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yourfavoritehouseplant · 10 months

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I watched James Somerton's final video, and all I got was this 6 page document

As soon as I learned his final unreleased video was on Revolutionary Girl Utena, I knew I had to hate watch it. I didn't know that I'd spend the following 4 hours making a comprehensive doc on everything I hated about it. But here we are.

The TLDR (is this too long to be a TLDR?)

The intro section, as well as Part 2, are directly plagiarized from wikipedia. The rest is unclear.

He makes a “haha this show is so weird right guys” joke 10 different times

He reads Anthy as so emotionally stunted she literally has to be taught how to think for herself, and believes that being the rose bride makes her feel good

He says that his reading is ‘vastly different” from the rest of the community, before boldly stating that this is because he sees it as a “deeply allegorical and symbolic story”

He sees the sexual abuse as “not to be taken literally”

Insists that the show be separated into parts that are strictly literal and strictly allegorical for the entirety of parts 3 and 4, before making the contradictory move of analyzing characters as allegories during part 5

The only characters that get dedicated sections are Akio and Dios, who he doesn’t believe are the same person.

He says Dios gets his powers by “deflowering women”

He calls Akio, known child predator, a chaotic bisexual

Uses 14 year old SA survivor Anthy’s passive personality to make a joke about her being a bottom

His final point is that Utena was the real prince all along

There are no citations

Anyway, full version for people who hate themselves under the cut. With time codes, because I cite my sources.

Part 1: Intro

This entire section is almost exclusively quoted from the Wikipedia article for Revolutionary Girl Utena. Words have been changed, but the order at which certain topics come up is not. Highlights include:

0:56 In his introduction of Be-Papas, lists the founding members in literally the exact same order as Wikipedia.

1:40-2:00 His list of Be-Papas previous works is lifted entirely from wikipedia, only with the words changed. This leads to a strange moment at 1:52 where he claims Be-papas ‘lent their talents to’ Neon Genesis Evangelion, a show which started production at least a year before Be-papas was founded. On the wikipedia article for Utena, this is instead referring to the previous work of Shinya Hasegawa and Yōji Enokido

4:23 he uses a quote by Yūichirō Oguro describing the production as a “tug of war”. He seems to have lifted this in its entirety from Wikipedia, as he does not cite the actual source it is from (the box set companion book, btw)

As for James Somerton originals, at 0:44 he claims that out of all magical girl series,”none to my knowledge have been more discussed and dissected than the 1997 series Revolutionary Girl Utena” He will go back on this at 5:05, where he states that “Sailor Moon takes the lion’s share of discussion” in regard to influential magical girl anime

Part 2: Part 1

(At least I know I’m not funny, unlike James Somerton)

Speaking of which. Here is every single time he makes a “wow this show is sooooo weird you guys” joke: 6:00, 8:50, 10:40, 10:58, 13:46, 17:07, 24:16, 30:34, 41:19, 48:01

Here’s every time the punchline to the joke is the existence of Nanami, a character who he otherwise completely disregards: 10:56, 12:05, 16:22, 42:40

6:16 Claims that the “Apocalypse saga” and “Akio Ohtori saga’ are two names for the same several episodes, depending on the release. This is untrue. Instead, different releases either only have the Apocalypse saga, or split the episodes into an Akio Ohtori saga and then the Apocalypse saga.

7:58 Claims Utena intervening on Anthy’s behalf begins the first duel. While this happens in the movie, Touga intervenes in the scene he uses clips from (like literally right after the shot he uses in the video). Utena only gets drawn into the duels when Wakaba’s love note to Saionji is posted. Youtuber Noralities’ Utena video also gets this wrong, which makes me wonder if this was copied.

9:09 Claims Akio’s “End of the World” moniker is actually more closely translated to “Apocalypse”. In reality, the translation moves away from a more apocalyptic reading, with 世界の果て (Sekai no hate) apparently translating closer to “the furthest reach of a known world” or “edge of the world”. (Love the implications of this translation, but I digress)

9:10 As can be assumed from the previous point, this means I can’t find any sources that point to them not using the title “apocalypse” for religious reasons

10:10 Uses Anthy’s extreme passivity under her Rose bride persona to make a top/bottom joke. I’m gonna repeat this in case you’re just skimming. He uses a trait that likely stems from years of abuse, (possibly exaggerated by the persona Anthy uses to manipulate people), and uses it to call her a bottom.

He also just doesn’t seem to understand how the whole point of Utena constantly telling Anthy that she's just a normal girl who should make more friends is framed as Utena imposing her will on Anthy, just as much as the previous Engaged have done.

11:54 Apologies in advance for my most “um, actually!” point yet, but technically his statement that Anthy stops being host to the Sword of Dios is wrong. Akio literally pulls a sword out of her chest in the final duel. It's a more evil-looking sword of Dios, granted.

