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#it's just such a nuanced issue you know i'm not saying he was right but i'm not saying he was wrong either
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BBC Merlin is a tragedy in that Merlin's choices that were all to save Arthur's life led to Arthur's death, but that doesn't mean it was all for nothing!! The events across their 10 years together led to a new world order which eventually brought about everything they had worked towards!! PLUS THEIR RELATIONSHIP BROUGHT JOY AND MEANING TO BOTH OF THEIR LIVES!! That means something!! GUYS!! listen guys that MEANS SOMETHING!!
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itoshiexx · 7 months
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wonder
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synopsis: sae wondered what it was like to be loved by you.
pairing: itoshi sae x gn!reader | words: 800 | warnings: established relationship, tooth rotting fluff, sae is stupidly in love with u
notes: why hello! i'm barely alive! i know i kinda disappeared but i was struggling with personal issues and my mental health, so i didn't really have creativity to write. i'm not sure i like this either, but i couldn't let sae bae's bday go by without posting anything. also this is slightly inspired by the song "wonder - shawn mendes". thank you for your love and patience! <3
masterlist
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there are certain things itoshi sae would never admit. like the way he loved calm walks at the beach or how seagulls were his favorite animal. how he secretly regret hurting his little brother’s feelings when he was a stupid teenager. how his life was way lonelier than the world could even imagine, making him hate the walls of his oh so empty apartment.
mostly, he would never admit he wondered what it was like to be loved — not just by anyone, though, but to be loved by you.
he’s not sure when it started. he can’t pinpoint the exact moment his heart began beating faster and his black and white world was filled with color, but he does know that, inevitably, it all comes back to you, like you’re some sort of big bang that created his whole existence. itoshi sae doesn’t think he was actually himself before he became yours.
if you ask him, he’d say it’s a bit pathetic, really. he was never a guy that cared about romance, and he definitely didn’t believe in the concept of a love that could sweep you off your feet, like the hollywood movies desperately tried to sell. perhaps one of the reasons he liked you so much was because you managed to prove him wrong, and not many people were able to do that. 
sae was usually right. but you, in his life — that was even more right than his stupid beliefs. 
“sae, i need to get up,” your voice breaks him from his stupor, and, instinctively, his hold on your waist tightens. it’s some sort of protection, he thinks. not to you, but to protect him from the pain of having you stray away. 
(he never wants to let go).
the football player twists his body to trap you even further on the mattress, burying his face on your chest and tangling his legs with yours. your giggle reverberates through his whole body and brings warmth to his cheeks. his heart flutters, and he can’t even find it in him to hate it. 
you must have put a spell on him, he concludes.
“i’m serious. i need to make breakfast,” you say again when he doesn’t answer.
“don’t wanna.”
“you don’t want breakfast?”
“nuh-uh.”
you giggle again, and this time, you seem to give in, relaxing your body and welcoming him in your embrace. sae can only sigh in satisfaction when you card your fingers through his reddish-brown locks, relishing in the peace only you seem to be able to give him.
“i wonder what people would think if they knew how clingy the all mighty itoshi sae can be,” the teasing lit in your tone doesn’t go unnoticed by him, and you earn a scoff.
“shut up,” he quips, although there’s no real bite in it. “you love me.”
and you must not be from this world, because it’s easy — the way you pick up on any slight nuance of his voice or demeanor. it’s so fucking easy for you to read him like an open book and to give the reassurance he so desperately needs; albeit unaware. 
your voice becomes impossibly soft, “i do, baby. i love you so much.”
you kiss his forehead, and after wandering around for so long, sae thinks he’s finally home. 
for a while, you two just stay there, in bed, wrapped in each other in a way you can’t know where he starts and where you end. the thought of being one with you makes him happy, but that’s just another item in his long list of things he would never admit. 
your sweet voice breaks the silence. 
“we’re gonna be in bed all day?” there’s nothing but pure curiosity in your voice. no judgment — you never judge him, despite the way he deserves it sometimes. the thought makes his chest tighten with the amount of love he has harbored just for you.
sometimes he thinks he’s too small for it, and he’s scared all this love will overflow and consume him whole. though, it’s even scarier to think he wouldn’t mind: sae is yours. you can have all that he has and all that he is. 
“just a little longer,” he whispers, a little more vulnerable than he would like. but it’s okay. it’s always okay when it’s you. “please?”
you hum in agreement, continuing to caress his hair. 
“of course. whatever the birthday boy wants.”
sae allows himself to close his eyes and bask in your warmth, on the safety that you so effortlessly gave him. by smelling your perfume, he’s filled with gratitude for all the times he wondered what it was like to be loved by you.
“happy birthday, love.”
he’s glad he doesn’t have to wonder anymore.
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© 2023 itoshiexx. do not plagarise, translate, or repost any of my work on here or other sites.
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veilkeeper · 5 months
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thoughts on the astarion-halsin polymance
i know some people dont like the halsin polymance specifically if the PC's other partner is astarion but. i want to talk about it. because i think maybe a lot of people have come to conclusions without seeing the scenes in question for themselves. so let me give a different perspective.
disclaimers: *i know a lot of people ship/hc this polymance as a triad, but for the purposes of this post i'm talking specifically about the "hinge" dynamic we see in-game thx. **also i got the halsin romance trigger before completing astarion's personal quest, so this post is talking about that perspective, and all quotes are from those conversations. ***i respect people who dont play this route. you're allowed to play this game however you want. the purpose of this post is to discuss the canon, in-game text and how it supports the astarion-halsin polymance as a viable and healthy path for these relationships, with nuance and respect to astarion's personal issues. this is not meant to convert anyone, but it is meant to clarify and provide additional context that i feel is largely missing from a lot of discussions about how the polymance is "bad", unilaterally.
let's start with halsin, because i think he's the easier perspective to tease out here, given that he really leaves nothing to the imagination. he's incredibly earnest and open, and will happily describe his perspective on non-monogamy right out the gate. as he says...
The wolf mates for life, but the bear roams free and partners as its instinct dictates. I need to stay true to my nature, and you to yours.
now, to get ahead of potential backlash here... if you haven't spent a lot of time with halsin, particularly if you've never flirted with him, that line may imply that he's a "player". he is not. given the context of the PCs interactions with him up to this point (and how he treats the relationship after, if you confirm the romance), halsin is deeply devoted, and has really strong feelings for the PC. it's really sweet, i highly recommend romancing him, either as a polymance or solo.
what he's describing here is a perspective of cultural non-monogamy. that he believes his feelings are not diminished by having multiple relationships at the same time, and he expects that if the PC agrees to a relationship with him that they will respect his freedom to pursue others when/if such feelings arise, just as he will respect the PC's freedom to continue and/or pursue other relationships as well. it's a really succinct and frankly unexpectedly respectful negotiation of the terms of a polyam relationship.
and that respect is evident from the get go. if you've never seen this conversation, it basically opens with him saying "hey, i have these feelings about you, i was wondering if you maybe felt the same," and if the PC says that they do, he immediately acknowledges the existing relationship and tells the PC that they can't move forward without consent. and you cant; speaking to halsin again just has him ask the PC if they've spoken to their other partner yet. at every turn, halsin is incredibly respectful of the PCs other partner, he never diminishes that relationship, nor does he expect the PC to ever place him above that relationship. he even says:
Indeed, I am but one of your lovers. You and I should seek happiness, wherever it lies. You are all I want, but I will not hoard you to myself.
he makes it very clear from the get-go that he has no designs on the PC's other relationship and that he is more than happy to take whatever they want to give him.
which leads me to my overarching point: astarion is consenting to this dynamic specifically because the other person in question is halsin.
and we know this for a few reasons. first, because.... mechanically in game, he's the only person you can romance at the same time as astarion. while astarion mentions at various points that he is fine with "arrangements", generally speaking, every other potential romance partner results in a "you have to choose one of us" conversation. the reason astarion gives for why the PC has to choose varies, i believe, but since i don't have the dialogue on hand (i have been faithful as hell in my playthrough) i won't speculate about those conversations.
however, we also know that astarion is consenting to an arrangement with halsin specifically because of this line:
The druid is unique. He has a lot of experience with this type of arrangement. Thus, I'm sure it would be quite a harmless affair.
which is interesting, isn't it? hold onto this one, we'll circle back to it later. and then of course, the other line we need to discuss from astarion here is the famously controversial...
It's not because… you know… we haven't… in a while?
so this is where i get into the potentially controversial take that i have, because it's more nuanced than arguments i've seen on either side of the pro-/anti- polymance debate. but basically i think that astarion is... insecure. shocker, i know. but unlike some takes i've seen, i dont think this means he can't consent to a polyam relationship, i think it means that he has certain Conditions related to it, that he has decided have been met. and i think those conditions are as follows:
the PC's interest in halsin is not borne out of any deficiency of astarion's.
this is why he asks the famous question. he's insecure, and making sure that the PC's interest in halsin is not because astarion is failing to "satisfy" them, that it's not because he isn't enough. astarion has a lot of self-worth issues that he tries really hard to hide, and i think it would be easy for him to think that the PC starting another relationship could be a result of him being... insufficient.
for people who have never been in a polyam relationship, this is a thing. this is an important thing, and making sure all of your partners feel that they're valued and "enough" is an important part of navigating these relationships. astarion does the right thing here, by expressing his insecurity and asking for reassurance. and when the PC gives it to him, the relief is evident and he gives consent to the dynamic immediately. not because he's been coerced, but because he's been reassured.
