#it's about star wars. i've never watched a single movie

[andreakedavra]

KILLING MYSELF AS WE SPEAK!!!!

[gffa]

I saw your post defending the way Jedi adopt the children/accept them into their culture, and I absolutely loved it! It was so well-informed, and you are right: It is all there in the original content!

I find it very ironic that many people spew these lies about the Jedi when that’s exactly what the Empire did. Iirc, this argument of Jedi being “kidnappers” was actually fueled by Emperor Palpatine and the Empire in their campaign against the Jedi. They wanted to discredit them and make the people turn against them so that they could erase them all more easily. So I find it very ironic that these lies are now being upheld by some people as the truth. (Really, have people forgotten the Empire was created bases on the Nazi’s and their own racist strategies?)

You are not inmune to the Empire’s propaganda.

Please correct me if I’m wrong. I’m not as good at pulling examples and proof from all the SW content as you are.

Hi! Thank you for the very sweet ask! Navigating stuff in fandom like this can be difficult at times, because there has to be room for compassion and tolerance for disagreement, like it's fine if people disagree with my views, I'm not your mom, I'm not telling you want to do or say, especially since this is fiction, these are made up space stories. But there also has to be room to understand that sometimes our commentary on fictional stories are echoes of reflection of real world attitudes--we can't just go around spewing racist, sexist, homophobic commentary and be like, "It's just fiction, you can't get upset!" There's no easy line for any of this, no single hard set in stone rule for when it's truly just fiction and when it's an echo of a real world attitude, especially in Star Wars, which often draws influence from a lot of non-Western sources and traditional Western sources. (My general rule of thumb is: I think it's fair to criticize those things through the influences they have, but if your criticism is then ended with, "So that's why we shouldn't have or acknowledge any Buddhism/Black people/queer people/women in Star Wars!" then fuck right on off with that.) And I also understand a lot of the anti-Jedi attitudes (or at least what I've personally experienced of them) because I've talked a bunch of times about how I started out as pretty Jedi-critical myself! I did the whole, "They had grown stagnant and refused to evolve with the galaxy, so they needed to be wiped out." thing because nobody had framed it explicitly as what it was: a genocide. It wasn't until a friend and I were talking and they mentioned that lens of it that it just sort of crashed down on me, oh, that's literally what it was and genocide is never justifiable. I did the whole, "The Jedi failed Anakin and taught him to repress his emotions." thing as well, because I saw it all over the place in fandom and just automatically folded it into my view, until I went back and actually watched Lucas' movies and Lucas' animation (first six movies + first six seasons of TCW) and read his interviews, which blew me onto my ass when I saw Obi-Wan being supportive of Anakin, when I saw Anakin not listening to the advice he was given, when I saw that Jedi were expressing emotion all over the place, when I saw they were respecting other Force traditions in the galaxy. I can't speak to why so many people think badly of the Jedi, there's probably a thousand reasons and I'm only vaguely aware of like half of them, but I do think that it's often unpopular to promote the idea of emotional regulation already being achieved, instead of something to be struggled with. I think we're all primed by a lot of mainstream media saying that an explosion of anger is what will save the day. I think there's so much anger in the world today that we're all angry and being told to let go of it feels really insulting at times. (But, as someone who has lost years of my life when I was younger to anger, I gotta say, I am so much better off having let go of as much of that shit as I can. It was poison in my veins, carrying that anger around. I lost so many friendships and opportunities and just time to being miserably mad about stuff.)

I'm getting off topic of the kidnapping aspect about the Jedi, but a lot of it starts to swirl together in what I've experienced (especially people who try to put this stuff on my posts--thankfully, that's died down/I block the people who won't respect boundaries) and so I kind of bounce from one aspect of it to another.

I do think it's good to talk about these things--both from "it's fun to analyze the content of the story on a meta level" perspective and "here's how this echoes into and from the real world" perspective, like I enjoy saying, okay, here's what's actually said in the movies/TCW, but also I think talking about how the Jedi are Buddhist influenced is important because that means they're going to have values that are meant to be reflected in that and Western fandom has a really big problem of being derisive about non-Western influences or automatically saying they're wrong. (I come from anime/manga fandoms, let me tell you, it's a big problem.)

And, yeah, in a way where it's really awful, but I think one of the most well-done things Disney's Star Wars has done is that it's really focused on showing that the Empire was a fascist one and the propaganda they used about the Jedi are ones that are super relevant to the conversation.

[photogirl894]

I know I've shared before a bit of what The Bad Batch has meant to me, but I just feel that I have so much more I want to say. Though, in all honesty, I don't think I'll ever be able to put into words exactly how much it means to me, but I'll certainly endeavor to do my best 😊

Having grown up with Clone Wars and just being a lifelong Star Wars fan in general, I was excited when the Bad Batch show was announced. Another Star Wars animated show?? Hell yeah!! I was so down for it. I remember going to my parents place to watch it with my family and my friends...and I fell in love SO fast! I remember thinking the Bad Batch were cool in their CW season 7 arc, but that was about it. Something about them in "Aftermath" changed my view of them and having Omega show up, too, made it even better. Then episode 2 came out later that week and I knew I was hooked right as the episode ended.

I had no idea just how much this show would consume my life 😅

I hadn't been so obsessed with a fandom since The Hobbit movies. That fandom was what introduced me to writing fanfiction and to Tumblr. Then Bad Batch was what made me go back to Tumblr and to fanfiction, as well. It made me start writing for the world of Star Wars, a world I didn't think I would ever be able to write for. I came back to Tumblr after a few years cuz once I found myself going so crazy for this show, I knew Tumblr was the right place to find other people just as crazy about it, just like I'd been able to do for the Hobbit.

And boy, was I right!!

I have found almost more people who loved Bad Batch as much as me than I did in my Hobbit days. Every single person I've talked to and interacted with have impacted my life in so many ways. I even had the special privilege of meeting a couple people in person, as well, which were wonderful experiences! I've spent many hours on discord calls either just one on one with certain people or in severs with big groups of people, playing games, chatting and just having a grand time. I've made some of the greatest friends I've ever had here and it's all thanks to the Bad Batch! I would name each person here, but I don't want to accidentally leave anyone out because there are just so many I'd want to mention, but you all know who you are! 💜💜 I mean it when I say I love all of you, every person I've ever interacted with! You all are truly amazing and I seriously hope I'll get to meet more of you in person in the future 💜

Being back on Tumblr also came with its fair share of drama over the past couple years, but if anything, all that made me stronger, more resilient and it also showed me who my true friends are. I'm grateful for those who stood beside me in those times.

Many of you have been there for me through other hard times in my life, when I had awful drama at work or financial troubles or just bad days in general. A lot of you let me vent so many times and offered me kindness, help and advice, which have meant the world to me. Some of you have even supported mine and my friends' Twitch and YouTube channels and have watched our Star Wars D&D streams or our charity streams, which also means so much to me and I can't thank those of you have supported us enough!

I've learned a lot from the Bad Batch over the years, as well.

Hunter taught me to never give up on your family and to fight for what you think is right.

Crosshair taught me to stick to your beliefs and that it's always possible to change.

Echo taught me to always be loyal to your friends and that you can grow beyond your trauma.

Tech taught me to always be who you are, no matter what everyone thinks, and to treasure your knowledge of things.

Wrecker taught me that it's okay to still have a playful side and to never be afraid of sharing what you love with people.

Omega taught me that compassion is not a weakness, but a strength and you're never too small or too young to make a difference.

So much of my life has changed in just 3 years because of this group of ragtag Clones and their exciting adventures in a galaxy far, far away. Even now, I don't think I've said everything I want to say...but I know I've said just enough.

Now, the show is coming to an end...and I'm feeling the same sadness I did when I knew the last Hobbit movie was coming out. Because that means the thing that has given me something to look forward to for so long is ending. I've become so emotionally invested in these characters and stories and I feel like I'm saying goodbye to loved ones. I legit don't know what I'm gonna do for a while.

One thing I do know I AM gonna do is I'm not going anywhere in the fandom. Space Mama will be around for a long time to come 😊💜 I've got fics to write and friendships to maintain!

All that's left to say is thank you. Thank you to every single person who have come into my life and will continue to be a part of it. Thank you to Dave Filoni (who I know, at least, started the show and brought the Bad Batch into Clone Wars) Jennifer Corbett, Brad Rau, the Kiner's, Joel Aron and, of course, Michelle Ang and Dee Bradley Baker for bringing this fantastic show to life.

