#it's really easy to figure out honestly

[murasaki-cha]

The difference between ORV and TCF fandoms is actually quite simple:

Orv fandom:

Someone: Guys Kim Dokja didn't die!

ORV fandom: OH THANK GOD! He survived another chapter! Yes! Squid lives another day everyone! Save the tears he's not dead yet!

TCF fandom:

Someone: Guys Cale didn't get hurt or cough up blood!

TCF fandom: GOD DAMN IT! Why not?! Noo! Not another chapter! Why isn't he coughing up blood anymore!? Not even fainting a little bit!! Got my hopes up for nothing!

And vice versa of course

[uncanny-tranny]

I love trans people whose transness means that their sexuality is complex. I love trans people who adopt contradictory labels. I love transmasculine people who still have ties to old lesbian spaces and transfeminine people who still have ties to gay spaces (even if they themselves aren't lesbian or gay). I love trans people whose dysphoria has put them at a place where they don't want to engage with any type of sexuality. I love trans people who are confused, unsure, or questioning. I love trans people who toe the lines of queerness. I love trans people who are unapologetically embracing their sexualities. I love trans people who are working through internalized shame about their sexualities.

[rearranging-deck-chairs]

language learning revelation i had

[draconicace]

i finished totk. i love dragons

[ssaalexblake]

You know, as somebody who has nominally enjoyed watching the Raffi and Worf plot I still have to say, it's a tragedy that it didn't need to be Raffi.

It should be important for it to be her in this plot, and it's not.

There is no connection to her plot last season, you could say there is some from her S1 plot but I'd say that technically it's more like they ripped the Raffi that probably existed some time between Picard quitting and leaving her high and dry and her getting the boot. They removed her romantic relationship as dead weight, apparently, which is more insulting in the context of her 'sacrificing' for this job because if it didn't Need to be her, it's just. Insulting to the ones who valued that relationship a Lot for what it represented. Her relationship with Elnor has ceased to exist, which it would, because Elnor has ceased to exist entirely. None of the things that tied her to this narrative in the show have been allowed to stay, nor are they in any way important to telling the story they're trying to this season.

And it just makes her strangely adrift. They could, genuinely, have just invented a new character and had them play this role and you'd not need to change much more than an awkward scene with Seven that wouldn't be awkward anymore.

I mean, sure, it's Raffi... Well the footnotes anyway. But it didn't need to be, and that's an issue for me. Make it important for her to be there as Her? I'm just tired.

[vidalinav]

Aside from the deranged and almost derailing way that Nesta ended up in the House, I actually love the House as a symbolism for Nesta and her personality. A house that is hard to reach, covered in unshakeable rock, menacing and looking down at everyone. A house that has too many stairs to climb so climbing is a punishment or lesson and no one can really reach unless they’re born with a particular set of wings. A house that’s warded away from the rest, which means that effort must be made to reach it. A house that’s used for courtly functions, who’s value is based on its purpose. A house where its cold and lonely and secluded from the rest, and which was never really going to be anyone’s home...

A house that for the people who find themselves here when they have no where else to go, who find themselves seeking refuge from dark and decrepit things, people so broken they feel they can never be fixed... for those who find value in the rock, love this mountain so high that there’s no easy way down, it’s a house that means security, a solid foundation... a library and friends and even some magic hidden in its heart. Such wonderous understanding. Empathy in its depths, even if it at first appears to be monstrous. A house that cares. A house that loves. A house that lives despite all odds. A house that reminds me so very much of Nesta Archeron that it’s marvelous that it’s an expression of self-love. 

[southern--downpour]

hello Virgil when you have the time you should explain your coloring and lining process

they way i do both lines and ESPECIALLY color changes basically every time i draw but yeah sure! im also p bad at explaining myself so idk if this is gonna make sense to anyone but me!

(first off dont draw on pure white canvases!! itll psyche you out and intimidate you because of the blank canvas, also its fucking eye bleeding!! i like going with a medium/light grey but ive seen people use a beige or light brown too just anything but pure white. also helps to just get SOMETHING onto the page if your having trouble w/ artblock, doesnt matter if its good it just has to be something u can work with. trust the process 100% and if it doesnt turn out good theres no shame in restarting from scratch, at least the idea is out of your head and easier to work through what was wrong)

my sketches are usually super messy and i go through like two to four different layers of refining it before starting lineart, and with lineart i usually use either a simple hard round brush or a sketchier one if im doing painting? my go-to ones are the default G-Pen in clip studio edited a bit to fit how i like pen pressure and 1834113 and 1761353 in the asset store but i like messing w/ whatever i can find on there and whatever feels fun at the time lmao so its not very consistent

i try and keep my lines pretty thin on the inside and thicker on the outer edge? as well as adding bits of cross-hatching and hatching both in the lines and when i go in with shading!