PC: Gods, I don't want you to think that for a moment. Astarion: I know I was being foolish. But thank you for saying it.
the second condition is:
that he is still a priority
this is pretty self explanatory but since it's sort of the clincher for my whole argument here, i do have to say the quiet part out loud. i dont think what astarion wants or needs is to be the PC's only partner. he talks about "arrangements" on multiple occasions, i dont think he has a problem with sharing. what i do think he wants is to be the PC's primary partner. what he's consenting to, in my view, is hierarchical polyamory, to use the proper term. as in, the PC can fool around with whoever they want, even have feelings for other people, so long as they always come back to astarion. he needs to feel like he is secure and valued above others as he values them above others. he needs to feel like the PC isn't going anywhere.
and that's why he consents to an arrangement with halsin, but no one else. because all of the other romance options, the origin companions, would want to be equal with astarion, they would want non-hierarchical polyamory. halsin, on the other hand, is all about taking what can be given and having a more fluid understanding of relationships. he doesn't care if he's #1, he cares that the PC cares about him, right now. no formal definitions or obligations required.
that's what astarion means when he says "the druid is unique." that's what he means when he says "he has a lot of experience with this type of arrangement." that's what he means when he says it will be a "harmless affair." because he knows halsin is never going to try to take the PC away from him. he knows halsin isn't going to be a threat to him and his status with his partner. and that's why he's comfortable saying yes, even though he says no to every other possible arrangement.
it's not because he was coerced. it's not because he doesn't know how to say no. it's because he feels safe. and that's what we want.
some additional notes while i'm here...
on jealousy: a lot of people hc astarion as the jealous type, as perhaps a little possessive, and i am also one of those people. it makes sense; he's a guy who hasn't had anything in 200 years, and the PC is the first person he's cared about like this. i can definitely see him being a little possessive and prone to jealousy. but stepping outside of the realm of fiction, jealous/possessive feelings are often the result of insecurity and in real relationships should absolutely not be used as a tool to control the behaviour of another partner. and, crucially, jealous/possessive feelings are a thing to be talked about and worked through, not tip-toed around. the presence of those feelings does not automatically mean that a polyamorous relationship is impossible, it just means there's another thing to talk about, and by astarion consenting to the PC having another relationship, he's pretty clearly saying he's willing to talk through those feelings and work on them.
on the ability to consent: i know that astarion doesn't talk about his feelings enough. but i truly dont think that this is a case of astarion saying yes when he means no. astarion can say no, even in high pressure situations he wasn't expecting. he says no to the astral-touched tadpole (rather firmly, i might add), he says no to sleeping with the drow twins, etc. the scene that most people use as proof that astarion cannot consent happens in a much different emotional context, with a lot of direct coercion, and is followed by astarion taking back personal control and dumping the PC. that is not what happens in this scene, when astarion is consenting to a polyamorous relationship. there is no coercion (in fact the PC can explicitly say "i wouldn't even consider it if it bothered you", and astarion expected the conversation, so he would have been able to prepare his thoughts and feelings ahead of time. at no point does he say no or even imply he's not okay with an arrangement with halsin.
on timing: ive seen some people say that they would be more okay with the astarion-halsin polymance if all of this was not be happening right now. i agree with that. ideally, astarion would have more time to adjust to his relationship before it was opened up at all. but because this is a video game, everything is happening during the events of the game. and because this is a video game, the events of the game are high pressure and wild and everything is happening all at once. i don't blame people who elongate the timeline in fan content, or who turn down halsin because they think its "too soon." thats actually very explicitly something halsin says when he initially propositions the player - that he hopes it isn't "too soon." however, astarion still consents (see point above), and relationships barely ever have good timing. one could argue that even the solomance with astarion does not have good timing, when considering astarion's trauma and recovery. so. we make do. and i think it would be... a disservice? to what is (in my opinion) really good polyam writing to just say "actually it's all terrible and icky because there's a lot going on right now" and dismiss it out of hand.
.......................and i think that's everything. thank you for joining me on this very long (oops) deep dive into this. a double thank you for reading all the way through if you don't like the astarion-halsin polymance. i hope i gave you a different perspective, even if i didn't change your mind. love ya <3
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wilcze-kudly · 7 months
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The Gaang being 'bad parents' didn't ruin their characters.
I've seen this argument tossed around a couple times and it's honestly one of my least favourite criticisms of lok.
Katara (and Sokka but we have no confirmed kids for him, which seems unrealistic with how much game he had) lost their mother as children and their father was forced to abandon them when they were barely starting their teens. They were raised by their grandmother with little to no peers of their own age.
Aang did not know his parents and a huge chunk of his childhood was him being groomed into taking up the mantle of the avatar and mastering airbending. He also was isolated from other kids his age. His closest parental figure was Gyatso who was more of a teacher than a father. Also the Air Nomads were literally wiped out so that adds to the trauma pile.
I really don't think i have to talk about Zuko's family life here, but at least he had relatively positive parental figures in the form of Ursa (though i do have a burning personal dislike of ursa) and Iroh. Despite this his struggle around the subject of his family and his trauma relating to his upbringing was a focal point of his character arc.
Toph was raised in isolation by her asshole abelist parents who did not listen to her, sent people to capture and bring her back and then disowned her. (If my cursory understanding of 'the rift' is correct, I need to actually read it because i am unreasonably obsessed with the Beifong family.)
Where, pray tell, were they supposed to learn proper parenting skills? On their brief stint as child soldiers? While fighting a war as literal children?
There is the argument that they must've matured later in their lives, of course. But you can only recover so much from copious amounts of childhood trauma.
Being a bad parent doesn't necessarily make you a bad person. Sure it makes you a failure in an incredibly delicate and important aspect of human life but it doesn't make you a bad person. And saying that it does takes a lot of nuance out of the conversation.
Like, do you know how easy it is to fuck up a child?
Especially that the ways the members of the Gaang 'fucked up' as parents feel mostly in character.
Bumi was going to face some struggles with self worth due to being the firstborn child of the Avatar and arguably one of the most powerful waterbenders in history, while being a nonbender himself. That much was unavoidable, no matter how his parents approached the issue.
And Aang was obviously going to be over the moon when Tenzin was born. Think about it. He's literally the last of his people. He has no one else 'like him'. No one else to pass down the traditions, the teachings that Gyatso and everyone else he cared about and who were horrifically murdered to. Aang is getting older and he feels like his culture and history and his entire life before he got trapped in that damned iceberg will die along with him. And then Tenzin is born and Tenzin can take up the mantle that had been thrust upon Aang.
I'm going to withhold my judgement on Izumi and Zuko, since we barely know anything about them. She seems well adjusted but that's all i can say right now. But Zuko has also been shown to be extremely, painfully aware of how fucked up his family is and has clearly been putting in a lot of work to unscrew what his ancestors have screwed up.
Toph situation feels very tragic to me,because it's obvious that she thought she thought she was doing better than her parents. She gave her daughters the freedom to do what they want, to not feel opressed and trapped like she had. How was she supposed to know that she was making her girls feel like she didn't love them? (Here's another post of mine about the Beifong family and how they just feel like they're cursed or something at this point.)
TLDR; I get annoyed by people saying that the Gaang being 'bad parents' ruined their characters, because to me it felt like it actually enhanced them.
Neither Aang nor Toph acted out of malice or a lack of love. On the contrary, Toph was trying not to repeat her parents mistakes, accidentally committing a bunch of her own. While Aang probably didn't even realise that he was neglecting Kya and Bumi.
But just loving your children doesn't always make you a good parent.
I think these flaws only add to them as characters. It makes them feel more real.
It's unrealistic and, frankly, just plain boring to go 'oh the Gaang were all good people so they would be good parents too.'
The Gaang were a gaggle of traumatised children forced into saving the world, because the adults around them failed them, that then grew into traumatised adults who have no idea how to be good parents.
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fairuzfan · 1 month
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I don’t ask this expecting you have THE answer or that there is one, but I follow a non Palestinian white man on insta (in addition to many Palestinian folks in diaspora and in Palestine) who mostly shares things from Palestinian ppl/sources.
He has several times criticized / shared criticism of charity dinners, music festivals etc raising funds for Gaza with the perspective of, it’s not appropriate to have a dance party or dinner while people are undergoing genocide, but also that in this moment, art isn’t resistance because there needs to be physical resistance, blockades of weapons, etc.
