#it's mostly a Four's Colors story

[therantingsage]

I don’t really talk about my Agents as people and not my dragon au (aside from them in my fics) but like......the honest truth is that I have not really drawn them much. And thus my mental image of them is.............well it’s certainly vague. 

But I drew them today! Aside from 3b that drawing is older I just never posted it lol. And Eight had a more concrete design for awhile but I had only drawn it the one time so oops here they all are. The Agents + Ilkani. Basically just all my Cephalopeople OCs aside from my Grizzco guy. Squidbeak party gang

[theghostofashton]

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[dcxdpdabbles]

There are so many fics out there where Danny is either adopted by or the biological son of Bruce. In many of these he might have an existential crisis but other wise he is fine and happy to be part of the BatFam. Where are the ones where he fights against this just doesn't want to connect with Bruce of the rest of the family.

One: Bruce is a billionaire and Danny has had some bad experience with Vlad trying to adopt/get him as a son. So even if Bruce is one of "the good ones" Danny does't like billionaires.

Two: Danny for the most part grew up in a mostly normal family and home, with two Parents and a sibling. Most of the BatFam were only children and parents are dead or came from dysfunctional homes. I think Duke is the only one who really had a normal childhood.

Three: The Fenton family is pretty openly affectionate with each other and are pretty normal emotionally. Danny has a great relationship with all of them (Danny went evil in the timeline where they all died). Most of the Batfam is emotionally constipated.

Four: Danny is used to his boundaries being respected. I don't think that the Batfam is great at that. With Bruce needing to know everything, Tim's stalking tendencies, Barbra's hacking, just to name the obvious.

Danny knew that he was adopted into the Fentons. His parents had never hidden it from him, but they never treated him as anything besides their child.

He had come into their lives one day when one of Maddie's old high school friends had called, bawling that she had gotten pregnant and that her husband wasn't the father. He had discovered the truth and thrown her out, leaving her pregnant and alone on the streets of Gotham.

Maddie had been furious at the affair- she hated disloyalty- but had decided to help her only for the baby's sake.

She had driven over multiple state lines back to her home city to pick up the friend only to find out she had taken her life and left her newborn son to Maddie. While Maddie had been able to escape the hellhole that was Gotham, Rebecca never got the chance, not with her average intelligence.

In high school, the two were as close as sisters until Rebecca fell into the whisky bottles her father carelessly left around. She blossomed into a beautiful woman upon their graduation- more so than Maddie-, turning from a sweet homebody into someone who got into exclusive parties and powerful men.

Maddie had slowly drifted away from her, so far away at college, and Rebecca fell further and further into the party scene. It was a surprise that she settled down for marriage and Maddie truly believed that she had been happy with her husband.

That's why Danny was such a surprise. Maddie did not know who Danny's biological father was, but she did not care. Not after they placed the sobbing infant into her arms, and she realized that she was his mother now.

She immediately phoned Jack to tell him what had happened, and he told Jazz she was a big sister before the call ended. They told him the story about when he started to learn his colors. Not with her taking her life, of course; that was when Danny turned fourteen. This was only a few days before Danny revealed he was Phantom to them.

They were first shocked, but then they became supportive. Phantom now had two proud ghost hunters following him, shooting photos instead of guns.

It was embarrassing, but it was also nice of them.

And that was that. Danny is a Fenton, adopted, but a child of Maddie and Jack Fenton all the same.

He never gave his biological parents a thought. In fact, he all but forgot about them until Sam convinced him to take an ancestry test. He had allowed her to swipe his mouth, package his DNA, and send it off to see where his people came from, completely forgetting that he would not match with Jazz, who had done the same thing a month prior.

His results were shocking, to say the least.

Somehow, someway, Rebecca Silver had been in the system of DNA samples, and they had matched him to her alongside his biological father.

Bruce Wayne. Rebecca had an affair with Bruce Wayne, arguably one of the wealthiest men in the country, and they had sent him a message to let him know he matched with his son.

An eccentric billionaire has just been told that Danny was his. He knew that song and dance well, and it was never fun to dance to. Danny could only stare at the results with dread as Sam apologized profoundly.

"Maybe he won't see it." Tucker tried. "I mean, Wayne is probably so busy with rich people stuff he doesn't have time to even look at his emails. Especially ones that will come in spam since it's comersolized."

"Yeah, Maybe" Danny doesn't think he's that lucky.

A month later, the Fenton's home phone rings. His parents are working on a new invention on the dinning room table, Danny is stretched out in front of the TV watching a mindless cartoon and Jazz is crocheting in the love chair.

It's a typical Tuesday night where everyone is doing their own thing but close enough to each other that they can call it family time. Jazz is the closest to the house phone so she picks it up with a cheerful "Fenton house, this is Jasmine."

Her smile slowly slips away as all the blood drains from her face. Alarmed by her reaction, Danny sits up. "Jazz? What's wrong?"

His words have his parents' heads snapping up, zoning in on their daughter's rapidly growing destress. Yes, they get distracted often with their work, but the Fentons have always been loving parents.

They quickly spring into action.

"Jazzy-pants?" His dad says, walking up to her and taking the phone from her slack hand. He covers the speaking end of it, not paying attention to the call as his mom hugs his sister. "What's the matter?"

"It's... Bruce Wayne's lawyer," Jazz says faintly. "He's calling about Danny. He said that Mr. Wayne has been attempting to take Danny back and that they are going to take us to court soon."

The room goes dead quiet, and Danny snorts. "He can't do that without a letter or something. Come on Jazz, it's obviously a prank."

Someone at school likely found out and thought it would be funny to make "the biggest loser of Casper High" Danny Fenton, think a billionaire wanted him as a son. Honestly, he wouldn't put it past the A-listers.

He laughs to show how stupid this prank is, but neither of his parents joins him. Instead, his mother closes her eyes and whispers, "We received his court papers weeks ago. We've been trying to get a lawyer."

What.

She pushes Jazz into his dad's arms, where his sister is slowly panicking. His dad tries to soothe her as his mom opens the drawer under the TV, pulling out three orange envelopes. She looks remorseful as she hands them to Danny. "We didn't want you to worry. I'm sorry we didn't tell you sooner. Vlad said he would help, but he wasn't sure what he could do against such a powerful man"

And there, in overly complicated terms, is clear as day. Bruce Wayne wanted full custody of Danny Fenton and was willing to take the Fentons to court to get it done.

The man- who has never so much as met Danny, much less have a right to say what happens to him- was accusing his parents of child abuse and child neglect! He not only was trying to take Danny away but Jazz as well!

Where did this man get the audacity!?

"I don't want to go with him!" He shouts rage, making his eyes glow green. "I don't even know him!"

"I know, sweetie. I won't let him take you" His mom says, yanking him into a protective hug, and he realizes that her shirt is getting wet with his tears. Tears that fall just like the woman who raised him. "Everything will be alright."

It won't be, he knows, but he won't tell her that. He just lets his mother hold him, and when his sister and father crash into the hug a second later, he holds them just as tight.

He's not sure how they will win against Bruce Wayne, but Danny will fight his biological father every step of the way. He will not be his son.

______________________________________________________________

Bruce stares at the photo of Danny Fenton- his son. His boy, whom he wasn't aware was alive until a month ago- and the reports from concerned teachers and whatever information Barbra could pull from his classmate's social media.

Dramatically dropping grades.

Clear signs of sleepless nights.

Flinches whenever his parents pull out "ghost hunting" gear.

Strange bruises and cuts along his arms and legs.

His small stature is no longer growing properly like his peers.

It all pointed to one thing. The Fentons were abusing his son and Bruce would bet the sister was suffering from the same treatment if her own grade dropping, sleepless eyes, and desperate race to adulthood were any indication.

Bruce laces his hands, resting his chin on them as the Batcomputer slowly flips through various reports being quickly dismissed by incompetent social workers who all claim it was Ghost Hunter related and not a cause for concern.

Those same social workers all seemed to have gotten quite generous donations from one Vlad Masters, a well-known family friend of the Fentons.

He hates corruption that allows children to be hurt, more so when it;'s his own children.

"When do we go retrieve Brother?" Damian asks, green eyes narrowing in rage as the reports scroll slowly. Ever since he found out Danny is a blood sibling, all Damian has been talking about is getting his elder brother home. "I am displeased with how long it's been, Father."

"Soon," Bruce promises, aware the rest of his children gather around him. They don't speak, but he feels their protective rage at what Danny has gone through, and he knows they will use every last bit of their training to get Danny home. "Either through the courts or in person. Danny will be with us come summer."

"Good," grunts Jason. "I'll have a little chat with his adoptive scumbags when we get him."

"I'll help," Dick tacks on.

"I'll make it look like an accident," Tim says, voice leveled but eyes blazing as the reports get to the neglect section. He has personal issues about that.

Bruce has never been so proud. "Court date is set for three weeks. They can't weasel their way out of it this time."

Don't worry son, he thinks to Danny, I'm going to save you.

[flavorcountry]

I got a cold and watched that Jenny Nicholson video about the Star Wars hotel (it's very good) and fully lost my mind: even after experiencing a comprehensive four-hour deconstruction of why it didn't work for Star Wars, I still think a version of this would absolutely work for Star Trek. Take my hand and walk with me on my journey into madness, where I have infinite money, talent, and team to make it all happen!!

Overall vibe

If you want to make a hotel/resort experience that takes place inside a fake spaceship, I still think Star Trek is the way to go: so much of Star Trek takes place on ships, and we've seen the rooms are pretty nice!! Like the Star Wars one, my Star Trek hotel is also a simulated starship, but with better rooms and more fun stuff to do.

Are you ready for this shit

Can you tell I drew this myself

You'll arrive at Farpoint Station,* where the concierge checks you in and your luggage gets whisked away by station staff. Gift shop's also here. When you're checked in and ready to head to your room, you're brought to one of several transporter rooms. If you never went to the Star Trek Experience at the Vegas Hilton when it was active, I am truly sorry for you, because they had a ride whose boarding process included getting beamed away: you and your pals were herded into a zone where you were clearly meant to board a run-of-the-mill 20th-century simulator ride, and then there were jets of mist and a sound and suddenly you were in a transporter room on board the goddamn USS Enterprise NCC-1701-D. It was fucking magical and I never, ever want it explained to me. Anyway, that's what happens to you at my Star Trek hotel: you step onto a transporter pad and get beamed from Farpoint to a Galaxy-class Federation starship. Exit the transporter room and walk down the ship's corridor to take the turbolifts to Cargo Bay 1, where a "temporary muster point" has been set up (this is where the guest services desks will be), or just follow the lit-up companel signs to your cabin. Yes, it will look like guest quarters aboard the Enterprise-D, more or less — maybe a little smaller — but it'll have the carpet, the plant, the glass coffee table, and most importantly a window that looks out into space.

Or!!! If you booked the resort, keep heading down the hallway and take another turbolift to a different section of the ship where the holodeck entrances are. The holodecks, naturally, are running a Risa program, so you walk through the doors and under the arch and suddenly you're outdoors looking at a beautiful landscape with a pool and whatnot, plus the resort accommodations where the more conventional fancy rooms are, and also the restaurants and entertainment venues, all themed. There's a Quark's. There's a Klingon bar and grill. A Bolian salon/spa. Talaxian arcade?? Nausicaan axe-throwing pit?!?! Come on!!!!!!!!!

Here, have a floor plan

Key learnings

Two things stuck out to me that the Star Wars hotel fucked up that I think the Star Trek version can do better:

🤷‍♀️ LARP too complicated: Give 'em credit where it's due, the Star Wars hotel fucking swung for the fences trying to make a multi-hero story guests could integrate with, but it just didn't work. Technical failures! Possible conceptual flaws! Too much stuff packed into the schedule!

The fix: Just make it mostly a hotel most of the time. One or two weekends a month, there's a two-day fully-immersive LARP adventure that people explicitly book separately, and it's more expensive (more on that later). But at all times, hotel staff will be in uniform with division colors that make sense: concierge and guest relations in red, support and janitorial in gold, teal for any medical personnel. I think that means the people working in food services have to wear that plaid/vest combo the Ten-Forward staff have on, but there are certainly worse outfits.

🌴 No resort: The food at the Star Wars hotel was good, but there was no pool and no other luxury resort type stuff to do. It didn't sound relaxing.

The fix: Putting an actual resort in the Star Trek hotel under the guise of a permanently-running Risan holodeck program. The sheer elegance of it!! When the weather is bad, hotel staff in gold uniforms can make apologetic comments about how the sim's malfunctioning.

Roleplay though

People are going to want to stay onboard the ship. That's good! The thing about the ship cabins is you can build them in maybe two semicircular layers (the rooms will need to be curved because these are quarters onboard the saucer section, naturally) and just bury them underground. They don't need real windows — you're putting screens in that'll show a space view, especially when the ship goes to warp and you can see those rainbow trails. Inside the semicircle there's a lot of space where you can put the other, bigger sets: the bridge, main engineering, Ten-Forward, etc. None of those have real windows either, and also I don't think it matters where you put them physically: just stick a pretend turbolift in front of all the entrances and make guests take those whenever they need to go there! One thing we're also doing is putting little hidden speakers everywhere that put out a small amount of shipboard white noise; it may not even be noticeable on a conscious level, but it'll be there and it'll be soothing. This speaker network is also a great way to make an actual announcement if there's a real park emergency.

During most of the month, I think the bridge and main engineering are mostly just photo ops — maybe you have to book a timeslot? Just so you're guaranteed some time with just you and your buddies? But I also think there should be opportunities for what I'm going to call mini-LARPing: you and your pals can book an hour-long session and the staff trains and then runs you through a short scenario. If you've ever played Artemis or the actual Star Trek VR bridge crew game they put out a while ago, you know where I'm going with this: for however long, you and your friends are now the crew of a genuine-ass Federation starship trying to survive a battle! It's fuckin' Kobayashi Maru time, motherfuckers!! Everyone gets their own station! Lights flicker! Mist shoots out of stuff! The whole bridge shakes! There might be a warp core problem — better call down to main engineering! Whoever's down there gets escape room-style minigames and puzzles to work out and help their shipmates. At some point — and this will happen in every run of every scenario — there'll be a very mist-forward "coolant leak" near the warp core that forces whoever's in the room to duck and roll beneath a descending garage-style blast door before heading up to the bridge to activate their station up there; bonus points if the player can work in a "We lost a lot of good people down there, Captain." Maybe there's an actor in makeup who menaces the crew on the main viewer from time to time (pick beforehand from a list of villains! want to fight Klingons? Romulans? a rogue Borg tactical sphere? etc). Can you see it? I can see it, and it fucking rules.

I must at this point mention that in my world, you can buy an add-on where a camera crew joins you, and they cut up the footage afterward to make you and your pals your very own mini-episode. Yes the editing and post-production are expensive and time-consuming; I'm creating jobs here!!!! Maybe …… okay, hear me out: there's an array of hidden fixed cameras and microphones built discreetly into the set, and also players are issued a combadge with an individual RFID tracker that pings the cams and mics, so they only save footage when a player comes close. After the players are done, a machine algorithm uses the data gathered to assemble a rough timeline of each player's material and create a draft movie that a human editor can pick up and fine-tune. Yeah?? When you check out, you get handed a USB drive that looks like an isolinear chip with your mini movie on it, and maybe another one with all the raw footage just in case you're feeling ambitious!!!!

For one or two other weekends during every month, there's a heavily advertised, much more involved, and way spendier LARP for people who really want to get into it. It takes place over two days. There are lots more actors portraying characters necessary for the plot/gameplay. Don't bother packing for the daytime: all players are issued a uniform they get to keep afterward. Do I have any details on the scenario or RP? I do not. But I fully believe it's possible to construct something you could run over the course of a weekend that would keep a hundred paying guests occupied, amused, and delighted, provided you have a truly ridiculous amount of money and people, which I do because this is utter fantasyland.

Also it probably won't cost six grand. Probably??

Let's gooooooooooooo

The rest of the time — and I cannot stress this enough — the Star Trek hotel is just a very heavily and specifically themed all-inclusive resort that has nice, fancy rooms and luxury amenities plus bookable ship cabins and opportunities for photo shoots or quick one-shot roleplay adventures for the real heads. You don't ever have to enter those latter parts if you don't want to! You can just hang out at the resort and have fun with all the themed entertainment, which I must stress is going to be both in-universe plausible and great, with something for everybody. Yes, there'll be a daycare, and yes, Flotter will be there in some capacity to entertain the kids. The food hall is my favorite part by far; I could pitch you Trek restaurant concepts all day. Romulan gourmet soup stand. Gummi candy store staffed by Ferengi where all the offerings are shaped like alien bugs. A vending machine where you can get a jumja stick or a three-pack of those nutrient pucks Picard and his new friends kept getting in "Allegiance." There will be an entire plant-based food vendor with a wide variety of delicious options for all meals, and it will be run by Vulcans.

