#it's tough writing a whole story before posting idk how everyone has been doing it for fucking ever

[katytheinspiredworkaholic]

I was going to make a poll to ask if I should resume WIP Wednesdays despite whatever I’m working on, and then answered my own damn question. Because I’m an adult and this is a multi-fandom blog and I’m writing things that make me happy and I want to share with my followers so... it’s that simple, right?

Right.

[jamesunderwater]

do u (or any of ur wonderful writing community) have any advice for someone that has a fic idea that seems likely to be multi chapter but they've never written anything before?

Hi anon!! I'm so honored to have been sent this, and I'm excited to hear what my fellow writers have to say about it! Anyone have thoughts? Tagging a few of you: @mvnvgedmischief @abihastastybeans @athenasparrow @charmsandtealeaves @annabtg @practicecourts

Here's my advice as someone who literally stumbled into their first multi-chap fic:

figure out the ultimate story you're trying to tell. what are the main themes? what is the ultimate point of the story? it's so easy to lose momentum, especially for your first multi-chap. I think it helps a lot to know the "why" of your story so that when you get to the tough chapters, you have a strong reason to push through

create an outline. i know outlines aren't for everyone, but GOD it has been helpful for me. idk where you're at in your idea formulation, but i know in the past my ideas have been like...snatches of scenes, a general concept of the overall story - but it's lacked the specific content of the full story, and that's really tripped me up when it came to writing. with dead to me, i wrote a rough outline for every single chapter, so i knew how i was going to get from a to d to n to z instead of just being like "well, i know what a is. i know what d is. i know what n is. that's enough!" nahhh man you gotta figure out at least roughly what b and c and e anddddd etc. are gonna be too. the outline has changed and lengthened as i went, but honestly, it's still stayed pretty true to the skeleton i created at the start.

my beta reader gave me the suggestion to write out important scenes in the story from throughout it, to help me get a sense of what i needed to happen in between those scenes to get to those points. like for me, the absolute hardest part of a multi-chap so far has been making sure that the characterization stays consistent and makes sense as we go along. esp cause there is so much character development happening, it has to make sense, and that happens a lot in those in-between chapters. so it's good to have a sense of those BIG moments to help yourself stay on track for how you're getting your characters (thematically, character-wise, logistically) to those moments. [i hope that made sense]

find someone to read it over for you/be your beta! it's SOOOO helpful having someone to bounce ideas off of, and if you're completely new to writing, i'm guessing you might benefit from having just a general editor to point out grammatical things or ways the writing could be clearer.

be nice to yourself, take it slow if you need to. everyone handles posting differently - some people like to write the whole fic first, some people (like me) prefer to go chapter by chapter because having people comment and be reading along with it gives you momentum to finish. but i would say, if you are going to go with that second option, consider writing a good bit of the story before posting the first chapter. like give yourself some time to write until you get stuck - that will help you find some of the kinks in the story, figure out how to navigate there being holes in the narrative, maybe tighten up your outline, etc. and also gives you time to get the chapters edited by someone.

okay that's a LOT of practical advice, i hope you find it helpful <3 otherwise i'd just say, it's REALLY fucking exciting to be writing your first multi-chap, AND to be starting to write at all!!! have fun with it, get lost in the excitement, let yourself really enjoy your characters and the world YOU'RE developing. it's so fucking cool to be a writer!!! and all of the stuff i mentioned is part of being a writer, so like...soak it up?? and know that you DON'T have to do it perfectly to be a writer, or to enjoy the process. it's your first time writing and first time doing a multi-chap - literally all of this is an opportunity to learn and also have fun, so I hope you do that and don't get too caught up in the weight of feeling like you have to finish it in x amount of time or that it has to be perfect.

you're so cool for doing this!! and i hope that in some way you share your work with me/this community, cause I would love to see it and be cheering you on <3 i'm cheering you on regardless though!!!!!

[evansbby]

BESTIE IM SOOSOSOSOSOS HAPPY POYT IS OUT but idk i couldn’t shake the feeling that i was reading a different fic, everyone was super OOC like omega being more brazen and yelling, i always imagined omega as more of the silent type and homegirl was BOLD, steve was just soo different..he was kinda giving manchild and pathetic and just different and i mean poyt!steve is a MANCHILD but idk they just didnt hit the same. It was the ending i expected and was glad that omega got her happy ending but i just wanted angst honestly. I expected peter to take her away and steve just like find them somehow, idk it felt like i was reading a different story, were you perhaps influenced by other characters because they felt a bit off…Anyway it was long and really happy 5 is out! SO SAD TO SEE POYT COMING TO AN END😭 AAH I MISS IT ALREADY, i feel like poyt 3 was like my fav chapter of the whole series, it just slapped and you’re a fantastic writer and i hope this message didn’t offend you in anyway! I just wanted to tell you my opinion, I CHECKED UR ACC EVERY SINGLE DAY FOR A POYT UPDATE(not joking 100% serious)

Oof. So when I first read this comment about a week ago, I was pretty upset and hurt by it. Again, I feel like it is very tactless to say this to someone who spent so long writing something and was so nervous about it being posted.

But okay, let’s get into it then…

1) you felt like it was out of character that omega was being “bold” by being brazen and yelling bc you imagined her as more of the silent type. Okay. So you just wanted to read almost 40k words of her being shy and stuttering and having absolutely no growth while the worst things in life happened to her and everyone just walked all over her? You wanted absolutely no character growth? You wanted her to just remain quiet and docile and never be comfortable. You didn’t want her to stand up for herself when this madman Bucky is about to SA her? You wanted her to remain all bashful and shy and quiet and not show any emotion when she found out her mother left her? Okay then… Look, I’m a very quiet person but sometimes when I’m pushed so far, I WILL react. I think it’s extremely weird of you to think someone would just remain shy and docile forever when such terrible things are happening to her. It’s like… what exactly did you want to read??? You didn’t want her to react to anything?? All that being said, I feel like she still WAS shy in the moments that weren’t her mom leaving or the confrontation with Bucky. Like she literally still is shy, it’s only when she’s being pushed to the limit that she reacts like almost anyone else in her position would. Do you think shy people don’t yell? I’m really confused…. Because omega has lashed out in the other parts too. In POYT 4, and POYT 3 and even in POYT 2. So… idec what you mean by that being OOC.

2) Steve being a “manchild” Girl… idk WHAT fic you were reading before POYT 5 bc Steve has ALWAYS given manchild vibes. Like always. But I think I know what you mean. It seems like you didn’t like that big strong tough alpha Steve was acting “pathetic” and having panic attacks. Because God forbid someone make their characters react different to different things and God forbid someone make their characters multi-faceted, right? I’m sorry it “didn’t hit the same” for you, but I don’t know what you thought you’d achieve by telling me this. I’m proud of how i characterised Steve, and many have told me his progression was realistic and the panic attack made sense. Steve has always been all over the place with his emotions, ever since POYT 4.

3) i literally cannot believe how you’ve actually sent me this and I will not be gaslighted by anyone chiming in being like “omg that anon didn’t mean to be rude” bc idec. This WAS rude. You’re complaining because the fic “didn’t hit the same” and you didn’t get what you were expecting. Fair enough, feel that way all you want. But I wrote this fucking behemoth of a fic for free, and I don’t need to see comments like this. Idec if you sprinkled in a few compliments at the end bc this was the most backhanded thing I’ve ever read. To the point where it’s almost laughable bc either you meant to be rude and backhanded, or you’re just not self aware enough.

“I expected Peter to take her away” okay? Do you want me to apologise for not writing the plot the way YOU wanted it to go? Bffr. Anyone who knows me knows that I am not a fan of cliche stuff like that, I never intended for him to take her away. “I just wanted angst” There was angst. It was very angsty. If you want a more angsty fic, write one yourself.

“Poyt 3 was my fav, it just slapped” this is the most backhanded thing ever 😂😂😂😂 it’s like you didn’t want any progression, any resolution. WHICH AGAIN, that’s fine if that’s what you’re into! But write it yourself jfc.

I just want to ask you this. If you had written a 37k fic over the course of more than six months FOR FREE and then nervously posted it, only to get a backhanded message like this one… how would that feel? I mean it’s one thing if I was a paid author, then you can criticise me all you fucking want bc at least you’re paying me to read my shit.

But to read it and come back telling me the characters felt off, that you felt like you were reading a different story, etc etc. It is not nice. I remember reading this message a week ago and I literally burst into tears bc I was so sensitive. I wish you’d sent this not through anon so I could keep note of who you are and maybe block you or keep you away from my writing bc honestly? I don’t want you even reading it. But oh well.

And I know many of you will read this and say I’m overreacting but I don’t care. This is me being truthful. This wasn’t nice. Goodbye and please unfollow me.

[selfwriting-sugarquills]

70 Fred Weasley headcanons in celebration of 700 followers:

(plus an extra one, for the heck of it lmao) 

You guys, thank you so much for 700 followers! I appreciate every single one of you and writing for the twins has been such a blast so far, much to the thanks of all of you <3 

Find the 70 George Headcanons: Here

Fred has always been really good at sleight of hand stuff, as a kid, he could do card tricks with ease, steal baked goods from his mother’s kitchen and later on since his allowance wasn’t exactly anything to brag about, he’d steal sweets from honeydukes' on Hogsmeade trips, with the help of George, he’s not proud of it but in his defence, he was a stupid teenage boy at the time. 

Fred is incredibly competitive and will hold onto anything you challenge him to for way longer than you might think. He’s definitely the type to “race you” anytime you’re headed to herbology, care against magical creatures or Hogsmeade together.

As the man himself said in the deathly hallows, Fred doesn’t like the idea of a big grandiose wedding ceremony, he’d prefer something more low-key and simple, where the focus is more on having fun and celebrating instead of neat seating plans and meticulously chosen decorations. Some flowers and booze will do, he’ll provide the fireworks - In essence, he only needs his S/O and the rest he couldn’t care less about. 

George may be better at cooking, but Fred makes a damn good pancake and he will forever pride himself on that. 

Fred is the more jealous, overprotective twin. He’s aware of this and tries his best not to let it go to his head but he can’t help it. 

Fred snores, I’m pretty sure it’s canon that both twins snore, but Fred is louder and, as mentioned in my last headcanon post, a very heavy sleeper meaning it’s more difficult to get him to wake up so he can stop, your best shot is trying (and probably failing) to turn him over. 

Fred is also a very restless sleeper, he’ll toss and turn, and occasionally dream about quidditch. I’m saying you might want to be aware that he might confuse you for a bludger in his sleep, don’t worry though, he’ll always apologise profusely and make it up to you with a lot of kisses (and maybe a bit more than that, if you’re keen ;)) 

Fred has an extensive caffeine addiction, which is unfortunate cause he’s quite hyper already but he can’t function properly until he gets his coffee in the morning, and then again in between lessons/at lunch and then again late in the afternoon. Sometimes, if he needed to write an essay that was due, he’d drink coffee at like nine pm. He knows he won’t be able to sleep because of it, please, Y/n, he’s accepted his fate. 

I personally always imagined the twins as having ADHD, idk why it just fits their characters. Fred is for sure the more outwardly fidgety and intrusive, this gets less and less with age, as it does for a lot of ADHD people, his inability to focus remains the same though. 

Fred loves being outside, he’s the first of the Weasley siblings to suggest a game of quidditch or just going outside for walks, hide and seek in the woods near their house. He absolutely loves taking his dates on walks in parks or at the beach and when he has kids he plays with them in their yard, building snowmen etc. 

Fred probably suggests at some point that the whole family should go camping, and he’s actually really fun to camp with. He’ll tell the best scary stories by the campfire. 

In regards to children, Fred wants a lot of kids. Like at least three but would be willing to have more if his s/o wants to. He just really likes the dynamic of a large family since that’s what he’s used to. 

Fred’s favourite flavour of sweets is anything sour, the sourer the better, because of this he can handle it really well and he loves handing people some of his ridiculously sour candy and watching them squirm. 

He also really likes spicy food, he’s a bit of a daredevil so don’t challenge him to eat anything because he will eat a whole chilli and nearly die. 

 You know he’d be really casual about it too, lol, like sweating and crying but just leaning on the counter like “*pant* what? hot? no not at all *deeeeep breath* I can ha-aw-rdly taste it!” 

One thing about Fred is that he’s oddly squeamish, like seeing his brother’s ear blown off isn’t so bad (if you don’t take into account the emotional trauma that is), but a needle for a blood sample or a vaccine? oooh, he’s gonna need a big juice box and a cookie and his s/o’s hand to hold if he’s gonna make it through. He also has a thing about leeches. One time at Hogwarts they were mentioned in a lesson and he thought he was going to faint the entire time. 

Fred’s broken five bones over the years, four are from quidditch: his left arm and two ribs, and then the other arm from trying to do an elaborate stunt on the stairs in the burrow and falling down two flights. 

Fred loves to sing karaoke (because I cannot get that damn clip of James singing karaoke out of my head) though he particularly enjoys doing a very poor job on purpose. 

Fred is such a good liar that on several occasions he’s given presentations in school and gotten good marks for them despite having bullshat his way through the entire thing. 

Like seriously, he’s that guy in the group project who only looks at the slides like five minutes before the presentation and then just turns on a full charming newscaster voice on the professor to the point of them being genuinely convinced (albeit a little confused) that what Fred’s saying is true. 

This is also why Fred loves playing card games like poker: he’s really good at bluffing. 

Speaking of poker-face, he’s really quite good at teasing in public (if you’re into that sort of thing *wink*) because no matter the dirty deeds he might get up to under a table, his face remains as regular as always (safe for a little smirk to his lover every now and then) 

Fred always wanted to learn an instrument, he thought it’d make him cooler when he was a teenager, as an adult, he just really wants to recreate that clip of the trombone-playing dad with the sunglasses, or maybe serenade some cows with jazz or something. 

Fred was never a big fan of the uniform thing, so he always tried to make it his own, whether that be tying the tie differently, or having his sleeves rolled up; it’s not much but you gotta take what you can get when you’re literally dressed the same as everyone else. 

Fred might make fun of his dad’s interest in muggle things but secretly he loves it too. He has spent a lot of hours in the shed with Arthur, assuring everyone that it was just to have some quality time with his dad but he would still pay close attention when Arthur explained things to him. 

Fred had a whole business of selling candy from Honeydukes’ and joke products from Zonko’s to second and first years before he and George started dabbling with their own products, he could get you a butterbeer too but it’ll cost you an extra three galleons. 

Fred really likes glitter, George has a thing for lace, anything that glitters on his s/o makes Fred weak. If you want to get your way just put on some glittery eyeshadow or lipgloss and watch him spin. 

Since he loves things that glitter and gleam he loves buying his s/o jewellery, he loves seeing them wearing them as little tokens of their relationship. 

Did someone say slight possession kink? oops not me

Fred is incredible with numbers, this is pretty much canon and has been explored but I’m just amazed at this boy’s wit AND intellect. I have a slight headcanon that if he ever goes on a proper first date with someone where a bill is involved, he impresses his date by calculating the tip after just a glance.

Even if Fred has a longstanding reputation of not caring about school, when he has kids he does want to help them with any coursework over the summer and Christmas breaks, he’ll even study up on his old books just to be able to help out in any classes he didn’t take/didn’t pay attention in. 

Fred would, in general, be an amazing father. He’s goofy and playful most of the time, though he’s serious and incredibly caring whenever his kids are in a bad mood or have problems. He knows that he’s not the most outwardly emotional of the twins but he makes sure his kids know they can always talk to him about anything. 

Fred is incredibly messy. His room is usually a cry for help and he only cleans it when it gets to the point where it distracts him from focusing on work. 

No worries though, his S/O doesn’t have to do all the housework for him, he’ll do it. He just needs to be reminded that he needs to every once in a while. 

Fred has a really bad temper, he doesn’t know where he gets it from but he tends to get angry easier than George, though Fred is better at letting it out so it doesn’t continue to bother him. 

His bad temper does mean that he used to brawl more with siblings as a kid, and it wasn’t unusual to see him with scrapes and bruises as a kid, much to Molly’s dismay. Fred didn’t mind though, he thought it made him look tough. 

