#it would've gone to shit

[commissionsdarian]

Haha holy shit, we are so in the deep end

[yesokayiknow]

rewatched amy's choice and god amy 'immediately kills herself and the doctor when rory dies' pond and clara 'immediately tried to kill herself and the doctor when danny dies' oswald should've been toxic besties

[silusvesuius]

nnnnnnnnnnnnno maa'am

[general-cyno]

apparently it's the 15th anniversary of zoro's sacrifice in thriller bark (not sure if manga or anime though) so yknow. time for more zolu of course

one of the many things about zoro and luffy is that despite how their approach to certain situations might differ at times, they're still pretty similar at their core, sometimes to a comical degree (see: their definition of what a hero is back in fish man island arc). and this understanding of how the other works is what leads to moments like jaya,

this little one in water 7/enies lobby,

and follows consistently all the way to wano arc.

and I was thinking the other day about how their childhoods too kinda mirror or parallel each other's in a way that emphasizes (to me, at least) how special zoro's particular protectiveness toward luffy is, and why luffy relying on zoro that way is just as special.

the specifics of their childhood stories are different but both luffy and zoro have a turning point of sorts that's marked with the grief and loss of sabo and kuina, respectively, which leads them to say these:

(I cropped the panels, but luffy's also crying here)

it's important to note zoro and luffy had dreams/aspirations before this, to become the greatest swordsman and luffy's secret thing that we've yet to learn about (that ace, sabo and the crew now know). however, losing kuina and sabo is what prompts them to, on top of that, strive to become stronger for other people's sake. for zoro, it's his way to honor his friend and fulfill their shared dream. for luffy, it's to avoid losing the people he loves.

throughout the story, zoro and luffy end up expressing similar frustration and sentiments due to this. there's zoro innerly chiding himself for being too weak as he trains in the aftermath of arcs like little garden, alabasta and thriller bark, where the crew get stuck in situations in which zoro isn't able to help as he wishes he could (the wax cake, the sea prism stone cell, kuma). there's luffy swearing he won't lose a single member of his crew even if it kills him (the davy back fight) and reproaching himself for not being able to save any of the straw hats in sabaody, with the worst of it right after losing ace in marineford.

(and man do I have thoughts about bon turning into zoro, out of all the straw hats, back in impel down.)

anyway. as to why all of this is meaningful - when zoro agrees to join luffy, he mentions that his goal to become the greatest swordsman is all he has. yet as the straw hats go from journey to journey, and with a certain emphasis in luffy, you can see how zoro's view slowly shifts. he's now driving himself to become strong to protect them as well, to the point he's willing to set aside his ambition and offer his own head in exchange for luffy's, if it means he can ensure luffy's life and safety. that's huge. as mihawk inwardly points out, zoro has something, someone he values even more than his ambitions and pride. and it's through his adventures with luffy and the crew that he becomes closer to achieving that initial dream of his.

whenever people wonder why zoro's as loyal as he is to luffy, aside from all the reasons why luffy as a character has earned that loyalty through his actions, I also remember that one line koushiro said to zoro in a flashback: "the pinnacle of swordsmanship is the power to protect what one wishes to protect and cut what one wishes to cut. a blade that injures all that it touches isn't really a sword." while sure, it works in the context of later power ups like haki, imo it perfectly captures zoro's character growth too and what luffy's given him. the current zoro isn't lost or directionless with only one purpose in mind or to live for, bounty hunting as a means to survive. he has a home to return to, people to cherish, to protect and keep getting stronger for, people who nurture him in turn. kuina's death is something zoro couldn't have prevented, and losing people in accidents like those is something that could happen again, but still within the limits of what's preventable - zoro can protect his friends now.

as for luffy... zoro kinda steals the spotlight when it comes to grand gestures of loyalty/devotion and being the MC of the story means luffy fights for different people (both crew and non crew), carrying their wishes and hopes as if they were his own. he gets help and learns from others as well and all members of the crew are important for luffy to achieve his dream one way or the other, but the way he relies on zoro specifically is so subtly meaningful to me. we don't get as much insight on luffy's inner thoughts, still, we do have context.

