#it was nice just chatting about life and all that

[pparacxosm]

blue-eyed son

(homeless era!patrick zweig x jaded businesswoman!reader; tw themes of poverty; tw strangely intimate vaguely unnerving eating scene; maybe i got carried away with characterising the motel receptionist; but it was necessary; tw corporate ennui; tw scathing outlook on new rochelle; i’ve never even been to new rochelle; there is a real prompt from the NYT mini crossword in here, and the answer was ‘aches’ but ‘zweig’ is also five letters; also maybe i got carried away with reworking the dialogue from the motel scene; but i maintained the essence of tragedy; in fact i enhanced it; tw enhanced essence of tragedy)

‘Not too shabby…’

The blue light miasma permeating from the screen of your brickheavy, moltenhot company laptop casts taunting shadows across your visage as you stare at the subject line of the email from your boss. You drag your finger across the mousepad and click.

Just got off the phone with Mr Smith from Kanonda Corp., and they had some great things to say about our chat today. Kudos to you for handling that. Just a quick reminder, though, that your numbers aren't quite up to par this month, so let's work on ramping those up. Keep it up!

Cheers!

You find three things hilarious about this email: 1) the use of the words our chat when you’re pretty sure you endured those three hours of Mr Smith’s overt attempts to incite a clunky game of footsie under the wobbly table in the shitty steakhouse in bumfuck New Rochelle completely solo, 2) the notion that adding an exclamation mark to the phrase ‘keep it up’ makes it read more like an encouraging pat on the back than a barked order, and 3) the use of the words your numbers when there’s about five other assholes on your team who aren’t in bumfuck New Rochelle, whose combined time spent sitting on their asses in the office, if harvested as energy, would be large enough to power up a small town for all four days of this wretched business trip.

Actually, the “kudos to you” is also pretty funny. Your boss, the comedian.

You shut the lid of the computer, drawing your knees to your chest and ignoring how the sharp lump of an errant spring in the old mattress is digging straight up your ass. You’re nursing a lukewarm can of Coors you’d snagged from this motel's halfway functional vending machine. You’re trying to ignore the noise from the room next door, where some douchebag is doing his best impression of a broken washing machine in bed.

New Rochelle sucks. New Rochelle sucks dick. The weather sucks dick. The food sucks dick. Your job sucks dick. Sunny Skies Motel sucks dick. And you’re considering redownloading Hinge, and setting your radius to ten miles and your standards to hellishly low, just so that maybe you can suck a dick, too, because you’d hate to feel left out.

The company you work for so graciously comps the room in the seedy motel. Real nice. The room reeks of piss and potpourri, old cigarettes and beer, and looks like a relic from the 70s. As in, peeling, avocado-green wall, visibly stained moth-eaten carpets that are an alarming shade of brown, and an ancient CRT TV whose only available channels are reruns of sitcoms from the 90s. Everything about this place wails ‘temporary,’ but, to you, there’s the stark, resigned misery of a lifetime sentence. The room is like your life, in a way: suffocating and stagnant, with no change in sight.

It's the kind of motel that no one would ever choose to stay at if they had a choice, or, perhaps, a modicum of self-respect. But you, poor you, eyes going misty as you look out the window facing an alleyway, are beginning to contend with the fact that you have neither of those things.

You’re lying supine on the bed, arms spread out like a crucifix effigy, and your back is learning every lump and valley of the shitty mattress. You’ve downed your beer, and it’s sloshing about in your belly, and there’s a dampness gathering beneath the underwire of your bra.

You cast a glower to the thermostat, an old model with yellowed plastic and faded lettering. You note the temperature display.

“65, my ass.”

And who are you talking to? The roaches? They’re probably waiting for you to die of heatstroke so they can dine on your miserable, sweatstrewn flesh. The vent shudders droningly, spewing tepid air like bad breath, and you do consider just lying there. Sweating out your bitterness. But no. You need your bitterness. Your bitterness has always served you.

Like this, bitterly, you peel yourself off the bed, swinging your legs over the side.

You slip your tights-swathed toes into the firm leather of your kitten heels, tugging the hem of your skirt down your thighs, but choosing not to bother with the rolled cuffs or the top four unbound buttons of your button down, the dampness where the fabric clings to your back and armpits growing cool as you step out into the nighttime.

You’re twentyeight, which is seventyfive in corporate years.

You’re a wonder with a spreadsheet, and you work hard, and you’re reliable, but these are the sorts of things that only get you so far.

So they send you to New Rochelle. Fine. Here’s their thinly veiled, lastditch attempt to motivate you, or something.

And everyone’s probably sipping on fancy espresso in their cushy corner offices or having lunch in some upscale bistro back home. And you’re in sucksdick New Rochelle, wondering how many different ways a woman can feel disconnected and uninspired.

The Sunny Skies motel lobby is a hollow shell. It is lively as a morgue. The vending machine flickers with the weary lament of someone who is sick of dying. Not pained, or begging mercy. Just over it. Someone who wants to get the dying part of being dead over with.

There’s another roomtemp Coors can in there singing you siren songs, but you’re trying not to be tempted.

You’re stood in front of one of the twin front desks, tapping your manicured nail against the countertop.

You’re staring at a small sign behind the front desk, and trying to ignore the strange sort of aura of decay that seems to hang in the air. Sunny Skies knows her days are numbered, and it shows. Your eyes flick up to look at the clock as you hear footsteps approaching.

Enter Sally. Dear Sally. Sally and her jet black pixie cut and cold shoulder blouses and perennial disinterest. You identify with Sally on a deep, primordial level, because Sally has that soul-sucking look that only comes with years of forcing enthusiasm when you don’t feel any, and you can only hope to one day wield with as much grace that distinct emanating air of exhaustion. Sally is your hero.

“Can I help you?” she asks flatly, casting you a bored, fleeting glance over her narrow pink rectangle rimmed spectacles.

God, it’s artistry.

“I think the air conditioning in my room is broken?” you say. You pull out your phone and flip open the cover, retrieving your key card, because you have one of those flip phone cases. “I need someone to come take a look at it. The last repair guy said he’d pass the message along and no one’s come by yet.”

Sally takes the card and looks up at you sceptically.

“Are you sure it’s broken? Sometimes the thermostat just needs to be reset.”

You bristle a bit at the implication that you don’t know how to work a thermostat. You respect Sally like a soldier respects a war general. Which is to say, do you particularly like the woman? Fuck no.

“Yes, I’m sure,” you say firmly. “I tried resetting it myself like the last guy told me to, but it’s still not working.”

Sally sighs and jots something down on a piece of paper.

“Alright, I’ll send someone up to take a look at it,” she says. “Is that all you need?”

You want to say no, that that’s definitely not all you need, that you need to go home to your quiet, cozy, doesn’t-smell-like-musty-carpets apartment, to lay on your comfortable bed and eat a warm meal.

You just nod curtly.

“Yes, that’s everything. Thank you.”

Sally turns away to pick up a phone receiver, but freezes for a moment, her head tilted in an odd direction. You follow her gaze, your eyes landing on a figure at the far end of the lobby.

The first thing you notice is that he is a total mess. His hair is sticking up in different directions, like a child’s hair after a windy day, and his clothes are rumpled and chaotic, as if he’s just woken up.

You’re trying to determine if he’s extremely tall, or if it just looks that way because you can see his entire two legs with how short those shorts are.

You’re trying, too, to determine why he strikes you as being somewhat out of place here.

You suppose harsh fluorescent lights can sort of warp a person. But there is something almost striking about him. His face is sharp and angular, all hollowed-out cheekbones and fierce, saxe blue eyes that house the sort of self-loathing hunger you only see in Eastern European gay porn. And they are staring directly at you.

He approaches the counter, and comes to stop at an odd place, almost slightly behind you. And you can feel a splendid heat radiating from his body, and you shift uncomfortably to put some distance between you.

Sally, from behind the desk, has been watching the man with a wary sort of glare, but she looks at him now with the same flat, exhausted expression she had used with you. No bullshit Sally. Unaligned and unimpressed.

“How can I help you?” she asks, monotone all the same.

This guy looks at her for a moment, still staring directly at you out of the corner of his eye, but then shifts his gaze to Sally completely.

“I need a room for the night,” he says. His voice is slightly hoarse, as if unused for a while.

Sally is already unconvinced.

“Do you have a credit card?” she asks, her fingers hovering over the chunky computer keys.

The man digs around in the pocket of his athletic shorts and pulls out a wallet whose leather has long ago seen the best of its days. He rummages around in it for a moment before pulling out a credit card and handing it over.

Sally holds the card between two fingers and begins to type something, eyes narrowed at the monitor. She looks at a screen for a moment, then looks back at the man.

“This card is declined,” she says matter-of-factly.

The man’s forehead creases up, a look of the defeated suffusing across his face.

“What? No, that can’t be right,” he says, but he sounds like he thinks it probably can be right. “Can you try again?”

Sally sighs, but, for her part, types the number in again.

Then she waits.

And a moment later, she turns the computer monitor to show him the word DECLINED on the screen in angry crimson.

His expression swims somewhere toward frustration and he leans forward, his voice taking on a hint of desperation.

“There has to be a mistake, that’s my only card.”

Sally looks at him with an air of very mild irritation colouring her general apathy.

“Sir,” says Sally, “I can see the balance on the card. It’s declined. You don’t have any other cards?”

The man’s face shifts again—his face is really very expressive—now bordering on despair.

“No, no other cards,” he says. “Is there anything I can do? I really need a bed for tonight, I’ve been driving all day, I’m exhausted…”

And—what, is he gonna seduce Sally? The thought alone is so funny (not him seducing Sally, really, but rather Sally being seduced by him, or maybe just him trying and failing) and you pull out your phone to keep from laughing, or, at least, then you can blame Twitter, or something.

Sally holds up a hand to stop him, her bangles jingling.

“Listen, sir. We don’t give rooms out for free,” she says, tone all no-nonsense. “If you want a bed for the night, you need to have a valid form of payment. Do you have cash?”

Now this man’s head is bowed, and he is visibly deflated. He looks up to meet Sally’s gaze, sadness and helplessness doing a miserable pas de deux behind his eyes.

“No, no cash either,” he says quietly. “I don’t have anything. I just need somewhere to sleep tonight. Just one night. Please.”

And, at that—at that, if my fleeting glance serves me correct, Sally’s expression softens a little. I think Sally probably watches a lot of AGT. She clearly has a soft spot for a pathetic story, but her job is, of course, to keep the motel from going under. And Sally has no golden buzzer here.

“Sir,” she says firmly, “I have bills to pay too. If I just gave away rooms without payment, we’d be a homeless shelter, not a business.”

Fuck, that’s funny, too. In a way. You’re actually not so tempted to laugh anymore, because this is all becoming a bit painful to witness.

The man lets out an exasperated sigh.

“Can I pay in the morning, then?” he asks, and you can’t see from here, but his hands may be clasped together, because he certainly sounds like he’s pleading. “I’ll have cash by then, I swear. I’ll sign something, give you my driver’s license, anything. I just need a place to stay. Please.”

Sally leans forward on the counter, her tone growing a little terse. Whatever softness she’d started feeling now seems so far gone it may as well have never existed at all.

“Sir, I can’t do that either. If we let someone stay in a room without upfront payment, and you just disappear, then we’re out of a room and out of money. I’m really sorry, but we don’t make exceptions.”

And, to her credit, she does sound sorry, but she’s certainly not budging.

The man is definitely practically begging now.

“I won’t disappear!” he stresses, “I swear, I— Listen, I’m a tennis player. The tournament down the road. I just need a place to stay so I can rest before my match tomorrow. If I win, I get seven thousand dollars. I just need a bed for the night, that’s all. Please, you have to help me.”

Yeah, no, this is really painful. Like, uncomfortably so. You have the cruel thought of just turning around and leaving, and going back to your hot room, to go about your own—now considerably lesser seeming—wallowing, but an even crueler part of you regards this whole thing as a slow motion train wreck.

And, in your defense, you’re only halfway eavesdropping, because you’ve now struck up a passive aggressive argument with a coworker over a Microsoft Teams chat.

Sally raises a brow.

“A tennis player?” she asks dubiously, eyeing his disheveled appearance.

The man nods urgently.

“Yes, yes, I am! My name is Zweig, Patrick Zweig. You can look it up. I just need a bed, please, just one night. I’ll sign whatever you want, give you anything, just please.”

Sally now looks really unimpressed by his plea, her face betraying a hint of disdain.

“Yeah, sure,” she says, her voice laden with sarcasm. “You’re a tennis player. And I’m Beyoncé.”

And it’s funny again. Fucking Sally. You should try and ask her for a drink before you leave. She’ll say no, but you should ask.

The man’s face contorts in abject sorrow and impatience.

“Please, ma’am, if you just look me up—” he begins, but Sally cuts him off before he can continue.

“Sir, do you think I just have time to look up every person who comes in here claiming to be somebody?” she asks, her face growing increasingly pinched with annoyance.

It is then that Sally turns to face you, whose fingers are now really tapping away at your screen, because your coworker’s a bitch, but then,

“Ma’am, do you know who this man is?” Sally asks, gesturing a rednailed hand toward him as though presenting a case on Deal or No Deal.

And fuck if you hadn’t halfway tuned out of the conversation, because you’re suddenly being put on the spot.

You look over at the man, who is fidgeting and biting his chapped upper lip, and his wide blue gaze is a mural of anxious anticipation and pleading hope, and—okay.

So you hadn’t really been paying attention. But you now feel a palpable twinge of something resembling sympathy.

This guy’s face is so earnest and desperate, like an abandoned, infant monkey, or something equally as devastating, and there is something about… whatever he’s got going on that really compels you to give him the help he is so desperately seeking.

But that’s the thing. You were so busy insisting to Deirdre over Teams that saying you’re so articulate is, in fact, a microaggression, that fuck. You really don’t know who this man is.

But he’s looking at you, so desperate and pathetic, and his bottom lip may as well be jutted out and quivering, yet there is something—something—about him that intrigues you. In a stupid way. The way a kid may be intrigued by the mushrooms that have appeared between the wet grass after it’s rained.

So—okay—you give it a think. Because you do think he said it, his name, at some point. Your eyes flick over him. Your phone is still raised up to your face.

“… Peter Zeppelin?” you shrug, raising a brow.

And the guy’s eyes widen comically, and his face falls like the London Bridge, and Sally gives an amused sort of scoff. That seems to be the final nail in the coffin for her, and she holds up her hands in a resigned sort of there you go motion, going to turn back to the computer. And Peter Zeppelin—who is not Peter Zeppelin apparently—all but throws himself over the counter, and now you do see his hands clasp together, with all the desperation of Jesus in Gethsemane.

“No, no, no, come on, come on, that was close!” he says desperately, “Patrick Zweig, that was close, come on!”

But Sally seems done entertaining him, and the poor guy’s face twists with a dozen different alloys of disappointment and frustration and acceptance as he sees the conversation is over, and the gavel has been banged.

But despite his disappointment—and there are veritable oceans of disappointment he’s working with here—there is a hint of something else in his expression, something almost like amusement.

He shoots you a sidelong glance, as if trying to understand you. And you cannot help but notice the way his eyes linger, but you quickly look away, feeling a scattering prickle of guilt cascade over you, and you almost shiver. And why should you feel guilty, if you were only honest? You can’t be sure. Because you feel it all the same.