I’ve seen this echoed from some others especially critiquing white folks trying to claim “joy is resistance” right now, which makes sense to me, but i also wonder if it’s reductive to say art or music is not resistance because I feel like it can have a lot of power especially alongside social movements… was wondering if you had thoughts on this or perhaps knew where I could look to learn more.
Please ignore if this is too much, and thank you
I think things like writing and illustration and music feeds into the spirit of revolution and is necessary in that way. You have to energize the masses somehow, and to ensure that your message spreads as far as possible. A good way is to make art, or to sing a song, or write a story.
That's why Wisam Rafeedi wrote his book and different resistance factions make posters and videos — to spread their ideas and garner support among the masses.
It's not as important as putting yourself in immediate physical danger to incapacitate the colonial entity — but I think for Palestinians and other colonized peoples, they do need to make art to really process their thoughts. Of course there's a difference when a Palestinian in Palestine, a Palestinian in the diaspora, a nonPalestinian ally of color, and a NonPalestinian white ally do this. I won't deny that there's a nuance when it comes to this.
But writers who write about Palestinian Liberation historically have been assassinated because of how they participate in liberation actions and also spread ideas of liberation themselves. I don't know which white guy you're talking about but I feel like this is mostly a conversation that should be led by Palestinians if we're talking about Palestine because they understand the nuance of saying statements like "the only resistance is physical." I understand what he's saying to an extent but that does erase a lot of Palestinian resistance the past few decades by making sweeping statements like "art is not resistance" and kind of simplifies the issue at hand.
Charity dinners and galas and that stuff... I don't know what I think about them, I think that people are going to do it either way so my opinion doesn't really matter. Hey, if you're going to raise thousands of dollars for Palestine, I'm not going to stop you at all. I personally think you should try to avoid posting pictures and stuff like that from the gala itself if you're going to host one just out of courtesy.
I guess overall what I'm trying to say, art resistance becomes physical a lot of the time. I think its really reductive to say "art isn't resistance" and also personally insulting considering I have family members and friends who were journalists, creative writers, and artists and killed/targeted for their work.
Here's this article by Fargo Tbahkhi about the role of writing during a genocide that might be a good read. They also mention how Israeli propaganda (calling Palestinians "human animals"/"Amalek" as an example) is specifically a use of culture and writing to energize people to commit genocide. An especially poignant part that I completely agree with, and am trying to get at:
Palestine requires that we abandon this catharsis. Nobody should get out of our work feeling purged, clean. Nobody should live happily during the war. Our readers can feel that way when liberation is the precondition for our work, and not the dream. When it is the place we stand, and not the place we shake ourselves towards. In this way, what the long middle of revolution requires, what Palestine requires, is an approach to writing whose primary purpose is to gather others up with us, to generate within them an energy which their bodies cannot translate into anything but revolutionary movement. This is what Boal modeled for us in his theatrical experiments, which were dedicated to empowering audiences to act, to participate in a creative struggle to envision and embody alternatives. For Boal, theater was not revolution, but it was a rehearsal for the revolution, meant to gather communities together in that rehearsal. Creative work readies us for material work, by offering a space to try out strategies, think through contradictions, remind us of our own agency.  
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dwyntwo · 8 days
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Okay, so... as a collective fandom, we can agree that bullying Kaz is fun, yeah? There's just something about seeing the guy down at his lowest and then prodding him with a stick and going "Come on, do something."
But I'm going to stand in his corner for a bit in this post.
Something that never really sat right with me is the collective implication that Kaz isn't good enough for Inej (and never will be).
I'm totally with you: he didn't deserve Inej in the first book and maybe not even yet in the second because he didn't give her anything to work with. He didn't even visit her after she was stabbed, or show her how relieved he was when she recovered. And this is just the thing: he didn't deserve her because of his BEHAVIOUR, not because he's inherently less important or less valuable or less of a person than her.
However I've read so many post-CK fanfictions where Kaz has been working on himself, is openly communicating with her, basically kisses the ground she walks on, treats her as his equal and goes above and beyond to make her as comfortable as possible, and still everyone INCLUDING Inej (and Kaz) goes "I/she deserve/s so much better than me/him". And THAT implicates that the reason Kaz wasn't good enough for her was not his behaviour towards her, but the fact that he as a whole human being is just "not enough" and "less valuable" than her, and that viewpoint has always made me super uncomfortable, especially considering his trauma.
Now I know what you're going to say, and I absolutely agree: trauma never excuses abhorrent behaviour. But there's just something icky to me about looking at a traumatized person who has not only been making an EXTREME effort to overcome their issues, but also shown amazing results, and going "They don't deserve X", "They're less than X" etc. just because they haven't fully healed yet or might never fully heal. It gives "Traumatized people are damaged goods"-vibes, which is especially weird considering my next point: INEJ IS TRAUMATIZED TOO AND HER TRAUMA GETS IN THE WAY OF A GOOD AND LOVING RELATIONSHIP JUST AS MUCH AS HIS.
She literally admits to herself that she wears as much armor as Kaz does and was being kind of hypocritical when she told him to remove his. Inej is a flawed character (which somehow seems to be a controversial take in the fandom), and to put her on a pedestal because of how virtuous and "better" she is than Kaz takes all the nuance out of her. There are definitely some parts in the books where I felt like she was in the wrong or toeing the line, but the others never really call out her behaviour the way they do with Kaz, not even in their internal monologue, so we're left with this image of an Inej who can do no wrong and a Kaz who simply got lucky.
The fact that in aforementioned fanfictions (that I still absolutely adore btw) Inej too thinks he isn't good enough for her despite everything he does for her and for himself, and despite how far he's come also turns her acknowledgment of her own self worth into something ugly and vain in my eyes. She loves herself, but she also loves Kaz, so I don't think she, or any good partner, would look at her boyfriend who clearly already thinks very little of himself and go "Yep, this fucker isn't good enough".
So often people will look at a healthy happy couple and go "He/she could do so much better than her/him". Like that's a whole person you're putting in a competition of "Who's more worthy?" as if they were some object that is of better or worse quality.
I don't think I articulated this too well and there's a lot more to be said about this, but I hope you understand the gist of it. Post CK-Kaz who works on himself and openly communicates ABSOLUTELY deserves Inej, and I will ROT on this hill.
Now I've been nice to him for long enough I think *whacks him with a crow bar*
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weebsinstash · 3 months
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Hello! I don’t know if you do this but I was wondering what your thoughts were for a Yandere Lucifer Morningstar from Hazbin Hotel? I’m having trouble writing a good representation of him and would like some advice.
Honestly I'm gonna humble myself and say that it took reading someone else's post to make me like, REALLY notice the nuances of Lucifer's character
This post right here literally made me rewatch his scenes and go "oh wow he IS like DANGEROUSLY DEPRESSED"
He doesn't remember Charlie told him where she is, or what she's doing, and he can barely follow a conversation despite clearly trying to pay attention. He also just seems kind of scattered, and um, HE LITERALLY MAKES A JOKE ABOUT DYING FROM FALLING OFF THE HOTEL BALCONY like dude is making jokes about death in front of his fucking daughter, like my dudes, I think this guy is BARELY holding himself together
He clearly loves loves LOVES Charlie but he doesn't really know how to properly articulate himself and I have a feeling there's a lot he's concealing from her, and another big question is, is his depression from being cast out of Heaven, or from something to do with his missing wife, or a combination of both? Either way this man is clearly dealing with like, really bad issues. And Charlie also mentioned he wasn't around a whole lot when she was younger, so... did he have depression back then too?