for someone like luffy, who is at his innermost genuinely terrified of being alone and losing the people he loves, the fact that he trusts zoro to protect and keep everyone safe (even luffy himself) is so good. as shown above, luffy vowed to become strong in the first place to ensure he'd never go through loss like sabo's again and this vow is all the more renewed after ace's death. luffy has to be strong for everyone but... the fact that he can trust zoro to follow his lead even when others might not understand his reasons to do x or y, that he's so unwavering in his faith that zoro will protect the others when luffy can't, entrusting the people he cares about to zoro, whom luffy also cherishes - it's all pretty special. everyone in the crew has their strengths and zoro may not be the only fighter, but all of them, including sanji, fall under his protection whenever it's needed.

it's not only about raw strength though. zoro's also there to set luffy straight and remind him of what's important when the circumstances arise, like in water 7 or punk hazard. and even when they don't necessarily agree, like wrt vivi's situation after the reverie in marijoa, luffy knows when zoro's right and acquiesces (albeit grumbling a little) because, once again, he's also aware that zoro wouldn't just risk everyone's safety. luffy listens to him. and their reunion in wano too, luffy's sheer happiness at the sight of him again, is a very clear example of how much luffy adores zoro even beyond all that.

although luffy isn't aware of what happened in thriller bark (that we know of), zoro's actions are proof of why luffy trusts, has faith in, and relies on zoro as much as he does and why it's so important for luffy to have him by his side, considering how afraid he is of being unable to keep his loved ones safe. this is more on a speculative note, but I can imagine how comforting that must be for luffy - to not shoulder that on his own.

happy anniversary!

[elitehoe]

Ok I will say there is something extremely important about Matt finally caring about someone else's wellbeing enough that he bargained for him and then proceeded to quit blood and guts

[djevelbl]

Hello everyone! Welcome back to the second edition of Djevel Stalks Someone's Blog, Sees a Comment and Goes On an Out-loud Tangent So. Hard. He Might As Well Make It a Tumblr Post

I'm your host Djevel, and today I'll talk about my own viewpoint on Colly/RuneStraw: completely unnecessary, definitely not asked for yet still delivered to your fyp like that copy of The Book of Bill delivered to that poor sod who bought a church study book on amazon or somethin', exactly how I want my stupid over-the-top opinions to be baybeyyyyyyy~

Now lemme preface this by saying a couple things:

#1: I don't mind RuneStraw half as much as this over-the-top post will make it look like, they're actually cute af together and have a great dynamic going on! I just like to bitch about stuff, I love yapping and the blog blurb already says that I'll "scream into the void about whatever media I'm consuming" - you read that, clicked on read more, don't come at me over this of all things. As a show of good will, I'm writing this as I listen to Love Again - Dua Lipa (really good also fits these two dweebs really well so there's that)

#2: This is just my opinion and if at any point you feel like I gotta remind you of this fact: put the hands away from the keyboard, open the window and smell outside air - it ain't that deep. You can always just not read it

#3: If you so happen to identify yourself as the blog I was stalking before I started typing this out - this isn't criticising your post or anything, I'm just a sleeper agent on the subject and happened to wake myself up with that post lmaooo (also no you're not. I don't wanna have a confrontation over this ❤)

With that out of the way - let the bloodbath begin (probably mine as well LMAO)

Let's start strong and lemme say it already: I don't think the fact that Cup is into Holly is a counter-argument to the "why can't they just stay friends" bc that's not really answering the question?? At least whenever I ask it it's less about the now and more about the whole relationship - beyond giving Cup a solid, tangible goal to reach through rehabilitation and tHERAPY IF HE EVER GETS IT and giving Holly stability in a world much more dangerous than she thought, both of which can be given to them through different means, what does having them kissing do for them as growing characters, and what does it do for the narrative? After all they're puzzle pieces within a larger story, and while I love preaching about considering your characters like people when you sit down to analyze them, you still have to understand them as the puzzle pieces they are: they all have an individual purpose within the story, and the connections you decide to make between them have to give something to them or at least to the narrative. Something nothing else can give them, so we care about those connections.