In the words of Hunter: "Change takes getting used to. You'll see. Just give it time." Words we're all going to have to live by.

But also, in his words: "If this is where you want to be, then this is where you'll stay."

This is where I want to be...and this is where I'll stay 💜💜

May the Force be with us all...always 💜

[dreams-are-paper-thin]

There's a great disturbance in the fandom about whether Sabine is Force-sensitive or not. So let's take a look from the beginning.

In A New Hope, Obi-Wan explains the Force as:

It's an energy field created by all living things. It surrounds us and penetrates us; it binds the galaxy together.

And according to George Lucas himself:

In Rebels, Kanan uses Obi-Wan's explanation for the Force more than once. There's an important conversation in Trials of the Darksaber, which is related to this and to Sabine.

Hera: Or maybe because she doesn't have the Force, you don't believe she can do this?

Kanan: No. The Force resides in all living things. But you have to be open to it. Sabine is blocked. Her mind is conflicted. She's so expressive and yet so tightly wound. She's so...

Hera: Mandalorian.

Kanan: Very.

Kanan never says Sabine doesn't have the Force. On the contrary, Hera says she doesn't have it and Kanan says no. What Kanan says implies that Sabine does have it, she's just not open enough to wield it.

Keep those quotes in mind for later.

Now, we have to address the Bantha in the room: the midichrolians. We're introduced to this concept in the prequels trilogy, I believe. It serves as a more technical explanation of the Force. The SW fandom wiki offers this definition:

Again, the midichrolians are in all living organisms because the Force resides in all living things.

As far as the movies go, we don't know how high the M-count has to be for someone to be able to wield the Force. We just know Anakin has a count of over 20.000 and that it's a very high number, so he's very strong in the Force.

We can assume that the higher the midichrolians, the more aptitude the user has in the Force.

I'm guessing Sabine has a low M-count, thus limited abilities in the Force because of this line in episode 2 of Ahsoka:

Huyang: I have know many padawns over the centuries, and I can safely say your aptitude in the Force would fall short of them all.

Some people interpreted this line as "Sabine isn't Force-sensitive at all." What I understand from that line is that Sabine sucks at using the Force.

Either way, midichrolians haven't even been mentioned in the show, but I've seen people talk about it regardless. I find most discussion of this kinda pointless because there's not much to go on, so we can only speculate.

Moving on. In episode 3, Ahsoka trains Sabine blindly so she has to rely on the Force to see. I think a lot of people missed that Sabine did, in fact, use the Force in that scene. Watch carefully.

2:16. After Sabine has grown impatient for not succeeding, she finally manages to sense Ahsoka's presence (she still couldn't see and Ahsoka didn't touch Sabine) and fight a little, until Ahsoka stomps on her foot and Sabine falls to the floor.

Ahsoka: Anger and frustration are quick to give power. But they also unbalance you.

Why would Ahsoka say that in the first place if Sabine hadn't used the dark side of the Force? She probably struggles with the light side because it's so different from what she's used to as a mandalorian. It's more aligned to her nature.

Later in the same episode, this conversation takes place:

Sabine: I can't use the Force. I don't feel it. Not like you do.

Ahsoka: The Force resides in all living things. Even you.

Sabine: If that's true, then why doesn't everyone use it?

Ahsoka: Talent is a factor. But training and focus are what truly define someone's success. Not everyone can handle the type of discipline it takes to master the ways of the Force.

This fits perfectly with Obi-Wan's quote and what George Lucas said in the interview. This is consistent within the Star Wars universe and Dave Filoni's previous work.

It does not break the canon, it does not retcon anything. We simply hadn't seen before someone training to use the Force and struggle so much with it.

And to me, that is far more interesting than having every single main character being just overly and naturally competent with the Force. You don't have to be the Chosen One to use the Force, you just have to have enough determination to put in the work.

Back to Ahsoka. In episode 4 (the latest episode that's come out since I'm writing this) Sabine manages to do a very slight Force push during her duel with Shin. I know many people will disagree with me, but just watch the scene again.

1:22. Shin disarms Sabine and knocks her to the ground. Sabine extends her hand and Shin is slightly pushed back. Her arm falls down, her head turns to the side.

I've seen multiple people say Shin did this in anticipation (when has anyone everyone done that?) and that Sabine didn't Force push her. But the thing is, there's a Force push sound effect. Listen closely. It's faint and short, but it's definetely there.

I think Shin's line also confused a lot of people.

Shin: You have no power.

This is not "Sabine tried to use the Force and failed and Shin reiterates it." Again, there's a Force sound effect. That should be proof enough that she's somewhat connecting to the Force. They wouldn't put it there if she wasn't using the Force.

I think Shin and Baylan, as sith/dark jedi or whatever they are, see the Force only as a means to power. That's what Baylan is seeking with all this anyway: power.

Someone with low Force-sensitivity like Sabine would seem totally powerless to them. Everyone has been telling Sabine she's not good enough for it (Huyang, Shin, even Sabine herself.)

So, you can totally disagree with me on this, but I personally interpreted that line as Shin telling Sabine to quit while she's ahead. If she'll never be as powerful as the rest of them, why even bother to try? But Sabine, as the stubborn mandalorian she is, still continues to try.

I think Dave Filoni is painting a very clear picture: Sabine can indeed use the Force, but she's not naturally skilled at it. I think she might still have some sort of block from it, like Kanan said. The show seems to be slowly building up to her wielding the Force more succesfully, though. Starting small, one step at a time.

With Sabine's decision (she didn't have much choice, if you ask me) near the end of episode 4, I do wonder if Sabine will be a dark side user. Shin and Baylan use the dark side but they don't seem to be consumed by it. We'll just have to wait and see.

I understand that people think that Sabine being Force-sensitive diminishes her character, but so far I don't think that's the case. She still uses her blasters and some mandalorian tricks up her sleeve. This just adds another layer to her character. Natasha Liu Bordizzo said in an interview somewhere that Sabine changes fighting styles frequently, and I think we'll see more of that soon.

As long as Sabine stays true to her mandalorian ways, I'm fine with it. How cool would it be to have a mandalorian-jedi in the mandoverse? Sabine has been kind of disconnected to her mandalorian heritage for a long time now, and I'm sure she won't be a regular Jedi, if a Jedi at all. She's a special breed, one of a kind. Who knows, maybe she'll help to bring balance to the Force after all.

If Bo-Katan can walk both worlds, then so can Sabine.

[this-acuteneurosis]

Can I just say how much I appreciate the fact you don't stray much from the movies?

It's just so refreshing to see a fic that is built on a clear, unbiased and simple canon base. This way, as you demonstrated, a writer not only has the ability to further explore the main themes and ideas introduced in the source material, but they can also go ahead and naturally develop their own by branching out on those fundamentals. They can offer their perspective by using the source material to their advantage, instead of working against it or even worse, trying to include all contradicting canon aspects. Part of writing a fic is kind of like offering your input in a conversation/disagreement. You have to listen carefully to what the other person is saying in order to form your answer...If you're listening to a thousand different people who are all saying a different thing (in this case, The clone wars, legends, novels, comics ect), you won't be able to give an answer that makes sense, much less give a structured and stable opinion.

I love how you were like "I know star wars is entering an era of a shit ton of spin off content with seemingly no end and most star wars fans know shit like who chewie lost his virginity to and what the kessel run is but screw this. The movies and maybe some late night wiki research is enough."

And you were right.

It's so funny, because I feel like I do ultimately stray pretty far from the movies. Not in terms of events I guess, but especially the prequels, I reject some of the underlying assumptions of what is said on screen and just treat it like fallible people strongly asserting opinions that no one calls them on. See: everything I ever assert about the Force/Anakin's "destiny."

I do think it helped me to stick with limited material. And it wasn't even because I saw all of this new SW content coming. I've mentioned this before, but when I started writing Don't Look Back (when it was just Like Fire and I naively believed I was gonna be done in 200k words, lol, rip past me) I hesitated a lot because as far as I was concerned, I wasn't a Star Wars Fan.

I'd watched the OT and PT multiple times. I knew that novels and games and cartoons existed, I knew people had consumed them all. I had been reading some SW fic because @mylongsufferingroommate had been sending me stuff they were enjoying and I was having fun with it. But like, I would never have called myself a Fan. I got goaded into writing this fic by people who knew me too well and really wanted a political thriller. I wouldn't have called them Star Wars Fans either.