i keep my lineart brushes pretty minimal with the pen pressure as im not the best with my pen control and just change the size of pen as i go lmao. More prevalent when i'm doing super clean lines for comics and not sketchy ones like this for painting but its generally the same, i'm not the neatest person when it comes to lines

I draw a lot of the individual parts (head, facial features, hair, clothes, hands, etc.) on separate layers so if something looks wrong i can either wipe the layer entirely or go in with the transform tool and not mess with the rest of the lineart in the process lol

(also i saw someone keep the eyes and facial features visible under the hair but erase where they meet the lines for the hair? and just yoinked it for myself because it looks super nice lmao.)

starting colors is almost always the same, where i just go in and block in the base color for each part (skin, hair, clothes, etc.) on a separate layer to make going back and editing colors a lot easier. with painting like here i also go in and add basic shading, mostly around the skin! usually i add a darker & warmer color around the cheeks, nose, eyes, fingertips and joints as well as in places where theres shading like under the head and under the nose.

also in the darkest parts of the shading like under the head/neck and under the nose i like to add a light bluish/purpleish color very lightly as a bounce light! it doesnt always fit with the piece but it does look very nice when i can make it fit so i try to remember to do that lol.

(I dont take many progress shots or timelapses so i apologize for not having the best reference images lmao)

if im doing painting, after finishing the base colors & light shading i put everything ive done into one folder and make a clipping mask over top of it and paint over it!

i usually add more detailed shading + heavier highlights on places like the nose and edges of the skin showing to make it look nice and shiny lol

(i dont have any recent drawings i can show progress pics of but just trust me on this) if im doing cell shading though i do the same thing with putting the lineart and colors into a layer, but add a multiply layer on top of it and pick a pretty saturated color to go in with the shading. if i have a background i try and keep in mind what colors are in the background and what the lighting situation is to make sure the characters blend into the background more realistically. also airbrush tool and the add glow layer is your best friend in this situation

usually after that i go back and color the line art! I pick the darkest color in a part of the drawing like the clothes or hair, make it warmer and darker and go in on the innermost parts of the lineart with it and keep a lot of the outer lines black for contrast

then i just go completely fucking ham with overlay layers and gradient maps lmao, they ARE the fucking best and are usually what i use to finish off a drawing lol.

usually i use a combination of just fucking with the default "sky" graidents in clip studio or one set i got from the asset store (1814319) on a soft light layer at like, 10-30 opacity because it gives it a REALLY nice look. again just keep in mind the lighting situation (darker night? daylight? funky bright colors?) and just go until it looks good lol.

that's basically it? though tbh i tend to just grab onto whatever technique or tip i saw on tiktok or someone on youtube do and use that, as well as changing how i color hair/skin depending on what i think looks nice at the time. none of my shit is consistent what so ever so i just kinda change things or try new brushes/coloring styles on the fly if i think it looks nice lmao. pure essence of fuck around and find out every time i open clip studio

really hope this makes sense to anyone but me and hope this was helpful!

[orcelito]

Over a year without playing a sudoku and yet when i spring for hard (while sleep deprived, mind you) I get 8 mins first try.

"Hard", they call it. Sure.

[cheryap]

ive gotten well damnginto this song

[dawntheduckrb]

Home from my trip, I managed to navigate the city capitol interstate in the dark+rain mostly on my own :D (not without a death grip on my steering wheel the whole time, but that's okay)

Wasn't actually able to take any pictures, which is rare bc I usually come back from trips with at least 20. All I got was a picture of a miniature deck of cards I won in a game and the pretty state welcome sign on my way back in (taken with no other vehicles around me but my dad's, of course) (and theres one of these at every possible entrance to the state so i dont think this really says where i was at). Trip blab in tags but tldr; it was fun :)

[finexbright]

.

[toyherb]

I wish they let you type out messages on splatoon 3 not just drawings but also I wish I knew if anyone was giving me fresh likes

[not-morel]

Rewatched Help earlier (while doing like three seperate things but that’s besides the point) and man the urge I just got to really go through and dissect younger Clay and Bloberta to try and nail how the dynamic started out as for a oneshot because you can’t tell me they didn’t at least try to make it work at first even if hope slipped away real quick

[frogmascquerade]

Potd spoilers in the tags :D

[boxingcleverrr]

Popular Hades & Persephone "retellings" are, rightly, getting dunked on all over the socials right now and, as a Pagan who has an altar to the Queen, I could not be happier. But also, I feel like a lot of people miss WHY they're bad - aside from just plain bad writing and lazy tropes. Which are, yeah, also REALLY bad.

Pretty much all retellings try to wave away, or excuse, or twist the whole kidnapping bit. And I actually do have sympathy and understanding for why, when speaking from a modern perspective.