Something I'm not sure having these two goobers kissing quite accomplishes. But maybe I'm just a hater, idk

Now getting into more of my own perspective on RuneStraw - would you believe me when I tell you I groaned out loud when I read it? Y'know what I mean - any set-up for the ship between book 11 and 12 is valid if it came up to your head when I said it, I probably groaned at all of them lol and that's because to me it came out of nowhere; sure, Holly had mentioned she had a crush on Cup back when she was dating Finnley I think (remember him? yea,,, I miss him too), but she was:

1) Dating someone at the time.

2) Talking about it in a past tense, implying she didn't feel that way anymore.

3) Building off of 2 - with the way she mentioned it, it genuinely sounded like she's distanced herself from the sentiment; from what I remember she talked about in the same way one does about thoughts and feelings one had years ago. Almost like they're from a different person.

These three things led me to believe she wasn't interested in him nor was she gonna be - her crush was based on an image Cuphead willingly puts up as a shield and that by now she knows is fake; her feelings back then were born out of a dark, mysterious and brooding façade he constantly put up that dissipated the moment she had more than a few words exchanged with him. The mysticism was gone, the alure is as well - she was left with a genuine yet broken man, not the put-together mobster she thought he was. And while it isn't impossible she recovered those feelings but directed towards the actual Cuphead, it feels like an odd choice to backtrack her character like that.

There's also the fact that they were the only duo of different genders that wasn't gonna be a romantic pairing, Until they weren't.

And I'll come out and admit it: maybe this point is most of the reason why RuneStraw bothered me as much as it did when it got introduced more heavily. This is the thing: the question of "why can't they just stay friends?" is a valid one to throw into the conversation - as I said, they were the only friends of opposite genders who didn't wanna get into each other's pants, because AliBends is canon (if currently doomed by the narrative), Minnie and Mickey obviously like each other, Donald and Daisy are dating I'm pretty sure, Jake has active feelings for Alice to the point he distanced himself from her to manage his own emotions and keep them in check when it became obvious she isn't actually interested in him romantically, and even if this next one isn't quite the Inky Mystery Team's fault (after all they're working off whatever scraps Quest for the Ink Machine left in its wake) I'll throw it in the ring just to drive the point across: while Cala Maria is her own character and her own person, often times it feels like the deepening of her character and whatever conflicts she may be going through are there for the benefit of Mugman's own struggles and character arc; we don't see much of her reaction at Mugs' heroic but reckless deal with Marcus or her reaction to having been found, we don't hear much about her ink illness beyond that one chapter where she started showing symptoms. For as much personality as she has and for as lovable as she is, sometimes she feels like Mugman's romantic interest first, herself second - probably due to not being part of the main cast, which is fair to some extent.

Personally I don't see RuneStraw as a romantic connection that had to be done necessarily - what each provides to the other's character development (a tangible goal for Cuppy, a much-needed stability within a dangerous world for Holly) is already being provided by their friends, people they should be able to rely on. I guess I just feel a little sad that we don't have many bonding chapters between all the Questers, regardless of duos or dynamics that pair up the best: imagine (and bear here with me, this is getting into the headcanon territory lol) if angels can sense Demon Deals as these are an extension of a demon's magic (something angels can detect) and once Alice comes back from The Upper she notices - really notices, decides to pay attention - that there's something cold wrapped around Cup; they have a conversation where Cuphead tiptoes around his childhood and all the stardust he's gone through in one of the biggest displays of bravery and trust he's given us this far, and Alice knows he's not telling the whole truth but she listens, she listens and shares how it was growing up with expectations of being a great angel someday. He shows her trust, and she gives the same trust out of her own chest to him.

Imagine Bendy and Cala Maria bonding over a trip to the docks - we could get to know her better, how it was like living as a gorgon, sharing experiences between them on how terrible it is to be hated for something you cannot control, and laughing over the good bits their past can offer them. Finding a weird comfort in having been the monster for a little bit, as they could protect those they love with that infamy and the power it came with (Boris for Bendy and Ebi for Maria, of course) - hell, maybe we could hear of Cala's parents! How they were like, their little quirks and tricks, we could read about Bendy considering her lucky and Maria telling him he's found his family here, that those he's forgotten don't matter because they didn't stick around.