Limiting myself to the six movies I had watched was a preemptive defense mechanism against a fan base I wasn't sure would want to accept me. My thin skin is my own problem, but every time I think about writing in a new fandom the same sort of nerves take me: what if my fanon is "wrong" and people are mean?

I guess what I'm trying to say is thank you so much to everyone who gave me a chance and encouraged me and were excited and shared that excitement.

And please, for the love of all the sky and stars DON'T GATEKEEP FANDOMS.

Don't tell people their canon is too big (@blue-sunshine-mauve-morning and @chancecraz have amazing fics that are much more compliant than mine to the broader canon, as a quick example), and definitely don't tell people their canon is too small. Walk away if you aren't enjoying something. Give compliments when you like something that is unique in a fandom you're familiar with. Be patient with people, be kind.

I could easily have given this story up if people hadn't been patient with me. I got comments as early as my first chapter from people who were angry with a single thing that I said and felt the need to tell me I was wrong. I could have left. I could have stopped.

I'm glad I didn't. But I wonder how many other people have.

[antianakin]

what are your opinions on the sequels? specifically how luke (and his new jedi order) is portrayed. but also like just the jedi stuff in general, the training and everyone becoming force ghosts and somehow palpatine

Oh gosh, it has been a MINUTE since I've even watched the Sequels. I'm planning on rewatching them sometime early next year for Reasons, but for both episodes 8 and 9, it'll be the first time I've seen them since I saw them in the theaters. I MIGHT have seen episode 7 after its theater release, but not often. I can definitely say I haven't watched a single one of them since 2019 lol.

All of that to say, I don't remember them super well. I liked episode 7, but didn't care AT ALL for TLJ and was ho hum on TROS. My overall opinion is that it's too bad these characters didn't have anyone writing for them who seemed to actually CARE about them at any point and that nobody bothered to create a fucking blueprint for the entire trilogy and then stick to it. Say what you will about the execution of the Prequels, but Lucas had a damn vision in mind and a clear end goal for the story and the characters and he STUCK TO IT. You can go back to those films and rewatch them and find that story and see the arc he was trying to take the characters on. You may not LIKE what he chose to do or feel like it worked very well, but it's clearly THERE. The same cannot be said for the Sequels. The characters change personalities in basically every film, the primary motivations and intended end goals for them are never consistent, the relationships aren't built up well, and the theme and message of the Sequels is so muddied with all of these changes that they may as well not exist.

All of that is very broad, though, and doesn't touch much on your specific question about the Jedi and Luke and how they were portrayed in the Sequels. To be honest, I don't remember it very well, and when I saw these films, I was a pretty casual Star Wars fan who was still what I would now consider Jedi critical. I didn't hate them by any means, but I had absorbed the fandom osmosis of the Jedi having been too repressive/old-fashioned and how they caused their own doom. So I haven't watched them from a more pro Jedi lens yet in order to comment on it with any level of authority.

What I DO remember feeling was that making Luke bitter was a bad choice. There's undoing a character a little in order to allow them to develop somewhere, and then there's complete and utter character assassination and TLJ's characterization of Luke falls closer to the latter for me. The biggest thing anyone remembers about Luke is that he chose not to kill Anakin in ROTJ. That's his big climactic triumph. He goes on an entire journey towards understanding Anakin and having to accept that Anakin was a person making evil choices so that he could believe in Anakin's ability to be BETTER. That's kind-of the core of Luke's WHOLE JOURNEY. So I don't really get the entire concept of Luke reacting so violently to "feeling some darkness" in his teenaged nephew. He's already sort-of worked through that particular flaw of his and overcome it, why is he suddenly reacting this way? What's the point of that? And why would Luke just completely lose himself to cynicism and bitterness in the aftermath of that kind of failure? What was the point of leaving a piece of map behind or whatever? None of it really seems to make any sense to me and you can just FEEL Rian Johnson sort-of tossing things in the trash as he wrote this so that he could do his own thing.

All of that being said, what I've seen other people comment on is that there's a lot of shit Luke says in TLJ that are pretty anti-Jedi, but that the whole point is that Luke is wrong. Luke is succumbing to despair and so he feels like he's defeated and there's no point to anything and he's WRONG. The movie does pretty strongly emphasize that he's WRONG to feel this way and act like this. So I think a lot of people take what Luke says in this film sort-of at face value without taking into account that context that you're not SUPPOSED to agree with him any more than Rey does. I'm interested to see how I feel about it when I do end up rewatching them in a few months, but it rings relatively true to what I can remember.

It doesn't seem wrong that Luke and Leia could end up being able to ghost, it doesn't make any sense that Han can ghost but we all know that that happened specifically because Carrie Fisher died mid-filming and they had to figure out how to work around that, so I'm willing to give a little bit of slack to TROS for that exact reason.

I don't remember much training even HAPPENING on screen. I remember Luke barely teaching Rey anything at all in the one week she spends with him and Leia sending Rey on an obstacle course at the beginning of TROS. I wish they'd chosen to spend more time really showcasing more of Rey's actual training (or, ya know, FINN training in Force abilities at all), but I don't have any strong feelings about it at this point.

And as for Palpatine, I think everybody knows it was a bad choice to make at this point. It was lazy, it was silly, and it doesn't work. It feels like a direct response to Snoke having been killed off too early and disagreements between the directors and the studio execs about whether Kylo Ren should be a villain or not. It doesn't work and nobody likes it.

So, yeah, my feelings are a little faded at this point because I disliked them enough that when I do my Star Wars marathons, I never include the Sequels in it and I just stop at ROTJ. I feel like that says enough on its own.

[thekingofwinterblog]

Man the one thing Bionicle will allways have my respect for is the whole giant robot reveal amd planning, that shit was cool.

Like I never read any books or comics (just watched the movies as a kid lol) and of what I read of the lore I feel iffy, but just that idea alone is legendary

Funny thing is, the movies are actually the single WORST part of the bionicle franchise XD

Not only are the 3 good one, only decent movies at best, but they were made explicitly FOR fans, and fans alone, and has no shame about not telling you stuff because they fully expect the viewer to know all the lore through the books, the comic books, or games.

They are also absolutely terrible in terms of action, as the Toa in pretty much every other medium are stupidly powerfull, with elemental powers easily on level with an avatar state avatar if not beyond, physically capable of lifting over one ton, and as the toa mata estimated during their fights with the Bohrok swarms, while they might ultimately win if they just went all out, they would certainly destroy the island of Mata Nui(about the size of mainland denmark) in the process.

To say the movie toa arent quite on that level is... kinda an understatement XD Not to mention that the comics actually fills in scenes in between cuts in the movies, or just makes actual movie scenes better. It's kinda a mess to follow.

overall, I've always described the Bionicle franchise as the actual Star Wars extended universe. It's a whole mess of in-canon with each other stories, that has a very clear cronological flow, but would have been way better if they just made a tv series that covered the main story(which was basically the only thing bionicle DINDT have).

That said, i can tell you exactly why you think the lore is iffy. It is related one one, single sentence.

"Doing in the wizard".

Doing in the wizard, is a story telling trope, where something that was presented as magical or mystical, is later revealed(wheter it was planned or retconned in later) to actually have a mundane, scientific explanation.

And man, is Bionicle the single WORST example of this trope ever made.

So to explain this, and how it all relates to the series big twist reveal, I need to explain how Bionicle started out, and what it became over time.

Because when it began, Bionicle started out as a myth in the making.

On paper the story of the story of the six toa coming to deliver the land from a great evil is as stock as you get it.

But what made it special from day one, was that it managed to capture the feeling of a deeply spiritual tale, of faith, destiny, and myth.

The story of the six toa coming to deliver Mata Nui and his chosen people is treated, both by the narrative, and the people in it, as a great religious story, with the coming of the six Toa Mata essentially being this universe's coming of christ.

There is a moment in the mata nui online game that really encapsulates this, as when Tahu first meets the Ta-Matorans he is supposed to deliver, they attempt to trap him, and he easily breaks free, but then the fighting is halted as Vakama, the turaga(basically priest king) of the ta-matoran shows up, orders his men to stand down, after which he walks up to Tahu seemingly to talk, only to kneel down before him.

because for him this is basically the equivelant of the coming of christ. the divine prophecy that came from God himself is finally coming true.

