Totk has me in a CHOKEHOLD but I managed to get away for a second to doodle this baddie 👊👊👊
32 notes
·
View notes
"what does kim even see in harry" Imagine you've spent 43 years on this earth becoming a jaded, bitter man who has come to the conclusion that good things just don't happen to people like you. you lock yourself into your own body and mind in order to just be able to get by and to get the slightest bit of respect from the people around you. you're completely resigned to your own fate as an unhappy, lonely little man. and then the weirdest guy you've ever seen, a complete disaster of a human being parachutes in from the moon and looks at you with absolute wonder in his eyes and tells you with complete sincerity that he thinks you're legitimately the coolest person alive, and he wants to know everything about you, and instead of being repulsed or thrown off by what he finds he's endlessly fascinated and just wants to know more. And also he has huge biceps. Would you not lose your mind a little
13K notes
·
View notes
i don’t know if i know how to word this properly but basically i just really like that buck’s realization shows older people who might be questioning their sexuality that it’s okay to not know in your thirties or older, but i also really like that it shows younger people that you don’t have to know right here and now and there’s no age you have to know by. i like how it emphasises the fluidity of sexuality in the form of a macho firefighter who hasn’t considered men in any conscious (or even subconscious) light, and i think that’s a very important point to put across
there’s something to be said about finding out that you’re queer in your thirties and i love that 911 is showing us that through buck, and showing us that maybe you might always know through hen, and showing us that maybe you’ve repressed it for a good chunk of your life through michael but there’s also something to be said for the younger viewers who are struggling to label themselves - to know that it’s okay to not know just yet and still be valid, and be a member of the queer community. and there’s also something to be said about seeing a thirty year old man slip into his realization all happy and safe with another firefighter who tried to hide that part of him, and basically i love my lil gay firefighter show
748 notes
·
View notes
as we enter the start of a semester and the dreaded Hour of Making Friends us upon us... if ur ever at a loss for what to say in one of those weird social situations where you only vaguely-know people, one of my favorite questions to ask is "what is your favorite food crime." a food crime is like the food combination that you love that other people find revolting. press them to take it further than pineapple on pizza, that's rote. food crimes is a good topic that has many benefits as it turns out all people are degenerates and also it will give you some cool ideas to try out later in the privacy of your own degenerate kitchen
the other good thing to ask is "okay but has anyone here ever been someplace haunted" bc it turns out if you ask most people directly they don't believe in ghosts, but many people are like "oh yeah i lived in a haunted house. ghosts aren't real tho"
2K notes
·
View notes
ohhh the change from the game. that joel doesn't find her. that joel doesn't pull her off david whilst she's still attacking him. that she's actually allowed to fully release all her rage and her fear and rightfully brutalise this man who violated her and only after she escapes using her own wits and strength does joel find her..... THAT'S giving ellie agency baby!!!!
5K notes
·
View notes
A devastating and confusing thing about the Fallout setting, when you explore the pre-war aspects, is what the creators think about pre-war America. In the first games we only get hints of the pre-war world, but they seem to be some sort of wild fascist nation invading Canada. In Fallout 1, the first thing we're introduced to of the pre-war society is seeing a soldier shoot civilians and laughing.
Now, for the first 2 games and New Vegas we don't really know much. What we know is that there's a fascist military group known as the enclave who were a sort of US deep state even before the war, and that the government teamed up with corporate interests to preform vaguely MKULTRA-ish experiments with the Vaults. Basically, the government was an extreme version of the 50s American jingoism and McCarthyism.
This is well and dandy, I guess issues come up more when we get to the later games, especially 4, where it seems like none of this extreme plotting and societal civil unrest which would exist is seen. The society as presented in 4 also seems quite progressive, gay people are featured in the opening, and none of the baggage of say, civil rights not existing are included. Now on a baseline, I don't want settings to be more conservative, homophobic and sexist etc., but it becomes a very confusing setting when it's displayed both as this jingoist extreme thing with fascist tendencies aswell as a progressive place where everyone is seemingly equal. If you're focusing on the 50s as your setting, and American nationalism in the 50s, then you can't have McCarthyism spoofs and anti-communism as a societal paranoia norm while also general equality is the norm without misunderstanding why McCarthyism and nationalist jingoism is bad. A massive harm done in anti-communist paranoia is how it degrades and vilifies any progressive movements (women's rights, civil rights, homosexuality) as being morally un-American and therefore connected to communism. To ignore this just makes any critique of MacCarthyism and jingoism weird!
Basically, pre-war America in Fallout 4 becomes this both sides thing where America is both pure and equal and white fences in every instance that we see as the player (the intro), while also supposedly being this dystopic MacCarthyist hellscape that's broadcasting gladly about their war crimes in Canada, and wants to root out communism. I guess the only fix for this issue without getting into the fine print like they had to do is just not to focus too much on the pre-war world.
541 notes
·
View notes
I will never understand the obsession with making tims favourite robin Jason when it couldn't be more painfully obvious that tims favourite robin was Dick
Like people are so caught up in the concept, the made up angst, that tims favourite robin beat him up that they straight up misunderstand how much more significant Tim and Dicks relationship is not to mention the added layers of Tim originally being created as the ultimate self insert character which for a good number of readers meant they grew up with Dick as their favourite robin and didn't really like Jason just for not being Dick
2K notes
·
View notes
while i'm thinking about terror character characterisation i think it's so vitally important to let crozier keep his rage after he recovers from alcoholism. he may temper it better now that he has full control of his faculties and direct it more rationally both out of a sense of responsibility of care for his men and guilt for the harm he caused while in the grip of the drink, but make no mistake that it's still there. good people don't have to stop being angry to be good, and recognising your capacity for violence doesn't stop you from being capable of it.
562 notes
·
View notes