Imagine Alice relaying stories of how her younger siblings are rascals and comparing them to Boris, how much he'd get along with them, singing tunes and dancing for the hell of it - helping him get a better grip at dancing, if marginally, and managing to wring laughs out of him by the tons.

Imagine all of them around a table, sweets and treats laid out, as Felix and Alice do their damn hardest to one-up each other in their wild adventures from before they joined the Questers - the cat talking about his mad dash as he escaped that ferocious beast of a tiger, and he shows the scars like your dad shows you his most prized collections as he talks of the most dangerous bits. The angel taking a swig of her alcohol of choice before going into this maddened ramble about the greatest prank war she's ever been in against Jake, and how they both got banned from several places for a whole dang year. Even Sarah gets wrapped up in the shenanigans and fun once Bendy, Cuphead, Mugman, Holly, Boris and Cala Maria all join in to win the title of Wildest Adventure Story; she's just a child after all, even with incomprehensible magic woven into her soul. Maybe all of the house is there, listening as the Questers finally have a moment to breathe and be as young as they are - the oldest is Felix, and he's in his forties at most, he still has life to him.

This is supposed to be a recovery arc, and mantaining healthy friendships with other people can help a long way with those dark thoughts The Labyrinth left them all.

Romantic love isn't the be-all-end-all, it shouldn't be the ultimate objective of a character that makes them become stagnant and void of themselves, and I guess I just want boys and girls to share stories and rooms without their interactions being a making out or being politely pleasant, pick one situation. I guess I'm just socially blind and petty, maybe I'm taking a fanfiction too seriously - after all, it is made by fans and for the fans; it's no professional production, and sometimes it's just better like that.

TLDR: I go way too hard on fictional characters for wanting to boink, more at 10

Ok but now a real TLDR: I just want the Questers to interact more with each other and I'm not talking about the typical duos always formed like they're in school and they choose their bestie for the group project. I mean all the Questers. Also I went in wayy too hard against fictional characters that just wanna fuck in peace ig

[gardenofearthlydelightss]

i firmly believe it would've taken laura lee like five more minutes in the wilderness for her to be convinced that lottie was the second coming of christ

[secret-unburnt-guitars]

Hi i don't know much abt styx aside from general prog fandom osmosis but kwh has always intrigued me a little bit. Can you explain it in excruciating detail? (genuinely i'm not being sarcastic)

*cracks knuckles*

on february 22, 1983, styx released their eleventh studio album Kilroy Was Here. it was a concept album/rock opera though dennis deyoung likes to call it more of a "rock theatrical experience" in recent interviews. they even made a minifilm they played before the concert!!!! you can find it and the rest of caught in the act on youtube

it was made partially as a response to the rise of the satanic panic in the early-mid 1980s. people started to believe that rock music was evil and hiding satanic messages. the band was targeted by the public when they were accused in particular by the government of arkansas (i think?) of putting backwards messages (called backmasking) in their song Snowblind (the line "i try so hard to make it so" sounded like "satan moves through our voices" to some people. i own a copy of paradise theatre, that track in particular is damaged.).

and then dennis deyoung had a GREAT IDEA!!!!!!!!

imagine a big ol lightbulb flashing over him while the rest of the members of styx watch in mortal dread

so basically the album follows a sort of loose and vague backstory that's somehow still solid enough for people to follow some sort of a plot in their head (which is slightly backed up by Caught In The Act, the designated KWH "concert," which i'll get to in a second). the basic synopsis (paraphrased but still in excruciating detail) is as such:

set in a futuristic chicago(?) rock and roll has been made illegal under code 672 (prohibits the playing and purveying of rock music). Dr. Everett Righteous (played by JY), who was responsible for this, is the leader of the majority for musical morality or the MMM for short. the MMM is one of the strongest organizations in this universe since you know. they literally convinced congress to criminalize an entire genre of music for the entire country. righteous also hosts a television show where he encourages the public to burn guitars and records in a huge bonfire during “nightly rallies”. he also projects himself onto a big triangle over the skyline which i think is fucking hilarious i haven’t been able to get over it