A word on the gift shop

Question for you: have you ever watched a Star Trek show and seen a Starfleet officer pull on a jacket or shoulder a duffel bag that had the words "STAR TREK" on it? If so, then friend, I want to know where you get your hallucinogens because I want to experience this exactly once. All of the gift shops on my hotel grounds sell responsibly sourced, highly thought-out, well-made items that would be in-world plausible and have no obvious branding. Of course you can get a hand-carved horga'hn, but let's go bigger. Why not a light-up Tox Uthat for your nightstand? Ressikan flute for you, queen? How about a whole-ass knife store that's nothing but various kinds of Klingon cutlery? There will absolutely be an entire tailor's shop whose whole job is to put you in the Starfleet uniform of your choice; there may or may not be a Cardassian managing the place who's got a 50/50 cheerful/menacing vibe going on. There'll be not one but two stores that sell little models of ships: the regular ones and the gold ones. Don't tell me you can't picture it!!!!!

I think that's about it

Thank you for coming along with me on this bespoke journey into 100% insanity; now can somebody put me in touch with the Star Trek licensing people and also give me a billion dollars to build all this? Okay, thanks a lot!!

For timeline purposes and because it's fun, I'm positing a version of Farpoint that got built after the events of the TNG premiere where the Denebians got their act together and just built a normal surface base without suborning an interstellar lifeform.

[hotvintagepoll]

Propaganda

Rita Moreno (Singin' in the Rain, West Side Story)—She’s an EGOT, an absolute legend for how she navigated her career as a woman of color in the fifties and sixties. Her performance as Anita in West Side Story is why I go back to that movie so many times. She is an icon and she is the moment.

Eartha Kitt (Anna Lucasta, St. Louis Blues)—My friend and I have a saying: NOBODY is Eartha Kitt. A thousand have tried, and they've all come up empty and will continue to do so. Everyone knows her for something: from "Santa Baby" to Yzma in Emperor's New Groove to Catwoman to making Lady Bird Johnson cry for the Vietnam War. She was a master of comedy and sex, an extremely vocal activist, and she aged like fine wine... I honestly don't know what I can say about her that hasn't already been said, so I'll stick to linking all my propaganda. Like what else do you want from me. She was iconic at everything she ever did. Literally name another. How can anyone even think of her and not want to absolutely drown?

This is one of two semifinals in the Hot & Vintage Movie Women Tournament. All other polls in this bracket can be found here. Propaganda is not my own and is on a submission basis. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Eartha Kitt:

"A hot vintage woman who was not just known for her voice, beauty, poise, and presence, but also her unapologetic ways of speaking about how she was mistreated in the show business as a girl who grew up on cotton fields in South Carolina in the 1930s through the 1940s coming to Broadway first and then Hollywood."

"Have you watched her sing?? Have you seen her face?? Have you heard her talk?? How could you not fall instantly in love. She makes me incoherent with how hot she is."

"She can ACT she can SING she can speak FOUR LANGUAGES she is a GODDESS!!! Although she is (rightfully) remembered for her singing, TV appearances (Catwoman my beloved), and later film roles, her early appearances in film are no less impressive or noteworthy!! She’s an amazing actress with so much charisma in every role. She was also blacklisted from Hollywood for 10 years for criticizing the Johnson administration/Vietnam War, so. Iconic. Also Orson Welles apparently called her “the most exciting woman in the world.”

"She had such a stunning, remarkable appearance, like she could tear you to shreds with just a glance- but the most undeniable part of her hotness was her voice, and it makes sense that it's what most people nowadays know her for. Nothing encapsulates the sheer magnetism of her singing better than this clip of her and Nat King Cole in St. Louis Blues, she pops in at 2:49. Also I know it's post-1970 but her song that was cut from Emperor's New Groove is likely to make you feel Feelings."

"Even with as racist as Hollywood was in the 1950s and 60s, Eartha Kitt STILL managed to have a thriving career. She also once had a threesome with Paul Newman and James Dean, and called out LBJ over the Vietnam War so hard that it made First Lady Johnson cry. Eartha Kitt was talented, sexy, and a total badass activist."

Rita Moreno:

"Amazing showstopping actress in her one big memorable role as Anita in West Side Story. She sings and dances with unmatched joy and energy, and then breaks your heart with her acting. Rita took a role that felt as a stereotype to latina women and made it compelling and multifaceted. Her subsequent career was filled with mostly side roles, but she still managed to excel in whatever Hollywood threw at her."

"It’s Rita!! The EGOT herself! She can act, she can sing, she can dance, a triple threat. Obviously absolutely iconic as Anita in West Side Story (her part of the Tonight Quintet is the sexiest part of the film, fight me). But before that she was the amazing Zelda in Singin’ In the Rain!?! Thanks Zelda, you’re a real pal."

"She continues to be amazing but also she's got legs for days."

"THEE iconic rita moreno, EGOT winner, civil rights activist, theatre legend. watch her documentary "Rita Moreno: Just a Girl Who Decided to Go for It". also her rendition of "fever" on the muppet show"

[queenie-ofthe-void]

“Led Zeppelin? Never heard of them,” Steve lies, like a liar. Of course he’s heard of them, thinks maybe Hop’s mentioned them before. Doesn’t really know the band well, and probably definitely couldn’t name a song. But the comment serves its purpose, and the trap is set.

Eddie calls it the Zep Campaign. Every day they’ll listen to one album, and Steve will pick his favorite song from each. Eight days for eight albums. On the last day, they’ll narrow it down to one song to rule them all– because apparently even Led Zeppelin likes the Mordor books Dustin doesn’t shut up about. 

Each day, Steve struggles to pick a favorite. Day four isn’t bad– doesn’t mind a song that is actually called Rock and Roll, which is just a lazy title in his opinion– but they’re only half way through and the songs are all starting to sound the same. An endless stream of too-fast guitar melodies and weird, wobbly sounds he’s sure he’s never heard before. The vocals are his favorite part, but the lyrics are vague and confusing.

Long story short, he’s not a fan.

But this growing thing between him and this ridiculous metalhead is new, fragile. So if it’s important to Eddie, it’s important to Steve. 

“Stevie, we really don’t have to keep doing this,” Eddie concedes. It’s day eight, the final album, and he thinks even Eddie might be desperate to listen to something different. “You’ve listened to every other album and honestly this one is the worst. They were all on drugs, and this isn’t even their sound ya know? Like it’s not even real metal.”

And honestly, Steve does know. He’s been listening to this band for eight days and yeah, all the songs sound the same. But these ones are different. Softer. He’s made it this far, and he’s nothing if not persistent for the people he loves.

Sprawled out on the floor next to the boy he likes, passing a fading joint back and forth, he thinks he can suffer a bit longer. 

“No Eds come on, we’re halfway through anyways. Just flip it over and we’ll smoke while we finish.” Eddie huffs a sigh, but Steve can see the slight uptick of his lips, reminding him of why he’s doing this. He flips the record and crawls back, presses himself flush up against Steve’s side.

The next song is long, too long to keep his attention. They burn down their joint and Steve leans heavily onto Eddie’s open chest. He gets lost staring at the vinyl art. A guy dressed in a fancy white suit sits alone in a dive bar, the only splash of color against a dull background. The bartender looks gruff, like the rest of the bar, making the man stand out even more. He wonders if that’s how he looks posted up at the Hideout during Eddie’s shows. Wonders if he looks just as out of place in Eddie’s life as this man does, even though he looks comfortable there too. 

Eddie shifts his arms around Steve, bringing him back to the present. The song has changed and Steve feels the slow melody wash over him.

“Wait,” Steve cries out, flailing up and out of Eddie’s arms as he registers the new song. It’s soft with a steady beat. It’s got synth-- the sound Eddie told him he likes in pop music. This song isn’t loud and chaotic like the rest. The voice is soothing and the lyrics are mostly simple enough. It’s different, and he can’t believe it but–

All of my love, all of my love

all of my love to you, oh

“This one. I like this song. Like actually like it.”

Eddie sits up and stares at him. He can see the dramatic shock and annoyance on Eddie’s face. But it’s doing nothing to hide his broad smile and shining eyes. 

“Steven. Stevie. Baby, sweetheart, this absolutely cannot be your favorite Zeppelin song. Out of all the songs on all the albums and all the hours of poetic melodies I’ve forced upon you, you choose the most non-Zep Zeppelin song.” Steve laughs sweetly as he watches Eddie fail to keep the glee out of his supposedly annoyed voice.

The cup is raised, the toast is made yet again

One voice is clear above the din

“This song isn’t even metall!" Eddie screeches. He rants and raves, waiving his arms as he regales Steve with all of the reasons he should absolutely not like this one particular song. He's shining with happiness, dial turned up to a hundred and it's all aimed at Steve. He can't help but to gaze back fondly, enraptured in the adorably obnoxious spectacle.

"It’s all synth, almost no guitar because Page didn’t even write this one! He wrote all of them except two songs, Stevie, and of course that’s the one you chose. No one who knows good music even likes this album. It’s not even metal music and honestly I almost didn’t show it to you, that’s how bad it is!” They're both giggling, leaning falling slowly into the other's space. Facing one another, their feet tangled together, Steve twists and pulls on Eddie's rings. Just to touch.

“Well, maybe that’s why I like it,” Steve snarks, taking his hand. “Plus it’s a love song.” Daring to reach out.

All of my love, all of my love, yes

All of my love to you

Eddie’s smile dims a bit, softens at the edges as he grows serious. “It’s not a love song Stevie, not like that.” He’s looking at Steve but he isn’t. Looking past him into the back of his thoughts. “The lead singer, he wrote it for his son. His kid died of some kind of bad illness while he was on tour. Didn’t make it back in time.”

He pauses, and Steve waits. Knows Eddie has more to say, hoping his patience will pay off. Eddie’s sight refocuses and he heaves a heavy sigh. His eyes glisten as they lock onto Steve.  

“My mom used to sing it all the time. While she was cooking, or putting me to bed, or pulling weeds in the garden. She’d sing it constantly. Hell, she didn’t even know all the words, but she’d still try and sing the interludes– ya know, the music between the lyrics.” He laughs lightly, a stray tear just barely hanging on. Steve tightens his grip around Eddie’s hands and presses a kiss to his knuckles. A silent sign of gentle support and encouragement. 

“Sounds like a love song to me,” Steve whispers. Leaning forward, he presses a kiss to his forehead and pulls Eddie into a tight hug. 

All of my love, all of my love, to you now

“A love song just for you, from both of us.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've always headcanoned that Eddie loves Led Zeppelin, because he plays guitar and loves metal and reads Lord of the Rings so of course he would.

[lemonlover1110]

𝐂𝐡𝐚𝐧𝐠𝐞𝐬

Satoru Gojo

[Chapter 17] Father and Son

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Pairing: Satoru Gojo x f!Reader

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Satoru tries to make up for the past four years of Ren’s life in a matter of weeks. His focus drastically changes, from his work to his son. He ignores the matter of so many people knowing before him, he avoids his mother and his so-called friends. His main and only priority is his son.

You both wish you could say that your relationship has gotten better, but you don’t really speak to each other unless it’s about the son you share. You’re hopeless that it’ll progress past what you have. Neither of you have the courage to bring up the situation, either way, your attention should be on Ren. 

Ren is finally meeting the man that he’s been dreaming of, and he’s getting to know his father after four years. You’re mostly excited for your son, while also regretting hiding it when you had the chance to tell him. Your relationship is the last thing on your mind– It’s certainly the last thing in Satoru’s mind.

He visits daily, bearing many gifts for his son. Satoru has become a regular at the toy store, buying something each day for his son, something that he thinks Ren would like. He hopes that material stuff will make up for the time wasted. Sometimes he brings some candy, but he doesn’t do it often. Satoru is still his father, he can’t just spoil him rotten, he also has to care for Ren’s wellbeing. He’s slowly growing accustomed to becoming a parent.

“What’s this, Ren?” Satoru holds up a cute white cat plush, one that Satoru always finds on the bed. He wonders if that’s the toy his son has had ever since he was a baby, he guesses it is since Satoru feels like he’s seen it in the background of a picture before.

“It’s whiskers.” Ren answers, taking the plush from his father and putting it back on the bed. That’s before he turns to other matters. Ren doesn’t mind sharing his toys (because you’ve been the one raising him), but whiskers is someone that Ren doesn’t like anyone touching. Anyone and anything can get the toy dirty, and when that happens, you refuse to let the toy on the bed, at least not before you wash it and get it clean again.

Satoru doesn’t bother to ask if that’s the plush that he sleeps with, because that’s most certainly a yes. Ren wants to talk about other important matters though so Satoru gives his undivided attention to his son. Ren then asks, “Are you sleeping over?”

“Uhm… No.” Satoru answers. You most certainly wouldn’t want that. Plus, Satoru has a wife at home who has her suspicions that something is going on. He doubts that she’ll care too much, but he wants to keep Ren protected from the world. If Sayo finds out, so does her family, and if her family knows, the whole world will know. “But I’ll stay until you fall asleep, Ren.”

“I want you to stay.” Ren sticks out his bottom lip, obviously disappointed that his father isn’t staying for the night. You let him on your bed all the time and you sleep together, why can’t he do the same thing with his father? Satoru can’t help but feel bad, so he thinks of how to respond to cheer him up.

You commented how you had plans of going on a small trip with Ren before summer ended, but summer evidently has come to an end. It’s colder now and the leaves are changing color. Satoru finally decides, “We can go on a trip soon, and we’ll be together all day every day.”

“Really?” The little boy’s eyes light up, making the biggest smile come to Satoru’s lips. Satoru now wonders how he was ever happy without him– Well, with you… But that memory slowly fades away since your relationship is now filled with awkwardness. Satoru nods his head in response. He can lie and make it a business trip, it’s not an issue for him really.

“We’ll have to talk to your mommy first, honey. Then we can plan it all.” Satoru answers, and Ren turns around to go look for you. Satoru feels awkward sitting alone on a bed that’s far too low and small for him. He stands up and follows Ren. They both look for you around the apartment until they land in your bedroom. The bathroom door is closed, and Ren immediately knows what to do.

Ren opens the door to the bathroom, and you immediately make eye contact with Satoru. Your face grows hot of embarrassment, and obviously Ren doesn’t see an issue with it. Ren’s issue is when he actually steps into the bathroom, and he just has to comment, “It stinks.”

“Yeah, I wonder why. Get out, Ren, and close the door!” You raise your voice, your embarrassment getting the best of you. Ren closes the door, leaving you to it, and Satoru chuckles. He ruffles Ren’s hair as both walk out of your bedroom.

“You gotta learn how to knock, baby. Give your mommy some privacy.” Satoru says, but it goes one ear out the other. Ren isn’t going to knock, you’re his mommy. If you want your privacy you better lock the door. They take a seat in the living room, where Ren grabs the remote to put on a movie. He knows how to get the movie he wants, even when he’s just learning how to read and spell.

“Where do you want to go?” Satoru asks, wondering where his son wants to go. Ren drops the remote on the couch, putting his tiny index finger on his chin, humming and tilting his head to the side as he thinks of the answer. 

“The beach.” Ren answers, but it’s cold. They can go out of the country though, go somewhere warm. He needs to talk to you first, of course. When you finally walk out of your bedroom (after mentally cursing your son for not having any manners when others are around), you go to the living room to see what they needed.

“What did you need, Ren?” You ask, and he looks excitedly at you. Satoru is the one that speaks up for him though,

“We want to go on a trip, can we?” You almost laugh since Satoru sounds like a hopeful child.

“Where are you two going?” You respond. You can’t really say no because Satoru is supposed to have equal authority as Ren’s father.

“Ren wants to go to the beach.” Satoru answers, Ren nodding in agreement. You cross your arms, your brows furrowing.

“It’s too cold to go to the beach, do you not have any other place in mind?” You point out, making Ren pout. The pout doesn’t last long though since Satoru says,

“We can go to another country. Somewhere warm with better beaches.” You’re certainly not convinced since you doubt you’re part of the plan. You’re not letting your baby boy in another country without you– Well, technically he’d be with his father, but you’re still not convinced. Until Satoru says, “Of course, you’re included! I doubt Ren would go anywhere without you.”

