Starring Steve Harrington in a Leading Role as 'Mom Husband Disappointed in YOU PERSONALLY'
rating: teen
tags: future fic, established relationship, Eddie commits a capital offense, bitchy Steve strikes again, Eddie loves him so much, married steddie, rockstar husbands
✨for @hbyrde36 at my BIRTHDAY MONTH PROMPT FEST for the prompt: “I assume I deserve this, but can you tell me why you want to kill me this time?”
One look is all it really takes.
As in: Eddie doesn’t have to do more than pulls his key from the lock, kick the door closed behind him, open his mouth to spill his usual litany of adorations, multiple at least tenfold for the uncommon days—plural, two whole days—spent apart from his husband, from his beloved, from less his other half and more his entire whole, the soul and breath of him, the rhythm-maker of his heart entire, his—
Eddie gets so far as turning to start on spilling all the love he’s had to bottle up because Steve wasn’t next to him for a whole 63 hours, and voicemails are fine, phone calls are nice, texts are a gift from god but also the bane of his existence because they’re starting to pretend—as in, the wider-world-of-they—but they’re starting to pretend they’re sufficient, that they’re enough and, and…
Fucking never.
But Eddie’s been gone—label negotiations, shit they were digging their heels on being in person for no goddamn reason, as proven by the actual days in person—and now, as he takes in his husband at the island, sat on one of the bar stools, those legs danged low and crossed at the ankles, the fucking socks on him tantalizing, good goddamn, but he’s leans back from the waist and those…those arms. Crossed over his chest.
That’s never meant anything other than judgement. Than what the kids used to term Mom’s disappointed in you personally.
Except Steve is his partner. His til-death-do-us-part-and-then-some. And…
Oh. Oh, he’s got his glasses on when he’s not working—Eddie scans the countertop for papers, nothing obvious—which only enhances the effect of the look; gives it a whole new dimension of accusation as he looks over the tops of the frames and lets his gaze fucking…just sear into Eddie. Uncompromising. No mercy.
Eddie will not try to pretend his doesn’t fucking gulp, the violent motion of his throat around it undoubtedly obvious: but Steve doesn’t budge. Doesn’t grant him quarter.
Fuck. Right. Okay.
Diffusion tactics.
“I assume I deserve this,” Eddie starts, pitches the words to land gentle because, well, they’re honest. Steve’s a fucking drama queen, absolutely: but it’s never been without his reasons, and Eddie loves him with his everything, right, so he respects his reasons.
Even when they’re fucking absurd.
But there’s no evidence here yet either way, about the what, about the cause of the sheer fucking inferno blazing in those eyes, the venom that Eddie can almost taste in the air that seeps from his lips for just breathing, that could probably land a death blow on its own when he actually deigns to speak, and so: yeah.
Eddie does assume he deserves it, one way or another. Because Steve loves him with his everything, too, like for like and then some, both ways and all ways. So he doesn’t react quite like this; doesn’t pull this sort of shit lightly.
“But” and he’s still picking his way through the minefield, takes only the barest step closer palms open near his hips, plaintive-like as he…yeah, kinda he pleads:
“Can you tell me why you want to kill me this time?”
Steve—okay, so, in any other circumstance: the sounds Steve makes, the guttural fucking growl that rumbles from his chest: that’d be hot as shit.
In fact it’s still hot as shit, but: not the time. Because those eyes are still…like, third-degree-burn to the touch.
“You lied.”
Eddie blinks, because…he hears Steve’s words. They’re very simple, and very clear.
But they’re nonsensical.
“What?”
“You lied to me.” And then Steve’s grabbing something behind him, flinging it closer to where Eddie stands at the end of the island and oh, okay, a magazine and—
Oh. Oh.
Okay.
A magazine with Eddie on the front with some…
Wait.
“Stevie,” and Eddie’s not gonna be placating, he’s not going to be evasive or dismissive—Steve knows the other party hanging off Eddie in the photo, it’s Lance, the band’s media intern who has a not-so-secret infatuation with Steve of all people, and is about to be replace by a kid, Marvin maybe, in his senior year in PR and media studies who, honestly, Eddie suspects may have an even bigger infatuation with his husband, but that’s not a concern for right now; the concern for right now is that Steve’s looking at Eddie, glancing every half-second toward the photo again and looking…somewhere between enraged and betrayed.