So, that all said, I feel like a yandere Lucifer would almost be, potentially invigorated by his darling? Given a new lease on life? He may not be 100% his old self again but, you get him to like, 65, maybe 70% on a good day. You give him another reason to get out of bed in the morning, or afternoon, or evening or, whenever he can drag his depressed ass out of bed
Given what we currently know, I feel like a romantic yandere Lucifer would pretend to only be platonic and do his best to poorly conceal his feelings because of his whole... "can't ask his missing wife if it's ok for you to be their third" ordeal, the man still wears his wedding ring, and a platonic yandere Lucifer basically adopts you like another kid, because uh, I mean for one he apparently canonically missed a lot of Charlie's childhood, and he's also an ancient fallen angel, so he's got that age advantage on you no matter how old you are. I mean what are a few decades when he's literally thousands upon thousands upon thousands--you get the idea
Yandere Lucifer would want to stay close to you, helping watch over you, maaaaaybe being overly paranoid about you randomly disappearing and going missing For Very Obvious Reasons, and in the process he winds up being unintentionally overbearing. I mean, he did it in irritation, but he basically showed up at Charlie's hotel immediately saying it was a dump and all of HER FRIENDS were 'a bunch of losers'. He never completely pulls his punches when there's something he's displeased with, even if it has something to do with someone he loves, so his darling would get much of the same treatment. "Ohhhhh, you uh, you wanted to move across the city? That's, um, definitely a fun idea! BuuuuuUuuut, what IF, instead of doing that--", like, he tries to playfully tug you in 'the right direction' until you make him put his foot down
Hmmm... what would him losing his cool look like... well, we've already seen that he doesn't mind throwing hands and WILL KILL, but will stop if he's asked to or there's a good reason. With you, though, you're not typically going to be there to stop him from offing any rivals or bad influences, so I imagine he'd be kinda casual about it, actually! He already thinks pretty lowly of Sinners, so say he finds out you've been ditching him and Charlie to go out drinking with strangers, making new friends, maybe having a few one night stands? Yeah, some of those people definitely aren't calling you back, and Lucifer doesn't really see a problem with it. These people are kind of the worst and really don't deserve you, anyways! If anything he's helping clean up Hell for you and his daughter and keeping you safe :)
Losing his cool with YOU... I think would involve him using his powers to finally confine you, maybe even going demon mode to intimidate you into submission in a very dad-esque "now you listen HERE" kind of way. We don't really know the scope and scale of his powers but I can picture him at least being, obviously much stronger than he looks, and transforming to fly you "back home" where he puts you in your room where no one can reach you without his explicit permission (and you also can't leave~)
One second you're just drunk and jokingly defying him, teasing him, maybe even picking him up and swinging him around because you're bigger than him, to you he's just a silly little guy! Meanwhile this Grown Ass Man Who Is Also The Actual Devil is getting more than just a little frustrated you basically view him as a wacky little cartoon more than a grown man, one who has had sex and has had two wives and sired a child. You're just teasing him and stumbling around drunk when he's trying to get you to your hotel room to get to bed to sleep, like you're clearly not taking him seriously, maybe even playfully putting your hands on him (TOTALLY not riling him up in 'fun' ways) and he finally just huffs and snaps his fingers and, you're suddenly magic'd to bed! You're laying there blinking confused and he's tucking you in and chuckling that "you're such a handful!" before leaving you to sleep and somehow INSTANTLY knowing when you're up.
You ARE in his house, after all...
Not to be gross but uh..... I'm not saying "yandere Lucifer who has the power to still get a Sinner pregnant if he wanted to and you wind up fooling around with him and you're waking up with his little apple symbol on your lower tummy as one of those like hentai womb tattoos to show you're pregnant" but uhhhhhhhhhhyeah that's what I'm saying, and whether it was accidentally or intentionally, he's keeping it, and thus, keeping YOU
I just feel like he'd be very goofy and awkward and bad at hiding his feelings and being very clearly overprotective and jealous in ways everyone else but you manages to pick up on (god Alastor would have some MATERIAL) and, in a romantic/sexual setting he eventually just loses his patience with you not seeing him as a man and just gets... progressively more forward. You pop back into the Hotel after a night out and Lucifer's already hammered at the bar with Husk, stumbling up to you, hanging off of you, slurring and embarrassing himself, "You'reeeee SO pretty... like SO pretty.... do you wanna have *BELCH* you wanna fuck? Cause I LOVE to fuck, like when I FUCKED my wife to make my DAUGHTER, my wife and daughter that I have, 'cuz im a DAD, 'cuz I'm a MAN!" and you're just giggling and ruffling his hair, "You're so weird, dude ^^" and walking away while Lucifer internally screams, wondering just how DIRECT with you he's going to have to be
meanwhile Charlie is totally cool with all of this and sees this as a weird double whammy of Curing Dad's Depression + new family member and friend hurray! and she's totally actively either shipping you with her dad or aiding and abetting him in his weird attempts to absorb you into the Morningstar family
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Translations may not always capture the exact nuances or tone of the original text. Expect grammatical errors and inaccuracies.
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Case 1: How to Soothe Gilbert When He is Upset
Gilbert: "Is that all everyone wants to say?"
All the important officials in Obsidian were gathered in a large conference room.
At the gathering where military personnel of all ages and genders were present, Gilbert, seated in the upper section of the room, was clearly seething with anger.
(I'm not surprised.)
The reports and agendas they were discussing were all filled with an unbearable stench of corruption.
It wasn't because the officials were lazy or incompetent; it was because of the corrupt practices deeply embedded within Obsidian.
(Every time I see Gilbert fighting alone like this, it feels like my heart is being crushed.)
Gilbert: "I'm getting nothing but half-baked progress reports. What do you expect me to do with this?"
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Gilbert: "Your job is to complete the tasks assigned to you. If you can't even do that, then you're neglecting your duties."
Male officer: "With all due respect, Prince Gilbert, the issues we're dealing with are一"
Gilbert: "If they don't change their attitude, then it's better to introduce a new system. You just need to create a draft proposal for that, yeah?"
Male officer: "You're right, sir."
Gilbert: "Why do you impose restrictions on yourselves, calling things impossible and reckless?"
Gilbert: "There is not just one way to achieve a goal."
Gilbert: "If I believe I can accomplish something, then I surely can. You people just lack the capacity."
Gilbert: "Those filthy trash are probably laughing while you all remain at a standstill like this." **
Gilbert: "You know what will happen the next time you give me a report like this, right?"
He got up from his seat with a smirk, and all the soldiers stood up in unison, saluting him.
The tension was so intimidating and overwhelming that I almost forgot to breathe.
Gilbert: "Well then, let's adjourn. Good work, everyone."
He swiftly walked away.
As one of the attendees, I bowed to the military officers and quickly followed after Gilbert.
Emma: "Gil."
Gilbert: "What is it?"
When I called him, he stopped and turned around to face me.
Despite the tense atmosphere, his smile, which contained all the pent-up tension and hostility, was as refreshing as ever.
(But he still seems tense.)
He probably wasn't aware of it, but his eyes weren't fully smiling.
(I think he's planning to inspect the military exercises next.)
(If he goes in this state, everyone will undoubtedly feel uncomfortable.)
(Now that this happens...)
Emma: "Watch this."
I took a coin from the pocket of the dress he had prepared for me.
Emma: "Right now, the coin is in my left hand."
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Gilbert: "I can see that."
I tightly gripped my hand, hiding the coin.
Emma: "Which hand do you think the coin is in now?"
Gilbert: "You want me to say it's on your left, right? But unfortunately..."
He gently grasped my hand and rolled up my sleeve.
Emma: "Hey, that's unfair!"
Gilbert: "You're just inexperienced."
Despite discreetly hiding the coin in my sleeve, Gilbert saw through it instantly.
(Performing magic tricks is really difficult.)
(Or maybe it's because he's my opponent?)
He took the coin from me and flicked it into the air, catching it in his hand.
Gilbert: "Where do you think the coin is now?"
Emma: "I'm pretty sure it's neither in your right nor left hand."
Ignoring his clenched fist, I searched through his sleeves but found nothing.
I tapped various parts of his uniform that seemed like they could hide something, but there was nothing.
(Huh?)
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Gilbert: "The answer is..."
He opened his hand, and I saw the coin sitting on his palms.
(I fell for it.)
Gilbert: "Haha, you're too easy."
Emma: "You usually do something crazy."
Gilbert: "Are you disappointed?"
Emma: "A little."
Gilbert: "You're so honest."
He clenched the coin in his hand once again.
Then, when he opened it, there was nothing there.
Emma: "Huh!?"
Gilbert: "Little bunny."
He pointed to the pocket of my dress with his finger.
With trembling hands, I reached inside and felt something hard.
Emma: "Wow!"
I pulled the coin out of my pocket and gasped.
(I don't understand what's going on, but he's really something.)
Gilbert: "You always react like a child."
Emma: "I can't help it. It's just amazing!"
He chuckled, his eyes reflecting that sentiment.
(I'm glad. Even though the magic trick failed, it seems like he calmed down.)
Gilbert: "But was it really that obvious?"
He seemed to have understood the meaning behind my actions.
Emma: "Yeah."
Gilbert: "Fufu, I'm hopeless, aren't I?"
Emma: "Isn't that why I'm here?"
Emma: "So that you can have some peace of mind?"
As the number of times we attended official functions increased, this feeling only grew stronger.
Gilbert: "You're so efficient."
Emma: "!"
Suddenly, he leaned in and pressed his cold lips against my cheek.
His red eyes reflected my profile with affection.
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Gilbert: "I'm counting on you."
Emma: "Leave it to me!"
(Lately, I've been thinking that maybe I'm the only one who can make him happy.)
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Masterlist ╎ Next Part
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vacationship · 5 months
Text
Claire got fake numbered and she’s brutal af
I'm sorry, someone anyone tell me this scene is not BRUTAL just on the page. To anyone that says Claire is just being playful or assertive or not limited by gender rules (Molly Gordon included though generally I like her take on things) ... I want to say just read the scene without the pretty girl to look at and see what's right here. She is alternately coy and aggressive because she's probably a mean girl, and she can't stand that he fake numbered her and she won't let him get away with it because she's entitled to his attention and help? It's not cute. She acts like she really wants his consent to have his number in the middle somewhere but honestly that is like perfunctory and performative at that point. And she goes right back to tease-bullying him.