Fred is more likely to get caught sneaking around because of his brash nature, he tends to forget just how quiet you have to be to avoid Mrs Norris in the corridors. 

Fred is certainly not an early bird but his favourite time of day is, in fact, the morning when the sun’s coming up. He only knows this because of Wood’s ridiculously early quidditch practices but there’s something about the way the world looks when it’s bathed in soft golden light that just hits different to Fred. 

Fred is a great team player, as much as he seems like he’s more selfish than George, if it’s regarding a team activity (like quidditch or a battle of sorts) he’ll completely lose all focus on himself and only try to ensure other’s safety and victory. This is also why he plays as a beater, he’s not afraid of getting hit at all when he’s focused on getting the bludgers away from his teammates. 

So if his s/o ever needs it, he’ll be there to help with anything: Needs to take a day off from work to take care of his sick s/o? no problem. Needs to stay up with his small child because his s/o is exhausted and needs rest? On it. Something as small as carrying groceries or books, making a cup of tea when the other is busy or doing the dishes is all on the list of things that Fred will happily do for his s/o, and often without having to be asked, he’ll just do it. 

Fred’s boggart is seeing his family members and/or his s/o hurt beyond what he can save. Essentially his worst fear is being helpless when he needs it most. 

One of those times was when George lost his ear. The first night when George was lying practically unconscious on the couch with blood everywhere was the worst night of Fred’s life, he truly felt so anxious and helpless and angry that he vomited and ended up passing out next to the couch after staying up till sunrise watching his brother like a hawk. 

He didn’t just sleepwalk when he was younger, he also often experienced nightmares, it’s only George, Molly and Arthur who remembers anything about this. 

They got less and less the older he got and he assumed that he’d never be bothered by them again until after the second wizarding war and the battle of Hogwarts. 

I don’t like to headcanon that he dies cause he didn’t and that’s final lol. I do, however, headcanon that Fred still gets hurt, since everyone in the explosion beside him seemed to sustain minor injuries, I just think that to even out with George losing his ear, he hurts his leg and needs a lot of retraining/a walking stick. I think that’d be a more fair/unfair ending for Fred who’s always full of energy having to have to adjust to living slowly for a little while (not permanently, I couldn’t do that to my boy). 

The boy has anxiety sometimes, ok. (just let me project for a second)

He didn’t know how much tension he usually holds in his body until he drank alcohol for the first time and felt his entire body loosen up and was like “huh this is new.” 

He doesn’t use alcohol to deal with it though, he prefers just talking to George about whenever he feels is stressing him out and that helps. A massage from his s/o to loosen him up doesn’t hurt either. 

Fred prefers to talk to his dad about his problems more than he prefers to talk to Molly, generally. 

His favourite body parts on his s/o: Shoulders, hips, hands. 

He loves to kiss, just in general, but he also loves kissing his s/o’s nose, forehead, neck, shoulder, etc. as little gestures of affection. 

He def. has a bit of a size kink, he loves being taller than his s/o. 

If Fred could have any pet he wanted, he’d probably want a dog, the bigger the better. He doesn’t think he has the time for a pet though. 

It was his idea to start breeding pygmy puffs, it’s the closest he’ll get to having a pet. 

I don’t know why but I feel like when Fred and his s/o are expecting and his s/o goes into labour he just panics. loses it, drops the binkie as we say in Denmark: Freaks the fuck out, if you will. He’s definitely the pacing and wringing his hands together type, though he probably tries his best to keep himself composed and chill during the whole thing whilst simultaneously hyperventilating. 

Fred doesn’t cry often but he sure as hell wept with pride when he held all his kids for the first time. 

Despite the notion that the twins often slip in a joke version of a sweet treat or something similar amongst the snacks at parties, Fred is strongly against tampering with drinks. He knows the connotations it holds and he doesn’t want anyone to be afraid they’d put something in it. If he wants you to test out their truth serum or a love potion, he’ll just ask you flat out and if you don’t want to, he’s not going to continue asking. 

Most of the detentions Fred has gotten from Snape come from times he’s spoken back to him when Snape’s been giving another student a rough time. He doesn’t regret it one bit. 

 If you ask Fred what his proudest accomplishment is, he’ll probably say that it’s having had enough restraint to not punch Umbridge in the face every time he saw her. 

On the note of Umbridge. It wasn’t her detentions with him that got his blood boiling, it was when she punished little kids (a la Nigel) for doing practically nothing, he understands that to an extent and by comparison, setting off a bunch of fireworks inside a building would harbour a harsher punishment, but making twelve-year-olds bleed for running in the halls or playing music or just doing things that twelve-year-olds will inevitably do, is something Fred doesn’t understand. That year pretty much any kid younger than him, or anyone who was too afraid to stand up for themselves, became Fred and George’s little siblings, and they’re very protective older brothers. Umbridge can vouch for that. 

He struggles with a lot of insecurity in his relationships, he always puts on a front of being extra funny and outgoing when he’s in a new relationship because he’s secretly afraid that the way he is isn’t good enough and that eventually, his s/o will see through him and leave because they don’t like the softer, more serious side of him. 

Fred is the godfather of all of George’s kids but is also the godparent of Hugo, Lily and Lucy. 

Fred loves business meetings, he sees them as a good challenge to practice his smooth talk. 

Fred spent his first salary from the shop on the most expensive bottle of champagne he could find and a new suit. 

Fred tried to get into whiskey, feeling like it’d make him a cool business owner type of man, so, with his second salary, he went out and bought a fancy-schmancy bottle of whiskey and the whole getup with a bottle and some cool glasses, and then invited Lee over to try it with him and George. 

They did not like it. Fred thought it tasted like what he imagined gasoline tastes like so they mostly used it as decorations, not having the heart to mix it with something. 

Fred doesn’t necessarily like PDA, it depends on what you mean. He likes being secretive. Pulling his s/o into an empty classroom, nook, hallway, secret pathway etc where anyone could wander in at any time and snogging her senseless is one of his favourite things to do. 

Fred knows how good he looks in his quidditch uniform and will absolutely use it against his s/o. (they’re gonna get spicy from here on so read with caution if you're in public)

Fred prefers giving more than receiving oral. 

He has a lot of energy, did you not think that would rub off (no pun intended) on his sex drive? He can go pretty much any time and place, and typically last at least two rounds. 

Also, his favourite position is having you on top. Okay, I'm gonna stop now. 

[whisperingrockers]

would u. i dunno. perhaps articulate some thots on toh infinity train au 😳 if u can

HM. i will do my best. but...i dont really know how to organize my thoughts.  i guess i should probably just start with the characters and go from there, huh. also in this particular au these characters don’t actually take the place of tulip, lake, jesse, grace, etc- i think they’re all just there under different circumstances. 

Luz

okay so we’ll start with Luz because. she’s the main character, y’know. very important. i think the catalyst that brings her to the train is her mother signing her up for Reality Check summer camp because as a creative it’s just! disheartening to have someone you love tell you that you’re not going to make it in this world if you don’t conform to what everyone else wants. so of course when a huge mysterious locomotive suddenly pulls up to the bus stop you KNOW luz gets on, no hesitation. after all, isn’t that something right out of a sci-fi adventure novel? 

unlike tulip, luz is THRILLED to find herself on some unknowable train where each car is a new adventure just waiting to happen, where there are always new friends to make, new places to see, and tons of puzzles to solve? she’s made to feel like the protagonist right out one of her fave animes. 

also, really important to note that her number is probably tied to how she relates to the other passengers on the train. i feel like there’s an overarching theme in the show about how luz is going through a lot of firsts when it comes to interpersonal relationships, especially friendships, so i wanted to keep that going in this au- i imagine her number goes up when she finds her friends tapes and convinces them to watch with her because this is obviously the easiest and most straightforward way to get to know them! (luz poppin that bad boy into a vcr player: this mama is ready for trauma!) 

realized how wordy this is going to be LOL

Eda

hough so this is a human au also (i assume? infinity train world really do be existing in some limbo state of reality where your reflection can just up and ditch you). i see her as a jack of all trades, master of none type, with a lean towards perfumes and handmade soaps that she sells at fairs or farmers markets and also pickpocketing. i think she sees something that reminds her of the life she used to have/would have had before lilith [redacted because i do not know what she DID yet but on GOD we will have canon continuity] and that drives her to get on the next train headed anywhere.

her number is tied to how much she allows herself to open up; the more she uses her salesman cover to keep others at arms length, the higher her number goes, which is why it’s so important for her to team up with King and Luz; they help her open up and be more honest with herself.  

King

king is actually a denizen of the train in this au; i love him too much to turn him into a real ass dog, so i wont. eda meets him in a car full of plush toys, which he refers to lovingly as his army of the damned. i almost want to hold off on writing up any more for him because i know there’s more to king’s character than meets the eye. still torn between eda trying to bring him off the train with her or having him realize that the whole TRAIN is HIS KINGDOM, and all its passengers loyal peons who need their mighty rulers HELP, for without him they would PERISH.

for now though eda sees him and is immediately like get over here (reaching emoji) 

Willow 

willow is a tough one for me because in all honesty having your longtime friend tell you out of the blue that they can’t be friends with you anymore would be enough to send me packing to the train, but with willow i think it’s less about amity and more about how the fallout between them affects her social and academic success. the frustration reaches a tipping point that has her running out of the classroom and finding the train. 

and yes, willow is a very sensible, bright girl, but she was also SO ready to trick the principle and steal from the emperor for her friend so i don’t think getting on a mystery train is wholly out of the question for her, y’know? 

There’s a lot about repression in the way willow deals with things generally, so her number is tied to passivity. the more she allows others to infringe on her personal boundaries to keep them placated, the higher her number goes. when she stands up for herself to others (sometimes even her friends!) the number goes up. willow x agency and clear limitations is my otp

Gus

gus was actually a SUPER easy one for me we know so much about him from the episodes he’s been in; he’s an overachiever, he’s passionate about what he loves, he’s a natural showman, and he is constantly pushing himself to be the best that he can be, all the time. the hustle doesn’t STOP for gus, and i...i...(tears up) 

anyways, i think the thing that draws him to the train is getting suddenly ousted from the club he formed at school. he’s young, and having everyone you had assumed were your friends turn their back on you and throw you out of the space that you CREATED FOR THEM would be shocking to anyone, but it broke gus’ heart clean in two. after he’d picked his bag and himself up off the hallway floor, he’d left the building in a daze, not even realizing as he boarded the train door that had suddenly opened up in front of him until it was too late. 

i’m actually going to go so far as to say that gus would likely be the one MOST interested in the truth of the train- he’d be asking the tough questions, like what is the purpose of the train? who made it and its technology? where does it exist that it can be both at his school and also speeding across a barren desert landscape at the same time? How does it create sentient lifeforms? the train helps him discover a new passion; journalism. he finds a journal that speaks to him as a friend and advisor in one of the trains, and he takes careful note of everything that happens to and around him. by the time he meets up with willow, he’s got so many ideas and theories that the other girl would have never thought to consider until that very moment. 

idk what his number relates to because he’s perfect the way he is but if i had to take a shot in the dark it probably has something to do with finding somewhere he feels he can belong, as well as being able to mourn and let go of the people he’d considered his friends before he’d gotten on the train. 

sorry this is so long i just have a lot of . gus feelings. 

Amity ( + Edric + Emira )

lumping these whites together 

okay so nobody wants to hear me talk about blight angst there are 800 posts about blight angst, so long story short the three siblings run away, get into an argument with each other, amity ditches them for the train while they’re asleep, and the twins panic and chase after her, determined to find her because in the end they’re all they’ve got. 

‘next stop: amity blight’ 

i think it’d be a cool journey to see the three of them going from ‘we need to be together out of necessity’ to ‘we need to be together because we love each other, and that genuine support structure will pull us through when everything else fails.’ but in order for that to happen they all have to have their own journey, so at some point edric and emira finally get into a spat and that’s enough to get edric and emira stuck on opposite ends of a retracting bridge. send that mans to the BACK of the train. 

emira: my greatest fear is being stuck with edric forever emira: (gets separated from edric)  emira: haha wait please say psyche

amity’s number is definitely tied to her fear of failure, of not being enough for the people she holds closest to her- in this case her siblings, and then lilith, and then luz when they finally meet. when she acts without concern for what the people around her think and when she sticks up for what she knows is right, even when the majority is against her, her number goes down. 

for ed and em im...i don’t want to think about their feelings because they’re supposed to be clowns but i am forced to consider that they may be jealous of their sisters independence. also separating them means they both have to take responsibility for all their own actions and choices, which is probably pretty new for the twins. 

Lilith 

im out of energy actually znzzzsnsz uh. estranged sister who sees something that reminds her of the relationship she used to have and she’s not actually as over it as she thought so the train....she..hghrg

[aclosetfan]

21

(ask game) thank you so much for playing the game!! you’re the best (per usual)!!

Helllll yeahhhhh 21 is the DUMBEST STUPIDEST fic I’ve ever made and I lovvveee it 💚💙❤️ it’s the “Vampire Zombie” one i mentioned in the original ask game post 😂😂

So glad someone picked the number!! Background to keep in mind: do yall remember when there was just a shit ton of Vampire fics on FFN?? Idk about ao3, but for newer fandom members this was TOTALLY a trend in the early 2000s on ffn, and I was like why the fuck are all of these here??? And like, why is it constantly a predator-prey relationship between the rrb and ppg??? So I was like wait…okay, but this could be funny and decided to write a story making fun of these super cringey stereotypes.

The story would be a multi fic and I have zero idea how to explain it concisely, so basically below the cut is just me laying it all out for you srsly I’m just bearing my soul to you:

For the girls’ birthday, the Professor tricks out the simulation room they train in to be a VR game room b/c the girls had talked about VR once (and only once), but the Professor thought it was cool and ran with it. The Girls can create a world of their choosing and explore. They admit the idea is pretty cool and eventually start arguing where they should “go” first. Blossom suggests a historical era like the Victorian era/Bubbles suggests something romantic, where she hints at vampires/Buttercup doesn't like any of those ideas, but the vampires reminded her of all of her zombie videogames she plays and she ends up suggesting something like that instead/ To prevent arguing the Professors says he’ll combine all three ideas into one!

[[how does this machine work??? IDK in the spirit of early 2000 fanfics, anything complicated and confusing is only vaguely explained—which has in story effects that drive Blossom INSANE! Idk how it would work technically, but my choices as the writer on what is/is not describe and purposeful grammar mistakes has story implications] [ill explain this more later]]

The Professor loads up the “game,” but something malfunctions. He tells the girls (Buttercup) not to touch anything. She doesn't listen and ends up plugging something into an entirely different device against Blossom & Bubbles protest. The device is that old “time machine” thing the Professor made in one of the OG cartoon (the one where the girls meet the Young Professor). It turns out that whatever she does (again still don't ask me how) fuses the basic concept of the two machines together and creates a device that transports them to a parallel universe that matches the specifications of the “game” they wanted to create.

[[Throughout the story, i want to include little video game gags, like bottomless bags for storage, or random bullets laying around, little things like that. (they've lost their powers/ but BC keeps finding all these random guns/knifes so they're good) I also give the girls the “ability” to read the dialogue I write. So, when I mess up a comma (i.e. Let’s eat Grandma! vs Let’s eat, Grandma!), Blossom will look at the “character” they’re talking to and be like, “WELL, which is IT!?”] [I know it’s stupid, but I think its so fun!]]

So, because of the video game “glitch,” the girls think for the longest time they’re actually IN a video game, but when they “go to sleep” thinking that’ll save the game and they can quit, per Professor’s instruction, they find out they can’t. Cue freak out. After the calm down, Buttercup’s like okay, listen we probably just have to beat the game! Too bad they don’t know what the game’s objective is exactly. They just know they’re dressed in Victorian Era clothes and their “Professor” is the town’s doctor? Their mother died (tragically). It’s all a bit dramatic. They start searching for clues. Eventually, they find out that the Town has a zombie problem (THANKS BUTTERCUP!), and Blossom figures if they can cure that, they beat the game. Unbeknownst to them, they are actually stuck in a stupid vampire love plot there just happens to be zombies. [Like, you can’t have one supernatural creature without another and I wasn’t going to write about werewolves.] No one in town seems to care about the undead problem. Buttercup keeps “leveling up,” Blossom’s on the verge of a breakdown, and then, finally, Bubbles meets Boomer.