He lets out a sigh and gathers his things, wounded by the harsh blow of reality straight to his heart, it would seem. This was surely among the saddest interactions of his life.

But, as he turns to leave, he shoots another glance over his shoulder, his gaze once again finding you with magnetic haste.

It is a strange look he wears. A mixture of disappointment, curiosity, and something almost like… interest. You drop your arms, your phone hanging at your side, because that’s enough for you to feel a jolt of something. Something. Something you quite literally try to shake off as soon as he has departed, like a crestfallen cartoon character with all his belongings in a bandana on a stick over his shoulder. But his image seems to linger in your mind. His plaintive eyes and disheveled mien causing an odd sort of sensation to rise up in your stomach. You think it may be nausea.

Or the guilt is really having its way with you.

And the door swings shut behind him with a loud thunk, and you’re feeling a pang of regret, even. And fucking Sally, of all people, is giving you an odd look, as if to say you couldn’t have helped that poor man out a little more?

And you want to say hey, you mythic shrew, I don’t even know him, which is true, because you don’t.

And even if you had, would that have made Sally drop to her knees and throw him a room key? Who are you, arbiter of fame? You want to ask her. If you were less of a masochist, you probably would ask her. But the guilt makes a funny little home in your tummy, and you start to think it’s what you deserve.

You think, at some point, you were generous. In some tender, faraway time in your life, you housed a massive soft spot for anyone who needed help, you couldn’t help it. You’d grown up in a household with a Methodist and a Social Worker, and compassion and kindness were espoused with breakfast in the mornings. And now that you’re working in a cutthroat office full of bloodthirsty Type-A’s, you’ve been made hard as granite. Great.

You’re walking through the parking lot towards your room, and you spot a beat up Honda, its park job beyond redemption.

And who should you see slumped in the backseat, looking utterly dejected, but Peter fucking Zeppelin. He is staring at something on his phone, the glow illuminating his face in the darkness. And you’re holding another Coors from the vending machine like a world class capitalist shit stain.

Seeing him like that, so defeated and alone, makes the spot of guilt you’re nursing in your belly stand up and do a little jig.

And is it your fault? No. Kind of? Either way, you feel the tug of responsibility, and an unfamiliar need to make amends.

You reach your room. You unlock the door with your keycard. You do not walk in. You linger, of course, staring across the parking lot at the man sitting in his car. He hasn’t moved, still slumped down, head bowed over his phone. Your guilt seems to metamorphose into something more discomfiting, and its jig becomes a stomp.

Why refuse to help him?

It is so unlike you, that coldness.

You stand there for what tires you like an eternity, more than a little torn. But, ultimately, the image of his big blue pleading eyes, and the way they had laved you in abject despair, wins out. You’ll see them in your nightmares if you don’t do something. You can’t leave him like this, alone and dejected in his car. You certainly want to. You’d love to go back into your too warm room and drink your too warm beer and hope for Sally to have a come to Jesus moment. But you really can’t.

With a weary, longsuffering sigh, you gather your courage and make your way across the parking lot towards the car, your heels clicking against the tar.

You knock the knuckle of your index against the window, “Oi! Zeppelin!”

And the man’s head jerks up.

He looks… surprised to see you standing there. But there’s a gleam of expectation in his eyes.

The door is locked when he first goes to open it, which—good. At least he has a sense of self-preservation. And then he unlocks it and takes off his grey track jacket and scrambles out of the car with a disoriented sort of grace, stepping out and straightening up to his full height.

So, yes, he actually is very tall. Much taller than you’d realised, actually, and you have to crane your neck to look at him. The light from the motel sign illuminates his face, accentuating his pallor and the tired lines around his eyes.

He is standing very close, this homeless stranger, and it suddenly occurs to you not to let your softness get the better of you. You look him up and down.

You wait for him to speak.

You want to see how he’ll react. And a furtive little part of you hopes that he’ll be a little angry, a little annoyed, at your still getting his name wrong. Because then you get to keep your guard up and maintain your distance, because even Mother Theresa knew the implications of standing alone with a large man in the middle of a motel parking lot in bumfuck New Rochelle.

His eyes, weary, harden just a fraction, the dim apparition of a frown tugging at the corners of his mouth.

“It’s Zweig,” he corrects, his voice frayed at its edges but firm. “Patrick.”

He isn’t quite angry, but there’s a glimmer of irritation there, just enough to give you the satisfaction you hadn’t realised you’d been craving, and a strange sense of triumph tingles through you.

Oh, how much easier to be cold and standoffish when you have something to work with.

“Right, right, sorry about that,” you say, your voice dancing almost imperceptibly with sarcasm.

You cross your arms, raising an eyebrow at him, as though… assessing.

And then Peter—not Peter, Patrick—looks at you for a moment, his weary eyes registering your defensive stance and your rigid gaze.

He seems to recognise something. Something. A need to maintain something. To push him away and make a run for it before it’s too late. And yet, he doesn’t quite seem offended. Or even irritated, anymore. More amused, really, as he gives you a slow, crooked smile.

“Don’t worry about it,” he says, the corners of his eyes crinkling in an odd, charming, almost absolute sort of way. Like he’s smiling, and that’s all he could be doing. Even as the smile itself has all sorts of nuanced implications. “I’ve heard worse,” he says.

The way he is looking at you, that easy grin, makes the guilt in your tummy flutter and still and wait. It does feel like he is seeing something, and, of course, that isn’t nice.

You feel a growing unease at his active refusal to react the way you expect him to, and maybe want him to. You work in white collar. There’s nothing easier to delineate than an angry guy. A guy frustrated by your callousness. But this guy seems almost entertained by your standoffishness. It is unsettling. Maybe strangely captivating. But mostly unsettling.

“You look exhausted,” you say, and you make sure any detectable concern is ostensibly feigned.

“Yeah, thanks for noticing.”

Simple. Dry. A note of humour.

He reaches up and runs a hand through his messy hair, the movement drawing your eye to his long, lean arm, the way it strains against the fabric of his helplessly rumpled T-shirt.

So you start feeling irritated again. Uneasy, unsettled, annoyed, these are easy things to start feeling, and you start feeling them. But not for this guy himself. Not necessarily. No, more by the way he is making you feel. And you think, fuck, has it been so long since I’ve had a beer that I can’t hold it down? And maybe that’s it. Or, maybe, you can’t help but find him marginally attractive. The fabric of his shirt, worn to gossamer, brushing over and revealing a glimpse of a toned, hirsute chest. His athletic shorts, which seem laughably short now, or maybe his legs seem laughably long. And strong. Maybe he should run for money, that’s a thing, right?

So anyway, you’re unsettled. And you find yourself growing even colder in response.

“No, you look really exhausted. Like medically. You look like you’re about to pass out. You look like you just crawled out from under a freeway overpass,” you say, and the words come out a tad sharper than intended, which was already quite sharp anyway. “Are you sure you’re not just some bum pretending to be a world-class tennis player?”

This time, his smile turns into a full-blown toothy smirk.

“Oh, I’m a bum alright,” he says, leaning against the side of his car as he regards you with that flaying sort of intensity. “A real loser, actually. The kind of guy who ends up sleeping in his car in a motel parking lot because he’s too broke to even get a room for the night.”

The guilt in your tummy—remember that guilt?—yeah, well, it feels uncertain if it should even be there any more. If it shouldn’t be replaced with something more commensurate with the dense thump of your heart. But you don’t want to let him see how much his self-deprecating attitude has affected you. And you don’t want to let yourself see his reaction, if you were to give into a very strange sudden compulsion to tell him he isn’t a loser.

Instead, you roll your eyes.

“You’re really laying it on thick, aren’t you?” you say, a wry hoist of your brows. You press your face against his car window, cupping your hands around your eyes so you can see in through the tint. “Where’s your guitar? Are you gonna start singing an acoustic version of ‘Hallelujah’ and begging for change?”

He chuckles at this, eyes lingering on the little patch of fog left by your mouth on the glass. “Ah, did you miss it?” he says, feigning sympathy, but his smile is still so wide, “I was strumming like a beast over on that street corner earlier. Gave my strings to this other homeless guy, though, in the end, figured he needed it more than me. Not ‘Hallelujah’, though. Dylan’s what really gets peoples’ hands in their pockets.”

“Righ… t.” You hesitate. You hesitate, because—well—he’s singing.

Yeah, no, he’s definitely singing. He’s closing his eyes and leaning against his car and singing Bob Dylan.

“Oh, where have you been, my blue-eyed son? I’ve stumbled on the side of ten thousand graveyards.”

And—okay—those are the wrong lyrics, but the song choice certainly feels relevant to his current situation.

“It’s a hard—” He’s still singing. “—it’s a hard, it’s a hard rain’s a-gonna—”

“O-kay,” you say, and he opens his eyes and for all their fatigue they are glimmering with mirth.

You try to remain expressionless, but his undeniable charm and abiding levity considering his obvious predicament make it difficult for you to justify being mean.

“You seem awfully comfortable with your circumstances,” you observe, a vein of scepticism threaded through your voice. “Most people would be freaking out right now, you know.”

He shrugs, hands in his pockets now, and makes an ambivalent sort of noise. “Well, what good would that do?” he says. “Won’t magically make the cash appear in my account.”

He pulls a hand from his pocket, the nylon rustling, and runs it through his hair again. You find yourself watching the movement, watching his hands now, which you think look oddly large. You’re unsettled again. Or maybe you’ve been unsettled the whole time, and you’re just still unsettled.

“So, you’re just gonna sit there in your car all night and hope a miracle happens?” you ask, a strange tremor in your voice that even you cannot presently put a name to. “You don’t have any… I don't know, friends you can call? Or parents you can beg money off of?”

And his expression seems to go dour at that, a noticeable trickle of humour draining from his eyes. “Parents are out,” he says bluntly. Pauses. Gives a humourless laugh.

Doesn’t mention friends, you note. But then you’ve never had many either.

Your guilt seems to settle again, deciding it is needed, and it is accompanied by whatever had had your voice tremoring seconds ago. You cannot help it. This is fucking sad. The way his self-deprecating remarks have suddenly turned into self-deprecating revelations. It’s fucking sad. And you don’t realise you’re staring into the middle distance all sadly until he’s ducking down into your field of vision, eyes searching your face, vaguely bemused, but sort of disgruntled.

“You feel sorry for me,” he says—says, not asks.

And then he straightens, and you think he’s gotten taller.

“Well, you’ve got no friends, no family, no money, and nowhere to go,” you say, trying to keep your voice neutral, despite the fact that, yes, you find you are feeling quite sorry for him. “It sounds like you’re in a pretty shitty situation, Patrick.”

And where he could probably break down into tears—and maybe he should; you’re willing to give him your lukewarm beer and rub his shoulder a bit—a glimmer finds his eye. A fissure in his nonchalance. A look of surprise, and what almost seems like hope. He doesn’t even try to disguise it, and his smile is coming back, with the ease of something never departed.

“Hey! Look who remembered my name,” he says, and his voice has suddenly gone weird and tender, and the change sort of makes you shudder.

“Ah, shit, did I?” you say, looking down, rolling the beer can in your palm and letting it flick off your fingers and land in the other hand. You toss it back and forth like that a few times, and you’re trying to be… not too much of anything. You try to be Sally, unaligned and unimpressed.

It's hard, though, with the way he smiles like he knows something you don't. Like he's in on some kind of secret. You’ve always had a weird suspicion that everyone is keeping something from you. No one could surprise you, as a child.

Patrick—fuck, there you go—has the impish simper on his lips of a cat who’s just seized and maimed the canary.

“You did,” he confirms, voice still strange and heavy, like it’s laden with something.

You try to keep your gaze focused on the can—left, right, left, right—and the metal makes a little tck noise each time it hits your palm, the liquid inside sort of singing as it moves. But your eyes meander up to his legs, where a small patch of bright red road rash is visible on his knee. The guilt in your belly is up and dancing again, but it seems to have invited a whole bevy of other emotions alongside it. Stupid stuff, like sympathy, and shyness, and lots of other somethings of various discomfort.

And then you say, “Well, don’t get used to it,” and the can slips from your palm and onto the ground.

“Okay,” he says, stopping the can from rolling away with his foot.

And then he’s bending down to pick it up, and then he’s freezing, crouched down, like his whole body is wincing, and he makes a noise, like a guilty sort of noise, and he looks up at you, and says,

“Fuck,”

And stands up and sighs, shakes his head like he’s made a mistake, and shrugs his shoulders and says, “I’m used to it,” with a rueful sort of smile.

“Oh, are you?” You hold your hand out for the can, but he doesn’t give it to you.

He makes a tsking sort of noise, his elbow raising to rest on the top of the car, “I think I am,” he says, like it pains him, “I think you’re just gonna have to keep remembering my name.”

“Well, I won’t.”

“But you did.” He parrots your intonation.

Everything suddenly seems very loud. The sound of crickets chirping, the buzzing of the neon signs, the nylon swipe of his tiny shorts as he moves. He keeps moving.

“Because I feel sorry for you,” you say, and things seem quiet at that, as if for that, “You’re right, I feel sorry for you.”

He sort of kisses his teeth, nodding slowly and glancing off to the side in thought. And when he looks at you again, it’s with a gleam of vulnerability, like he’s conveying a silent message that you cannot quite decipher.

It is disconcerting.

His vulnerability is like a gaping black hole, something that will suck you into oblivion. You don’t really know what to do with your hands now. You wipe your palm off down the side of your pencil skirt.

“You’re not gonna spend the night in your car, are you?” you ask, like, maybe, if you ask, he’ll come up with a new plan of action.

But no. No plans. Only questions. He suspects you have a plan.

“Why?” he asks, “Are you offering me a place to crash?”

His smirk is returning, though it doesn’t reach his eyes. He is clearly a seasoned scholar in deflection, but he bears the cross quite poorly, and his words send a shiver down your still-damp spine.

Sunny Skies is the kind of place you'd expect a scene out of a thriller to take place.

You can picture the headline now: Woman found murdered in cheap motel room, career dead in the water long before.

You hesitate for a moment, torn between your better instincts and your uncanny appetite to help this man.

You know what you should do; you should tell him no, leave him with the beer, and walk away. Keep yourself safe from getting involved in his mess of a life, and potentially being found days from now with a racket jutting out your abdomen, long since festered in a pool of your own blood because the damn air conditioning still won’t be fixed. Fuck, Deirdre would love that.

But the way he’s looking at you, that deep dark supernova vulnerability you’d spied in his eyes just moments ago, it makes you hesitate.

“I…” you start to speak, then stop, sighing as you fiddle with your nails. “I'm gonna ask you something.”

Patrick's smirk falters slightly. He seems to sense that something significant is about to happen, and he tenses, as though bracing himself for an impact.

“Shoot,” he says, a thinly veiled wariness in his tone.

“Why the tennis?” you ask, your eyes on his, flickering, searching, like a bloodhound. “Why are you still doing something that’s clearly not working out for you? Why not give up and do something different? Something that pays, for one.”

And, now, you really do steel yourself for anger, but, to your surprise, anger doesn’t come. Nor do defensiveness or hostility.