13:02 !!! CANTARELLA SCENE ALERT !!! He interprets it as them fighting over Akio?? Which like. I will allow people to have their own interpretations of vague and symbolic scenes. I will. I swear. This is not technically incorrect. It just makes me want to eat my own intestines.

14:44 Bad Anthy take #1: He states Anthy “is emotionally stunted to the point where she needs people to make decisions for her because she does not know how to think for herself” This ignores several moments of Anthy clearly making her own choices throughout the show, including the suicide attempt Somerton mentions about a minute prior. This also strips Anthy of what little agency she has throughout the story, usually exerted through messing with Utena or Nanami. (The fact that she repeatedly makes choices that contribute to her own abuse is, in my opinion, one of the most interesting parts of her character, and it's a shame that Summerton’s ‘reading’ of the story completely disregards that)

Additionally, he once again reads Utena ‘urging Anthy to think for herself” in the first arc as an unambiguously good move, and not as something critiqued in the show.

14:52 Summerton reads the Swords of hatred as symbolizing men’s hatred specifically. Again, I’m trying not to completely disregard differing interpretations to a show like Utena, but this feels very simplistic, especially considering the harm we see aimed towards Anthy by other women

16:42 Here he claims that his reading of the story seems to be “vastly different” from the bulk of Utena discourse. What is this reading? That the show shouldn’t be read literally. Or, in his words, “[we can interpret] Revolutionary Girl Utena as a deeply allegorical and symbolic story about the struggles of coming of age amidst widespread institutional corruption in a high school and which describes a passive culture of inaction in regard to brazen instances of domestic exploitation in which there is not only a question about the caporeality of the events transpiring but also which events can be taken for granted and which events are meant to signify abstract sociological institutions.” The idea that he believes this is in any way a new reading of the material honestly baffles me.

Part 3: Part 2

17:48 through 18:50 differently quotes the Wikipedia article for postmodernism. He even makes a joke at 17:55 about Wikipedia. Please kill me.

The first three themes he lists at 19:11 are just the three main themes listed on the Revolutionary Girl Utena Wikipedia page. What was that about a “vastly different” reading, James?

You’re gonna have to take my word for it, but this section is so short because it's just him talking about the various ways the story can’t be taken literally. He does, ironically, call this a hot take.

Part 4: Part 3

Here’s where the reading falls apart folks

At 23:15, he states that some things in Utena are allegorically coded, while others are to be taken literally. This is true. However, he seems to take this to mean that some parts of the show are Strictly Literal, while others are Strictly Allegorical for things going on in the Literal World.

This is apparently why he prefers the Anime to the Movie, where there basically is no separation between the Literal and Allegorical

This take is bizarre to me for several reasons, but here is my favorite. At several points, he mentions how Revolutionary Girl Utena is a work of Magical Realism. Magical Realism is literally defined by its blending of the “literal” and “allegorical”, the mix of fantastical elements in a mundane, realistic setting. This idea of the impossibility of a blurred line, that Utena must either have lore where the magic is all real and means nothing, or dedicated allegory segments quarantined from the rest of the story, is contrary to the very idea of Magical Realism.

I can’t help but wonder if Somerton took his mentions of Magical realism from a previous work, due to how little it is consistent with his final argument. Either way, this section suggests a great lack of creativity in his analysis, a shame for such a creative work.

24:36: Shiori slander, for those who care

After this he gets really worked up about people assuming symbolism in everything, even when the author ‘doesn’t make it clear something is symbolic’. He shuts down a reading of a shot in the Lord of the Rings. Miley Cyrus is there? Very The Curtains Were Blue of him.

28:22 Claims that Wakaba is the key to telling where the Strictly Literal segments end and the Strictly Allegorical segments begin. He states that, under this lens, deeply personal moments of character suffering such as all of the sexual abuse and Anthy’s suicide attempt (which he literally cites) should be read as symbolic and be “approached with uncertainty rather than confusion”. (28:24-29:13)

This also somewhat falls apart when you consider Wakaba is the jeep in the movie's car chase

And then he rants about people not liking his Attack on Titan video for a bit. Since its potential symbolism also doesn't follow hard enough rules to be symbolism. Once again, the separation of “fact vs allegory” I haven’t watched AOT, so that's all I’ll say.

Part 5: Part 4

Thank god this part is short. Much like Dios’ on-screen presence.

32:55 Makes the extremely bold claim that Dios is not Akio. As in, never even became Akio. because Dios is Strictly Allegorical.

Just to be a pedant, this is pretty explicitly disproven in the show

Confusingly, both earlier and later he will address these two as the same character.

33:04 he also explains the root of Akio’s name in a tone that suggests this is supplemental information and not like. Literally something he explains out loud in the show?