Boomer swears up and down Bubbles is his fated mate. Bubbles—who is definitely interested—is like ooo so you’re a vampire, cutie? He’s broody about it. She’s like so do you sparkle in the sun?? (I absolutely love sparkles, she says). He’s like, wut?? She’s like, do you sparkle???? He’s like, uh no, the sun kind of burns my energy tho. She’s like, oh. Okay. I see. You don’t sparkle. Sooo, well, haha, okay you seem like a really really sweet guy with the whole eternal devotion thing, but I don’t think this is really going to work out between us. He’s again like WUT. Boomer gets broken up with because he doesn’t sparkle.

Vampire Butch is flat out scared of Buttercup. Like he fully admits he’s sucked infants dry of their blood; he’s why people should fear the night; he’s not a “good guy”; but BC is a force to be reckoned with. In the Victorian era, I’m guessing they had little to no experience with the modern day “bro” and BC is full on bro. This doesn’t mesh well with Butch’s broody, dark, vampire thing he’s got going on. She’s too vulgar for a Victorian lady, she wears things called “Chacos,” and she has a gun??? Multiple guns. And He. Has. No. Fucking. Idea. What. She. Is. Saying!! No! He will not “dab her up!” No, he “doesn’t lift.” This wasn’t his mysterious, tough (but still a damsel, mind you) mate he met one fateful evening, this was some heathen creature (and this is coming from a vampire), so please, please, please, can he kill her?????  

Blossom’s like I don’t like to be touched and I’m a lesbian, and Brick’s like one) I think I respect you more than the old Blossom; two) the zombies just appeared, stop asking; three) you need to now help us find our mates before their eighteenth birthday or we’re all screwed.

Ready to kick ass and fight sexist stereotypes with their new “bros,” the girls set out with their new objective, hoping beyond hope that once they find the missing girls they’ll be able to go home. The girls find out that their parallel alternatives went disappearing a few days ago, so their “return” had been a relief to the whole town. [[Blossom’s like why did no one question our clothing?!?! Why are there zombies?!?!]] ugh and then, I don’t know what happens :( really. I never really ended it. They girls just constantly shit on the boys being broody vampires and kick zombie ass, like idk what else a gal could want out of a story. I feel like they end up finding the other girls. And I think that I was going to bring HIM into the mix, but it’s still just regular HIM. It turns out that HIM likes jumping dimensions to make the Girls life hell in every lifetime and has cursed the three girls living in the vampire dimension. (“I’ve got a life outside of just you, ya know.” HIM huffed, “What are you three doing here?”) It also turns out that out of all the dimensions, our Girls as Superheroes are the best at beating HIM and saving the day, so he’s extra pissy that they’re ruining his carefully crafted “historical romance vampire soap opera.” Blossom loses her shit because the historical inaccuracies are too high to now ignore, Bubbles is pissed because HIM didn’t make good enough vampires, and Buttercup’s like honestly, not a bad game, ngl. Everyone ignores her.

[[They beat HIM, free the other girls, return home, and BC obsesses over their stats sheets. Back in Vampire land, the boys are like wait a second the relationships we are now stuck in suck.] [The zombies are still not explained]]

[stranger-who-writes-fiction]

♫ Surfing on a soundwave, Swinging through the stars, Take a left at your intestine, Take your second right past mars!

On the Magic School smelly space bus! ♫

SPOILERS for Supergirl: Woman of Tomorrow #2!

This is a comic where, the longer I sit with a particular issue, the more I’m like, ‘yeah. Yeah. YEAH.’

It’s dense in a way that invites the reader to go through it multiple times, and rewards additional readthroughs.

Also, it helps that the art is FREAKING AMAZING.

Seriously. Evely and Lopes should draw and color everything, forever, always.

(I will honestly be shocked if they don’t get an Eisner nom for this book.)

Anyways, all of this to say: Another issue that I enjoyed. It has one of the most genuinely sweet Supergirl moments I’ve seen in the comics in a good long while.

So, if you’re looking for a quick thumbs up/thumbs down rating, thumbs up!

If you’d like some SPECIFICS, though...

THE STORY

King is an evil genius because we don’t pick up where we left off--rather, we start in the midst of the Space Bus journey.

There is technically a Big Action Scene, but I was honestly surprised by how...casually? the story progressed.

Essentially: Kara and Ruthye are forced to travel by bus because 1.) Krem stole Kara’s rocket and 2.) this corner of the universe doesn’t have the right stars, so Kara’s still recovering from being under a red sun for an extended period of time.

The bus makes occasional stops; they encounter a space dragon; Kara takes some Red Kryptonite and saves the day; they eventually arrive on a planet with a yellow sun. 

And again, all of this occurs with a kind of...breezy ease that I was not expecting at all.

I assumed that the space dragon fight would make up the final moments of the issue, after having built up the problem to a point where Kara needed to intervene.

But, noooope. The space dragon happens somewhere in the middle, which helps sell the central idea that this is simply Kara’s life. She’s been there, done that. She’s a badass who takes it all in stride.

But! Important to note! Ruthye still marvels at the sight of Kara taking out the space dragon, as well she should, because:

OH MY GOD. THE aRT.

There’s only so many times I can say, ‘it’s phenomenal, it’s gorgeous, it’s stunning’ before sounding like a broken record.

But it is. It truly is. This is the prettiest monthly book on the stands right now.

(Realizing I’ve been spelling Ruthye wrong this entire time, maybe? IDK. Apologies if I have.)

It’s in the final moments of the book that we learn what transpired after Krem shot Kara and Krypto and fled: Kara managed to get Krypto and Ruthye to a healer, and then passed out for a week. 

Ruthye and Kara recovered, buuuuut...

Krypto is still very near death because the arrow was poisoned.

The healer can’t treat him until he has a sample of the poison.

Which Krem has.

(See where this is going?)

So! Kara regains her powers! Ruthye has a super on her side! KRYPTO’S LIFE HANGS IN THE BALANCE!

Gimme. Issue. 3. STAT.

THE CHARACTERS

Very much enjoyed Ruthye in this issue!

There’s a really tricky balancing act you gotta pull off when writing child characters; you don’t want to just write them as tiny adults, but you also don’t want to be obnoxious or cloying in trying to write ‘true-to-age.’

King gives himself a bit of a cheat, by setting her up as a rock farmer from a...what would you call it. An old-fashioned planet? And thus the kind of character who had to ‘grow up fast’ and behaves more maturely than your typical pre-teen might.

BUT! IMPORTANTLY! This is tempered by placing Ruthye in situations where her (understandable) ignorance is challenged/put to the test. Like, yes, she is mature, and well-spoken, and utterly tenacious, but she’s also out of her depth, and still in need of help and guidance.

(Which is how we get to The Best Scene which I’ll get to in just a sec.)

TL;DR - this issue has really sold me on Ruthye as our POV character and I am officially Invested in the relationship between her and Kara.

Speaking of...

It’s KARA-CTERIZATION TIME!

So, okay. There’s some ‘eh’ stuff in this one, but, BUT!

We got the goods again.

And by ‘goods’ I mean this:

Whatever other nitpicks I have (and I do! Have one! Which I’ll get to!) THIS. This right here! This is Supergirl. This is Kara.

And what a beautiful line to introduce this moment:

“And it began--as most things begin when you’re dealing with Supergirl--with a moment of kindness.”

It’s the same gentle concern we saw in the previous issue, where Kara knelt down to address Ruthye eye-to-eye. 

Here, Kara’s facial expression, and the way she takes Ruthye’s hands and shows her what to do...

It’s just. SO SWEET.

Ahhhhh it’s so good. :D

So good! In fact! That the above scene offsets my one complaint, which is that Kara came off as harsh, IMO, when addressing the bus passengers, looking for Red K. 

Other good stuff from this particular portion of the book: we get Kryptonese (maybe? I think?) And a mention of Kara’s mother being strict about certain things, which is in keeping with the 2000s series version of Alura.

Ruthye also asks if Kara ever tried to avenge the death of her family/culture and she says no; Ruthye says that she heard a lifetime of regret in Kara’s response, which I suppose could be read one of two ways:

1.) That she regrets her choice not to avenge them, or 2.) that she regrets not having the option to avenge them, as there was no one person to punch, no single action that could rectify the destruction of the entire planet.

I personally prefer the second reading.

Which I suppose contradicts the recent-ish “Killers of Krypton” arc, but who knows what is and isn’t canon anymore, honestly. XD

As for the rest of the issue! I found myself thinking of a Grant Morrison interview, actually.

Morrison apparently met a Superman cosplayer at a con and that’s when the character clicked for them: “[The superman cosplayer] was so in the character, but what really got me was the way he was sitting. It was this absolutely relaxed pose with one knee up and the arm bent over, and that’s what broke Superman for me. Suddenly I realized that Superman wouldn’t be a poser, he wouldn’t be a Muscle Beach steroid guy; he’d actually be completely relaxed because nothing could hurt him. He could be so open and friendly to everyone because no one can punch him or hurt him. He can’t get a cold, or be damaged by anything you’re carrying or wearing. For me that was the power of that, whether you want to frame it as magical or not, it actually informed the stories I wanted to write. I felt I understood him in a way I hadn’t until that moment.”

That’s always stuck with me, the idea that Clark would be the most at-ease, chill guy you'd ever talk to.

And THAT, I think, is what we’re seeing here with Kara. That at-ease-ness.

But in a way that is distinct from Clark! In the above quote, it’s clear that Morrison thinks it’s Clark’s powers that are the reason he can be so relaxed and at ease.

But Kara is de-powered here. So why is she so chill?

Because Kara is an alien.

Kara’s in her element, here. She’s used to space travel, she knows the ins-and-outs, she’s not shocked by any of the weird stuff they encounter on their journey. 

Love it. LOVE. IT.

I am SO GLAD that King decided to go with Kara being the wizened mentor, as opposed to the naïve kid learning to be tough. It’s a much more interesting angle, IMO.

Also NO MENTION OF RIVALRY BETWEEN KARA AND CLARK. WOO. LET’S KEEP THIS ROLLIN’.

Alright, last, but certainly not least:

THE GOOD BOY! KRYPTO!

When I tell you I stress-read this entire comic first thing in the morning...XD

And I am STILL stressed. And a little sad that Krypto doesn’t get to go on another space adventure but! This is MIGHTY PREFERABLE to what I *thought* was going to happen, which is that Krypto would die from his injuries, and Kara would likewise be out for revenge. 

Fortunately, that is not the case! 

So like, the stakes?!?! Suddenly sky high. Find that dirtbag Krem and GET THAT POISON BACK TO THE HEALER!!

ART and MISC. STUFF THAT I LOVE

I generally don’t like to post entire pages of a comic, or panels without context, but the...reach? of this blog is extremely limited so. I think we’ll be okay. XD

So, alright! Some moments that I particularly enjoyed!

One of the panels that Mat Lopes shared early on! 

I want this lettered version on a mug.

(Also she looks very ’Grace Kelly-ish’ here.)

Love Kara’s facial expression and her line about space travel being more fun when you can fly.

From the same portion of the book--such a neat detail that Kara keeps her cash in her sleeve!

Another set of panels that I think Tom King shared a few months back.

Love Kara’s little smirk, and the, “I’m wearing a big yellow S on my chest, and a very fashionable red skirt.”

It IS fashionable. WE SUPPORT THE SKIRT, IN THIS HOUSE.

Also the slrrrrrrp. XD

It’s good.

Okay, 1.) VERY COOL SCI-FI DESIGN and 2.) that line is great. “Can you feel it, Ruthye? We’re getting closer. The stars are changing.”

Mmmm, them good cosmic Kara vibes.

Kara’s attitude about the Red K here is fun, like, ‘WELP, sometimes you turn into a monster, sometimes you don’t!’ but again, the line is what gets me.

“Did my hair move?”

“I do not believe so.”

XD

Honestly? I could post the whole comic here. Evely’s vision of ‘public transit, but space’ is just so immediately...not ‘real’, necessarily, because there’s such a fantastical element to it all, but it is fully realized. I think I used the phrase ‘lived-in’ and that’s it--this world feels like it has always existed; every grimy nook and cranny, every rando space bus traveler.

And Mat Lopes’ colors!

There are like, five distinct color palettes at work in this issue, and Lopes handles them all masterfully.

I think my favorite is the...I’ll call it ‘ethereal space aquarium’ lighting in the bus as they view the space dragon.

The glow and the shadows and the blues and pinks...

GGGGGGGGAAAHHHHHHHHHH so goooooooood

So, yeah. :D

I am very much enjoying this weird, wild ride with small, precocious Ruthye and wizened, crusty Kara. XD There’s some stuff that I don’t *love* but my goodness, it could be a lot worse!

Let us end on the beautiful title page:

[thezeekrecord]

hi im waiting for pain meds to kick in before i continue sleeping so im gonna sit here and talk about the intents behind character arcs in good afternoon good evening and goodnight ok i try not to talk about it like this Too much but hey it's fanfiction why not

so like. essentially the big overarching theme was obv supposed to be the subjectivity of reality and what it meant for themselves and their relationships

for gordon especially the game meant a lot about who he is/who he gets to be or wants to be, the idea of being a player character and second guessing your own intent was something i was excited to write as i was first starting to plan this fic out. i wanted him to struggle a Lot retroactively with reality when it felt like everyone else had long since accepted it had been a game, and ultimately that was supposed to play into his relationship with benry a lot. also obviously a huge thing for him was Trauma, we all love a good gordon freeman trauma hurt/comfort moment right? i wanted to write sort of a backwards progression for him when they were in hl2, like i tried to reverse the script a little between gordon and benry where he just. he was doing his best contrary to what happened with benry and was Worried because that's very gordon, but him just laughing thru a lot of shit and not taking it entirely seriously like he should, not even paying attention to how bad he needed a break because Well It’s Not Real Right? meanwhile benry.....well i gotta back up for him for a bit

benry i feel like i struggled a bit with, i wish id written him Slightly different in the beginning at least but ehh. idk there's a lot of content out there for benry that i feel like skips over the idea that he hurt everyone (im Not getting into disc horse over this even though i have a lot of thoughts about it) but it was important to me to write an arc of him really trying to reach out? i think ppl fall into the trap of putting "gordon has to understand benry" before "benry has to make an effort to be understood". i think it's easier to project and say you want the others to put in that effort on his behalf, but the truth is i think that effort has to be very mutual! i liked writing an arc for him where he doesn't even understand himself very well and had to give his relationships time. i wish id had more time for it, but trying to juggle so many character arcs was Really tough lol. but regarding my choice w/the hl2 part, i do wish id had the opportunity to have him there More, i entertained the idea of him being powerless but with gordon the whole time or smth, but plotwise it just wasn't working out And it felt relevant for him to have that whole experience with the nihilanth. i wanted him to have the reverse experience to gordon was having, suddenly realizing there were actual consequences and he could die, essentially living out what gordon felt was his experience in hl1 fighting benry even if ultimately things would have been ok, bc he didn’t Know or register that at the time?

