#it makes me sad people are so fucking mean too :^(

[adventuringblind]

Entitled To You (3.6K words)

Norstaptri x Reader

Genre: Angst, Hurt/Comfort

Summary: An incident with Lance sends the boys into a frenzy. She just wants to do what she loves.

Warnings: Explicit depictions of r@pe, injury descriptions, panic attacks, Oscar plots a murder, Lando throws hands, Car crashes, Author doesn't know legal stuff, Head trauma and blood.

Notes: This one is a request from @Lily234566 I know this wasn't the original pairing but I was struggling to fit the Ferrari boys in there so I had to scale it back... I'm sorry and I hope you still like it! T_T

Side Note: Sorry to the Lance girlies reading this. AND obligatory message of I don't know these people and this is purely FICTION! HEAD THE TAGS! DONT LIKE THEN DONT READ!

Masterlist // Request Form // My Website // buy me a Ko-Fi

“Max!” She peeks her head into his driver's room. The bright beaming smile she receives in return after their 1-2 nearly kills her. “They want me for a media thing, apparently.” HIs smile drops into a pout. The sad puppy eyes might convince her to stay. 

“Again? Don’t they know we have plans!

“No, and why would they care anyway?” She looks him up and down and whines because he’s standing in front of her with no shirt on. “Just - I’ll meet you guys back at the room. It’s something to do with being a female in F1… again.”

“I’m starting to think they have nothing else to talk about.” 

She shrugs as she walks out of the hospitality, waving to Christian on her way by. The goal is to get past the Mclaren garage without seeing Lando because otherwise she is not going to the interview. His pout is worse (better?) than Max’s. 

To her pleasant surprise, Laura is the one conducting the interview. “I’m sorry about this being last minute! They said they wanted you to do it with someone else next week and I offered to do it now.” 

The interview passes with ease and thankfully doesn’t take long at all. The banter in-between is also entertaining. 

She’s exhausted when they finish. Ready to go back to the hotel and fall into bed with her boys. Hopefully They’ve ordered food - and dessert. 

The paddock is nearly empty as she makes her way through. Maybe, had she been paying more attention and not focussed on her aching body, she would’ve caught on to the footsteps behind her. 

They are heavy, she assumes possibly a mechanic still packing up to continue on their way to the next circuit. That’s what she still thinks when the hand on her bicep yanks her around the corner. 

If she weren’t as exhausted, then fighting would’ve been a possibility. However, that seems out of the cards as he pins her against the nearest wall. Her forehead hitting the surface hard enough to make her dizzy. 

“Not so confident now, huh?” 

The fuck- “Lance? What are you?-” He slams her head again and cages her body against his own. She flails, only to be slammed again. “Would you stop doing that please?” 

“Not after that stupid stunt you pulled today on track.”

“You mean the one where you showed you don’t know what brakes are?-” Again, her head is sent into the hard surface. She can feel her nose starting to bleed. “Must you?!” She decided to shut up when he does it again and everything starts to go fuzzy. 

His fingers dip beneath the waistband of her fireproofs. The cold evening air hits her bare skin and she panics more than before. Her head is too cloudy to fully comprehend what’s happening. 

“I feel like I'm entitled to a bit of compensation after that stunt.” 

“You’re entitled to nothing. You took yourself out!” She hisses through gritted teeth. Still, Lance continues to get her clothes lower. And slams her head again harder - you know - because she wasn’t disoriented enough already.

“Would you shut up?” She doesn’t say anything this time. Her mouth feels numb and her ears are ringing. Her exposed lower half is met with the bare hands of someone she doesn't want touching her. 

It's - well - it hurts. He's groping at her thighs, ass, even her tits which she isn't sure how he's managing. His hands are everywhere they shouldn't be. 

And then nothing. 

A vague awareness of what's happening seeps through her veins and invades her senses. She tries to scream. Attempts despite the sheer pain of the snap of hips she didn't ask for. 

His finger beat her to it. A hand encloses around her throat and cuts off her oxygen. The black spots dance around her vision. She wants them to stop moving; they are making her dizzy. Or was she already dizzy? 

“See, it's not so bad. Don't you feel less guilty for ruining my race now?” No, she doesn't. She wasn't guilty before. 

She blacks out. 

~~~♡~~~

Waking up with sore limbs and a killer headache is not how she pictured this night going. She tries to yell for help, but a mere creaky rasp escapes. 

When did she lose her voice? The thought makes her panic more. The sob she lets out hurts more than there is sound. 

Her face and hair is sticky. At least Lance had done her the courtesy of not finishing inside of her. 

Still - what the fuck even happened? The fragmented memory is trying to come back to her slowly. Each small piece remembered is another broken cry. 

She can't move. 

It's dark again. 

~~~♡~~~

The anxiety between the three boys is certainly not something they are used to. Oscar can pinpoint the exact moment Lando started overthinking and Max had to bear hug him so he didn't pace a hole into the cement of the parking lot. 

The fourth seat in their car remains empty and their messages have gone unanswered. It's getting more concerning with each passing minute. 

“Max, she always responds.” 

“I know Lando.” 

“She always calls if she's going to be longer.” 

“Lando?”

“Yes?”

“Would you feel better if we went and looked around for her?” 

The Brit nods his head in a fashion that might give him whiplash. It's better seeing him feel helpful then sit helplessly. Though Oscar can't help but agree with Max's original point. that they should wait there at the car just in case since that's where they were supposed to meet. 

Granted, it's only been twenty minutes. It's still long enough to be murdered. 

They Methodically peer around corners and wave at the mechanics who give them skeptical looks. They were supposed to be out for post race celebrations by now. 

Oscar freezes when he sees it. The human shaped lump lying on the ground. He rushes over with long strides. The closer he gets, the more familiar the person on the ground becomes. 

“Max! Lando! I found her!” The other two boys come sprinting in his direction. He's on the ground trying to clear her hair from her face only for it to get stuck in the sticky substance coating her features. 

“What the fuck?” 

Her fireproofs are still on, but it's obvious what happened. The handprints on her neck, the blood trickling down the sides of her face. “We need to bring her to a hospital.” 

