#it might help more with having consistent visual references

[feral-aether]

Debated for a long while making physical feather refs for my own wings and how they look, but the thing is that they aren't always the same. They tend to shift day to day depending on a variety of things, not last of which are my interests at that time lol. A usual trigger for change is also music 'cause it's just so deeply part of me so it makes sense; as well as some emotions lol

Anyways, here's a list I drew up with the most common bases at the top and some others that have stronger visualizations towards the bottom lol

Fully aware I maybe should have shifted the Eagle and Owl as Hawks and Owls tend to be my default birds, but it's already been written in pen lol

Also, that bit in quotations is often how the visualizations come through in my head. That one in particular is for my Matron and Patron deities, of which I'm gonna do a pair for 'cause that feels better than doing just one. Plus then, I can add little elements from both into the other, largely with colours and little design bits but yeah lol. I have already drawn up bases for the first several here

And props to anyone who can guess the Matron and Patron deity from the colours and description alone lol

[curiousorigins]

Btw Inkling is a fantastic word. It sounds fun and it's meaning and use is solid.

I have too many words I'm found of, in English and Italian to have a genuine ranking. But if I did, this would probably be in the top 100.

Ink-one of my favorite sound combos. (And mediums to work in although the medium shares zero etmology with this work. Their only relation being sound and spelling) and the sound Cling. I know it's uncommon to have favorite phonemes/syllable combos, but this one combo is just so fun on the tongue. It brings me joy. Inkling.

[reasonsforhope]

"The first satellite in a constellation designed specifically to locate wildfires early and precisely anywhere on the planet has now reached Earth's orbit, and it could forever change how we tackle unplanned infernos.

The FireSat constellation, which will consist of more than 50 satellites when it goes live, is the first of its kind that's purpose-built to detect and track fires. It's an initiative launched by nonprofit Earth Fire Alliance, which includes Google and Silicon Valley-based space services startup Muon Space as partners, among others.

According to Google, current satellite systems rely on low-resolution imagery and cover a particular area only once every 12 hours to spot significantly large wildfires spanning a couple of acres. FireSat, on the other hand, will be able to detect wildfires as small as 270 sq ft (25 sq m) – the size of a classroom – and deliver high-resolution visual updates every 20 minutes.

The FireSat project has only been in the works for less than a year and a half. The satellites are fitted with custom six-band multispectral infrared cameras, designed to capture imagery suitable for machine learning algorithms to accurately identify wildfires – differentiating them from misleading objects like smokestacks.

These algorithms look at an image from a particular location, and compare it with the last 1,000 times it was captured by the satellite's camera to determine if what it's seeing is indeed a wildfire. AI technology in the FireSat system also helps predict how a fire might spread; that can help firefighters make better decisions about how to control the flames safely and effectively.

This could go a long way towards preventing the immense destruction of forest habitats and urban areas, and the displacement of residents caused by wildfires each year. For reference, the deadly wildfires that raged across Los Angeles in January were estimated to have cuased more than $250 billion in damages.

Muon is currently developing three more satellites, which are set to launch next year. The entire constellation should be in orbit by 2030.

The FireSat effort isn't the only project to watch for wildfires from orbit. OroraTech launched its first wildfire-detection satellite – FOREST-1 – in 2022, followed by one more in 2023 and another earlier this year. The company tells us that another eight are due to go up toward the end of March."

-via March 18, 2025

[winged-self-indulgence]

Why Do People Like Yanderes?

Hi everyone, my name is Diya, and this was going to be a YT video-essay-type-thing but I'm too poor to afford a mic and too busy with college to learn how to edit videos, so here's my vague exploration of the psychology behind why people like yanderes so much through the lens of my favourite Visual Novels.

TW for uh. yandere content. Mentions of sex, gore, and non-con, particularly in the last topic. This is more like the first draft of an academic paper so while it's not explicit, I do go into some detail.

Introduction

If you’re a fan of anime or visual novels, then you’re probably already aware of what a yandere is, or at the very least you’ve seen that one picture of Yuno Gasai. Still, for the sake of thoroughness, let’s take it from the tippy top. The term ‘yandere’ is a Japanese portmanteau of ‘yanderu’ – the progressive form of ‘yami’ – meaning ‘sick’, and ‘deredere’ which roughly translates to ‘loving’. Together, the word refers to someone who is – in short – extremely lovesick. Obsessive to the extreme, and with little morality to spare, the standard yandere is characterized by a dangerous fixation on a chosen target, often appearing shy and caring at first only to flip the script and become violently aggressive towards perceived threats (Kroon, 2010).

It should be noted that yanderes are not a strictly romantic or sexual trope. The Ancient Greeks classified at least six forms of love, from familial (storge) to guests (xenia). Modern psychologists may distinguish love as either Companionate or Passionate (Kim & Hatfield, 2004) or consisting of three dimensions of Intimacy, Passion, and Commitment (Sternberg & Sternberg, 2018). Realistically, possessiveness shows up in a variety of relationships. However, people are generally primed to view certain dynamics as inherently amorous. Societal norms tend to encourage the idea that romantic bonds ought to rank above all others, and therefore if Person A is bizarrely fixated on Person B, then clearly there must be an element of sexual interest involved regardless of the actual relationship between the individuals in question.

Regardless, yanderes remain quite popular in fiction. Many dismiss it as a fetish, which it can be, but that isn’t the case for everyone. While there is nothing wrong with indulging in kinky fiction, not all of us get horny at the thought of being chained up in someone’s basement, no matter how hot our captor may be. So why is it so pervasive? Why is this trope so appealing that most writers cannot help but include at least a single line of dialogue implying that – if circumstances had been ever so slightly different – my wholesome shoujo romcom might have turned into a psychological horror?

Hybristophilia

‘Hybristophilia’, also known as Bonnie and Clyde Syndrome after the titular criminal couple, is a word is derived from the Greek word ‘hybridzein’ meaning ‘to commit an outrage against someone’ and ‘philo’ which means ‘a strong preference for’. Sexologist John Money reportedly defined it as a paraphilia in which an individual is sexually aroused by a partner who has a predatory history of hurting other people (Money, 1986, as cited in Matuszak, 2017). In his book, Serial Killer Groupies, true crime and crime fiction author RJ Parker distinguished two forms of hybristophilia: passive and aggressive. The former is when an individual contacts a criminal with the intention of striking up a relationship with them, allowing themselves to be seduced and manipulated but having no interest in committing a crime themselves. The latter are far more dangerous, as the individual not only derives sexual pleasure from their partner’s atrocities but are active participants in carrying out or covering up the crime. To quote Griffiths (2013, as cited in Pettigrew, 2019):

“[They] help out their lovers with their criminal agenda by luring victims, hiding bodies, covering crimes, or even committing crimes. They are attracted to their lovers because of their violent actions and want to receive love yet are unable to understand that their lovers are psychopaths who are manipulating them.”

In some ways, hybristophilia is the nearest thing we have to a realistic understanding of why people love yanderes. I mean, much of the fantasy surrounding such characters and their media tend to be filled with posts begging to be spat on or calling the rightfully terrified main character ungrateful for being a teeny bit upset about finding surveillance cameras in their ceiling. However, enjoying fictitious immoral activity does not predict real perpetration, so what does? There exists little consensus amongst psychologists as to what sparks this particular predilection, and that was strange to me. You would think there would be more studies into this topic, in spite of or perhaps because of its controversial nature. Heck, that one dude wouldn’t shut up about white women’s obsession with Bundy and Dahmer, and I assumed he had gotten that information from somewhere, but it turns out that was just him using modifiers to justify sexism.

However, I believe that we can hedge a few guesses, and over the course of my research, I’ve organized the main rationalizations under four umbrellas which I will explore through the lens of my favourite yandere-themed Visual Novels. Please keep in mind that most of these games are rated as mature due to sexual scenes and/or gore. Additionally, in the spirit of transparency, this ramble will be focused exclusively on male or masculine yanderes. So, without further ado:

Call Me Bob the Builder Because I Can Fix Them

If you’re familiar with DC Comic’s Batman, or just happen to have attended any costume event held over the span of the last 20+ years, you may be familiar with the character of Dr. Harleen Quinzel, better known as Harley Quinn. Initially created as the Joker’s one-off sidekick in Batman The Animated Series, she was so well-received by audiences that she became a recurring character in the cartoon and was eventually given a proper origin story in the form of a one-shot titled Mad Love.

Harley’s origin story has seen some alterations over the past decades, but the core aspects remain largely untouched. In the beginning, Harleen Quinzel was a promising young woman who wanted was a degree from the university’s prestigious psychology department, which she gained through…less than scrupulous means.