Robert Orin Charles Kilroy (played by Dennis DeYoung, of course he's the title character), was a prolific rock musician at the time of the ban. he was thrown in prison for breaking the law and after being framed of murder. they accused him of bashing an MMM crusader's head in (which he obviously didn't do) after they raided one of his concerts at the paradise theatre. he then goes to rot in prison and is subjected to attempts of brainwashing by the dr. righteous show with the other “rock n’ roll misfits” they’ve arrested. it doesn’t work lol. i don't understand how it would work BECAUSE IT'S NEVER EXPLAINED

the prison kilroy is rotting in is maintained/monitored by japanese import, mass produced robots dubbed the "robotos," hence the title track. ignore how racist they look, it was 1983, this is not my fault

i mildly dislike them but it sucks how they’re essential to the plot ANYWAYS

here comes Jonathan Chance, (played by Tommy Shaw, albeit reluctantly) who is a rebel that is part of a underground resistance (that's only really mentioned once). with his friend, he breaks into some unknown area that is most likely a recording studio and hijacks the live television recording of the dr. righteous show. he proceeds to namedrop himself and then run off

credit to @mccoys-killer-queen for the gifs!!

kilroy sees this happen, which inspires him to attempt to escape the prison. kilroy incapacitates a roboto that visits his prison cell and disguises himself as it so he can escape without being noticed (i do not like the way he does this)

after kilroy escapes, he goes throughout the city and leaves messages for jonathan, leading him back to the paradise theater which is now the Dr. Righteous Museum for Rock Pathology

it's got a bunch of shitty animatronics that include people like jimi hendrix and elvis presley, but at the very back is an animatronic of kilroy repeatedly bashing in someone's head

this is my favorite part of the minifilm which i've basically explained sorry. you see like what you think is another roboto emerge from the shadows, and then it takes off its mask AND IT'S THE ACTUAL KILROY!!!

(this is taken from the live show, the transition is so goddamn dope)

and then dennis deyoung prances around and has his little pick me theater main character moment and sings mr. roboto and dances and stuff it looks so stupid. the live version of mr. roboto is way funnier than the official music video i don't know. i posted it about here before but i love this part in particular

so that's how kilroy and jonathan meet and that's basically the plot of one of styx's most popular songs!! sorry i gave kind of a play by play of the minifilm

now here's the fun part !!!! (unfinished lore/controversy)

unfortunately the reception of this album was less than satisfactory for most people back in '83, since KWH was way far away from the brand that styx had made for themselves in the 70s. they made art rock and prog, but this was just straight up synthpop. some people liked it though. i read somewhere in an article that it "alienated their male audience" and honestly if you're alienated by a little bit of gay pick me theater bs from your favorite band, that's a you problem

caught in the act was the designated "kilroy concert" that styx did sometime in 1983. the concert, however, doesn't give any. depth. to any additional explanations of multiple plot holes present in the story. as much as i love and cherish dennis deyoung he didn't do a very good job at writing this.

caught in the act felt more like a compromise than a show, seeing as the banter after the performance of mr. roboto was very bare? kilroy explains to jonathan that he was framed for murder, and then he goes in depth on the night it happened. "the crowd was totally psyched," he says, and then it goes to JY performing a guitar solo, which leads into the rest of the concert. the entire concert was portrayed as a flashback and gives no real backstory to any of the established characters. and then at the tail end of the concert they get "raided" by the MMM and you watch as an MMM officer murders one of righteous' own followers with kilroy's guitar. they cut back to kilroy and jonathan, they sing haven't we been before, and then kilroy hands jonathan this sick ass glowing guitar, then they perform the world's worst finale. the dance party ending of caught in the act. it sucks. it's horrible. i hate it. also there is no dennis deyoung in the kilroy was here universe lmfao

i'm still grateful for the concert though don't get me wrong!!! amazing concert

if the rest of styx didn't want to rip dennis deyoung apart for making them do this (i recently learned from a manager that DDY made them turn down an opportunity to perform at one of the largest concerts of the 80s, because he was like "but muh kilroy"), i believe songs off the album like High Time and Double Life would have been performed at Caught in the Act. both extremely lore-heavy songs, especially double life. i really wish they played double life. but c'est la vie, i guess.

