Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL
I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.
And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.
The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.
Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.
But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.
L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.
In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.
Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.
L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)
"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"
(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]
"I'm sorry" -> [Nothing]
"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]
^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.
Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.
And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.
The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):
I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.
(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)
(Oh sidenote but. This shit again:
"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all
Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.
Something something Light Yagami bad at feelings I think you get the point though)
I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?
And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.
Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)
tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post
Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:
Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.
Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.
I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week
Imagine if Willow sprinkles Hunter with pixie dust, and she's about to explain he needs to think happy thoughts to fly, only to see he's already floating off the ground.
"Whoa, what happy thought were you thinking?"
"Well, nothing really, I was just listening to you."
Her just being there is his happy thought.
[Now on AO3]
"It doesn't work on me," He claims, like the Know-It-All he is.
Willow is already coaxing a daisy into existence as he says it. It pokes through the forest floor, unusually exuberant for dusk hours, dimly illuminated by a fairy's magic touch.
"Are you calling my dust faulty?" She scoffs, plucking the flower out of the ground and twirling it teasingly beneath her chin. "How presumptuous."
"No," Answers the pirate. If you could even call him that right now. He's shed his immaculate gold coat and that large and ridiculous (but oh, so funny) hat of his.
He's taken every measure to be as inconspicuous as possible. Nobody aboard that ship can know about his little late night rendezvous with a fairy. Especially not if he doesn't intend to bring her back in a jar.
He has long since retired that ambition.
"It's no different than any other fairy's dust," He says, slow and cautious. "The crew has....obtained it a few times in the past...."
Willow doesn't say anything but her presence still makes him squirm. She already knows what becomes of fairies that pirates get their hands on.
"And it doesn't work on me...." He concludes.
"You sound disappointed."
"I'm not."
He's a liar, among other things.
Willow opts to not mention how transparent he is in his longing to get tangled up in the stars, to test the feel of foamy cloudstuff in his hands, to soar the way the Lost Boys do.
He's so enraptured with winged creatures, she notices.
This boy wants to fly. This boy wants to become Lost in a way that matters on this island. And the only thing stopping him is his own stupid heart.
He's my uncle, he had whispered the last time she begged.
"I refuse to believe you're immune to dust," Declares Willow. "You are no different from any Lost Boy."
She means that in more ways than one. He even looks like one tonight. Young and sloppily dressed, his bare hairless face spotlighted by the fat silvery moon hanging overhead.
It bothers him that it's so difficult to grow a beard. It makes her heart sink a little every time he laments how impatient he is to grow up.
"I'm nothing like a Lost Boy," He retorts for the billionth time.
If she felt a little more argumentative, she'd ask him to state their exact coordinates on the map. And he'd flounder for an answer, because he's never been in this part of the island before. Willow led him into the depths of the forest by the hand in the dead of night.
He's a boy.
He's lost.
It would make him all mad and huffy if she pulled that on him. Which would be funny. But she doesn't want to make him mad and huffy right now.
Willow shimmies closer, rustling the leaves underneath her. "I think you just never learned the trick of dust. It's not like fairies to give the secret away to just anyone."
He's not looking in her direction. Which is annoying. She could get drunk on how it feels to have his eyes poring over the sight of her.
It was once an impish sort of delight. A delicious satisfaction that he found her such an irksome creature yet he was unwillingly attracted to her shape, to her smile, to her eyes.
It's different now. Less unwilling on his part. And at some point or another, she found herself blooming pink roses beneath the skin of her cheeks when he looks at her like that.
She likes being looked at. But she now understands that she likes being looked at by him. She wishes to hear the thoughts in his head as his eyes hang off her bare shoulders.
"So..." Willow croons, her fingers finding the sharp bend of his jaw. She brushes the skin, gingerly avoiding the sensitive edges of his scars.
"How about...." her palm connects to his cheek and she still marvels over how perfectly fitted her hand is for cupping his face. She guides his gaze towards hers. The eyes that she finds pretty to settle on the face that those eyes find pretty.
"You trust me on this...." Her soft spoken utterance is emphasized with an affectionate rub of her index finger on the sweet spot behind his ear.