(Listen, I’m not sure if the authors were leaning on the Dumb Blonde stereotype, or if they simply thought that casting her as a genuinely bad student would make her later actions more believable. Either way, the idea of Harley as someone with a legitimate PhD came later)

After landing an internship at Arkham Asylum – a half-hospital and half-prison straight out of the 1870s that might as well be built out of one-ply tissue-paper soaked with gasoline and left next to a crate of fireworks – Harleen set her sights on the then incarcerated Joker. At the start, her fixation on the criminal wasn’t remotely sympathetic. She didn’t want to help him, she wanted to use him. Harleen Quinzel wanted piggyback off his infamy and write a tell-all tale detailing what sort of messed up childhood resulted in Gotham’s Clown Prince of Crime. Yet the more she interacted with him, the more the Joker took advantage of her empathy. By the end of their sessions, Harley no longer saw him as a violent serial killer with a clown schtick, but as a “lost, injured child looking to make the world laugh at his antics.”

But Diya, you may be asking, what does this have to do with the video? The Joker never loved Harley, and it could even be argued – as Shehadeh did in a 2017 essay – that her obsession with the pasty-faced clown is more akin to Histrionic Personality Disorder. While that may be the case, I believe that Harley’s story provides one of the reasons yanderes are so popular: their backstory.

Whether they were abandoned by their family, bullied by their peers, experimented on by evil scientists, starved on the streets, died under mysterious circumstances and then trapped in a haunted VCR tape for decades, or are simply so impossibly inhuman that they frankly do not understand why it isn’t socially acceptable to imprison their crush in a pocket dimension made of meat and non-Euclidean geometry, yanderes often have fairly sympathetic or at least understandable explanations for why they are Like That. Your mileage may vary significantly depending on how much you sympathize with these motives, but the point is that yanderes always make sense to some degree. Their morality and priorities may be twisted or even completely incomprehensible, but the audience almost always knows the reason, and that can be comforting. In the real world, other people aren’t always straightforward, and we never really know what they’re thinking, but narrative coherence demands a semblance of internal consistency lest the audience end up frustrated and confused. So yanderes are not only easy to sympathize with, but also fairly predictable. In-universe they may be unhinged freaks with a blood fetish, but to you watching from behind the safety of the screen they’re just acting out the script written for them based on a prototype. And if you understand the why behind their loose gears, then you might just be able to put them back together again.

The concept of rescue romances or “I Can Fix Them” has been around in our stories for thousands of years. The Epic of Gilgamesh detailed how Shamhat essentially ‘civilized’ wild man Enkidu through ritual lovemaking, and a concerning number of religions push the idea that women are dutybound to save men from the follies of sin. Yet men are not exempt either, with one notable example being the German fairytale, King Thrushbeard. Call it what you will regardless: Knights in Shining Armour, the Florence Nightingale Effect, or a plain old case of Because You Were Nice to Me, studies have shown that human beings generally like helping [DA2] others, even when the reason doesn’t necessarily stem from pure altruism. I will delve deeper into this later, but care and compassion are deeply ingrained in human nature, and arising from those roots is the appeal of this mentality: You can save them. You can change them. You can make them better. You are special, and the way you treat this person carries a weight that has not and will never be matched by anyone else for the rest of their mortal or immortal existence.

The illusion is a delicious one, especially if the person you’ve helped turns out to be a billionaire CEO with cash to burn, a super powerful ghost king willing to raze continents to dust for you, a demon having fun on a Friday night, or just your average hot creep with a knife. Moreover, different people have different ideas of what ‘fixing’ even means. Maybe you want to single-handedly rehabilitate your yandere into a functional member of society. Maybe you’re cool with the incessant stalking but would like them to stop slaughtering your friends, family, and local service workers. Maybe you want to make them much, much worse.

Not only do yanderes provide immediate proof that your actions have a tangible impact on the lives of others, but the fantasy also includes the desire of being seen as special. Of being admired and adored by someone whose life you inexplicably made better by virtue of simply being yourself, or an idealized version of yourself. In this fictional world, in this imaginary setting, the person you are is so uniquely, impossibly irreplaceable to someone. And if that’s the case then they can’t risk losing you, can they?

The Allure of Obsession, or ‘Til Death Do Us Part (Literally)

It shouldn’t be necessary, but here is my obligatory disclaimer anyway. Ahem: obsession is not a good thing in real life. Fixating on another human to the detriment of your own wellbeing and that of those around you is dangerous, as is encouraging someone else to obsess over you. You might think you are being worshiped, but real life is not a visual novel. The outside world doesn’t come with an age rating, the author’s guiding pen, and a convenient fade to credits sequence once you’ve reached an ending. The consequences will still be there in the morning, so don’t do it. Just don’t.

PSA out of the way, it’s natural to want to be wanted. Maslow’s Hierarchy places it just above physical safety, but I’d argue that it could easily be compared to baser drives. According to many psychological and anthropological studies, much of humanity’s continued survival and environmental dominance is largely attributed to our ability to form groups, cooperate with one another, and maintain complex interpersonal networks. Social support, intimacy, and a sense of belonging are linked to emotional and physical benefits, such as more optimistic health perceptions, higher subjective well-being, increased creativity and innovation, and greater self-efficacy (DeWall & Bushman, 2011; Harandi et al., 2017; Wang & Sha, 2018). Therefore, it’s perfectly understandable that rejection of any sort would be construed as a threat.

But if someone is obsessed with you, then you have no reason to worry about that, right? No more nights spent agonizing over how they feel about you, asking yourself whether your last text made you sound too desperate, or if you’re boring them because you spent the past hour info-dumping about Stardew Valley farm layouts. With a yandere, there will never be any doubt that they care about you. Sure, they might go about it in weird, manipulative, and insidious ways that violate your physical and mental autonomy, but you can’t deny their loyalty. They do love you in their own bizarre way. You are the sun around which they orbit. When you’re in the room, no one else exists. Every single messy flaw is just another bullet point on the mile-long list of why they adore you.

In essence, yanderes are not only attentive, but their love can be virtually unconditional. A yandere might know everything about you, and still revere you. It’s unhealthy as hell and you might genuinely question their taste, but it can be tempting to pretend that all of you, right down to the ugliest parts of yourself – the traits and choices that you would never share with another living soul even at gunpoint – are worthy of understanding, if not open praise and affection.   

Attractiveness, or Okay but Have You Considered That They’re Hot Though?

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I mean what am I supposed to say here? They’re hot, what do you want from me?

No, but in all seriousness, fictional media paints an idealized version of the world, and most yanderes are hot because they have the freedom of existing purely behind that screen; artfully arranged and edited to forever appear compelling to anyone who happens to enjoy their particular style. And there are a lot of styles to choose from. Whether you want them pretty faced and disarmingly cute, or scarred up and big enough to pin you like a butterfly, yanderes come in a wide variety of shapes and sizes that are meant to pique your interest and draw you in like a naïve little fish being lured towards the mouth of an angler fish, unwilling to believe that anything bad might happen to us when the bait is this pretty.

This is often referred to as the Halo Effect, a form of cognitive bias referring to the tendency for people to assume that a single obvious positive trait must be associated with other positive traits. The go-to characteristic is typically physical attractiveness, but a nice voice, good humour, and cooking skills are also factors which serve to influence our perceptions.

So, conventional physical attractiveness is one thing, but that’s only skin deep. What about beyond that? After all, the yandere still has to talk to you before they enact their master plan of tying you up in their basement until Stockholm Syndrome kicks in.

When I showed my friend a picture of John Doe from the game John Doe, she told me that he looked like a creepy slob, and she’s far from the only person who’s ever thought so. Look at them. I feel like if I tried to comb that hair it would simply eat me, and some of the CGs really put the scopophobia in Scopophobia Studios. I love Doe, but he is not hot, and he doesn’t behave in a normally appealing way either. If the player chooses not to take a bath, Doe will immediately comment that you “smell good” before following you home, breaking into your house, and leaving a bloody organ on the floor for the player to trip over. Many yanderes can at least fake a veneer of normalcy, but from the get-go Doe doesn’t even bother to pretend he’s anything less than an otherworldly creature stuffed into a vaguely person-shaped meatsuit. In an effort to find out why so many people had latched on to Doe – including me – I shopped around social media and YouTube for answers, and what I found was a widely unanimous sentiment.