Instead, he’s letting out a cynical, protracted sort of pfft noise. “You think I haven’t asked myself that a million times?” he says, his voice cloistered in irony. “There’s only tennis. Since forever. Maybe I fucked up with that, but that’s what I did, and now it’s all there is. I’m not exactly standing before you with too many marketable skills. I can run, I can hit a ball, not much else.”

And you’re frowning at that, at the resignation in his voice. You want to say something, some platitude about not giving up, about trying harder, but you know he won’t appreciate it. Instead, you ask another question.

You ask, “If you had a choice, what would you do instead?”

Again, Patrick surprises you. He doesn’t scoff or obfuscate. He actually just thinks about it for a moment, his whole face turning introspective.

“I don’t know,” he says eventually, his voice low. “I guess I never really thought about what else I might be good at.” He runs a hand through his hair again, letting out a soft sigh. “It’s hard to imagine another life when this is the only one you’ve ever known.”

And that just makes you frown harder. You really want to say something now. But you don’t. Because you can’t. Because what would it be?

He’s an almost-has-been who’s fallen from the top of the ladder and is now scraping the bottom.

He'd once had it all, and now he has nothing.

How do you comfort someone like that?

You look at him for a moment, his lingering charm swirling like a wandering bee around you, pulling on your senses. You think about Ted Bundy, and how he lured women to demise by strumming their heartstrings like Bob Dylan. But then you suppose that any man trying to victimise a woman is not first going to try their luck on Sally, so. Well. You make a decision.

You make a decision, and take a deep breath, looking him straight in the eye. “I have a deal for you.”

He chuckles at that, his eyes dragging downward, a slow descent. He looks at your dishevelled working girl get up, and you realise, with a passing breeze that wafts the acrid, musky, but vaguely not unpleasant scent of him toward you, that your shirt is still half open, and your cleavage has been on exhibition this whole time, but you’re only realising now, because he’s only looking now, and he wasn’t looking before, and he says,

“I’m sure you do,” and he says, “You got a contract for me to sign?”

“My room has a queen and a sofa pull out couch,” you say, not-so-furtively, furtively creeping your fingers up to pull your shirt closed, “You can stay tonight—“

“I can’t let you sleep on a sofa pullout couch in your own room,” he says, and he’s able to feign absolute concern for but a moment before his smile is back again.

“—you can stay tonight,” you repeat, “on the couch, on one condition.”

He crosses his arms, the beer can slipping beneath his armpit, and you don’t even want it anymore, not the least because it’s now probably undrinkably warm.

“Let’s hear it,” he says.

You pause before responding, to make sure you haven’t been briefly possessed and given the suggestion by passing poltergeist, that it’s actually what you want. Maybe you’re tired, or charitable, or maybe it’s just whatever strange, striking quality he seems to have, but you say, “I’ll let you stay in my room if you let me come to your match tomorrow.”

And now you have managed to shock him. He’d been expecting some sort of request for a favour, or payment, but certainly not that.

“You…” his eyes are searching yours for sincerity, “… want to watch me play?” he asks.

“I’ve never seen a tennis match before,” you admit, and, for a fleeting, ludicrous moment, you feel a flush of embarrassment at your confession. “It might be interesting. And…” you steel herself, not sure you’re going to go through with sharing the next bit, “I’ve had a really shitty time here. My meetings here were… horrific. I could use some entertainment.”

He lets out a soft laugh at that, though maybe it’s a scoff. “You want me to entertain you?” he says, and his cadence is jesting, but there is something else there too, something in his eyes that makes your heart start thumping densely again. “You realise tennis can be pretty boring unless you know the sport, right?”

You shrug, affecting an air of nonchalance. “Hey, I’m willing to give it a shot. I have one day left in New Rochelle, and a day at the courts is a lot better than another day stuck in a meeting from hell. At least with you I’ll be watching someone actually do something, instead of pretending to care about some idiot’s idea for a corporate wellness retreat.”

Patrick’s eyes house a genuine amusement, his smile wide. “Corporate wellness retreat,” he says slowly, raising an eyebrow. “You in finance?”

“Worse. Way worse. Marketing,” you admit, like this is the most harrowing thing you can say. “But it’s all the same, really. It’s mostly idiots with big egos in boardrooms trying to out-bullshit each other.”

“So you’d rather watch idiots with big egos trying to out-bullshit each other on a court,” he nods solemnly, but, in a way, he’s issuing a warning. A beat, then he asks, “You always this sour?”

And you bristle for a moment, your pride affronted at his words. But you quickly relax as the irony of your current situation occurs to you—you’re letting a practically homeless tennis player stay in your hotel room, and you’re letting him joke at your expense.

And you suppose, not for the first time, that you deserve it, to some extent.

“Oh, no, usually I’m a blast,” you say wryly, and then, smiling vaguely with an odd sense of honesty, “But it’s been a long three days, and I’m not exactly in the best mood.”

He spends a moment studying you, taking a thoughtful breath. “You work too hard,” he says, as though coming to a profound conclusion.

“And you don’t work at all,” you reply, “Maybe we should swap problems for a day.”

“You got a house? I’m in.”

“An apartment, yeah,” you say, your voice lilting as though genuinely considering the prospect, “But I don’t have a car. Maybe we should just merge and form a symbiotic, corporate drone/middling athlete hybrid life.”

And there’s a pause there, and everything sounds loud again. The vague nyoom of each passing car rattling your teeth, because, in a way, what you’re suggesting is intimacy. And it’s beginning to occur to you that, though perhaps in different ways, you and Peter Zeppelin are two unspeakably lonely people. And to suggest such a thing as beastly as to share what’s tender, well… it feels a little unkind. A gentle brush against an open wound hurts the same way a slap does. 

Patrick takes a moment.

Then, sucking in a contrite bit of air through his teeth, he shakes his head, “I couldn’t wear a suit.”

“You could wear a suit,” you respond, shaking your head, rolling your eyes like he’s being silly, like that’s a silly thing to say. But now you’re picturing him in a suit which certainly feels like an untimely gust of air against that very same wound.

“I couldn’t,” he insists, shaking his head like he’s resigned, “I couldn’t, I’d look ridiculous in a suit.”

“You’d look great in a suit.”

“So, it’s a deal then? I get a bed to fall into tonight, and you get a ticket to the Patrick Zweig extravaganza tomorrow?”

You laugh at that, a sharp, amused ha, because that’s certainly some audacity he’s got on him.

“Slow down there, cowboy,” you say, and you’re smiling. “You get a sofa pull out couch to fall into.”

Patrick’s face swims with feigned despair at your words, a mock-offended noise leaving his mouth. “I thought this was a mutually beneficial arrangement,” he says, a picture of exaggerated disappointment. “I scratch your back, you scratch mine.”

You sputter a laugh. “I’m letting you stay in my room,” you remind him. “Free of charge, might I add. I think I’m scratching your back plenty.”

His eyes widen. He gives a dramatic sigh. He says wow like he just can’t believe it. He pretends to sulk. But the twinkle in his eyes ruthlessly betrays his amusement. “Okay,” he nods, like he’s doing something very big of himself, “Okay. I’ll take the couch. I’ll be good. It’s just a shame such a beautiful woman will be sleeping all alone in a massive bed.”

Something hot definitely flares deep in your gut, burning away all the guilt and concern and embarrassment and whatever else. There is something to being called beautiful by a man who looks like… well, like him. You’re not above admitting that he is becoming increasingly more handsome with passing time, like his face is blooming and ebbing and flowing before you. And that weird, vaguely unshowered musk is making your nostrils flare with something primordial.

“You’ll survive,” you say dryly, though your heart is back to thumping like a heavy fist.

The sound of the shower running is a vague cloud of pitter-pattering, an ambient thrum, and you can hear the water rushing through the pipes behind the wall like a faraway steam engine.

You’re sat against the headboard, your nuclear reactor of a work laptop balanced on your knees, the fan whirring, the bottom permeating your skin with a volcanic heat and probably giving you radiation poisoning. You’re typing like a court stenographer, a sharp, erratic clacking of your nails against the keys, accompanied by the muted rush of waterflow from the next room over. You’re traversing the minefield of your emails. The light of the computer screen casts a pale, eldritch glow on your features, your brows creasing in irritation as you quickly scan and delete all your accumulated unreads.

You’re still in your tights, skirt, and button down, but now you’ve untucked the button down as well. You’re still sweating. The room is still a tepid rat hole. And it’s washed in the warm dingy glow of the beside lamp.

The only other light in the room comes from the ensuite bathroom, the door slightly ajar, leaking out a bright white beam that illuminates the swooping, swirling streams of mist that flow out.

You think the water pressure here’s a bit aggressive, but Patrick nearly sheds a tear when the sharp stream of hot water thrashes against the aches and knots in his muscles.

His whole body is sore. He sometimes feels like an earthbound corpse. It isn’t just the hours spent in his car, but it’s also the ardour of the matches, the unheard of notion of a good meal. The stress and toil of his lifestyle has taken its due toll on his flesh and bones, and here, in the shower, haloed by the thick fog of water vapour, he allows himself a moment of vulnerability.

The water sluices through his hair, emulsifying with the soap and sweat, creating a slick, frothy, chalky-floral scented trail down his face, chest, and arms. He lathers himself everywhere with the little motel bar soap until it is the size of a coin.

He braces himself against the shower wall for a moment, jaw slack and breathing laboured, letting the water batter his shoulders, feeling the muscles there tighten and loosen simultaneously under the hot, cascading stream. The steam and the heat seem to soothe something inside of him, and, for the briefest moment, he feels something approaching peace.

So Patrick is having his spiritual awakening in the shower, and you’re at the mercy of your emails. Deleting messages from your boss about the meeting notes and potential follow ups.

And Patrick spends the first ten minutes in there making unholy sorts of noises, like his skin is being torn off, which is a little disconcerting, but you figure he’s not had a nice long shower in a while, so you leave him be. And the next five minutes are just heavy breathing. And then he starts singing.

“It’s a hard, it’s a hard, it’s a hard rain’s a-gonna fall!”

Which would be fine, but your irritation’s mounting; each new communication in your inbox serves as a needling reminder of the tragic, tedious day you’ve just had. The tragic, tedious life you've been living.

You rub your temples, and Patrick’s singing the guitar refrain of the song, and you’re trying to ease your burgeoning headache, but it’s proving stubborn. The more you read, the more you just want to thwack something. Or scream. Or both.

And so it is bad timing when Patrick emerges from the bathroom.

You’d been expecting an awkward moment. He seems the type to wear his towels irredeemably low on his waist and you weren’t particularly keen on knowing the intimate distribution of all his body hair.

But Patrick walks out in something else.

Patrick walks out in a baby blue Hello Kitty robe.

Patrick walks out in your baby blue Hello Kitty robe.

And you’re pretty sure your blood turns molten.

Your eyes widen like saucers, and your lips part softly. It is certainly both the most absurd and, perhaps, endearing thing you’ve ever seen, and you feel almost strange and lightheaded at the sight. You’d been imagining all sorts of stilted scenarios in your head, but this… this is beyond any of those.

“What… the hell are you wearing?” you manage to sputter, your chest kindling with both embarrassment and amusement.

Patrick glances down at the robe.

You’ve had it since you were nineteen, is the thing, and it only just fits you now, so, naturally, it looks absolutely comical on him. The sleeves come up to his mid-forearm. The hem is immodest, to say the least, rivalling his shorts in that regard. And the plush belt only just about encircles his waist, but he had the decency to tie a tiny knot at the front.

He looks back up at you. He seems remarkably nonchalant.

“Ah, this?” he says. “I thought it was, like, a complimentary thing. Y’know, like the little shampoo bottles?”

And he has the nerve to add a little shrug for effect, though, when you look closer, you can see the corners of his mouth are twitching slightly with suppressed laughter.

You don’t know whether to laugh or cry. A possessive part of you—well, the possessive part of you—wants to incinerate the robe with him in it, because he’s definitely naked under there. You can see the damp hair on his chest peeking out from the neckline, and water runs in rivulets down his legs, dripping on the carpet, and he’s getting your robe wet.

But the image of him raiding the bathroom, thinking he’d found some sort of freebie, is so strange and amusing.

You raise an eyebrow, trying to keep a straight face.

“You thought the motel—this motel, Sunny Skies motel—gives out Hello Kitty robes as complimentary items?”

Patrick grins in response. He is utterly thrilled with the effect he is having on you.

“Hey, Hello Kitty is a timeless icon,” he says.

And your eye twitches. You feel a little deranged.

“Yeah,” you say, enunciating sharply, eyes still a little wide, and you slowly move the laptop from off your knees, “That’s why I bought the robe.”

“You know, you’re not a very generous hostess,” he says, like he’s been sitting on the grievance for a while.

You release a laugh that is halfway a winded breath, “Oh, really?” because he’s not exactly getting a five star guest review on AirBnB either.

Patrick he tsks and nods slowly like he’s sad to break the news. And he saunters around the poky room, hands hiked high in the pockets of the robe.

He gives an exaggerated once-over, inspecting the room, before his gaze settles on you. You are now cross legged, leaning forward, your laptop immolating in front of you as your fingers fly across the keyboard.

"Can't believe this place actually has a TV," he muses, walking over to the small, ancient box. He glances at the remote, lifts it, and turns the TV on. A bright red screen flashes No Signal.

"Nevermind." He flops down on the edge of the bed next to you. "What’re you doing?”

You suppress an eyeroll, or violent screech, or spontaneous second degree murder at his question.

He knows what you're doing, but he's clearly itching for some sort of attention, a stray pawing at the restaurant door in search of warmth. And you wonder how long it’s been since he’s spent so much time with someone. You're a little hesitant to indulge him, partly because you're still processing your callously stolen garment and all the flesh with which it’s become familiar.

"Email," you say tersely. "Work stuff."

"Oh, right, right," Patrick nods and nods, as though only now realising that you're in the middle of a task.

He peers over your laptop screen, looking at the rows of email threads.

"Looks stressful," he comments.

You spare him a glance. His proximity is a tangible, intrusive thing, and robe gapes open, exposing a damp triangle of his chest and collarbone, his bare feet crossed at the ankles.

“Yeah,” you say, not even bothering to sheathe the irritation in your voice. “It is.”

For his part, he seems unfazed by your tone, or at least not willing to acknowledge it. He continues to peer at the screen, a hint of amusement dancing in his eyes.

And you don’t know why, but you feel a strange, singeing humiliation at his scrutiny. You and your stupid mire of spiritdecimating emails. You feel pathetic enough to belong in a museum. An abstract sculpture portraying modern melancholy.

“Can you not... stare, please?” you croak, then clear your throat, your fingers against the keys growing jerky and feverish, like the sputtering adrenaline of something soon to perish. “I need to finish this.”

“Sure, sure.”

Patrick holds up his hands in surrender.

He looks around the room for a moment, as though contemplating his next move, and when he seizes beside you, like he’s just spotted a motion-activated grenade, it is so noticeable that it actually makes you stop typing and look up. He is facing away from you, is the thing.

There's a moment of silence. You watch his back. It looks like he’s not even breathing. The hum of the laptop fan and the low drone of the TV and the thick, tepid waft of the ventilation system compete with each other.