I hold my breath and wince the whole way through this scene, every time. It is blow after blow, under the guise of being what? Empowered and direct? Or she just doesn't know the impact she's having? Has her teenage brain taken over? Because she doesn't really know Carmy, or care what being Carmy is actually like for Carmy. Maybe some other asshole would handle her BS differently. No but it's sooooooo uncomfortable for Carmy and for ME. WHAT IS THIS?!
I know there have been many very nuanced reads on this scene, but honestly it's so uncomfortable for me that I can't even think, it's just stuns me how actually brutal this scene is. Like did she treat him this way in High School? Anyway I fucking typed it out…
Hello
Did you really give me a fake number?
Claire?
Should my feelings be hurt? I think they're hurt.
No. No, no, no. Sorry, no. That must have, uh, been a mistake.
You know I know your entire family and all the Faks, right?
You know all the Faks?
Yeah, I know all the fuckin' Faks. And they're gonna beat you up.
There are, um, there are a lot of Faks. Yeah.
Why, just walk me through, giving me a fake number. Why?
No, no. 'Cause I, um I didn't mean, I didn't mean for that to happen.
I'm-I'm-I'm sorry. It was a mistake, okay?
Thank you. I really appreciate that. Well, I was originally calling before I found out I got fake numbered and had to ask Neil for your real number to ask if you were busy today. So now I have two questions.
Shoot, yeah.
Okay. One, is it okay that I have your number, or did you really not want me to have your number?
No, no, no, not. It's a-- I want you, I want you to have my number.
Okay, say that one more time.
I want you to have my number.
Okay. Cool. Are you busy today?
Um. So, I'm, I um.
Okay, can you just not make this weird? Like, I just need a favor. My cousin bailed on me.
....
Do you still have that van?
Yes. No, we do. We still have that van. Um, I am... in.
Really?
Yeah. Yeah, really.
Okay, I'll text you the address.
No, no, I know where it is.
Are you sure? 'Cause I'm worried about your number issue.
I know where it is.
You know what? I'll give my address to Fak. And then he can give it to you. Does that sound good? And then punch you in the face. Does that sound good?
No, no, I don't need Fak.
You know, he, um, he told me that you guys are really close and that he's your best friend.
Fak said that?
Mh-hmm.
No, no, no. Fak's not my best friend.
Really?
No, no, he is. He's probably my best friend.
That's interesting. To sit with. For you. Um, okay. I, uh, I will see you soon then?
Yeah, I'll see you soon.
Okay.
Okay.
Okay, bye.
Bye. (hangs up)
Fuck.
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foundfamilywhump · 6 months
Text
serious word of warning about a server that's been making the rounds
i've debated about making this post a lot, for a lot of reasons. i'm concerned about making it as a trans person and as a relatively new blog, though i've been involved in the whump community for years. i hope you'll hear me out and i'm not looking forward to whatever backlash may come my way, should anyone actually pay attention to this at all.
the short version is: the whump discord server 'whump lovers collaborate' (@/whumplovers-collaborate) is unsafe and hostile to trans people and the server owner will not take action to shut down transphobia, nor will she allow her mod team to do so. i am certain this would apply to other bigotries as well. i know this because i am trans, and when i called out some disgustingly transphobic commentary being made by a member of the server i was blamed for causing drama, essentially, and there was a rule added to the server not to talk about 'controversial topics' or get into arguments, and that was all that was done.
the much longer version is under the cut. i just can't sit on this anymore after seeing that the server got advertised in the whumptober server (to no fault of the whumptober mods who didn't know about any of this, they're fine) and also seeing hundreds of notes on posts broadcasting it. this server is unsafe for trans people and the server owner is actively enabling bigots. given the whump community has a bit of a transphobia problem in some places, i wanted to make sure no trans person or ally was unwittingly walking into that without warning. i'd appreciate it if you would spread the word as well, to keep trans community members and allies safe.
so, here's what happened:
i was in the whump lovers collaborate server for a while earlier this year. in february, a member of the server started spouting off some extremely transphobic rhetoric, including talking about inherent biological differences between men and women, that women are inherently and unchangeably weaker than men, that men have a 'biological instinct' to protect women, and other things. (there was also some bizarre commentary about how abuse or assault committed against men was inherently less upsetting, and often funny to witness because of this).
seeing this and being unwilling, as both a trans person and someone who believes it is important to not let bigotry go unchallenged, i stepped in and called out these statements for being both factually untrue and steeped in both misogyny and transphobia. this person and i went around and around in circles as he asked 'genuine questions' which were just thinly veiled excuses to continue needling me on the subject. eventually, i shut it down by saying that this was not the appropriate venue for a transphobic cis person to get educated about the nuance of the trans experience and trans issues, but what he was saying was transphobic and he needed to stop now that he'd been told that.
throughout this interaction, mods were emoji-reacting and responding to other things. at no point did any mod step in to help me or shut down the transphobia or at all intervene in what was happening. after i shut things down for good, one of the mods said 'thanks for keeping everything respectful' which was a truly laughable thing to have said in that situation.
after this, the server owner made an announcement that said, among a few other things about Not Fighting: "Friendly reminder that we are all here because of what we have in common, our love of writing We are not here to debate controversial issues Or say harmful opinions If you cannot hold a conversation without being civil and without escalating conflict, back away from the channel, and cool down All involved in a conflict are responsible for turning a chill space sour No matter how right you think you are (I’m not saying no mention of controversial things is allowed per se, I’m saying be civil, if that means avoiding controversial topics, avoid away)"
this is not an appropriate response to one person espousing blatant transphobia (among other disgusting views) and being called on it. a rule was added that if a mod or the server owner asked you to change the subject from a topic, you had to do so immediately and there should be no more discussion of it 'by any of the participants'. no rule was present to begin with making clear that bigotry was not tolerated, nor was one added.
subsequently, the server owner made it clear she had no interest in protecting marginalized community members, and that she blamed me for what happened because i refused to allow rampant transphobia to proceed unchecked.
when either asked by other server members about what happened or when asking server members who left why they left (which is a weird thing to do on its own) the server owner responded by essentially throwing a fit and asking what she was supposed to do? kick the transphobe out? she whined about how the person saying something should be done about the transphobe was assuming that she hadn't already done anything.
(she also said that she hadn't done anything. the person was not warned, muted, banned, there were no consequences. but she whined about the assumption that she hadn't done anything about it.)
she also said that it wasn't just the transphobe's fault. "[transphobe] was not the only one at fault there in that others contributed to the conflict by engaging them, drawing out more of their unpleasant opinions. If I punished [problem person] alone, the others might think that they were in the right" that is a direct quote from the server owner. i was clearly the person she was speaking about, and she refused to enforce consequences on the transphobe because that might lead to me thinking that it was okay to call out transphobia and protect myself and other trans people in that space.
when i spoke to a few of the other mods about what happened, the response was disappointing, to put it mildly. the mod team had apparently tried to argue with her and get her to enforce a no bigotry policy but she was afraid of causing arguments and didn't want to deal with conflict, and so refused to do so. this is not acceptable behaviour for someone who is in charge of such a large space. you cannot be this conflict-averse and also run a server of hundreds of people, especially if the outcome is protecting bigots.
the mods i spoke to also got defensive and upset when i pointed out that by not expressing disagreement with the owner's actions and by throwing up their hands and saying 'oh well, nothing we can do!' they were also tacitly endorsing transphobia and a community that protects transphobes at the expense of trans people. they were unwilling to do anything in the moment, and failed to do anything after the fact either.
i have screenshots and proof of all of these events, but i didn't add them here bc i didn't want to make this even longer. please feel free to contact me directly if you would like any further information or to see proof of what i have mentioned here.
in short:
please do not join this server. you will not be protected there, as the server owner cares more about making it as big and as popular as possible than she does about keeping her server bigot-free. please do not promote this server or allow this server to be promoted in your own spaces either. please do your part to keep trans people in the whump community safe.
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Do you think there's a more complex and nuanced outcome as a result of Katara marrying Zuko rather than it just being Katara becoming a fire lady? Especially since, technically, she's the daughter of a chief and that considers her to be a tribal princess like Yue.
That is a good question. I suppose I don't think there's a situation where Katara marries Zuko and doesn't become fire lady. Since the definition of the word is, and correct me if I'm wrong, the Fire Lord's wife. But if you mean whether she'll live in a palace, I believe that she will.
According to this article she also lived Far From Home (lol) with A\ang, and in their family picture none of them wear clothes for the SWT's cold weather. Which does make sense with how fine she was with leaving to find Aang and how she spent the entire series away from home and the show rarely treated it as an issue to be dealt with. Additionally, now that the war is over she can pay regular visits to her home.
But that doesn't mean that the chief's daughter becoming fire lady isn't complex and nuanced. First thihgs first, I want to go through what being the fire lady & daughter of the chief would mean.
The fire lady doesn't seem to have duties, since we never see Ursa do anything for the Fire Nation. But it at least has to grant you respect and THE connection to the Fire Lord. Katara isn't Ursa, and is passionate & active in nature. The role comes with a certain power that can assist with one's political pursuits greatly.