While some were drawn to his fun design and goofy personality, most simply thought that he wasn’t inherently malevolent, just very confused. In addition to being a supernatural being with a completely alien axis of morality, Doe’s meta-awareness and unbridled attempts at winning the player’s affection lends him quite a bit of support from the audience, especially if you yourself also happen to struggle with social cues and relate to his pure earnestness. In Ending 7 of the extended version, the player character has the option to tell Doe – who has altered himself to pass as more ‘normal’ – that they prefer who he truly is, at which point he grows visibly flustered and sports an adorable pair of literal heart-shaped pupils.

Whether they’re charismatic, seductive, cute, sweet, funny, nurturing, or generous, the best yanderes have engaging personalities. Even while they’re committing truly heinous crimes against God, man, and your guts, you still kinda want to hang out with them, and you want them to acknowledge you as being just as interesting. And this is all fine in fiction because you’re the one in charge, and if you ever get bored or uncomfortable or busy with something else, then you can simply close the tab or window with zero consequences, which brings us to the final and most important reason.     

Power Dynamics and Consent in Fantasy (I Couldn’t Think of a Joke Here Guys, This Is Kinda Serious)

Once again, I feel that I must preface this section just for the sake of my own peace of mind: sexual coercion and assault are vile and disgusting crimes that should never be emulated or tolerated in the real world. We are speaking purely of fictional media, specifically adult-oriented media in this case, so please be mindful.

In 2009, Bivoni and Critelli conducted a study on 355 undergraduate women with the goal of assessing the reasons behind fantasies of non-consent. At the time, there were two leading explanations of this phenomenon. One stated that women with high libidos but repressed views of sex used these imaginary scenarios to alleviate the guilt they had grown to associate with sex. Because the simulation was a purely mental exercise and they themselves were cast as helpless victims in the scenario, they were able to remain blameless while still finding sexual gratification. The second stated that these fantasies were an expression of liberation by women who were adventurous and comfortable enough with their own sexuality to engage with taboo ideas that they weren’t at all interested in performing in real life. Which do you think was more common?

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If you guessed the second option, you’d be right. The study found that of the 220 women who had experienced such fantasies, 45% found theirs erotic, 46% were mixed, and only 9% reported pure aversion. One justification for this outcome relies on psycho-biological theories, for example masochistic preferences or the unintended activation of the sympathetic nervous system and subsequent mis-attribution of arousal. Other reasons have to do with higher order thinking and are tied to the power dynamics within such fantasies. On the surface is the appeal of being so desirable to someone that they simply cannot control themselves, but then there is a deeper impulse, which the researchers referred to as Adversary Transformation. To quote the article: “[fantasies] involve a struggle between an assailant and a potential victim in which it is relevant to consider who is the winner and who is the loser. At one level, it is a struggle over sex, but the woman's non-consent may be feigned or token. At another level, the woman may be seeking a victory that is not about whether sex occurs, but about what happens emotionally between the protagonists.”

Basically, the imaginary perpetrator may have ‘won’, but the self-character need not have ‘lost’.

Media provides an extra layer to the illusion, one that you as the viewer have absolute control over. If you are choosing to engage with a piece of media that explicitly labels itself as including R18+ yandere content, then you clearly have some expectations, and that background awareness goes a long way in reducing long-term discomfort and allowing audiences to make informed decisions. If you don’t like the plot, you can simply turn it off it with the click of a button, and when the screen goes dark it’s not like the yandere is going to punish you for saying no. Strade isn’t going to break into your house with a drill, there are no homicidal clown ghosts hiding in your TV, and no suspicious pink-haired hackers watching your webcam. They aren’t real, and the consequences aren’t real either. You have all the power here.

Conclusion

In summary, Yanderes are appealing for a variety of reasons. Whether you want to save them, think they’re attractive, wish to indulge in a dream of being utterly coveted, or simply enjoy a bit of spice in your me-time, it’s obvious why the trope has persisted for so long and will likely continue to do so. If you enjoy yanderes but are worried that having a taste for the less wholesome side of things might imply something about who you are as a person, don’t be. The notion that fantasies and media preferences directly reflect subconscious desires is not only painfully out of date debunked nonsense but also indicative of restrictive ideologies wherein bad thoughts = sin. This isn’t 1984. You haven’t committed a thought-crime by having a weird kink. You aren't going to superhell for fantasizing. The human mind is hardly ever so mathematically rational, and the point of fiction is to allow us to safely engage with and explore various ideas, provided the everyone involved is mentally, chronologically, and emotionally mature enough to do so.

Thank you all for listening to me. If you learned something or were just a little bit entertained. If you're curious about knowing more, I've listed my sources below

REFERENCES

Bivona, J. M., & Critelli, J. W. (2009). The Nature of Women’s Rape Fantasies: An analysis of prevalence, frequency, and contents. Journal of Sex Research, 46(1), 33–45. https://doi.org/10.1080/00224490802624406

Critelli, J. W., & Bivona, J. M. (2008). Women’s Erotic Rape Fantasies: An Evaluation of Theory and research. Journal of Sex Research, 45(1), 57–70. https://doi.org/10.1080/00224490701808191

DeWall, C. N., & Bushman, B. J. (2011). Social acceptance and rejection. Current Directions in Psychological Science, 20(4), 256–260. https://doi.org/10.1177/0963721411417545

Flynn, F. J., Reagans, R., Amanatullah, E. T., & Ames, D. R. (2006). Helping one’s way to the top: Self-monitors achieve status by helping others and knowing who helps whom. Journal of Personality and Social Psychology, 91(6), 1123–1137. https://doi.org/10.1037/0022-3514.91.6.1123

Harandi, T. F., Taghinasab, M. M., & Nayeri, T. D. (2017). The correlation of social support with mental health: A meta-analysis. Electronic Physician, 9(9), 5212–5222. https://doi.org/10.19082/5212

Hazen, H. (1983). Endless rapture: rape, romance, and the female imagination. https://openlibrary.org/books/OL3161300M/Endless_rapture

Kroon, R. W. (2010). A/V A to z: An Encyclopedic Dictionary of Media, Entertainment and Other Audiovisual Terms. McFarland.

Matuszak, M. (2017). Hybristophilia White Paper. https://static1.squarespace.com/static/55dfd21ee4b0718764fb34cc/t/5cb7cabee5e5f00ab13be58b/1555548863275/Hybristophilia+White+Paper.pdf

Oarga, C., Stavrova, O., & Fetchenhauer, D. (2015). When and why is helping others good for well-being? The role of belief in reciprocity and conformity to society’s expectations. European Journal of Social Psychology, 45(2), 242–254. https://doi.org/10.1002/ejsp.2092

Parker, R. (2014). Serial killer groupies. RJ PARKER PUBLISHING, INC.

Wang, T., & Sha, H. (2018). The influence of social rejection on cognitive control. Psychology, 09(7), 1707–1719. https://doi.org/10.4236/psych.2018.97101

[krystella-shifts]

All things˚˖𓍢ִ໋🌟₊˚ʚ 🌸 ₊˚ Visualisation˚˖𓍢ִ໋₊˚ʚ₊˚

Visualisation whether you're using it for shifting , manifesting, or to distract yourself while inducing the void state. It doesn't matter if you're manifesting LOVE, MONEY, FAME. or wtv This post will help ya

This will make visualisation much more effortless and fun instead of stressful and forceful

Struggling with visualisation? Here's why:

If you're the perfectionist type of person, you're probably overthinking it, trying to make it perfect, "this exactly greenish-blue curtain with white flowers pattern is spread 57% beside my window", visualising EVERY detail, like your subconscious will get it wrong if you don't or something. is someone holding a gun to your head 😭 like calm down, You're supposed to relax, let yourself, your mind freely play around with it! YOUR MIND KNOWS EXACTLY WHAT YOU WANT. Trust yourself.

When you let your mind be free, let it play around you might even get ideas and clarity! For example, like when I let my mind wander I got a better idea of how I want one of my DR bedroom to be, i didn't thought about curtains and plants but my mind suddenly showed my the image and it was SO PERFECT AJAJSH like yes bish that's exactly what I want! So I got this idea because I wasn't forcing anything, any picture. So your mind knows even better.

⟡☾How to make your visualization better☽⟡

So, you’re trying to visualize your dream life, but the image keeps going blurry like a bad WiFi connection? Don’t worry, bestie I got you. 😔💅🏻 Here’s how to level up your visualization game so your manifestations hit different.

• Details?

It's definitely better to visualise in details like for shifting, the colour of the walls, the feel of the sheets. and for manifesting, if you're manifesting df let's say, visualising looking in the mirror, your lips shape, etc. But you don't have to cuz there's no right or wrong way. You should do what works for you the best. Don't put pressure on yourself.