“I wouldn’t.” Ren affirms, and you laugh. 

“If you plan everything, then sure. We can go on a trip. You need to give me time off though– Paid time.” You say, and Satoru nods in response. He does pretty much everything you ask of him, and you certainly can’t complain about it. Ren focuses on putting on one of his favorite movies, and you begin to walk to the kitchen, asking, “Are you staying for dinner, Satoru?”

“Yeah.” Satoru answers. He’d definitely rather eat here with his son and you than dine alone at home. He helps Ren put the movie on, and they both begin to watch the movie. He’s watched this movie around five times the past week, and to be honest, Satoru is sick of it. But he’ll watch it because Ren loves it. 

He’s grateful when you call his name, and he has to tell Ren that you need him, so he can’t stay to watch the movie. Satoru walks to the kitchen, and he finds you trying to reach something that’s far too high for you. Satoru’s eyes land on the white bowl and he reaches for it before handing it to you. You mutter a thank you, and you expect him to go back to Ren, but he doesn’t. You then tell him, “That’s all I need from you, you can go.”

“Do you need help with anything else? You know I love Ren but… I’m sick of that movie.” Satoru answers, earning a chuckle from you. You think about what he can do for a moment, and he patiently waits for you to answer.

“You can make the salad, and then set the table.” You respond, and you think you’ll regret it for a moment. Satoru has had everything done for him, he probably doesn’t know how to cut a cucumber; but then you remember that he lived alone for some time, he had to cook for himself for a while. Satoru immediately gets to work, opening the fridge to get all the vegetables that he needs. He looks around the cabinets and drawers for the cutting board and knife, and he quietly begins to cut the vegetables.

“Have you talked to Shoko?” Satoru asks, washing the lettuce throughout. Pretty much everything is wrong between the two of you, but you can’t just stand in awkward silence every single day. You have to talk to each other, after all, you doubt you’ll stop seeing each other.

“I haven’t. I’m not going to for a while.” You reply. In Satoru’s eyes, she did nothing wrong. He’s glad that Shoko told him, otherwise, he probably wouldn’t be with Ren. But in a sense, he understands why you don’t want to talk to her. “Tell her to stop calling my phone because I’m not going to answer. I’ll call her when I’m ready.”

“I’m not really talking to her either.” He responds.

“Is it because she has the hots for your wife?” You blurt out, and you bite your tongue the moment the words leave your lips. Satoru’s brows raise, definitely surprised by your words. You can’t be serious, can you? Before he can ask more questions about it, you change the topic, “Speaking of… When are you going to tell Sayo about Ren? She’s your wife, she has to find out eventually.”

“Maybe after our trip… I’m not sure how to tell her.” Satoru shares, and you understand that it’s a tough situation. He has to figure out a way to tell his wife of almost five years that he had a kid that’s almost five– And he never cheated, he just found out about him. This was all before their marriage. It’s definitely hard. Satoru clears his throat, mustering up the courage to ask about Suguru, someone else that he has been ignoring. “So… How are you and Suguru? Are you still seeing each other?”

“We’ve been busy, but we’re still… Talking.” You answer. You won’t lie and say that you don’t feel nauseous every time you talk to him, your heart nearly beating out of your chest for the simple fact that you lied to him. He has to find out that you lied eventually. “Have you talked to him?”

“I’m not talking to him. I’ve been ignoring him. I’ve been ignoring everyone.” Satoru responds. He puts the knife down, watching you as you begin to cook. He bites down his lip, holding back on saying a couple of things that are on his mind. About this situation, about you and Suguru, maybe an apology. Satoru has been a complete mess with so many things going in his mind, but not voicing any of them. He does have to ask one question though, “Is Ren the reason why you quit school?”

“Yeah…” You feel embarrassed to say it. “I couldn’t afford both. It was either my baby or school, and that was an easy choice.”

“Sorry…” He mutters, and it’s barely audible but you hear it. You don’t really pay attention to it, in the end it was your decision. Given the option, you’d do it all over again. 

[mvnsvn6]

Have a mini fic about Steve annotating books and Eddie finding it really hot🖤

So obviously, Eddie's a bookworm. Before he had any friends, he spent the better parts of his childhood at Hawkins Library after school and Hawkins Middle's library during any recesses and lunches. He constantly read books, this was before Wayne got him a guitar and before he got into dnd, and being a bookworm tremendously helped him fuel both of those hobbies later on. But before then? The library was like a second home to him. 

And so, recently founding out that Steve reads, like a lot, is something of a revalation. It's not that Eddie thinks the guy is stupid, but he figured the guy spent time doing other productive hobbies at home. But the guy reads, and as previously mentioned, Eddie considers himself a literature connoisseur of sorts. Writing book reports and essays were one of the few things he actually excelled at in high school. 

So anyway, he found out that Steve is a book nerd by finding one of Steve's books open on his bed. Not really the strangest thing that Eddie's come across in Steve's room if he's being honest, and not the biggest indicator of nerdiness, until he focuses his attention and acknowledges the bright colors sprawled across the pages. 

A burst of rainbow colors underlining what Eddie guesses are his favorite parts of the story or important stuff he wanted to remember. And obviously, Eddie has to ask him about it. and Steve explains to him that he has a whole color key and it's made up of romantic lines that make him feel warm, sad stuff that makes him tear up, stuff that is word for word undoubtedly Steve Harrington sprawled on a page. Steve won't tell him which color is which, too embarrassed by it, but he lets Eddie read through them, and then he stares at Steve in unyeilding fondness. 

The look reflected on Steve's is not the same, mostly anxiety and insecurity, which Eddie immediately wants to soothe. It's so so sweet he thinks but Eddie's mouth translates the words into, "That's so fucking hot." Which, shit man, it is but he hadn't meant to say it out loud. 

"Shut up, dude, don't make fun of me right now." 

And listen, books are everything to him, this is no joking matter. They inspire his own stories, whether through a dnd campaign or writing song lyrics. It's honestly probably the most attractive thing a person could do in Eddie's opinion, he didn't know how hot until right about now, but he'll die on this hill. Annotating your books is hot. 

"Listen to me when I say this Steve, while that is the nerdiest thing I've ever heard and I'm, ya know, me. It's also about the most attractive thing that's come out of that pretty mouth of yours, like ever."

And Steve folds his arms across his fucking beautifully sculpted chest and narrows his eyes just slightly, raising a judgemental eyebrow at him. 

"You're being serious."

Oh he's never been more serious about anything in his life. 

"Uh...yeah? Yes. Oh my god."

Yeah, real eloquent Edward. 

Whatever, his heart is pounding profuesely against his rib cage because holy shit Steve is a book nerd and Eddie wants to kiss him fucking yesterday. So he gets on all fours on Steve's bed to lean forward and basically attacks his mouth before he can even think about it. 

And when he pulls back, Steve's pupils are blown wide and his breath has picked up pace, and Steve keeps bouncing between looking at Eddie's eyes and his lips. 

"You just kissed me."

It comes out disbelieving. 

"Yeah and with your permission I'd like to continue, like stat, immediately, now."

"You're insane."

And hands weave through curls and pull. 

Eddie tumbles foward, ending fully sprawled on top of Steve, and, jesus christ, body pressed impossibly close to his. 

And after they're romantic, read: nerdy horniness, little makeout session, he forces Steve to read the annotations himself, going through all the books that are important to Steve. He has to stop himself from moaning to really emphasize how hot he finds it, and to make Steve slightly embarrassed, but refrains. Just lets him continue. 

Eddie has never been so in love in his life.

[marlshroom]

while combing through mob psycho to find clips for my amv i am making, i noticed a small difference in the way ritsu and mob remember what happened after the highschool bullies attacked them.

when we see mobs flashback, the story is a bit scattered, flashing through mostly static moments loosely pieced together from his hazy memory. the high schooler's faces are hard to make out. the color palette is very washed out, with the core colors being white and desaturated blues, with the red being the most vibrant color, because the key part of his memory is the blood.

[ID: Mob Psycho 100 screencaps showing flashbacks to Mob and Ritsu's childhood accident. The first four are Mob's POV, and they're colored in a glowy blue and white, with Ritsu's blood the darkest and only other spot of color in the scene. We see Mob trying to stop Ritsu from yelling at older kids, Ritsu lying on the ground with a pool of blood seeping from under his head, and Mob looking lost with blood on his cheek. End ID]

in contrast, ritsu has a very clear telling of what happened. the moments are not as static, he remembers what color shirts they were wearing that day, he knows what caused mob to black out, for ???% to wake. the color palette is much more saturated.

[ID: The next four are Ritsu's POV, and they're slightly hazy but in full color. We see Ritsu and Mob struggling while the older kids grapple them, followed by Mob hitting his head against a wall. Ritsu shouts with distress, and black energy and red light suddenly flares up from behind where the bully shoved Mob into the wall. End ID]

i think the contrast is very interesting, especially since both retelling of events happen in the same episode (season 1 episode 5 i believe, where teru is trying to fight mob). one of them has an extremely poor memory, mob can really only infer what happened, he even asks ritsu what he did when he was knocked unconscious. and while ritsu claims that he doesn't remember much of it, his mind is basically plagued from this memory, as much as he would probably like to forget. he thinks about this any time mob is faced with stress. i don't think this was a very groundbreaking discovery, i just love moments like this where i can see how hard people worked on this show and the amount of detail they put in,... they could have very easily just repeated the same flashbacks from mob and add some more contextual shots from ritsus perspective but they chose to make that distinction.... so awesome.

[tremendum]

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Me and the Devil; i

(not my gif) .·:*¨༺ ༻¨*:·..·:*¨༺ ༻¨*:·..·:*¨༺ ༻¨*:·..·: Paul Atreides x fem!reader prelude next

word count: 5.3k

summary:  Destruction: the only thing you and Feyd-Rautha may have ever had in common. Unfortunately, you endured. You learned how to live with the Harkonnens, to be one of them- and with a clip of fear, you worry you may never be able to unlearn. 

warnings: blood/violence, family deaath, v brief allusions to smut/dubcon, reader is traumatized. pls lmk if i missed anything. not edited.

notes: thanks for all the love so far!!! here's the first chapter of the story - if you want to stay updated, i post on AO3 first :) just a quick first chapter to lay the scene before we jump into the engaging parts of the story. feedback is very motivating and highly valued, thank u all <33

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Penitent Crimes of Retaliation

In accordance with the legal doctrine of the 'Reprisal Accord', as sanctioned by the High Court of the Landsraad, houses are granted the right to retaliate against proven offenses committed upon them. This action shall such be labelled as "Penitent Crimes of Retaliation". Under this mandate, should sufficient evidence be presented, the aggrieved house may initiate a retaliatory strike and engage in warfare against the offending party. While reparations for damages incurred during the conflict are mandated, perpetrators shall be exempt from criminal sentences, ensuring a balanced recourse within the framework of inter-house disputes."

- From the Reprisal Accord, Office of the Padishah Emperor. Imperium, 10041. 

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There was once a time when green was your favorite color. 

You'd enjoyed a childhood of it; Peridot, Jades, the velvet green of winter dresses, the tall, mighty green the sacred Pine. The woven banner of your house, waving in the snow-whipped wind; A snarling green wolf upon the grey armor your parents wore to train you. 

When the men of one other Houses Major arrived to retrieve your older sister, she'd been shroud in that very same pine-colored satin, an elegant dress, as she waved good-bye to you for the last time. When the ice would melt off the lower glaciers for those three months every year, the lakes would thaw to a deep emerald green, and your brother, sisters and you would play in it; servants and soldiers alike yelling and pulling you out, shivering to your bones. 

Even at your sister's funeral. The green of the casket, laid to rest in the ground of a foreign planet by a man who'd never truly loved her. The women of your House, wearing a veil of mourning in that sacred pine satin as you said good-bye to her. Killed by the birth of her first; a son. Your parents had been proud - You became the oldest of your siblings that day.

You can barely stand to look at green anymore. No, instead, you mostly see black.

Black, white, and red. 

They'd sent you away to make for your house a Fortune; a son, they'd wished, for your sake - and, by whispers of your Lady Mother, a daughter - but this place... it crawls with shadows and monsters and deadly smiles; most in the form of your betrothed.

Your na-Baron. 

If Feyd-Rautha ever had a semblance of hesitancy, it was when you first met four years ago. You were at the end of your seventeenth year; he, freshly eighteen. He had been as cordial as you'd ever seen him, escorting you with an arm held out, eyes malicious but mouth less than offensive. He'd even called you Lady Bourbon those first few months on Giedi Prime. And, in fact, you can consider yourself lucky; perhaps for your bloodline, or for you yourself, Feyd-Rautha took special care of you. Maybe he did care for you -in the ways that he could. 

After that, he taught you all you needed to know about the rest of the world. In these final days together, he has admitted furiously that he waited too long to claim you as his wife - four years was much too long for you to wait, even if your purity was claimed by him long before then. 

The accusations had come from his uncle, the Baron; House Bourbon was stealing their precious refinery codes, committing treason against the trading accords along their exportation route. Perhaps, he thought, you were the one to plot it against your beloved future family.

But Feyd-Rautha knew better - knew that you'd never dare betray him. He was the one to demand a public execution of your family - but also the one to redirect your sentencing to a mere prisoner. As if you weren't one already. 

Don't look away. See what we do to scum, my pet? 

After all the sparring, each time you drew that precious blood from him, and you still haven't been able to kill him. If you'd had a blade, you would have, right there in the stands. 

You were, in some ways, relieved when their bodies had hit the sand fast; You'd never seen your brother's skin so reflective as you did this morning. The black sun couldn't hide the blood that had seeped from him, nor from your mother's throat. You'd swallowed thickly, wishing you could look away, gasp - cry; but you had to hide your pain. Your na-Baron would've loved it too much.

Why don't you leave me with them, then? You'd hissed through your teeth.

Though he was wild and psychotic, growling with hunger at the bloodsport in front of him, he heard you for what you'd said. Feyd's fingers pulled your hair hard; forcing your chin to stare up at him. A sickly glint in the black sun, his teeth shone with hunger. 

You'd have me throw you to your Wolves, and lose my prize? He'd tutted, kissing your forehead with a sickening sweetness; enough so that the servants had turned away their spider-black gazes. They didn't care much for the acts of affection you'd occasionally show one another - in a world marred by ugliness, any glimpse of beauty becomes a hauntingly grotesque show of power.

He'd snarled, slapping your cheek hard enough for you to groan. His breath hit your face, you're mine to keep - there's plenty of life left for you to serve.  

He'd held your eyes open as they'd slit your father's throat; then both of your sisters, and your brother's. Your mother had fought as much as she could in her drugged state - the Harkonnens are rutheless, and Feyd-Rautha had sat calmly behind you, your head in his hands, caressing your shaking cheek - but the neckline of her gown was too high, and too thickly inlaid with encrusted heirlooms. 

Bless their voided souls.

The emeralds that tore from her gown as she'd spilled her blood to the sand sent a ripple of pain out of your throat. Feyd had buried his face in your neck, teeth sharp as he sucked a mark just behind your ear, watching as you clenched your palms so hard, your own ruby blood beaded out, blackened in the sun's light.

If anybody would have bothered to look before burning the bodies, you know they'd find all the family diamonds sewn into the fabric of their clothing - centuries of your House, melted away.

Feyd-Rautha had drank up your agony with his lips, smiling as his hand wrapped around your throat. 

Now, alone and away from the thick industrial air, your chambers are cold and suffocating.

There are screams coming from the hall - not the kind that you've grown to associate with your na-Baron testing his new blades, but the kind that comes with danger. With change. 

As it turns out, you are not Feyd-Rautha's to keep any longer.

A loud noise outside of your quarters jolts you from your bed, whispering to yourself. They're coming for you. Pulling the sheets closer to your body, your hand finds the blade gifted to you on your nameday three years ago by your husband-to-be, still tainted with the ghost of your own blood.

Your whispers reverberate in the empty room. "I must not fear. fear is the mind-killer. fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me."

Your voice shakes. Few things remain from your early days of training, before you were sent off to become a Harkonnen; This is one is a relic.

There is a loud noise just outside; blades. 

For a moment, you imagine there is a hand on your arm. It is strong, ghost-white, and possessive. His voice rumbles in your head. Don't look so sad, my pet. I will never let them keep what is mine. I will find you again. 

You almost wish he will. 

When you look down to the weight on your arm, you do not find the hand of your once-betrothed, but the remainder of his ownership, a handprint of a bruise that will not fade even as the soldiers in Atreides armor deliver you to the next planet.