Whoa 2 Paragraphs For Benry anyway after that, even tho i took his powers away temporarily for adding context to the others' perceived experience and fpr worldbuilding/adding stakes to the situation, i don't really like story arcs for redeeming characters where their arc is represented by having powers taken away Permanently. like "its ok guys i just literally can't do it anymore so i won't" u know?? it doesn't feel like Enough. i wanted to show something where he took back his powers and what made him who he was and used it for Good. i think that rounds things out a little better? it was important that everyone, especially gordon, got to see him taking back the powers he used to attack them in the game and using them to protect them instead. it was a part of his identity, being like Not Human, and played v importantly into his relationship with tommy

with tommy i feel like. ok with everyone in gagegn i feel like i was deliberately mischaracterizing a bit for the sake of the story because My City Now, but i think tommy got hit pretty hard ajchdjshg i just wanted a very particular arc from him....so he was Very serious and i wish id worked in more moments where he got to be like, comedically just super wrong about something or just generally silly but Oh Well. anyway tommy's experience with knowing it's not real was very much implied to be a lifelong struggle and i was Heavily projecting, like, i love the unreality elements in hlvrai because [dissociates and gets delusions about nothing being real] and i just wanted to leave it implied he's always had a hard time with feeling like he Knows it's not real, and still just. Keeps Chugging Along bc what else can u do? also this is a very particular thing but i feel like with psychotic characters in media there's always a question of "but what if....the whole thing isn't real....." but i wanted to write an arc for a character where delusions Prepared them for something in a sense? i could go on for a whole other post about the dsm and psychosis representation etc etc but he was just. Prepared for knowing it wasn't real. my experience i projected heavily onto the story was acceptance of such a weird, abstract concept, and just trying to have a fulfilling life/relationships anyway because what would trying to unravel it all just for the sake of it do?

and that plays into how i wrote gman as essentially a foil to tommy, but im almost done with a ""post-canon"" fic about him so i won't say much on that (i think the fic caters to only me specifically maybe but i'll still post it ajfjsfh) but regarding tommy's whole thing with g-man, it was Very intentional for things to feel sort of unresolved and for him to still second guess himself. it was important to me that way idk, i feel like that's more true to life?

i WISH i had more time and ideas for darnold though.... he's another case of my projecting definitely, and i actually almost had Him go into nova prospekt with alyx instead of gordon and reappear at exactly the right moment for dramatic effect, but i wanted an arc for him where he discovered he wanted more than anything else to be with the science team and to have him disappear kinda contradicted that :/

im running out of steam to keep typing this. well with dr coomer i feel like that was another wild thing that was me projecting again ajdjajfjd i just love a good fantasy DID/OSDD situation (NEVER SEES THIS FOR REAL) and i wanted a little extra flavor with the clones to sort of mirror bubby's struggles

and with bubby. like ok with the prototypes and vortigaunt friend, i had the idea maybe a prototype survived the resonance cascade and had been hiding that whole time and bubby actually finds and rescues him? but that felt too weird and complicated for everything else going on so i threw in a vortigaunt as an emotional standin for him. the reason i wrote bubby resentful to his prototypes at first is one of those things i only introduced to represent part of his story arc and not necessarily a headcanon, i love the idea he considers them family and likes them for the most part! it was just something to slowly represent him growing past black mesa without just Saying it

it's like 5am. lastly.....the player......just like gman was to tommy, i did my best to write the player as almost an opposite to gordon even if i tried to make them as similar as possible. something i rarely see is exploring how complicated i feel like it would Actually make things to have a player, outside your game, trying to be your friend? i understand why ppl don't go this route and i didn't go too hard on it, but i mean, he's this guy who has control over your world and is living outside of it, and views all your life hardships as trivial in comparison to his own? i wanted to represent this in only small ways, because i thought it made sense to show him genuinely making an effort, but in moments like when he was talking to benry and when he talked to gordon, i wanted to show him just. Trying but still not taking it as seriously as he should, he gets Mad but he's treating it like a video game still! it's a power imbalance, and if nobody else was going to explore that then i would afhjchkg

my choice getting back to tommy and benry at the end.... maybe i wrote it a little angstier than i should have but that's something I'm glad i ran with, i was nervous ppl wouldn't like it but. having that flash forward was important for tommy especially after he fought with gman about like, the significance of short lives. he still had benry who i think i could have tried to show being a lot happier to be there to drive the point home, he's just kinda deadpan and maintained him that way but genuinely i wanted him to be happy to explore space with tommy! they had a weird beginning to their friendship, and solidarity of being partly aliens in their own regards, and they were out there finally exploring those aspects of themselves, PLUS

they were very literally just. freely exploring their reality. they got to do Anything without it having to be established by the player! that was supposed to be something Good, they were happy to have that freedom and liked seeing new things with each other that even the player probably never dreamed of. it's Their World, they can do and see anything, even their goal of finding an equivalent of where gman could have come from was kinda just something to slowly work towards to keep them going in some vague direction. the primary goal was to just have a good time

anyway this story was the longest thing ive ever written in my life idk what came over me lol

[dredreadsdrawing]

Oc-tober day 5: Old

For Day 5’s challenge, I brought back what I believe to be my first trans character haha. This will start as cringe plz bear with me. Im copy pasting the Quickie I had planned for a post in my writing blog.

PunchLine: Quickie Summary

Just suddenly grew nostalgic of this story lol. Notes before delving into the plot:

-        I literally started this story’s concept when I was in 5th – 6th grade and first watched Ouran High School Host Club. My kid brain was mad at Haruhi for not taking advantage of her passing as a boy so I made what started as a self-insert oc that gradually transformed into my first trans character ever. Whack, lol.

-        Just a side thing, most of my damn stories have playlists and I swear, All Time Low/All American Rejects songs are exclusively this story’s official soundtrack.

-        The main character’s name is super…. Wow lol. Please bear with me I might change it, just… this was a story I started making when I was 11 and really liked ‘unique’ names instead of conventional ones >X,,D

-        Please have mercy on my tiny weeb soul.

Lolol ok, plot start naw. Keep in mind I was very influenced by anime at this point of my life so I started this in a stereotypical Japanese setting but made it more Americanized over the years. Big oof.

Protagonist (I called em Echo lol) is a hella poor girl living pretty much by herself in a shitty apartment. Her aunt is her caretaker but she’s never home and she doesn’t work. Echo has to work a job herself to make money for food. She has a quiet personality, long, terrible hair with split ends everywhere, and a boxy frame. She works doing lots of manual labor, adding to her poor health.

Because she’s always been quiet, no one knows who she really is. She’s just ‘that poor girl who never talks’,  and they mostly leave her alone. One particularly shitty night however, after getting fired without her pay, she gets caught by some hotshot popular dude and his cronies with her work uniform on. Kids aren’t supposed to work. He takes a picture and threatens to turn her in if she doesn’t follow him. He’s just looking for some easy fun with a docile girl he can make do anything. She’s done being docile.

In true anime fashion she beats the hell out of these dudes, trash talking them the entire time. She’s merciless, bashing them all black and blue until they pass out. Only once everyone but the main instigator is down does she take his phone. “I have back-ups!” The boy exclaims through broken teeth. She looks at him and posts the image onto his feed herself. She’s done going to school anyways. She destroys the phone, laughing, and he loses consciousness. She gets up and dusts herself off.

She had a spectator. Some dude had watched the whole thing from his fancy car. He thinks he could use someone like her.

The following week goes as expected. She’s expelled. Her aunt came to act as a concerned guardian in front of the school but left immediately after. She took Echo’s savings. Echo is laying in her mattress on the floor, pretty much wishing to be dead when a knock on the door breaks her concentration.

Oh boy. It’s the spectator dude with two other boys (one of em may end up being cut lol). He has a proposition. She join their prestigious team from some fancy school for something (idk I initially had her join a mob lol but these kids are still in highschool. Maybe their fighting club?) and they’ll pay for her tuition and living expenses. But there’s a catch. The team is boys-only and she has to crossdress. She signs up immediately anyways lol. From now on, she will live as a boy (so I will use he/him pronouns).

Hmm… mayhaps the reason Echo has such a ‘unique’ name is because he chose it himself. Like the edgy teen he is. Cries.

Echo packs his stuff and goes with em. He hears the specifics about his new group. Eric is the leader, who’s father founded the group. He clearly puts on an aura of being tough and in control, but his delivery is too forced. The spectator dude that found Echo is his co-leader, a guy who actually knows what he’s doing, but doesn’t want to overthrow Eric because he thinks it’s funny seeing him struggle. He is a dick lol. Depending on whether or not I’ll use him, the third dude is Eric’s best friend from childhood meant to be the soft one who helps Echo settle at first.

Moving on, I don’t have a coherent timeline of events, just scattered things that will happen. For sure, Eric and Echo keep butting heads, mostly because Eric tries to control Echo and the group as a whole too much, and Echo is like ‘dude, your demanding for perfection only makes me want to screw things up more to show you how unhealthy your expectations are. And also cuz youre cute when you’re mad.’

Eric has a legacy to live up to. He’s the classic worrywart trying to live up to an image and failing. Echo was brazen at first with his trying to mess Eric up, but he softens as he realizes how much it effects Eric. They eventually hear eachother out and come to a compromise. That’s the start of their friendship.

Then, a year later, comes Kimmie. She’s Eric’s childhood crush. She’s short, she’s plump, and she has a rude attitude. Eric’s been a simp for her since he was a kid. He tries way too hard to make her see him as a romantic partner; she’s the reason he grew out his hair when he heard her casually mention she likes it long.

What’s his reason for liking her so much? When they were kids, Eric was plump too, but unlike with her, kids would pick on him because he always just took it. She defended him a lot, and her fiery personality mixed with her ability to hit kids and get away with it made her feared. He idolized her ever since.

She reacts to this as well as you’d imagine a childhood crush staying just a crush is handled. Meaning she clearly sets up walls around him and tells him he’s not interested. Echo, however, catches her eye.

After a P.E session, Kimmie follows Echo to his usual changing place and catches him with his top off. Kimmie knew Echo was a ‘girl.’ Kimmie explains she had seen Echo before his transition. Echo laughs it off, finding her brazenness cute. “So what now? You wanna tell the school?” “… I require you for something actually…”

Kimmie is dating Echo now. Eric is devastated. Kimmie flaunts Echo around like a trophy, breaking many girl’s hearts that had previously asked him out. Echo has to follow her around as a part of their deal, but he doesn’t mind it. The more he learns about her, the more he likes her.

Eric tries to confront him about it along with his friends. Eric’s approach is…. Well… “You’re faking this, right? You don’t like girls, you’re not really a boy!” “Dude, I like what I like. Deal with it.” This response further punches Eric in the gut as everyone laughs nervously.

Some big event comes and Echo is Kimmie’s plus one. Eric doesn’t want to attend it so he stays in the mansion. Echo is feeling the guilt of the situation more with each day that passed. At the event, him and Kimmie have a great time, but when they escape the crowd and are alone, she tries for a kiss. Echo doesn’t proceed. Kimmie is disappointed, but Echo explains.

“I know the real reason you wanted to date me. It’s the same reason you touch my chest so much, why you wanted to see me in a dress, and why you told Eric you like long hair. Kimmie, you like girls.” He steps away from her. “And I can’t be your girlfriend in disguise.”

Kimmie is floored. She begins to cry. Echo is right. She’s a lesbian but she never wanted to accept it. She kept telling herself she’d find the right boy, and when Echo came, it felt so perfect. She thought she could just slip in and pretend that she was straight. But she isn’t.

She apologizes. She says, however, that she truly does like Echo now. Echo sighs and rubs their neck. “You can’t like me Kimmie… I’m not…” Kimmie thinks it through. “But… you were a girl before! The only reason you’re dressed like this is because of the contract!” “Yeaaaah… but I kinda like it now. This feels…. Better. More me.” Echo grins with confidence. “I’m a man now.”

Kimmie takes Echo’s figure in and sighs. “Ew. I can’t be date a man.” They laugh and break up, Echo going back home. Kimmie returns to the party and is spotted by one of Eric’s friends. He asks where Echo is and she tells him everything. Echo is going home, him and Kimmie just broke up. The friend tells Kimmie some comforting words before running away to the hall to call Eric and tell him the good news. Kimmie is available again, and he can be more aggressive this time!

Eric is slumped in the couch after binging Netflix and eating a pint of icecream. When he hears the news, his mind is stuck on only one piece of information. Echo is coming back home. Instead of feeling happy about Kimmie being available again, Eric realizes Echo is coming back after a break up. His worrywart tendencies has him picturing a comedically sobbing Echo, ruthlessly broken up with by Kimmie, wondering how he could continue to live without her. He cleans up the couch and by the time Echo enters, he’s saved him a spot on the couch and his own pint of icecream. Echo laughs but sits right beside him, accepting the comfort, even if Eric doesn’t know the full story. They have a nice night together, and by the morning, Kimmie’s sexuality is revealed thanks to a picture she posted in her social media celebrating with a girl she kissed.

She’s officially out and happier for it. Eric congratulates her when they run into eachother in the hallway. She’s surprised he’s not as sad as she expected him to be, but she’s touched by how genuinely kind he’s being to her. They stay friends, and even get closer thanks to Kimmie now putting her walls down again.

Movin on to another story event, Eric’s mom has been away for most of Echo’s stay, but she comes back. Eric has made it clear that Echo should stay away from her, and never let her know his transition. She somehow finds out thanks to some mishaps anyways. When the contract is revealed, she is ASTOUNDED that her boy would force a GIRL to live as a MAN. She’s putting a stop to this! She takes Echo away for a weekend spa treatment, girling Echo up, talking over him through the whole thing, never listening to his complaints and only reassuring herself that Echo is safe now and free to be pretty and feminine once more! It’s the proper way!

Needless to say Echo is uncomfortable.

The more Eric’s mom talks about herself and her own life, it’s clear that her way of thinking stems from some issues she had as a kid, being forced to work and to give up feminine things, but Echo doesn’t feel like she did at all. And though Echo enjoys some of the spa things, and doesn’t much mind being put in a dress, he just… prefers a suit. Would rather stay at home training with the group. Would rather keep his hair short as opposed to the length Eric’s mom proposes him to grow it at. It’s a bunch of little things, but they culminate in solidifying to Echo… he just wants to stay a boy. He’s not being forced to be one. He genuinely likes it.

When they return from their trip, Echo is in a skirt and heels. He is dolled up with professional make up and styled hair. The group ogles him, but as comments get thrown around about how good Echo looks as a girl, Eric can’t feel the same. He just feels it’s too… off. He doesn’t bring it up, he’s afraid he’ll hurt Echo’s feelings. All his mom’s mutterings got to him, and Eric feels guilty for forcing Echo to live as a man. 

During dinner, he reassures his mom and Echo that they can get rid of the contract and Echo can live in their house and attend their school clause free.

Echo stops him right there.

“I don’t want to be a girl. I’m a boy.”

Eric and his mom are confused. They try to reassure Echo, but Echo continues. “No. No offence ma’am, but all weekend, you have talked over me, never listening to what I have to say. I don’t want to be a girl. I am not like you. I do not share your experiences nor your desires. I like being a boy. I like being called a boy. I like dressing like a boy. I want to be known as a boy.”

Echo gets up.

“I’m going to go change now. But before I go, I want to keep the contract. I have no problem with any of the conditions.” Echo looks at Eric and smiles. “I like being a part of the group and competing with you guys.” He’s flustered by his sincerity. Echo leaves. For the rest of the day, Echo is unbothered in his room, but when night comes, Eric goes up to bring him some food.

Echo didn’t really wash off the make up very good (damn that high quality stuff), and his hair is a mess. But he’s in comfortable clothes and he brings in Eric so they can hang. They talk about trivial stuff at first, spend an hour playing a game, and when it’s 3am, Eric gathers the guts to talk about it. That he’s glad Echo stood up for himself, and he sees him as a boy too. Echo bursts into laughter, teasing Eric.

“So that’s what you were so nervous about. I thought you were planning to ask me on a date.” More flustered Eric. “W-Why would I-“ Echo gives him a half hug that stops him, hiding his own blushing face. “Thanks…” Eric hugs him back. It’s yet another sweet moment before they finally get together…. In some other event in the future mwahahaha. Idk, I haven’t decided yet when they confess and actually start going out ;p cries.

Welp, there ya go. This is a story I still cringe at because of how anime it starts but damn these chars got me. I love Echo, Eric and Kimmie ;o; I’m sorry I’m a sucker v-v

[juhihuji]

my big cringy text post full of useless info about Juhi Zo (oc)

Uhhh this is in response to the anon from curious cat who asked ‘bout my oc...it was too much text.......