But honestly...you gotta get over it. There are other stories to play fix-it with, not this one.

The Abduction is The Thing.

Were I a little more sober I could bring up chapter and verse of the Hymn to Demeter but frankly, if you know even the middle school mythology curriculum version of the story, you SHOULD know the themes. The story of Persephone was one mothers and daughters in the ancient world held dear, because it was a reality: you will, one day, be swept away from your home to go cleave to a man you most likely know nothing about. You will miss your mother, but chances are very good that he will be a good husband, once you get to know him, certainly better than Zeus or Ares, and he will make you a queen of his home.

Leaving home to marry was often scary, and violent (look up the history of the tradition of Bridesmaids, if you don't already know it - they were originally decoys on the marriage road). Centuries later we'd have tales like Beauty & The Beast serving the same function: comfort, hope, you are leaving your safe loving home to figure life out with a (often older, powerful) stranger. Your trauma over this sudden ending of your childhood made manifest in a Beast, or a God of The Underworld.

It's wonderful that we don't NEED stories like this anymore to comfort us (here, at least, in this culture). But if you try to force them into modern vernacular it just will not work, not really, because you're gutting out the whole point just to have a more tidy romantic male hero.

I have read MANY very good ...novelizations? fanfic(? however you would frame them, but they're certainly not "retellings"), etc. that simply take advantage of the blank spaces in the myth, and there are many!

It's not explicit that sexual assault happens - "The Rape of Persephone" as a title was coined in much earlier eras, when the word was just as often used to simply refer to abduction.

"She was starving!" the gods didn't need to eat. So it's easy to read her eating the Pom seeds as a deliberate choice on her part. Like, shit, people, scholars have written whole papers on the symbolism of this moment, between marriage rites and even yeah, Seph choosing both worlds with her husband's knowing consent.

And that, I think, is the real heart of the thing. People want an utterly mundane, spelled-out story here, as opposed to what it really is, has always been, just like any other myth or religious parable: IT'S A METAPHOOOOOOR.

They don't need to be destined, or meet at a goddamned BALL and then CONSPIRE to fake her kidnapping, or shit, I once saw one where Hades got MIND CONTROLLED by Zeus?! Jesus.

Persephone was yoinked into the Underworld against her will.

That's how it went.

I don't mean this in a "stay out of my belief system!" way, shit I'm a white American chick with delusions of witchery. I mean this in a "stop stressing yourself out trying to make things palatable" way:

This is a very real, very precious myth to many people, BECAUSE for at least that one event, Persephone had no autonomy, BECAUSE for thousands of years most women had no autonomy. Erasing that, sanitizing the fact that a girl is ripped out of the spring, from her mother's arms, is erasing the thing that gave comfort to women for centuries. And people can and should still find power and healing in it now!

Fill in the blanks the story leaves in whatever manner seems fit to you, there's plenty of room, but. Come the fuck on.

[glow-worms-are-believers]

Witness Protection

There’s a dead guy in the alley and it’s not Danny. 

Ok, technically there are two dead guys in the alley but honestly, Danny feels like they’re way past semantics.

Because, once again, there is a dead man in the alley. 

Danny is fairly sure the guy’s been murdered. The bloody mess that is the guy's chest is a pretty good indicator, but the bloody knife that's still stuck in the guy’s guts is really what makes it for the teen.

Danny might be freaking out a little bit. Because, while he is used to dead people, they’re never this newly deceased, or for that matter, this gruesomely murdered.

Before his breath can quicken too much, Danny makes himself take a deep breath. 

Say what you want about Danny, but he hasn’t spent his high-school career moonlighting as a teenage vigilante without learning a thing or two about staving off a panic attack. Feeling more calm, Danny focuses back on the issue at hand.

I should call the police, says something in the back of his head that sounds like Jazz.

If I call in the murder I’ll be on the suspect list, retorts some other part of his brain he’s choosing to call the Sam part.

No advice from an imaginary Tuck though. Even in his own mind he can’t imagine a Tucker that hasn’t already passed out cold at the sight of a dead guy. 

Which, fair. Danny is kinda considering the option, as he’s feeling a little faint himself. It is way past time he got out of here. At least he's figured out just how to do it.

Anonymous tips are a wonderful thing, made all the more wonderful by the presence of payphones in Gotham.Danny is officially handing this off to the proper authorities.

Boy is he glad he doesn’t have to be involved anymore.

A few streets over, a hooded figure rounds a corner, their breath coming fast  as they clench their bloody fists agitadely. There wasn’t supposed to be anyone there, and yet. This is an unexpected setback.

The hooded figure leans back against the alley wall to catch their breath. Nothing to do about it but fix it. And as these things go, this is an easy mistake to fix. The face of the black-haired blue-eyed hurdle floats to the front of their mind. 

It should be child’s play.