He likes being touched there. She found out back when he was trying very hard to not like her.
Once his eyes are set on hers, confused but hopelessly soft, Willow lifts the daisy to her lips and blows.
A string of glowing pollen rises from the buttery pistil and drifts in his direction. It's as though it already knows tonight's assignment is proving a Know-It-All wrong. It's the only way to needle a big pretty smile outta him.
Willow is gonna get that smile, whether he likes it or not. She's a rascal like that.
Dust clings to his cheeks, spilling down his neck and sinking under skin.
"I promise you're not immune to dust," Says Willow, because she won't allow him to be. If he wants to fly, he'll fly.
He's staring at her with wild eyes now, every blink an agonizing interruption of his beholding.
She hasn't realized until now just how close their faces are. Nose to nose.
Feeling the tickly heat of his breath makes her smile.
"All you have to do is..."
He gasps.
Willow gasps.
They are no longer nose to nose because he is jerkily rising off the ground.
Amusingly, once he's a few inches into the air, he awkwardly tips forward and his feet continue to ascend. He's floating upside-down now, startled and confused yelps erupting from his throat. Willow stands up, trying to swallow her giggles as he desperately stretches his arms out to claw at the ground for some sort of anchor.
He's wobbling further and further away from her now and with a flutter of wings, she rises to meet him by the heads of the trees.
"Hiiiiiii~" She singsongs in an imitation of something he said to her so very long ago when things were so very different.
His flipped body has caused his shirt to hitch. It hangs in a baggy pool at his armpits.
Willow cannot help herself. She pokes his bare belly with a silly sounding "boop!" making him squeak ("Willow!") and scrabble to yank the fabric back over his figure. His legs are kicking erratically, attempting to put himself to right.
She doesn't indulge in the antics for much longer, instead opting to take pity on him. Lost Boys are like this sometimes too. But only in those first few minutes before they realize that they're perfectly safe, just a little inexperienced.
"Don't you worry," Says Willow, taking him by the waist and flipping him rightside-up. "You just haven't got your sky legs yet,"
She lets go of him once his position has been righted but he is not having it. Willow lets out an embarrassing noise herself as a pair of arms awkwardly throw themselves around her. His breathing rattles in her ear, his heartbeat a thick pound against hers.
Willow blurts out the first thing she can think to say. "First time?"
"Obviously!" He snaps, though there's a tremor to his tone.
She laughs to hide her brain's stubborn fixation on how defined the arms around her are.
"Hey now, I gotcha," She says comfortingly. With a bit of effort, she manages to rearrange their entangled bodies so it's not so...so much.
They now float at the respectful distance of any two teenagers having their first dance, complete with his arms loosely looped around her neck and Willow's hands rested against his hips.
Hm. Well. It's no longer so much but...
Now it's not enough.
To right that wrong this instant, Willow hums mischievously. "After all...."
Those respectful hands slide up his sides,
"I finally got my diabolical little fairy hands on a pirate."
They linger on his ribs.
His breath gets caught.
"I'm not gonna let him go."
They travel back down to his hips.
He's frozen in the way he tends to freeze, but it doesn't deter the heat. It blotches his face, his ears, even seeping down his neck.
He used to slap her touch away when she got playfully handsy with him. That stopped a lot time ago.
Instead, his grip around her tightens, though his gaze falls bashfully.
Willow grins.
He liiiiiiiiiikes it.
"How does flying work?" Asks the pirate.
"Well, it basically means not being on the ground," Answers Willow intelligently.
"No. I mean....why am I flying right now?"
Oh.
Right.
She had forgotten that he went blasting off before she could even explain the trick of it.
He looks troubled, a little bit on the scrunched up side. She expects that the reality of his situation will sink in sooner or later but...he needs answers first.
He's wanted this. He's wanted to fly. But it isn't like him to be satisfied without knowing the How and Why.
"Well," Says Willow. "What were you thinking? Before you began to fly?"
His eyebrows shoot up. "I-I wasn't thinking anything specific."
He's out of his depth and it's making him panic.