Hey. HEY? r u tryna make me cry cuz that's how you do it I'm so happy ppl like her when I was so ashamed and embarrassed to show her lmao Ah...there's so so so much about her and I've tried typing it out over n over but it's hard to tell her story without going off on long tangents trying to explain other details. Like, it wouldn't make sense without them...and I didn't wanna make this post super long and I'm still embarrassed about talking about it ...I hope u r cool with just hearing random facts and snippets of story about her ah I'm sorry ;_;

I created her with the intention of using her for self inserting/shipping lmao but that's probably obvious...and idk if she breaks any rules of the universe and I feel weird talkin' about her cuz I'm only in the middle of Shippuden so I don't know what the whole world is like lol but uuh

She's left handed

One of her hobbies is jewelry making. She mainly uses wire and ceramic beads and gives them as gifts to her friends. They might wear it to be polite but nobody really likes it lmao

Her team consists of herself, her lil brother Zitien, her big sister Agneya, and is lead by her mom or dad. They switch out cuz they care about spending time with their kids lol

Some of my art depicts her skin tone as richly saturated for aesthetic reasons, but she's meant to be quite grey because of a mineral in her body! It's part of her kekkei genkai™

She has a seal on her back and it's got two parts! One seals her entire weight, the other seals her entire temperature???? Kinda like how Tsunade's holdin' in her old, like suckin' in a gut. It's like that with Juhi's body temperature and weight and she can partially open each seal individually. Full grown at 5'4", she weighs 3.4 tonnes unsealed and her body is a hot hot 2100°C when unsealed. She's just super dense and hot and heavy! Like she's made of metal or something. When fully unsealed the weight and heat can warp her body structure as if she's melting, and when she seals that shit back up and her body cools back down she could remain permanently deformed! There are doctors on her home island who specialize in fixing some of that through corrective surgery, like parts of her skeleton fusing into one big mass, but not everything can be fixed! So she's gotta watch it!

 She has nightmares about her face melting and people being scared of her or not being able to recognize her cuz you can't bring the face back to normal after it melts. Everyday she wakes up and checks her face obsessively to make sure all her features are the same distance apart and the same shape and whatnot

Even when fully sealed, full grown she weighs 300 pounds with an internal body temp of 40°C and for that reason she sinks like a rock and is terrified of large bodies of water! Learning to walk on water was the first thing ppl of her clan with the same kekkei genkai learn.

When her temperature is higher, she can (for the most part, aside from the melting at the highest temps) withstand and survive temperatures the same as hers or slightly higher, but for example at an internal temp of 400°C she will burn at 450°C

 I love drawin' sweat and I even draw Juhi with sweat on her body cuz I can't help it but she doesn't sweat! She's always dehydrated and most of her body's moisture evaporates through exhalation as a complication caused by her kekkei genkai.

People from her island are trained to use a different type of chakra and her kekkei genkai also makes her body extremely efficient in using that chakra, so a little goes a long way. One of the things that comes from that is she doesn't typically get uncomfortably hot or cold. She can sense changes in temperatures, but her body is really efficient at maintaining homeostasis and she just don't get too bothered by it! To a point, anyway.

wow i talked lots about her KG but just the boring useless facts about it and not what it actually is but i did say random hahee :•)

For her Naruto AU she exists on a branching timeline, one branch where she falls in love with Shino and one where she falls in love with Kankuro! ew!

In the Shino timeline she takes on a more taijutsu focused fighting style thus we have taiJuhi! 

Because of her weight/density she moves pretty slow for a ninja, but her mental reaction speed is typical of any decent shinobi. So don't let her catch you cuz her punches swing like a cannon and she will grapple her opponents and cook them alive. Her weight also makes it hard to knock her off balance.

Not great at long distance fighting. Sometimes uses a metal two-handed weapon.

Bein' a ninja's really tough for her since she's slow, but she wants it badly and works hard to keep up

Later in life she moves to and works in Konoha at a nuclear power plant owned and run by her clan wtf

Shino has been to Juhi's home island a couple times and he has to wear a lead suit to survive the harsh and nearly uninhabitable environment. The people from the island evolved to withstand it.

The first time he went, they took a ship to the island then went by train for a few hundred miles into the centre where the village is. The first time was for a mission, another Aburame came too. Some time during their friendship, Juhi gifted Shino beetles from her island that can survive the environment. Shino selectively bred them to be usable as an extra layer of protection beneath his and his clansman's skin to protect their internal organs while on the mission! How goofy

In the Kankuro timeline she takes on a more ninjutsu focused fighting style thus we have ninJuhi! 

Later in life she works a job 6 months out of the year on her home island as a sentinel for the family who governs the island?? 

In this timeline she dies some time during the events in Boruto ig (still haven't gotten to Boruto yet tho). Her seal malfunctions and everything she touches burns or melts and everywhere she stands she sinks into the ground. She's far from home and all she can think to do to save everyone from herself is to run into the ocean. Her footfalls sound like thunder and the ground shakes deeply as she pounds the ground running towards the shore. The sand turns into a hard crust beneath every foot step that hits the beach. Suddenly, her sprinting figure turns into noise and white haze as she reaches the tides and nobody can see her anymore. It's the water, hissing deafeningly loud as it evaporates into thick clouds instantly upon contact with her body. Her body's efficient energy usage takes her far into the ocean before she begins to run out of chakra. Her body starts to cool down from the ocean water and she's getting too tired to hold up the weight of her 3.4 tonne body. Eventually she crumples on the ocean floor and dies, melting and embedding into the earth's crust.

She loves spicy food

uhhh that was a lot of boring information sorry about that! wanted this post to be short but got carried away :•( her life's supposed to be kind of a crooked painful mess but she's pretty cheery cuz to her it's all normal and she's got the love and support of her friends and family baby! ain't that how it always goes in Naruto also sorry for sloppy writing im dum

[recklessrex]

Jellicle-ho did this and now I also want to rank my favorite Cats. So I wrote this instead of writing about Sullivan.

Long Post Warning

To start with I don't hate/dislike any of them. The ones toward the bottom of the list tend to be ones I just think about less often, or don't feel like I connect to as well. Based on 1998 for simplicity's sake.

1) Munkustrap

My baby. Munk's always been my favorite from the very start. It's not just the hero thing, it's not just that Michael Gruber's a handsome mf, it's how he interacts with the others. He's so loving and protective, but at the same time so done with everyone's bullshit (when bullshittery occurs). And then there's the underlying anxiety issues we're all pretty sure he deals with that makes me just want to hug him. He just so clearly wants everyone to be happy and safe. It melts my heart how much joy he gets from seeing his tribe happy. Watch when Deuteronomy shows up in 1998, after he greets him himself (before which he steps aside so others can greet him first cuz he's a sweetheart), he spends most of the walk to the stairs soaking in how happy all the others are and being utterly overjoyed. Add to that his deep, devoted love for his father and how diligently he looks after him, his clear affection for his little brother Tugger despite being more done with his bullshit than anyone else's (Tugger don't touch the bagpip. Tugger no), his strong, tender bond with Alonzo and how smoothly they work together in a crisis, and his sometimes subtle, sometimes not-so-subtle crush on Demeter (notice that she's the only one other than Alonzo that HE approaches right before the Gumbie Cat and the only one he uses both hands to reach out to during that). Also his snark and sass, when he lets it out, is an utter joy. And I love the way he can assert his dominance with just a glance if the situation calls for it (watch him with Cassandra in Grizabella's first scene), but still rarely ever pulls rank like that. Overall he's a really fun character to watch for me, as well as to think about and (if I get around to it) write about.

2) Demeter

My other baby. (I'm so happy my two babies love each other). She's such a complex character. Her backstory of abuse and her current dealings with PTSD as a result are only the jumping off point. I love her moments of bravery, like jumping on Mac to protect the tribe despite everything she's been through. Courage isn't about not being afraid, it's about doing what needs to be done despite your fears. She's the most courageous member of the tribe and I love her so much. As for her relationships with the others, she has a much less subtle crush on Munk than he does on her, but she's so shy about it (and he's so damn polite) I doubt they'd ever get off the ground without a little help. She's so adorable in the way she looks at him, in 1998 she has a particular smile different from her other smiles that seems to be just for him. I also love her connection with Bomba, I feel like if she and Munk ever got off the ground it would be with Bomba's encouragement. Bomba is always there to hold her up when she feels small. While Munk makes her feel safe, Bomba makes her feel strong. So this is why Demelustrap is my OT3 thank you for coming to my TED talk.

3) Mungojerrie

Acts like a dumbass, is actually a genius. (Fight me). I love characters like this. Contradictions. Like brave strong Munk who is actually more emotionally vulnerable than he lets on, or nervous timid Demeter who bravely confronted the person she fears most. Mungo seems fundamentally clueless in most situations but I think he's just a carefree goofball, at least when the stakes are low. He and Teazer are both clever enough to get away with all sorts of mischief, and I don't think it's a "Teazer is the smart one" situation. I mean Teazer is probably smarter, but they need smarts on both sides. I also love how smoothly they work together as a team. Mungo ranks higher for those adorable "clueless" moments and for being a lovable goof.

4) Rumpleteazer

Acts like a bimbo, is actually a genius. To a lesser extent than Mungo in that she acts way less clueless than he does, and her antics are usually more obviously silliness rather than dumbassery. Would be higher but I just like Mungo's goofy aesthetic a bit more. I'd also like to take this time to note I do NOT think they are siblings. (Fight me. Again)

5) Mistoffolees

Another of those contradictions I love. He's simultaneously shy and showy, bold and insecure. He doesn't quite know who he is yet, but he knows who he wants to be. He's also adorable to watch, with his little hops and poses. His relationship with Tugger is adorable, whether you see them as mates or BFFs (both? both. both is good), and his obvious crush on Victoria is equally adorable (more NOT siblings!). The way he melts when she smiles at him toward the beginning of 1998 *sigh* so cute

6) Alonzo

Sorry @jellicle-ho I do love him lots, but he doesn't make the top five simply because I feel closer to Misto and the Chaos Twins (just an expression, not siblings!) on a spiritual level. He's still one of the best characters. He has his "contradiction" element of being cocky but somewhat insecure, and I especially love that he's just as serious as he is playful. He's also a slinky, sassy bastard and a blast to watch on stage.

7) Victoria

Woo boy. Okay first of all, since it seems to be a major factor, the contradiction element. She seems like a shy, reserved, almost demure young lady at first, but she's actually that quietly sassy serene girl at the Alpha bitch's lunch table, the one that's actually nice and doesn't participate in putting down the weird kid no one likes. But she's still gonna judge you. I love every moment of Victoria-sideeye in the 1998 video. And of course there's her whole side plot which basically revolves around her being extremely DTF, which is quite the opposite of "demure." Also her obvious crush on Misto is also adorable, the way she smiles at him, ugh like the only reason she danced with Plato instead is because Misto was too shy to approach her (also Plato has much better upper body strength so hey ho, hey hue, let's go Pas de Deux). She's also so very graceful and elegent and then there's her "omg why!?" flexibility which make her fascinating to watch.

8) Pouncival

Precious child. Precious little jackass brat. No but really I love him so much he's such a brat but also like he's tiny? And he wants to be cool sooo bad! The way he runs in for his "and bright!" all excited, I just can't. He has this sort of quiet, but enthusiastic demeaner of someone that knows he's not the star, but hopes to be, and he's bursting with energy in a pseudo-controlled way that I find more compelling than Etcetera's brand of enthusiasm. I love his acrobatics, whether they're super smooth, adorably clumsy, or straight up pratfalls. I love how 14-years-old he is. You can see him getting bored in that teenage "okay grampa you've told this story forty times already" kind of way during part of Gus's song. I love how adorably menacing he looks during the Naming of Cats. I just love the baby. He is very baby.

9) Bombalurina

She's beauty. She's grace. She'll smack you in the face. She's sexy and she knows it. She's such a confident, strong woman, and while she's the most overtly sexualized character, I kind of find it's even more empowering, you know? Like the idea that a woman can be both sexy and strong, she doesn't have to pick one. Bomba is walking proof that being strong, bold, and tough is not inherently "masculine," nor is protecting others. Don't get me wrong, I love strong female characters of all varieties, I'm not here to knock the tomboy trope, but when a strong female character is also sexually liberated it's just a different level of empowerment. Not just the deconstruction of "masculine/feminine" lines, but also in the "my body, my life, my choice" kind of way. Further, I absolutely love her relationship with Demeter. I personally support the mates, bffs, and siblings hcs because they honestly work so well as any of these (but as mentioned above, Demelustrap is my OT3, despite not always getting strong Bombastrap vibes). Her protectiveness and desire to comfort Demeter is so beautiful. Maybe it's the contradiction thing that I love so much. Strong, bold Bomba has her most tender moments when looking after Demeter. Idk. Moving on!

10) Rum Tum Tugger

He's beauty. He's… grace? He probably won't smack you in the face. He's sexy and he SO knows it. Tugger is walking proof that certain stereotyped "feminine" traits aren't inherently feminine, or to put it another way, he breaks down what it means to be "masculine." Think about it. Cares about his looks, beautiful luxurious long hair, wiggles his hips, wiggles his hips more, wiggles his hips when he walks, struts like a model on a runway, shakes his chest to be sexy, idolizes a cute boy, fashionable clothes (knee-bandana ftw!), all stereotypical "girly" traits, but would anyone describe Tugger as "girly"? Anyway, that's not even what I love most about him. I actually used to dislike him as a kid, but these days I can't get enough of him. Most of the time he just oozes positive vibes in one way or another, be it party vibes or laid back vibes. Most of his screentime in 1998 is such a good time because of that. He has such an energy and ferocity to him during his dance numbers, especially the second half of the Jellicle Ball in 1998. And then there's his quiet moments, especially the affection he shares with Munk while singing about their dad (omg the respect and affection he feels for both of them, coming from such a self-loving bastard it just ahhhhhh), and then after Deuteronomy comes back I just can't he's so sweet omg. Not to mention his whole relationship with Misto. Aside from the whole idolizing thing, which is adorable, he also is so supportive and encouraging. He just naturally bleeds confidence and good vibes, but he deliberately offers that confidence to Misto when he needs it. It's so beautiful and I'm gonna cry. I used to ship him with Bomba, but these days I hc them as friends with occasional benefits that like to place bets on how far interactions between Munk and Deme will go before one of them chickens out or gets awkward, and on which one will be the awkward chicken this time.

Wow I talked a lot about Tugger and he's only #10. Okay well, you folks ready to get controversial?

11) Macavity

I know I know, hear me out. I know most people interpret him as a total bastard with no redeeming qualities but like, I don't read him that way? Anyway I have complicated feelings about Mac but I'll get more into it in another post. As a character in the show I do really like him as a villain, I love his laugh, I love his "no look guys it's okay I brought him back see he's over there heheheh" gesture before he shows up in disguise, I love how show-boaty and "totally hyped for this" he is when he reveals himself, I love his "no wait please don't hurt me it's cool I'm leaving" gesture at Alonzo after the Jellicles start ganging up on him, he's just a blast of a character really, whether he's redemable or not.

12) Old Deuteronomy

Sweetest man you'll ever know. His compassion for the entire tribe is so sweet it hurts. He even feels love and understanding for Griz, and (futiley) tries to persuade the others to accept her, even subtley scolding them after the first "Memory" with his "Moments of Happiness." He loves his sons especially, and I adore every moment he interacts with either of them. He also can bring the sass, see his 'chin up' posture before Tugger bows to him, which I always read as them playfully teasing each other, or his little eye-roll when Munk gets a bit extra talking about the fire brigade. On that note, how into Munk's little play he is, even though it's going wrong. He keeps making encouraging gestures at Munk and reacting with surprise at the right moments (when Munk is looking at least lol). Anyway he's great moving on.

13) Jennyanydots

Jenny is that cool aunt that hangs out and has fun but also won't put up with your nonsense. She's so great I love her so much. She's honestly just a blast all the time I love her so much what can I say? I hc her as teaching Tumblebrutus how to sew. I don't know why.

14) Electra

Ah the "quiet" kitten. I read her as the tough tomboyish one of the girl kittens, and I hc her as sort of in training as a protector, and that's why she's more serious than the others. In 1998 she seems to look up to Munk, being the first to greet him before Gumbie Cat, and nuzzling him during Old Deuteronomy. 1998 Electra also has a lot of little adorable motions like licking her paws during Old Deuteronomy and retrieving the Peke paw from the middle of stage and than posing/playing with it during the Pekes and the Pollicles. I also love her freckles and her pink arm warmer. Massively underrated character.

15) Tumblebrutus

SPINNY. BALLET. BOI. Nuff said. But I'm gonna say more. He keeps up with Misto in ballet and exceeds Pounce in acrobatics, and as such is fascinating to watch. Also Brutus's struggle between his playful instincts and his desire to impress his elders is so adorable.