Max hoists her up in his arms. Mainly because Lando is on the brink of tears and struggling to breathe through his panic. He loves deeply and with his heart on his sleeve. Oscar just hopes he can keep the Brit calm until they find more help. 

“Can we at least clean her up?” Lando pleads with him. Big Hazel eyes brimming with tears. 

It's always a struggle to tell him no. “We can't, not if it can help us figure out who did it.” The tears start right after that. 

“So that’s what happened then? Someone really-” Oscar has to maneuver the puddle of tears that is his boyfriend into the passenger seat of their rental car. Max tosses him the keys, opting to be with her in the back and keep her comfortable. 

The tricky drive to emergency is more because Oscar is too far in his own thoughts to pay attention to the traffic lights. He can hear Max moving her around, attempting to put pressure where blood still flows freely. 

Oscar doesn’t bother with parking. He pulls off into some empty area and helps Max shoulder her weight inside the doors while Lando runs ahead to find help. 

It’s fast after that. They take her away and start patching her up while the three of them are forced to sit in the waiting room. Oscar and Lando are left to their own devices while Max paces about on the phone with Christian. 

He feels like a knife is being driven through his chest each time his mind tries to come up with what could’ve happened. Who would do something like this? Unfortunately, a lot of people. The question is more of who could’ve done it and gotten away. Someone with access to the paddock this late. Security, perhaps? Maybe even a sleazy mechanic? A driver wouldn’t make any sense… right?

“When will they let us see her?”

“When she wakes up, most likely.”

He’s not sure when he falls asleep. The exhaustion finally hit him like a truck despite his persistence. He’s awoken by Max’s constant shaking and aggressive whispering of his name. 

“-She’s asking for us.” 

He’s up faster than Lando when Jon threatens an ice bath. They follow the nurse down the halls with an uneasy anticipation. They creep inside the sterile room and find her staring at the wall. 

Lando doesn’t hesitate to move further into the room. Always having been more in touch with his emotions then the other two boys. “Hey love, can I come closer?” 

She looks at him. The bandages plastered over the sides of her head and around her face now visible to them. She returns Lando’s gaze with glassy eyes. It’s damn near shocking when she tries to pull things off her body in a desperate attempt to reach for Lando. 

Lando gets to her before she can get everything off, specifically the IV, and catch her arms. Oscar and Max finally pull themselves together and manage to get her to lay back down with some coaxing. 

She’s shaking violently. Her grip on Lando’s arm is sure to leave bruises. “Who - who f-found me?”  

“We did, schat. We got worried when you didn’t respond.” Max drags the two chairs in the room closer and pulls Oscar down into one.  Lando, against all odds, manages to wriggle his way into bed with her. 

“I know who it was. I - well - does anyone else know?” 

“Just Christian and us.” Oscar can feel the fight Max is putting up to not ask her more questions. The way he’s grounding himself with a hand on Oscars knee instead. 

“You don’t have to tell us.” He attempts to reassure. Maybe calm her mind by giving her an option. “Just know we’re here, alright?” 

“I don’t want it to be a big story. It’s already going to be since I can’t be in the car for the next four weeks. Oh fuck - everyone is gonna know-” Lando hushes her; gets her to somehow hold him tighter.

“Christian said it’s up to you, whatever happens.” Max nods at her encouragingly. “We go at your pace.” 

“They did a rape kit. They’ll know who it is. It was all over so it couldn’t have been hard to get DNA - oh fuck” 

Her heart rate picks up. The nurses rush in. They send her back to sleep. 

~~~♡~~~

Max wants to know who it was who touched her. The rage simmering underneath her skin is almost too much to keep contained. 

On the more fortunate side, they were allowed to stay since she wouldn’t let go of Lando. Then when he did have to get up, they rotated. 

The doctors and nurses learned to approach her like she’s a scared animal. The heavy footsteps seem to set her off and there is now a sticky note on the door saying to tiptoe when entering. It’s endearing to see her doctors and nurses trying so hard not to startle her. But seeing as they’ve now had several incidents where she’s panicked, they are taking more caution. 

Oscar and Lando have meandered away in search of food. Max opted to stay put and made the promise to bring him back cheat foods. He’s too stressed to not eat something of comfort. 

Her physio is supposed to come by today with the stuff she left at the track and get an update from the doctors themselves instead of Max’s botched attempts at repeating back. It will also be nice to see her comfortable, as the one blanket that travels with her everywhere will also be dropped off. 

“Max?” He tightens his hold to show he’s listening. “It’s not fair… You, Lando, and Oscar make a mistake on track and nobody does that to you. I - It wasn’t my fault.” 

The thing is, Max is smarter than people give him credit for. The only incident on track was with Lance. An incident that was his own fault. “He’s at fault, not you. None of this is your fault.”

“They are going to say I was asking for it or something.” 

“In those fireproofs? The only ones asking for it are me and Oscar… for obvious reasons.” He chuckles proudly at his little self compliment. 

It also manages to get her to crack something of a half smile. “Are you complimenting your own ass?” 

“And what if I am?” 

She doesn’t eat anything despite it being sat in front of her. Soft foods are the only thing she’ll be eating. Her throat, albeit not as bad as it could've been (thank you F1), is still damaged and needs to rest as much as possible. 

They had to keep her for observation due to where the head wounds had been. It’s been a rough thirty-six hours, but they are managing.

Despite the hectic situation, Max has come to learn that the female lying in the hospital bed is a better person then the rest of them. Oscar was detailing a full proof murder plan while she was telling him not to make it a bigger deal then it is. To which Oscar politely put his ten step plan with four contingencies down and told her that it’s ‘what he had coming to him’. 

Max has not had to stop someone from assassinating a rival before, but Oscar seems like a reasonable guy. “Death is too good for him.” 

“Mm, you’re right, I’ll just make sure he doesn’t die then and can’t see my face.” 

“Or, we make his life a series of inconveniences! I feel like daddy’s money could get him good therapy. It can’t solve every minor problem.” Lando has a gleam in his eyes. 

Him and Oscar start pouring over ideas once more. The girl simply shakes her head and goes back to eyeing her pudding like it’s assaulted her. “I don’t want to leave here, Max.”

“Why not? I’d assume you want to go home? Sleep in a comfortable bed?”

“Out there, they can get to us. Here is safe.” 

He considers how to reassure her. Only, there is nothing he can think of. The truth is that outside of this hospital room, there is no guarantee they won’t run into trouble. 

“I can’t promise that we'll never have something bad happen again. But-” He looks to the McLaren duo brainstorming ways to make the Aston Martin garage regret existing. “We’ll be there for each other. We’re here for you. When you want us and when you need us, yes?” 

“Pinky swear?” She extends her pink to him. 

Max accepts and curls his pinks around hers. “Pinky swear.” 