"Why? What was I supposed to be thinking?"
She smiles. "Your happiest thought."
"Oh...."
"Why?" She asks, leaning into his space. "What were you thinking?"
His brain is bizarrely shaped and she's obsessed with the idea of rummaging around in it.
She likes it when he allows the makings of the contraption to sputter out through his lips.
What are your happy thoughts, pirate?
But he never gives her an answer.
He doesn't need to.
What that boy does instead is give her a look. It's a strangely quiet look for such a loud face.
She can't gather together the words to describe that look because it feels too much like a secret. What she will say is that it's hers. It's all hers.
Her secret pirate.
His secret fairy.
"Oh..." She doesn't like how her voice shakes but what can she do?
He makes her feel so very fragile sometimes.
It's happening.
Aw thorns, it's happening.
Willow's wings speed up without her say-so and the two bodies shoot higher into the sky, the pirate howling in surprise.
She laughs. What else can she do but laugh?
But now that she's laughing, it's very difficult to stop. It's getting to the point of hysteria.
She's his happy thought.
She's his happy thought.
She's his happy thought.
And you know what? He might be hers too.
The sudden lift has made him lose his grip on her and he's now paddling through the sky, reaching out his hand to hers.
Willow takes it.
And while she's at it, she takes his other hand and gives him a giddy twirl.
He's accustomed enough to the weightlessness by now that he doesn't react with horror. But rather, it surprises a giggle out of him.
Terribly encouraged by the bubbling sound, she spins him again and he laughs harder.
He makes those dumb snorty noises.
She's going to spin him unconscious if he keeps doing this to her.
It's in his eyes now, she can see it. Something is beginning to kindle, the realization that this is it.
He can fly.
He can fly.
He can fly.
His smile is gold.
She never would have taken the air above the forest for a dance floor but there's nothing conventional about anything she does with this boy.
Their bodies rotate across the stars, like the little dancers in that music box she found once.
They try to imitate the grown-ups in those books he likes to show her. It's his idea.
Two hands, one small and round with short fingers and a cushiony palm, and one long and narrow, fingers all lean and knobbly. They find each other and the mismatched fingers intertwine.
Willow's other hand is on his shoulder while his is on her waist. It's loose, no longer fearing his life up here.
He can't dance while standing on the ground, so he certainly has no footing in the sky. But that's alright, floating and touching is enough.
He tells her stories.
She listens.
She flirts and she jokes.
He blushes.
Sometimes he responds with something just as immaculately phrased.
She blushes.
Her cheek is resting against his chest when she utters the words. "Guess what..."
"What?"
"There was a fairy ball tonight."
She wasn't supposed to tell him that.
The subsequent silence leaves her to wonder why she told him that.
"So why are you here?" He asks, which is even worse.
Willow doesn't give him an answer.
She doesn't need to.
It's her lips buttoned in an pointed 'You know why' sort of way that spells it all out. As wrung tight with nerves as she is, her lips quirk up with amusement as that heart of his begins to riot against his ribcage.
"Oh..." He says.
"Oh..." Willow responds.
The night dances on. The stars observe with indifference.
Neverland itself doesn't care if a fairy waltzes with a pirate.
Its only those with a pulse that take issue.
He doesn't say the words. Not exactly.
Instead, he says "Willow. I think...I think there might be a problem...."
The warmth of his body is soaking into her. It's making her sleepy.
"And what's that?" Willow asks, looking up.
After a moment of contemplation, she adds "Hunter,"
The pirate's name is Hunter.
She likes that his name is something that's allowed on her tongue.
She feels his shoulder stiffen beneath her hand at the mention of that name. It seems to tangle up the words he already had on the tip of his tongue.
She squeezes the spot she's holding, hoping to relieve a little of the tension.
"I..." The hand holding hers is damp. She can feel it tremble. "I don't think I can get down,"
"Is that so?" She teases with a tilt of her head.
Like she's forgotten. He's her happy though. It's so cute she almost wants to let loose an undignified squeal.
But the lines of Hunter's face only tighten. Every worry etched into his features is naked underneath the moon's glow.