Slowly, slowly, as though you, too, have spotted the bomb, and you’re bracing yourself for flakspray, you look over his shoulder. And oh. Oh.

You see what has arrested his attention.

On the bedside table is a little black cardboard to-go box, Meyer’s Butcher & Grill printed atop in block lettering.

You blink. You had forgotten about the box completely. A relic of a day you hope will be extracted irrevocably from the flesh of your cerebral matter via some sort of alien abduction or government experiment.

But Patrick—well—he hadn’t been tightly shutting his legs as the polished toe of a hoary businessman conspicuously crept up his shin. He didn’t have to feign interest in golf for three hours while a cracked leather seat scraped the back of his knee.

No, Patrick is looking at that box like it houses nirvana. When he leans forward a bit, you can see how his throat moves involuntarily. He swallows. You see the muscles in his jaw flex with primal intensity.

For a moment, neither of you speak. The moment is heavy with tension, like the air before a storm.

And this seems to be an apt metaphor, because there is suddenly a deep noise, like the sky churning after thunder. And it is coming from his body. And it is such a loud, visceral noise of human urgency that you almost recoil.

A strange mix of shame and pity swell in your throat. The box, as it were, had filled you with such a strange sort of repulsed nostalgia that you really had let it slip your memory. You have no interest in its contents. But this man’s raw response rekindles the abject guilt in your tummy.

Patrick turns to you. He turns to you very slowly. And you can see how his eyes are almost glazed over. He wears the look of a man staring at the Holy Grail. A tentative shock, like he’s been marooned on a deserted island for a dozen years, and has just stumbled upon civilisation.

He opens his mouth. His jaw is slack and leaden. His tongue pools with saliva. And if a string of drool slips past his lip, it’s the least you can do not to mention it.

After a while, he manages thickly, “What… uh. What is that?”

“It’s, uh… steak. From the restaurant.”

He nods. He nods very slowly. As though he’s been rendered physically incapable of saying any more, though his words come suddenly, “Steak?”

“Uh, yeah. Filet mignon, I think. The… fucking… guy ordered it, but…” you feel, in a fleeting moment, a feral sort of fear, like a fawn caught alone by a wolf in the forest. And it’s silly, obviously, but that’s how intense his gaze is right now. You clear your throat, “I mean, I’m not hungry.”

Patrick’s breathing is growing increasingly laboured. His tongue flicks out of his mouth, the wet muscle glistening in the dim light.

A moment passes.

“You can, uh…” you hesitate, a bit transfixed by his carnal hunger, your voice sounding oddly fragile, “You can have it… if you want…”

Patrick's eyes flicker almost imperceptibly at this. And you’re sitting there, and you expect him to just go ahead, and, maybe, in the background of your mind, you feel bad that the meal’s gone cold.

But he’s not eating. No, he’s suddenly become very still, as though waiting. As though trying to discern your sincerity.

"Are you sure… you don’t want it?" he asks.

And there is something about his voice, small and corporeal. It sends a strange, hurtful waft of pity through your chest. It sounds like it’s been scraped over barbed wire. It is raw and vulnerable and painful.

And you have the sense that, even if you did say no—which you wouldn’t—he has the look in his eye of someone who will definitely end up eating that steak, one way or another.

You shake your head, clearing your throat, “No, no, of course not. Take it. Please. It’ll just go to waste.” And your voice is sort of coloured by the notion that you’re on the verge of tears.

For a moment, Patrick's reaction is oddly unreadable. It's as though he can't quite believe his luck. And then, he turns, scrambling for the box as though it may spontaneously disappear now that it’s his.

He tears the lid off and, from here, his face looks cast in strange shadows, a shimmer flickering past his face as the low lamplight catches the foil in the carton.

There is something about the instant greasy, bloody aroma that makes the hair on the back of your neck stand up. You’ve never liked steak. But he's already reaching inside.

Patrick can’t seem to chew quickly enough. He almost whines softly with each swallow.

It’s an animalic scene of consumption.

You think of hyenas mauling their prey, but he also looks very small, and vulnerable, and certainly odd, because he’s still wearing your robe.

He devours the meat voraciously, and he doesn’t even bother to wipe away the stream of red dribbling down his chin, but he has the decency to hold the box right under his chin so he doesn’t make a mess.

His fingers are covered in blood and mashed potatoes. There’s a little plastic container of chimichurri in the corner of the box, but he seems content ignoring it.

You have a strange sense that this whole ordeal is something you shouldn’t even be watching. And that, when a loud knock sounds at the door, you should be sort of embarrassed, but you don’t know why.

“Maintenance.” The man at the door seems so bored as to be disgusted. He towers over you, and is peering down, arm resting against the doorframe. He is gnashing open mouthed upon a wad of gum.

You are suddenly conscious of your dishevelled appearance, and find yourself scrambling to button your shirt up.

“Um?” you say, skewing your face a bit confusedly as you slip the buttons closed.

You let your sleeves roll down, the rumpled flare of the open cuffs falling over your wrists.

“Air conditioning maintenance,” the man repeats, as though you are a bit dense. You notice, now, he has a friend behind him.

And, “Oh!” you say, “Right, yeah, the air conditioning, the thermostats showing 60, but the air’s still hot.”

He blinks down at you, his head lolling to the side, and he tongues the inside of his cheek. His arms are big as boulders and tattoo strewn.

“You try resetting it?” he says.

Your jaw clenches.

“Yes,” you smile tightly. “It’s still not working.”

He harrumphs and then sort of coughs loudly and then sniffs, “Yeah,” he drawls, “we been getting a lot of complaints.”

“Lotta complaints,” he friend chimes boredly, tugging up the sagging waistband of his comically oversized grease stained jeans. He is idly twirling a screwdriver.

And then the one in front, the larger one, flicks his gaze over you. And then over your shoulder. He seems vaguely disinterested, for his part, in the story behind your blowsy, tousled appearance, and the half naked man tearing into a steak takeout in a Hello Kitty robe behind you. You figure working in a motel begets much stranger sightings, but you cringe to think of the conclusions he may be drawing. A disillusioned businesswoman and her famished prostitute? Does he think the robe gets you going? You shake your head of the embarrassment.

"Ah... ma'am," he utters, shoving his hands into the pockets of his faded overalls. "You and... your friend need to vacate the room for about twenty minutes while we work on the unit."

Outside, Patrick strikes his chest two times and manages a distasteful burp.

A draught sweeps past and the hem of the robe he’s still wearing sways dangerously. You aren’t even wearing your shoes. The soft soles of your feet lay flat against the warm tar through the thin gauze of your tights.

You’re holding the Coors can, still unopened, warm to the touch between your fingers, and Patrick’s got a cigarette he bummed off one of the workers between his lips.

“Nice outfit,” the guy had said—the shorter one, with the baggy jeans and crew cut and scar on his temple.

“Thanks,” Patrick had grinned, unashamed.

“Are you supposed to be smoking?” you ask.

The night is sticky in the mouth, sultry and thin, like a yawn.

The candescent red pearl of the cigarette’s end bobs with Patrick’s each inhale. The smoke curls past his lips like wisps of grey fog, the humid wind carrying them off like fragments of a weary conscience.

Patrick shrugs. Inhales deeply, his eyes trained lazily on the sky above.

You’re far enough from him, now, that when you look at him, he’s a strange tableau all on his own. This boy not yet a man, scantily wrapped in vivid blue, his too long legs and too large feet and too farfetchedness. He stands against the hellscape of Sunny Skies. Sickly yellow-orange streetlights casting looming shadows that writhe like living things on the ground.

His lips and fingers still glean with the greased detritus of his cold steak dinner.

“Night before a match?” you ask then, and you find yourself following his gaze heavenward. The sky is effectively starless, but you appreciate the deep shade of indigo. “Doesn’t seem smart.”

“Smart,” he echoes.

He reaches up to pinch the cigarette, takes another drag before tugging it off his lips and flicking some ash off. You watch how the smouldering grey specks float down to the ground before dissolving into nothing.

When you look up at him he is looking at you.

“It’s not Wimbledon,” he says, like he’s breaking the news to you, a meandering coil of smoke swirling from his now halfway smirking mouth, the plume veiling the dim streetlight glow in an almost tender way. His voice is kind of loud, when he’s speaking to you now, because there’s a few feet of parking lot between you, but it’s quiet enough that he could just talk normally, if he wanted. But he doesn’t. He says, loudly, pointing at you with the brilliant orange end of the cigarette, “Helps me relax.”

He shrugs again, brings it to his lips again, and slowly turns around. And you think he’s hiding, but he’s made a full rotation by the time he exhales, the smoke streaming out his lazy smile and billowing all around his face, so you suppose not.

“It’s mostly a mental game,” he says, gesturing with the cig again, bringing it close to his temple in a way that makes your brows knot in slight concern, “Tennis. I could be the most disciplined guy ever—“

The concern in your furrowed brows turns to dubiousness. “Could you?”

“—could cut out drinking, cut out smoking, eat all the green shit, sleep at nine. But if I’m fuckin’ pulling my hair out about stepping onto a court, I’m fucked.”

You think he has a point. You think you remember a therapist, at some point, saying something about compartmentalising. But you don’t really know what that means. You stopped seeing her after three sessions, anyway, so who are you to cast judgement on discipline.

Still, “Where did you say you’re ranked again?”

Patrick chuckles at that, a slight nod as if to say touché. He takes another deep drag, the ember smoldering bright for a moment before the smoke spills past his lips again.

“Two hundred and one,” he says, and he’s ostensibly unwounded by this sentiment.

“Not exactly Federer or Djokovic,” you say, and it seems like he’s strolling towards you now.

“You want a good show tomorrow?” he says, hiking a hand into the waisthigh pocket of the robe.

“Oh, I expect one.”

He pauses, closer now. Cocks his head at the can in your hands.

“You want that?”

You snort, hide it behind your back as though he’s got object impermanence.

“You can have it if I see you win tomorrow.”

Patrick scrunches his nose up at this, like a kid who’s smelled something nasty and doesn’t know how to keep it off his face, but he’s really just considering, and maybe disgruntled at the dissipation of your giving mood. But he tilts his head to the side, raising his brows like he’s conceding.

Then, looking down at the robe.

“You want this?”

You laugh, “Yes?” you say, like it’s obvious.

But he seems surprised, “Still?”

“Yes!”

“I’m naked!”

“I’ll run it through wash twelve times. It’s mine.”

He throws his head back, making a real show at being putout by this. A protracted groan of longsuffering leaves his lips.

And now you’re really laughing. “You can buy your own with your prize money. Warm beer and a new robe, that’s the height of luxury.”

He takes his hand out of the pocket, claps it hard against his chest as if wounded, and his lips shape around the cigarette in a way that’s almost artful. He takes a long, terminal inbreathe. Drops the cig. Crushes it beneath the sole of his foot. Faces away, and all you see is a large, cascading cloud, swishing away from him and out into the night.

“First my beer,” he turns around, “Then my robe. What next? My car keys? You’re gonna take my car keys and hold them hostage until I win.”

You make a face of sort of abject disbelief, though you’re still smiling.

“My beer,” you say, slowly, like you’re speaking a different language, eyes still sort of manic with the shock of his gall, “And my robe.”

The robe in question is now halfway open, but then he seems unconcerned with modesty. The dark hair on his chest looks almost silver beneath the street lights, the faint glimmers of water still clinging to his skin catching aglow.

“That’s a real shame,” he says, and he’s walking towards you, the hand he had slapped in his chest to show you how you’d spurned him now stroking the soft material of the robe with a carelessness that borders on intimacy, “I feel like it brings out my eyes. Don’t you think it brings out my eyes?”

Your gaze flicks from the robe, to his eyes, and back again. He’s standing in front of you now, and he’s sort of towering over you. He has an ease when he moves, like a stray cat or a rogue cowboy. Or something else. You suppose you can’t think of it.

“You can get another blue robe, Patrick.”

He shuts his eyes. He’s savouring your saying his name, or mourning the robe, or both. But probably the latter with how his fingers caress the lapel.

“One that fits, maybe. Definitely one with a higher thread cou… nt.” You hesitate. Because he’s singing again.

“Oh, what’ll you do now, my blue-eyed son?” he’s doing something with his face; something like he’s trying to feign a compelling hurt, but he’s smiling too hard. “What’ll you do now, my darling young one?”

You laugh, and he’s close enough to you that when your head falls forward it hits his shoulder, and your nose brushes against a plush outline of Hello Kitty, and he smells like cigarettes and motel soap and—well—you because of the robe.

“I’m going back out before the rain starts a falling! And it’s a hard—”

“Okay,” you say, because he’s getting louder, but you’re still laughing and grinning wildly.

“It’s a hard—sing it with me—it’s a…”

He holds the note. His eyes are still closed. You roll your eyes and you don’t step away from him, and you’re still holding the beer behind your back.

Your voice is low, but, “A hard rain’s gonna fall,” you supply grudgingly—well, you’re still smiling—and he throws his arm around your shoulder and pulls you against him and sings, loudly,

“It’s a hard rain’s a-gonna fall!”

“Okay,” you say again, pushing away from him, and having to sort of extricate yourself from his hold by slipping beneath his arm. “Very nice, you want some cash?”

“Whatever you can spare,” he says.

And you’re so intrigued by the way he looks at you. He has the sort of face that demands to be catalogued in intimate detail. His eyes crinkle at the corners now, in a way that makes them look almost wolfish.

“I love tennis,” he says, and he says it loudly, because you’re seven feet apart in an empty parking lot, and it makes it seem like he’s declaring something.

An empty Funyuns packet drifts by like a tumbleweed.

“What?”

“I love tennis. That’s why I do it.” He seems resentful, but resigned.

You hesitate, but when you open your mouth to speak again, he beats you to it,

“Doesn’t love me back though,” he’s shaking his head, sporting a huge rueful smile that seems to coruscate in the night, “Doesn’t love me back.” He huffs a sigh. “Story of my life.”

Across the lot, the two maintenance men emerge from your room.

Inside, the air conditioner blows frigid.

You're starting to think everything isn't half bad. You're a good person, letting a homeless man crash on the pull out couch in your dingy motel room, and you leave New Rochelle tomorrow. At this rate, you should extend an olive branch to Deirdre.

You brush your teeth. You change into your pyjamas, the satin of which Patrick is a little disappointed to see a lack of Hello Kitty printed on, but he doesn’t mention it.

He himself is now wearing a T-shirt, and a pair of boxers, and if he quite literally kissed the robe goodbye when he gave it back to you, then you don’t mention it.

And now he’s sprawled on the pull out couch, a thin sheet draped across his lower half. And you’re cross legged on the bed, the duvet gathered around you, and you’re doing your NYT word games because that’s part of your nighttime routine, even though you tell people it’s tea or reading or yoga. This is kind of like reading. You have to think about stuff.

What’s a five letter word that means ‘has a lingering soreness’?

Anyway, so, Patrick is sitting—kind of halfway laying—on the pull out couch. One arm behind his head and the other across his chest. And he’s wearing an expression that’s both intense and a little vacant, like he’s trying to read your mind.

Or like he’s having a silent argument with himself.

Or he’s just tired.

Yes, definitely tired, you think. His eyelids flutter, like they’re desperately trying to stay half open, and he’s sort of drifting in and out of awareness.