Now Bionicle has a lot of things to love, as other than the movies, it has great action, it's characters are generally actual people with flaws and developments, and it has lots of awesome moments, amazing and deep world building that is stupidly thourough, and sweet character moments, and of course one of the biggest twists in fiction... but it is this very religious and spiritual tone that sets Bionicle apart from pretty much... everything else western childrens media has ever made.

It is this deep, unfliching and honest portrayal of a world that feels like a myth come to life that drew so many people to this story when it first came out, what ellevated it over yet another story about good and evil clashing.

The people in this story feel real, not only because they generally have actual character(some way more than others), but because they Believe in their world. as in, they believe in Mata Nui, his tennants, his story, and the six saviors he promised would come to deliver them and wake up their god.

this is how you create a real, genuine setting. it is why Bionicle has a feel to it that you never see in western childrens media(nor that often in adult either), other than some very, very few exceptions, due to our deep aversion to showintg religion to children.

and then of course there are the gods in question.

Mata Nui and Makuta. the two brothers who set this story into motion. The first who came here to this world, and created the matoran, and the second who followed him from paradise, and cast a spell that put mata nui into his current deep, deep sleep.

Now these two could have been just another set of "evil brother who who was jealous of, and hates his good brother and attempts to usurp him".

but that's not quite what we get.

When the toa Mata finally do confront Makuta, they get his perspective on it all. Now they ultimately write this off as just an evil villain trying to justify his actions... but if you actually break down what makuta is saying, he is a way more interesting villain than the very simplistic reading the devil figure the matoran believe he is.

"Destroy me? You cannot destroy me. No more than you can destroy the sea, or the wind. Or - the void."

"You are like the sea? The sea bears life! The sea bore us!"

"I bore you, for I am Nothing. And out of Nothing, you came. And it is into Nothing that you will go. I stand with Mata Nui, side by side. I am his brother. The people of the world are builders. But look into their hearts ... and you will find that they also have the power to destroy. I am that power. I am destruction. And I WILL destroy you."

ultimately, the story of the gods Mata Nui and Makuta is not the story of heaven and hell, but instead a story of yin and yang.

Mata Nui is the god of light, and that is the element that everyone associates him with... but thats not his main trait. his main trait, his defining virtue, is creation. That is what he is most famous for after all, creating the matoran and this island home for them.

Similarily, Makuta is tha god of darkness, as that is his element... but his main virtue is destrution.

as the creators themselves noted, using a lego methaphor, mata nui is the drive to create new things, to make something bigger and more interesting out of the parts you have... but Makuta is the drive to destory that creation, to take the lego set apart either before creating something new, or to put it away into the box so that you can use it later. before you create something new, you must destroy.

And this ties into the actual story as well, as one of the big main plots from the start is that to reawaken their god, one of the things that would happen, is that the toa and the matoran would have to give up on Mata Nui the island, their home, their promised land, as only by it's destruction could their god reawaken and lead them to the paradise he originally came from.

its really, really good stuff, and one of the things that ellevated Bionicle over so many other children stories.

now, you might have noticed i said, and continue to say, early bionicle.

There is a reason for that.

and it ties into two very, specific turning points in the development of the story.

the big twist that Mata Nui was actually a giant robot was always going to be the center of everything, the explanation for all the wierd mysteries of the series. Even if his final form didnt end up being quite as big as this above concept piece made him out to be, the overall point stands.

The god of the Matorans was a gigantic robot, and his childrens proper place was inside of him, both to live their lives, and to serve as part of the great ecosystem that was the universe inside of mata nui.

Mata Nui the island, which he created for the Matoran to live on, was always a temporary thing, and their true destiny was him brining them back to "Paradise", aka the great planet of the solar system this story takes place in.

Spherus Magna. a planet that was broken into 3 before he left, and left a hellscape.

his original home that he left long ago.

Now, you might have noticed that i said not a word about what Mata Nui's backstory on said planet actually was.

The only thing that is important as it was originally portrayed, was that Mata nui left the planet for whatever reason, ended up on the water filled moon he currently rests on, and his brother followed him there from paradise.

now, you could create a scenario where there was some scientific, "Mundane" reason for all of this, but if you read this summary so far, the first thought in your mind is probably that what broke this planet into 3 pieces was probably related to something Mata Nui and Makuta, the two known gods of this universe, did. Maybe it is the reason why Makuta no longer has a body, and ended up on this moon in a much weakened form as basically a spirit who can only inhabit souless machine parts.

and im going to take a wild guess that this is probably what was originally planned... but you see, there was a shift at some point. actually on two points.

The first shift was at the very start of Bionicle as we know it, for the series was actually meant to only last 1 year. The toa would defeat makuta, then awaken Mata Nui, and that was that. The end.

However, Lego, who was at the verge of bankruptcy at the time, saw potential in the setting, and given it was a hail mary to save their company said "Screw it, lets expand on this universe!

and so the original one year story became 3 years.

now this artifical extension could have been disasterous, but unlike so many other similar tales, it was the exact opposite.

Mata nui the island got more fleshed out, the big mystery got more build up, the characters got to go through more development, both in the form of a kickass new upgrade, but also character arcs as a result of their power increase going to their head.

new villains, new places to go, new developments.

all leading up to the point where it was now decided that they would end the story. The arrival of the seventh toa of light, which would be where makuta was finally defeated, and at the end of the planned movie that would be the finale, mata nui would finally awaken.

Except this part didnt happen.

at the last moment, Lego essentially pulled the plug and decided to extend the series, and the point where they would reveal the big twist for a second time.

that said, the following storyline of the big flashback to explain metru nui was always going to happen, its just that as originally envisioned, this would be a flashback as the Toa, Turaga and Matoren traveled to Metru nui, as Mata Nui was flying through space back to spherus magna.

So essentially the story was over, but lego got to get one more line of bionicle toys out of it, while the bionicle team got to have fun one more time.

But thats not what happened, as not only did mata nui not awaken(it would take 3 more storylines past this point before that happened), but the big flashback was where everything went wrong so to say.

this is where bionicle shifted hard from a story trying to be a myth with very clear religious and spiritual overtones, into full on sci-fi.

and you can tell that shift occured very clearly as they abandoned all their original plans for how metru nui was supposed to look like in the poster above, showing the very alien like enviornment that was mata nui's insides, into the far more boring and safe(as well as full on science fiction) setting in the poster below.

now im not going to say that everything that came after this point was bad, far from it, there was a lot of really awesome stuff that happened afterwards, but it was the critical turning point where Bionicle steered away from the essence that made it more than just another toyline, an attempt at creating a myth that while it had sci-fi aspects, was ultimately a story of faith, destiny, and trying to find ones place in the universe, into just another sci-fi story.

Basically you can sum it up as the point where mata nui went from a god who was also a giant robot, into just a giant robot.

and man, does it make the lore, and tone a mess.

while the new universe does make logical sense, it lacks the soul(pun very much intended) of what made bionicle, bionicle.

and you know what the really sad thing is?

The final part of the story, where Mata Nui is FINALLY awakened, only to lose his own body, and find himself trapped in his mask as its launched into space before crashing back on the shattered planet that he came from, could so easily have fit into this mythical storytelling.

what actually happens is that mata nui learns he was actually just a giant robot created by some scientis in a lab 100 000 years ago to travel the cosmos, learn about the universe, then come back and fix the broken planet. then he repairs his own, unstable, proto type body that wasnt really working out, makuta senses him and follows him, they duke it out, mata nui kills him, then uses the last of his energy to fix the planet, before dying. oh, also rather than being his actual brother, makuta was actually just a computer program mata nui created. and Makuta isnt even his real name. his actual name is Teridax. im not kidding. oh and the actual thing that destroyed the world? it was a fight amongst some tribesmen using the resident dues ex machina substance that began oozing from the planet's core. again, im not kidding.

here is how you could easily fix it, while keeping in the same tone with what was suggested in the first three years about makuta and mata nui's origins.

The exiled and humbled divine being, cast from heaven, and forced to wander the world he himself played a role in wrecking so long ago, as he travels across the world, and befriends the people he essentially left behind to create the matoran in a better place, rather than fix the mess he, ironically enough given his defining attribute, created.

basically a bionicle take on the atonement/labors of hercules.

and then, having wracked his brain on how to solve the problem of his brother having taken control over his own body, he stumbles upon the solution.

his brother's own, broken, non-active body, which after their ancienct, and catacylsmic clash his brother left behind to follow him to the ocean moon.

and so his journey becomes to essentially take a page out of his brothers book, and do what he did to him in reverse. Repair the mighty body of a god, and then take contrel over it.

after the great journey of hardship and pain, now comes the ressurection before ragnarok, the final battle.

see how easy it is to rewrite this story about what is essentially two computer programs fighting over different continent sized bodies into a story about gods fighting a thematic and climactic showdown on the ruins of a planet they themselves wrecked to pieces to begin with?

but of course the story has to end, and it ends on a note tying into the original message. you cannot create, withouth destruction coming first, and so to win this conflict, mata nui has to destroy something. himself.