You rise from your bed, preparing your sore body for a fight that will surely end before it even starts. You don't stop your old prayer, in fact, you hardly notice that you're saying it at all. Even as the doors give in. 

"-and when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing - only I will remain-" There are soldiers that burst through.

The way one of them fights strikes a faint memory from a lost childhood, and it fills you with rage. 

Why did you wait so long to rescue me?

You lunge, snarling like the wild beast you've become in your captivity. You will fight, because that is the only thing you know how to do. It is the only thing you have left. 

Your blade falls within minutes.

You're taken by the man from your past not a minute after. 

You're on a ship, watching the black Opiuchi B disappear, in an hour. 

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"My Lady."

You don't realize the worker addresses you until you snap out of it, flushing behind your veil as you step out of the aircraft.

The dress you wear, salvaged from your family's old castle, is dusty. 

It clings to your skin, drowns you, as the rain falls. A staff of House Atreides holds an umbrella above you, shielding your elaborate dress from the water as you walk up towards where the members of the House await you. You stare down at the dress - green velvet. A texture you have not felt in years; your skin looks different not wrapped completely in black.

Your eyes strain to take in the grand entrance to the castle from the hangar which Duncan Idaho had escorted you, ignoring him as he turns to glance back at you momentarily. You can't bear the look of unfamiliarity that flickers over him when he looks at you, now.  

He looks the same - maybe less tall, but that has more to do with it having been six years since you last saw the man. You, however, are not the same girl you were when he knew you on Sabberon. Fear, panic, and wrath rage within you while your gaze smolders daggers at the back of his head. 

He walks just slightly in front of you and despite yourself, you slide just a bit closer - the only semblance of comfort you can allow yourself to feel as you take in the largess of the castle. The air is thicker here than you've ever felt; salty, windy, like you can taste the sea in the rain... it clings to your skin, but it feels clean. You'd been changing into your robes when you entered atmo - you've heard many things about the ocean, about Caladan. 

Something within you yearns to witness it yourself. Subtly, you crane your neck outwards to catch a glimpse; nothing in the near distance but the walls of the castle and high cliffs. 

You nearly trip as Duncan Idaho stops just a few paces from where the members stand at attention to greet you and your retinue.

Duke Leto Atreides, regal and composed, stands at the center of the room, his presence commanding your attention. Beside him, a woman wearing a deep cerulean gown - Lady Jessica. Easily, from behind your own veil, her gaze penetrates you; A cool sensation down your spine as you seem to feel her words in the back of your head as she watches the Reverend Mother who'd travelled with you per High Court orders.

 Hello, sister.

You purse your lips, looking on - there, next to his mother; Standing tall with an aura of quiet intensity, his eyes on you, is Paul Atreides.

The son to whom you're now destined.

Even from your obstructed vision, you can see that he's handsome - lithe, hair curled and combed back to show his eyes. They are wide, penetrating like his mother's, but Maker, they are so green. 

There is no hunger in his eyes, nor hatred, nor anything but a mild curiosity; it strikes a chord of fear in your gut, wishing briefly to return to the na-Baron's sight. It was easy to go unseen with the Harkonnens; They always made their intentions clear, and the na-Baron never wanted many to see you besides himself. You always knew what he wanted, and you could give it to him enough to control him. 

But Paul. His stare betrays no emotion but duty. If not for the boyish pout of his pink lips and his freshly-shaven jaw, you could have mistaken him for his father. A Duke. 

Your name, boomed from the voice of Leto Atreides, pulls you back to the surface of Caladan. "Welcome." Duke Leto's voice resonates through the hall with authority as he addresses you, his tone measured yet warm. Your stomach twists and turns as the man nods courteously to you. Coaxing your body to move, you bow to him.

"We are honored by your presence." His voice is surprisingly humane, exceedingly polite towards you; someone who was just come from the protection (a laughable phrase) of their sworn enemy. 

Your throat tightens at this. There is no honor to your presence, not anymore. 

Though you feel the prickling behind your eyes, you force your head to tilt in acknowledgment, schooling your expression to respectful - perhaps they can't quite make out your face, but Lady Jessica watches closely. She sees.

You take a sharp breath, swallowing away the lump of emotion in your throat. 

"Thank you, Duke Leto, my lord." Your voice carries steel beneath its polite, quiet veneer, though you try to calm your heart. You turn to Lady Jessica to greet her.

"My Lady, it is a pleasure." You say, equally even. Lady Jessica offers a tight smile, something akin to understanding swimming among her irises. It's been quite some time since you were permitted to talk to a woman; Your servants on Giedi Prime were, of course, tongue-less, as na-Baron wished. "Thank you for welcoming me to your home." 

"We understand that these are trying times for you." She says softly, her words a gesture of solidarity as your legs stagger. You feel dizzy and tired, but you force yourself to nod, bowing again. Your chained headdress overlaying your veil chimes slightly with the movement, swaying with the rain.

For such an acclaimed House, you're surprised by the gentleness of their welcome. Perhaps, they'd thought that the groaning and echoing hallways of Giedi Prime might break you, that they'd be taking in some injured little dove, wings clipped by the ferocious boy who'd gifted her with a knife plunged between her ribs on her nameday. 

The scar that lies just below your breast on your right side serves not as a reminder, but as fuel. It did not quell your spark. It ignited it, with a bloodthirsty rage for revenge.

Months of being thrown into a pit under the glaring black sun; Not the arena that assassinated your family, no - this pit was smaller, with one large seat for the na-Baron himself, and drugged concubines and servants with blades to service his na-Baroness. A place to watch his pets play. 

Destruction: the only thing you and Feyd-Rautha may have ever had in common. 

Unfortunately, you endured. You learned how to live with the Harkonnens, to be one of them- and with a clip of fear, you worry you may never be able to unlearn. 

Lady Jessica is correct, these are trying times for you. You swallow as you straighten your back. Despite everything, there's a minor comfort in the Atreides' insistence of providing you with the necessities for you to perform your traditional customary mourning traditions. Your family may be gone, but you can still have this part of them; as a way of saying good-bye. It's what they would have wanted. 

You turn to the young man who stands next to Lady Jessica.

The Harkonnens had tried to show you the dangers of house Atreides; The poison of appearance, of trust. You are not foolish enough to have believed the Baron Vladimir and his webs of deception, but you are sharp enough to know that in times like these, nobody can be trusted. 

Your betrothed watches you, as if trying to see through your mourning veil. The green of his eyes sends a warmth through your stomach as you avert your eyes. "My Lord," you bow to him, your heart thumping in your chest, remembering how you might be rewarded for looking your formerly betrothed in the eyes during ceremony. Trying not to flinch, you wait to see what Paul's hands may do. But they do not strike you, nor grasp your jaw sharply. He barely moves. 

"My Lady." His voice is softer than you expected, and it strikes your heart with a cool unease. Distrust slithers around you like a daunting snake. He bows back to you. 

It's silent for a thick moment before Duncan Idaho - the man from a distant past - speaks from beside you. "We have much to discuss." 

Cutting to the chase, as always. Your eyes fall to the Duke, who nods. "Do you need to see treatment?" He asks the Swordsman, eyes assessing the soldier. 

Duncan laughs at this, gesturing to his arm, where beads of blood still slowly peeks through his the tunic he'd slipped on after changing out of his armor.

"Harkonnen blades are sharp. So are Lady Bourbon's nails."

The prickling of four pairs of eyes strike you as he continues, turning this time to address you full-on. "Your fighting is much different than I remember, Little Bourbon." 

What he doesn't say is clear to you: Much more savage than he remembers. Something between shame and pride licks at your cheeks and you avert your eyes; It had been a force of habit - rabid hounds don't tuck tail when cornered, do they?

You clench your hand, your nails digging into your palms; you learned early on that sharper claws could keep Feyd tame for longer. 

The force of Duncan's old nickname for you, when you'd been young - it nearly knocks the air out of your chest. It's been over half a decade since you'd seen the man; too much has happened since then. Nonetheless, you smile toothless behind the veil, trying not to think of the life you'd just left behind. Of what cold life lies ahead. 

When you respond, your voice is frigid. 

"Sometimes adaptation is survival, Duncan Idaho. Threats demand evolution." 

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The rain is gone by the next day.

In the morning room, forks scrape over blue-plated China. There must be a clock somewhere near, as the seconds pass in quiet, insistent ticks. A cleared throat, a swallow of water. 

Your eyes burn from exhaustion.

Your arrival last night held no such time for small talk - you were whisked away by the service staff to make sure your quarters were comfortable; Your old clothing and that of your sisters and mother - the few things the Atreides soldiers had salvaged from the ransacked Castle at Sabberon - had been washed thrice of rubble and smoke and were hanging, waiting for you, in the wardrobes. 

Barely awake, late in the evening, you'd attended a meeting in a small conference hall. There, sat across from Lord Paul, Masters of War and Swords and Strategy, a Mentat, and the Lady Jessica, the Duke had asked you questions, ensuring you were not harmed - more importantly, trying to ensure there was no malicious intent to your presence. Your eyes could not ignore the Lady Jessica, who stood behind the Duke, her fingers twitching to the others when you responded to a question asked of you. They had some kind of language, you'd realized, as they responded in their own subtle hand gestures. 

You'd only been there for ten minutes before you were escorted by a handmaid back to your chambers, where you sat without rest through the night. 

Truthfully, you're breaking fast with Lady Jessica and Lord Paul out of courtesy; You were up far before the sun had found the horizon this morning, staring emotionless at the ghost who stood in the corner of your new chambers.

You'd sat watching, cradling your chest with wide eyes, as the ghost slid onto his knees. How he'd crawled, smirking at the foot of your mattress, whispering to you with sharp teeth and beckoning fingers. The sweet promise in his eyes laid with blood and pain, coaxing you forward despite yourself - until something in the corner of your vision moved, and you'd screamed. 

That had woken one of the servants.

She came in with her head tilted down, holding a pitcher of water, and you'd asked her to stay.

Her name is Hestia; she must barely be twenty. You insisted on sharing a pot of tea with her, sitting in the silence but sipping shortly on your teacups. You didn't talk much, but instead breathed and felt the safety and of a woman's company, even if she is a few years younger than you. 

It wasn't until she'd brought you breakfast a few minutes later that you realized the staff must have been informed of your courting customs before your arrival - she said nothing as you ate silently, staring out towards the coast of rocky cliffs and rolling moors you could just barely make out from your chamber windows. 

And now you sit similarly - in the morning dining room, your hands perched in your lap, unsure what to do with yourself.

Your future husband, no older than yourself, sits across the table from you now, pushing his omelet around on his fork. The table shakes just slightly, jilting your glass full of water - he must have a restless knee. He chews at his lip, avoiding your stare, sharing slight conversation with his Lady mother. Her attempts to bring you into the conversation are met with polite answers and more silence, your voice shaky and cold. 

After a while, a woman enters, whispers something to the Lady at the end of the table. Nodding, Lady Jessica takes her leave with a pointed look at Paul, suggesting he might escort you around the castle to settle you in.

Though your stomach coils, you nod, "-if you have time, my Lord, I'd appreciate it."

His eyes find yours from behind the veil and you clear your throat. He's quiet but chivalrous; A nod, a glance sent back to his mother as she leaves. A short gust of air through the room and suddenly you can smell him. His hair, clean and glossy - healthy - glints as he faces a window, exposing the early morning sun to his bright eyes.

It's silent for a few moments as only the two of you remain; Your food untouched and his half-eaten. 

"Are you one of them?" 

Them?

You stare at him from behind the thin pine veil that covers you. It occurs to you that Paul may assume you are just as bald and sick as each Harkonnen; years of adapting, surviving off of instinct and placation, are over. With a jolt, you realize you are not a Harkonnen. And you will not be wed to one.

You shake your head, thankful for the lack of chains upon the crown of your head today, ignoring the melancholy feeling in your gut. 

"I have hair." You state simply, looking down at the skin of your arm; The skin that boasts arm hair, none of the sickly pale skin that knew of no clean air nor healthy sunlight - your skin, glowing with real melanin like the House of Bourbon.

You'd never spoken this freely on Giedi Prime besides in the sole company of Feyd-Rautha - stars, you'd never have spoken this freely at home on Sabberon, either - but there is no home anymore. And if you've learned one thing in your years since coming of age, its that the Great and Noble Houses of the Landsraad are crawling with perjurers, fabricators. 

Paul is likely the same. 

If the Atreides boy must be wed to you, you cannot help that, just as you couldn't help with Feyd-Rautha. They can dress you, insist in your traditional customs - but you will not go down easy. No matter how cold the home, you can be colder. You are more than the bones which hold you up; Meaner than the demons that kept you in their ghostly-grip for four years. 

His cheeks flush a peculiar pink, bottom lip captured between pearly teeth. "No," he starts again, eyes searching - trying to find you, beneath the layers of green that wrap around you. "Not Harkonnen-" he quiets after he says the name, as if worried to offend you. "I meant-" his eyes swim, "Bene Gesserit." 

Your stomach chills as you meet his eyes. 

After some hesitation, you shake your head. "No, my Lord."

When he blinks at your words, you feel compelled to continue. "I suppose I was..." you move your hand to pull on the sleeve of your robes.

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"or, I was supposed to be." your unemotional tone rings through the room. Paul doesn't say anything to that, biting back the suspicion that climbs up his throat.

He stands when you rise from your seat; Your mourning dress, unlike anything he'd ever seen before, flows like the leaves of a weeping willow as you push your chair in behind you. When he offers a stiff arm to escort you out of the room, you hesitate before looping yourself loosely to him. 

She is telling the truth. 

His mother had indicated, with flicks of her hand, during the meeting the evening before; you, sat before the Atreides' council, unaware that his mother was reading your honesty. 

But that could be a trick; you've admitted to being partially trained in the ways of the Bene Gesserit, perhaps you found a way to deceive his mother. As much as he trusts Duncan and his father, he can't shake the suspicion that you're a mere pawn in the Harkonnens' game.

But his father's words burn sharply into his mind. 

Duty often requires us to navigate paths we may not have chosen for ourselves, Paul. You may not always like her, but you will treat her with the respect and care befitting of a future spouse. Love may come in other ways - but you will marry her, and together you will sire an heir when the time comes.

By decree, it was ordered you be wed to Paul, but he can't find it within himself to lose the feeling of distrust. He has spent hours learning about the Harkonnens - how they think, their strategy; and yet, from Duncan's account, the Baron and his nephew just let you go. It makes no sense to him. 

"I was supposed to be a lot of things." 

Your voice is undeniably beautiful; strong, much more resolute than he'd expected. But you are extremely cold, and evidently unwilling. Polite, yes - it seems you've been trained just as he and every other young noble of the Great Houses have - but you are calculating, aggressive.

He saw the claw marks you'd left upon Duncan; a man you've known since you were a young girl.

You walk with your chest out, back straight like a soldier; your words are cordial yet laced with steel and indifference - it only serves to deepen his unease. He guides you through the castle, murmuring quietly as he shows you along, introducing you to various members of staff who stop and bow in recognition. 

You don't say much until he escorts you to a path that winds down out of your sights; Below the castle, between jagged rocks, Paul finds himself concerned to no longer be surrounded by castle walls. Beside him, you take a deep breath, your footsteps faltering as you slow to stare at moss that sprawls across the cobblestone. 

Curiously, Paul slows to a stop beside you.

For a moment, you stare down at the dirt and fallen tree limbs, the grassy fields and rocks. Soon, as though an invisible string pulls you upwards, you snap your head, voice sheepish behind your veil. "Apologies, my Lord." You start to turn away. "I've read of plants like this, but never seen them before in person." 

Paul is suddenly struck by the realization that you may not have seen much of any flora nor fauna on Caladan. He knows what Giedi Prime is like; and your homeworld, from what he'd read last night before bed, was mostly full of Glaciers, forests, and high altitudes. Perhaps you are interested in such things; the idea surprises him. 

So instead of moving along, he finds himself bending to pull off a bit of the moss from a fallen trunk. The earthy dirt spreads between his nimble fingers, the green bright against his skin. You watch him silently.

"It absorbs up to twenty times its dry weight in water." He says it quietly, repeating what he'd learned in an ecological lesson, pushing on the spongy material with his thumb. "Banks of it grow just around the brackish tidepools outside the castle." 

Your interest, piqued, causes your head to crane slightly from your short height - he can tell, even without seeing any part of your face, that you are fascinated. "Am I allowed to see?" You ask stiffly, your arms by your sides.

An initial wave of protectiveness over his home washes over him; remembering his father's words, he forces his shoulders to relax. He lets the moss fall back to the stump, brows furrowing. 