He’s quiet for a while, staring wearily into the ceiling like it houses the solutions to all the world’s problems.

And then he closes his eyes fully, and rubs the bridge of his nose with his thumb and forefinger.

Your own gaze follows that hand, his right hand—the hand not behind his head—the one that falls from his face back onto his chest, the one that’s rubbing his sternum like he hasn’t had a good sleep in years.

And he can tell that you’re staring. So he clears his throat and opens his eyes, catching yours. And you look away instantly. Maybe a little too quickly. Certainly a little too guiltily.

He smirks. He knows he’s caught you. And you keep your eyes averted, because you know that he knows. But you can feel his stare still on you. And you can sense a kind of curiosity in it.

Earlier when he’d said it—just a shame such a beautiful woman will be sleeping all alone in a massive bed—you’d laughed. You’d laughed it off. And you’d taken a bit of pride in being the sort of strong, independent woman who cannot be charmed into sharing a bed with a stranger.

But that had been then, and now it is—well—now, and the pull out couch, in retrospect, looks firm as stone. And here you are, sitting in this (comparatively, which must be emphasised) comfy bed, and, not for the first time, you feel like a heartless cow.

There are rings around his eyes, dark shadows like bruised flesh. And there’s just this look to him—something weary, but not just in that way that says he hasn’t been taking care of himself. It’s more an aching kind of weariness that’s sunk into the very marrow of his bones.

Patrick is watching you as your eyes flit from the bed, to him, and back to the bed. His eyes follow yours. The way he looks at you is vivid and penetrating. It makes you feel like he’s seeing all of you. But he still looks like he’s struggling to figure something out.

He lets his gaze linger for a moment longer, and then he sits up and leans forward, elbows resting on his knees and hands hanging limply between his legs.

Looking at the way his shoulders are hunched over and the way his neck kind of juts out when he cranes his head forward is kind of reminding you of a pigeon. Or maybe a falcon. No, probably a pigeon. But a handsome, scruffy, feral little pigeon, maybe. And you’re staring at him, trying not to focus too closely on any one part of him.

He rubs the back of his neck, lets his shoulders sag, and looks back at you, and now he has this kind of pleading look on his face.

And you can’t tell if it’s genuine or if he’s faking it to get what he wants, but there’s that veritable exhaustion in his eyes that’s making him look so vulnerable.

And so you say, “Get in the bed, Patrick,” and you say it like he’s been sitting there begging you relentlessly, even though this is the quietest he’s been all night.

He’s surprised. Surprised that you’ve suggested it, but that it was more a statement than a question. And he’s studying you intently again, and he’s trying to figure you out, and you’re trying to figure him out, and there’s a tension in the air that was there before but feels heavier now.

And he looks like he’s about to protest, like he’s going to put up some sort of token fight, but then he nods and says, “Uh, yeah, that’d be great, yeah,” and the relief in his voice is clear.

He scoots off the couch and walks towards you in these slow, silent strides, and when he’s standing in front of you, you look up at him—you forget, whenever he recedes, that he’s quite so tall—and he looks down at you, and there’s something expectant in his gaze, like he’s waiting for you to tell him that you were kidding, and he’s bracing himself for it.

His eyes flickering all over your face, you can see his individual lashes, and the freckle on his lip, the faint lines around his eyes, the way his nose is a little crooked, and you have to really look up at him, and that makes you feel a little small, a little vulnerable, and then he says,

“You’re serious,” like he just doesn’t believe you, like what he really wants to say is you’re shitting me, but he’s too tired not to be polite.

And you shrug. And you nod. Just once. A little nod, but it’s sincere. He can tell it’s sincere.

You do the stupid, twenty-year-old, wall-of-pillows thing. Because you refuse to go top-to-toe when he’s just been outside barefoot.

You peek your head over the pillows, like a child looking over the wall between two neighbouring gardens, and you look down at him. And he looks up at you.

He takes a deep breath and lets it out slowly through his nose, but he doesn’t break eye contact.

You’re a little unnerved by how unblinking he is, but you don’t look away either, and you both just sort of linger there silently for a few moments more.

“What time do you need to be there tomorrow?”

And he looks away a second and furrows his brow in thought.

“Eight,” he says, and he looks back up at you, and you can tell that he’s trying to stay awake.

“I’ll wake you up at six,” you tell him, playing with a loose thread on the pillow, and you’re whispering very quietly like you and he are the last two kids up at a sleepover, “Maybe six thirty. I wanna shower first. Then we can go get breakfast, we can get, like—McMuffins or something. Then we’ll go to the country club.”

And he does something like a nod, though it’s a hardly discernible motion, and his blinks are getting longer with every beat. You don’t know if you should say more, so you just wait a moment, and he’s still staring at you. He’s still looking at you like that. His jaw a little bit slack. He looks a little less present each time he blinks, his eyes closing a little longer each time, and his eyelids are drooping.

But he’s got that look like he’s trying to read your mind. And then his brows sort of twitch.

And you give him a suspicious look and whisper, “What?”

But he just lets out a heavy breath of a laugh and gives a little shake of his head. And he’s got a small, amused smile on his face as his eyes fall shut, like he’s thinking, if you only knew.

[in-som-niyah]

ok i’ve been having this thought for a while… since jason is so attentive what are some things he would do that makes reader’s life easier??? like i see him as such an acts of service man like if all else fails he will make sure you’re never out of your fav tea or something idk im sorry if this doesn’t make sense 😭😭

"I Do, I Do, I Do"

A/N: digging myself out of a depressive episode with this one + this is my first fic after my long ass hiatus so pls be nice to me im trying

Attentive!Jason Todd will pay so much attention to you you would think he has a camera on you 24/7 and watching your every move.

Jason would remember the big things, like anniversaries and birthdays, but also days of the year when he knows you need the most support from him. If a parent/guardian/loved one died on a specific day/time of year he's attuned to your emotional needs and keeps up with your physical ones (like food and sleep) so you can focus on being ok again. (i am NOT projecting chat)

Jason would also remember the little things, like your favourite tiny spoon, the way you prefer spearmint to wintermint in gum and toothpaste, the way you compulsively brush your hair to the side when your bangs get too long, when it's time for you to leave a social situation. He's just always looking at you and around you to make sure you're happy and smiling when you wave back at him form across the room.

If you have health problems, Jason would never in his life let you run out of meds or whatever you need to combat your illness. The massage gun is always charged, heating pad always available, hot water bottles on standby, compression socks/arm bands at your disposal, everything. He doesn't wait for it to get bad either, he's picked up on your cues so well that he can almost predict a disaster before you do.

Speaking of prediction, he also knows that if you're not off work and in the apartment by a certain time, to start the laundry, dishes and order in/cook a quick dinner because he knows you'll come home a tense ball of stress and worry.

Jason who almost exclusively wears a specific type of softer fabric when you're around him because he loves it when you bury your face in his chest and rest your head on his bicep.

(For the short girlies) Jason who puts rubber corner protectors on the corners of your countertops and tables because you always bash your hips into them when you aren't paying attention.

Jason who does the laundry before you wake up in the morning and folds your clothes exactly the way you do because he knows you're particular about it & doesnt want you to stress about it in the morning.

Jason who puts gas in your car and repairs it himself or sends it to the bats to fix when he can't (he would never admit it though).

Jason who notices your favourite brands of food and makes sure they're always stocked (you're convinced it's witchcraft the way things don't run out)

Jason who just loves you. That's it. That's all. Just love. In any and all ways he can. All the time. In all conditions. In all situations. Patient. Loving. Kind.

[mickandmusings]

indifferent

pairing: jake 'hangman' seresin x f!reader

word count: 2.4k

summary: a year ago, the sight of jake seresin would've sent her into a flurry of tears. now, as she stares at him chatting up the bleach-blonde at the bar, all she feels is a deep hatred for the man who charmed the room with his stupid texan accent and encapsulating green eyes.

warnings: 18+ MDNI!!! seriously, this is actually a lot more smutty than usual for me; this is my first attempt at more serious smut so it's not good but we're trying new things!; angsty yet fluffy; exes to enemies to lovers (these two hate each other); no use of Y/N; sort of mean!jake, but not really; reader is described as wearing a skirt

based on megan moroney's 'indifferent'

-

As she walks into the Hard Deck, she's convinced the universe is doing everything it can to royally fuck her over.

She'd hoped for a nice night with some random but handsome Naval personnel, make him pay for drinks, give him a rather steamy and heavy make out session, and leave before it can go any further. When she enters from the beach side doors, her eyes scan the room for...Brayden? Brandon? Brian? She couldn't really remember the name attached to his Tinder profile, only remembering the beauty of a Bronco in his pictures, but he wasn't important. What was really important was the spine-chilling hate crawling up her chest as she spots the khaki-uniform-clad blonde at the bar.

Jake fucking Seresin.

Her eyes narrow, knowing her night had already soured, and it hadn't even started. She and Jake had a....history, of sorts. By history she meant deep-seeded rage and hatred for one another after a failed relationship. A year ago, she had been in a mutually exclusive relationship with the aforementioned Lieutenant Seresin, well, one she had thought had been mutually exclusive. Until she found herself worrying and fretting every time he went out with his friends. And her gut had been right, because only six months into the relationship she'd had the dreaded 'hey girl, is this your man?' message sitting in her Instagram DM. When he came home that night and had denied it all, vehemently, she might add, it had escalated to a screaming match and her storming out of the house. From that moment on, she hadn't even bothered to check-in on what he was doing in his life. She hated Jake Seresin, and as much as she told herself she was indifferent to what he was doing with the bleach-blonde giggling next to him at the bar, she knew her skin itched to ruin his night.

Instead, she decided to be the bigger person. In her direct line of vision, she found an empty table in the corner and made her way towards it. She had passed the bar successfully, and she was merely inches away from taking her claim on the seat when his southern accent tumbles into her ears.

"Didn't expect to see you here, darlin'."

Fuck me now.

She takes a deep breath before turning around meeting his tall figure. He hadn't changed, still muscular and broad, big green eyes and well-kept blonde hair. She rolls her eyes, tapping her nails against the table nonchalantly. She didn't care about him, and she would not fall victim to his charms-never again.

"What do you want, Seresin?"

His eyes widen, a shit-eating grin creeping on his face as he raises his hands in mock surrender.

"Damn, sweetheart, I'm just sayin' hello."

"Yeah I bet. Hey, Jake. Now, you better scurry back to your girl at the bar before she gets scooped up by one of your little Navy buddies."

He looks back at Coyote's girlfriend he had been casually catching up with, certainly not flirting, but if it riled up the girl in front of him, well, then he'd play into it. Jake shrugs, sliding his hands into his pockets.

"Not too worried about it, not really interested."

Yeah, I bet.

"So what do you want with me? Because you're not here to play catch up, Seresin."

Jake takes a good look at her, she's obviously here for a date. Her outfit is casual enough for the bar, but accents her curves enough to attract some appeal. Even enough to make his own pants feel tight. Whoever she was here with was one damn lucky man, no matter how jealousy burned at Jake's chest.

"You look good tonight."

She audibly scoffs, rolling her eyes at the compliment.

"If you're here to grovel about what happened, save it. You should've done that a year ago."

Jake bristles, annoyed. Their blow-up fight had been a simple case of misunderstanding. He hadn't been flirting with the girl at the bar that night, he'd been helping her escape a creep who had been following her around the bar. He had to admit, the photo had been a little...compromising, when taken out of context. She'd never even given him a chance to explain himself before blowing it out of the water. They'd both yelled at one another, not bothering to hear either side of the other's statements. She left full of shaking anger, and he hadn't seen her since, until now.

"Maybe I could've groveled if you would've listened to me for two damn minutes."

She swings her head around, her own feelings bristling as she raises her voice.

"Listen to you?! The evidence was pretty damn convincing, Jake!"

He breathes deeply, cutting his green eyes to Phoenix standing at the pool table. The brunette lifts a brow in his direction. Jake knows this is going to escalate quickly, both of their tempers flaring, and for the sake of not ruining his reputation in front of his coworkers, he grips her arm and takes her outside to the parking lot.

"What the fuck are you doing?! Get your hands off of me!"

As they approach the spot where his truck is parked, he lets go of her and she crosses her arms.

"You're yellin' at me like some kind of crazy in there. My teammates are in there-"

"Oh! God forbid the great Hangman is embarrassed in front of his friends."

She's angry, flaring with an annoyance so great she's blind to what she's saying. Jake, a man known for his ego, seems to flare in the same manner. His voice is biting when he speaks.

"That's not what I meant, and you know it!"

"I swear to God, you must get off on the idea of pissing me off!"

They're loud, yelling over one another about trivial things-her being here on a date, him flirting at the bar with another girl, stupid things that didn't amount to much, but nearly anything could fuel the fire between them. Both were still ridiculously attracted to one another, despite everything, and their feelings ran deep. Jake's face is red-between the heat of California and his searing annoyance, he had begun to work up a sweat. Not to mention how incredibly hot she looked when she was pissed. Their voices could not get any louder at one another, spouting off any detail they could think of. Finally, it draws to a head when she spits out her next sentence, her tone biting.

"You know, I fucking hate you, Jake Seresin."

Jake chuckles dryly, no humor lacing his tone.

"That's a harsh claim comin' from the girl givin' me fuck me eyes."

She recoils, crossing her arms over her chest. She knows he's right, despite her annoyance with him, she knows there's still a fire between them, one she tries to swallow despite her blood burning and her heart racing.

"You wish, asshole."

"Yeah, I do."

His response shocks her, his tone softer than before, but his eyes nearly predatory. He can feel his usual roomy uniform grow tight, his jaw clenched tightly. Her eyes dart between his own as they glimmer in the moonlight, and she finds herself unable to find a retort. No worries, Jake's voice oozes with charm and seduction.

"What? Cat got your tongue all of a sudden, darlin'? You sure were all talk only a few seconds ago."

"Y-You don't mean that."

Her voice comes out small and unsure, her throat feeling dry and her entire being throbbing with the tingle of desire.

"Don't mean what?"

He comes closer, eyes never falling from her own, his calloused hands coming around her hips. He almost expects her to flinch out of his touch, but she lets him hold her against his own hips. She can see and feel the evidence of his own arousal, the usual light color of his eyes dark with lust.

"You think I'd lie about wantin' you? You're a damn fool if you think that, I've thought about you since the night you ran out my door."

She stills, her heart racing as she manages to form a thought.

"Y-You cheated on me, I'm not falling for this."

She goes to turn from his hold, but his grip on her hips is tight.

"No."

His voice is firm, demanding.

"That ain't what happened. You just never gave me a second to explain it. So I'm gonna talk, and you're gonna listen, got it?"

His voice was serious, but he was never intimidating or scary. Jake might be an asshole, but he'd never lay a hand on her, not like that.

"I wasn't flirtin' with that girl, never did, not once. That girl asked me to help her, and whoever sent you pictures of us got it all out of context. I might be a dick but I wouldn't do that to you, and I thought you knew that."

She looks at him, conflicted between wanting to jump his bones or punch him square in the jaw. She settles on simply asking a question.

"So why did you never try to call me? O-Or text me to explain?"

"Would you have listened?"

She already knew the answer to that.

"No."