If someone has trouble seeing the image with details, it's okay to not worry about the details, you can use other senses, like how it feels, smells. That brings me to our next pointtt

• Engage all your senses (Because Your Brain is Dramatic Like That)

If you can’t see the image clearly, FEEL it, get THE FEELS. Hear it. Smell it. Taste it (only if applicable, pls🫢😭).

Don’t just see it—feel the emotions, hear the sounds, smell the scents, and touch the textures, that it feels SUPER real.

Example: If manifesting money, imagine holding crisp bills, hearing them rustle, and feeling the excitement. (I can smell it rn 😤💸 all this bread so yummy yeah)

• Can't hold the image?

use motion not just still images. (cuz I wanna see it in 3d, in motion), It used to happen to me too, i picture something and it start to fade or get blurry. But in that case i realised it's easier to hold it if it's a moving scene, like a scenario. Instead of holding a still image, visualise a small scene. Static images fade, but movement keeps them alive. Movement makes it real. ✨

• Embody the Feeling NOW

Don’t just think about it—feel like it’s already yours. (Spoiler alert: it is). 🥚🥚ample, If u r manifesting confidence, being a pretty little risky baddie, visualize yourself walking tall, speaking smoothly, and radiating certainty. 🤌🏻✨

• Repeat & Reinforce

Wonder why sats work so well? Visualization is most effective when done consistently. Try visualizing for a few minutes every morning or before bed when your mind is most receptive. so like my girl says it, DON'T STOP AND JUST REPLAY, REPLAY-AY - iykyk,iyk,lmk cuz Lee know >:)

I feel i ATE with this one. I hope this helps you pookie!!~ (⁠*⁠˘⁠︶⁠˘⁠*⁠)⁠.⁠｡⁠*⁠♡ lmk and remember ALL THE GIRLS ARE GIRLING GIRLING (the amount of kpop refrences in this post MUHAHAH) if you get all the references ily

[girlyassumes]

More talk about manifesting appearance changes

I noticed my post about manifesting appearance/body changes got a lot of traction. It never occurred to me how common those types of manifestations are. So, I wanted to write another post that's more so focused on the appearance changes aspect.

How is it possible to manifest appearance changes?

When it comes to manifesting, your only limit is yourself. It is possible to manifest any appearance changes you want, the potential difficulty of it is just based on how you view the change. Like, for instance, you're manifesting yourself to be a significantly different height (let's say you're going from 5'7" to 5'3"). You're 26 years old now and you've been the same height since age 12. Of course it's going to feel like a drastic difference and might feel harder for you to believe as possible because of that.

But, the how is never something you have to worry about when it comes to manifesting. There are an infinite number of ways that your height, weight, eye color, etc. could change. Like, maybe your metabolism improves, which leads to you losing the amount of weight you were manifesting. Maybe your body shrinks earlier in your adulthood which changes your height. You never know. But don't try to focus on the how and don't try to apply logic to it. Just affirm to yourself that it's possible.

Why do we manifest these changes?

One thing I will say is to never manifest an appearance change to attract or please someone else (ie. a romantic SP), especially someone else who's putting you down. You are your own SP when it comes to manifesting appearance changes. You are focusing on yourself and how you desire to look. Do it because it's something that boosts your confidence and pleases you. It does not have to correlate with any other manifestation, like, you do NOT have to change your appearance to get your SP to value you more.

Understand why you want these changes and, like I said, make sure you're manifesting it because you want to. This is related to how you look. It is 100% up to you.

Techniques to help you get into the end state, if you're struggling

Obviously when it comes to appearance, it's based on what you're seeing in or on yourself. So, visualizing your new appearance is important and, with that being said, visualizations can easily help you when it comes to manifesting appearance changes.

I've talked about creating vision/manifestation boards. In the case of manifesting appearance changes, these can be very helpful because you have something to physically look at. Put together a printed collage or a Pinterest collage of pictures that reflect how you want to look. Maybe put it somewhere that's close to your mirror or your bed, because then you have that visual there to boost/hype yourself up. You can look at it and say, "That's me" without looking down on yourself and saying something like, "hey, why don't I look like that now?"

You can also do what I did and set a person you admire appearance-wise as your profile pic. I love how Sabrina Carpenter looks and I'm using her as my own visual reference for how I want to look, because there's things she has that I'm manifesting for myself. Setting her as my profile pic on here helps because that picture of her is right there every time I log onto Tumblr. It's right there in the corner of my post, every single time I'm writing something or reading a post back to myself. You could even set it as your phone wallpaper. Most of us are checking our phones a lot, so that's a way to consistently visualize.

And, of course, affirming is also most important when it comes to manifesting anything. Let's use the example again of manifesting a height change. You can robotically affirm to yourself something along the lines of, "I'm [this height]." Maybe imagine a conversation in your head with a friend where they're like, "Wow, you're so short/tall! How tall are you?" and you're like, "Oh, I'm [this height]." Or, affirm to yourself, "Dayum, I look so good today!" It's a simple affirmation that can easily make you feel good. I'll always encourage you to be your own biggest hype man. It is so good for your mental health to cheer yourself on.

Does me wanting appearance changes mean I'm insecure?

No. Manifesting changes in your appearance does not automatically mean you're an insecure person. And, to be fair, it is 100% okay if you do feel insecure about something - we all feel insecure about ourselves in some sort of way, appearance-related or not. Don't point fingers at yourself and put yourself down, thinking, "I shouldn't be manifesting this. I should love myself for how I look now." And certainly don't let other people tell you things like that, too.

Let me be clear: Manifesting how you want to look can be an act of self-love. You can love yourself enough to know what you want/prefer and what will make you happy. Part of why we change over time is to help ourselves grow as a person. Part of why we make changes to ourselves can be to make ourselves feel better and happier if we aren't in a good place.

You can also still be happy with how you look in the 3D realm now but prefer to change things about your appearance. It's healthy to have that feeling of preference over the feeling of desperation. It's the same as being okay as a single person but preferring to be in a relationship because you like that feeling of companionship or being okay with your current job position in an office but preferring a WFH position.

BUT, let me also clarify, you obviously don't have to be okay with how things are in the 3D realm. Realizing what you don't want/like in the 3D realm is what gets the ball rolling on manifesting something different. Use your lack of self-confidence to fuel that push into the end state. You care enough to change something - you can. But, of course, don't leech onto your appearance in the 3D realm and tell yourself you need to change right this second. Remember: ignoring the how, ignoring the time, and being indifferent towards the 3D is what pushes you right into the end state. It's a massive paradox, I know.

[rancidslime]

Magic as Metaphor: Witch Hat Atelier

I've seen a few people describer the magic of Witch Hat Atelier as being "like coding", which irritates me. One, I confess to a personal dislike of "coding" magic systems. I think they're overplayed and they strip the emotional component from magic in favor of making something easily wikiable. It's the kind of fictional magic that I think most appeals to what I will unfairly and derisively refer to as Reddit fantasy fans, the kind of people who seriously engage in powerscaling arguments at length. It also just exhausts me by virtue of its adjacency to Silicon Valley mythmaking about the unique genius of programmers and how they're the visionaries building us a better future. But, you know, that's an unfair emotional response.

The BIGGER reason for my dislike, of course, is I think that's an incredibly shallow interpretation that barely engages with what the text is very obviously communicating. Magic in Witch Hat Atelier is art.

The language surrounding magic in Witch Hat is consistently the language of artwork, specifically illustration. Magic is considered "beyond the reach" of people with vision and motor issues. The word most consistently used to refer to the act of casting magic is "drawing". Magic in this series is a very obvious analogue to making illustrations. (Imagine! A mangaka might be doing what a bunch of former programmer novelists did using her OWN area of expertise and internal conflicts with art as inspiration! I'm sorry, I know I'm being snide and that's not helpful, I'm just so exasperated by this interpretation, because it feels to me like such a demonstration of how people routinely devalue and diminish the skills of artists even when they don't mean to.)

Being a good witch requires being to retain knowledge on a wide variety of symbols, consistently make the correct marks, and have the whimsy and ingenuity to come up with new, helpful, or beautiful magic. In other words, having an expansive visual library, being a good draftsman, and having a unique artistic voice.