His own body.

Like any good jesus analogue, he gives his own life in a sense, as he chooses to give up on the possibility of regaining his own body and with it, regaining his true power and goodhood for the sake of the future of his people and this planet, driving his own skull into the oncoming moon that served as his home for all these years.

and with his final bit of power as his brother's dying body begins to give up on life, he spends the last moments of godhood to do what he, the god of creation should have done from the start. fix the mess he and makuta left behind.

putting the massive planet back together into one whole, while also terraforming it into the green wonder it used to be.

then, we end the story as we began. with a prophecy, where Mata Nui predicts before his toa, as his spirit returns to slumber once again that he will return, but for now, they must make their way forward withouth him, in this new world, that they now must make their own destiny here on the Paradise he promised them so long ago.

I dont know about you, but i think that would have been a lot more interesting that desperately trying to rewrite the entire setting to be full sci-fi because you didnt want to continue with the spiritual and religious themes that you never managed to shake off anyway.

mind you, it's not impossible to have this kind of twist and make a good story about it, but when you commit to telling what is essentially a religious tale that is basically the coming of christ, Ragnarok, the exodus, and the eternal kingdom on earth into one, you are not going to be able to swerve into making it full on sci-fi withouth it feeling, really, really jarring.

And guess what? it makes Bionicle Lore feel really, really jarring. Or iffy as you put it.

[vermutandherring]

If you get this, answer w/ three random facts about yourself and send it to the last seven blogs in your notifs. anon or not, doesn’t matter, let’s get to know the person behind the blog!

I've heard (can't remember where) that poltergeists are actually quite dangerous spirits and it's better not to approach them. I'm happy I came across a friendly one 🖤

• I love cars and drift as kind of auto sport. I attended a drift event once and would like to see it again. Unfortunately, Ukraine doesn't host most kinds of shows for now.

Here's a little sneak-peek from the screenshots I made for the next post.

• Pink color is my everything, even though I used to hate it as something 'girlish'. Guess who's girlie girl now 👆

• I've never watched or read Harry Potter, haven't seen a single Star Wars movie and watched The Hobbit just for Lee Pace (Tranduil). I think that's because I don't like neither magic nor space themes and they always stay out of my interest.

[gotylocks]

Willow Month 2023- Day 3: TV Show (Full Series/Specific Episode) or Movie

If you read my entry for Day one, you'll know I went into the show without seeing the movie. In fact, I actually made a point to wait to watch it until the finale, because it was a rare opportunity where I could watch one of these years later follow ups without nostalgia for the original (unlike, say, Star Wars), so I wanted to see if it worked on its own.

The fact I'm writing this should tell you, I truly believe it does. Now, I don't want this to come off like I don't like the movie, because that is not the case. I love the movie! I'm wearing a Sorsha and Mads shirt as I write this! But I would still love the show just as much without the movie.

Some hard numbers may make my point. I have watched the movie once, and while I often think about watching it again, I haven't yet. By contrast, I have watched the full series 13 times through at this point, and at least 8 of those times were marathon sessions where I went from episodes 1-8 in a single sitting.

Why is that? Well, I think the movie is missing some key ingredients that keep it from hitting that obsession level. Namely, Kit, Jade, (grown up) Elora... ok it's the entire crew. Their interplay, the way their relationships build over the course of the season, and the way that by the end of the finale every single one of them has been improved by the others being present in their lives.

The party of six, all with their beautiful, layered arcs and emotional storylines, they're the ones that make the show something special. I've said in the past that typically in shows with ensemble casts, there's usually at least one character that I find annoying, or one actor that I don't like for one reason or another. That's another thing that makes the show so incredible. I love every single person involved. From the main six, rippling out to the supporting cast and cameos like Hannah Waddingham and Christian Slater. Not only does everyone understand the assignment, they bring their own unique flavor and quirks so nobody feels like they're phoning it in. You can tell everyone is having fun and that translates to the audience.

And while fun is first up on the menu for the show, there's also so many moments of heart-rending drama. As someone who lost their dad at 26, I connect to Kit's feelings of grief and abandonment over the disappearance of her father. I connect with Jade feeling lost and purposeless. I connect with Elora desperately wanting to help despite struggling to believe in herself. I connect with Graydon carrying a lot of guilt over things he had no control over and wanting to prove himself as more than what his father believes he is. I connect with Boorman regretting his selfish choices and wanting to make up for his past mistakes. I even relate to Willow, thrust into a position where he has to be a believer despite feeling like a fraud.

Whether it's due to the run time or the time in which it was made, the movie just can't compete with the variety of character arcs, the layers that get peeled back the more the crew spend time together, the realization how each person has something to learn from the others and how they've grown to rely on each other.

By the time they reach the Immemorial City to fight the Crone, they have grown into one of the best found families I've ever seen. They have each other's backs, they trust each other implicitly, and they're willing to put everything on the line to save the world, sure, but more importantly, save each other and facilitate their rises to greatness.

The dialogue, while not to everyone's taste, I felt was a great choice. It immediately plants a flag on its own territory and says confidently "We are not Game of Thrones. We are not Lord of the Rings. We are our own thing." I love that shit! It is never a show that feels like it's chasing a trend, because it is so uniquely itself. That extends to the music, be it the fantastic score by James Newton Howard and Xander Rodzinski or the fascinating modern song choices deployed in each episode, which while I have opinions about songs I would prefer in different places, I cannot deny that they set the show apart from everything else that has come before. And "Crimson+Clover" by Pom Pom Squad will live in my brain forever thanks to its absolutely pitch perfect use in episode 5.

The fight scenes are fantastic, because they're never there for the sake of having action. Instead, major character beats are woven throughout, making each fight hugely meaningful to everyone involved. Whether it's Willow going from his weakened, nigh magicless state at the start of the show, to being the great sorcerer he was always meant to be thanks to working with Elora, or its Kit and Jade connecting and expressing emotions that words may not be enough for through their shared love language of sword fighting, or Graydon finding the magic within at the moment he needed to and killing one of the Gales pursuing them. Action has a purpose in this story and I love that after so many hollow and emotionless cgi fight scenes we've been inundated with over recent years.

This is why I can't simply choose one favorite episode from the series, because they are so intertwined that I cannot separate them. However, unlike many straight to streaming shows, Willow doesn't just feel like an 8 hour movie chopped into parts (despite my tendency to watch it like one long movie lol). Every episode has a unique identity that I can immediately point to when prompted. Every episode is important to moving both the narrative and character development forward, and there isn't a single one you could cut without everything feeling askew.

So. When I saw this prompt I was like "Maybe I'll make this one short", but we all know now that was going to be impossible. The intense emotional connection I have to this show from front to back just brings this out of me. To the only Fellowship I need in my life. I wouldn't be here without you.

To quote Erin from the making of doc, "These people are my family."