He raises an eyebrow, nodding his head in a knowing look. Both halves of the couple are quiet for a minute, not knowing where to go from here. She's the first to break the silence.

"So, what does this mean?"

Jake shrugs.

"Nothin' if you don't want it to. But if you want me like I want you right now, I'd be okay with that, too."

The heat-filled tension is almost palpable, both of their chests heaving with barely contained want. Jake wants nothing more than to throw her over his shoulder and take her in the backseat of his truck, but this isn't his decision. It's hers-she has to decide if he's what she wants.

She cocks her head to the side before looking back up at him.

"And if I do want you like you want me?"

He feels himself twitch in his godforsaken uniform.

"Then you say the word and I'll make you forget whatever little shit you came here to meet."

In all honesty, she already had forgotten about...Bryson? Fuck, she really couldn't remember the poor guy's name.

"I swear to God, Seresin, if you don't touch me I'll lose my fucking mind."

Jake grins, pulling her flush against him.

"Well we can't have that can we, darlin'?"

His lips meet her own with little warning, a frenzy of clashing teeth and fumbling hands. Jake's hands meet on her back dangerously low, before he's placing his palms flat on her ass, pulling her up and her legs wrap around his waist. Her body flames at even the smallest stimulation, and when his hard-on meets her core, she lets out a provocative moan. Jake is going blind with an unbridled, insatiable want, and he wants-no-needs her, now.

"Baby," he grunts as her hips roll into his own. "You gotta stop that or I'm gonna take you right here in this goddamn parkin' lot."

She pulls back from his gaze, giving him a look as she breathes heavily, her lips plump from his fervor.

"When have we ever been above fucking in your back seat?"

Jake shakes his head and slams open the back door of his truck, wasting zero time tossing her lightly against the leather seats. Once, not so long ago, she would've given him shit for his ridiculous truck, but in this moment, with nothing but pure lust in her eyes, she was thankful for his spacious back seats and tinted windows. He slams the door behind him, and effectively clicks the lock attached to his keys before tossing them into the passenger side seat, his hands now free to grasp the supple flesh of her bottom. His lips return to the open plain of her neck, and she sighs, knowing he was headed towards the sweet spot in the junction of her neck and jaw. He finds it within seconds, and she chokes on a gasp. Her hands find purchase in his blonde locks, a lot less soft from the gel, but still comfortable. Jake groans against her collarbone from the sensation alone, his hips subconsciously thrusting to meet against her own. His lips travel down to the exposed top of her chest before he pulls back, tossing his uniform top and undershirt, dog tags dangling down to brush against her skin. He looks down at her with his hands grasping her hips.

"You sure about this?"

She nods, she'd never been more sure.

"I need your words, baby."

God, this man was going to kill her.

"Yeah, I'm sure, Jake."

In one swift move, he's yanking down the skirt on her hips, her undergarments with it. His knee separates her legs, leaving her completely exposed to his eyes alone. He shakes his head and tuts, smiling the infamous Hangman grin.

"As beautiful as the day I lost 'er."

He darts back down between her legs before beginning to ravish her completely. The next long stretch of time is spent with both of them completely lost in one another. The sound of skin meeting skin fills the air, mingling with cries of pleasure, mangled gasps, and the whispers of each other's names. By the time they both fall against one another after their heights, they're panting and sweating, completely sated and exhausted. The air is quiet, only their heavy breaths between them. Jake is the first to speak after a bout of nothingness.

"Who were you here to meet with anyhow? Hard Deck doesn't seem like somewhere you'd come for shits and giggles."

She takes a breath, rolling over to lie on his chest, tucking her head under his chin as his large hand grips her hip, pulling her closer.

"Met some guy on Tinder. Brayden? Bryson? I don't remember, just saw a really nice Bronco in his pictures. Seemed cute enough for a casual Friday night."

Jake's eyes widen, he moves his head to his hand, propping himself up to look down at her.

"Bradley, maybe?"

She shrugs.

"Yeah, maybe, why?"

"He got a mustache, lots of funky patterned shirts?"

She furrows her brow, wondering how he knew.

"Yeah, why?"

Jake groans as he lays back down, running a hand over his face. She giggles, leaning up to prop her head on his chest.

"What?"

Jake grins.

"I can't believe I was about to lose you to Bradshaw of all people."

She listens to him chuckle, but she doesn't return the action. She shakes her head, pushing blonde hair out of his face.

"You won't lose me, not again."

-

[saiintofdiirt]

Summary: Ken walks into the aftermath of Parrot finding out Wifies is actually a clone. He should be given sainthood for how little he kills Parrot.

notes: this is so not edited lol i wrote this in like. 3 hours between tasks at work. rip. this is vaguely set in the most recent UU episode in that i needed a setting and also a reason for ken wifies and parrot to be in the same place at once. no spoilers for the episode its just alluded to being the setting. uhhhh. i think thats it. enjoy.