Coco and her friends are quite young and lack the finer technical skills of their superiors, but their inventiveness and youth are consistently pointed at as strengths. When they impress Beldaruit, it's not through an act of extreme technical proficiency, it's by making something simple and beautiful with the skills they have. One of Agott's biggest triumphs in the series right now is her knowing the curtain leech sigil off the top of her head, because she loves decorative magic and obscure magical minutiae! Even though it's not "useful" for "marketable" in ways other magic is!

Witch Hat isn't just about art by any means - it's also about academia, power, privilege, responsibility, and more. It's a rich text. But I confess to feeling frustrated by just how many people just skim over or outright miss what is, to me, a very core part of the series' identity!

[cripplecharacters]

Hello!! I’m a fic writer and have had the idea of giving one of the characters I’m writing for prosopagnosia. Within the canon, he mistakes the protagonist for someone he used to know (the protagonist is unable to correct him) and doesn’t realize his mistake until much later on, where he then comments that the two aren’t actually similar at all, in reference to their personalities. He’s also known to refer to people with notable visual traits, at least in the online circles I’ve run in.

I have a couple smaller questions in regards to how I should proceed:

Is it reasonable for him not to have been aware that the way he perceives faces is different?

Would it be incorrect to have him identify others by facial features? Not in the sense of “the one with the short nose” or anything, but “this one has red eyes” and “that one has a scar”. Something easily picked out on the face. Would those be identifiable traits at all?

My fic isn’t meant to have much of an overarching plot, and it’s just supposed to be funny/slice of life. This character is important though and will be a consistent presence. What jokes might my characters make, what jokes should I avoid making, and what jokes is the character going to hear the most and get sick of real quick?

Thank you for your ask! Whether or not he realizes he can’t recognize faces depends on both his character and the severity of his prosopagnosia, as it can range from difficulty differentiating faces to being unable to distinguish faces from objects. From the experience of myself and most people I know with prosopagnosia he’d probably just assume he’s bad with faces and not think any deeper than that, but it isn’t a universal experience.

It's also fine if he recognizes people by unique facial features! Despite not being able to picture someone's face he could try to remember key aspects of someone’s face like a prominent mole or a crooked nose, though I agree something like ‘short nose’ is too vague. The more unique and prominent, the easier he’ll have remembering it (to clarify when I say ‘remembering’ I mean remembering that they have that feature, not being able to picture it). He can also try recognizing people by clothes they always wear or unique hairstyles, though it can get confusing if someone decides to change their hair or he meets a stranger with the same hat as his one friend. The easiest way for me to recognize someone is by their voice or calling their name and waiting for them to respond.

Have a nice day!

Mod Rot

Hi!

Usually I identify people by hairstyle or specific articles of clothing, although unique traits like a scar or red eyes would certainly help as confirmation! (Of course, personality as well--but speaking about visual traits, this is what I look for.)

I hate when people change their hairstyles, it makes them totally unrecognizable for a while. Often I can figure out who someone is a few minutes into a conversation, maybe shorter for people I know really well, but changes to big recognizable features throw me off. (Don't ask how many times I've been in conversations with people and had No Idea who I was talking to...)

So yes, it's realistic to go off facial features, although non-face features may be more common as an identifier. It's also realistic to mistake someone for another person entirely. I often think people look alike and they just are similar heights with similar hairstyles to non-face-blind people.

Joke-wise, I make fun of myself for not recognizing people. It's embarrassing, sure, but in hindsight it makes a good story. I don't like being teased about it, it makes me feel bad or inadequate that I can't recognize people. But when I do it? Funny story!

Mod Rock

Hello,

As someone with a similar condition (I've always heard it referred to as face blindness,) I use a few different things to recognize people;

Glasses. A lot of people I know have unique glasses and I use those to recognize them. I know this person because they have blue, red, and gold glitter in their glasses, and I know this person because she has electric teal wire-frame glasses.

Hair. This only works when people have an unusual hair colour or style. If someone has one side of their head buzzed, I recognize them by that. If someone has very long red hair, I recognize them by that.

I also look at distinct facial features. I know someone who wears red contacts and I recognize them by that. Something like a scar or very distinct facial features can help me recognize someone.

Voices. I'm not excellent at recognizing voice but I can recognize a distinct vocal quirk, like a Louisiana accent.

Context is also important. The biggest thing I struggle with is recognizing people out of their usual context. I struggle to recognize most of my old classmates outside of high school and school-related functions like graduation ceremonies. If I see an old classmate or even a family member in the drive-thru, it's hard to recognize them unless they have something distinct about them or I know them really well (such as if they were in my friend group.)

And then there are little things I pick up on that help me recognize people I wouldn't otherwise recognize. I work in a drive-thru so I can recognize a lot of people by their orders or by the cars they drive. I can recognize a few people based on their names when they order on the mobile app- if they order and don't use the app, it takes me a minute. I can recognize most of the regulars because they usually know my name and make conversation.

And yes, like you mentioned, personalities.

I didn't know I struggled to perceive and recognize faces for a very long time, I thought everyone was the same way. If it had never been pointed out to me, I probably still wouldn't know that I need to do things differently. It's not something that's easy to notice without outside help telling you that no, actually, most people can recognize people they know or even people they've met a few times.

So yes, he sounds very realistic based on my experience. He sounds like he has it pretty severely. And, by the way, the same situation happens to me all the time. And it's extremely embarrassing when it happens.

I make a lot of "I barely recognized you!" jokes with people who know I have face blindness. They aren't extremely funny but it's my way of saying "You've changed something about your appearance" or "Wow, it's been a long time!" I don't know of many face blindness jokes either, it's not something we often have the opportunity to joke about. If he draws people, he might make a joke about "Yeah, this probably isn't the best career" or "I know, don't quit my day job." Or he could do something kind of like Toph Beifong and react to someone else's art with "Don't worry, I think it looks exactly like the person." Maybe if they're looking for someone and he points out a random person like "Hey, there they are!" only for the group to realize he's messing with them?

Maybe you could repurpose some blind jokes and make them about "I can't recognize people" instead of about "I can't see"?

Mod Aaron

[tsuchishima]

❀ — A GUIDE TO BOKUTO'S MOODS ๋࣭ ⭑ ❁

WARNINGS | none

GUIDEBOOK | types of bokuto's moods, problems and solutions, bokuto in conclusion (wip)

WC | 0.6k words ~ GENRE | fluff / slight crack

A/N | don't mind the way i drew bokuto.. his hair was a complicated story. also, this was very fun to write about! might add more to this in the future though. i'll be making the fukorodani masterlist when i have some time anyways ENJOY READING READER !

NOTEBOOK COVER + PAPER (visual reference)

๋࣭ ⭑ ⚝ — TYPES OF BOKUTO'S MOODS !

𓏲 ๋࣭  ࣪ ˖ MOOD 1 // HAPPY managing difficulty : ☆☆☆☆☆ signs & symptoms : straightened spiked up hair, slightly widened eyes, thick eyebrows raised up, wrinkled up nose, a wide smile on display, very loud, may be laughing loudly common causes : perfect spikes, volleyball, loud cheery crowds, being praised. most used line/s : 'HEY, HEY, HEY!' notes : when he's in this mood, do not bother and just play along. it's for the best. — by akaashi

𓏲 ๋࣭  ࣪ ˖ MOOD 2 // SAD [ best known as, emo mode ] managing difficulty : ★★★★★ signs & symptoms : curved down floppy hair, dropping upper eyelids, eyebrows maybe low and curled down or narrowed ones, has a big pout that only grows more or clenched teeth, saddened look, very silent, hides in enclosed spaces common causes : not being able to score, not playing in a main arena/court most used line/s : 'Akaashi ... don't toss to me anymore!' notes : managing his emo mode is difficult, but many solutions come up when overthinked. — based akaashi on X3

𓏲 ๋࣭  ࣪ ˖ MOOD 3 // ANGRY managing difficulty : ★★☆☆☆ signs & symptoms : very spiky hair, eyes looking intense, scrunched up face, pouty, occasional groaning and scoffing, consistent scowling, a bit quiet most used line/s : 'don't make fun of' me!' notes : this mood barely comes up, but whenever it does come up it ends up with everyone thinking he's acting like a kid.

𓏲 ๋࣭  ࣪ ˖ MOOD 4 // EXCITED managing difficulty : ★★☆☆☆ signs & symptoms : similar to mood 1 (happy), contoured very spiky hair, eyes beaming with joy—widened eyes, squiggled lips or a very bright smile, raised eyebrows, VERY loud, extremely energetic, raises his arms everywhere common causes : teaching/watching his mentee, eating barbecue, winning most used line/s : 'HEYYYY!', 'YESS!' notes : he's clearly acting like a kid this time.

