, but got overshadowed by Overwatch which everyone either immediately regretted or regrets now since Overwatch is agony to play.

One game that largely sucked but did not entirely suck, contrary to what everyone and their goldfish will tell you, was Anthem. At one point it had a triple jump, triple dodge, comboing melee character that could frontflip into sniping something in the head or spraying it with submachine gun fire. Yes, that was motherfu**ing Anthem that had that, in the Interceptor Javelin, though the people in the other Javelins did not look to be having much fun.

The last games that suck, which I think everyone largely knows they suck, are Ubisoft games. Now Far Cry isn't that bad, because it still has a reasonable focus on gameplay, but Assassin's Creed games have combat that is almost as ass as Rockstar games' gameplay.

Just, all you have to do, lol, is take some reasonable approximation of soulslike combat, with an actual functional deflect if you include one, unlike Rise of the Ronin, and do whatever your little gimmick is on top of that. People will fall over themselves saying how amazing it is. Just make ACCEPTABLE gameplay with whatever your horsesh** is that your audience of nitwits loves, and it will be something as if from an advanced society in the future.

Although, I personally think the window for that is closing and it wouldn't be jaw-dropping anymore, with soulslikes branching out so much. All we really need now is a soulslike MMO and that'll be the kitchen sink, and I think it's rapidly approaching. All I would ask of someone doing that is that you model the PvP after Guild Wars 1 Random Arenas, and you'd have to study that pretty extensively because there's a lot of nuance that made it so good, but it was namely an extreme difficulty to combat, like you'd get from a PvE game set to Insanity difficulty, somehow enveloping the PvP experience.

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Anyway, that's how video games of today almost all suck. And it's because they're not really video games; they're either like a simulation of something, traveling or getting stronger, or just straight-up a movie, with video gameyness slapped onto the side like a sticker, with about as much effort put into the application. The games that are good, as video games and not interactive media, which is what a lot of these things should be distinguished as, ask the user to display skill and they make that display enjoyable and varied. There's a million ways to screw up the execution of that design or to excel at it, but only a few games even set that objective of good combat as an actual goal.

But, if it makes makes money it's fine how it is, fu** foresight and artistic integrity, and we must all keep churning out pig slop to the pigs.

[moeblob]

No, I don't think I will recover from the VA's growl after Gallagher says he used to bite people. Thanks for checking. (but seriously, was that just a VA choice or is that a direction he was given? Does he rawr in other languages? I've only heard the English line).

[edettethegreat]

10/10 manga for pulling a “we’ll defeat you with the power of friendship!!” “That’s… incredibly ignorant of you. I’m significantly more powerful, whether or not you have friends won’t impact this fight”

[welcometogrouchland]

"lol they should make Steph spoiler again she's basically not even a Batgirl" look I'm not too jazzed about the current state of Batgirl lore either rn but if I have to suffer through another decade of terrible babsgirl content PLEASE AT LEAST LET ME HAVE BATGIRL STEPH, IF ONLY IN NAME

[kateis-cakeis]

rewatching bbc merlin really has me like buzzing in my mind with so many thoughts. Like I'm kinda watching it backwards atm going from S5 to S4, I think I will jump around 3, 2, and 1 but just,,,, there is so much especially in S5 that makes me !!!!!!!

Honestly, I feel like this fandom has to give the writers more credit. Like they did a damn good job, and to me, it's such a good tragedy. Especially how S5 plays out, it takes everything and just tears you down, and down, and down. It's perfect, perfect with flaws! But still perfect

[fatherramiro]

ive got so many thoughts about origin character playthroughs in bg3 as i go into act 3 of my wyll origin run, and while a majority of them are "wyll and lae'zel co protagonists of the game by a large margin" there's also some moments where im like "ooh id have done that differently if i were writing the game"

[toxooz]

ALSOOOOOOO i Finally got to ride a skateboard at the skatepark with bf n friends for the first time ever yesterday and i feel so 👀👀👌👌👌💯💯💯 i managed to be able to balance and push around and stop without falling and it was fun tbh!! i can see getting muscle memory and improvement by doing it consistently 😤 i just hope this aint too short of a phase for everyone so i can hopefully get me own board soon 🙏

[clenastia]

i dont know why the running joke of this chapter is kakashi fearing for his kidneys. where did that come from. WHY did that come from.

i should probably cut that in editing it's a little ridiculous.

except it makes me giggle every time so maybe i should leave it there.

[quibbs126]

Randomly I was thinking of back when the White Lily update was first being teased and people were thinking that with the release of the last Ancient the story would be ending soon

And while this isn’t about that, it’s making me think about how with the Beasts, the main story has been stretched out even longer

I mean yeah, the story wasn’t going to wrap up soon after White Lily’s release, but it’s kind of clear to me that the Beasts are kind of padding

But I mean, to be honest, I don’t feel like the main story of Dark Enchantress wrapping up, whenever we get to that point, should mean the end of Cookie Run Kingdom

Because like, you can have a new main story after the Dark Enchantress one wraps up. Introduce a new world threatening villain to the story so that the game can continue and have a new big thing. It doesn’t seem too difficult from where I sit (though I’m also not a game designer or writer, so I can’t say for sure)

I’d suggest Longan as a new villain, since they’re very much different from Dark Enchantress while being a similar threat level, and also they wouldn’t really fit in as we know them as an ally to recruit against Dark Enchantress. But at the same time, they’re the main villain of Ovenbreak, so that might be treading reused ground

Now yes, there is the idea that plenty of people would leave the game after the Dark Enchantress story is over, since they’ve seen what they wanted to see reach its conclusion. But also at the same time, as it is now, people will leave because with the padding some will realize that they’ll never get the ending they want, at least not for a long time, and move on to greener pastures. And frankly I feel like the former is the better option, since at least there your players have trust that you’ll actually resolve your stories and not stretch them out for as long as possible

And also it’s a game that’s constantly updating, you don’t need to just stick to only one main story

But again, I don’t know how game development works, or what the business is like, so what do I know?

[c0rinarii]

Thought I'd share my preliminary canon ship rankings for 13SAR and compare with first impressions and mid game thoughts. Slight spoilers below!

Preliminary:

First Impressions:

Mid-game:

Also just for fun, I made a non-canon ship tier ranking since the ship tierlist gave a few options i found intresting. I will forever be mad at vanillaware for making Natsuno/Yuki weird with the ammount of chemistry they had going on.