word count for the curious: 2678. allegedly.

~~~~

Ken arrives in the meeting room with a hop in his step. He’s been looking for Wifies everywhere, but Dean let him know that Wifies was talking with Parrot, and now Ken can finally show him the little tricky trap he’s been working on! He’s proud of himself. It’s a really good design! So he’s hopping into the room like a rabbit instead of a cat.

Parrot stands alone at the head of the table, back to the door. Just Parrot.

Bleh.

“Yo,” Ken greets even though he still feels the urge to whack Parrot across the head occasionally. “I thought Wifies was here?”

“Did you know?” Parrot asks.

Ken can feel every single part of his body prickle with discomfort. He’s glad that Parrot isn’t looking at him, so he has a chance to lower his shoulders, and tail, and ears. And attitude. He knows, somehow, what exactly Parrot means by knowing. Ken shuts the door silently.

“Know what?” Ken asks, stuffing his hands into his pockets.

“Don’t play dumb Ken. Did you know about Wifies being a clone?”

Ken breathes in slowly. He pulls his comm out and checks the playerlist. Wifies is gone. He was here only a few minutes ago when Ken last checked, which means that whatever happened, just happened.

“Did he tell you that?” Ken asks, opening Wifies’s chat.

[_Kenadian_]: where are you?

“You know, I was so confused,” Parrot turns around, eyes distant and face blank. “When I first met him, he was such a fucking asshole. Entirely full of himself. Still the smartest guy I’d ever met, though, so when all this stuff started happening on the server, I couldn’t help but think of him. I thought I was gonna regret inviting him, yet he was so quiet and nice now.”

[_Kenadian_]: wifies

[_Kenadian_]: seriously where are you

“He was always reserved, even before, but all these little things started coming up— he couldn’t remember things well, he’d talk about weird things in his sleep, things like that. And I couldn’t even. . . I didn’t know how to piece it together, and he wouldn’t talk to me!”

[_Kenadian_]: wato

[Wato1876]: Hey!

[_Kenadian_]: have you heard from wifies

[Wato1876]: No?

[Wato1876]: Isn’t he on unstable w/ you right now?

[_Kenadian_]: he left and isnt answering my messages

[_Kenadian_]: parrot found out, idk how, and now wifies is /gone/

[Wato1876]: ok I’ll check around for him

[_Kenadian_]: thx

“Are you even listening?” Parrot asks, and Ken finally looks up at him. His expression is one of desperation. It disgusts Ken.

“No,” Ken says, voice bone dry. “You yelled at him didn’t you? God Parrot, and I was just starting to respect you.”

“He lied to me this whole time!” Parrot explodes, eyes wild as he leans his hand on the table. “From the start, he hid this from me, and I only found out by— by sheer coincidence! He was talking to someone on his comm, and said something about being a clone, and I just—”

“Wait, who was he talking to?” Ken interrupts with a frown.

“I— I don’t know, they had a deep voice, talked really particularly?”

“Must’ve been Retro. . . Retro knows?” Ken mutters to himself.

The shame Wifies stews in every day because of his clone status is something Ken hasn’t been able to push past; Wifies always says he owes his life to Ken, but rarely does he bother to share his burdens with him either. Which means at least Retro seems to be getting through to him. . . It stings a little, but Ken has bigger fish to fry.

“So you did know!”

“Parrot, why do you care!” Ken snaps, turning back to his comm and searching for Retro’s contact information. Shit. He should’ve nabbed it off of Wifies earlier. “You drove him off! He’s not your fucking problem now, shouldn’t you be happy?! There! You cleaned your friends list of liars! Aren’t you satisfied with your work?!”

“I just wanted to know the truth, I didn’t want to drive him off! He's not a problem to get rid of!”

“Well great fucking job, man, go kick rocks or something. Fuck, where did he go?!”

[Wato1876]: Found him. He’s at the factory.

[Wato1876]: Ken, his comm is cracked right in half. He’s stuck here again.

Ken feels everything in him rear like a lion. He closes his comm and tucks it into his pocket. Slowly, oh so slowly, he stalks around the table towards Parrot, holding the hilt of his sword in a loose grip. Parrot follows his path with his eyes, feathers puffing out and fists clenched.

“Did you break his comm, Parrot?” Ken asks casually.

“No,” Parrot replies.

“Parrot. Tell me the truth. Did you break Wifies’s comm? Even by mistake?” Ken’s gums ache. He’ll dig his teeth into Parrot’s thin throat. He’ll rip his flimsy little esophagus out.

“No, no. I didn’t. I didn’t touch him. I didn’t. I wouldn’t.”

“I don’t know if you wouldn’t, Parrot, but I swear to everything you hold dear, if I find out it was you who broke his comm, you are going to wish I had just killed you instead,” Ken hisses out.

“His comm is broken?” Parrot echoes faintly, and it’s like gravity returns to his world, his feet landing back in reality.

“I don’t think you deserve an answer, Parrot, but yes.”

Ken tries to breathe through his anger. He’s going to believe Parrot for now.

[_Kenadian_]: ill be there soon

[Wato1876]: Bring a replacement comm?

“I was mad,” Parrot sounds wretched. “But not— I don’t care that he’s a clone Ken. I just felt like he didn’t trust me.”

Killing Parrot would make Wifies even sadder. Killing Parrot would make Wifies even sadder. Killing Parrot would make Wifies even sadder. Killing Parrot would make Wifies even sadder. Killing Parrot would make Wifies even sadder.

“I never trusted you, Parrot, not once, not for a single moment, but you made Wifies happy. I don’t know what he sees in you, but he was happy playing second fiddle to your stupid little orchestra on here, y’know? So I tried very hard to get along with you, so Wifies could stay happy,” Ken lets go of the hilt of his sword to press a sharp nail into Parrot’s chest. “You don’t understand the state I found him in before he came here, before you roped him into your stupid little games. He—”

Ken’s voice cracks and he curses, indistinct and abstract. He hates this. Leave it to Parrot to fuck everything up, just like Ken always knew he would with his lack of foresight and planning and brain. Parrot snaps up to grab Ken’s hand in a tight grip.

“Ken, I didn’t want him to leave me,” Parrot chokes out. “I just wanted to know, I just—”

“And look at where your wanting got him!” Ken spits out, yanking his hand away. “You want, and want, and want, Parrot do you even care what your wanting costs the rest of the world? What it costs Wifies?”

“He never says anything to me, he never—”

“Do you ever ask?! God Parrot, get out of your head for a minute!”

Ken runs a hand through his hair. Where is he gonna find a replacement comm? He might have something in one of the prison servers he frequents, but his head is scrambled, he can’t quite sort through his inventory in his head to figure out what he has right now. He may have one in his escape kits. . .

“Ken,” Parrot breathes. He finally realized what he’s done, it seems. Ken wants to stab him in the stomach. “Ken, I care about Wifies more than anyone else. You know that right? He knows that right?”

Ken pulls at his roots.

“I don’t know anything about Wifies right now,” Ken finally says, exhaustion creeping into him as his adrenaline runs dry. “I can’t contact him right now. He gets. . . bad, when it comes to the clone stuff. God, Parrot, what the hell have you done?”

Ken doesn’t wait for an answer. He leaves the server and lands in his solo world, scrambling around his storage before finding a dusty old comm he hasn’t used since he customized his current one. Landing near the factory is always a displeasure, but he pushes his feelings aside and enters. It takes a little searching, but he finds Wifies and Wato in the office, laid out on the floor next to each other.

“Wifies,” Ken says, more to say something than having anything to say, and he sits next to Wifies.

“Sorry for scaring you,” Wifies says. His voice is hoarse, and his eyes are bloodshot. “My comm broke. I dropped it while it was open, and I fell on it.”

“I brought you an old one I had laying around,” Ken says, bringing a hand up and running his fingers through Wifies’s curls slowly. Wifies closes his eyes. “What happened?”

Wifies doesn’t answer at first, just breathes evenly and relaxes each part of his body. He's so tense. Ken wishes he had killed Parrot.

“Parrot found out,” Wifies whispers. “I was talking to Retro. He’s been. . . helping me decipher some stuff from the notes. It was important. And I called him, and Parrot heard, and he was livid. That I hadn’t told him. That he couldn’t trust me. So I left.”

“He’s an asshole,” Wato says, and both Wifies and Ken turn to look at him in shock. “What?”

“Wato, there’s a reason why we’re such good friends,” Ken says with a grin. “Because I, too, believe Parrot is an absolute asshole.”

“You guys always knew, but I lied to him,” Wifies says. “I don’t know if he’s an asshole for being upset I didn’t tell him.”

“Yes he is,” Ken and Wato say together.

“There’s no reason to defend him out here,” Ken scolds, scratching Wifies’s scalp lightly.

“I don’t hate him, Ken,” Wifies lets out a deep, winding sigh before sitting up slowly. “Can I have the comm? I need to message Retro. Tell him everything’s okay.”

“Fine.”

Ken hands over the comm and Wifies thanks him faintly. As he boots it up and logs in, Wato sits up and gives Ken a look. Ken returns the look. Before they can descend upon Wifies and force him to talk about his feelings, the comm begins pinging wildly, messages flooding in and not stopping. Peeking over Wifies’s shoulder, Ken makes a disgusted expression at Parrot’s chat being at the top of Wifies’s DMs. Parrot is absolutely spamming Wifies’s inbox. Ken’s going to eat him for dinner.

“Ah,” Wifies says. He then proceeds to ignore Parrot to text Retro. Good. Fuck that guy.

“What does he want?” Ken asks, not because he really cares but because if Parrot pisses him off again, he can justify going at him with an axe.

“Maybe. . . Maybe not right now,” Wifies’s voice is weak.

The messages roll to a stop. Good! And then Ken’s comm starts ringing off like shots. Goddamn it. Ken pulls out his comm. It is Parrot. Awful. Now Wifies and Wato move to peek over his shoulder as his inbox becomes utterly unusable.

[Parrotx2]: Ken

[Parrotx2]: I’m sorry

[Parrotx2]: not to you

[Parrotx2]: well I can be sorry to you too but I’m sorry that I reacted like that to Wifies

[Parrotx2]: and I just need him to know that I’m sorry

[Parrotx2]: and I know you hate my guts

[Parrotx2]: but you said he was happy right? I made him happy

[Parrotx2]: I don’t think I’ve ever made someone happy by just existing

[Parrotx2]: cause fuck, it’s not like I’ve done anything for him

[Parrotx2]: Ken what the fuck did I do

[Parrotx2]: please just let him know I’m sorry

[Parrotx2]: and that I didn’t mean to blow up

[Parrotx2]: you’d think I’d be used to betrayal but with him, it felt so much worse than betrayal

[Parrotx2]: like I had failed to be trustworthy

[Parrotx2]: the reveal was a lot, but I felt more hurt than disgusted or scared

[Parrotx2]: I don’t care if he’s a clone

[Parrotx2]: I mean I care if he wants me to care. I want him to want me to care about him.

[Parrotx2]: I care about him in general

[Parrotx2]: plus whoever the guy before him was was a bitch

[Parrotx2]: he’s like so much better in a million ways

[Parrotx2]: not the point

[Parrotx2]: the point is my caring of him is not reliant on his clone status

[Parrotx2]: I can tell he’s got a comm now cause my messages are showing up as received

[Parrotx2]: does he hate me now?

[Parrotx2]: he has every right

[Parrotx2]: I can’t even pretend that he shouldn’t hate me

[Parrotx2]: Ken I don’t want him to hate me

[Parrotx2]: I don’t know if I can live with that

[Parrotx2]: I fucked up so badly

[Parrotx2]: the worst part is I trust him

[Parrotx2]: I made this whole fuss about trust and I still trust him

[Parrotx2]: of course I do, he’s the single most trustworthy person I’ve ever met

[Parrotx2]: I’ve slept in the same room as him for months and I never even worried

[Parrotx2]: he could’ve left or betrayed me or killed me literally at any point

[Parrotx2]: and he never did! even if it would’ve made his life easier

[Parrotx2]: what the fuck was I thinking?

“Ugh. Do you wanna talk to him right now?” Ken asks, turning his head towards Wifies. He gets a face full of sweet smelling curly hair.

“. . . I don’t know,” Wifies says, resting his chin snuggly onto Ken’s shoulder.

[_Kenadian_]: can you shut up. jesus.

[Parrotx2]: sorry

[_Kenadian_]: yes he has a comm now

[_Kenadian_]: he’ll talk to you when he talks to you

[_Kenadian_]: you made him cry yknow

“Ken!” Wifies hisses, cheek warming up where it’s now pressed to the side of Ken’s throat. “Why did you tell him that?”

[Parrotx2]: fuck I’m sorry

[_Kenadian_]: yeah he knows

[_Kenadian_]: just

[_Kenadian_]: give him some space

[_Kenadian_]: also dont text me like that whats wrong with you

[_Kenadian_]: i want you so dead its not even funny

[_Kenadian_]: this is the SECOND time you make him cry

“Ken!!”

[Parrotx2]: I

[Parrotx2]: what?

[_Kenadian_]: wouldnt you like to know bird boy

[Parrotx2]: why would you tell me that

[_Kenadian_]: you need to understand the consequences of what you do

[_Kenadian_]: wifies never lets you see but i do and i think you should writhe

[_Kenadian_]: you care so much? lets see.

[_Kenadian_]: writhe bird boy writhe

“That’s mean,” Wifies says as Ken closes his comm, but he doesn’t move a single muscle.

“You should’ve made it worse,” Wato says. “Should’ve told him Wifies was comatose or something.”

“Jeez, since when are you so vicious?” Wifies asks, but Ken is almost certain he and Wato are holding hands behind Ken’s back.

“I approve,” Ken says, bumping his head into Wato’s lightly. “Anyway, take as long as you want to ignore Parrot. Forever, even. I’d also approve of forever.”

Wato hums in agreement. Wifies sighs again, much lighter than before.

“Just a little while,” he says to Ken’s vast displeasure. “Just until I can stomach it. I shouldn’t have run away.”

“You’re allowed to do whatever you want, actually. Forever.”

Wifies giggles, and Ken finally feels himself relax a little. If Wifies is laughing, then it’ll be okay. He still feels anger pulsing within him like a second heartbeat, but it softens when Wifies bumps the top of his head into Ken's cheek. Not gone, never gone, but quietened enough to let Wifies speak for himself.

Ken trusts Wifies despite his own opinion. So he'll keep true and hold Wifies close no matter what.

“We still gotta talk about your feelings,” Wato says, and Wifies whines, trying to hide his face further into Ken's shoulder. 

“It's so embarrassing,” he murmurs.

“I'd be embarrassed too if I cried over Parrot of all people,” Ken deadpans. 

Wifies groans. Ken won't let him get away this time.

[atleastpleasetelephone]

Gentle On My Mind - Chapter 5

Initially set in 1967 when Elvis is filming Clambake. Feeling miserable and trapped after the Colonel banishes Larry and the spiritual texts, Elvis invites Gloria to keep him company through the last five days of filming. Gloria is an aspiring movie editor and more importantly she's a lot of fun. Will she be what Elvis needs to get him out of the depressive funk he's in?

Catch up with the other parts here.

Many thanks to @sissylittlefeather being my beta reader on this one.

Pairing: Elvis x OC - Gloria, a budding film editor.

Word count: 4.2k ish

TWs: Gloria's filthy mouth, angst, infidelity, blowjob, fingering, p in v sex, possessive kink, size kink, spanking, Elvis is quite dominant, think that's about it.

Elvis spends that afternoon’s filming trying very hard to concentrate on his lines and not daydream back to his lunch break, him almost dragging Gloria back to his trailer, both of them giggling like naughty kids and probably making what they were about to do incredibly obvious to half of the film crew. Going through additional takes of some of the opening scenes in the gas station, he fights the urge to think about the feeling of Gloria’s mouth all around him as he leant breathless up against the wall. Tries to forget for a few minutes the puzzle of what it was she’d done with her mouth and hands that had made him come so quickly right down her throat. Between takes, chatting to Shelley about how hot it is and whether that makes LA seem more like Florida, he repeatedly pushes the thought that this was the second time he’d left Gloria full of his come out of his mind. 

Gloria also finds herself a little distracted, her mind drifting back to the fun they’d had at lunchtime. But, as she walks back to his trailer at the end of the day, a little later than usual because she’d got so stuck into what she was doing, she reflects that maybe she’s actually learning enough to get herself a proper job. Or at the very least, enough to make those stuffy old men think that she knows what she’s doing. She bites the skin beside her thumbnail a little, thinking briefly about going back to San Francisco, and then her mind drifts back to Elvis in the trailer earlier, his hand over his mouth so everyone on the film set wouldn’t hear him moaning as she sucked him off. She’s pretty impressed with herself for somehow stuffing all of that dick into her mouth and down her throat, it’s definitely a record. 

“Where you been, honey?” 

Elvis is sprawled on the couch, taking up the entire thing. She looks down at him. 

“Got sucked into editing. I’m really enjoying it, I can’t believe how interesting it is when people actually let you do things rather than just making you get them coffee.” She picks his feet up just enough to give her space to sit down, replacing them on her lap. “Thanks for making it happen it for me.”

“No problem, Glory.”

She tilts her head to the side. “You okay?”

“Hmmm. You ever been to Hawaii?”

“Family vacation in Honolulu a few years ago.”

“Did ya like it?”

She nods, her hands resting on his shins. “Mmm yeah. Beach life. It’s definitely a nice vacation spot. But there are beaches here!” 

Elvis frowns. “Can’t really go to the beach here. Too busy.”

Gloria doesn’t miss a beat. “Not if you went in disguise,” she suggests. “Why don’t we sneak off now and go to the beach and get dinner there? Instead of just sitting in here and eating burgers again.”

Elvis is briefly completely baffled by this turn of events, and he’s about to say he probably needs to take at least one of the guys with him, and that he doesn’t know if there will be food he wants to eat at the beach, and that he really doesn’t go places that are so busy… and then he just doesn’t say any of those things and instead just says “okay.”

Gloria sits for a few seconds blinking in confusion. She had been expecting a little more resistance, but since she hasn’t got it she just pushes his legs out of the way and leaps up off the sofa. 

“Let’s go!”

***

They take her car, and he hides in the backseat as they drive off the set. Gloria has a hard time keeping a straight face driving through the gates, thinking of him in shorts and a denim jacket she’d somehow found for him to wear, lying down as flat as possible. Once they’ve got far enough up the road she pulls over and he gets out and into the front seat. She can’t help giggling at him. She’d jammed a baseball cap on his head and made him wear his shades too, and he looks successfully nothing like himself. He had complained a lot, looking at his reflection in the long mirror in the trailer, but he relented when she put her arms around him and kissed his neck and told him she thought he looked sexy. She wasn’t lying. Looking at him now, once the giggles have subsided, she thinks he looks really good. More casual than usual, which she likes. And he’s not wearing too many clothes. One of her main gripes with the movie, whenever she stops to watch a take or two, is that they’ve over-dressed him. Since it’s meant to be set in Florida, she’d have expected him in shorts and a t-shirt a bit more often. And more sensible shoes. She does have a soft spot for that all-denim outfit, especially remembering him changing out of it and giving her her first glimpse of the outline of that fucking huge dick, but it still seems an odd choice for the movie. 

“What’re you thinking about, Glory?” 

She shakes her head a little and looks over at him. “Your fantastic outfit.”

“I can’t tell if you’re making fun of me.”

“I like it.”

“Even this?” Indicating the baseball cap.

“Even that. In fact, you can leave that on later if you want, in bed.”

She starts to giggle again. Elvis shakes his head. “You’re unbelievable.”

“I know.”

He smiles as he looks across at her. She’s just put the top down on her car so her golden hair blows gently around her face under her sun hat. Her hazel eyes are shining with amusement and he watches her tanned arms on the steering wheel. She drives comfortably, seat back, keeping her eyes on what she’s doing but never looking remotely bothered by anything that happens. The car never jolts, the whole journey is a very smooth ride and Elvis wonders if he’s ever been driven by a woman who is this good at it. 

“God must’ve sent you to me,” he murmurs, almost to himself. 

“God?” She asks, spinning the steering wheel quickly as she looks for a space to park. “I’m agnostic, I don’t know if he’d have sent me. Probably would’ve wanted you to have a true believer.” 

She sticks her tongue out slightly in concentration as she backs the car up into a space. Elvis frowns slightly. 

“Agnostic?” 

“Hmm yeah. C’mon, we’re good, I’ve just seen a hot dog stand over there too. I bet you like hot dogs.���

“You don’t believe in God?” Elvis asks, following her as she bounds out of the car, barely stopping to lock it before she runs over to get in the line for the stand.

Gloria shrugs her shoulders. “Don’t think we can know so I don’t try. Maybe there is one, maybe there isn’t. Presumably I’ll find out eventually. Two hot dogs please, one with extra mustard.”

Elvis blinks at the heady mix of theology and fast food. He puts his arm around her as they walk down to the beach together. There are a lot of people, but none of them give him a second glance.

“I read the bible every day,” he tells her, somehow becoming deadly serious. “God is an important part of my life.”

She nods. “That’s cool. I wish I could believe in God but I just don’t have it in me. What about here?” She gestures to the bit of sand just in front of them. 

“Sure.” 

They sit down and start to eat. “You just believe in that white bearded guy up in the sky, or anything else?” She asks, with a mouthful of food. 