"I don't think I can ever get down again," He states, simple and soft.
His eyes are on her and they burn like always. She doesn't know what kind of fire Hunter was born in but his eyes never stop burning.
Willow's mischievous smile dips as his words pierce her through with the viciousness of a dagger, yet her stomach doesn't fill with blood, but warm liquid gold.
Hi, sorry for the wait!! I was a little in doubt about if making this chapter in Percy's or Nico's POV, tbh, but in the end I decided that we're back to Percy! I always enjoy writing him being all smitten and in love <33
Enjoy~
Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7
You can also read it on AO3!!
~~~~
Percy had been looking at his phone for what felt like hours, staring at the empty message box and the name written on top, trying to find something, anything, to write that wouldn't sound extremely lame.
He knew his friends were looking at him, probably thinking he was the most ridiculous lovesick fool they had ever seen - which was fair, honestly, because Percy did feel like he was one second away from screaming into the void and starting to roll around on the cafe’s floor.
So, yes, he was a lovesick fool - but a lovesick fool with his crush's number now safely saved into his phone.
Crush.
It had been two days since his meeting with Nico at the beach, and for the whole time Percy had felt like the word wasn't right, wasn't nearly heavy enough to embrace the way he felt. When he had told Annabeth, she had looked at him and smiled.
“I can see that, Percy, but you do realize you barely know him, don't you?”
It was true, of course it was - yet it didn't matter.
Percy could still feel the warmth of Nico's hand in his like it was engraved on his skin. The need to hold it again was almost overwhelming, Percy could feel himself going crazy for it.
They had held hands, and it had felt like Nico hadn't wanted to let go either, that he had wanted to make the contact last as long as possible just like Percy had.
Percy wanted to text him. But what do you even write to the guy who's been haunting your mind for the past few months and who you aren't exactly friends with but at the same time it feels like you're so much more?
“Hi, it's Percy, how are you?”
Yeah, no, that was lame.
“Hey, would you like to go on a date with me?”
Too forward, definitely not.
Percy groaned, frustrated.
“I swear to god, Jackson, if you don't stop staring at that phone right now, I'm gonna kick you out of this place”.
Thalia's voice pulled him violently out of his thoughts.
“This is a public space, Thalia, you can't kick me out”, he replied without even looking at her.
“Oh yeah, watch me”.
Percy only looked up at her when a kick did actually hit his legs under the table.
“Ehi!”
Thalia smirked down at him. “Told ya”, she said. “I can't believe I only come here like two times a year - and when I do, you're too busy to look at your phone to actually talk to me? That's low, Jackson”.
Percy rolled his eyes, but the pull in his guts let him know that he did feel guilty. He sighed and finally put his phone down, straightening himself and going back to sip his coffee. Not that he would apologize to Thalia, but he could admit to himself that she was right; and after all, if he put aside for a moment his current concern, he really was happy to see her. It had been months since the last time they had the chance to hang out together like this.
“Don't mind him, Thalia”, Annabeth jumped in. “He just got his dream boy's number! And now he's trying to figure out what to write to him”.
She said it like it was ridiculous, but Percy remembered how happy she had been for him when he had told her about the events of two days ago, so he didn't take it to heart.
“His what!?”, Thalia almost screamed, accompanying every word with a painful slap on Percy's shoulder. “Why don't I know anything about this! How could you guys not tell me, come on!”
He swatted her hand away. “Ouch, ow, ow, okay, alright!”
“I can't believe this! I can't even remember the last time you had a crush”.
“Yeah, well”, Percy said, and lowered his eyes. “Doesn't really feel like a crush, anymore”.
“Oh woah, then it must be serious”, she said. “Come on, tell me everything”.
And so he told her - told her about the first time he saw the pretty goth boy working at the beach kiosk, about how long he had spent just looking at him. Trying to leave out the most embarrassing parts was no use because of course Annabeth had to jump in to point out how ridiculous he had been the whole time and how much he had panicked to just go and talk to him to buy something, and obviously she couldn't leave out his plan to impress Nico with his fantastic surfing moves.