And it’s so fucking sour in Eddie’s chest, god: he needs to fix it. He’s just, he’s got to fic it but—
He doesn’t know what the hell it even is.
“Baby, I would never, not ever lie to you. And you know Lance,” Eddie tries to point out soothing, rational, no hint of patronizing because he wouldn’t, he would never, especially not like this.
Steve’s scowl just depends, and he taps hard enough on the page to leave an indent, to score a line with his nail.
Right. Okay.
“Stevie—“
“You,” and Steve leans toward the far side, grabs something out of view before he points the something at Eddie almost threateningly:
“Lied.”
“Steve,” and Eddie’s eyeing the instrument leveled at him carefully before he notes what it actually is: a pen.
A red pen and oh. His Stevie. Always the consummate educator.
And Steve does the growling thing again, probably because Eddie’s face goes lax, all soft and shit in the face of Steve being all competent in his profession in the small, sweet ways that pop up all the time, that Eddie loves so deep, so hard, but then Steve’s scribbling and oh, it’s one of the fancy pens, more like a marker that’s bright against the magazine gloss and he’s circling, he’s making arrows, there’s no rhyme or reason—
“Lies!” Steve declares, definitive as he throws down the pen and shoves the marked-up photo toward Eddie so it’s skids across the island, so Eddie has to catch it, and he squint a second, tries to make sense of what’s circled over and again and—
“You fucking promised me,” and Steve…yeah.
Steve sounds like Mom’s disappointed in him personally to a fucking T.
But so much worse again: because this is his husband.
“I did—“
“No!” Steve cuts him off; “no more bullshit,” and oh, fuck, Eddie knows it’s serious, that word’s got a premium still in their household, and then Steve’s leaning closer pointing forcefully at the image, at the red-ringed offenders:
“That,” Steve snarls; “is fucking frizz, Edward,” and Steve looks up at him, again, some combination of livid and offended on principle; “why did I even bother to pack you the conditioner that you swore to me you’d use—“
“I did, Stevie!” Eddie protests, pleads for leniancy; “I did, I swear, my bag got delayed the first night, it was only that first night that I showered without it,” and fuck, how’d they even get that photo, how the fuck did it get to print and in Steve’s hands even, how—
“You cannot maintain your curl pattern without proper maintenance,” Steve grits through clenched teeth and yes, yes: Eddie knows. He’s learned, and learned again, and learned some more, for…for years.
He kinda loves it. But he’ll never love making his husband sad. So, because he’s skilled on his feet, he tries for a compromise. A Hail-Mary, in sports ball speak—or he thinks that’s the right thing to call it.
“Maybe you can salvage it,” Eddie proposes, damn-near begs, and yeah, yes: he means that wholehearted, too; “maybe we can go upstairs and you can save it?”
And Eddie’s not even trying to make his eyes big, knows Steve’s largely immune unless he chooses not to be, but his eyes are stinging for how wade they’re stretched, and he holds the gaze, stares pitifully at Steve, pleads so hard, and then—
Steve smacks Eddie’s forearm with the rolled-up magazine and makes to leave the room; Eddie just stands, a little frozen, a little bewildered, until—
“Well, get your ass up here,” he hears from the staircase; “you better hope I can work miracles, dipshit, else your photocalls are gonna be stringy and sad all goddamn week.”
And Eddie grins because like: he knows his husband—and the man himself is already kind of a miracle.
So miracle working is kinda his area of expertise.
permanent tag list (comment to be added/removed): @pearynice @hbyrde36 @slashify @finntheehumaneater @wxrmland @dreamwatch @perseus-notjackson @estrellami-1 @bookworm0690
“Well?” Ginny’s mother demanded when he said nothing. “Do you have nothing to say for yourself?”
Michael locked eyes with Ginny over her mother’s shoulder. Her expression was along the lines of “do not fuck this up.” “I understand why you’re upset,” he said eventually, deeming this an appropriately neutral response.
“Do you?” she snapped, puffing up. “Then why on earth would you consider it appropriate to take a child with you to Merlin knows where?”
“Asgard,” Michael said, tired, and Ginny winced, closing her eyes.
I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt
“Woah. You look like shit."
Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.