"You are to be Lady Atreides, one day." He tries to school his voice evenly, avoiding any hint of resistance to this fact. "You do not have to ask permission to see your own land." 

The wind from the sea whips around you; his stray curls fly in his vision. There are no words from you for several very long breaths, in which you clear your throat. 

"I do not feel well, my Lord." You say moments later, voice cordial but thick with the desire to be alone, "I believe I am sick from travel. Please, if you would excuse me." 

He is unsure if he had made you uncomfortable or if you are truly feeling sick; nonetheless, Paul escorts you to your chambers silently, calling one of the handmaids - Hestia, her name is - to check on you. He insists she bring you some bread and cheese, to draw you a bath if you please. 

His jaw clenches; he's to train with his mother soon, but he needs release. His muscles clench in repressed frustration and so Paul lets his feet carry him swiftly to the training quarters.

His fingers itch for a blade; his mind itches to forget about the last day, about the cold life that lies ahead of him. 

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follow @tremendumnotifs for updates.

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[psychedelic-ink]

ㅤㅤㅤ✦ 𝐅𝐎𝐋𝐋𝐎𝐖𝐄𝐃 𝐓𝐇𝐄 𝐁𝐄𝐀𝐒𝐓

ㅤㅤjoel miller x f!reader

genre: angst, hurt comfort, minors dni

word count: 5k

summary: You, both a member of David's group and one of his former victims, are already contemplating escape when Ellie arrives at the resort. Seeking Ellie, you decide to take advantage of the unexpected opportunity to run. But before you can find Ellie, you cross paths with Joel instead.

warnings: age gap, virgin!reader, mentions of past grooming attempt, mentions of cannibalism, past rape attempt, PTSD, blood, canon typical violence, no smut for now, spoilers for s01 e08

a/n: this was previously named let me follow this is also new for me because I've never written virgin!reader before (mostly because i didn't have the best experience with that) but i felt like it was fitting with the story and where i wanna take it in the future.

Revelation 13:3-4 "One of the heads of the beast seemed to have had a fatal wound, but the fatal wound had been healed. The whole world was filled with wonder and followed the beast. People worshiped the dragon because he had given authority to the beast, and they also worshiped the beast and asked, 'Who is like the beast? Who can wage war against it?'"

The wind blows cold. You, a girl who has lost everything, sit on your knees on the ice. Your family has been long gone. Your hope dwindles, hanging only by a simple thread. You don't know how long you've been crying. Your hands, young yet covered in the warmth of blood. The scent of pine reaches your nose, and you sniff involuntarily, just like you did before you lost everything. Before the world ended. You hear the sound of men approaching you, and you wish they would just kill you. Sixteen and already you wish for the sweet mercy of death.

“Now what do we have here?” A man speaks, his tone is humorful. Melodic. Your mind and body already slipping and reaching towards the warmth of it. “You poor young thing. Where’s your family, girl?”

When you finally look up from your hands you see a man on a horse. Typical for this day and age. Near him hovers four others. All of them looking weathered and older than you. Your eyes move back to the one that seems in charge. He has strawberry blond hair and a thin beard of the same color. His eyes narrow slightly. They pop under the cold blue sky and the frozen lake. You don’t know what to say. How to answer this man who is an obvious threat. 

He hops off the horse, and you attempt to move away but your legs are frozen in place, your heart beating loudly against your ribcage. He kneels next to you. Observing. You swallow, fear coating your tongue with the taste of bile. His eyes soften when he takes in the sight of you. Bruised and wounded. Your eyes squeeze shut as he reaches out and pushes a loose strand of hair only for the wind to bring it back. 

“No need to be afraid, child. We’re a peaceful group and there are more like us if you want to join.” 

“J–Join?” your teeth chatter, your lips hurting as you speak. There’s a bit of light filling the cracks of the iron cage of your heart. Hope. You realize it to be. Hope that you found someone to help you. To look after you in this infected world. He must’ve seen it in your expression because his soft smile grows, eyes glimmering with mirth. 

“So afraid,” he hums. “But we’ll change that soon enough. You’ve been brought here for a reason. And I think I know what your purpose is in our small clan.” 

He swiftly stands, leaving you dumbfounded and still upon the freezing ice. Your mouth gapes, your body buzzing with a newfound need to stay alive. 

“What’s your name?” you ask. He throws an old coat over your shoulders. Not his own. But one he had extra on his horse. Probably taken from someone else who was more unfortunate than you. 

“David,” he answers gently, as if he’s scared you’ll run away. Before you reach out, he grabs your hand and lifts you. You nearly fall, only prevented thanks to the strong arm that wraps around your waist. He’s warm. Much warmer than you expected. “Lovely to have you with us.” 

The men near him don’t seem to share the same sentiment but you smile all the same. 

You don’t want to think for a while. Maybe not even for a millennia. If possible. 

10 YEARS LATER

Whispers of death surround you. The names of the fallen circling you and squeezing your heart tight. Suffocated. That’s how you feel. Helpless. Trapped. Consumed. Faint murmurs fill the hall room. The cold that seeps through the wood, the same wood that was intended for summer and not winter, worries everyone, including you. But at the same time, you think this is what you all deserve. An icy grave. Freezing to death and surrendering to the cold. 

You were never meant to feel warmth. You know that better now. 

The chair creaks next to you and when your eyes shift to the side. You see James taking a seat. A sudden rage fills you. An indescribable rage. It disappears as soon as it appears like it always does. He turns to you and gives you a curt nod. You don’t nod back. He might think he’s looking after you but he’s not. All he’s done is turn the other cheek to a faith that is spewed by a liar. A deceiver. A disgusting man that makes your stomach turn—

The aforementioned man finally stands and clears his throat. Loudly. But not loud enough to overpower Hannah’s cries. She sniffles. Rubs her eyes roughly. Her mother wraps an arm around her and starts whispering words of comfort. You have no idea what that comfort would be since it was her father that had died. You remember the day you lost your parents. You felt utterly defeated at the time. Hopeless. Swallowed by darkness. Your eyes rubbed raw and stinging from crying and crying and crying—

David opens the bible and reads. His glasses are perched innocently above his nose. His voice, despite the rasp of time, still carries that melodic lilt. You don’t listen. Refuse to. 

“And I saw a new heaven and a new Earth. For the first heaven and the first Earth were passed away. . .”

You close your eyes with a stuttered breath. Your body is thrumming. Your legs shaking and heart pounding. These are the most painful times for you. The times where you have to listen to him and pretend to be moved by God’s will. You hate hearing his voice. The same voice that told you you were his. The same voice that commanded you to strip for him completely when it was only your arm that was wounded. 

Your pulse quickens. Your cheeks grow warm. 

You can’t breathe. You can’t breathe. 

It happened years ago but it doesn’t matter. No matter the passage of time it still feels like it happened yesterday. His touch on your cheek. The way his blue eyes ate you up as he stalked around you, pretending to be worried while he was just taking in the sight of your body. A soft touch here and a soft touch there. Knuckles following the curve of your spine. Palms feeling the weight of your behind. The memory makes you sick. The way he was marinating you for something unspeakable. 

He enjoyed when you flinched. Enjoyed the way you whimpered and curled away. He laughed and did nothing else. He wrapped a bandage around your arm while you remained stark naked. Then he left. Leaving it to James to come to the room, telling you to get dressed while averting his eyes. 

You jerk, eyes going wide as a sharp cry echoes within the thin walls. 

“. . . And I heard a great voice out of heaven say, ‘Behold… the tabernacle of God is with men. And God shall wipe away all tears from their eyes—’”

He’s trying hard to ignore it. You can tell by the way his lips twitch ever so slightly, his nostrils flaring with annoyance when another cry is heard. 

He stops. 

And your heart stops along with it. 

You’re still afraid even when his anger isn’t directed at you. Cold beads of sweat make you feel clammy and gross. You want to hide. And even though you blame him, you want to move closer to James, hoping that whatever it is that’s going to happen, he can shield you from it. 

David turns his gaze towards Hannah and Joyce, Hannah’s mother, and lets out a sigh as if it pains him to see someone so distraught. 

“I’ve read this passage too many times,” He walks towards Hannah, his brows slightly furrowed and eyes full of rue. He places the book on the table and removes his glasses, placing it above it. You’re surprised when he kneels but your stomach twists as he places a hand above Hannah’s knee. She’s unaware, her bottom lip trembling. “Do you remember what comes next?”

She shakes her head. 

“‘And God will wipe away all tears from their eyes… ‘that there will be no more death, neither sorrow, nor crying, neither will there be any more pain… for the former things are passed away.’” 

Your eyes move to the crowd. Everyone holding on to one another, eyes red and wet. Hannah takes a sharp inhale, your gaze promptly landing back to the scene. 

“Do you know what that means?” She nods and when she does, David grips her shoulder. “Good.” 

He exchanges a glance with the mother and stands up, a groan dropping from his lips as he does so. You feel a momentary satisfaction at his discomfort. 

“When can we bury him?” 

The question surprises everyone, including David who doesn’t show it. The only oddity is him looking at James, a gaze so quick and short that if you hadn’t been sitting next to James you would’ve missed it. “The ground is too cold to dig. We’ll bury your father in the spring.”

Hannah seems content with the answer for now. The sermon is over when David opens the doors. His eyes linger on you as you get up, slow and groggy. Despite her recent loss, you find Hannah to be lucky. At least she had someone to protect her for a good while, her body free of being viewed as an object that belonged to someone else. 

You don’t look at either James or David as you leave. Not that it mattered. They were too busy talking amongst each other.  

You wipe the snow that catches over your eyelashes with the back of a gloved hand. Everyone had a job to do and yours today was to chop wood in the freezing weather. You hate the feeling of shivering and sweating at the same time. It’s a disgusting feeling. But you were the youngest of the group—and had fallen out of favor with David, which meant that he didn’t try to get into your good graces by giving you the stay-by-the-fire duties. Not that you missed it. You’d rather freeze to death than give any part of yourself to him. 

Your feet drag over the snow. Your biceps ache with the added weight of the firewood within your arms. Breathing from your mouth, your eyes are drawn to one of the sheds. That place always gives you the creeps. It’s always locked. The windows dusty and blocked by cabinets from the inside so no one could see. You never thought of asking what the hell was in there, no one else did either. Everyone just wanted to survive. A herd of sheep following the blood-stained mouth of their leader. Not that they knew he had a blood-stained mouth. That information was only reserved for his victims and James. 

A log slips from the top and you loudly groan towards the sky. You need to leave this hell hole. You don’t know when. But you have to. 

Just as you lean down you sense someone coming towards you at full speed. Jumping, you move back only to see James huffing and puffing with a small package in his hand. You raise a brow. “Weren’t you supposed to be hunting?” you ask, picking up the log. “What the hell are you doing here running like a maniac? ‘Scared the shit out of me.” 

“David is at gunpoint.” Good. “And the crazy girl demanded some medicine. Hopefully, I can sneak up on her.” 

You scoff, “A girl? Since when does David follow any kind of demand?” 

“It’s complicated.” He looks uncomfortable, you must’ve struck a nerve with that. “She’s with the man that killed Alec.”

“You’re taking medicine to her? Actual medicine.” 

“David said. . .” 

You raise a hand and shoo him away, “Just go. I don’t care.” 

Watching him leave, your brows knit tightly together. This had to be a joke, they found the girl and by proxy, the man who killed Alec and. . . David is helping the girl? You don’t necessarily care for revenge— but the fact that he’s actively wanting to show just how kind he is to this girl is suspicion-worthy. He likes what he sees and pulls a curtain over his true colors to obtain it. You know word of this will come out soon. You’re positive that James told at least one person when he went in to get the medicine. It would spread like wildfire. 

And most of the people here, starving and cold with no warmth left in their chests are hungry for the heat of revenge. 

Just like you had predicted rumors were spiraling. 

You’re sitting someplace unnoticeable and near the windows. Snow hits the glass like heavy rain. The clear panels freezing over, you visibly shudder. Your decades-old jacket isn’t enough anymore to keep you warm. 

Your head turns with another whisper coming nearby. Something about a girl being with the man who killed Alec. Your eyes shift to Hannah and her mother sitting in the middle, the young girl seemed furious, her eyes hardened but still carried a juvenile chubbiness in her cheeks. The look doesn’t suit her. It looks like a drop of blood on top of snow. No one is touching their food. Steaming bowls of meat sitting on top of weathered tables. You’re not hungry so you push it away. You’re hoping with every fiber in your body that they haven’t found the girl. You wouldn't wish David on even your worst enemy.

The doors open with a loud, bone-chilling creak. You jump at the sound. Soft flakes of snow hurry inside, melting as soon as the light touches them. James holds the door open for David and the latter, with great effort, drags a large stag inside. The entire room stops breathing, their eyes glued to the scene, their minds full of questions. 

The door closes. Suddenly you feel trapped and suffocated. 

“Big one,” David says, looking towards the tables with a crooked smile. Not even one person is talking now. Just deafening silence. James moves away quickly, his eyes find yours, and takes a seat next to you. You’re not sure why he hovers around you. Maybe in some sick way, he thinks you’re friends? 

David sighs loudly, bringing your attention back to him. “If you’ve heard a rumor… yes, we found a girl who was with the man who took Alec from us. When the sun rises, I’ll lead a group out to pick up her trail. Won’t be hard to find in the snow. We’ll follow it to wherever they’re hiding… and we’ll bring that man to justice.”

“You should kill him. You should kill both of them.”

David’s head snaps towards the vengeful voice. Your blood freezes, a tingle settling at the base of your neck, your skin grows taut over your muscles. You’re afraid. And your fear only grows when David stalks towards the girl, a faint smile on his lips, he removes his gloves. One by one. His movements slow, unrushed. He stands in front of Hannah, briefly stares down at her—

You flinch at the sound. The loudest smack and thud you’ve ever heard. Your eyes widen, heart beating in your throat as your eyes remain glued to Hannah who’s scrambling on the floor. David seems unbothered by it. Like he hadn’t just backhanded a young girl. The mom stands, murmurs getting louder, without thinking you attempt to get up too, thinking of all the ways you can kill the man. 

But James—fucking James—he stops you with a hand on your knee. You give him a disgusted look and he quickly pulls his hand away. But the damage was done. You settle back, the chair groaning underneath you. 

You watch as David halts the mother with a single hand, gently gesturing her to sit back down. She does—she does and it drives you insane. It’s surreal almost. There’s a loud hum in your ears as David kneels next to Hannah, her eyes looking anywhere but him. Scared, she takes David’s offered hand. You feel sick. Your stomach churns, bile rising to your throat. He helps her up and sits her down. He’s still on his knees, his eyes soft. 

Disgusting. 

“I know you think you don’t have a father anymore. But the truth is, Hannah, you will always have a father. And you will show him respect when he’s speaking.”

Tension rises with his words. You can tell from the brief glances that happen behind David’s back. However, it’s not enough. No one does anything. They just sit and wait as Hannah’s mother brings David a bowl of food. They begin to eat, the rest follows. 

Spoons clink. Wind blows. Birds caw.  

You look down at the meat, clutching the fork in your hand. You can’t. Something disturbs you. James also lingers before he takes the first bite. Something in his eyes makes you rather starve than taste. 

You look back at Hannah. Her bottom lip is trembling, her cheek red. 

She eats. 

“Where is she?” 

David’s eyes glimmer with amusement, his teeth showing as he smiles. You’re out in the open. Snow falling all around you. Your chest squeezes. You can barely breathe, yet your chest continues to rise and fall. 

“Is my little lamb jealous?” Heat simmers under your skin. How fucking dare he? “Head back. This doesn’t concern you.” 

“Like hell, it doesn’t,” you snap. His eyes narrow and for a brief moment, your mind flashes images of him tying you to the bed whenever you swore. A nasty shiver crawls up your spine. “Let her go.” 

“And why would I do that?” he shakes his head. “Do you want to know why I never touched you again? I got bored. I knew I could have you whenever and wherever I wanted. The fire in your eyes died. You had no fight left in you.” he chuckles. You’re trembling now, your legs feeling weak underneath you. “And I enjoyed seeing the fear in your eyes whenever I entered the room. . . wondering. . . thinking about when I would finally make you my own.”  

You don’t know what to say. The snowfall picks up in pace. Hurling, dancing around you both. A sign of a storm. The cold kisses your cheeks. David grins and extends his arms towards the sky, you take a step back. 

“I finally found myself a pet that’s fun to play with. Someone that won’t be so easily broken.” 

Broken. Broken. Broken. 