“Annabeth, stop making me look like a loser!”
“I'm not making you look like a loser, Seaweed brain, I’m just telling the truth!”.
Percy kept talking, and he kept thinking about Nico, and he knew that he had the most enamored smile painted on his lips as he spoke. He talked and he couldn't stop because, god, he did love to talk about him.
They had only seen each other the previous day and Percy missed him already. He definitely needed to find the courage to text him - perhaps he didn't need to think too much about it, maybe a simple hey how are you would do, after all.
He wondered if Nico was doing the same, looking at his phone and trying to find something to write to him, or maybe waiting and hoping for a text to arrive.
He was so focused on recounting everything that he didn't notice the way Thalia's expression went from curious to surprised, then to confused, and finally to pensive.
“Wait, what did you say this guy's name is?”
Percy stopped in his rambling. “Nico, his name’s Nico”, he said, and finally noticed how Thalia seemed to be deep in thought. “What’s that face?”
It took a moment for her to reply. “Nico as in… Nico Di Angelo?”
Percy stopped and looked at her like she had grown a second head. “What?”
Next to him, he heard Annabeth’s voice echoing the same sentiment.
“What are you talking about?”
“Goth boy, shortie, long hair and lots of piercings, doesn’t seem like he own anything but black clothes, looks like he doesn’t know how to smile-”
“Hey, I’ll let you know that he has the prettiest smile you could ever imagine!”
Thalia waved him off at the same time that Annabeth said “Yes that does sound exactly like him”.
“And he works at the beach kiosk with a blond guy?”
A long moment of silence passed during which Percy kept staring at Thalia as her words kept swarming around in his head, blinking at her trying to process what she had just said.
It couldn’t be, could it?
“You know him!?”
Percy could feel his heart run around in his chest, pumping blood loudly in his ears.
That felt so much like fate.
“Huh, kind of?”, Thalia said. “I saw him a couple of times when I went to visit my brother”.
“Your brother?”, Annabeth asked.
Thalia nodded, smiling. “The blond guy working at the kiosk. That’s my brother, Jason”.
Another moment of silence passed before Percy finally came to his senses. “What the hell, why didn’t you tell us!”
This time, it was his turn to swat Thalia’s arm over and over. She hit back with just as much strength.
“Ow, why would I tell you! I didn’t even know you guys went to that beach - see, your fault you don’t tell me anything!”
Percy could feel Annabeth rolling her eyes at their antics.
But he had more pressing things to think about. He couldn’t believe it- really?
It was so stupid, feeling giddy for something like this, but Percy couldn’t help the smile that rose to his lips. They were connected.
You’re so ridiculous, Percy Jackson, so ridiculous, he told himself, as his heart danced in his chest.
“Nico Di Angelo”, he murmured to himself.
He knew his friends were looking at him ready to laugh at him. He looked at Annabeth. “See? I told you he must be an angel!”
They did laugh at him at that, and Percy felt so light he joined them.
“You really are so ridiculous, Seaweed Brain”.
“Hey, can’t a man be a little in love?”
They stopped in their laughter to stare at him, and it took Percy a moment to realize what he had said. He felt himself blush - he hadn’t even admitted it to himself yet, yet the words had felt way too natural on his tongue, leaving his lips without him even thinking about it.
“Percy….”
“I know”, he cut her off, looking away. For some reason, his hand felt warm. “I know, I don’t know him all that well and it’s too soon. But… that’s why I said a little”.
“So you like him for real, huh?”. Thalia asked. The look in her eyes was earnest in a way that Percy wasn’t very used to. He and Thalia had been friends for a long time now, but it wasn’t often that they ended up talking seriously to each other.
Percy nodded. He really didn’t think he had ever liked anyone like he liked Nico before.
“Now, I don’t know him too well”, Thalia said. “But Jason told me once that it took him a pretty long time to get close to him ‘cause Nico isn’t an easy person - so, from what I know and from what you told me, I can say that you are an exception to this rule”.
Percy’s heart was running miles.
He thought about Nico so easily talking to him, smiling at him, thought of him asking about him out of worry, of him taking his hand and getting in the ocean with him despite his fear of it.