~~~♡~~~

It’s not fair really, that they had to leave to go do things. Lando would prefer he at least stayed with her so she isn’t alone. Alas, they are preparing for her discharge and he had to run around getting things together for their trip back to Monaco.

He comes back to a partially opened door and smiles at the other two boys being able to get back before him. Then again, as he gets closer he can hear the angry tone. One that Max uses when he’s pissed off about something. 

Lando panics and rushes inside. Only to be met with the sight of the last person he wants around right now. 

Now - he wouldn’t say he’s prone to violence. Lando prefers to keep the peace when it comes to conflict unless he’s trying to piss someone off on purpose to get a reaction. This is not one of those times. 

Lando’s knuckles collide with the Canadian’s jaw faster than he can fully become aware of what he’s doing. Lance stumbles backward and holds his jaw, glaring at Lando like he’s the one in the wrong here. 

“Get out!” 

“We were just talking-” 

“I said. Get. Out.” He’s seething. The thudding in his chest becoming louder with each second Lance remains in this room. 

He’s not prone to violence. 

Really, he’s not. 

Yet the second crack of knuckles into Lance's chin gives him some sick satisfaction. Isn’t there something about equilibrium? Can he pin this on restoring the balance or something? Regardless, he isn’t going to dent the fact that it feels good. 

The nurses come running and start asking questions. Max and Oscar have to drag Lando away kicking and screaming. 

Worse is when they try to tell him that there are pictures out on social media. Christian has been calling Max non-stop. Oscar has been dealing with Zak. Their relationship isn’t a secret and neither is their current location.  

“They're sending us a different car to see if we can’t get out discreetly.” 

“What happened with Lance, Lan? Are you alright?”

Everyone is panting. Their eyes trained on the door. “I punched him. I restored the equal-brey-um… thing.” 

“Equilibrium.” 

“Yeah that!” 

He’s not sure how they get on the plane. He’s still amped up about the whole punching thing and running purely off adrenaline. 

They’ve been sitting in silence, mulling over their options. Creating statements they can put out. It’s hectic and they keep trashing them because nothing fits. 

The female has been apathetic. The last thing she wanted was for this to get out and now it has. Seemingly everything is flashing before her eyes. Her career will be gone soon enough, so what’s even the point? 

“Don’t post anything. We don’t have an obligation to confirm or deny the rumors. If anything, we can say that you were just driving me to the hospital and being good friends or whatever.” She won’t look at them. Still - Lando can hear how upset she is, the waiver in her voice. “I’m going to be kicked out anyway.” 

“Christian said-”

“Damn what Christian said! He knows this isn’t going to get any better and if I say who it was then Daddy’s Money is just going to pay his way through.” She's hyperventilating now. Her body collapses against her seat and Oscar makes an effort to get her to lean against him. “It’s not fair!”