Elvis laughs and finds himself suddenly less serious again. “I’m interested in a lot of things. I’ve got this book which shows you how to calculate your number, and once you do that you can find out about your destiny and…”

“Numerology!” Gloria declares, completely interrupting him. “I love that shit.”

Elvis is immediately torn between loving her enthusiasm and being embarrassed by how loudly she just cussed.

“I’m a five, look,” she shows him the bracelet on her arm which has the number 5 hanging off it in the form of a golden charm. “What’re you?”

“An eight.”

“Oooooh we’re so compatible!” 

Elvis laughs. He finishes his final bite of hot dog and looks into her eyes. “Well it makes sense that you’re a five. It’s the number of freedom.”

“Yeah and I am still free from my panties, which I have to say is a very dangerous situation on this beach.”

“Oh. You could’ve brought a swimsuit.”

“Well no-one told me that!”

Their eyes sparkle as they tease each other back and forth, getting in a little play fight which ends with Elvis lying on his back in the sand, his cap knocked off, and Gloria half-sprawled on top of him. 

“Okay, so what are eights like then?” She asks, once she’s got her breath back.

“Great leaders,” Elvis replies, then giggles. 

“Oh, great leaders. I see. I’m just a mad impulsive girl who came to the beach with no swimsuit and you’re gonna be the president or something.”

He pulls her closer to him with the arm that’s currently wrapped around her shoulders. 

“It doesn’t look like I’m going to be the president right now, does it? No-one here has recognised me. Not one person.”

She puts her chin on his chest. “You’re in disguise.”

He huffs. “I was wearing a hat.”

They lie there for a while longer, talking about their respective numbers and debating whether Elvis wants to be recognised or not, and then he looks at his watch. 

“Think we should be getting back, Glory. The guys will be wondering where I am.”

***

Gloria notes the look of disappointment on Elvis’ face when he discovers that far from sending out a search party for him, no-one had even realised he hadn’t been in the trailer for the whole evening. 

“Can’t even pay people to give a shit about you,” he mutters, throwing himself melodramatically onto the bed, even though it's still early. 

Gloria kicks off her sandals and tries to dust the sand off her feet before getting onto the bed next to him. “I give a shit about you,” she says quietly, into his neck. 

Elvis is startled into looking down at her. He can’t see her face, buried as it is in the crook of his neck, but she sounds sincere. “I’m sure you do, honey.” He runs his fingers through her hair. 

She doesn't like his tone. It sounds like he’s dismissing her feelings, which had sort of snuck out of her when she wasn’t looking. She does give a shit about him though. It’s hard not to. 

“Well I wouldn’t be here if I didn’t.”

Elvis isn’t sure how to respond. He had thought that she just liked sleeping with him. But she has spent a lot of time listening to him over the past few days. 

“Um, thanks,” he mumbles, awkwardly. 

Gloria sighs quietly. Never mind her feelings then. Back to being her usual fun, sunny self. Only one day of filming left anyway. There’s no point in getting deep. 

***

The final day of filming is a busy one for Elvis, and he barely has a moment to himself. He looks longingly at Gloria from time to time, but there’s no opportunity to talk let alone anything else. He keeps thinking back to what she said about giving a shit about him. Running the conversation over and over again in his mind, he feels like he should’ve said something better than thanks, but once he’d missed his initial opportunity she had just started prattling on about numbers again. And not long after that she’d taken her dress off and he’d forgotten all about anything she might’ve said. 

“That’s a wrap!” 

Elvis sighs with relief at the words. It’s fairly late and he’s desperate to be alone with Gloria, on their final day together. Then he remembers the wrap party. There’s no way he’s going to get away without going, and probably staying for most of it. He doesn’t have any excuses. 

***

Gloria flits about the party, talking to anyone and everyone. She loves an opportunity to socialise, and this is even better because she’s making contacts in the industry too. Contacts outside of her daddy and his friends. And because no-one knows who she is, they treat her differently. With respect. She can see Elvis out of the corner of her eye, his flirting with Shelley getting almost completely out of control. She knows he’s trying to get her attention, but she doesn’t care about him flirting with actresses. After all, it’s not as if they’re going to be together after tonight. He’s going home to marry Priscilla. 

***

Elvis is pulling out all the stops with Shelley. Laughing loudly at everything she says that’s remotely funny, leaning in close to her when she’s talking quietly, carefully brushing a strand of hair from her face. Even going so far as to wrap an arm around her waist. Shelley’s enjoying herself but she’s not daft. She can see Elvis’ eyes flicking across to the pretty blonde on the other side of the room to see if she’s noticed what he’s doing. Shelley is amused that Elvis Presley is trying to get a girl’s attention, and in such a roundabout way. She decides to help him out a little. 

“Do you think it would help her notice if I did this?” She asks, putting both of her arms around his neck and looking up into his slightly surprised face. 

“Ah-I-I… I dunno what you’re uh… talking about,” he replies, stumbling over the words but putting his hands on her hips instinctively. 

“Ah come on, yes you do. You’re flirting with me to get her attention!”

“Oh no, baby, I wouldn’t do that… I-I-” 

“If you wanted to talk to me you just had to come over.”

Elvis looks away from Shelley’s amused face to see Gloria standing next to her. 

“Oh-Ah-I… honey, I jus’...” 

Both women laugh as Shelley removes her arms from around his neck. “See you later. Nice working with you again,” she tells him, giving him a kiss on his now burning cheek. 

“You looked busy,” Elvis tells Gloria, sheepishly. 

“I was networking.”

“Networking?”

“Yeah, you know. Making friends who don’t know who my daddy is.”

He nods. “I’m dying to get out of here.”

“Me too. Think you have to do a bit more though,” she nods at a man with a moustache making a bee-line for them. “Let me know when you’re ready to go. You can just come over and tell me this time.”

***

They finally get back to the trailer in the early hours of the morning. They’re barely through the door before they start pulling at one another’s clothes in an attempt to get them off. 

“I’m disappointed I was too busy filming to do this earlier,” Elvis pants, between frantic kisses. 

“Me too,” Gloria moans as he starts to kiss her neck. “And I hate that the party went on for so long. God, I thought we’d never leave.”

He unclasps her bra now that he’s taken her dress off. “When Bill started that speech…” he groans, then slides his mouth over her nipple. 

“The world’s longest, most boring speech, you mean?” She arches into his mouth as her hands find his belt and undo it. 

“Mmmm. Worst. Speech. Ever.” He punctuates each word with kisses that get lower and lower until his mouth is just above her clit. 

She squirms, her hands in his hair trying to push his head further down. He smirks and kisses his way back up her body again, lips finding hers. Moaning into his mouth, she grabs one of his hands and tries to guide it to where she failed to get his head to go. He chuckles as he pulls away from her again. 

“Needy little girl, aintcha?” He teases. 

She nods. “Been needy for you all day, big boy. Feel.” Finally managing to get his hand between her legs, she directs his fingers to run over her soaking pussy. 

He groans. “Bet ya ruined that skirt you were wearing earlier.”

“Yeah, it’s actually a great way to give yourself extra laundry,” she jokes. “As I’m sure you know, Mr. I Don’t Wear Underpants.” 

“Don’t do my own laundry,” he replies, before picking her up and putting her over his shoulder. “Right, you. Bed.”

Gloria squeals and kicks her legs and he gives her a quick sharp slap on the ass. She squeals again, in surprise and delight. Walking the few steps to the bedroom, he throws her down onto the bed so hard she bounces back up slightly. 

“Oooh Mr Dominant!” 

He shakes his head, trying to look stern but unable to keep himself from smiling. “It’s Mr Presley.”

She throws her head back and laughs uncontrollably. “Oh, is that what you want me to call you?”

Still giggling until she finds him on top of her, pinning her hands above her head, his eyes full of lust. “No, you know what I like you to call me. My needy girl.”

She moans a little at the name, trying to wriggle her hands free but unable to get away from his firm grip. “I want you… so bad… big boy,” she whines, arching towards him, desperate for more contact. 

“Think I might want to tease you a little first.”

She can’t resist trying it, despite what he just said. “Yes, Mr Presley.” 

He feels his dick get immediately harder at her words. He hadn’t thought he’d like it, usually people calling him Mr Presley made him feel old. But her cute west coast accent, her fluttering eyelashes and the slightly desperate tone in her voice have changed his mind. He leans down, kissing the skin just beneath her ear. 

“You can keep doing that.”

She bites her lip and rolls her body into his, now he’s that bit closer. “Yes, Mr Presley.”

He groans. Fuck. It’s going to be more difficult to tease her than he thought, if she keeps saying that. It’s going to be very hard for him to not just come in his pants. He kisses her again and then shifts so he can take the rest of his clothes off. Leaning back over her, he starts kissing gently down her body, enjoying watching her squirm trying to get him to move more quickly, deliberately stopping and peppering her with kisses just below her belly button until she’s groaning in frustration and begging him to move lower. 

“Please. Oh fuck. Please. I’m dripping for you.”

His eyes roll back in his head at the description and he decides to give her what she wants, spreading her legs with his palms and kissing her soaking wet pussy. She moans pornographically, hands grabbing his head as she grinds her hips up into his face, completely ignoring the fact that he’s only gently kissing her. He growls against her, vibrations making her moan even more loudly. Grabbing her hands and pulling them off his head, he looks up at her. 

“Don’t think my girl is doing as she’s told.”

She whines and wriggles. “I just want you to touch me…”

Shaking his head, he suddenly grabs her and wrestles with her until he has her over his knee. He brings his hand back and then slaps her hard on one ass cheek. She squeaks. 

“Feel like my girl needs to learn her lesson.”

Gloria rubs her thighs together, desperate for some friction. She’s so turned on she can barely stand it. She’s starting to wonder if she could just just come from him spanking her and calling her his girl. 

“Yes, Mr Presley,” she breathes. 

He bites his lip and tries really hard not to let on how much he’s enjoying this, though he’s sure she must be able to feel his erection digging into her. Slapping her ass again, he watches it jiggle and get red and listens to her moan and whine. Then he slides two fingers into her pussy. 

“Oh, fuck.”

Her head flops down onto the bed as she feels his fingers slowly thrust in and out, pleasure building inside her. Just as she’s starting to really enjoy herself he removes them and slaps her again. She screws her eyes shut and tries to control the noises that are coming out of her mouth as he continues alternating between touching her and spanking her. Eventually she completely loses control. 

“Oh fuck please Elvis please I want you so bad I’m sorry for being a bad girl.”

He chuckles and gently lifts her head with his other hand. “I better put ya out of your misery, huh?”

Her head flops back down again as he starts rubbing her clit quickly, pushing his thumb inside her, listening to the pleasured noises she makes as her orgasm builds quickly and then completely overpowers her. 

“FUCK.” 

If he thought her cussing on the beach was too loud, this was on a completely different scale. He puts his hand over her mouth as he gently rubs her through her high, shushing her. Her hot breath and mumbled curses against his skin. He doesn’t let her lie there for long though, he’s so desperate to have his fill of her.

“On your knees, baby.”

She gets up slowly until she’s kneeling on the bed, looking up at him expectantly. 

“No, not like that. Hands and knees.” He gestures at her to turn around so she’s facing away from him. 

He strokes her ass with one hand and his dick with the other. “All that looking at your ass made me want you like this.”

Her moans start off soft and soon crescendo again as he starts to push inside her. Groaning as he finally bottoms out, he pushes her head down onto the bed. 

“I need you to be quiet.”

She whimpers a little at the feeling of being so stretched in this position. “Yes, Mr Presley.”

Trying his best to hold it together at those words, his hands grip her hips as he starts to move inside her. She presses her face into the bed to muffle the noises she makes as he pulls almost all the way out and then slides in again, repeatedly. Elvis is driving himself crazy too, the intensity of the feeling of her all around his dick is almost too much. He gives up on moving slowly, his thrusts hard and fast now, making her body rock with each one. Her fingers dig into the mattress, trying to stop herself just collapsing on the bed with the force of his movements. He’s pounding her so hard she can feel tears gathering in the corners of her eyes. But it feels so good too. So good that she can feel her second orgasm building in the pit of her stomach.

Elvis is so close it’s almost killing him but he really wants to feel her walls squeeze him again. “Is my good girl going to come again?” He pants. 

“Y-yes… yes Mr Presley…” she pants back, getting up onto her forearms and pushing back against him with every thrust. 

His eyes roll back in his head and then all of a sudden he feels it, the squeeze of her walls around him as she falls forward onto the bed, only the force of him gripping her hips keeping her from collapsing completely. 

“Oh fuck,” he murmurs, and just like the last time it’s only one or two more thrusts before he’s coming too, deep inside her. Letting go of her hips they both collapse in a heap, breathing hard. 

He rolls off her and then pulls her into his arms, covering her face in kisses. She smiles and wraps her arms around his neck. Breath still uneven, he looks at her with grave seriousness. 

“Are you okay Glory? I don’t know what came over me then…”

Her mouth curls into an even bigger smile. “I’m great, thank you, Mr Presley.”

Wrapping a leg around his waist as she watches him cringe a little and blush.

“Oh God you’re never going to stop with that now, are you?”

“Never. Thought you were enjoying it. I know I was.”

He moves to kiss her neck. “Yeah I was,” he murmurs against her skin. “You sure I didn’t take it too far?” He looks up, his face worried. 

“No way. That was so hot. You can throw me around like that any time you want.”

She watches as his face changes from worry to a look that’s almost pride. Then it changes again to sadness as he remembers that “any time” will be over in a matter of hours. 

“Do you have to go back home tomorrow?” He asks, urgently. 

“I don’t have to do anything,” she replies. “But um, no I can stay, if that’s what you’re asking?”

Is that what he’s asking?

“Yes please. Please stay.”

***

Taglist:

Please let me know if you want to be added or removed:

@vintagepresley @arg-xoxo @from-memphis-with-love @msamarican @blursedblegh @returntopresley @another-identityofmine @eapep @everythingelvispresley @i-r-i-n-a-a @sissylittlefeather @arrolyn1114 @jhoneybees @cattcb @polksaladava @lookingforrainbows @jkdaddy01 @ccab @epthedream69 @lustnhim @elvisslut @pomtherine @that-hotdog

[riathedreamer]

I did celebrate in the server yesterday, but I forgot to scream here!

Yesterday was the one year anniversary of the official Footnotes server! I remember being so anxious about attempting to start a Discord server for my fic - would people be nice, would there be drama, would people care, would people even join?

I expected maybe a handful of readers and I would be grateful for every one of them.

And now, a year later, we are almost 150 people in there, and I cannot imagine not having this amazing community full of kind, supportive, funny talented people! People who comfort each other, who hang out, who praise each other, who inspire each other! All the lovely movie nights and voice chats! The chaos after dropping a chapter, and the speculation - Oh the speculation! Writing a mystery fic, I always hoped readers would have fun finding and playing with clues. I am forever amazed seeing how clever and observant my readers are when they share their thoughts in the Spec Hub - which has *28K messages alone* in that channel!

The fact we have a channel dedicated to resources - timelines, summaries of theories, conspiracy board!

That we have a fanart *archive* because we ran out of pins in the main fanart channel!

But most importantly - that I wake up always having someone to talk to. It's been a tough year personally, and according to my parents, this server has saved me. This place has given me friends, a sense of purpose, so many souls willing to listen and be supportive! The fact that I see people in the server becoming friends with each other is so so heartwarming. The fact that some have met in real life - and that more are planning to do so!

The internet can be a rotten place most of the time, but the Footnotes server is such a light in the dark, and I am so grateful for all of you.

Man, this post is just pure gushing, but I still cannot believe I am lucky enough to have all of this.

Anyway, join the fun and become a sad, gay bird in the Footnotes server!

To the stars we haven't seen yet!

[elegyofthemoon]

😊

[hood-ex]

Nothing better than being in a creative space with women where everyone is looking at each other's work like, "Oh my god that looks sooo good!" Everyone's just handing out praises like candy, and it's such a nice vibe.

[krbk-notebook]

hey @real-life-cloud @thatsgaybro @lyricalvicki @tempestaurora @sweetietenya @greyladyblue @moumjn

we‘re either mutuals on my main (@pecuirlig), on here, or you follow this blog — and it looks like we all like krbk ! :‘)

first of all, feel free to decline <3

would anyone be interested in making a little krbk discord group or something? :‘)

as a casual fun hangout spot for people of similar ages (i think we‘re all 20+, most early 20s?), for talking about krbk (& maybe other ships/characters/shows etc too), sharing or talking about fics, or art, or whatever we want :‘)

i know i‘ve wanted to have a space like that for years tbh lol, since i haven‘t had the luck to meet anyone irl who‘s also into fandom or specifically krbk, back when tumblr group chats were a thing they weren’t very lively lol, and the krbk discord groups i‘ve checked out so far haven‘t had active members my own age.

i would be super happy if any of you might be interested too ! :‘) but i will continue to suffer alone lmao if you should not <3 (/lighthearted)

(btw— i‘m super open to other people joining this too, so please do feel invited if you are 20+ and you want something like this too ! i just only @'ed these people because there‘s been Some interaction between us already. not having @'ed you doesn‘t mean you‘re not welcome :‘) !)

[hella1975]

there's a very specific kind of vibe that comes with living with your friends in final year that it just does not have in first year or even second year. like as a fresher it's usually the first time any of you have lived away from home let alone with SO MANY people your age and it's terrifying and exciting and randomised to boot so it's generally carnage for a whole year in the best and worst ways, and then second year you pick who you're living with and it feels like for the first time you're doing this adult thing PROPERLY. you have a place of your own now. these are the people you've chosen to live with. studying gets serious etc. but it's still fresh. it's still new. you still don't know how to navigate it. but final year? final year is when you actually get it right. you know how to manage your time better. you know what works for you and what doesn't. studying is the main focus and you've been out in the world for three years now and it's not loud and boisterous like it was in first year and you're not exciteable and awkward like you were in second year. you're comfortable. every single one of my flatmates has their own friend group and we mainly keep to our own social circles, but we'll still meet each other back at the house after a night out and sit in the kitchen or my room to do the debrief. sometimes i'll go days not seeing either of them despite sharing a house but every now and then someone will softly call up the stairs that 'the heating's on!' or one of us will sneeze and the other two will yell 'bless you!' through the walls. the lack of interaction isn't interpreted as dislike in ways it would have been even last year, because we're all just old enough to be past that now and settled enough in our friendship not to worry about it. idk. uni is very loud and unsettling a lot of the time so it's been really sweet to see how almost boringly comfortable final year is.

[warmspice]

[fridayyy-13th]

i am feeling So Many Things at the moment but mostly i just feel like a disaster

[sleepdepravity]

it really has been so interesting (and gratifying) to see people's reaction to my writing, a lot of people have really nice insights into my style or pointed something out that i never particularly thought about...

[unopenablebox]

i wish it were easier to somehow block any and all notifications relating to my extremely recent family bereavement without also blocking my ability to receive any other notifications

[1-ufo]

Perhaps a bit messy of me to go to my favorite restaurant/bar in the mid afternoon and have three drinks and be drunk by 5 pm on a chuesday

But

Well

It was an extremely busy day of medical appointments and buying a car and I have been dealing with and worrying about a friend who is in both a horrible manic depressive state and also dancing with the devil with someone else who is equally or possibly in a worse mental state and I am worried and Concerned and watching this happen and feeling helpless to do anything to help without crossing lines and I’m not gonna lie yall it’s been a Lot.

[flickeringflame216]

Blessings!