“I can ask Jason about him, if you want. But”, Thalia continued, pointing a finger at him. “You better text him - today”.
~~
When he went home that evening, the phone felt heavy in his head.
He would see Nico tomorrow anyway, he didn’t have to text him, he could easily wait until he could talk to him face to face. Or he could simply wait until tomorro’s evening and see if Nico would be at the beach after his shift again. He could.
It didn’t feel like the right thing to do. It felt like the coward way out, the one that wouldn’t lead to anything more.
And so, before he could think too much about it, he pressed send.
Me: Ehi, Nico! You have the afternoon shift tomorrow, right? Let’s hang out at the beach again after it?
like girl why dont i just run away from anything + everything forever lol. if i cant even rely on the ppl closest to me who know me the best to like. not interpret the messy ways my bottled up 22 yr old anger/grief/WHATEVER is spilling out then i mean like. whats even the point of it yknow
Currently obsessively thinking about a silent hill from Mary's perspective. Starting in the hospital, the nurses replaced with doctors, faces blacked out except for white shiny gnashing teeth. She only has in her pockets a note written on hotel stationary that says I'm Sorry.
Escaping and meeting a young man, cute and a lil awkward, who says you look a lot like his girlfriend Maria, and shes missing too? Can we look for her together?
Hes... sweet, a bit quiet. He gets very close to Mary often, pushes her boundaries, but this is all weird and strange and maybe hes just scared. When she mentions it, however, he makes a rude remark abt Just Wanting To Help Her but backs off.
They get seperated when the Red Pyramid Thing, unchanged in this version, comes and attacks them both, but chooses to persue him.
Laura is still there, and when Mary and her meet they cling together. She talks about an awful, ugly man she met earlier, and to watch out for him. She helps guide Mary through a maze like area before the Other World sets in and separates them.
The monsters in Mary's Silent Hill are almost all larger then her, and many masculine in appearance. They attack her head, try and choke her. Certain ones cough and gasp, arms thrashing wildly and thrashing on the floor when knocked down. Some seems to have exposed, black lungs that stutter to breathe. If Angela and Eddie are the same in this version, then their boss fights remain the same. The Abstract Daddy just as horrifying to Mary as it is to Angela.
Every reunion with the man, hes different. Less nice, more haunted looking. He starts to call her Maria, and barely acknowledges her if she corrects him. Following his advice leads to darker and more dangerous areas. The Red Pyramid keeps coming and chasing him away, but shes always collateral damage when that happens.
Eventually, she makes it to the hotel. Hes waiting for her in the hotel room, haggard, almost unrecognizable from the man he was when they first met. He has a monologue about how she's been sick, and hes been trying his best to be there for her. She doesnt understand, she doesnt know him, shes NOT Maria! She never will be. She starts coughing.
He makes to leave but at the last second turns, and hes a monster now. Large, fleshy, imposing, always trying to suffocate her under thick hands. Upon his defeat, two Red Pyramids arrive and stab at the dying thing over and over until finally impaling themselves.
There are different endings still. She remembers her disease, and her murder, in most of them. In the best ending she leaves the town with Laura, likely still ill, but alive again. In one of the worst, she wakes up in the trunk of a car, as water begins seeping in.
ive been a little upset about it all night so i need to write out all the things that happened at work today and are bugging me so i can TRY to get it out of my head and actually RELAX bc i just keep pacing in circles around it instead of just accepting it and moving on
💕 What's your favorite thing about FFVII or surrounding games?
i think cloud is so funny. i really need to play ffvii fully one of these days (perhaps the remake when its done) and i'm not entirely sure the pace or extent to which they reveal this in main game, but going into crisis core with my only knowledge of cloud being "he's the really special cool protagonist guy who has like a soul bond with sephiroth and Has To Defeat Him as like a metaphor for personal demons or like the horrors of what capitalism can create or something" and then finding out he's literally just some guy with every mental illness ever. instantly he became one of my favorite protagonists of anything ever. they really did that! AND he's a drug addict <3