lando Can’t help but share her feelings.

~~~♡~~~

She stays holed up in the Redbull garage the next weekend. The appearance is hard, people want to ask her questions. Her boys had been caught in the middle of the riptide and haven’t come back to shore yet. 

At least she’s here. She’s trying her hardest to look stronger than she is. On the inside things are falling apart. 

The team knows to give her space and not ask about the ordeal. She takes refuge in Max’s room when things are too much and the other drivers keep their distance. 

They know it was one of them. She’d been adamant on not saying who it was, but it’s obvious there are sixteen who it could have been, given her partners insistence that none of them go near her garage for the time being.  

She just wants this whole thing to blow over. She wants to lay in bed with her lovers and not flinch when they go to touch her. 

She knows, however, that until she deals with things that healing can’t happen like it should. Or at least, that’s what her therapist says. The one she is now required to see. 

Things get worse when she’s back in the car. Her media duties are limited so she can focus on driving and ‘listening to her body’ as her physio likes to say. 

She can’t hear her body over the sound of her mind going staticy as Lance closes in on her. The catalyst for everything. She panics and ends up in the wall. Not the worst crash ever, but certainly hurts her pride more than it has already.

The thing is, it keeps happening. Even as she’s able to let her boys back in. As her podium finishes start to come back. Her fireproofs (which they’d gotten her all new ones) start to feel comfortable again and she doesn’t feel the need to be out of them the second the race is done. Still, Lance is using this to his advantage. 

Finally, after he almost killed her on track (again), she’s had enough.

The trial goes better than she thought it would. Despite the money differences, Lance won’t be able to race anymore. It’s not some grand spectacle either, just an announcement like usual. It’s more the closure she needed versus the publicized drama it could have been. 

She wins the next race. 

“If I ever see him again, it will be too soon.” 

“It’s been over a year now, Lan. I’m getting better.” There is a genuine smile on her face. The car awaits to take them back to the hotel. It was here that it happened. She almost considered not racing because of it.

“Lando got a taste of blood and now he’s feinding for it.” Max has a comforting hand around her waist. A grounding presence. 

“I mean, I never threw away my murder plot…” 

“You’re a genius Oscar!”

She shakes her head. It’s not like any of this has been easy. It never is. Still - her boys are here and they��ve been so patient. 

“There’s her smile.” They all beam at her. 

She smiles back.

[charcubed]

I saw Challengers earlier today and I decided to start a running doc of some of my feral thoughts in an effort to not forget what's currently marinating in my brain after my first watch

I want this movie to get a long theatrical release/run because it deserves it, but that's unfortunate because I also NEED to have it accessible to me in my home ASAP so I can pull on all its threads and take screencaps. Alas.

EXTENSIVE SPOILERS BELOW

might add to this later as I remember things, idk

-The parallel of Art spitting his gum in Tashi’s hand and in Patrick’s hand… My jaw dropped soooo early on. Anyway they obviously both act as Art’s “coach” at different times in his life in different ways. (The jerking off teaching?? Scream???) Art craves their guidance and approval as a form of love (which is also directly responsible for his confidence issues) and initially likes to follow their leads in every situation

-The parallel of Tashi making out with both Art and Patrick up against cars… delicious

-Patrick’s car is his “bed” and it’s where he and Tashi fuck. Nice

-Wait now I’m sad because… lowkey Patrick is homeless because Art and Tashi are his home…………….

-The storm = Patrick and Tashi having sex = the reason why Art’s half of the giant poster/ad on the side of the building falls down so only Tashi’s side is left up. Iconic, loooove a good visual metaphor, especially shown nonlinearly

-The parallel of the forehead kisses??? Art and Patrick on the court at the start when they won the doubles, and Art and Tashi in the sad almost-sex scene towards the end??? I will throw up

-Disclaimer and reminder I’ve only seen this movie once and might reform any of these thoughts later BUT…

One of Art’s main things is, as he tells Patrick towards the start, not wanting to be “left out.” He loves and he wants both Patrick and Tashi (but he doesn’t fully want to acknowledge the extent of his want for Patrick for years, and that repression is part of his problems…). He gets “lit up” about the thought of them together not because he’s jealous of one of them but because he’s jealous of BOTH of them; he wants to know it all, he wants to be in the room, he wants to be with them both, he despairs at the thought of losing either of them (but, at the start, especially at the thought of losing or being of lesser importance to Patrick. Obviously he’s a fucking idiot as evidenced by how Patrick goes to see him FIRST at Stanford. Ugh). We see all of this at the start when Art wants to know if Tashi and Patrick fucked. We see this in Atlanta when he witnesses Tashi cheating on him with Patrick but doesn’t directly confront either of them about it; he only skates the edge of confronting it with Patrick in the sauna while also lashing out at him. Patrick tells Art at Stanford “it’s nice to see you so lit up about something, even if it’s my girlfriend” during the homoerotic churros scene because Patrick’s clocked all of this about Art, too. He clocks it further in Atlanta when he shows up to Art’s practice with Tashi and his mere presence makes Art hit the ball harder. It obviously all comes full circle; the cocktail of emotions that Patrick and Tashi being together gives Art coalesces again for him on the court in the Challengers match: Tashi’s threatened to leave him if he loses… and she’s maybe got one foot out the door with Patrick of all people, who Art already “lost” in the past as the love he’s been mourning for 13 years. But what’s important is that THIS time, unlike Atlanta, Art learns about Tashi cheating on him with Patrick not by accident but rather because Patrick actually tells him. Patrick understands the significance of how this will get Art lit up again and make him play the way he needs to for all of their sakes, and it’s fucked up, but… what this means is Patrick doesn’t leave Art out. He TELLS Art – and he tells him in a way only they understand while they’re on the court together again. Of course Art goes through several stages of emotions in response to that fucked up information… but ultimately that moment of honesty and realization between the boys is what Art needed and puts where all 3 of them stand into sharp relief, shedding a light on who they’ve all always been and what their individual needs are.

Art’s always wanted to play tennis, but that desire is framed around his relationships. Tennis is only something he truly enjoys or that fully makes him happy when he’s experiencing it through his connections to other people: he wants to impress, earn the approval of, or celebrate with those he loves who are watching (like his grandmother or Tashi) – which is partially why he wants Tashi to be his coach in the first place. And of course, tennis all began as something Art found joy in because he was always doing it with Patrick. It’s clear Patrick feels the same. At the start, neither of them cared much about winning for the sake of winning unless it was doubles because they competed as a team and that was “really fun” for them. With the singles competition, they kind of cared less about the wins at the start; Art assumed Patrick would win and didn’t care back then, and then Patrick was willing to let Art win so he could impress his family, and they were both fine with all of those sentiments. Tennis was first and foremost something they did with and for each other. As Patrick later tells Art in the sauna, “I miss playing with you” – and, of course, at that point he’s definitely not only talking about tennis. But in that final match, after so many years, Patrick and Art finally understand each other completely again. It’s like they’re in love (because they are and always have been), they go somewhere really beautiful together… etc. They finally reconnect on the court and feel that thrill as they become synchronized again, which is what tennis was always about for them.