16) Admetus/George

First of all I first knew him as Admetus long long ago, and he will always be Admetus to me. Sorry. Second, omg this lovely, happy, wonderfully expressive boi. His face at literally any point in 1998 is such a gem.

17) Jemima

Speaking of great expressions, how bout Jemima? She's so cute and sweet! I love her whole deal of understanding Griz's pain and trying to get the rest of the tribe to understand. The only reason she's not higher up is because I somehow don't emotionally connect with her like I do some of the other kittens.

18) Coricopat

The more laid-back and playful half of the mystic twins. The twins in general are cool af, but Corico ranks higher for being more relatable.

19) Skimbleshanks

BUBBLY. TRAIN. DAD. Nuff said. Buttttt I'm gonna say more! Skimble is your best friend's dad that is always chaperoning on field trips but that's okay because he's actually pretty fun to be around most of the time. I love his cheerful expressions and his little jigs. His song is so much fun. And I love the relationship between him and Spara in 1998. More on that below

20) Asparagus

Okay so Spara is your other best friend's dad (or your best friend's other dad) who sometimes tries too hard to be cool and connect with the kids but that's okay because he's so nice and besides it's kind of adorable? What I find most adorable about Spara though is how hard he's crushing on Skimble. Like even if you hc them as already in a relationship, he really just can't get enough of Train Dad. Look at how Spara smiles at Skimble ALL THE DAMN TIME. He's practically blushing at multiple points during Skimble's song. And Skimble tends to gravitate towards Spara quite a bit, and omg that big grin he gives him during the line "sleeping car exprrrrreeesss!" I'm dead. In conclusion I need more Asparashanks content thank you for coming to my TED talk

21) Cassandra

I WANT to like Cassandra better than I do. I really really want to. But I feel like she's just so hard to get to know. I do enjoy her on stage, but as a character with backstory and motives she's a bit hard to work with. That being said she's by no means a flat character. I do hc her as one of the deputy protectors along with Alonzo, and more recently as part of the BFF power trio of her, Alonzo, and Munk, since Alonzo and much more subtley Munk are the only ones she shows any physical affection toward, aside from occasionally hanging out with T-brutus but we'll shelve that for now. I do really enjoy watching her though, she has some really interesting movements and expressions. And she does radiate a sort of "try me, I fucking dare you" vibe that I love a lot.

22) Tantomile

I have the same problem with Tanto that I do with Cass. I just don't feel like I know her very well. She is cool as a mystical psychic character, but that's part of what makes the twins in general cool. So far I haven't been able to connect to her as an individual without her brother, otherwise she would be much higher on this list. She's still cool though.

22) Plato

*Deep breath* okay. I don't dislike Plato. I just.. okay look out of the male kittens/young adults, he's my least favorite. He does have qualities that I really like, like how he's a shy reserved boy on the outside and a fiery passionate soul on the inside. That's cool. Also those intense expressions are pretty cool I guess. I guess I might have less positive feelings about him because everyone assumes Victoria's magically in love now because of the Pas de Deux even though they barely interact otherwise. Which is unfair of me to feel that way. I hc him as struggling with internalized anger and anxiety and having difficulty expressing himself.

23) Etcetera

I'll be honest, I used to find her annoying. This one's pretty much entirely on me, because she has a superficially similar demeanor to a girl that used to bully me in school. But since graduating Cety's grown on me a lot, not in small part due to her wonderful enthusiasm for literally everything. While less compelling to me than Pounce's quieter, more controlled flavor of energetic enthusiasm, her bouncy jubilance still makes me grin and giggle along with her, so that's a major plus.

24) Jellylorum

Jelly is your other cool aunt that worries too much about your safety but also has cool stories to tell and is always doing like art and stuff in her garage. I hc her as the tribe nurse. Would be higher if not for slight Karen-ness.

25) Gus

Only on stage for a short time but he shines. The way he starts out all helpless looking like he doesn't even know where he is and slowly blossoms into singing about his old days with enthusiasm, and then breaking down into tears. He's a great character for the scene that he's in, but unfortunately there's not a lot else to him, so he gets a low spot on the list

26) Grizabella

Oof. Okay so. I get it. She messed up. My hc is… well, complicated, but short version is she never planned on being a mom and has no idea how to be a mom, and so she just let Deut raise Munk and visited occasionally (ahem rarely), but she does end up later spending some time as his primary caregiver, and she fucks up royally, like massive neglect and mild emotional manipulation, and ends up emotionally damaging Munk more than if she'd left him alone. SO with this hc in mind, is she redemable? Idk. But the tribe forgave her so that's what matters. Do I feel sorry for her? Yes. Do I believe she honestly regrets her past actions? …kind of? Yes. Let's go with yes. Does any of this make her my favorite character? Not by a long shot. I have mixed feelings about Grizabella. I don't dislike her I just… don't know how to feel about her.

27) Bustopher Jones

Walking fat joke, but a pleasant walking fat joke. Wish we could have got to know him better than "that cultured fat guy all the toms want to impress." He's fun though. I love his expressions throughout his song, and that toodle-pip! is so adorable.

28) Exotica

Oh Exotica. Who even are you. We don't know you at all. I do like the moment in Old D's song when she's reaching from the outside of the crowd hoping to get to touch him, and he reaches out so she can, and immediately after touching him she drops her hand and backs away, which I read as shy fangirl overload flee the scene omg he touched me omgomgomg. So that was cute. Ummm. I wish she'd stop changing colors every three seconds so I could keep track of her. Other than that, I don't dislike her, I just don't know her well enough to like her.

Omg I made it to the end. Did I forget anybody? I don't think so... Phew, that was so hard! Thanks for reading if you made it this far! :)

[theycallmebeccawrites]

Chris & Ellie Series: Episode 19.5

Helllllo my lovelies!! I hope you are all doing great this fine morning! I promised earlier this week to give you guys a present on my birthday... and well, here we are! Whether you guys think it is a gift or not is your opinion. 😉

Thank you to everyone who has stuck with me as I’ve spent the last 3 years writing this series... it’s roughly halfway completed, by my estimation. Hoping to finish it within the next year instead of another 3. 🤞

Have a great day!

xo Becca xo

Pairing: Chris Evans x Ellie Spencer (OFC)

Rating: PG-13

Warnings: drink responsibly? IDK

Episode Summary: Chris reflects on everything while out at a club with friends

Disclaimer: This work of fiction is not to be reposted, used or translated without my permission.

This episode can also be read on AO3.

The Chris and Ellie series is primarily chronological. It begins with a flash forward to 2016 and has a few other scenes in the future. However, the majority of their story is told in chronological order starting in 2013 and going through 2017. Each episode starts with a date to help you place it within the story.

The Chris & Ellie Series Masterlist | Chris & Ellie Masterlist

Episode 19

Episode 19.5: Someday

Mid April 2014

Music thumped around Chris as he sat at a table with some of his castmates at a club in London. They'd had a busy week on set, but had accepted Chris's invitation to go out for a night on the town, knowing that they had two days before they had to be back on set.

For Chris, being out with his friends was both to hang out with them, but also to avoid the phone call he knew his brother would make soon. Ever since last weekend, when he'd sent Scott that text after a night drinking alone in his apartment, his brother had been calling nearly every night, trying to talk about the situation. Scott didn't seem to understand or believe when Chris told him he didn't want to talk about it.

One of his castmates was in the middle of telling a story about a drunken night in their twenties, when Chris felt his phone vibrate in his pocket. It stopped after a minute, but started right back, almost immediately. He couldn't help but wonder what kind of voicemail his brother would leave this time. At first, his brother had left him nice, concerned messages about wanting to talk to him about what was going on. The last few messages, however, had been downright demanding. Chris sighed in relief when the phone stopped vibrating and stayed quiet. He never should have sent Scott that text message.

The last few weeks had been hard on him, but he was still confident he had made the right choice for himself and Ellie. At least, mostly confident. He missed her more than he’d thought he would and he had nearly texted her a handful of times, but had resisted the urge. It had been in a moment of weakness that he’d texted his brother and nothing good had come from it.

Except maybe Ellie knowing for sure they were done. Scott had told him that during the one phone call Chris had accepted from him.

"I'm fine, good, better than ever."

Though he hadn't actually heard the words from Ellie's mouth, he heard her voice, in a sarcastic, bitter tone, every time he remembered what his brother had told him. It should have comforted him, knowing that she would get over him, because that's why he'd made a clean break from her, so she could find someone that truly deserved her, but the more he thought about it the more it hurt.

And thinking about Ellie was dangerous, because it was easy to get lost in his own head when it came to their relationship.

Being with Ellie had been easy. It had been easy to be her friend. It had been easy to convince her to put their friendship on the line to explore a romantic relationship. And she had easily fit into his world both privately and professionally, in the few times he exposed her to that part of his life.

Everything had been too perfect. Too damn perfect. His past relationships had required more work and they hadn’t lasted very long. Sure, he was still friends with some of his ex’s, but not all of them. How long would it have been before his and Ellie’s relationship would have blown up in their faces? He was gone a lot and he was in the public eye. She would have gotten sick of it eventually and things would have gone south from there.

A chorus of loud laughs pulled him out of his thoughts and, suddenly, he was back in the loud club with his friends. He blinked and gave a small chuckle, to join in with the others. Reaching out, he picked up his drink and took a sip. He forced himself to stay present in the conversation and not fall back into his thoughts.

He and Ellie would get through this tough time. This whole situation was a growing experience and they'd both come out of it stronger. Apart, but stronger. And maybe, someday, they could be friends again.

Episode 20

Want to find me off tumblr? I'm @beccatheycallme on twitter. I also post my stories on AO3.

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[stormears]

THE SUN SETS ON WALLACHIA (till tomorrow)

Assorted spoilers for Castlevania.

I finished Season 1 and 2 of Castlevania spread over about 10 hours and many work breaks and thought it was great! At first I thought all 3 seasons were only four episodes each like Season 1 but each one’s longer than the last. And it’s 2am now. So I better not start the third one when I have to be up at 6am. 

WHAT A COOL SHOW!!! 

I kept getting so pleasantly surprised by moments of clever writing and weaving in established little plot bits...like how Sypha was frozen in stone with a spellbook in hand and a bit later you find out she’s a magician. Hector’s backstory was (mostly) contained within a faceless, audio-only flashback as he stared into a fire...the show bothered to have me meet Lisa and see a bit of her new relationship with Dracula before she was killed so I cared more about her death. Dracula’s desire for revenge hits more strongly partially for that reason, partially because he actually talks about “my wife” and not JUST about his violent tough cruel revenge fantasies. 

I looooved the reveal of who Alucard is once he rises out of his coffin (when he was briefly seen some episodes before that I assumed he was Dracula’s brother idk why). 

And of course its battle animation is fantastic. Very fluid and floaty-looking in a unique way. Sometimes I would be distracted from it by how SMART the characters are when fighting! Maneuvering their weapons in weird ways and working together...Sypha moving a thin blade of ice around during the big castle battle... and no moments of damsel-like weakness for Sypha, too, she’s an equal and fought alongside the two men no questions or comments raised, which is great. 

The WHOLE big castle battle kept making me go “Oh! AH! Ahhh! YES!” impressing me every second or two as vampires lashed out and went down, Trevor handling the onslaught very well despite allegedly being “out of practice!” I was especially impressed with Dracula and Alucard near their end with the desperate physical violence, and Dracula only softening towards his son at the very end in his old bedroom and he REALIZES his dead wife would not want him to do this. “I’m killing my boy...” finally pierces his veil of rage. Oh my lord. 

Assorted other thoughts:

- My opinion on Hector went from “Oooooh, Hector :) “ to “Oh nooooo Hector!” I could tell he was a somewhat soft and naive guy and hoped he would stop being taken advantage of...but no...

- Eager for Carmilla to get gutted, that cunt needs to get what’s coming to her 

- Season 3 could just...not have Alucard in it, if he wants to stay in his new home, I’d understand but it’d feel weird

- Season 2′s ending with Alucard sobbing as the loss hits him. What a painful last punch to hit me with in the end. The show didn’t have to punch me like that and then leave me alone with the credits but it did

- Sypha says the story of the sleeping soldier is “from the future” and she and Trevor remarked upon the “torches that light themselves” and other things in the catacombs/Alucard’s area as items similar to Dracula’s castle...I thought it would be revealed that Dracula has time traveling powers and had been to the 19th or 20th century and brought some technology back with him

- The scene of the demons informing the bishop that God does not love him and his work is meaningless is life-ruining news to a man of the church and a very effective scene. The intensity with which they were just ruining his life and perception of the world in mere seconds was definitely felt. 

- At end of Season 2 and “Belgrades and Belmont” are about to drive off, Trevor waves goodbye to Alucard and Alucard flips him off...I laughed and giggled like a fool. It’s so simple, just flipping someone off, but it played off their slightly salty and sometimes playful banter from days before and so it WORKED, it fit their last interaction so well...I about wanted to clap at my TV. 

- Before this, the only things I knew about Castlevania was that it’s an old video game series and it’s about Simon Belmont who hunts vampires and has a whip. I wonder how many things from the game series carried over into this and were recognizable to people who played it back then?

- As in my first post, still think it’s really neat that this is at least partially a Western production with tons of American-looking names attached in the credits, including the show creators. Mr. Thorin Oakenshield voices Trevor! I don’t know who Dracula’s VA is but he’s excellent too. Everyone was doing a great job and the script was quite natural for English dialogue. 

- Woulda been cool if I had thought to “live-tweet” my thoughts as I watched throughout the day and have many individual thoughts that might be noteworthy or amusing on their own, but nope. Enjoy this brainstorm sheet of an essay. 

- Goodnight. 

[j4gm]

Ted Anderson’s Adventure Time Season 11 AMA.

So Ted Anderson, writer of Adventure Time Season 11, unexpectedly hopped onto the Adventure Time Discord yesterday for an impromptu AMA. He talked a lot about what his plans were for the rest of Season 11 and beyond, and also talked about his other work including Beginning of the End, My Little Pony, Moth & Whisper, and Orphan Age. Here's most of his answers. I’ve rearranged them to be in a more coherent order.

You can read the full AMA on the r/adventuretime Discord.

Mordo: Before the cancellation, was the stuff with Finn and the humans going to be longer than 2 issues?

Ted: That particular story was always planned to be 2 issues.

The way S11 was going to work is, it would be broken into 3 chunks of 4 issues apiece. The first story was the Empress Marceline 4-issue story. The second chunk would be the 2-issue Humantown story, followed by two single-issue stories. Then there would be one big 4-issue finale story.

Also I should clarify the breakdown of the first arc: Sonny Liew wrote the story, but that was just a summary of events. I wrote the actual script and laid out the events and so forth. I think technically he's credited for Plot and I'm credited for Script?

The first single-issue story was already sort of revealed—that's the one about Jake and Jermaine. The second one would have been about Finn deciding he wants to make something, and going on a big adventure to make a new, handmade sword. And the 4-issue finale would have followed off of the Humantown story and wrapped up more of that.

I was actually already starting issue 8 before I heard it was canceled. Issue 7 is done, but unfortunately it can't see the light of day. It's the property of BOOM and Cartoon Network, not me.

[Issue #7] was a very standalone kind of issue: Jermaine is a successful painter and gets invited to a big fancy party, and Jake invites himself along. Jake ostensibly came to invite Jermaine to the family reunion [in the finale arc], but he knows that Jermaine doesn't like to travel. So he actually came to do a big mystery adventure. One of Jermaine's paintings gets stolen, so the two of them investigate to find out the truth. In the end it's revealed that the whole thing is a big setup by Jake, who wanted to give his brother a fun bonding experience, Mostly I wanted to write some done-in-one stories and get some Jermaine in there, because I like him.

Issue 8 would have been about Finn, who's feeling restless after making the cabin, and deciding he wants to make more stuff, so he decides to make his own sword. He meets various characters traveling around Ooo, checking in with them and talking about what he's doing now. I wanted to focus on Finn feeling adrift now that the biggest adventure of them all has happened, and he's kind of without a purpose.

Boulder/Stert: What would the comic's finale have looked like? What would the end of S11 have looked like had you made it there?