literally everyone in the band hated dennis' guts so much while they were making this (justified, he was a stubborn asshole during production) but god was it worth it. for me at least. i imagine one of the conversations about production went like

JY: dennis have you considered that maybe this is a bad idea Dennis: i'm gonna make you the villain of the story if you don't shut the FUCK UP

i still think that JY had a little bit of fun though. he was hamming it tf up as dr. righteous i'm sorry you need to watch the mv's which you can find on youtube as well

but unfortunately tommy shaw wasn't having a good time at all, he literally quit on stage and stormed off and styx split for a while bc of this album i mean LOOK AT HIM HE'S SO PISSED OFF

overall this album is both cheese AND corn, worst album i've ever listened to, and yet it's given me a purpose in life. i've written 7,000+ words in one document about this album just to try and fill in the blanks the lore has, it's got so many. it's a running joke on this blog, i really hope you check out the album, because i think it's wonderful and it's endearing regardless of the controversy, it's too late for me. save yourself

[mesaprotector]

just thinking about elden ring + how absolutely amazing kalé's questline would've been if they hadn't cut it. genuinely would've considered doing the frenzied flame ending just for that. i feel while elden ring has good character writing overall it has nothing that would've hit on that level

[kazoo-the-demjin]

Kind of feel bad for people who head into the books after having already engaged- even passively- with the aftg fandom. like there are so many things that are meant to surprise you. the 'oh's. The looking at everything with neil's pov and only after completing the series realizing what a fucking idiot he was at times. The kisses. Those reveals. The thunderclap of "Doesn't mean I wouldn't-***". Somehow, those guys already know all this. They know at the end there's gonna be a pairing, and that kinda takes away the beauty and surprise of it. They know about a game, the deaths, the characters. It's kinda sad they're never gonna enjoy it the way we did

[gojosbf]

it still baffles me to this day that one night of shibuya was worth three years of trauma

[goose-garbage]

Rip drifter era stan you would've loved the song teenage dirtbag

[fromtheseventhhell]

The worst part of the GOT and HOTD adaptations is that they remove any sense of narrative or themes being explored from George's writing. The showrunners rewrite characters and change plotlines on a whim and remove any sense of cohesive storytelling. There's just...literally no point to the story and the writers struggle to come up with sensible explanations for the changes they've decided to make.

[frenchy-and-the-sea]

There is a very exquisite agony in playing a game you love so so so so so much, and realizing that one of the other players is trying to play a totally different game than you.

[johnslittlespoon]

without context, the ridiculous amount of dog–coded tropes i've included/plotted out to include in the dog–coded bucky fic so far:

old dog gets jealous of new puppy

twitching/kicking in sleep

fear of storms

looking like a kicked puppy

separation anxiety

sleeping at the foot of a bed

all bark, no bite

but also. lots of bite

dog waiting for owner to return home

shaking water out of wet fur

reckless and impulsive, chasing joy

lap dog

personal retriever, eager to please

all teeth and tongue and drool

go fetch!

acting up for attention

head pats

rutting/humping

guard dog

tummy rubs

dog tags

good boy!

muzzles

puppy dog eyes

tail wagging/tail btwn legs

scent things

newspaper

as a bonus:

owner gets jealous when dog likes new friend more than them :^)

if there are any others at the front of your mind you think could suit these sweet boys lmk! you can anon–ask it if you'd like :-) i still have lots of room to squeeze little scenes in while drafting and i'm sure i'm missing some obvious or niche tropes to include <3

also hoping to get a couple drabbles done later today bc i have so many asks waiting for me rn oh lord but we'll see (*・ω・)ﾉ

**also² thinking about making a fic on ao3 for my drabbles since i see a lot of people do that but i literally have 300+ brainrot/drabble posts atp LMAO so idk maybe

[tea-cat-arts]

The traveler will be like "wah, I don't wanna do work! I don't wanna keep helping all these random people and getting into trouble! I've done enough" and then dig their heels in and refuse to even explore the easiest option