And Tashi, who’s irrevocably connected to them both and whose primary love is and always has been the sport itself, gets what SHE’S always wanted: to “watch some good fucking tennis.” It’s why she pitted the boys against each other vying for her number at the start. Though she needs/wants both boys in different ways on an individual level, she doesn’t particularly need or want anyone to ~be in love with her~; she wants the men who are in love with her to entertain her and challenge her and give her a show. So that’s what she tries to accomplish again in the end by telling Art she’d leave him if he lost the Challengers match… but the missing piece in her making that threat – the element that would get Art truly fired up – was that she’d potentially leave Art for Patrick. That final piece of info, when Art finds out about the cheating, is what reconnects them in all of the above ways. Because it’s about all 3 of them and their triangular codependency. They’ve all been broken for 13 years because they all need each other and tennis to be fully functional. Split any of it apart and they just don’t work.

-Literally this is a film where from the moment of the injury they’re all constantly mourning. They all lose their greatest loves that day… Tashi essentially loses tennis, Art loses Patrick, and Patrick loses the two of them. Everything after that is just them being affected by how they’re all mired in various grief and feeling incomplete… until that synchronization at the match when they finally become whole again. Going from that bed scene that was breaking my heart to the final match was HEALING. Things are still fucked up and in progress, but they’re fucked up in a way they all understand, which gives them a path forward. This movie has a fiercely happy ending in that regard… and what I’m saying is that… after the match, once they communicate further, and much later down the line… Art and Patrick should go back to playing doubles and Tashi should coach them as as doubles team. God they’d eventually all be so happy I wanna CRY just thinking about them doing that. It would take them awhile to get there — because yeah, Tashi is living vicariously through Art’s career as an individual player and maybe if Art retired she’d then want to live through PATRICK’S career for awhile — but I think if they worked out their relationship then their tennis could come to reflect the needs of that relationship too, and doubles can still be “good fucking tennis” in its own satisfying right, y’know? I think they could get there and it would be a beautiful collective restart.

-I gotta say, I can't imagine Tashi pregnant. Wild to me. Sorry to their daughter. Oooo also... I think Patrick would be great with kids... when he gets to meet Lily and become "Uncle Patrick" they're gonna hit it off so fast. Help me

-*holds up Tashi watching them kiss after she orchestrated it* *holds up the Challengers match* It’s the same picture. Except the kisses were kisses whereas the match was actual sex. The moaning and grunting… I’m insane. Also Tashi’s “COME ON!!!!” is arguably the sole orgasm/climax we witness in the whole movie perhaps? Though you could argue the hug is too. In this essay I will, etc.

-Art begging for Tashi’s love/validation saying “Tell me it doesn’t matter if I win tomorrow” vs Art telling Patrick in the sauna “this is a game about winning the points that matter” / Patrick saying “I don’t matter?” AAAA oh my fucking Goddddddd I’m gonna die

-Thank you Luca Guadignino for your dedication to having Art and Patrick hold phallic drinks and food in each others’ presence. Specific shout out to Patrick at the beach party holding the beer bottle on his crotch

-Patrick = comfortable with who he is and secure in his bisexuality; honest and open Art = repressing his queerness and his overall desires Tashi = hiding who she is aka her dissatisfactions with life and the lengths she’ll go to because tennis is her true greatest love and always has been

COMPRESS, REPRESS... REPRESS, COMPRESS... AND THEN JUST SURRENDER, ONE TWO THREEEEE

-I need to rewatch to catch the dialogue because it was difficult for me to hear it over the music, but I think in the 3am Atlanta scene Tashi tells Patrick that Art’s grandmother had a stroke. IF that’s what she said (and if there’s no reason to believe it’s a lie Art told; like I said, I need to rewatch)… my immediate impression was that it’s a nod to Patrick being the voice of accuracy and prediction in this movie. Towards the beginning he tells Art (jokingly) that he hopes Art’s grandmother dies of a stroke, and that’s seemingly what literally comes to pass. He repeatedly clocks both Tashi and Art’s behaviors, describing them brashly to their faces (and to us as the audience), and he was right about his predictions. He’s the one who’s not repressed or unaware of who he is out of the 3 of them: when Tashi first asks if there’s something between him and Art, he looks away because he knows the answer is yes; he’s openly bi on dating apps; he tells Tashi he won’t be her lapdog unlike Art which we see later ends up becoming literal; he clocks how Tashi is hiding some of her true motivations when she seeks him out in the storm; and even from afar he predicts Art’s mindset about wanting to retire. For the most part, what Patrick does / says either seems to be or becomes truth. Hmmm, wait, as I’m typing this… something to look out for: the “I TOLD YA” shirt. Working theory: Tashi briefly wears it, she’s the voice of accuracy; then it blatantly switches over to Patrick and he wears it throughout the film and [waves to all of the above]

-Head in my hands thinking of how the word “love” is used in these tennis matches. Also something I need to make detailed note of when I rewatch

-Patrick grabbing Art’s thigh when they first watched Tashi play… oh my GOD

-Patrick pulling Art’s stool close and Art just smoothly sitting on it with no reaction… the way they kept looking at each others' lips... oh my G O D

-I just remembered Tashi referred to the boys being known as as “fire and ice.” What the fuck even.

-Tashi going to Patrick asking him to lose the match for Art… she’s literally like, "do this because I love tennis and if I lose Art then I lose the way I live tennis through him. Do this because if he loses this match he'll lose himself." And she's really like, "Do this because I know you’re in love with both of us." And Patrick is like, "A) fuck you because you know I’ll say yes precisely because I'm in love with both of you so how dare you ask this of me, and B) you’re kidding yourself if you think you don’t miss the challenge I give YOU simply by being myself because I don’t take your shit." Something something they're peers, you know

-Tbh for 13 years when Patrick gets his rare opportunities he’s @ both Art and Tashi like “you want to fuck me so bad it makes you look stupid.” And the thing is that he’s RIGHT. He’s right! Art in particular doesn't want to admit it because he's trying to convince himself he outgrew being bisexual / outgrew Patrick but it's obviously bullshit

-Realizing some of the sounds in the soundtrack intentionally emulate the sounds of tennis balls and rackets???? MADNESS

[onesidedradiostatic]

Real talk

Im sooooo tired of Vox always being portrayed as the victim and Alastor the only one 100% responsible for their friendship falling apart