Ted: So thematically, I wanted to get to the idea that Finn was feeling useless as an adventurer. The world was getting more saved, things were getting rebuilt, people don't need a "kid with a sword" any more. But Finn would've realized that it's not about him as a lone adventurer—he's part of a community, a whole bunch of people who are working to make the world a better place.

The finale story would have revealed that Dr. Gross had been offered amnesty and was secretly working in Humantown, plotting a takeover of all of Ooo. Dr. Gross would've created a plague to affect the candy people and something called "GO Juice" [Genetic Optimizer Juice], which was just Finn's DNA injected into the humans to make them into adventurers too. But, crucially, it wouldn't have made them teammates—they would've just been a bunch of lone wolves. So when Jake and Lady and PB and Marceline and all the rest work together, they defeat the humans easily. Rather than fight Dr. Gross, [Finn] escapes and helps his friends, who are fighting everyone else.

There's a little bit of that story still in issue 5: Finn gets a scratch fighting the robot and Minerva patches it up, and that's how they would've gotten his DNA.

I was going to bring back Samantha the dog as a side villain. She would've taken over the Candy Kingdom with a dog army, in order to plunder their technology and lead a dog revolution in the Crystal Dimension, but really she was just being used by Dr. Gross.

Also Jake would've had a family reunion, because I really wanted to write all his kids. Originally it was going to be him and Lady finally getting married. [Cartoon Network] specifically said that Jake and Lady couldn't get married, because they were, and I quote, a "modern couple". I still have no idea exactly what that means, haha.

I had some thoughts about how I wanted to handle the humans. I didn't want them to immediately integrate into Ooo, but I didn't want them to be completely standoffish and weird, either. Issue 12 would've ended with them more or less being led by Minerva, and slowly putting themselves out there.

Something else I should make clear: I had absolutely no contact with the AT people, so I don't know if any of my ideas fit with what they wanted to do. All of this stuff is just out of my head.

Stert: Yeah I feel like you would've been good as long as you didn't straight up contradict the show.

Ted: Oh, speaking of contradicting the show, I got a funny note about the Empress Marceline story. Originally, in Sonny Liew's notes and my script, it actually took place 10,000 years in the future, not 1,000. But for some reason CN changed it to 1000. And I have no idea why, because all that does is mess with the timeline more. Like, if it's 1000 years in the future, it should have Shermy and Beth and look like that setting. But by the time CN changed it, it was too late for me to add in any of that stuff. So if you think it's weird that Shermy and Beth didn't show up, and Marceline wasn't trying to rescue Bubblegum from an ice prison: that's why!

SpaceGiraffe/Owlz: Were there any plans for Simon to meet with the humans and/or Minerva? I wanted to know if you had any plans for Ice King or if that was just Olivia's job?

Ted: Once I heard that Olivia was doing the Simon & Marcy series, I deliberately kept my hands off of Simon, just in case. I didn't quite know what I would want to do with him, either. He could play an interesting role in post-finale Ooo, but ... idk, he's been defined so much by tragedy and loss, it would've taken a while to build him back up again.

Stert: Do you know if Gross and Minerva would have interacted in these new comics?

Ted: I hadn't planned for Gross and Minerva to interact too much? Minerva would've come along with Finn when he infiltrated Humantown to find out what happened. Actually, my idea was that Minerva uses her "Mini-form," which is literally a six-inch-tall action figure of her that would ride on Finn's shoulder as he snuck through the vents, haha.

Stert: The final issue ends on a pretty negative note for Finn and humanity. He's very angry at Malloy lying to him and storms off not wanting to have anything to do with Humantown. Looking back do you think it's a good idea to end Finn's arc in these comics with the humans on a pretty downer note?

Ted: I don't think it's the best way to end S11, no. It makes sense because it's a natural story break, but it also leaves Finn angry and resentful, and deliberately separating himself from other communities. I do love those last two pages, because Mar Julia did some amazing art on them, but emotionally it leaves Finn kind of out in the cold. I did tweak issue 6 a little by adding the HW scene. Originally Finn went to see Aunt Lolly to see if she made the robot monsters. Frankly, the HW scene is better in every way, haha.

Owlz: Did you have ideas for Finn's closure with Huntress?

I like [Finntress]! I like a lot of Finn relationships. But I also like how it's very casual and not labeled. I should be clear: I really didn't change anything based on people's feedback from here. But the [Discord] server and poking around Tumblr reminded me that I needed to include some HW. I feel like their relationship has always been ambiguous, so I liked them not getting a super specific ending.

Boulder: Did you have anything in S11 for Mars?

Ted: I didn't have anything for Mars, actually! I should've! I like Mars a lot, mostly because we see so little of it and it's so dang weird.

Boulder/StephanFS: What plans did you have after S11, with or without a cancellation? If BOOM announced S12 with you as the main writer, what would you write?

Ted: I didn't have anything specific for after S11, since I already knew that it was probably going to be the last time I was going to write AT. I had some vague ideas of trying to bring back Fern, but like ... that's a very fanservice type of thing to do, haha. I probably would've brought him back just to let him die again, but this time with a little more closure. Also I might have done more stuff with magic? I love the weird elements of magic they've got set up in the show. Maybe doing something with four new elements of magic, one of which would have been grass. But that was just very vague thoughts.

Stert: Who did you like writing for most/have the most trouble with? Between Beginning of the End and the S11 issues you mostly handled Finn with a touch of Jake and the rest in smaller amounts, interested in if you were happy with that or wanted to play with other folks.

Ted: Jake was definitely the most fun to write, just because of his way of speaking. Whenever I did a line of his dialogue, I ran it through John DiMaggio's voice first to see if it sounded right. As for favorite in general, that's a tough one. I was told to try and keep the focus on Finn and Jake rather than the side characters, just because they're the main characters. But that suited me just fine. And yeah, for BotE I was also told to keep the focus on Finn and Jake. But that's what I was planning to do anyway. (And yes, I still plan to finish the annotations for BotE! One of these days! Promise!)

Stert: How well did you know the show before you started work on the comics?

Ted: So, total honesty: I loved AT and stuck with it until about season 5. Which, not coincidentally, is when Steven Universe started. I didn't ever stop loving AT, I just fell off the wagon for a while.

Stert: Tale as old as time 🤣

Ted: So once I got the news about BotE, I binged everything from the start. I didn't actually get to see the finale until after I'd started writing S11. CN was being very careful about leaks, so they wouldn't actually let their comics people watch upcoming episodes. But Whitney, my editor, had seen it, so she described it to me over the phone. Very weird experience.

Mordo: What is your view on Come Along With Me?

Ted: I feel like it was as good as it could be, under the circumstances. After hearing about their plans and how they thought they'd have another season, it made more sense. Like, if they'd had a bunch more episodes, they could've set up Gumbald and used the Candy Kingdom Haters some more (remember them???) The finale had a tough job to do: they wanted to give a satisfactory ending to as many of the threads in the series as they could, and yeah, some people didn't get as much as others. Again, I really wish they'd had another season.

Owlz: What do you think of characters like Martin or Ice King?

Ted: I would've LOVED to bring Martin in somehow. He never really got his comeuppance. I don't think I could've put him in S11, but if there had been a S12 or a miniseries or something, that would've been ideal. He's such a ****ty dad, haha. I hate him as a person but love him as a character. I probably would've brought him back by saying, like, "Oh yeah, I hung out with that transcendent being from beyond space, but she got sick of me after a week and dropped me off on an asteroid."

Stert: Were there any characters you were very intimidated to write for, like you thought you would screw them up?

Ted: Oh that's a great question. Honestly, I was a little worried about writing Marceline, because I feel like she's very specifically tied to the experience of being a teenage girl. Which I've never been. Like, the best stuff with Marceline is by Olivia Olson, or Meredith Gran, or Kate Leth, who have written about (and actually been) a teenage girl dealing with Feelings. So getting her right was a challenge.

Owlz: Who’s your favorite AT character?

Ted: Oh man, favorite? That's an impossible question, haha. I have a lot of fondness for Susan Strong. I like her as a kind-of counterpart to Finn, as well as a more driven and adventurous type. She also got to have a really neat arc that ended well, but also left open the door for future adventures. Her design is also great, and her backstory is really cool.

Stert: The stuff you did with her, Billy, and Fern to show off different avenues of heroism and stuff with Finn was very cool.

Ted: Yeah, that was super fun. I think I mentioned this in the annotations: originally it was just going to be Finn meeting a bunch of his alternate versions, like Farmworld Finn. But then I realized, wait, there are characters who are way more interesting than that. (Not to hate on Farmworld Finn! But he's no Susan Strong)

Owlz: What are your thoughts on Betty Grof? The show didn’t reveal much about her.

Ted: Oof. She deserved better. I wanted her to be developed more, frankly. But I sympathize with the creators. I don't think they had the time they needed to flesh her out. I wanted, like, an entire spin-off series about her learning the secrets of magic.

Stert: So to ask another possible impossible question, what's your favorite episode (or multiples)?

Ted: I really do like "Mama Said". It's maybe my favorite one-off episode, just for how surreal it is. Plot-relevant episodes ... I liked the one about Finn building a tower to tear off his dad's arm, haha. I have a real fondness for the wacky one-off episodes, like anything about Jake's kids. The Card Wars tournament episode, or the one about Bronwyn.

Owlz: What if AT got rebooted and you got to be a writer?

Ted: On the one hand, I would've liked creating a more coherent mythology, like exactly how this or that happened. On the other hand, the weird inconsistencies are what make this show so fun.

[While talking about some of the Easter eggs included in Ted’s comics, somebody posted this panel from BotE]

Ted: Part of that panel is actually a quote from Guillermo del Toro. The line about "animated by incredible humanism" is from the introduction he wrote to the Art of Ooo book. I love dropping in weird easter eggs. So when I started writing BotE, I caught up on the entire show, but I also tried to catch up on all the supplementary materials, too. That's why I slipped in that thing about Hunson's nickname of "Johnny Corndog," for example.

Owlz: You should also check out the AT official cookbook. It’s adorable.

Ted: I have! In fact, there's an easter egg from that in there! In issue 6, Minerva mentions something about making Finn her special macaroni and cheese, I think? That's her recipe in the book.

CharlesOberonn: I have a question regarding pacing in comic books. Specifically, how stretched out and slow pacing is in comic books today compared to comic books in the past. A story that would take 1 issue in the 1960s-80s could take 3 or 4 or even 5-8 issues today. What do you say about that?

Ted: Ah, pacing in comics. An old nemesis, haha. I like both the issue format and the book format for comics. You can do very different things with them, just like the difference between movies and TV. If you are writing something with issues, then I feel like every issue needs to give you a complete story, or at least a complete slice of a story. I definitely feel like attitudes have changed regarding how much story you fit into an issue of comics, but that can be both good and bad. A little while ago I reread the original Iron Man story where he confronts his alcoholism, and he goes through withdrawal in literally one page.

Stert: I know this kinda stuff is usually not answered straight up, but how much do you make writing for comics?

Ted: I'm not yet at the point where it's my main job. Right now I'm getting my teaching license so I can be a school librarian. And with licensed comics, I don't get any royalties, just a flat fee for writing the script. But it's a good gig regardless. I get to sit around and tell other people how to draw cartoons. I would absolutely love to write full time, and I'm in the process of getting together more projects to make that happen? But not quite yet. Which reminds me: I am currently trying to put together a pitch with Mar Julia, artist for both BotE and S11! But very different from AT.

Owlz: How long have you worked on comics?

Ted: I've been working on comics for ... something like 6 years? I think? My first professional comic was MLP, actually, which is not at all normal, haha. I was a big fan of the show, and I knew I wanted to write comics. I'm also friends with Zander Cannon, who's been a professional creator for decades and is a super cool guy. He knew someone who worked at IDW, who put me in touch with the MLP editor. I sent them some samples, I sent them some pitches, and bada bing bada boom, they let me write a story about Pinkie Pie. It's all about networking, baby.

Mordo: What’s your favorite TV series of all time?

Ted: Oh jeeze, that's a question. There are TV series that I love in different ways and for different reasons. AT is definitely one of my favorites, but I also love The X-Files, but for completely different reasons. Star Trek the Next Generation is also pretty high up there. Futurama is another one that I'm a big fan of. I should've included a reference to John DiMaggio from that, come to think of it. Showed Jake with a cigar and a beer, or something. Now there's a crossover I'd love to see. Oh, Gravity Falls is definitely up there too. Regular Show is another fun one. I pitched a couple RS ideas around the same time as BotE, but they were already transitioning to the Twenty-Five Years Later series.

Mordo: Not sure if this was answered earlier, but why was AT season 11 the one that had to kick the bucket when it was doing better than the other comics?

Ted: I really have no idea. It was a money thing, to the best of my knowledge—they expected the comics to sell X copies, and they didn't quite make it, so that was that. In the email they sent me, they emphasized that it was not a question of the quality of my writing, or how they were being received. I don't really know any more than that, unfortunately. Yeah, I have no idea how they calculate anticipated sales or anything. But I guess S11 just didn't hit the expected targets.

Mordo/StephanFS: What else do you write Ted? If you were to work on something original, what would it be?

Ted: I still do write for MLP, actually. I've got a three-issue miniseries starting next month. Plus I've got a couple creator-owned series: Moth & Whisper and Orphan Age. The trade collection of M&W comes out next week, and the first issue of Orphan Age came out this week. I have a lot more original stuff in the works, too. Not a lot of it is like AT, to be honest. I don't tend to write stories that are so .... weird? Nothing against weird! Obviously! But it's just not the kind of stories I tend to come up with. M&W is a cyberpunk heist thriller thing, and Orphan Age is a post-apocalyptic western.

That’s all for now. If you like Ted Anderson’s work, be sure to check out Moth & Whisper and Orphan Age. Catch them on ComiXology or wherever you get your comics.

Farewell for now!

[twilightofthe]

For the Star Wars questions- 16 & 19. :)

Thank you!!! (y’all this got ridiculously long for two damn questions lol)

Send me a number and i’ll tell u my fave/least fave:

16. Book/Comic (Aight, so I’m actually not a huge comic reader in general, most of my comic knowledge comes from other fans on here posting about them, so this is gonna be mainly book-focused)

FAVE:  Welllllll, since I’m literally incapable of narrowing down my favorite anythings, I’m gonna do faves for both canon and EU novels.  

Canon-wise, it’s a tie beween A New Dawn and Ahsoka.  I know I don’t post about them as much on here, but I truly have a super soft spot for Kanera and Kanan and Hera’s characters, they’re just so GOOD and I love themmmmm aaaaaaaaa.  You get super good insights to how Kanan was running wild and traumatized and trying to repress everything and how Hera was a little naïve but still tough as nails and she had a dream and she was going to make it happen or so help her, ugh I just love how the story showed how they’re strongest as a team working together and I just love character dynamics where the two are so obviously married and kinda snark at each other sometimes but they have each other’s backs through everything and know each other like the back of their hands and uggghhhh this is just such a healthy good ship and such a good book.  The Ahsoka novel is just fantastic all on its own because it shows Ahsoka as a young adult, kinda floundering and lost in this new world, full of guilt over what happened with Anakin and the Order, trying to do what she can to help people and just enduring because she’s a survivor, she was raised (by two argumentative, adoptive parents who love her very much SO SAYETH THE BOOK) to be a survivor and handle herself, but that doesn’t mean she’s not lonely as all hell.  And oof I just fucking adore Kaeden Larte and her relationship with Ahsoka (who absolutely comes back and marries her once the war is over oh yes) and her relationship with Miara and ugh just all of it is A+++++.  E.K. Johnston is just an amazing author in general and her other book, Queen’s Shadow is one of my two canon runner ups because I am in love with her Sabé and her Padmé.  Other canon runner up is A Certain Point Of View, if only for the “Time of Death” chapter.  Don’t get me wrong, the rest of it is also fantastic, but oh god it kills me DEAD OBI WAN DESERVED SO MUCH BETTER AND I CRY I REALLY CRY

EU-wise (oh god, I haven��t even gotten to least-faves yet), it has to be the Revenge of the Sith novelization.  Without a question.  Y’all it’s SO FUCKIN’ good, and in my personal opinion should be considerrred canonnnnnn (look I think the reason they gave for excluding it is that there’s no mention of Ahsoka or Rex or Mandalore or any of the stuff that happened literally the day before which is valid, but I counterpoint that Anakin is a mess with A Lot Going On At The Moment, he could have just forgot?  He forgets most of his morals, all of his common sense, and three of his limbs by the end of the story, Snips could have just slipped his mind! xD).  Anyway, besides the fact that it’s like 99% written in Obikin-colored glasses which really just makes me happy as a person because I love it being acknowledged just how important they are to each other, it really offers a deeper insight INSIDE the chaos going on in Anakin’s head, the mess, just why he falls so quickly and so awfully.  I love it gives the Padmé plot that got cut on screen some validity.  The beautiful beginning and the goddam introductions to Anakin Skywalker and Obi Wan Kenobi are just A++++++++++++++ and oof other people can more accurately describe just how good this book is, but I love it a Big Lot ok?