[ilkkawhat]

tagged by @room-665 and @judyalvqrez, thank you both!💜💜💜💜

last song: Children of the Elder God by Old Gods of Asgard--in full. After that I was skipping through songs as I pulled into my neighborhood and driveway lol. honestly still seems like AW soundtrack music is like, the one thing I never skip since I got into it last November.

favourite color: Purple!

currently reading: House of Leaves by Mark Z. Danielewski, have been for a while lol I gotta get back on it. My mom got a bit of a kick out of seeing me moving the book around and flipping to the back and such 😂

currently watching: Series wise, nothing really since I finished Sorjonen...I've been just kinda watching a lot of youtube videos or movies. Been thinking about getting back into Only Murders in the Building (I watched the first two seasons I think? Maybe the 3rd? See I just gotta start over lol) and then watching Poromafia for my next Ilkka series (beyond just skimming), and I'm probably gonna start Interview With a Vampire sooner or later cause it's all over my dash EDIT: FUCK i forgot I'm watching Star Trek Enterprise! very slowly, I watch it while I chill downstairs with my dog when my parents go out shopping (he's got bad separation anxiety and is not allowed to go up the stairs anymore for his safety so I just go to him)

last movie: Rewatched Hell House 2 in full, started watching Butterfly Kisses last night but couldn't stay up to finish it. Trying to get in the mood for spooky season and last year I got really into the found footage sub-genre.

sweet, spicy or savory: Savory...not good with spicy (lol says a woman who works with chipotle peppers. We mill dehydrated pods and it was so strong the other day I legit threw up on my way out) but on a mild level I'm okay with it. Do like sweet stuff but I do have limits with it.

relationship status: Single, probably always gonna be that way and that's fine lol. But if I happen to meet someone maybe I won't be as much of a coward as I have been with other potential relationships I could have had...it also sucks cause I can't say I'm surrounded with the most pleasant relationships (my parents especially)

current obsession: Primarily Alan Wake, secondary Ilkka Villi and really just the Remedy Verse as a whole--I think work's just beating me down too much to enjoy really anything right now but god do I just crave for the atmosphere and aesthetic of Alan Wake 2 right now

tea or coffee: Coffee though I'm not against tea at all and will admit I haven't drank as much coffee as I used to, I stopped during one summer cause it was too hot and I think I may have lost my idk taste? tolerance? for black coffee but I do get iced french vanilla coffee from mcdonalds like once a week lol. (really I just drink a lot of celsius for my daily caffiene fix)

the last thing i googled: Rune Factory 5 cause I saw it's on sale on the Nintendo e-shop and I'm debating getting it even though I have tons of other games I should be playing and let's be real, I'm just gonna continue playing Alan Wake 2 for the tenth time tomorrow instead of even playing the recently bought Star Wars Outlaws 😂😂 but RF5 is like, 20 bucks and that's the cheapest I've ever seen it so it can't hurt just to get it in the library and maybe start it later

breaking the tag chain but if anybody wants to do this, go for it and say I tagged you

[drifting-pieces-blog-blog]

Hi, I'd like to ask your opinions on Oscar Isaacs casting as the MK system? I've seen mixed opinions

Did people not like Oscar playing the System?

So, being a long time fan of the comic and having zero online contact with any MK fandom before the show, being a MK fan was a pretty small wee little lonely world.

I only knew of Oscar Isaac from Star Wars when he played Poe (which I greatly enjoyed and thought he did a super fantastic job at btw).

When they announced the MK show, I was incredibly skeptical because well... I've seen what Marvel has done to the boys before.

I also am known to get greatly annoyed when big name actors become popular and suddenly get every single role regardless on if it fits them or not. Sometimes it's good to get a new face and unknown a chance. Sometimes you don't need to see the same large eyed big pouty lip white girl play every single thing under the sun because she's the new sex symbol. Sometimes Cumberbatch ISN'T the right man for the part just because he has a deep voice and can say a name in a scary way that no longer makes sense in the narrative because they've written all association of that person out of the canonical universe (Looking at you Star Trek).

But, I held my breath and reserved judgement until I saw what they did and what Oscar could do. I prepared for the worst and hoped for mediocrity.

Am I now an Oscar fan? Yes. He did an amazing job. He got the character or Marc and Steven DOWN. Not only that, but he helped develop ideas on how they should be played and he became protective of them. He did his research and he respected not only the material but the voices of people that the MK system represents.

I have a deep respect for actors that go out of their way to learn about any disability, mental or physical, and then become protective. Is someone asking their direction to go against this disability? They won't do it. That takes a wonderful amount of integrity.

It is safe to say that after the show, I have watched other things with Oscar Isaac in them and enjoyed them as well as his singing career! It ha also opened me up to other artists and movies and shows I would not have normally watched. Growth happens if you let it.

NOW. Am I still incredibly nervous about the future of Moon Knight? Very much so. Marvel has taken an....interesting... stance on how they release things and on the future of the cinematic universe.

Oscar has said that he wants to return to Marc and Steven, but only if he likes the story. And Marvel has voiced that it wants to return to Moon Knight but has 'big plans' for him.

Oscar is only human. And Marvel is a sickly sweet siren call that makes promises full of lies and riches only to dash your hopes against the rocks when you get too close.

I trust that he would continue to play the characters to the best of his ability and with full intent to honor them in his heart, but that will only get you so far when you have to follow a shit story or play with the big guys writing the checks. I also am incredibly nervous on what they'd do to Jake. My buddy and main squeeze Jake. Especially now.

I hold my judgement until I see more. I like being surprised and having my mind changed.

But honestly? If they never got back to Moon Knight and left it at that, I'd be okay with that too. Sad... Because I know what I WANT them to do... But skeptical that they'd do it and just leave themselves more room to fuck it up like a few other things they keep poking.

[roselightfairy]

End of Year Fic Recs!

Recommend up to 5 series or multi-chapter fics from 2023 that everyone should read (multi-year WIPs count, if the last update was in 2023).

Recommend up to 5 single chapter fics/one-shots (long or short) from 2023 that everyone should read.

Recommend up to 5 fics NOT from 2023 that everyone should read (oldies but goodies).

Recommend up to 5 of your own fics (completed or WIP) from 2023 that everyone should read.

(Thank you, @tathrin, for the tag!)

I think the fandoms here will be kind of all over the place, because I've been in three different places this year (though one of them for the majority of it, sorry about it!). I'm also really having to go through my history - being in rapid consumption mode makes one forget things here and there! Also this turned INCREDIBLY long, so putting it under a cut.

5 series or multi-chapter fics from 2023:

all that it touches to wonder by cynassa (LOTR, Legolas/Gimli) - I've been seeing this fic around for some time and finally got into the right LOTR headspace for it yesterday and it is absolutely WONDERFUL. Politics, pining, cultural exploration, letters, gifts, public spectacle . . . mmm. The kind of fic that's so good it makes me mad.

Mine to Bear by pen_ultimate (Dungeons & Daddies, Henry/Darryl (and others) - a fic that takes the cringe of early-season Darryl and leans SO HARD INTO IT that it is sometimes painful to read but so so so worth it. A no-Forgotten-Realms AU in which Darryl's desire to understand Grant's sexuality leads him to (painfully, reluctantly) explore his own. Unstoppable force (Darryl's repressed urges) meets immovable object (his own stubborn refusal to deal with them). Also this Henry portrayal (and interpretation of his relationship with Mercedes) is amazing.

Catharsis (series) by Diotima_Philosopher (Star Wars, Qui-Gon/Obi-Wan) - This series hits a very specific urge I used to look for in Legolas/Gimli fic but never quite found, and I suppose it makes sense that I'd find it here - in a relationship that is textually (or non-textually) transgressive, a story that takes it to the absolute limit of that transgression. Sometimes you want to rationalize away the taboo elements of your pairings; sometimes you want to create a situation to avoid them entirely; other times you want to push them to the limit: the notion that the relationship in question is seen as not only odd but deviant, absolutely revoltingly taboo in its society. And then just - dive into that and explore the complexity of it, the impossible situation the characters in question face, the twisting line between right and wrong. This story does that deliciously.

if you're on a mission, you've got my permission by allowaykirk (Cody/Obi-Wan, but mostly Obi-Wan/EVERYONE) - This story had me in STITCHES. The thing that struck me in watching the movies, but also mostly the Clone Wars, was how much intense chemistry Obi-Wan has with . . . everyone? But mostly with a bunch of the antagonists? This fic takes that to its logical conclusion and says, well, what if Obi-Wan is regularly sent on missions to seduce information out of various people? For the war effort, you know. The Ventress chapter in particular had me HOWLING. (And them, too.)

By a Sleep to Say We End by @katajainen (LOTR, Legolas/Gimli) - this one became multi-chap this year, and somehow even more devastating in the second one! It's frankly unfair that katajainen has the ability to hurt me like this, but also I want her to never stop doing it. Zombie apocalypse, technically, but this one deals with much more intimate interpersonal challenges in the lead-up to it. Warning for suicidal themes, but if you are okay with reading that, this hurts so so good.

Five single-chapter fics from 2023:

offer it a soul by @willowcrowned (Star Wars, Qui-Gon/Obi-Wan) - This fic ruined me. It was one of those stories that's so upsetting yet so good you're thinking about it for days after and making an absolute mess of yourself in the comments section. There is this emptiness that just echoes throughout a story that is so full - of worldbuilding, of repressed emotion, of feeling. I was a raw nerve all the way through. It's not a happy story, but it is an incredible one.