Did we all suddenly forgot that Vox is a terrible person too? He brainwashes his audience, he supports Val, he is willing to offer his lowest employees for Val to kill, he's also prob abusive to his employees as well, he stalks pretty much everyone, he has like 5 cameras inside Angel's dressing room, also it's like implied he's jealous of Angel because he gets Val's attention, him being jealous of Angel for being a victim of abuse is pretty messed up if you ask me. Oh he also told Sir Pentious to fucking kill himself and he also gets hard of seeing people in pain and get hurt! (Sure it was Alastor but still messed up)

" he looks so sad at the end of stayed gone when Alastor threatens him I feel so bad for him:(("

Really ? Well maybe if he had just kept his little hate boner for Al to himself instead of feeling to need to start publicly slandering him it wouldn't had happened. Just saying. Also I don't see how people feel bad for him. If anything he looks so extremely pathetic it's laughable I want to kick him

Okay this is kinda out of the point I want to make it's just many people who make him the victim seem to forget he's a terrible person so I just wanted to friendly remind everyone that he's as awful as Al ^^

Anyway

I think, we should acknowledge, that it's a complicated, and probably tragic, situation. What if, maybe, they're both as equal at fault for shit going down hills for their friendship. Vox because he doesn't respect others wishes and cannot take no for an answer, he prob tried forcing Al to move on with recent technology, which Al hates. ((His request to Al to join the Vees also prob meant catching up with the nowdays stuff and new technology, like the rest of them)) and Al because he was prob unnecessary cruel and brutal with his rejection.

I don't think Al was just using Vox like I've seen many people say. He allowed Vox to take a picture of them together. For Al to do that I think it confirms their friendship was genuine. "Ah but it's Alastor so that means it was fake cuz he's an evil manipulative bastard who only cares for him-" You're wrong, but also right lol. He's an evil manipulative bastard, but , he's also capable of genuine friendships with others (( did y'all forget Rosie lol? )). What I think happened is that, time passed , things changed. Vox became obsessed with new technology and tried to force Al to follow in, Al didn't like that, but instead of communicating with eachother and solving their problems by talking it out and respect eachother's wishes, they had an unnecessary argument and fight. They're both to blame for this, they're no victims in the situation and it's okay you can still sympathise with eithers side

Also people who make Al the villain for like not returning Vox's confession and feelings in most One sided Radiostatic videos/fics I've seen-- yikes.. I really hate that I have to literally say to PLEASE don't villiantise the aroace character for being aroace and rejecting confessions. It's extremely ace/arophonic (and yes I get to have a say to this, I'm a replused aroace videos/fics like this genuinely make me feel negative emotions) even if he was extremely cruel with his rejection -- villiantise the fact that he's an asshole- not his rejection.

yes I agree!! this is essentially a consolidation of points I've made before ksdlfglg

like yes, alastor's an absolute shithead but I think there are some people who forget that vox is also... not a good person. I don't think there's anything wrong with there being sympathetic aspects to vox but I feel like there's such a huge amount of fanwork where he's the only one portrayed sympathetically without showing his own bad points in their relationship, and I absolutely hate it when alastor is fully blamed for how vox is now and vox is seen as

yeah

vox got pissy at a rejection, that's not being able to take no for an answer, that's incel behaviour LMAO

feel like there's something to be said about people feeling the need to sympathise with the one with unrequited feelings compared to the one who has to deal with someone expecting romance from them when they don't feel the same. does it have to do with society's expectations about romance that unrequited feelings are more sympathisable?

but yeah I am glad that at least the "complicated" part of the description of their relationship implies to me it won't be as simple as "vox was the poor victim and alastor was just using him", I think it is much more interesting if there's no clear victim and both were at fault in a way

[charrfie]

[mokeonn]

I think the most upsetting thing about being a recovering addict is seeing how other people talk about addicts. A vast majority of Americans fucking DESPISE addicts and they are constantly demonized at every turn, God forbid that addict is homeless. It's honestly shocking to see how fast addicts are brought up as a "gotcha" to shoot down arguments for social or housing programs.

Like damn, I'm already dealing with trying not to abuse this substance and getting my life together, which is hard enough on its own, I don't need the knowledge that the average person thinks I am the scum of the Earth. I don't like knowing that if I am ever homeless or in a tough living situation, I will be one of the first people thrown under the bus. I'm already going through enough, I'm already the victim of a very upsetting illness, I don't need to deal with the vile hatred of the average person in my country, too.

[babacontainsmultitudes]

always always thinking about your post that was like “normal has a very high threshold for being loved that is nearly impossible to meet and he will do *anything* to feel validated” and then today in the discord during the part where willy reveals it could’ve been either normal or scary, will said “willy fucked up normal would burn the entire world down for the tiniest crumb of validation” and just. screaming screaming forever about this boy’s inability to ever feel loved enough, he is every webweaving post about always devouring and never feeling full from love, this boy is RAVENOUS and it’s hard to understand how the oak good-boy morality can even supersede that, he has every trait imaginable to become a villain and it feels like the only thing preventing that is the desire to be good, bc tbh I don’t think he wants to be good more than he wants to be loved

SORRY FOR TAKING ALMOST TWO FUCKING WEEKS TO ANSWER THIS ANON!

Eheh, firstly *thank you* because this message is very sweet and made me extremely happy. The post you’re talking about took a good while to write and came with a lot of anxiety so it’s very nice to hear that you’ve kept fragments of it with you, I really do appreciate that!!! 💜

I’d debated for a bit on answering this privately to be honest with you, as not every fire I’ve sparked is one whose flames I wish to fan, so to speak, but everything you wrote is just so on-point and well-articulated that I couldn’t resist. Otherwise. *Ahem*. I know it's very very silly to respond to a response about an essay with what is essentially another essay, but you see, in thinking of how to answer your message, I got a little caught amongst many other things that have been on my mind... And I've seen some takes that have annoyed me for one reason or another and couldn't decide how to address those and. Well. Ultimately I decided that the stuff I wanted to talk about was connected *enough* to the stuff brought up in your message (as well as in my original post) that I could put it all together, soooooooo if you'll entertain me rambling once more~

Let's start by saying that, I recently saw a take going around stating that “Scary’s internal issues caused her external issues while Normal’s external issues caused his internal issues” (among a number of other statements that I frankly found pretty questionable), and I must say, for reasons that I hope to explain, I disagree with this assertion on both accounts!