As for her being a tribal princess, as opposed to the Fire Lady, Yue explicitly that she has duties.
Yue: You don't understand. I have duties to my father, to my tribe.
But Yue was probably the heir to the throne. She had no siblings as far as we know, and she says "my tribe". I don't know whether the north would accept a female chief, given how sexist it was. But some evidence there is to support that she was the heir is this line from her fiance:
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"Perks". If she was going to marry him for him to become the chief despite having no other connections to the bloodline, he wouldn't casually call becoming a chief a "perk". Furthermore, when Sokka tries to hit on her, he remarks of their simularities as they're both a prince and a princess. And Sokka is ann heir, he's the future chief.
It's likely that they were arranged for other political reasons and Yue was going to become queen. Whether she was going to be respected/accepted is up in the air.
But we do know of another heirs that might help us get a fuller picture: Eska and Desna. They had a duty to their father as a prince and a princess. It was their wish to help their father whom they believed was a great man. Which isn't typical for an heir. This is why we can look at their case to see what Katara's life as the daughter of the chief would look like. In their case, they helpped the NWT in whatever they thought was right. And it's likely that so would Katara.
What does that leave us with? A role that grants her political power in the Fire Nation with no duties, and a person with a duty to the Southern Water Tribe.
The Positive
To me this paints a clear picture: Katara would use said political power to push the Fire Nation to rehabilitate the Southern Water Tribe from their atrocities.
I'm not the first person to show these before vs. After pics, but it's very important to remember the sheer extent of the Fire Nation's harm to Katata's home.
Before:
After:
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And until the show ended, Katara was still the last waterbender of the south. Don't get me wrong, it IS Zuko's job to rehabilitate the SWT. But she'd want this.
Katara always want to help those around her by any means necessery. If it's getting captured in a Fire Nation prison or blowing up a factory, she will find the power to help others. So the power to fix the wrongs inflicted on her own culture and home being given to her, just for loving who she wants to love, is incredibly rewarding and narrativly satisfying.
The Negatives
1. All of what I've just described is good in theory, but in practice she's likely to face immense backlash. The people of the Fire Nation have been indoctrinated into believing the war was good and were fed Fire Nation propaganda since their school days (The Headband) and continued well into adulthood (Ember Island Players).
Suddenly the new fire lord comes along and decides that the war they've been fighting fir a 100 years is bad actually. And NOW he's dating a waterbender and the daughter of the chief, no less. + Suddenly the girl is starting to have demands. She'll be one of the most cobtroversial figures of that era, and that's no easy task.
2. It opens the door for one bad situation that no one could be blamed for. What if Zuko's heir would be a waterbender? That cannot be. Will the role of the heir go to whoever's a firebender/none bender regardless of order? What would it make their kids feel? Will Zuko be okay with how it'd make his kids feel? It raises so many questions, so many complexities and there seem to be no winners.
But looking at these negatives from a perspective of literary merit, as A:TLA is a fictional work, are these really negatives? I'd say no. There is no real suffering at stake here, only captivating conflicts to be explored. In real life, these nasty situations have to be dealt with. They're raw, they're complicated, and in literature, that's good. Conflicts are the oxygen of a story. Especially ones with no easy answers.
In conclusion, Katara marrying Zuko would make her the fire lady. This would lead to complex and nuanced situations, both good and bad, making for excellent conflicts/character progressions.
I don't know if this is the answer you wanted, but these are my thoughts. Thank you for the ask and have a nice day! 💕
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bunabi · 5 months
Note
oh my god no, your point about zevran--first of all i ate it up, second i think you're right. my 1st playthrough of origins i ran as a male tabris that romanced zev and i need to do another playthrough because the vibes i always got about zevran that i could never quite put to words was that contrary to the common(?) fandom perception of zevran just being a very pretty and gentlemanly piece of meat, zev always struck me as much more nuanced and subtle LI than some of the other romance options who were more blatant in their feelings and thoughts and--yeah the big tell to me that something was off with Zev was also whenever he stopped speaking in a grandiose, expressive, or easygoing manner. You don't have to prompt him that much or be invasive after he's already decided to tell you something about himself; he'll talk for a while and he's descriptive. Even when other companions are being rather rude to him, Zev can do the verbal equivalent of a cartwheel easily and often. But he gets reticent with you after he's given you his earring and he's having a crisis about being in love with you and wanting to be your partner. And every time he caught wind of another companion liking you, he's gentlemanly but also quite straightforward and short when he says he'll get out of that companion's way if you want him to (but he doesn't want you to want that, he wants to be kept); aaaaand ... yeah, then he does what you pointed out with oghren. thinking of how Zev responds to you giving him those dalish gloves and what he says about his mom there (and in general how he behaves while you're in the forest doing the dalish questline) my best guess is that he's ... on paper he says he has no attachment to the dalish because he doesn't really think of himself as being one of them, but also he can't help but be sentimental and want some kind of attachment to something longer-lived and meaningful, like the dalish clans and their heritage/history? i can't remember what exactly Zev's thoughts were on alienages (though I imagine that would be a clue here) but my sense of Zev was always that for a dude who often seemed to believe himself a detached outsider, Zev also still identifies with his elf heritage & cares about elf issues--it's just that, you know, as a formality Zev still needs to take it from the top when prompted and explain how he's an amoral miscreant and murderer, that he's owned by the Crows and lacks individuality, you see he's technically neutral about everything because he's committed so many crimes dohow can he judge? Or something like that. I remember similar convos like what you're describing coming up between Zev and ... whatever the rock person's name was. Slate? Slade? Granite? Rock? SHALE. Yes, Shale. Because Shale always has odd questions. I'm sure Sten probably also has contributed to the mystery of Zev in some way but I can't recall off the top of my head lol.
Think you meant to send this to @zevsurana! I'm not the OP of that post! 😅
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aro-comics · 2 years
Text
Maybe More People Are Arospec (Part 3)
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Maybe More People Are Arospec, 3/3 - The Alloaro Edition, in which we cover some alloaro specific (negative) tropes that I personally believe is the reason why there are so few people who identify as alloaro 🙃
I both have everything and nothing to say on this one, because the topic at hand hits home harder than I want to admit 😔. I think it's important to acknowledge the harm that constantly enforcing these ideas about sex without romance as being inherently emotionally drainining, a sign of emotional immaturity, or predatory, etc. probably damages the self-perception and self-worth of most alloaros greatly. Of course,:I understand that NOT ALL highlighted are inherently related to being alloaro - but the way these ideas are framed, especially in the split panel, imply sex without romance is the root of the problem, which in reality it is not. A lack of communication, respect for other's boundaries, or being flat out a predator is the actual issue here.
Anyway, I do understand the intersection of different issues that lead to the ideas that I referenced in the comic (elaborated more in the comments). I suppose the solution, as usual, is more education and more nuance surrounding the discussion 😅😉
I'm so glad to finally have this last part of the series up! I hope you enjoyed the ride, and for sure let me know if there's anything else that I haven't covered here you think also keeps people from realizing that they're aromantic 💚💚💚
[Image Description:
Slide 1: Celia sits on a green armchair in a living room. "Actually, let's make this take even more spicy - maybe a lot more people are alloaro in particular."
Slide 2: She looks down. "Alloaros are more likely to be labelled as heartless, or feel that on top of being 'broken' there's something predatory about themselves -"
Slide 3: "There's this idea that people who only want sex, and not romance, are the kind of people you want to avoid. Who don't care who they hurt. You know the trope - "
Slide 4: An illustrated example of the stereotypical trope. Shown is a house party where two characters are interacting. A taller man leans over a clearly intimidated woman:
"Hey Babe, you alone here tonight?" "Umm …" "Come on, don't be so cold, why don't you loosen up a little?" "No, uh-"
An arrow points to the man that says ""the predatory-college-fuckboy-frat-bro-trope"
Slide 5: Another series of examples, this time illustrated from Celia's childhood. The panel is split into three as you progress through the years. In each section Celia watches a television show.
1: "You can't trust him, ALL he does is sleep around - he's never settled down" 2: "Sorry I'm only looking for something casual right now …" "You're scared of commitment" "No, I-" "You're just using me!" 3: "At least it happened with someone who's loved her and been dating her forever", this is in reference to a teenaged character having sex the first time.
In this last section celia says, forlorn, "There's something wrong with ME, isn't there?"
Slide 6: Celia speaks to viewer directly. "I sure as hell didn't want to admit I was Aro because I knew I wasn't Ace."
Slide 7: "So yeah, those are my thoughts. I've told my allo friends about my theories and they …"
Slide 8: "… didn't exactly believe me." Celia is shown video chatting with her friend, saying "So those are my theories as to why romantic attraction is probably less common than we think, and why there's probably way more Aro people! People are probably too embarassed to admit it because stigma or never even realized it!"
Friend awkwardly says "I … I'm sorry I gotta say I don't agree …"
Slide 9: Celia holds her finger up to her chin, pondering. "Maybe it's just an Aro thing."]