Soon Enough - by LuvEwan (Star Wars, Qui-Gon & Obi-Wan) - This fic was one of those incredible little moments that makes perfect sense within the canon but that you don't necessarily think about happening! What about people who were related to Jedi, who lost family members they never had the chance to know? And how do you deal with being a Jedi, with someone for whom this lifestyle is well known and expected, and yet you also have people you love within the system whom you also will eventually lose? This was such a quiet little moment, breathless with discomfort and pain, and I loved it.

Look Back, My Love, Look Back At Me! by @tathrin (LOTR, Legolas/Gimli) - I'm such a sucker for myth retellings with these two, and this is an Orpheus/Eurydice imagining - with a twist! I gasped at the end. Tathrin is killing it with these two this year and I'm going to have so much to catch up on when I'm back in main LOTR headspace again.

this is what it feels like, now by @thetimesinbetween (Star Wars, Qui-Gon/Obi-Wan) - Just. The most intimate, emotional, incredibly steamy smut. With feelings! And like - one of those things that acknowledges the nature of the teacher-student relationship without pretending it isn't there, but also lets that be part of the appeal rather than a detraction. I. Um. Read it.

Snowbind the Stars by katajainen (LOTR, Legolas/Gimli, Legolas & Gimli) - Love, love, love a queer-ambiguous portrayal of these two, and katajainen's prose is such a dream, as always. The loneliness of homecoming when something you never knew you needed is missing . . . but the promise of finding it again, eventually.

Five fics NOT from 2023:

Okay, this one was hard, because again - I've had a whole fandom's worth of fic to catch up on this year! It was hard to narrow it down to just five, but I'm going with some that really stuck with me:

Desert Bloom by canis_m (Star Wars, Qui-Gon/Obi-Wan) - This fic is everything I could possibly want from a Force Ghost-roommates premise, an absolute gem of a fic that is perfect in every way. Vignettes from Obi-Wan's time in the desert and his training with Qui-Gon to release his own consciousness, in which he has to reveal some of his own feelings that have lived with him all the while. I find it incredibly in-character and plausible and such a gentle, slow unfolding and healing.

Crystallize by torch (Star Wars, Qui-Gon & Obi-Wan, a very little ship implication at the end) - This is such an atmospheric fic, quiet and slow as the remote snowy world on which it takes place. It is also a fic that fully solidified my understanding of Obi-Wan's relationship with the concept of relationships, a very married-to-duty sort of thing which precludes romance as a matter of course. This fic is just a slow meander through various aspects of Jedi life and expectations, the nature of love, and the ways that a master and padawan can learn from and with one another in the most personal ways. And yes, there's a slight turn to shippiness at the end, but only in the mind of one character and not in a way that detracts from the revelations unfolding throughout the story.

A Duel With Fate by psocoptera (Star Wars, Qui-Gon/Obi-Wan) - Speaking of fics that RUIN me. This was my first understanding of what a time loop fic can look like and how it can be absolutely devastating. This story left me feeling off for days, and I mean that as a compliment. Proceed with caution, but also - guh. Do proceed, if you can. I can't even rec it well because of how good it is.

How to Grow Vegetables and Alienate People by Meggory (Star Wars, Qui-Gon/Obi-Wan) - Add me to the list of zillions of people who loved this story, but it caught me in just the right place. I've been feeling the void a lot in the last several months, downtrodden by work and expectations of life, and this fic STARTS with the premise of one character being forced to take a three-month leave of absence from work? And then getting into gardening and connecting to the world and falling in love? The most glorious escapist modern AU I've read in - maybe ever? I made @thevillainsmustache read it, too, even though it's not her ship, and now we both sigh over it regularly at home.

Into a Dozen Pieces by Temve (Star Wars (Master and Apprentice), Qui-Gon/OC, Qui-Gon/Rael) - So many canon authors love to do this thing where they imply a love interest in a character's past. Generally I don't love it, and for all my adoration for Master and Apprentice, I didn't love it there, either - but Temve took those brief mentions and spun them into an absolutely enchanting story of young gentle Qui-Gon falling head over heels for the first time and having his heart broken by the Jedi Code - but healed, at least a little, by the others within the Jedi who are there for him. Highly, highly recommend.

HA PSYCH I'm doing an unauthorized sixth! A Thing of Flesh and Shadow by MlleMusketeer (Star Wars, Qui-Gon-centric with some background relationships) - This fic is only barely not 2023, so I dunno if it counts as an "oldie," but I think everyone should read it! It's an amazing Qui-Gon AU, in which Dooku resurrects him during the Clone Wars and tries to manipulate and abuse him into becoming his new apprentice, all while Qui-Gon slowly realizes what's going on and struggles to escape. It's got gorgeous philosophy, incredibly well-written emotional and physical hurt, and I just love every second I spend in this Qui-Gon's head. I'm praying there will be more, eventually, but even if there isn't, the fic is a wonderful standalone.

And now . . . 5 of my own fics from 2023:

Only Through Surrender (Star Wars, Qui-Gon/Obi-Wan): Qui-Gon lives, and the whole timeline changes.

Lessons in Intimacy (Star Wars, Qui-Gon & Obi-Wan, Obi-Wan/OC): Exploration of Obi-Wan coming into his sexuality, and what romance and sexuality might look like in a Jedi context.

Driven to Do (Star Wars, Anakin & Obi-Wan, Obi-Wan/OC): More sexually liberated Obi-Wan and scandalized (legally married) Anakin.

Anchor (Star Wars/Clone Wars, Ahsoka/Rex): The follow up to the absolutely devastating Clone Wars finale.

The Unassisted Physical Training and Self-Defense Circle (Qui-Gon & Obi-Wan): The one in which Qui-Gon's participation in an illicit padawan fight club leaves him with a lasting physical reminder.

This was so much fun! (It also took me more than an hour to do, but I enjoyed every minute of it.) Tagging @katajainen, @deheerkonijn, @unnamedelement, and anyone else who wants to do this!

[inevitably-johnlocked]

Y'know I feel like I'm the only one on the planet who enjoys video games because they LOOK FUN. Like I'm SUPER excited for the new Assassin's Creed: Shadows game, and all I see is people bitching about the graphics (which like, this game isn't out until November??), or the length being possibly too long (which boggles my mind... I pay 80-90$ CAD for PS5 games... if I can get a game to last me 200 hours, that's money well-spent to me??), or the voice acting??? But no one, and I mean NO ONE ever says "that game looks fun".

I have never played a Star Wars game ever. But the new Outcasts game?? It looks fun, I WANT to play it! I don't care about frame rates... I care about "can I put more than 50 hours into this game? and enjoy it".

I remember when Sonic Frontiers came out, and I was SO excited, but everyone bitched about the pop-in and "it looks unfinished". But like... can I run across an entire map at super-sonic speed and have a blast doing it?? YEP. I love Sonic Frontiers.

The new Dragon Age trailer came out. People are bitching about the graphics in that. Uhmmm what?? It looks fun as hell. I'm pumped for Veilguard.

I dunno. Sorry, I'm just super upset because like, I was SO excited watching the Ubisoft Forward yesterday, and then I made the mistake of scrolling down to the chat. Everyone shat on all the games that looked fun that were single player, but got excited for the same old BS multiplayer, live-service, COD-clone, FPS snorefest games! Ugh. Single player games are the shiz! I've put 253 hours into the Witcher 3. 227 into Dragon's Dogma Dark Arisen, 61 hours into Sea of Stars!!! Because I had a blast and I don't want them to end!! (Valhalla is still my record at over 450 hours LOL)

I get it, gamers are passionate. I'm passionate about games too!! I just often wonder when people stopped enjoying games because they're fun and instead want to essentially spend 90$ on a movie. *shrugs* Meh. Whatevs.

Sorry, I needed to vent because I feel so alone in my love of video games JUST because they're fun. Anyone else love AC because it's AC??? I've played both the new and old games, and I love all of them because they were FUN.

[virtie333]

Let's talk Damerey.

I ended up being a VERY general fan during the SW sequels. Like...none of the ships bother me. FinnPoe? Fine. Damerey? Fine. Kylo and whomever, sure. I guess. I just want them to live and be happy.

Anyway, when did your Damerey journey start? I think I read at one point they had thought about making Poe and Rey a thing? But I guess the visions of the differing directors didn't allow for it? Did I make that up in my head?