In Scary’s case, this statement completely erases and undermines the trauma of her dad walking out, and what that does not only to her confidence and sense of self-worth, but to her relationship with her mother as well. And the degree of the impact of this external trauma on her internal view towards and treatment of herself is clear as day just by looking at the stark contrast between Terri and Scary. Scary (Terri) is someone who once had confidence in herself and could find validation and motivation internally, most recently evidenced by Terri's words of encouragement to Scary whilst under beacon of hope:

But then her dad leaves, and things get harder at home, and Scary starts to fight with her mom (her mom who she once called her best friend!!!), and she starts to feel worthless and unlovable- something that only gets worse with time as Willy alienates her from the rest of the group, case in point with this revealing exchange:  

No one’s told her they’re proud of her in a long time (sound familiar??),

her teachers at school shut her down when she tries to speak her mind or otherwise dismiss her behavior as “acting out” seemingly without any sort of intervention or attempt to actually check in with her,

[the above teen fact is from episode 31]

Only then, in response to her diminished sense of self-worth does she begin to cut herself off from the rest of the world and from her former self, most importantly quitting soccer (which we know matters a lot to her!),

and those things leave her even more vulnerable and supportless and ashamed. Not to mention all the mixed emotions she must feel when Terry walks into the picture, between actually liking him but not being able to see his love as genuine due to her relationship with her bio dad and all the frustration and shame she must feel as a result.

This is not to claim that Scary’s internal struggles do not inform a lot of what happens to her and the people around her over the run of the season- of course they do! (In fact some of the later things mentioned above are examples of that- I guess I got a bit carried away). But Scary’s major internal struggles that affect her throughout the course of the adventure are preceded by a slew of important external events that negatively affect her psyche and are in many cases out of her control. Scary’s internal struggles did not originate in a vacuum, and I absolutely would not say that they “caused” the bulk of what she has been through.

Unlike Scary, Norm’s excessive dependency on external validation to feel like he’s worth anything begins when he is very young. [Emphasis on “excessive” here, since obviously everyone requires validation from others to some degree, the point being just that this trait is so very pronounced in Normal and, as I argued a bit in the post anon is referring to, usually the most important factor informing his courses of action, superseding (but not implying the absence of) any desire to be good and help those around him. Will’s statement (the one which anon quotes) seems to corroborate this.] We know that things go so far back from Sparrow’s account in episode 17:

It’s important that this is about Normal’s kindergarten experiences too, because it tells us that Normal’s predominant internal issues go back farther than this and hence were not caused in and of themselves by his peers- instead being perhaps more fundamental to who he is as a person.

This is not to say that external events do not exacerbate the state of Normal’s psyche. In his youth most notably, we can infer that he interpreted Hero’s treatment (which of course he did not understand at the time to be her training) as favoritism, and I think it’s pretty clear by this point that his resentment of her is tied to the degradation of self-esteem that he experienced as a result.

Then of course there is the dance. Sparrow’s words to Normal during the dance obviously consist of a very pivotal moment for Norm within the context of the season, but I think it’s important to remember and not erase the fact that Normal’s internal issues with validation do not begin at the dance, as established in the kindergarten case but also further exemplified by Norm’s primary motive in becoming the school’s mascot in the first place (to get everybody to like him). I think it’s important to remember this in part since it informs so much of Normal’s reaction to what his father has to say, immediately afterwards but also throughout the whole rest of the season. No kid wants to hear that their parent isn’t proud of them, but the severity of the response to this sort of statement is going to vary drastically depending on the person, and in Norm’s case, given his natural disposition, it’s devastating. [and I swear there’s a teen talk moment where Will says basically this but I can’t find it for the life of me rn damn it lol maybe I’ll edit in the clip later if I do]

Of course in this specific case, one can still mostly say that the problem stems from outside of Normal, and that his preexisting issues exacerbate his response but are definitely not the cause of it. Outside of this instance, however, this is not always true! In fact, Normal’s excessive dependency on external validation and related rejection sensitivity (negatively) inform a large amount of his interactions with those around him, particularly Lincoln and Taylor (imagine me underlining “Taylor” several times as I say this). Truthfully that’s a whole ramble on its own, but with respect to more recent events, I have to admit that I was genuinely quite irked to find a lot of people blaming Taylor and Lincoln for Norm’s response to their uh. mech shenanigans in episode 37, choosing to frame this as an act of moral failing or even malice on their part, rather than a reflection of Normal’s own issues and room for growth. Lincoln and Taylor were simply focused on the mission at hand, and there was no good reason realistically speaking to have expected them to be aware of Normal’s emotional state at that point in time (or in general, to be aware of the jealousy their bonding moments evoke within Norm- particularly when Normal consistently fails to communicate and address those emotions with them in a manner that is direct and not passive-aggressive). Lincoln in particular is very clearly stated as not even having fun in that moment, very understandably being focused instead on the fact that his friend Scary is around his father, who he just witnessed, you know, murder someone. This is not an instance of the world going against Norm for no good reason other than to put him through it, this is a very clear example of Normal’s internal issues affecting the way he perceives external events in a manner that is not actually very reflective of the reality of the situation, and which of course feeds in further to his cycle of self-loathing (and I won’t go into it here since I sort of did in the post anon is responding to- but Normal’s negative reaction to Lincoln breaking the pick to gain Scary’s trust is another important example of this [tbh all the more so now coupled with the hypocrisy of how he handles the anchor in Goofs but that’s a tangent]). As aforementioned, Norm also struggles a good chunk of the time to actually explain his feelings in a manner that is direct and does not rely on blaming others for not picking up on his dejection, as exemplified in how this discussion goes with Lincoln in the most recent episode:

The treatment from fandom of this whole instance being reflective of a reoccurring issue I tend to have with a large chunk of the fandom, wherein the collective memory of canon tends towards getting warped to account for Norm’s mental state. Sometimes that’s hailing him as some morally-perfect, emotional reincarnate of Henry (as though the pride layer didn’t happen, as though Goofs didn’t happen, as though all of Norm’s relationship with Taylor isn’t what it is- …I feel like I should stop implying stuff about the significance Taylor and Norm’s relationship and not elaborating but it really is an essay in and of itself LOL), other times it’s just downright turning everyone around Normal into a villain, a persistent phenomenon which I sort of illustrated in the above example but also touched upon in an earlier essay (arguing that despite the fandom’s quick jump to villainize him- Lincoln breaking the guitar pick would prove to be an act of love). Sparrow also takes a good brunt of the damage from this. Sparrow saying he’s not proud of Normal gets turned into Sparrow not loving Normal (despite an abundance of proof in canon to the contrary), his apology for what he said and the support he shows for Norm in light of his alternative plan on dealing with the Doodler are completely ignored by most of the fandom, as are any other demonstrations of emotional availability and shows of growth that he displays throughout the course of the season, and the true motives behind Sparrow’s insistence on Normal living a “normal” life- to protect him from the childhood that he but also that Hero had to undergo- is somehow framed as Sparrow actually holding some kind of favoritism for Hero. It’s as though there is a complete inability on a larger scale within the fandom to see Sparrow as separate character outside of the filter of Norm’s emotions, and the other teens (including Hermie) get a similar if less pronounced treatment.

[Actually, I would argue that to some degree all of the kiddads except Terry (and Lark since he’s not officially a dad) tend to be perceived and criticized predominantly through the noise of their respective child’s emotions/behavior. In Grant’s case, Lincoln 1. spends a good part of the earlier half of the season asserting that his dads are the best dads in the world despite everything going on and 2. has a very unfortunate tendency to compartmentalize and push down his negative emotions as much as possible- in typical Wilson fashion- so the complexity and severity of Lincoln’s issues with his dad generally go understated, and only now that Lincoln has begun to be more vocal and upfront about his issues has some of Grant’s parenting finally begun to come under fire, and even then mostly only his more recent transgressions. In Taylor’s case, Taylor’s emotional security/stability and general fondness for his dad mean that Nicky is being hailed by many people as “the best dad” where in fact Nicky- while certainly helping the teens out in many ways and perhaps even acting as a friend to them- has done just about jack shit for Taylor as a *father*, and really if Taylor has anyone to thank for being as well-adjusted as he is now, it’s definitely his mom! But I digress.]

Normal and Scary are very similar, but the way fandom treats them is very different. People (mostly) seem to be able to acknowledge that Scary, in spite of her mistakes and flaws, is a scared, tired kid with a good heart who is capable and deserving of love. In Normal’s case, I just can’t seem to shake the impression that the fandom (in general) would rather strip Norm of all the things that make his character complex, and nuanced, and flawed, reducing him to an utterly uninteresting husk of a character before depicting him as anything other than a perfect goody-two-shoes who has never hurt anybody in his entire life or daring to acknowledge the fact that “Normal has been through a lot, is hurt, and deserves a good support system and emotional validation” and “Normal can at many times be his own worst enemy, sometimes makes mistakes that affect those around him, and has room to grow emotionally” are notions that can and should coexist. Or at least, that's my two cents on the matter.

[jrueships]

sometimes i'll think abt a Fandom and wish it were bigger, and sometimes i'll read something from a fandom.. and wish it were smaller

[anxiously-sidequesting]

So I don't know if it was ever revealed how Duncan felt when we killed Malistaire all three times but I'm wondering if maybe some part of him could hate us for that too. Like you hear that and you go "but why. Malistaire was terrible and even Duncan knew that(?). Why would he hate you for getting rid of him."

But like I think it's so....... interesting in a very, very, very sad way how Duncan so easily latches onto anyone who directly feeds into his delusions of grandeur. And that's no fault of his own that he was manipulated by the nasty Schism but when you think about how desperately clung to the idea that Malistaire, easily one of the greatest necromancers any of us had ever heard of (at that time), somehow actually recognized Duncan's talents (even when canon supports that Duncan wasn't all that talented, at least no more than the next necromancer) and then praised him for it so often that Duncan believed that he would be the next Death Professor is. I mean ☹️

So like with that mindset I unfortunately feel like it would be quite easy to twist even Malistaire's death as something that's horrible and awful and all our fault. ESPECIALLY if the Schism was feeding into Duncan's already broken mind and shattered ego and was constantly telling him that everything bad that ever happened to him ever in his life was Our Fault. That's like a realistic conclusion that someone like Duncan could come to

And like, at this point in time, are Malistaire's crimes even a factor in how he thinks????? Was Duncan ever able to separate Malistaire's talent and skills and prowess from the terrible and awful things he did? If Duncan wasn't able to consciously tell that distinction in the first place I can't imagine it would be any better during the years he was being manipulated and isolated and lied to

Like in Duncan's mind it probably isn't, "maybe I shouldn't idolize a national criminal, or idolize anyone at all for that matter, and aspire to be like someone so harmful when I can recognize my own talent and build from there" it's probably more like, "you (the wizard) permanently got rid of a brilliant mind, an innocent person who just made a few mistakes, and someone who believed in me no matter what just so that you could be the better than me and loved by everyone else" and that's! very sad actually!

[sea-jello]

in the play when christine sings "jeremy" its the same tune as when "christine" is sung and i think thats really neat

[mcybree]

"if you happen to fall in the subcategory of people who are really into third life and also rain world lets talk. please. i have an au come back"

i am staring at u with my artificer plushy in my hands

*walks onto the stage. taps mic.* um. Jimmy sliver of straw incident. *jumps off the apron breaking all of my bones immediately upon contact with the floor*

[cosmicdreamgrl]

.

[d0d0-b0i]

people stop being mean about my favorite medias challenge >:(

[symphorine]

.

[cinnamon-phrog]

How's your day going on tumblr

My day has only just started [EST timezone you see, I am so sorry if I'm incomprehensible] but it's going well, thank you!

I was a bit sad because I chose to give the benefit of the doubt to someone someone else was being mean to, but the person I gave the benefit too turned out to be exactly who I hoped they weren't.

That red x yellow shipper turned out to be a pr*shipper but just didn't say it, a friend of mine told me about their gross twitter acc, as well as the other shipper who sided with them. The only thing they're right about is yes it does indeed look like it's 2022 again :c

It makes me sad to see nothing but gatekeepers and pr*shippers in the dhmis tag so I'm just going to not bother looking anymore, you all had your chances.

It's very messy and has upset me for a bit, but I went offline to go to town and I felt much better!!

[I go off a lot more in the tags- like a LOT a lot. A sort-of vent/complaint but not an ooooooh look at me vent just a few things that've happened in the past that made me who I am now]

[sludgeguzzler]

look i really dont mind having a pre t body with its little biological quirks but i have a limit and the limit is waking up at 4am with immense pain and a puddle of blood on my bed