𓏲 ๋࣭  ࣪ ˖ MOOD 5 // GUILTY managing difficulty : ★★★☆☆ signs & symptoms : similar to mood 2 but a washed out version of it, slightly frizzled flopped hair, winced face, might be staring down, pouty, mutters about blaming himself, sighs deeply from time to time, slumped shoulders, quiet. most used line/s : 'if only i..', 'why??' common causes : messing up, when he doesn't study for a test. notes : it's obvious that he's only acting like this because of his mood but, when you hear him quietly muttering you can't help but feel bad to the poor ace. — the whole fukurōdani roster

𓏲 ๋࣭  ࣪ ˖ MOOD 6 // CONFIDENT managing difficulty : ★☆☆☆☆ signs & symptoms : contoured hair, constant smirking and smiling, only one brow is raised, raised up shoulders, crossed arms, hands on his hips, slightly energetic, smug look plastered on his face, laughs loudly proud, not loud but speaks a lot common causes : being praised, when someone mentions he's the top 5 aces in the country, his mentee speaking highly of him most used line/s : '*a confident hmph!*' notes : people point out his flaws when he's confident.

_ → m.list

tsuchisama © — please do not copy, steal or translate.

[dasenergi]

it’s very out of the blue, but I feel like you might have an answer: do you mind sharing a way to ground or open your sacral chakra? I was told that might be something I need to work on but engaging with it eludes me

Hello, Friend,

First, let’s clarify a few concepts:

Grounding refers to becoming more centered in your body and present in the moment. It's about connecting with the earth to bring your energy down from the upper chakras and distribute it evenly throughout your body. Grounding stabilizes and connects you, forming a foundation for removing blockages and allowing energy to flow freely through your chakras.

Opening a chakra, on the other hand, is about activating and energizing the chakra.

As a reiki healer, I have worked with clients who have experienced different blockages — overactive (which can feel hot) and underactive (which can feel cold) chakras. In my experience, while reiki and sound baths can support chakra healing, the most significant progress happens when clients actively engage in their own healing process. This work requires patience, consistency, and commitment to a daily practice.

I am curious why you specifically mentioned the sacral chakra. Understanding your experience with this chakra could help identify what might be blocking it and how best to balance it. Below I will speak in broad general terms about my experience with grounding, the sacral chakra, and ways people recommend to balance it.

The Sacral Chakra: Creativity, Emotional Expression, and Sensuality

When the sacral chakra is unbalanced, it can manifest in various ways:

Emotional instability Insecurity and anxiety Addictive behaviors (overindulgence) Resentment and guilt Lack of creativity Feeling unmotivated Lack of desire

When this chakra is balanced, you feel emotionally grounded, creatively fulfilled, and physically vibrant. You are inspired, creative, sensual, passionate, playful, energetic, joyful, balanced, and connected.

Grounding Techniques When I work with clients on grounding, we usually use meditation, breathwork, and visualization.

Tree Visualization/Meditation: We hold hands, close our eyes, and synchronize our breathing. I then guide them to imagine themselves as a tree, with roots extending deep from their feet into the earth. They feel the energy from the earth rising up through their roots, stabilizing and centering them. Their arms and hands become branches reaching for the sun, feeling its nutrients invigorate them. They imagine their branches swaying in the wind, taking in carbon dioxide, and releasing oxygen back into the atmosphere. Their body is the tree trunk, feeling strong, connected, and supported — energy flowing freely.

Barefoot Walking: Another effective grounding technique is walking barefoot on natural surfaces like the earth, grass or soil. Whether it’s a walk in a park, forest, or beach, this direct connection with nature can be incredibly grounding.

Connecting with Nature: Touching nature, hugging trees, talking to plants, and listening to their responses are other powerful ways to ground. Gardening can also be a deeply grounding practice, even if its just potted plants inside of your home. If you don't have any plants, visit a plant nursery and become a plant parent. If you are nervous about being a plant parent, start-off with a small succulent. They tend to be easier to care for, although a few have died while in my care.

Physical Exercise: Physical activities like swimming, walking, or going to the gym can help ground your energy and bring awareness to your body.

Water Connection: Water is especially beneficial for grounding. Whether it is taking a dip in a stream, river, ocean, spa, swimming pool, or even a bath or shower, water can help you reconnect and stabilize your energy. Practice luxurious bathing. Water is my personal #1 healing & spiritual practice. (It is not out of the ordinary for me to take 3 showers a day.) If I don't swim every day, I feel it. I just got back from a multi-week silent meditation Buddhist retreat in the mountains, and I brought with me a glass bottle of my swimming pool water to anoint myself everyday. (I also used it to water some of the trees and plants around that I was connecting with.)

Dance: Movement is another way to ground yourself AND release blocked energy. Don’t worry about how you look—just move! Create a playlist of three songs that get your body moving, and let your body guide you. Dance as if no one is watching, allowing your intuition to lead the way. (Here is a link to a Spotify playlist of songs for intuitive dancing.)

Sensory Connection: Engage in activities that bring pleasure and engage your senses, like:

Enjoying a favorite meal mindfully. Turn off the TV and electronic devices. Close your eyes and take your time to chew slowly, savoring each flavor as it unfolds on your palate. Pay attention to the sensations of eating, how the food feels in your mouth, and how your body responds to it. Allow yourself to be fully present, appreciating the nourishment and pleasure that each bite provides.

Mindful Tea or Coffee Drinking. Make a ritual out of it. Pay attention to the sound of the water boiling, the aroma as it brews, and the warmth of the cup in your hands. Sip slowly, savoring each flavor note and texture, and allow yourself to be fully present in the experience.

Textural Exploration. Spend time exploring different textures with your hands. This could be anything from soft fabrics, like silk or velvet, to natural textures, like stones or leaves. Close your eyes and really focus on how each texture feels against your skin, allowing yourself to be absorbed in the sensation.

Opening & Balancing the Sacral Chakra involves a combination of the grounding techniques (above) and also some suggest the below:

Color and Crystals: Some believe that the sacral chakra’s association with the color orange means that eating orange foods (like oranges, carrots, mangoes, and cantaloupe) or carrying orange crystals (like Amber, Carnelian, Orange Calcite, Gold Tiger’s Eye, and Moonstone) can help balance it. This also includes wearing orange clothes, perhaps a new orange scarf or shoes? October is coming up!

Yoga Poses: While I am not trained in yoga (and only practice sporadically) certain poses are often recommended for opening the sacral chakra, such as Mountain Pose, Tree Pose, Warrior Pose, Crescent Pose, Goddess Pose, Forward Bend, Bound Angle Pose, Triangle Pose, Pigeon Pose, and Butterfly Pose. Aromatherapy: Mindful breathing with scents. Using essential oils like jasmine, sandalwood, ylang-ylang, orange, or patchouli can also support sacral chakra healing.

Creativity: Expressing yourself creatively is key to sacral chakra health. Write, draw, paint—let your creative energy flow. Even if you are not feeling particularly inspired, just start. A single brush stroke or word on a page can lead to more. Make creativity a daily practice, whether it is doodling, writing a sentence, or something else.

And probably the most important recommendation on how to balance your sacral chakra—

Emotional Exploration: Since the sacral chakra is closely tied to your emotions, consider exploring any underlying emotional issues or traumas that might be contributing to the imbalance. Journaling daily, therapy, or talking with someone you trust can be powerful tools in this process.

Even though I tried to be as thorough as possible above, I should note that I am NOT actually an expert in the chakras. I disagree with the common western belief that there are only seven chakras. I believe that there are A LOT more. Each finger has at least four! Chakras are energy vortexes. And I have a lot of opinions about them.

But like I mentioned above, doing the grounding work that I mentioned along with a daily practice, should help you.

If you want to come off Anon and send a personal message, I will be happy to provide more thoughts on the subject specific to your circumstance.

[randomalistic]

hi :3 I saw your recent Wreck It Ralph vid (loved it) and seeing your avatar reminded me that I wanted to do something similar for my own vids? I am. Really bad at wording things my question is what size canvas did you use to draw them? And is there anything I need to keep in mind when implementing my own avatar into my YT vid like yt compressing the video or anything? I hope this makes sense like I said I suck at wording things 😭

Ooh okay!! Good question :] also I'm really happy you enjoyed!!

I am an amateur so idk how useful this info is but Here (dumps everything)

The emotes were made in Krita (any art software will work)

The canvas size was around 1000 x 1000 pixels

Starting out, doing a basic emotion sheet works well. Watching other PNGtuber videos helps you organize how many you may need and what emotions are used the most (expect to make 30 or more drawings, which is A LOT at first, and might take a couple weeks, but once you have them you can use them forever!)