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oshiawaseni · 1 year
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A post about the time Hawks made Kacchan really, really jealous.
When I watched this scene in the anime I found it amusing as hell. Kacchan’s behaviour felt kind of strange/off though, but after I saw the panelling of the scene in the manga recently, it only seems even more funny and bkdk driven. His behaviour also made more sense. I’ll breakdown the scene and go into some of Kacchan’s deeper issues after.
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They meet with Hawks after he helps them bring down villains. Izuku is star struck from the get-go and nervously greets the rank #2, who likewise recognises him from the sports festival.
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Hawks tells Izuku he's heard about him from Tokoyami... then backtracks and says, "No, actually... (even without that) I would have liked to have worked with you, too, but..."
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However, before he can finish explaining himself... he feels a "sakki", meaning bad feeling or literally "killing intent." (But the anime didn't show this part of their interaction! or how noticing the sakki interrupted Hawks' speech. So this is another one of those little flavourful nuances anime watchers(me) missed out on)
sakki (殺気  The individual kanji are pronounced satsu and ki, respectively, but due to Japanese grammar rules, the -tsu in the former is dropped and the consonant in ki is geminated, turning it into sa- + -kki.), which is primarily used by practitioners of Ninjutsu; "Killing Intent" is the most literal translation, with "Bloodlust" as a close second. The Chinese equivalent is sha qi - x
Which is kind of funny, considering Katsuki's soon to be revealed hero name which also had “Satsu” in it. Dai Baku Sasshin Dynamight. (Great Explosion Murder God Dynamight)
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Hawks turns to the source of the "sakki"... and it's Kacchan staring bloody murder at him, challenging him! After the stuff Hawks said, it feels like Kacchan is even more annoyed at Hawks for taking a special interest in Izuku, by saying he wanted to work with him (despite being so busy he left Tokoyami in the care of his sidekicks). I think in Kacchan's mind this means a scenario where Izuku would have been with Hawks at his hero nest instead of with Kacchan at Endeavour's agency... 👀 How territorial! I think Hawks also noticed something was off and taunts him, just for fun. 🤭
Also, this is only a funny coincidence, but after Hawks says something that feels like he's wanting to 'take Izuku away,' Kacchan just happens to say “About before, I got in faster than you." It could mean absolutely nothing, or it could be the slightest nuance for "I was here first. Deku's already been mine since childhood, so back off.” Like an inside joke Hori made for himself, knowing he was writing bkdk to become the main canon couple in the series.
I'm /hj ofc but… you never know! It's wild that Kacchan is even this hung up on what Hawks did in the first place, so I might be trying to make it make more sense! understandably, right?
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When Hawks leaves, not only is Izuku swooning over him again... now Shouto is too! Kacchan can't stand it! I don't know about you, but if Kacchan's intense reaction is only that Hawks showed them up, it’s a severe case of the punishment not fitting the crime. Not to mention, it began when Hawks started chatting up Izuku about getting him to intern with him and got even worse because Izuku went full fanboy mode LOL
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Later at the agency he’s still filled with rage from their meeting, making up an insulting nickname for Hawks that can loosely be translated as “smiling birdbrain” (Hawks wears a carefree smile on his face and Katsuki doesn’t like it. He thinks he’s being smug - which he was, but only just a little… so again… punishment ≠ crime which is why we can theorise there was something more to his jealousy.)
Lmaooo listen. Think of a really possessive boyfriend who can’t stand their lover checking out other people and commenting on how attractive they are. And you've literally got how Kacchan feels about being a hero in front of Izuku.
Kacchan's gotten jealous like this before, when Shouto declared war on Izuku at the start of BNHA. That's how he got involved with the Todoroki family drama, because his jealousy drove him to follow them sneaking off alone together. And again in the third movie, at the very end, when Kacchan's boyfriend stayed back to say goodbye to Rody, and he glared at them the whole way going up the escalator lmao
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Jealous Katsuki "needs Izuku's attention on him always" Bakugou has three modes: “Why aren’t you looking only my way you shitty nerd.” “Forget this other bastard, what about me??? I’m ‘sugoi’ right?!!” and our fave (😂) “Just keep your eyes on me, shitty Deku!”
He responded with SO MUCH irritation at Hawks simply because Izuku’s fanboying over somebody that’s not him.
Poor Kacchan has to compete with all other heroes for Izuku’s affection because he’s an otaku that grew up worshipping all quirks. 😂
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Meet Katsuki Bakugou: From the age of four, he was told by family, doctors, teachers, hero loving society and the next door neighbour's cat that his quirk is the embodiment of excellence. What a guy! He will go far in life so we should let him do whatever he wants, it’s fine! He can be my sidekick! In a world where a person's character and value are measured by the power and usefulness of their quirk, Katsuki was the king.
Then there’s Kacchan: Grew up alongside this shiny doe eyed shitnerd who was always watching him, walking behind him, telling him stuff like he's sugoi and his quirk is so cool and he is so cool and wouldn’t it be cool if he also got a quirk as strong as his... And years later, Kacchan is (unsurprisingly) triggered that his Deku is reacting to everyone else and their ‘inferior’ quirks in almost the exact same way that he does with him. He has the biggest LOVE (ONLY!) ME DAMNIT vibes with Izuku! good lordt
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The main issue Katsuki encountered after entering U.A and the world of pro heroes, was suddenly not being the obvious choice for best anymore. His usual status of being society’s king was completely upended after his world opened up to people like Iida, Shoto, Enji and Hawks. Something that was so effortless to him before, now required a lot of hard work, if he was going to rise above even the outstanding.
And I think a big reason he feels insecure around other talented people is because a part of him will always want to stay the coolest and strongest in Izuku’s eyes! That’s why Izuku acknowledging others sets him off a little. He knows what Izuku’s like… but he still wants to be the coolest to him, unquestionably sugoi and stay Izuku’s #1.
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And sometimes it’s almost like, unless Izuku is the one doing the praising and fanboying Katsuki and only Katsuki, there's just no meaning to any of it for him.
** .•° ✿ °•. ❀。• *₊°。 ❀°。 ೋღ
It was only ever Izuku.
Growing up, surrounded by admiration from people who never dared to stand up to Katsuki... ultimately, it was only ever Izuku who valued his own set of principles and stood up to him when he was wrong. Because Izuku... was always honest with him, about everything. He let Katsuki know when he didn't approve of his behaviour, which meant the times Izuku did praise him was something that could be trusted. It didn't feel like the empty praise from everyone around him who only saw him for his quirk. It didn't feel like a lie.
Katsuki eventually realised the reason Izuku faced him was because Izuku genuinely cares. He saw all of him and despite intimately knowing his weaknesses and flaws not once did Izuku stop believing in him... so before Katsuki knew it, Izuku became the only person whose attention and approval actually meant something to him.
Can you blame him, though? Izuku’s the one who has been faithfully at Katsuki's side his entire life, sharing his dreams, believing in the best of him, gently encouraging him to do better than his worst, teaching him kindness of the heart and heroic sacrifice and finally… what it means to love someone so fiercely, you could give your everything and call it by their name.
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Katsuki’s forever hero who always comes running to save him, no matter what. His one and only constant. How could he not become completely intertwined with him and fall hopelessly in love?
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ptsdangeldust · 3 months
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tw rape / abuse / suicidal ideation / self harm
can i just fucking say that the "poison" scene was just fucking flawless to me. as a survivor of rape and psychological abuse it was so fucking hard to watch and hit on every note i wanted it to. the suicidal ideation, the self destruction, the pain, the torment, the addiction, the hopelessness, everything.
[this got long LOL big analysis of ep4 basically]
also it's a little funny how easily i called it when the pilot came out that angel was gonna have ptsd and cope with it through hypersexuality . like this was obvious from the start to me and they do telegraph / foreshadow it from the first episode pretty well in my opinion. like ALMOST too much. but at the same time i'm kind of glad. like that's what i like about the show is that it *is* so raw and over the top when it talks about this kind of thing. that's why i like campy edgy uncomfortable shit bc where the fuck else am i gonna hear anyone specifically hit the perfect sweet spot of just exploitative-feeling enough to feel palpably uncomfortable in a way that just like. perfectly conveys this message. in my opinion, obviously.
it's like so crazy to me that i had this exact high expectation for the show and adjusted for edginess and got exactly what i wanted and then some. like. god. they hit every note in succession all at once and then tied it off with a beautiful, nuanced but genuinely well paced and well thought out resolution.