The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.
"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."
And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.
The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.
If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.
"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.
"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.
"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.
The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.
He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."
There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.
"Daniel? Quit your games, badger, Gotham is dangerous for children."
Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"
"Daniel? Is that you?"
His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.
The juxtaposition of these two posts has me thinking it's Ear from the first post waking them up, and Machete is just like "...I'm really not pleased but I'm also not going to be angry because that's not what Ear needs right now."
i really think the fandom kind of glosses over the trauma annabeth endured in ttc. like, the poor girl fell off the side of a cliff, was manipulated into holding the literal weight of the sky on her shoulders for hours, and (if i remember correctly) was tied up at one point. but this is all we can be certain happened because that's all of what percy saw. but what about what we didn't see? the poor girl probably spent the first few days immobilized and in so much physical pain once artemis took the sky from her. she was probably starved, or at the very least, not getting the amount of food and water she needed consistently. she probably spent most of her nights in an endless cycle of torment knowing that her friends were coming for her, but not knowing how long it would take them to find her. she probably quietly cried herself to sleep knowing the reason she was even in this mess was because of luke. i could go on and on, but you get my point.
thanks @random-tail and @enamoredfey for the questions! i'll let Sun himself answer:
long-story short, Sun doesn’t believe he has emotions since he is a robot 😔
of course, he sees Moon and Eclipse emote all the time. he usually attributes it to Moon being a fool (believing he is something he's not) and Eclipse being manipulative (given that he was originally built for the theater)
but there is a part of him that wonders if he is missing something—he just doesn’t understand what that is
Note: i should also mention, his voice is almost completely monotone.
the closet idea of a voice claim for this Sun is Greg Chun's voice for Lukas from Fire Emblem Echoes—fairly even in tone, somewhat soft
The reason I keep banging the Jiang Fengmian drum so hard is not that he did nothing wrong--he's definitely in contention for best parenting in this book but that bar is in the ground--but because most of the takes I see about him are so extremely bad.
If you want to slag him off for trying to make choices that would hurt no one, and winding up properly protecting no one as a result, that's valid! That's an interesting and text-based critique, which opens into his parallels with Lan Xichen!
If you want to blame him for being weirdly over-invested in Wei Wuxian and Jiang Cheng being bffs, that's fair, that definitely contributed to the weirdness between them. If you want to say he was a poor communicator, that he fundamentally misunderstood his son, that he failed to be emotionally available in a way his kids could get much use out of, even that he should have figured out a way to stop Yu Ziyuan from creating such a hostile environment, all of that is fair game!
If you want to tackle how the worst thing he did to his kids was die I am so interested in how Wei Wuxian went on to abandon A-Yuan by going to his death, and how that might be tied to how his primary adult role model tied him to a boat and went off to a fight he knew he was going to lose.
After his parents had already left him like that once before, presumably less intentionally.
But no, instead I keep seeing that Jiang Fengmian didn't care. That he never expressed affection. That he actively participated in Yu Ziyuan's fucky game of forcing proxy conflict onto the boys instead of constantly trying (and failing) to shut it down, or that he ignored her bad behavior because it didn't affect him, or that he fought with her constantly, or that he was too much of an unmanly coward to stand up to her when she wanted something.
All of which are directly in contradiction to every scene he's in, and several of which manage to invert or erase the actual conflicts between him and his wife that were the source of all that tension.
And which are really interesting, because some of the most intractable elements are ideological--Yu Ziyuan is fundamentally a conservative and Jiang Fengmian seems to want to be an egalitarian, which ofc matched poorly with his hereditary authority as patriarch of a large sect.
The fact that the bit where we get to actually see him failing to parent Jiang Cheng consists of him gently and firmly trying to correct Jiang Cheng's ethics when what was actually needed in that moment was reassurance for the well-founded insecurities that were causing him to be a little bitch, only for Yu Ziyuan to charge in and make everything fifty times worse, is so much more interesting than literally any version of this family dynamic I have seen in fic. It's to the point I'm relieved when writers kill Jiang Fengmian off, because it means they probably won't feel the need to character-assassinate him too badly.
The number of people I've seen come right out and say some variation of 'men can't be abused' is killing me here. No, Yu Ziyuan wanting to hurt her husband does not constitute sufficient proof that he abused her first and deserved it! That's not how anything works!