Also start your video even if you're still working on emotes! It helps to sorta do everything at once :)

This grid doesn't cover everything I used (it was a very messy process) but it might be useful so here :)

I think its also a good idea to make a "base" and then mess with expressions from there. This one had a lot of usability. (and also a lot of layers)

Later on I found it most useful to listen to the stuff I recorded, and then make a drawing for that moment specifically. You can then apply that "emotion" to other places where it fits

this is probably my favorite example because i based the expression off King Candy LOL. USING REFERENCES IS FUN !!!!!!!!! And I ended up using this one a lot !

Also expect a lot of rejected designs and struggling w drawing expressions because it's Hard. Developing the style you want takes a lot of time!! (I scrapped these 3 i made early on)

//

Exporting and YouTube processing was a little tricky but here’s what worked for me:

- I used Davinci Resolve to export the project. My video was made at 24fps, the same framerate as my footage. (The Movie) Earlier on, I kept noticing my audio was too loud and weird glitchy visual artifacts kept showing up. After trial and error I found these settings worked the best:

Main takeaway, i legit dont understand how any of this works but:

ITU-R BS.1770-4 normalization for audio is Good

Lower your finished audio track to -13.5dB. It will sound quiet, but YouTube likes this and will make it a normal volume (?? I THINK?? Do your own testing, my final video was kind of quiet but nobody commented on it so its fine as long as it's consistent)

YOUTUBE EQUALIZES YOUR AUDIO IT DOESNT MATTER HOW LOUD IT IS IT WILL BE OK

H.265 encoding with .mov format (aka QuickTime) is Good

And that's probably enough infodumping for now. Its okay to feel overwhelmed and unsure where to start but making a video is SO FUN and i encourage it more than anything :))) Take your time and learn at your own pace! There are lots of great tutorials online.

I WOULD BE HAPPY TO ANSWER ANY EXISTING QUESTIONS

[mlbigbang2024]

Big Bang Etiquette: Tips for Writers & Artists Working Together

Sometimes it feels daunting to start talking to someone you don’t know on the other side of the world, particularly if you’re a little shy. Here are some tips to make your Big Bang experience fun and productive!

After all, it’s in everyone’s best interest to finish the fic and artwork. So we have tried to come with a handy guide. Hope this helps you!

For Writers:

1. Be Clear with Your Vision: Share your story ideas early. Let your artist know about key scenes or vibes that inspire your work.

REFERENCES, REFERENCES, REFERENCES: These are key to make sure that the artist understands what you are envisioning.

Pinterest boards can also be your friend.

Share your outline and your chapters as soon as possible so that the artist can start planning!

2. Respect Artistic Freedom: Trust your artist’s interpretation. Their unique perspective adds depth to your story.

Be Open to Surprises: Your artist may come up with ideas or visual elements you hadn't considered. Embrace their creativity as it often leads to a richer final product.

Constructive Criticism: If you’re unsatisfied with a piece, don’t be scared to speak up, but do so respectfully. Frame your feedback in a way that’s encouraging and helpful, like suggesting adjustments instead of outright rejections. 

3. Deadlines Matter: Stick to agreed timelines. Your artist is working around them too!

Plan Ahead: Keep track of all deadlines and set internal checkpoints to ensure progress is on track. If you anticipate delays, communicate early to find a solution together.

Be Reliable: Consistent and timely updates build trust and show your commitment to the partnership. If you meet your deadlines, your artist is more likely to do the same.

For Artists:

1. Ask Questions: Don’t hesitate to seek clarification on characters, settings, or moods. A little detail can spark the perfect illustration.

Dig Deep: Ask about character motivations, the tone of scenes, or any specific visual details the writer envisions. Even small things like the color of a character’s eyes or the style of clothing can make a big difference.

2. Share Progress: Show sketches or drafts early on. Feedback from the writer can steer your work in the right direction.

Step-by-Step Updates: Share your progress in stages—initial sketches, line art, color blocking, etc. This allows the writer to give feedback at each step, preventing major overhauls later on.

Encourage Input: Invite the writer to share their thoughts openly. Remind them that it’s easier to make changes during the sketch phase than in the final stages.

3. Be Flexible: Sometimes the story evolves. Adapt if needed and stay open to adjustments.

Offer Solutions: If a requested change seems challenging, suggest alternatives that stay true to the writer’s vision but might be easier or more effective artistically.

4. Respect the Story: Your art enhances the writing. Keep the narrative in mind and aim to complement the writer’s vision.

Stay True: Your art should reflect the mood and style of the story. Whether it’s lighthearted, dark, whimsical, or intense, align your artistic choices with the writer’s narrative goals.

For Both:

Communicate Regularly: Check in often, even if it’s just to say everything's on track.

Be Considerate: Life happens. If something’s going off course, let your partner know ASAP.

Celebrate Each Other: Acknowledge each other’s efforts. This project is a team effort—cheers to collaboration!

Ways To Get Conversation Flowing:

1. Artist

Ask the writer what inspired the story or how they come up with ideas

Tell the author your favourite scenes. The creation process takes a long time, and some writers miss getting the in-flow of kudos and comments from Ao3 for motivation. During this phase, you are their source of motivation!

2. Writers:

Ask why the artist why they liked your idea.

Tell them about yourself, anything from the Timezone you are in to help with communication or to what inspires you.

If you have something big coming up, like a holiday or an exam, let your artist know. Who knows you might find out you have similar interests!

3. Both: 

Talk about anything and everything! Compare head canons, your favorite episodes, maybe even your favorite fics!

Provide regular updates! Ask for feedback. It doesn’t have to be a complete work. You’re just providing each other reassurances that there’s progress!

Remember this is more than an event, this is FANDOM! And we are here to have fun and make new friends! 

[4noki-vns]

The Art of Asset Reduction: VNConf 2024 Write-Up

This is a write-up for my Visual;Conference 2024 talk on asset reduction: presentation of scenes with reduced art labor.

I will discuss how to reduce production requirements via various methods of asset presentation and staging, walking you through case studies of existing visual novels. This talk will guide you to answer the question: How do I fulfill my project scope without asset bloat?

This is an art talk that assumes you have already scoped down your story and have created a list of scenes that you need. This is not a talk about scoping down your game's story.

You have scenes you need to make. How are you going to make them (and with style)?

Abstraction

Cut-ins

Reduce

Reuse

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I. Abstraction

I start off with abstraction as a reminder that visual novels are a combination of visual and novel (amongst other aspects)

Abstraction

Abstraction is a strong tool for bringing focus to the writing, highlighting ambiguity and setting the mood with colors.

Examples I mentioned in my talk include:

Black screen

Solid colored screen

Sky BG

Of Components

The mood-setting power of abstraction also extends to scenes with characters, especially CGs.

As again, abstraction draws focus to what you choose to emphasize: the characters.

(FLOWERS -Le volume sur ete-)

They are gay. Thank you for coming to my VNConf talk.

-

You can similarly abstract characters.

(Lachesis or Atropos)

Consider representing irrelevant characters (e.g., NPCs) as silhouettes. The reader can fill in the details within the shapes themselves.

Silhouettes are especially great for crowd scenes where you want to draw focus to the main characters.

This will be a recurring theme:

What do you really need to draw?

-

II. Cut-ins

One common not-quite full screen piece of art you'll see in many visual novels is the cut-in.

The cut-in typically consists of the:

Item/focus

Frame

And is often for topics such as objects or small animals, which may exist in the scene but may not be within the same frame of reference as the background and sprites.

The separate framing informs the players that the item is "separately framed."

(Who is the Red Queen?)

For example, this small bird is not huge and would not be the size of a character's head even had a sprite been on screen.

The Foreground-Backdrop Heuristic

Cut-ins make strong use of what I refer to as the "foreground-backdrop heuristic."

(Shikkoku no Sharnoth)

A general backdrop informs the reader of a broad location or scene (especially if characters are present). Then a more specific foreground (the cut-in) informs the reader of the specifics.

As the foreground cut-in is in a different frame, the pairing of the two helps create a mental model of the space in the reader's mind.

Cut-ins can be used for:

Backgrounds (mix and match foregrounds with a backdrop)

Reduced CGs

Presenting existing assets in a different frame of reference

CG variants

Try tackling your visual presentation in a layered, comic book-esque fashion with cut-ins!

Just be careful about clutter.