I understand the appeal of that ship as well as FinnPoe or whatever it's called. I mean, it's Poe, so who wouldn't be obsessed lol

Anyway, thoughts?

Also, do you like to stick to Damerey fics for Poe or do you also like xreader with Poe?

Oh, boy. This might take a while.

I can honestly say I've been Damerey a lot longer than I've been a fan of Oscar Isaac. I became Damerey right after The Force Awakens. But here's the thing, I was Reylo, too. What? Okay, let me explain. I love the 'good girl falls for bad boy' trope, but I've always been realistic about it; the bad boy can't be horrible bad and has to become good eventually. I loved the idea of Rey bringing Ben back from the Dark Side, but... what he did to his father (my first love and still the one I compare to all other crushes) is unforgivable. I knew Ben Solo would NOT have a happy ending. Therefore, Rey needed to have her happily ever after with someone else. Finn or Poe? I loved them both, but I do have a thing for pilots, so I chose Poe.

The Last Jedi only increased my interest in both ships. The connection between Rey and Ben was fascinating. But... that last scene between Rey and Poe? I remember commenting to my brother after our first viewing, "They have to be planning something between them after that! Right?"

I went into the last movie wondering which way (if either) they were going to take it. I told myself I would be happy with either, and even if Rey chose no one; after all, she doesn't need a man to make her happy. But I am a hopeless romantic. After the first argument between Poe and Rey, where I nudged my brother (who I saw all 3 movies with) and said "They're just like Han and Leia!", I had hopes.

But... they failed to continue with that bright start. And with the kiss between Ben and Rey at the end, I was pretty much resolved to settle for Reylo. And that was my focus for the first couple of month after the movie. But then something strange happened. A fellow Reylo fan, who had defended the first two movies despite all the hate going on, started bemoaning how 'Rey would never be happy now,' and she 'would never get to have babies,' etc. etc. And that pissed me off. Big Time. She had options, dammit! She could stay single and raise Force sensitive orphans. She had Finn. And of course, she had Poe. So, I wrote Rising, my first fanfic in almost 20 years.

When the pandemic hit, and I ended up working part-time, I decided I needed to continue with this post-movie world I had created. I still had a soft spot for Ben, and it shows up in my early works, but I wanted to make Rey and Poe find their happily ever after. Then something else strange happened. In one of my stories, Kennera, I wrote a scene from Poe's POV. Suddenly, I wanted to know more about the actor who portrayed him. And I found this...

That was that. I was hooked on this man. I started watching everything I could with him in it. And I continued to write Damerey, falling more and more deeply into that ship. Reylo became less and less interesting to me, and now I could care less about it. Damerey is everything to me. And it's been that way for almost three years now. I just freaking love them with everything in me.

To answer your question about the ship almost becoming canon, yes it almost did. Colin Trevorrow's script The Duel of the Fates almost became the third movie, and it included a lot more Rey/Poe interaction, even a kiss or two. Some say it's why that scene at the end of The Last Jedi was added, to introduce that attraction. But alas, it didn't happen.

If you had asked me two years ago if I had read any Poe x Reader stories, I would have scoffed at you. I am a reader of novels and I write in the same style and always will, so why would I read that? But... I've read several amazing writers that write in that style since then, and I have become addicted. I know I will never write that way, but I will enjoy others.

I think the fact that I don't write that way is the reason why no one on Tumblr (other than a few trusted friends) ever reads and shares my stuff. It's a bit lonely sometimes, but it is what it is.

Damerey forever!

Art by @greysmartwolf

[apollos-olives]

literallyyyyy like dude i've been saying this for i think a year now but star wars could've been fixed if i was there. tbh. like SO many shows and movies could've been fixed if some poc were in charge and made stuff check out. the racism of the western world is fr so irrational. yall ever watch a show and go "wow. not a single poc was on production for this" 💀💀 ughh

///

Me with the Game of Thrones show lollllllll. The way they handled POC was very… interesting to say the least. Very orientalist and racist.

"These same tropes appear over and over again in Game of Thrones – the West (Westeros) is shown as a 'good' culture of proud families, brave warriors and enlightened thinkers, while the East (Essos) contains threat, danger, and unpleasant practices."

Dr Hardy said Orientalist tropes often focused on the supposed "cruelty and sex" of Eastern culture, particularly through sadism, torture, sexuality, slavery and castration.

Quote from some article. Some context: Westeros is the white people land. Essos is the non white people land. That’s a huge generalisation, but it’s the only way to explain it lol.

YIKESSS DUDE WTF i did not know about this. tbh game of thrones was never appealing to me and the fandom genuinely freaks me out but the orientalism and racism is fucking 💀💀 ridiculous. ugh

[deusvervewrites]

What I meant, is how should I plan the writing, like reading the manga or looking for inspiration in different stories?

Ah.

Generally, yes, I would suggest being familiar with the source material if you intend on changing it. Whether that's the anime or manga or binging the wiki is up to you--I personally have a the wiki and a fan translation of the manga up at all times for reference.

Now, over time and thanks to asks on this blog and my various projects, I've become extremely familiar with various parts of canon, but an encyclopedic knowledge is not required so long as you can quickly find any information you need.

This is important for a few reasons. Chiefly, many readers will be familiar with canon and will notice discrepancies, which can be both a good and bad thing. For example, I greatly enjoy using canon events as a form of Dramatic Irony, like in Haigha when the Hosu Noumu attack never happens.

Being familiar with canon is also important for characterization purposes. If you really know how a character acts in canon it's easier to know how they'll respond to changes, making their personalities feel more fleshed out.

(Note that something feeling fleshed out is not always the same as it actually being fleshed out. Both is better, but the first is all you strictly need, and you rarely want to only have the second.)

More crucially to this ask, it makes the planning easier.

I'm assuming if you're rewriting canon and asking about planning things out, you aren't strictly following the way that things went in canon, and are doing something closer to my fics, where I cascade a single change into many more. This is the reason I'm personally so acquainted with canon. Knowing how each event in canon led to others makes it easier to see how changing any event will change the rest.

For example, the League attacked the Forest Camp to discredit Heroes, to acquire Search, and to recruit Bakugou. Either the League could have gone after Ragdoll at any time (presumably, it's possible they couldn't find her, though that seems unlikely), but waited until the Training Camp so they could also deal a blow to UA's reputation and acquire Bakugou. And they only wanted Bakugou because of how the Sports Festival ended. In other words, if the League doesn't have a way to find the camp, doesn't want Bakugou, doesn't want Search, and/or doesn't care about UA, there is no Forest Camp Attack.

As for inspiration, it can come from anywhere. Canon, fanfic, other works of media, random things you see in your day-to-day life, literally anywhere. I generally recommend that writers read lots of things--not just fanfic, either, but consume all kinds of media--to see more plots, narrative voices, technical writing, pacing, etc.

You can learn so, so much by reading books or watching tv or movies or playing games that don't even seem related to what you're actually planning on writing.

For example, here's HK47 in Star Wars: Knights of the Old Republic 2 teaching you how to kill superheroes Jedi

I'm not sure looking for inspiration is necessarily the best way to put it. I find that ideas are fickle things, much like cats. They rarely show themselves when you actively seek them out, but come to you on their own terms.

The more stories you read/watch/play, the more familiar you will be with storytelling and common narrative beats, and the easier it will be to see the connections between ideas. This is as true with fanfic as with any canon material.

Here's a practical example. As of writing this, I'm running a series of polls titled Let's Make A Shonen! where I had various selections of tropes, settings, and plot devices necessary to create the barebones of a hypothetical shonen series. At the end of which, I'll write up the plot synopsis of the resulting series. At this moment, Magic is winning the Power System poll by a landslide at more than twice the second-place option, and in the How Does The Protagonist Learn Their Powers poll, the front-runner is the the powers themselves are sentient.

With about 50 hours left in the poll, I've agonized a bit over how I wanted to combine these plot points, before the answer came to me. Magacite from Final Fantasy 6--where Espers are turned into crystal upon death which can be used as a means of summoning that Esper or to teach magic to the party member equipped with that Magacite. By taking this idea and tweaking it, I can fit it neatly into place as the combination of those two polls, and by extreme coincidence I can tie it into several other polls as well, such as the main antagonist being The Government and the first arc being a Fetch Quest. The protagonist needs to get the Legally-Distinct-Magacite before the government does. Easy.

This is something I'd never have thought of if I hadn't known about the plot of Final Fantasy 6, which, while overlapping, isn't a shonen at all.