So, let's take canon Danny Phantom. We can even take the AGIT, that would only make him canonically 16-17is for this scenario. (Btw, poor Val. I'm seriously so sorry for her)
Danny is flying around the Infinite Realms to familiarise himself with it better. Look, if he decided to be the Bridge, he has to learn more about the Ghost side of his life. Their customs, quirks, limits, world... from someone who isn't a Fruitloop or his parents. He is still ashamed that it took meeting Dairy King to finally realise that not all Ghosts are evil.
He got to a section of many, many, MANY, natural portals that led into completely different universes. Most of them even had Heroes!!!! He was so exited!
He visited many in the next few months. Made friends, confused the heck out of locals. Made some enemies, cause that's just his life.
Spiderman was cool! Iron Man was so fun to prank, the guy was a billionaire and hilarious.
Even if he never was able to speak with the vast majority, those Japanese Heroes with cool superpowers were awesome. He was kinda glad his world was normal-is tho. Call him judgmental, but come on, look him in the eyes and tell him that you wouldn't be weirded out by some of the mutations.
And now, he spotted his new target. From what he gathered, they were an urban legend of the gloomy as heck city. Robins,... bats? or something. Time to make friends!
And close the leakage of the Raw, unfiltered ectoplasm into here. He had only been around one for an hour and he saw how problematic it was.
Aka
Danny is a gremlin in canon. He found cool portals. He will make it other's problem.
Yes, he keeps his identity hidden. No, he doesn't stay invisible all the time. Only initially to get some info. After that? You'd spot him openly bothering the superheroes. And rogues. Can't let them be left out.
What are they gonna do? Kill him? They can't even touch him most of the time.
I've been asked to write a post about Georgia's newest Insta stories, all of which (including the text title cards) are in the video above. I'm between events here at the conference, so I will try to get my thoughts down as succinctly as possible.
What seems to have happened is that Georgia dared David to climb a tree, and what we see in the video then ensued. I think what stood out to me most about this is the way David and Georgia are speaking to each other, which seems very different to how we've seen them speak to each other before. In this video, David seemed to really push back in response to Georgia, particularly when she was using her "mom" voice and talking to him like a child as she entreated him to get down from the tree:
"Get down."
"You started it, Georgia."
"I'm stopping it. Get down."
"Oh no you're not. You don't get to do that to me."
I couldn't help but contrast this in my mind with the video Georgia filmed of David at Morrison's last year. How visibly uncomfortable he looked throughout, but despite that, kept on going and didn't say anything or ask her to stop. To go from that to, "You don't get to do that to me" seems like a major leap, and possibly another indication that the dynamic between them has shifted.
It was also interesting to see the difference as she continually pleaded for him to get down, and him seemingly...not believing her? The "Is this not a ploy?" was an interesting comment, as if he's become so used to being a gimmick, to being content for her, that he is now doubting her sincerity. It was hard not to get the feeling that Georgia was panicking less about him possibly falling out of the tree, and more about David not immediately doing exactly what she told him to.
This is not me saying that she wasn't truly worried about him getting hurt, of course, but when you take David's comment into consideration along with the second title card, it just seems disconcerting:
...I had to read this twice to really make sure I read it correctly. And again, this feels like it reinforces what we saw above, with Georgia not being able to handle David pushing back: The idea that she would be (and is) more concerned about her own image and her coming across as unappealing than anything else.
Which we again saw with the last title card and the ending of the story being that "the wife was listened to. All was right with the world." That was apparently the victory here more than anything else, at least for Georgia. And she is very good at not making this the most visible thing on the surface, but once you really think about what she is saying (he's 53 years old and embarrassing and has delusions of grandure grandeur), it starts to become a lot more apparent.
So those are my thoughts on the video. I could be wrong about all of the above, but this was what I took from it. I'm glad it all turned out well, though, and to see how proud David seemed of himself once he did get down from the tree (and him wearing that adorable stripey sweater again). Happy to hear from folks in the comments as well with your thoughts...
there is a difference between being born to a throne, maliciously vying for a throne, stealing a throne, and having a throne thrust upon you when you are already in the midst of an identity crisis. And I fear Loki's place in the line of succession has people unable to differentiate between any of these