Whether you want to go for the layered cut-in style, the 3d stage cinematic style, or a combination of the two, make sure you have a vision before you jump in.

SD CGs

I had to make an obligatory mention of SD "super deformed" CGs in this talk, so here it is in the write up as well.

(Grisaia: Phantom Trigger Vol. 1)

SD, chibi. However you call these, they're great for playful scenes that might require more art than your classic sprite-background combination.

What SD CGs do best is that they:

Fulfill the role of a CG

Are easier to draw than fully rendered non-chibi art

Can be distributed to different artists to reduce artist workloads due to style difference

Just keep in mind that a simplified CG is still a CG and thus may lack reusability.

Consider what scenes really need a CG.

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III. Reduce

Now, consider asking yourself: "Does what a player does not see need to exist?" (mostly applicable for games with opaque UI)

Yet, what you need to draw is what you need to draw. How can you reduce the work in what you need to draw?

One option is:

Palette Limitation

You've heard of gray scale games, but don't forget about other ways of limiting your palette to reduce workload.

Dramatic, mood setting color power

Less rendering work

(Sona-Nyl of the Violet Shadows)

A similar idea can be applied to NPCs for a more detailed take on silhouettes.

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IV. Reuse

Lastly, please remember to be economical and reuse assets as necessary. One of the great joys of cut-in BGs, for example, is reusability.

I had to give an obligatory mention to CG variants in my talk, such as:

(Fatal Twelve)

However, overall, you never know when you'll want to use various components of your art elsewhere such as intermixing CG and sprite art.

Please keep your working layers if possible.

Other reuse examples:

UI (especially in episodic games)

Gameplay (e.g., Kogado's rhythm game)

Consider asking your programmer to work on a framework to reuse, reducing repeated code work.

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Conclusions

All in all, you can make your game.

And it doesn't need to be hellish on your budget or timeline.

If you take anything away from this talk, let it be to:

Prioritize reusable assets

Maintain aesthetic; avoid clutter

Display important scenes

Do not scope up; aim for a set goal

A scene can be presented in many stylish ways, some of which will suit your workflow better than others.

So, go on. Make your game!

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Interested in my works? Find me on itch:

And check out my newsletter:

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VNConf 2023 Talk Write-up:

[live-emotion]

Utapri Live Emotion Terminology Guide

For now this list is mostly for myself so I can be consistent, but if you're unfamiliar with gacha or rhythm game terminology, then this might be helpful. I will update as we get more information about the game.

Gacha & Piece Terms:

Piece/Emotional Piece - The 'cards' or 'photos' that you receive in game with unique art of the 18 characters. They come in various rarities and can be levelled up to become more powerful.

Idolize/Idolizing - A process like 'evolving' a Piece to make it stronger. Upon being Idolized, a Piece will gain higher stats, and different usually more intricate art. The term "awaken/awakening" may also be sued for the same function.

Gacha/Piece Gacha - The main system used to obtain new Pieces in exchange for in-game items.

Banner - The name used for the current set of Pieces with a higher chance of appearing in the gacha. Many banners are limited time only (Limited Banners), and will have a certain theming. Eg "I hope the next banner is animal themed."

Wish - A verb describing partaking in the Piece Gacha. People may say "I wished 50 times for [character's] new piece." or "I'm saving for a x10 Wish." To "pull" or "roll" are also very commonly used terms.

Piece Gacha Ticket - An item that can be redeemed in the Piece Gacha in exchange for a Piece. Using x10 at once is better value as you're rewarded with an extra Piece for a total of 11.

Wish Tones - The item appearing like rainbow coloured gemstones with a music note in the center. They are used in the Piece Gacha, and can be obtained throughout gameplay and be purchased with real money. 250 Wish Tones exchanged for 1 Piece.

F2P - Short for 'Free to Play'. Meaning that you play the game without spending real life currency on it.

Whaling - Spending a substantial amount of real life currency on the game's microtransactions (purchasing in game rewards in exchange for money). You may see people refer to themself as a 'whale' if they do this.

Rhythm Gameplay Terms:

Live(s) - The songs played as the main portion of the rhythm gameplay.

Note(s) - The circular icons that move towards the bottom of the screen during a Live that the player has to tap in time with the music. There are various types of notes that require different tap gestures, (tap, hold slide, etc) indicated by the visual design of the icon.

Lane(s) - The pre determined lines/grid that the notes appear and approach on. In Live emotion, the amount of lanes changes depending on the live's difficulty level.

Beatmap/Map - The individual composition or layout of notes for each song. Eg, "My favourite beatmap is [song title]."

MV - Short for 'Music Video'. MVs of the characters dancing as 3D animated models are seen in the background of Lives.

[waitmyturtles]

High points and question points of 23.5, episode 7:

1) The mood is so much better. It's cute! Fon Kanittha does a wonderful job of focusing on elements of family and community in her pieces -- I love that she doesn't keep Ongsa's and Alpha's parents behind a curtain, that they're responsive to the nostalgic joys of watching a group of high schoolers commune and find each other.

2) Having Ongsa and Sun confirm their relationship while Ongsa was wearing a traditional outfit meant a lot. It's a visual bucking of an expectation of how a "woman should behave." Ongsa was of course gorgeous, but the shots of her holding Sun with those big gold bangles also meant that she was taking tradition to a new place, creating her own traditions -- all while we know that she was burdened with fear beforehand about publicly going out with Sun, and being afraid that Sun wouldn't feel comfortable being out with Ongsa (which clearly is not the case). (I also loved the move of having Ongsa get out of the first outfit, which was clearly indicative of a lower station than how Sun and Ton think about Ongsa. That was a nice little twist.)

3) @bengiyo mentioned in his Stray Thoughts on this episode that he wished that we could have sat a touch more in Ongsa's discomfort on the above, and I agree. This show is missing an exploration of emotional stuff that we've seen in other pieces by Fon Kanittha, especially, for me, as compared to 10 Years Ticket.

(On the recommendation of @dribs-and-drabbles, I'm giving My Precious a shot this weekend. MP is centered around a core romance, but in this piece, much of the first quarter of the piece is spent building the huge community around the main couple. And we get emotional nuances, wherever they might be, both from the individual characters, AND by learning more about them through each of their sets of parents, very similar to the structure of 10YT. In 23.5, we've rushed through this, or we didn't explore it in full.)

I have a theory: since this is GMMTV's first GL, I wonder if Fon is either intentionally, or being made to, give more attention to love tropes, either by reference to older ones, or creating new ones for GLs. We saw kabedon last week, for instance, and we're seeing a love interest make a turn for their courtier when it seems like their courtier may be straying, etc. (although the latter isn't necessarily specific to BLs). Since My Precious is also airing at the same time, I can't make a judgment as to Fon's takes on pure romance, as 10 Years Ticket was a community-focused lakorn of many stories. But in any case, it's weird that we're seeing these emotional skips. Just a couple more minutes spent, at this very moment, on WHY Ongsa has this (sometimes excruciating) hesitation of speaking and insecurity would be helpful to match what emotion we're seeing out of Sun. And seeing Sun nice and angry and jealous -- again, from my thoughts last week, I thought we'd see that a bit more after the catfishing reveal in holding Ongsa accountable.

I think this need for emotional clarity is dampening my overall embrace for this show, especially because I honestly didn't expect it from Fon Kanittha. But again, I thought the mood of this episode and the consistency of it made more sense than last week.

[tendermiasma]

Hope this isnt odd to ask but, do you have any advice for folks looking to start work in character art or animatic work? Like general warm ups, things to practice, so on?

Not at all! Practicing turnarounds would be great since you want to keep things consistent. This might me tough to gauge without a mentor (if you can take a class/get a hold of one please do!) but simplifying your designs to be animated would also be helpful. Study the level of detail you see in media you like and try to come up with a new character with the same design sense/level of detail.

Character creation is more than technical execution though. You want a make a character that you love and help tell their story through their design. I've expanded my visual library a ton since getting into the industry by gathering historical references and a LOT of fashion. Clothing designers will always be miles ahead of me when it comes to dressing a character so I look to the runway a lot of the time. It's also about their demeanor and how they express themselves so drawing a multitude of expressions and poses with their specific body language in mind will help give you a stronger sense of who they are and will help lead you in the right direction. I always found it super hard to make an OC out of the blue without knowing their story first because I'm like, why are they here at all, so figuring out their story or giving yourself a prompt first might help if you're like me. Sometimes a character design can be incredibly ornate and eyecatching and it rips and sometimes a design is very simple but compelling because of how that character comes alive through facial expression, mannerisms, etc.

I hope that helps!