That’s what you are, isn’t it? Broken. Alone. Unwanted. 

You have to get to the girl and get the hell out of here. 

You lift your chin, “You’re sick.” 

Bad move. His nostrils flare with anger as he grips your chin and forcefully brings you closer to his face. As someone who went on and on about you being too submissive for his liking, he sure as hell seems to hate that you’re defying him. 

“Don’t you dare talk back to me,” he spits, squeezing your jaw until your lips part with a whimper. “I'm the one who saved you and spared you. I’m a good man but never forget that you belong to me.” Without hesitation, he cups you between your legs. You stiffen at the touch, fear chills your skin, feeling little pins needling into your muscles. “You’re mine to break and when I do, you'll love it. And you'll finally be a woman.” 

He doesn’t linger. Leaving you, he disappears between the cabins. You collapse to the snow, shaking, trembling and tears flooding your eyes. You fist at the snow, your fingers becoming numb as it melts between your fingers. You were a fool to think that you were safe. You genuinely thought that after so long he’d let you do your own thing within the community. But no. He still had his eyes on the “prize”.

You want to run into the forest but you can’t. Your eyes fall to the ground where his footsteps are perfectly visible. Now you know where the girl is. 

The door that is always locked is open. 

Your brows knit together as you observe the old wood swaying back and forth due to the wind. Your skin is icy cold. Coming closer you see that the lock had been broken, shattered. You see a spray of blood on the snow and that entices you to take a step forward into the dark cabin. You know you shouldn’t be taking any detours. Your backpack is secured tightly against your back filled with essentials and some sentimental items you gathered during the years. You should go. But you’re curious. You have to know what’s been in this shed for all these years. 

You sigh. Curiosity killed the cat. 

“But satisfaction brought it back,” you murmur. 

You pull out your gun, your finger on the trigger as you explore. It seems pretty standard. Some items, lots of dust—

Two large hands shove you roughly against the wall. You choke, all the air leaving your lungs as your gun is knocked out of your hand. Momentarily you’re pulled away and slammed back against the wall again, this time the back of your head thudding against the wood. You groan in pain. Your body screaming at you to run and hide. 

“Where is she?” you hear a man hiss through gritted teeth. “Where the fuck is she?” 

You’re slammed once more, tears prick the corner of your eyes and you barely manage to raise your hands. 

When you finally manage to open your eyes, panting heavily, you see a disheveled man. At first glance, he doesn’t make you feel that you’re in danger—which is an ironic feeling considering the throbbing at the back of your head is his doing. Lines run across his face, his eyes full of worry and anger. You immediately know who he is. There was only one girl after all. 

“You’re—” you swallow. “You’re him.” 

His hand tightens around your throat and a gun is hastily pressed against your forehead, “Tell me where she is or I’m shootin’ you.” 

“I’m actually trying to find her myself,” you answer, which by the looks of it was the wrong this to say. “I—I wanted to help her. Free her. David. . . the man that took her—he’s a monster.” 

His eyes narrow, “You from this community?” 

“He took me in when I was sixteen,” you explain. “I had no choice but to join.” 

“And why should I trust you?” 

“Because I know exactly where she is,” you bite the inside of your cheek. “And I know that you’re hurt. I can help.” 

“Then what?” 

You shake your head, not understanding. He clarifies. “You help me and then what? What’s the catch?” 

Your eyes blur with tears. You’re just so fucking tired. 

“I just want to leave.” 

Something about the way you whisper must’ve wake something in him because he lets you go. He lights the flashlight. “I ain’t in the business of takin’ in strays.” 

What? “What?” 

“Just leave. I don’t need your help.” 

“You—You don’t understand!” Just as he turns you jump towards him, fisting the back of his jacket, the fabric isn’t soft enough for you to get a good grip on him so you grab his shoulder instead. “He’s a monster! Everyone fucking underestimates him—he’ll—he’ll—!”

He stills. Rushed steps coming to a halt. You think he’s going to shove you off, push you away but he’s glued. With the fear of silence, you pull back and step to the side. He’s still not acknowledging you. His hard gaze glued to where the flashlight is illuminating. You follow the light speckled with dust. Horror curling in your stomach like a hook. 

There are three of them. Three bodies hanging like animals being prepared to cut into pieces. 

“Oh god—” 

You bring your hands to your head, your heart ramming into your chest, you shake your head. “No, no, no, no—” You take a step back. The man rips his gaze away from the bodies, away from what it implies. You take another step back and another. You’re shaking, your eyes glued to the floor. He—David—he fed you people. 

Fucking people. People that you knew.

Finally, the scent hits you. The smell of flesh and blood. 

You scream. 

The man is on you in an instant, you tumble to the ground and he goes down with you willingly. “Shit—no no no. Shut the hell up— shut the hell up.”

The knot that forms in your throat is large and uncomfortable. You bawl your eyes out, hiccuping against his chest. He takes you into his arms and you can’t be bothered to think of the why of his actions. His biceps tighten around you. You’re still shouting, still thrashing around, crying—he presses you further into his chest, muffling your sounds. You vaguely hear him shushing you, telling you it’s gonna be alright. Lies. He’s telling you lies. 

You start to quiet down and only then do you begin to make sense of his words. He’s murmuring bits of his life. Of what he’s seen. You finally learn the name of the girl: Ellie. The thick baritone of his voice is like a melody. It soothes you. Maybe not fully. But it helps calm your raging heart. You breathe. He smells like wood and snow. 

“Thank you,” you manage to whisper, pulling away. “Please let me help you.” 

“Yeah—Yeah, you can help.” He guides you to your feet in a way that your back is turned to the bodies. Just the thought of what's behind you makes your lungs cave in. 

“What’s your name?” you ask, desperate for any kind of distraction. 

“Joel.” 

“Alright, Joel,” you head towards the door. “Let’s go.” 

She escaped. 

You can’t help but be impressed at the sight of an empty cell. But the pride for a girl you haven’t officially met dies in your throat when you see who’s against the wall, covered in blood. 

“You knew him?” Joel asks, his tone lacking any kind of grief. A question asked more so as a courtesy than actual worry. 

You stare at him. His blue eyes now lifeless, lips parted. It almost looks like he’s sitting, just taking a rest on the cold floor. It would be easy to make you believe that if it wasn’t for the cleaver sticking out of his neck. 

“No,” you answer dryly. Yet, you still walk to the dead man and gently close his eyes. You warned him this would happen. Joel doesn’t ask any more questions. He doesn’t have to. “We need to find her before David gets to her.” 

Joel immediately rushes out, you following him close by. You feel utterly useless. You have no idea where Ellie might’ve run off to. It doesn’t help that some part of your brain is still occupied with James. You hated him in a way but still, he was there. You’ve known him nearly your entire life. It felt off to be the one to close his eyes. 

The storm had stopped. The sun reflecting from the snow irritating your eyes. Joel seems to be getting irritated with every step. Desperate. 

He’s the one that sees her first. 

Ellie staggers out the large building currently being engulfed in flames. Her walk is uncoordinated, her steps uneven as she breathes in the icy air. Before you can warn Joel not to startle her, he’s already running, grabbing her by the shoulders. Your heart shatters into a million tiny pieces when you hear her screams and shouts. 

“It’s me,” Joel says, cradling her face with both hands. She hits his chest with sideway fists, he holds her more firmly. “It’s me.” 

You see it in her face, the exact moment she realizes. You see blood splattered across her face, her expression hurts you. It’s the same expression you’ve seen on yourself for years. 

“Hey… look. It’s me… It’s me. It’s okay.”

She mumbles, “He—” Before Ellie can complete the sentence she wraps her thin arms around Joel, the man hugs her tight. Your heart shatters then. The damns you were so adamant on keeping locked being teared down by people you barely know. 

You cry. Salty tears just bursting out of your eyes. There’s no slow build, no single tear and then the rest. It just all comes down flooding. Your shoulders sag, your fingertips numb. 

“It’s okay. It’s okay, baby girl. I got you.”

You sniff and look up to the sky. Fuck. It’s so hard to stop when it begins. You see grey smoke rising into the crisp air. He’s dead. You don’t need to see the body to know that he is. 

Your eyes drop to the two survivors embracing infront of you. That girl saved your life while you were trying to save hers. You were too late. Both of you were. She looked the beast in the eye and slayed it. Freeing you. 

They part and Joel quickly wraps his jacket around her tiny trembling shoulders. You’re empty. What now? That was his question. You don’t know. Do you go back? Do you explain to the people who David manipulated just how horrendous he really was? Would they believe you? 

Your eyes are drawn to a flicker of movement. Joel is looking straight at you. Ellie still unaware of your presence and you can’t blame her. 

You’re lost. 

But then his eyes soften with something akin to understanding and he gestures you to follow. 

Like a lamb to a stream, you do. 

[greenglowinspooks]

(DCxDP) Drowning in formaldehyde (Prologue)

—

Tw: Danny is having a Certified Bad Time™️, dissociation, vivisection mention, suicidal thoughts (kinda?), basically just heavy angst for now

Will be crossposted to AO3 eventually

Note: you don’t need to read this chapter to understand the rest of the story, it’s mostly just to explore Danny’s headspace when he first escapes the GiW

(Pt. 1)

(Subscription post/masterlist)

—

Danny rocked back and forth, trying to soothe himself as the truck he was in continued to speed along.

It had been an eternity since he was captured by the GiW. He didn’t know why they were moving him to a new base after all this time, but he knew it wasn’t a good thing.

Still, he couldn’t find it in himself to feel afraid.

He couldn’t feel much of anything these days. The GiW had a routine and they stuck to it religiously, and that routine had sucked every bit of Danny’s soul out of him.

Something churned in his chest regardless. Anticipation? Excitement, maybe?

Perhaps they were finally going to let Danny fade. Was that a bad thing? Danny couldn’t decide if it was or not.

He wasn’t scared of fading. It seemed inevitable, especially with how he was treated on the daily. He would stop hurting if he faded.

Still, he’d like to see Jazz and Tucker and Sam at least one more time before he does. That would be nice.

The truck continues forward, unmoved by Danny’s thoughts.

The sound is nice, Danny thinks.

The hum of the engine, the crackling of pebbles being crushed under the tires, the electrical buzz of the anti-ghost handcuffs and shield keeping him trapped.

The only sound Danny’s heard the last few years has been the clatter of metal tools, the crunching of bone, the sawing and thunking and squishing of surgery, the murmur of voices.

It’s nice to hear something new, Danny thinks.

Strange, but nice.

The truck stops again. Another red light, probably. Danny continues rocking back and forth, back and forth, like the ticking of a clock.

Seconds pass. Second after second after second.

Danny hears shouting now.

Gunshots crack outside, and Danny sees holes appear in the side of the truck.

That’s definitely new.

Chaos is erupting outside. There’s a lot of screaming, and frantic footsteps, and cars zooming away.

The driver door slams open and shut. The truck speeds off, tires screaming as the driver swerves erratically.

Danny is thrown back and forth in the back of the truck, bumping up against the many weapons and other miscellaneous inventions stored alongside him. Pain blooms in his head and chest, an agonizing heat lining his surgical wounds. Danny licks his lips underneath his muzzle. It would be nice if the driver was a bit better at their job, he thinks.

The truck continues careening wildly.

Danny counts the seconds.

Second after second after second.

After around two thousand, three hundred and seventy four seconds, the truck comes to a stop. Danny didn’t lose count this time. He’s proud of himself.

The driver door opens and closes yet again. There’s chatter outside, excitement clear in the voices that Danny hears. There’s lots of talk of “congratulations,” and “lucky that the Bat didn’t follow you here.”

Then, the back of the truck is opened. Danny hears noises of confusion and shock. He turns his head, looking to see what’s happened.

There’s several men at the door of the truck. They’re wearing black tuxedo suits—Sam was right, black really is such a pretty color—and they’re staring at him.

They begin talking among themselves. Something about them not knowing about a kid, and not knowing what to tell the boss. It’s confusing to him. It’s not what he usually hears spoken.

Then, one of them climbs up into the truck. He approaches Danny slowly, speaking in a calm voice. He’s asking Danny if he can stand, he realizes, asking him if he knows why he’s in the truck.

Danny just stares at the silver glint of the gun at the man’s side.

It’s a nice one, he thinks. Semi-automatic, with a few modifications to make the reloads smoother and the gunshots quieter. His fingers twitch. He’d like to poke at it a little, see if he could improve it any.

The man notices where he’s staring and curses. He takes the gun and lowers it to the floor. Danny just continues to stare.

Silver is an ugly color, he thinks. He much prefers black.

Silver is the color of stainless steel, the color of lab and surgical equipment.

He doesn’t like it much.

The man reaches out a hand and grabs Danny’s shoulder, shaking him gently.

After a moment, he sighs, and hoists Danny up, carrying him effortlessly. He hands him to one of the men outside of the truck, hopping down himself a moment later.

They’re warm, Danny realizes.

He curls further into the new man’s arms, closing his eyes. It’s nice, he thinks, being held like this. He hasn’t been held with such care in a long, long time.

The man sets him down on a crate.

After a moment Danny opens his eyes again, watching as the many black-suited people take things out of the truck. He counts the inventions in his head as they do so, beginning to rock again.

Then, a new man enters the room, and everyone freezes.

He’s congratulating them, asking them about their escape, and then he spots Danny.

Danny would very much like to be invisible right about now.

“Where did you get him?” He asks, tapping his umbrella against the floor.

“He was in the truck,” the man who carried him says, “we don’t know why.”

The stout man looks at him closely.

“How did you get into a government weapon shipment? Did someone put you in there?”

Danny nods his head. He tries to speak, but his voice cracks painfully underneath his muzzle.

“You- someone get that thing off his face,” he says. Several of the other men scurry off, probably looking for something that can break the muzzle, “can you speak?”

Danny shrugs. He tries to talk again, but it seems that his voice doesn’t want to cooperate with him. The only sound he can make is a painful, broken wheeze.

“Hey,” the man says, resting a hand on Danny’s shoulder, “if it hurts to talk, stop trying, alright? We’re gonna get that muzzle and those cuffs off, and then we’ll figure out why you were in there. You know how to write?”

Danny nods.

“Good,” the man responds.

“You two, get something to write with,” he barks to a few of the other suited men. They, too, run off.

A few people come up, carrying a bolt cutter and a few other tools with them. They make quick work of the muzzle and handcuffs, the restraints falling to the floor with a clattering sound.

Danny looks down at his hands. They’re shaking. Slowly, slowly, he brings them up to his face. Thin fingers brush up against cracked, dry lips. He’s fascinated by the sensation.

Someone brought him a mirror, he realizes.

That can’t be right, though. The person looking back at him…isn’t him. That isn’t Danny.

That face is not his face.

Their cheeks are far too thin and sunken, their eyes dull and haunting. They’re far too old as well, they look like a young adult.

Still, they move when he moves. They stare at him with a look of fascinated horror that’s far too familiar.

He brings his hand up to his head, and they follow his movements. He trails his fingers over the stitches in his head, and they do the same.

Danny tries to speak, but is cut off by a painful cough.

One of the men brings up a pencil and notepad. Slowly, shakily, Danny writes down a question.

“What year is it?”

The man who had spoken to him earlier quirked his eyebrow up. He answers, and Danny freezes in place.

“What’s wrong?”

Danny looks down at his hands again. He looks into the mirror. The stranger staring back looks horrified. They look sad. They look…like him.

Danny lets out a mournful keening sound. He curls up into himself, covering his face with his arms. Distantly, he’s aware of someone rubbing circles into his back. He cries harder, his entire body shaking.

Three years.

It’s been three years since he was captured, three years of being cut open and sewn back together. Three years of burns and cuts and chemical damage and electrical shocks.

Three years of torture.

Danny sobs, hands gripping the thin fabric of his medical gown like a lifeline. Three years.

Danny’s being lifted up again. He wraps his arms around the person holding him and wails into their shoulder. Everything is quiet.

“I’ll deal with the kid,” the man holding him says, “the rest of you, finish unpacking the truck and dump it somewhere that the Bat won’t connect to me.”

The man brings Danny through the building, still rubbing his back comfortingly. He’s humming some song that Danny doesn’t recognize, occasionally pausing to bark orders at people.

Danny’s beginning to calm down now. He’s still shaking, but his breathing is beginning to even out.

It’s been a long time since he’s felt alive enough to cry.

He feels exhausted.

Danny tries to hold onto consciousness for as long as possible, but he’s so tired, and so sad, and he’s being held, and he’s warm, and…

Danny’s eyes flutter shut.