LEAST FAVE:  Okey doke, here we go....  So firstly for canon, I’m not the biggest fan of how Claudia Grey writes Leia’s character.  She’s a wonderful storyteller and I love her worldbuilding, but just the way she characterizes Leia herself never felt... right, ya know?  Idk, I can’t really explain it, but it makes it difficult for me to enjoy her Leia novelsWarning right now that this is a VERY unpopular opinion and my opinion alone, please do not yell at me!  So as skilled and admired an author Timothy Zahn is, I don’t like the Thrawn books.  I’m sorry, I don’t.  To me, Thrawn is just.... ok so he’s like BBC!Sherlock but in space.  The plot makes a big deal about how “oooh cool and intelligent and Literally Better Than Everyone Else” Thrawn is, but the only way they really show his “cleverness” is by either him solving problems by pulling together information that literally no one but the writer knows and then acting like it was oh so obvious and in front of everyone OR, the story dumbs down other characters to make him look smart.  And maybe it was because the one Thrawn book goes after Anakin/Vader in particular to do the latter is what kinda ticked me off on Thrawn books in general, but y’all, it really ticked me off, because Anakin is like the lowest hanging fruit for an author to pick to make their character look good in comparison, and therefore it is done All The Time (LOOKING AT YOU, CLONE WARS), which I think is lazy and an insult to Anakin’s character.  Look, I am fully aware Anakin Skywalker is a dolt to the highest degree sometimes, but he is ALSO A GENIUS.  He is SMART.  IT IS CANON THAT HE IS SMART.  So when the Thrawn book has Thrawn constantly one-upping Anakin The Useless Doofus (and Padmé a bit!!!) and then doing it again once he meets him as Vader, that just makes me hmmmm.

The canon comics are actually gonna be featured on the list here a bit because if y’all don’t already know my hatred for That One Particular Vader Comic (not the rest of the series run as I have not read it and from what I hear, it’s excellent and I’d probs like it a lot) doing the implication in a dream sequence where it says that Palpatine used the Dark Side to impregnate Shmi and create Anakin, well I HATE IT.  Look, I know the plot was literally about Sidious trying to mess with Vader’s head and that dream shouldn’t be trusted, but it fooled all the fans too and now like 60% of Star Wars fans actually believe Sidious fathered Anakin and I am so damn tired of hearing about that.  Yeah, now that Reylo is canon, that comic’s authors are trying to do damage control by saying that no, Sidious isn’t Anakin’s father and Rey and Ben are not second cousins, but they’re still being mysterious about it and “oh well it COULD be this--” so now there’s just more fans who are digging into that theory just because they don’t like Reylo and I don’t really care for the ship either but I really HATE the entire “Born of the Dark” concept for reasons I can explain more separately, so I’m pissy at that particular comic for spawning it.  I know it’s petty but I do.

EU-wise, well, this is gonna be unpopular too, cuz I haven’t read most of the EU stuff, and from what I’ve heard of it, there doesn’t seem to be much that I WOULD like.  The movie novelizations all seem good, but everything else???  “Obi Wan prequels but guess what, he had a shitty childhood too!” uh, no thanks, the rest of his life sucks enough, I want to see him happy.  “Mandalorian worldbuilding, but they’re all a bunch of stoic, overpowered badasses who are Good At Everything And Better Than Literally Everyone and the plot bashes the Jedi left right and center!” ehhhhhhhh pass.  “What happened after Return of the Jedi, except the Skywalkers still don’t get a happy ending because the galaxy goes to war again, Han and Leia’s son turns evil, Luke Suffers, and Palpatine comes back again!” nah, that sounds too depressing-- oh wAIT :) :) :)(at least the EU actually lets Han and Leia grow old and happy together okay okay that’s enough sequel salt for one day)

19. Outfit

FAVE:  Everything Padmé Amidala wears in the movies.  No I will not narrow it down.  I am in love with her whole wardrobe and I want it. 

 I also love the standard Jedi tunics and tabards and cloak (c’mon, the cloak completes the picture!)  It’s just such a signature and unique look that’s supposed to combine medieval European knight tunics and samurai warrior clothing and just the #aesthetic is oof, just wonderful.

Also Sabine Wren’s armor and its various paint jobs.  It’s just so uniquely her and bright and beautiful and badass in all its stages and yes good I like it.

Also Lando Calrissian’s cloaks!  Swooshy and colorful and good!  I love cloaks!  

LEAST FAVE:  Gonna go with my petty, silly ones first, and those are all of Padmé Amidala’s outfits that are only seen in the The Clone Wars TV show (so not the ones that were based off of movie costumes).  Eh, actually three of them were nice, her orange outfit she visits Mina in, her white casual housedress, and her black slinky Clovis dress.  All of her other series-only outfits made me highkey pissy because they were either A.) Wrong for the situation she was in, B.) Defied the laws of physics and should not have held the shape they did/stayed on her body, or C.) just plain UGLY (the highest crime of all), and for the animators to have the audACITY to put any of those things in the mere vicinity of the most stylish woman in the galaxy is an insult to Padmé, an insult to ME, and an insult to Star Wars as a whole (yes, I am mostly joking, but come on!).  No, I will not give the designers the excuse of clothing being difficult and expensive and time consuming to animate because I have SEEN the fancy, PRETTY outfits of the other ladies of Padmé’s status on the show.  Everything Satine Kryze wore was intricately beautiful as all hell and I loved it.  Riyo Chuchi’s two outfits were lovely and fashionable.  Heck, I’m pretty sure I liked Mina Bonteri’s outfit too.  There were tons of people on that show with stylish clothing!  How hard would it have been for the animators to remember Padmé doesn’t wear exposed midriffs on official government business?  That dresses with no sides or back cannot be sleeveless or they will not stay up?  Not give her hairstyles that looked like either a goddam tuning fork or like Jimmy Neutron’s mother?  That beige jumpsuits are BORING and adding a mauve vest is NOT enough to make it exciting!!!! xD xD xD 

Aight, now in more seriousness, I also hated both of Ahsoka’s outfits in the original TCW show.  Enough people have spoken on why sending a fourteen year old into an active warzone in a tube top and miniskirt is a BAD IDEA, but like it just makes me extra mad when you remember her older and more experienced at Not Getting Pulverized Masters were both in full concealing robes and chest and shoulder and shin armor, so you can’t even pass it off as Jedi not getting hurt as easily.  Her updated outfit was only slightly an improvement because her Masters STILL got at least fully covering robes and arm bracers, while Ahsoka still had her entire back exposed, leg holes exposing valuable arteries and stuff, and a goddam boob window that basically signals “shoot me here”.  Look, I know the animators goofed, and I know how they have learned from it because from Rebels on, they never show her as improperly covered for battle, in the new TCW season both outfits are cute and practical too, but seeing her running around in her red outfits actively impeded and took me out of my watching experience because I was cringing over her having a lack of protection, that it made her that much more vulnerable to injury.

Finally just gotta give a standard raised finger to the Slave Leia Bikini.  Carrie Fisher hated it so I do too.

[calliecat93]

Top 5 Things I Disliked About Red vs Blue: Season 2

When I decided to do this series, I knew it was gonna be hard to do lists for Blood Gulch. Not because I can’t think of anything I like or dislike specifically, but as I said before, BGC is mainly comedic driven. The worst I can say is ‘this isn’t funny’ and critique the earlier production standards. Which that’s kinda mean since they were working with what they had and trying to learn to do the show. As such, I have to reach on Dislikes for these and S2 was a tough one in that regard. I managed to come up with five, but GOD I had to stretch haaaard on it.

But still, I did it. Just remember, take this with a grain of salt. So here we go, Top 5 Things I Disliked About RvB S2.

#5. Doc

If you asked me which of the BGC to write out and never bring back… I’d probably have to pick Doc. Don’t get me wrong, I don’t hate him, but I’ve also never loved him. He comes off more whiny than funny, and most of the time he’s only funny due to the back and forth with O’Malley. Otherwise, usually… he’s just there. Even here in S2, while having a pacifist medic in a cast where several are trigger happy could lead to some funny stuff, Doc was just an annoyance. The situations he got into were funny, like getting knocked into the Warthog when the Blues unknowingly made it go rogue, but he was literally just there for the ride. Something IDT later season really improved aside form 16 and 17, which tbh I think is stretching it.

IDK, I just find Doc whiny and kinda boring. Even if he’s meant to be the annoying, disrespected nice guy, doesn't Donut kinda fit that slot already? Heck, they both even have the recurring ‘disappear for seasons and then suddenly comes back’ joke. The only times that I feel invested in Doc is when he has O’Malley, which is how he re-entered the plot here. I’m gonna save more about that in the S3 posts, but on his own? Doc just… doesn’t really work and I didn’t really miss him in between the Reds dumping him and him reappearing when O’Malley infected him. It’s also a flaw IDT recent seasons have really fixed, though they are trying. Plus I don’t hate Doc and some jokes with him do work (the gag of his naming made me giggle), I'm just… indifferent. But that’s why he’s at the top of the list since the most I can say is I find him whiny and not as funny,

#4. The Cyborg Subplot

So due to losing Lopez and because he’s Sarge, Sarge decides to turn one of the Reds into a cyborg to do all the stuff that Lopez did. He settles on Simmons. Now in and of itself, the subplot is fine. It leads to a good few jokes, like Grif trying to ruin Simmons’ parts after the surgery or a few gags like Simmons shooting his own foot and of course, faxass. While IDT the season would have been hurt without it, it has plenty of funny bits. Sow hat’s the problem. Well… like I said, cutting it wouldn’t have hurt anything. It kinda is just there to give the Reds something to do during the O’Malley and Tex stuff since otherwise, they’d just be standing around and taking… well, more than normal. Otherwise, it’s only significance plot-wise is Tucker tuning into their frequency, which is important in the finale when he picks up Vic and Sarge’s conversation.

So yeah, the subplot isn’t all that important. But it is still funny, so I don't mind it being there. But nowadays… how much so we see this come up? I mean Grif got mutilated by a tank and got another guy’s body/organs haphazardly stitched on. Simmons, while he possibly gave up those parts to Grif willingly, was otherwise forcibly converted into a cyborg. This… hasn’t really come up again. I mean the only time I think Simmons mentioned it in-show was as a brief joke in S11. Nine seasons later. I don’t think Grif’s side of it has come up at all ever again. Though… considering you can only get so many jokes out of this setup since everyone is always in armor, I do understand why. Though I feel with Simmons’ side at least, they could play with it some more, both comedically and maybe even storywise. But that may be my need for Simmons content talking…

So yeah, the subplot was okay. It’s at Number Four since I don’t hate it and it was funny. I just feel like nothing would be lost without it, especially since it pretty much never comes up again. Maybe one day though, who knows? At least the fanfic writers keep it alive XD

#3. The Caboose Forgetting Church Thing

Okay this is brief, but it does annoy me. During the whole trip into Caboose’s mind, Caboose’s memory of Church gets shot. As such, Caboose forgets who Church is. Makes sense, O’Malley killed the personification of Church in Caboose’s mind, so his mind would forget it. It also explains why Caboose got, well… for lack of a better way to put it, intellectually challenged later on due to having three AI’s in his brain and all the chaos that broke out. But Caboose forgetting Church lasts like… one episode? Maybe two? Anyways, Burnie explained on the commentary that it was just too hard to write out so they did one joke with it, and then just dropped it. Probably for the best... but then we have to figure out how this works in-continuity... damn it.

Really this is only on here because it forces me to try to figure out how this is possible in a show sense. Which yeah I probably don’t need to, but I am a continuity loser who tries to piece together these things. If I had to guess, maybe the memory of Church fixed itself somehow or Caboose was able to recall after being around Church for a little while. But I honestly really don’t know, and trying to think it through hurts my brain. It also did little to nothing either story-wise or comedy-wise, at least we got a few jokes out of the cyborg subplot. IDK, I feel like they gave up on it too soon. But then again this is the saga where they’ll break/ignore continuity for the sake of a joke and that’s just how these seasons worked. Hence why I put it smack-dab in the middle.

#2. Some Holdover S1 Issues

You can tell that there was a mass improvement in terms of production for Season Two. Pacing felt stronger, more was going on, characterizations began to settle in, and they even began to form more of a plot. They clearly had a much better idea of what they were doing now that they got through Season One and I think things like Matt becoming more involved in writing and production as well as Gus moving back to work on the show really helped as well. That being said, not everything got resolved. Most did, but there are still a few holdouts.

Audio mixing is a LOT better, especially when it comes to effects. The filter is still a little distracting, though better compared to S1. Not all the characterizations really set in. Grif and Donut are about 75% there and Simmons and Tucker are probably the least set in stone. The traits are there, like Simmons clinginess to Sarge and Tucker actually showing some competence when forced to, but nothing set in stone. Donut’s also on the right path with his hobbies and tendency to babble into TMI territory, but the voice is still off and his personality isn’t quite there yet. There’s some other, but I’ll touch on it in the Likes list. Some jokes could also still drag, like the whole switch joke where some of Church and Tucker’s back and forth went on a little too long.

We’re clearly making progress, but the mark hasn’t quite been hit. It’s still an improvement over S1 though, the pacing especially. This is nitpicky, but still it’s there. But hey it’s progress, and that is never a bad thing. So yeah, RvB is still evolving here, but the progress bar is loading steadily and trust me, by S3 I think we’ll be settled in… well, for the most part.

#1. Some Outdated Humor

The BGC was made from 2003 to 2007. Obviously, there’s gonna be some stuff that is outdated. Take the graphics themselves for example. Halo has evolved, so the game can look a little outdated, especially when you compare the original footage to the remastered footage. Let's put it this way, VIC is uncanny in the remaster… and is utterly horrifying in the original version. Thank God that the DVD is the remaster and I was spared of looking at that monstrosity. Visuals aren’t the only thing though, some pop culture references can also come off as outdated, like Creed joke in the RL vs Internet PSA. So can some of the humor that shows how stupid we were back only two decades ago.

There are… some jokes that are uncomfortable to listen to. For example, there’s the Grif shaming himself joked by saying he’s a girl and likes ribbons in his hair. It’s not the worst joke and clearly, it isn’t made to offend… but nowadays I think it could look offensive to certain individuals. It didn’t necessarily offend me, but it did kinda make me feel uncomfortable when I first watched it, but it could be me thinking it over too hard. There’s also the casual usage of the R word. Last season it came up a bit, but I noticed it came up more frequently here. Not excessively, but there were quite a few instances where it was treated as a casual curse word. Obviously back in 2004 we didn’t realize this was an offensive term, and I think they’ve even said that they regret the casual usage of it during the early years. You certainly would probably not hear that word used unless maybe to emphasize how terrible a character is, but even then I think they’d be more careful.

Now obviously RvB uses a lot of adult and offensive humor, especially in this era. I guess you can kinda call it the web version of South Park, only RvB has never really resorted to shock humor. It puts it above many, /many/ animated adult comedies in that regard. Still, when you run for this long, you’re gonna have some outdated elements. It’s not necessarily their fault, it just shows that times has changed. Still, it does make some stuff hard to look back on without cringing, and I imagine that the Founders would agree. So yeah… there’s just some stuff that wasn't fun to look back over and S2 isn’t the only offender, but this was where it stood out to me and took me out of the moment. As such, it is Number One.

(Top 5 Likes)