"loser, baby" was so fucking perfect as the counterpoint to "poison" in this episode. also charlie coming in and being purehearted but not knowing what she's doing and making it worse. but angel ultimately understanding that she meant to help and it's not her that's the problem obviously. and then husk is ultimately the one to give a shit about angel (with some encouragement, which like i honestly appreciate that he doesn't take angel's bullshit and isn't just the like Token Black Savior who has no character or agency of his own [of course i'm white so don't take me as the authority on this issue but i'm certainly aware of it]) and like not only try to stop him from self destructing but like relate his experience and make him admit he has a fucking problem. sooooo much of abuse is built on making the victim think they're at fault for what they're going through. the way val makes him look in the mirror and say "yes" outloud to himself over and over while literally holding his head and threatening him was such a good way of driving that home. and then we see angel have so much pride poked at so easily when he's called fake because he's SO aware he's putting on an act. he lets himself be exploited because he thinks it gives him a sense of control. can't be called fake if i'm an actor. can't prove i'm ever real. never have to BE real. never have to admit that anything is wrong and come to terms with it.
and so husk comes right the fuck out and says it. you're a loser. you're washed up. you're a has been. you're self destructive. you hurt everyone around you. ..... and you're not alone. THAT'S the important part. that's the real thing that gets you out of abuse. people. not being alone. like not just KNOWING that THEORETICALLY you're not alone but actually having people show up and help you and put in the work and relate to you and listen to you and let you listen to them. that's why abusers chronically work to isolate people. because it's so much easier to exploit someone who has absolutely no support system. who only answers to them. who has no one to turn to if shit goes sour.
ok also the fucking hypersexual self harm? i have NEVER seen that portrayed so accurately and so explicitly before. i feel like basically every single time i see it talked about at ALL in media it's either 1) portrayed as like sexy or ultimately good 2) strays totally the opposite direction and is talking more about cycle of abuse shit (which yes that's also important but not what i'm after) 3) really just hinted at / i have to like extrapolate it from vague hints or 4) exists in shitty media that is not ultimately trying to tell a story about escaping abuse it's just talking about a tragic waif and trying to make you feel sad. which is just another kind of exploitation really. so it was very refreshing to see it made very clear that angel was going around *trying* to get drugraped (which is NOOOOOT the same as consent. but i'm not going to get into that) because he was trying to hurt himself. he knew it wasn't good for him and he sought it out anyway. he could have wound up dead and he did not care. that's how low his self esteem is. that's how little he thinks of himself. that's how absolutely terminal his suicidal ideation is. i like used the word 'passive' at first but no i would not call that passive he is clearly actively suicidal hsuidguhds (ftr passive suicidal ideation is like. 'i wish i could go to sleep and not wake up.' but not actually acting on it. active is when you start purposely not looking both ways when you cross the street. that's basically what angel was doing)
anyway yeah. ep4 was kind of the peak for me i'm ngl HUIDGHIS obviously i'm very excited to see where things are going in general but especially more huskerdust........ i would like live if they didn't actually end up together but it feels clear to me that they genuinely care about each other and at least angel does seem to have... romantic-leaning feelings for him. would be cool if they had some scene where husk is like just cuz i care about you doesn't mean i'm going to be your magic saviour through love or whatever. bc i feel like it would be so easy for angel to immediately want and/or expect that. i did personally coming out of my abuse where i was absolutely desperate for real actual non-abusive love of any kind but i was NOT remotely healthy enough to truly accept it then even if it had actually been handed to me and i wound up in something that was..... better, yes, but ultimately still toxic and not completely ideal. not abusive, no, just not like. healthy. lol. but i do have good healthy happy love now so i'm glad lol <3 but like anyway this is a common thing with abuse survivors and it would *make sense* to see it but like i wouldn't put it past them to just go straight into "and then angel got better immediately and they got together and everyone lived happily ever after the end" HSDUIGSHUID but like idk man. we'll see LOL
also i did want to comment on like...... the fact that the scene was worked on by someone with a legit rape fetish who was like straight up into angel/val as a ship and thought it was like cool and fun or whatever. like. i really don't think the scene itself came off as glorifying rape or abuse. it's blatantly obvious that it's not good and the emphasis is placed entirely on angel's pain. and like it's. it's not porn. it's evocative. it's explicit. but the purpose of the scene is not "look at this hot sexy sex" it's "look at this horrifying abuse". like yes obviously there are gonna be people who get off on it but people can get off on anything if they try hard enough. porn is art explicitly meant for jacking off. not everything about sex is porn. i think if you interpret it as glorifying sex you're honestly out of your goddamn mind. the song ends with angel talking about how he wants to fucking die because of it. is that glorification to you?? really???
ultimately, *I* think it's good. i think, objectively, the team did an extremely good job. give them an award or something. i swear. where's the oscar. my boy angel needs his oscar LOL
... one last note, because this is tumblr: this is very triggering material. probably it should've had a better warning of some kind. but it is telegraphed/foreshadowed like i said and the show is rated 16+ on amazon (i feel like it should be 18+ imo but it's like. it's repeatedly listed as being for adults/"R rated" in promo material at least) and sex and violence are listed right there at the top of each episode where it shows the rating so like. idk man. that's as much warning as is usually given for this kind of thing ngl. i absolutely am not saying it's not triggering. but it is important to portray triggering things. it is important to talk about these things to give people in these situations someone to relate to and to give them the language to understand how to escape abuse, first of all, and like also art in general *should* be challenging. i think they genuinely said important, unique things and said them well. they did wayyyy better than i thought they would. for real. like esp coming from viv knowing her past like. clearly someone in the room actually knew what they were doing lmao (one of the writers for hazbin also worked on the episodes in helluva that covered similar abuse recovery material so. you know)
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chawarin-panich · 8 months
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TW: explicit discussion of suicide
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(ID: Screenshot of Ray in ep4 saying to Sand "A burden to society" after he tells Sand to scold him and insult him) I cannot for the love of everything that is holy get this moment out of my head. Because the way he says it - with this deep fondness and affection - makes me want to want to chew my own fingers down to the bone. Because after that absolutely earth shattering intro where this happens:
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(ID: Screenshot of Ray from ep4 where he calls Mew from the bathroom saying "If I'm gone, I won't be anyone's burden anymore, right?) one would assume that Ray wouldn't take being called a burden very well, certainly wouldn't grow an emotional attachment to someone who has called him that multiple times, has expressed his irritation over Ray's clinginess upfront.
And yet that is exactly what happened. So the question is - why? I've seen multiple ppl talk about this so I feel like I don't need to explain here how Ray's friend group aren't particularly good friends to him. Even Mew, who Ray supposedly loves isn't all that affectionate or understanding towards him. Please read this meta for a breakdown of why and how Mew's response to Ray when he calls him from the brink of suicide and for which Ray is so incredibly grateful for - fell laughably short. Ray who's mother never loved him (and it's likely quite nuanced since she quite obviously committed suicide and I can't even begin to comprehend the heights of fucked up abandonment issues that would wreak on one's child), Ray who is yet to mention his father even once, Ray who tells his friends how much he loves them all the time and literally never hears it back - you know, that guy isn't really looking for a grand love, he isn't waiting for someone to see inside his soul and find something wonderful - he's looking for scraps. Literally anything.
He wants someone to look at him, see inside to his festering, broken, ugly core and still find it worth loving, find it worth saving. And Sand? He does exactly that from like Day 0
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(ID: Screenshot of Sand and Ray from ep1 in Sand's bathroom where Sand says "How did you manage to live this long" to a passed out Ray) I had lost my entire mind over this interaction in ep1 because Sand has that exact irritation and affection here that one would feel for a troublesome sibling. Like he doesn't really like Ray here in this moment and he's not very secretly very annoyed at him. But no matter what,he will protect him. Ray isn't awake in the above clip to experience it but it just drives me crazy how Sand is exactly the person that Ray has been waiting for, a person capable of very intense albeit pragmatic love. Someone who can call out Ray's burdens and still love him through it (unlike you know...his so called friends). Yes, there are quite overt parallels between the arc of Ray's feelings for Sand and Mew:
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(ID: Screenshot of the RayMew kiss from ep4 and SandRay kiss from Ep2 side by side) look at the arch of his body!!!! my man is always freaking reaching out isn't he!!!!!!
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(ID: Screenshot of Ray offering to save Mew from ep4 and Sand from ep3 side by side) But that's where those parallels end because Sand and Mew could not be more different as people and Ray has absolutely no way of comprehending the person that is Sand. Doesn't Ray act a little differently around Sand?
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(ID: Screenshot of SandRay from ep3 where Sand says "You just don't take no for an answer, do you, Ray?) Like it's funny when Sand had said this but also...doesn't he? Doesn't Ray take no for an answer quite often? Didn't he take Mew's 'no' two years ago and never pestered him about it again? Didn't even bother to do anything about it when Boston was trying to get in his head about Mew at the party and instead went straight back to making fuck me eyes at Sand. When Mew told him not to fight with Top, didn't he immediately back down? Didn't he let Mew walk away with Top without a fight? Ray hadn't felt the need to confess his feelings again or kiss Mew for two years, not until he sees Mew in Sand's POOR BOY shirt. Ray can't stay away from Sand, doesn't have a single clue as to what it is he's feeling for him (please have your life ruined by this gifset) - how could he? How could he possibly know what it feels like to be loved by someone? How could he possibly know what it feels like to love someone?
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