—

[lovebugism]

Spoooooky request, what if the gang went to a haunted house and everyone made fun of reader for being scared, but Steve holds her hand and walks with her 👻

thanks for requesting angel! i switched it up a bit and did a sort of second part to this fic! you def don't have to read it but it'll give some context :D — you're still getting used to the world post-vecna, but it's easier with steve holding your hand

fictober (㇏(•̀ᵥᵥ•́)ノ)

The haunted house off Fifth Street looks strangely familiar. Two stories, faded cornflower paint job, boarded up windows. It looks like a dollhouse from hell. It looks like the goddamn Creel House. It’s like some kind of sick joke.

It didn’t take Hawkins very long to recover from last spring. Mostly because it was just an earthquake to everyone else. No one died, nothing was ruined beyond repair. To the rest of the town, it was just a minor natural disaster — an inconvenience more than anything.

No one knows that a thirteen-year-old girl killed the monster trying to end the world. No one knows that the local freak nearly died saving a bunch of teenagers. No one knows that one song, one heavy metal guitar, and one good memory just narrowly saved your life. 

It’s secrets all of you are gonna have to keep for the rest of your lives. It weighs you down accordingly.

“Am I crazy, or is that…?” Robin trails off, freckled chin tilted towards the velvet blue sky as she gapes at the artificially rotted house. It glows a sickly green color on the outside. The windows light up red every now and then, in time with the screams echoing from the upper story.

“Yeah,” Nancy answers, breathless and equally dumbfounded. “I think it is.”

A beat of silence falls over the group of you. It doesn’t feel so heavy with the surrounding chatter. The crowd continues to bustle around you on the street, falling over themselves with laughter and lingering fright. They have no idea the ghost story they grew up with nearly destroyed the world.

The bitter realization makes your chest ache. Steve seemingly understands this and gives your hand a reassuring squeeze. You wonder if he can feel the way you tremble.

Eddie scoffs a cynical laugh from the other side of you. A pink, sadistic grin tugs at his lips, almost as wild as his curls billowing in the autumn breeze. “It’s basically kismet then, huh?”

Steve shoots the boy a half-hearted glare, then deflates because he realizes he can’t really be mad about it. Those damn demobats might’ve taken a pound of flesh from his stomach, but it’s nowhere near the feast they made out of Munson.

“C’mon on, dude,” he murmurs quietly with a subtle nod down at you.

“What?” Eddie snorts. “If I don’t laugh bout it, I’ll start crying, so… Take your pick, man.”

Steve wants to tell him that there’s no shame in crying. That he’s done it plenty of times since the fall of ’84. He’s cried for you, for himself, for the kids who will never get to be kids again. He figures it’s better than letting it all build up until you damn near explode. 

But now’s probably not the best time for that talk. Or any time, really. He’ll get you to get all serious and sappy with Eddie about that another time, just like you did for him.

“I’m gonna, uh— I’m gonna go get the tickets,” Jonathan murmurs with his usual Byers mumblings. 

He wasn’t around for the whole Vecna ordeal — just the weird shit in California and the secret lair thing in Nevada. He feels like he can be a bit braver about the whole thing for the four of you.

Nancy brushes a kiss to the boy’s cheek before he leaves. She does that a lot now, with Jonathan and all the rest of you. She always feels like she needs to say a proper goodbye and I love you whenever someone leaves. Just in case the world decides to end again.

“You don’t have to do this if you don’t want to,” Steve mutters to you, gaze twinkling with sincerity but stern still. “You know that, right?”

He knows that you know, but he feels the need to say it anyway. Mostly because he knows you were already scared of most things before everything went to shit. You’ve always been delicate, tender, like an open wound. Now, you can’t step outside without shaking. You’re always shuddering with the distant fear that the curse might return and no one will be there to save you.

Steve knows this, too. That’s why he holds so ardently to your trembling hand. It’s a silent reminder that he’s there, that he won’t let anything happen to you again, that he’ll always be around to save you when you need him.

“Oh, my god,” Robin groans, eyes wide and head tilted back. “Leave her alone, Steve! She’s fine!”

You know she’s just trying to be supportive. She thinks Steve’s coddling you because you’re quiet — that he’s sticking up for you because he thinks you can’t stick up for yourself. 

He is. And you can’t. But still, she’s only trying to help.

Steve looks to his left to glare at her. They seem to communicate telepathically for a moment. His eyes soften again when he turns back to you. His deep cinnamon gaze swims with a honeyed concern, a silent “Are you fine?”

You nod. “I’m okay,” you tell him, mustering a soft smile that wavers at the edges.

He doesn’t believe you, not completely, but he doesn’t press it any further.

Jonathan returns with the ticket stubs. They’re black and blood red. You take the one he gives you with hesitant, clammy hands. He seems to notice how terrified you are without you having to say a single goddamn word.

“I’m not a huge fan of these things either,” he confesses with a thin-lipped smile. A light-hearted way of telling you that you’re not alone in the fear you keep hidden (very poorly hidden, you figure).

You smile back at him, but it doesn’t quite meet your eyes. 

Your fingers fidget with the paper stub — maybe a distraction for yourself or maybe to hide how you’re too anxious to stay still. Steve figures it’s a bit of both. ‘Cause he knows you too well and not a thing gets by him. There’s nothing about you that he doesn’t notice.

He turns to face you completely while everyone else gets their ticket. He keeps his wedged between his middle and forefinger as his hands curl around the outsides of your elbows. He’s serious, but still soft — gentle, but still firm. 

“Babe—”

“Stevie,” you interject with a similar tone. “I’m okay.”

“You heard her, Stevie. She’s fine!” Robin retorts, curling her maroon-tinted lips into a smirk. She scoffs out a laugh and gestures up to the fake haunt across the street. “This shit is basically for kids. No one’s dying here, alright?”

You know what she’s doing. She’s sticking up for you and taking the piss out of her best friend at the same time. It’s nothing new — hell, it’s her favorite hobby. She’s got your back now the same way she had it in that house last spring. 

But still, her words sting a little.

Because she’s right. This place is for kids. And you still feel a bit like you’re dying.

Steve knows this, too. He knows everything about you. Even the stuff you wish he didn’t.

His sneakers scuff against the pavement when he turns to Robin. His eyes narrow in a challenging squint as he crosses his arms over his chest. He doesn’t look quite as intimidating as usual in his fluffy, cable-knit sweater. 

“Well, you know what? I’m scared, actually. I don’t wanna do it, okay? You got me, Rob.”

The girl grins something cynical. She shakes her head all slow, like she’s just caught him in some kind of lie. “I knew it. You little baby.”

Steve lets her tease him. It’s not like he isn’t used to it by now. He just rolls his eyes and bears it, lets her laugh about it with the rest of the group as they head towards the haunted house. 

You watch with an attentive gaze while they head inside, flinching softly when you hear a thunderous boom and the sound of their screaming a second later. It leaves you secretly grateful that you hadn’t gone in behind them. 

A wavering sigh tumbles from your lips, a breath you didn’t know you were holding.

Steve exhales a gentle laugh from beside you. He smooths a wide palm up your spine and down again. He leans over to press the side of his hip against yours.

You cross your arms over your chest to make yourself as small as possible while you glance over at the boy beside you. You look at him so far beneath your lashes you’re basically peering at him from the corner of your eye.

“Thank you,” is all you say. It’s all you need to say.

Steve shrugs with a plush, crooked grin. “’S okay. I know you’re too sweet to say no, so…”

“I wanted to do it,” you confess, clearing your throat when your voice breaks.

“I know.”

“I guess I’m not… as used to everything as I thought.”

“I know,” Steve repeats. His hand curls around your waist and makes a home in the very center of it. He pulls you closer with the urge to melt into you. His brows raise, eyes sparkling when his smile widens. “But that’s why I’m here, though, right? We’re gonna get better together.”

You nod up at him, smiling more sincerely now. 

Arms still crossed, your hands ball into fists to fight the urge to smooth a hand through his hair — to push back the rogue chestnut strands hanging over his forehead.

You hesitate, so he beats you to the draw. He swipes a golden hand over his head right before he leans down to kiss you. 

He smacks a sweet peck to your smile. A bright light flashes with another thunderous boom a moment later. You flinch and pull back. You swear you hear Eddie screaming, “jesus fucking christ!” from the upper story. You forget to be scared.

You didn’t think it was possible. The whole getting better thing.

Steve makes you feel like could be.

[sapphire-writes]

The Au Pair (modern!HOTD) part 1

Part 1 ~ Part 2

pairing: Daemon x fem!Reader x Rhaenyra

summary: You take a new job nannying for a family on the Upper East Side. You find yourself intrigued by both parents.

warnings: 18+ (slight power imbalance as they're your bosses, sensual themes), language

word count: 3.1k

note: I've been in a Daemon x Rhae mood and this idea came to me and suddenly it is here, enjoy my loves!

When you looked up at the high-rise apartment building, you felt your stomach drop. You had always been that way with heights, whether looking down or looking up at something tall, the feeling of intense vertigo washing over you. You took in a deep breath to steady yourself, draining the rest of your coffee before walking in. 

Throwing the cup in a nearby bin, you popped a mint into your mouth to hopefully disguise your coffee breath. 

You’d nannied before but never au-paired. It seemed to be a little more intense, having you live with the family, and become a part of the family. But you had to get out of your current living situation, and the website was too tempting to pass up. 

You didn’t even think you’d get a response when you sent in your resume. You recognized the family name; old money, the backbone of Wall Street. It was too good to be true when you received an email inviting you in person for an interview.

Still, the thought of caring for three boys was nearly overwhelming. 

“You’ll only truly be a little help,” Rhaenyra had told you, after leading you through the foyer, giving you hot tea in a cup that felt so delicate it might break in your small hands. 

Rhaenyra had ushered you to the sofa, before sitting in the one directly across. She crossed her ankles, clad in a dark maroon suit, her silver hair striking against the wine-colored fabric. She was ethereally beautiful, the kind of pretty that takes your breath away. 

“Luke and Joff are the littles, they require the most attention,” Rhaenyra explained.

You take a sip of the tea, warmth flooding through you.

“How old are they?” you ask, blowing on the tea. 

“Jacaerys is the oldest, he’s nine, then there’s Luke who is seven, and little Joffrey is only four,” Rhaenyra tells you.

“No girls?” you ask and she shakes her head. 

“Daemon’s daughters Baela and Rhaena sometimes visit during the week, they’re nine as well. They live with their mother mostly, and often spend the weekends with us.”

“You have a full house,” you comment, smiling.

“Several,” Rhaenyra answers, mirroring your smile, “We have two apartments here, in the city, during the weekends we go to our house, outside of the city.”

“That’s wonderful, that you’re able to get away,” you tell her, “the city can be overwhelming.”

“I agree,” she says, “it’s nice to have an escape. So, tell me about yourself,” she cocks her head to the side, “what made you want this position?”

You sigh, deciding it's best to be truthful.

“Well, I’ve worked with kids before, on and off,” you begin, “some babysitting, nannying, I was a camp counselor for one summer.”

Rhaenyra nods, her violet eyes warm and inviting.

“I also, just recently lost my apartment,” you tell her, “it’s a long story, but I need to be out by the end of the month, so a job that comes with a place to live was very tempting.”

Rhaenyra smiles, and you nervously play with the rings on your fingers. 

“I can be really good with the kids, I think we’ll get along great.”

Rhaenyra looks you up and down as the door opens. The most beautiful man you’ve ever seen walks in, throwing his briefcase on the counter. His silver hair falls in front of his eyes as he leans against the counter, tapping his ring-clad fingers against the black marble.

“Daemon,” she calls, not turning around, “meet our guest.”

Daemon simply glances at you, busy with something on his phone.

“He’ll warm up, don’t you worry,” Rhaenya says, standing.

“I won’t let you down if given this opportunity,” you tell her, placing your teacup down and standing to leave.

“I know you won’t,” she says, taking your arm to lead you to the door, “let me discuss with my husband, and we’ll let you know.”

“Thank you, truly,” you tell her at the door, “It was nice to meet you, ma’am.”

“Please, call me Rhaenyra,” she insists.

“Rhaenyra,” you say, and she leads you out.

Rhaenyra sighs, returning to the couch and flipping through your resume once more. 

“I’m shocked you let her leave,” Daemon says, dropping a kiss on Rhaenyra’s head, and squeezing her shoulder with a ring-clad hand.

“She’ll be back,” Rhaenyra assures him, “I’m taking it slow.”

“Surprising,” Daemon says, “with her calling you ma’am so sweetly.”

Rhaenyra merely glances up at him, smiling coyly at her husband. 

“I’ll give her a call this evening then,” Rhaneyra says, kissing the back of his hand, “officially offer her the job?”

“Call her now, if you like,” Daemon tells her.

“She’s probably still in the building,” Rhaenyra says with a chuckle.

“Even better,” Daemon says.

Rhaenyra hums, pulling out her phone.

“Someone’s eager,” Rhaenyra teases, earning a low growl from her husband.

After celebratory drinks with your girlfriends and packing all your shit into boxes, a car picks you up bringing you to your new home. You’re shown to your room by one of the housekeepers. It’s perfect for you, with large windows and a private bathroom. The bed feels like heaven as you lay on top of it. You can’t believe your luck. 

You’re introduced to the boys when they come home from school. While Jace is apprehensive, Luke warms to you right away, insisting on showing you his collection of Lego model sets. Dragons are his favorite at the moment. You spend the afternoon with them, and the day flies by. 

Only when you’re in your room later, fresh out of the shower and dressed for bed do you realize you’ve lost something rather important in the move. You silently curse, and pad down the hallway toward the home office Rhaenyra uses. 

“Mrs. Targaryen?” you ask, knocking on the office door.

Rhaenyra beckons you in, smiling, removing her blue light glasses and looking away from the computer. 

“I’m so sorry to bother you-”

“Nonsense, darling, what is it?” Rhaenyra says, lacing her fingers together, “and what did I say about addressing me?”

You blush, forgetting yourself. You find it easy to get flustered in Rhaenyra’s presence. 

“I’m sorry, Rhaenyra,” you correct yourself.

“You don’t have to say sorry,” she tells you.

Her tone is so sweet, so kind, and loving that it almost makes you want to apologize again. You release a breathy laugh instead. 

“I seem to have lost my hairbrush in the move,” you tell her, “you wouldn’t happen to have an extra one lying around?”

Rhaenyra stands, walking out from behind her desk and toward you. 

“Of course, come here,” she tells you, reaching for your hand.

It's warm and soft as she interlaces her fingers with yours, pulling you out of the home office and down the hallway. You haven’t yet seen Daemon and Rhaenyra’s room, though you realize this is about to change. She opens the door and brings you into their room. 

You can’t help but gawk at windows that stretch from the floor to the ceiling revealing the New York City skyline. The curtains are still open, revealing the sparkling city below. Daemon is already seated in bed on top of the covers reading, looking up as you enter with Rhaenyra. 

“Already?” he asks, and Rhaenyra shushes him.

“Our friend is without a hairbrush,” she says, releasing your hand and moving to enter the master bathroom. 

Daemon hums at her response, returning to his book. The bed is huge, big enough to comfortably fit the whole family if they wanted. The sheets are a deep gray, and look like they’re made of the softest silk. You almost want to reach out and touch them, feel the softness when Rhaenyra reenters the room.

“Sit,” she tells you, motioning to the bed.

“That’s okay,” you assure her, “I can-”

“It’s the least I can do,” she interrupts.

You want to argue with her. They’re letting you live in a gorgeous highrise on the Upper East Side and essentially want for nothing, and yet they’re the ones who are grateful? You suppose it just shows what good parents they are, wanting nothing but the best for the boys. It warms your heart knowing you can help support them in that way. 

Rhaenyra motions to the bed once more and you sit down on the edge. You know immediately that sleeping in that bed would cure any problems you’ve ever had. It’s so soft against you and you run your hand over the sheets. Rhaenyra sits next to you, crossing her legs. 

“Turn for me,” she says, and you move so your back faces her. 

She takes your hair, still wet from your shower, and runs her hands through it gently. You can feel her nails against your scalp causing goosebumps to rise on your skin. She moves the hair from your neck before gently beginning to brush through your hair. It’s so relaxing your eyes flutter shut. 

Daemon is watching now, closing his book and leaning his head back against the headboard. Rhaenyra meets his gaze and his eyes narrow. She flicks an eyebrow at him, continuing. Daemon sticks his tongue against his cheek before rising from the bed. You open your eyes as you feel him move, watching as you walk by you, stopping to press a kiss against Rhaenyra’s cheek.

He heads into the bathroom, not bothering to close the door as you hear the shower turn on. Rhaenyra places the brush on your lap.

“There you are,” she tells you, placing her hands on your shoulder and squeezing.

“Thank you,” you tell her earnestly. 

Her kindness brings tears to your eyes and you find yourself wanting to hug her, bury your face in the crook of her neck, and have her lavish your face with kisses. The thought brings a blush to your cheeks. She’s your boss. Still, as you get up to leave and bid her goodnight, you find your gaze falling to her lips. You look away quickly.

“Thank you again, Rhaenyra,” you tell her, “For everything. I’m really grateful for this opportunity.”

Rhaenyra smiles, smoothing some hair from your face.

“We’re happy to have you,” she tells you, “Goodnight, my dear.”

“Goodnight,” you tell her, leaving the room and heading to your own.

Daemon reappears with wet hair and a towel around his waist. Droplets of water cling to his chest and shoulders. Rhaenyra smirks at him.

“Enjoy your cold shower?” she teases and he chuckles in response. 

The following week is a test run, seeing how you handle the boys and their schedule. It’s easy enough-no scarily easy. The boys are a dream, so well behaved and respectful toward you, and enjoying the attention that is devoted to them while their mother and stepfather are busy working. 

Your schedule is simple. Wake up, make sure the boys get their breakfast, escort them to school, and then the rest of the morning and early afternoon is yours. Rhaenyra has assured you that sometimes she shall give you some errands to run, but for the most part, you’re free to ponder around different coffee shops and bookstores and attend your university classes. 

You pick up Joffrey first, as his daycare releases him in the early afternoon, and bring him on a walk. Then you wait for Jace and Luke to end their school days and escort them to their afterschool activities. You almost feel bad for Rhaenyra and Daemon, like you’re taking advantage of them somehow. It shouldn’t be this easy, right? It can’t be this perfect?

You’re still lost in your thoughts while you sit on a park bench watching Joffrey toddle about on a play structure as someone sits down beside you. You blink, pulled from your thoughts, giving her a kind smile. 

“You’re the new Targaryen AP, right?” the girl asks, smiling at you.

“Yeah!” you answer, telling her your name. 

“I’m Shae,” she tells you, “The Lannister’s Au Pair.”

You nod. You’ve heard that name before. Shae points at a little girl with golden curls on the swings. 

“Cerelle Lannister, one of the little lions I look after,” she says chuckling. 

She motions for your phone.

“Here, let me put in my number,” she tells you, and you smile while handing her your phone, “We have to stick together, you know?”

“Thanks,” you tell her, “I’d love to get coffee sometime and get some advice. This is my first time being an Au Pair.”

Shae raises an eyebrow as she adds her number. 

“Good luck with the Targaryens,” she tells you chuckling, “they can’t seem to hold onto an AP for more than a month.”

Your brow furrows and you glance at the boys. You can see Jace running across the soccer field and Luke on the other side with the younger boys. Joffrey plays on the playground, staying in your line of sight. You can’t help but smile.

“I don’t see why,” you tell her, “the boys are great. Very well behaved, impressive manners. Better than me.”

Shae laughs. 

“It’s Daemon and Rhaenyra I’d be wary of,” Shae tells you, voice lowering with the nature of the conversation, “the last girl they had was doing fine until suddenly she’s signing an NDA and being shipped out of New York. I never spoke to her again.”

A chill rolls through you. 

Jace calls your name, running over to you.

“Did you see what I did!” he says, a huge grin on his face, Luke trailing behind him.

“You were so awesome Jacey!” you tell him, ruffling his hair.

They’ve warmed up to you immediately. 

You keep thinking about what Shae said all night. When you join the kids for dinner, Rhaenyra and Daemon do not, as they ended up having to work late. When you tuck them in and return to your room you find a small box on your bed. 

You open it, revealing a small necklace. Dainty, and expensive, with a small pearl hanging off the chain. 

A gift. 

You pick up the card that goes with it.

For all your help, xx

There’s no signature. Though you suppose it must be from Rhaenyra. You blush at the kind gesture before retiring to bed for the night, curling up in the soft sheets with a book.

The next few weeks go smoothly, and without any fusses. The boys are lovely as ever and easy to drag around to different parks, activities, and school functions. They’re starting to feel like your little brothers, like your own children even. You journey with them to the weekend house, an hour outside the city, roasting marshmallows, swimming in the gorgeous pool, and taking them to get ice cream. It’s paradise, it’s a dream. 

You see Rhaenyra more than Daemon, though she was right. He does seem to be warming up to you, glancing at you more, checking in on you. Sitting with you when you’re at the counter for breakfast. Letting a hand drift across your back as he passes by.

You keep finding gifts. A silk robe, a new purse, a pair of earrings that match the necklace given to you. Fresh flowers by your bedside. It’s very sweet of them, to be so welcoming. Almost romantic. 

Later one night during the week, you can’t seem to find sleep.

You make your way to the kitchen, feet padding softly down the hallway. Rhaenyra had said to help yourself to anything, what’s theirs is yours. You’d been craving something sweet since dinner. Since moving into the highrise your palate has begun to adjust to the rich, expensive foods the chef makes and has begun to spoil you. You’re starting to wonder how you’ll ever go back to living normally when this job ends. It’s not something you want to think about. You’re determined to stay as long as possible. 

You open the fridge, the light bathing the floor in front of you. You look around, moving things trying to find a treat. Their fridge is crazy stocked, full of fresh fruits and vegetables, and green juices. Things that sound good any time but now. Now you need chocolate. 

“Looking for something?” a deep voice calls and you jump.

“Shit, you scared me, sir,” you say, holding your hand against your chest. 

Daemon moves toward you from the shadows, silk pajama pants hanging low on his hips. He’s shirtless and you make a point to look at his lavender eyes. They’re almost black in the low light, a smirk dancing on his lips. 

“I was just looking for something sweet,” you tell him, biting your lip.

“Something sweet, hmm?” he echoes, reaching around you to open the freezer. 

You back up, suddenly very aware of your choice of pajamas. Another gift you’d found waiting on your bed, a silky red set. The tank top hands low, the shorts hugging the curves of your ass and thighs. 

“Try this,” Daemon says, holding out some gelato.

You let out a breathy sigh. 

“What?” Daemon asks, tilting his head curiously.

“Everything here is so fancy,” you tell him, “even the ice cream.”

“Isn't it nice to have expensive things?” he asks, unscrewing the lid and throwing it on the black marble counter.

“I don’t know if I’ll like it,” you tell him, nose scrunching.

He chuckles, cocking an eyebrow. Daemon reaches for a drawer, pulling out a long silver spoon, perfect for ice cream. He dips it into the gelato before bringing his violet eyes to yours.

“Open your mouth,” he murmurs, holding the spoon out to your lips.

With his seductive tone, the roughness of his voice floating over you like silk caressing your skin, you instinctively part your lips, accepting the sweet treat. It’s cold and sweet as it moves across your tongue, sliding down your throat. A bit dribbles on your lips as Daemon removes the spoon from the confines of your mouth. A small remnant of the cream lingers on the spoon and Daemon places it between his lips. 

Your eyes are wide, watching him suck on it, and you can feel a blush creeping up your cheeks. He removes the spoon, licking his lips. You bring your hand to your lips wiping away the trace of cream that remains.

“Do you like it?” Daemon asks, voice gruff, eyes hungry for more than gelato. 

“Yes,” you breathe. 

He smiles and then places the container in your hand.

“Enjoy,” he tells you, before walking out of the kitchen. 

You stay still, standing dumb for several minutes after he leaves, feeling the container of gelato begin to soften the longer you hold it. Snapping out of your trance, you hurry back to your room, closing the door behind you. 

note: hope you enjoyed my loves! 😘

HOTD TAGLIST GENERAL: @bluevxnuss, @thattargboy, @xlilacfrostx, @drinking-tea-and-be-obsessed, @marvelescape, @geminithrone, @deltamoon666, @i-killed-ramsey, @tempt-ress, @eddiemadmunson, @zillahvathek, @hangmanscoming, @jojoesq, @f4ll-for-you, @rwdkarla, @cc13723things, @filipiniamultifandom, @watercolorskyy @alexxavicry @sachafirebringer @polireader @jamespotterismydaddy @grv7ay9In35s @sofiaadler @sophielangdonx @doublesparrows, @sophielangdonx, @alitaar, @castellomargot, @paodemorangol1l1, @nik2blog, @arkainea @eddiemadmunson, @malfoytargaryen, @eudximoniax, @targaryen-world, @ghostheartbeat @savagemickey03, @aemondsdaemons, @candypurplebutterfly, @eddiemadmunson, @xxnaly2, @ghostheartbeat, @savagemickey03, @dieg0brandos-wife, @paodemorangol1l1, @hb8301, @padfooteyes, @valeskafics @doublesparrows, @bornbetter, @beyond-the-ashes, @clairacassidy, @aslanvez, @loglady00, @gettheetoanunneryimmediatly, @minami97, @serving-targaryen-realness, @chaotic-fangirl-blog, @possiblyafangirl, @shmexie, @winter-soldier-101, @kaelatargaryen, @urmomsgirlfriend1, @floswife, @mizfortuna, @strawberryduvet, @girlwith-thepearlearring, @arryn-nyx

bold means I could not tag!

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[soarrenbluejay]

Can’t remember where I’ve seen the idea first but I’ve had this idea of Regular Clowns taking offense to joker’s bullshit for a while now and exacting Vengeance. The man doesn’t even has an egg! His ass never been to clown school! He’s a disgrace to them all!

So four buddies leaving the traveling circus business decide as people who have loved every second of this and are Deeply Insulted by this wanker to Do Something About It.

Three of them are showmen- an acrobat, a juggler, a fire fanatic, the works.

The last one, Jerry, is a stage hand. He is their most powerful member- not only does he have the superpower of self care, but he’s a meta! Minor telekinesis is actually really useful when shuttling stuff around in a stage in a hurry! (And that whole thing of our idea of ninjas coming from stage hands in all black being ‘invisible’ yeah. Cryptid vibes, except it’s just Jerry)

So. A clown car pulls up in Gotham, in the middle of a Joker attack, presumably despite ever Gothamite on the road who saw it making their best effort to take one for the team and mow them down. This is a no good awful sign for Gotham.

But it gets better.

Because out does not step a bunch of goon reinforcements in masks, or some jokerified poor soul, but instead someone in one of those historical jester costumes, bells and dramatic ass sleeves and all. Also, they’re bright orange. It is slightly eye searing. In one hand is the end to a long line of tied together handkerchiefs in clashing neon colors which appears to be infinite bc it just keeps coming. In the other is a comedically oversized hammer with a squeaky sound effect installed but no spring to soften the blow- it in fact has spikes with little Mayfair banners hanging off.

They immediately attempt to strangle/bash Joker to death with a winning smile firmly in place, and actually survive the attempt of which by apparent virtue of being made of rubber or something. And out slides our fire master, in all teal for contrast, who promptly throws smoke bombs at the crowd of goons around and starts all but boa staffing them down with his fire wand, paired with a dramatic speech about how Joker is in insult to the idea of circus and also the most unfunny bitch to ever walk the earth.

Lastly, the juggler. They have come armed. With glitter and hackysacks. A dramatic beatdown ensues, with much shrieking and yelling on all sides. A gif is made of Joker being bonked right through a concrete wall with a move right out of a video game. Several goons get concussions a la bowling pins. It’s all being live streamed by someone through their apartment window and is rapidly going viral. It’s a good time mostly because this attempt at vengeance against the Clown Bitch Gotham did not immediately involve some one getting very anticlimacticly shot.

No really takes note of the guy in all black and ski mask, calmly standing in the middle of the flaming chaos. He occasionally holds out a new set of props for the juggler, an oversized great sword for our acrobat jester, some nitroglycerin for blowy uppy efforts, the works. Until he starts calmly putting together a three story set of scaffolding for the gang to use for the purpose of beating the crime king’s skull in in even more ridiculous ways and also so jester can showcase their absolute lack of a spine.

And Jerry goes back to standing in the middle of this chaos, apparently unaffected by Literally Everything going on. His friends are fucking crazy, he’s used to it.

Meanwhile, Ghost King Danny gets a new urgent appeal at his ghostly royal desk- someone is attempting to enact vengeance against the joker and move approximately 46363883 souls along doing it, except it’s not the Red Hood this time! It’s Some Random Guys that a minor mischief god is now attempting to fast track layering with blessings! Said minor god is officially appealing for the Ghost Monarch’s support. Danny is conflicted- on one hand, he Fucking Hates Clowns. And has a major hero worship thing going on for Red Hood, a fellow supernatural hero (in the dead’s eyes) much his senior. However, the idea of a bunch of nobody’s beating the joker to death at the same time as declaring how shit of a clown he is IS pretty hilarious.

He gives it the stamp of Yes, provided others seeking vengeance (aka red hood, the thousands of joker victims in Gotham, anyone who wants to go spectacular viral) can still intervene to catch some own hands, a minor merriment/will of the people god does a jig on the spot, and back with the Justice Circus Brigade, ghouls and Spectors alike start popping up to join in on the fun! Which our beloved ren faire rejects are actually pretty okay with- big enough circus events in the DC universe have a bad habit of becoming possessed/very obviously haunted/Ooky Spooky like, every few months. And these guys look much friendlier than whatever the hell has been in the house of mirrors these last few months!

Red Hood isn’t sure how he’s suddenly in the middle of upper Gotham when he’s was decidedly Nowhere Near three seconds ago, but that’s a problem for later when the Bitch Ass Clown Extraordinaire is Right There!! So he tables it to be very paranoid about later, shrugs, and starts shooting. Jester starts shouting out points for accuracy/comedy, Jerry calmly asks if he wants some of their backup silver bullets just in case The Target really is an unholy being of some sort. (They have taken Precautions. For Everythinf. Or at least Jerry did.) Jason can’t say no to free extra ammunition and also That’s Hilarious, man he has to hire these guys!

Then fire juggler molotov’s the joker, and he decides these idiots are ABSOLUTELY worth saving from the big bad bat. Fuck it, this morons are the BEST.

[autumnbrambleagain]

It's like, you go up to Baldur's Gate 3 and you're like, hey, you're a fantasy game. Can I play as something weird? Like maybe a centaur? That's a fantasy race, right?

And Baldur's Gate 3 says, uhm, no. You can play as a human. If you really must be different you can play as a dragonborn.

And it's like. oh, neat! That's like, a dragon?

And they're like, well, it looks more like some kind of fish... maybe like, you know those shrink-wrapped dinosaurs from the earlier days of paleontology?

And it's like... oh. Okay. What about modded races? Did someone mod in a centaur?

And BG3 is like, buddy. Buddy. Do you know how hard that would be for fans to animate? We don't even have a modding toolkit for you to use. Of course not. You can't play as a centaur. You play as a human.

And it's like... no, sure, of course, I'm sorry for bothering you.

You go to Caves of Qud and ask if you can play as a centaur.

CoQ says oh, sure, one of the first npcs you run into is a taur! The extra legs let you outspeed enemies and also give you a carry weight bonus! But what's that over there is that your fursona

and i'm like, oh, what, uhh

and CoQ is like, yeah! What is that, two-headed, four-armed foxthing? Why don't you play as that instead?

and i'm like, I'm sorry, what?

and CoQ is like, yeah, having two heads lets you wear two kinds of helmets for different bonuses, and also lets you use mental abilities quicker AND helps you shake off mental effects faster! the extra arms lets you stack up a whole bunch of weapons at once, it's a really powerful base to build your character around!

And I'm like... well... what about the visual representation of it?

and CoQ goes, we use sprites with 2 colors and negative space, so you don't need to relearn 3D modeling and animation to have your guy represented in the game with the same fidelity as everything else that already exists in it! no problem!

and like... of course, the Thing You Can Play As isn't the only factor that makes a game good! but after experiencing this, it's so hard to enjoy games like BG3. Like yeah the story and its writing and your ability to affect it are unmatched in BG3 it especially makes Bethesda look like hot steaming garbage!

but i have to either play as a human or a shrink wrapped fish dinosaur from 60s paleontology to do it? and every game makes me just play as a human. the most fantastical games with the craziest settings all mostly moderate themselves to "medieval europe... with a little bit of weirdness"

meanwhile in CoQ turning a locked door sapient, recruiting it, and giving it a chaingun so i have a literal metal door wielding a chaingun is a perfectly viable answer to getting through a locked door

anyway that's why i think the developers of CoQ should be given the budget of BG3 tyvmia