Part 6: Part 5

This section is nearly entirely about Akio Ohtori. I would like to note that him and Dios are the only characters with dedicated segments.

38:30 The part where he states that Dios gets his powers from deflowering women.

38:46 Claims, once again, that Akio’s abuse of Anthy “may not be literal”.

38:59 “the instance of exploitation here is used because assault has deep roots as indicating that akio's gender is the source of his imbalance” THE ASSAULT IS ABOUT AKIO NOW???

39:45 Bad Anthy take #2: “Anthy’s conformity to the Rose bride is based around the fact that she feels good being subservient because this is the only thing in her life that has ever brought her any kind of positive reward”. This is a direct quote. Anyway, I can’t think of any instances in the show where Anthy’s subservience gives her a positive reward, except maybe when she’s intentionally using it to manipulate others. As for her feeling good being the rose bride. She tries to commit suicide. Dude.

Side tangent, but isn’t this exactly what Akio says during the final 2 episodes? That Anthy enjoys being a witch? Is the main villain, who consistently says things during that very episode that are blatantly false, our source of information for this take? I guess so, since this is the dedicated Akio section.

At 40:20 he decides to introduce the concept of Anthy, Akio, and Utena as stand-ins for wider concepts, which is antithetical to his approach in analysis beforehand

Part 7: Part 6

42:40 he finally acknowledges that he’s been spending too much time talking about Akio, and literally no time on characters like Nanami

46:10 states that Utena’s exclusive motivation “is to protect Anthy from the predatorial intentions of the other dualists”, which disregards the fact, which she states herself, that she was largely participating in the duels and protecting Anthy to feel like a prince

48:04 The part where he says that Akio has ‘chaotic Bi vibes’ in regards to him sleeping with Touga, who is 17 and implied to be a long-term victim

Part 8: Part 7

54:01: His concluding point is that Utena was the real prince all along.

In true Somerton fashion, the video then ends over a scrolling wall of patrons, with not a single citation in sight.

#the autism won again you guys #revolutionary girl utena #james somerton #shoujo kakumei utena #utena #anthy #hbomberguy

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asidian · 4 months

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One thing I haven't seen talked about is Crystal's character arc, and specifically the way the timing of it interacts with Charles' arc. They stumble over each other in the worst possible way en route to their respective character growth, and from a narrative perspective, it's absolutely genius.

I'm going to preface all this by saying: none of this is a criticism of Crystal. Part of what makes her such a dynamic, refreshing character is that you don't get to see women in fiction written the way she's been written. You don't get to see women with her flaws that aren't throw-away mean girls or villains. You especially don't get to see women with her traits who learn and grow and become better people. So yeah, I'm going to talk about Crystal's character flaws. No, this isn't Crystal hate. We love our girl in this house. Okay? Okay. Let's start.

Crystal's character arc, at its heart, is all about her learning to be a better person because she has good influences that love and support her for the first time.

When the show starts, Crystal is not a nice person. She's abrasive in a way that's specifically designed to push people away. She's used to getting her own way, and it shows. She's used to having no meaningful connections with anyone, and it shows. She's breathtakingly selfish, in the very literal sense of the definition. She is focused on her self. Her problems are front and center to her; everything is about what she needs, and what she wants, and how she's struggling.

Jenny calls her out very early on. In episode one, Crystal is complaining about the boys, and Jenny, for all her cynicism, strikes right at the heart of the problem. She tells Crystal, "Everybody is always thinking about themselves, all the time." People only care about their own problems. And she says, correctly, that that's what Crystal is doing, too.

This moment is a revelation for Crystal. For the first time, she considers what her behavior looks like from another person's perspective. As she says, she gets mad at herself over it, and that awareness allows her to do something selfless for the first time in the series. She takes a step back and insists that instead of focusing on her problems, they go to help a little girl. It's a big moment for her.

But importantly, she's not done growing as a character here. She's only just getting started.

On my first watch through, I didn't realize how often, over the next few episodes, Crystal redirects things to her problems during conversation, but it's quite a lot. She's still focused on herself – selfish, in that most literal definition of the word. The issues most important to her are her issues. She's starting to learn to think about other people, but she's not there yet. The process is still underway.

Which brings us to Charles.

Charles' arc is a different sort of self-reflection. He's terrified that he's a bad person the way his father was and the way the boys that killed him were.

During the course of the show, he gets systematically stripped of his confidence and made to feel helpless, and just like Crystal needs outside influences to help her reach a more stable place, Charles does, too. He desperately needs reassurance that he isn't everything he's afraid he is.

But my goodness, the timing in their arcs is such a trainwreck when you put them together, and it is brilliant.

Let's start with the Devlin House.

Crystal has some amazing character growth here. She displays genuine concern about Charles, makes an attempt at comforting him, and learns to work with Edwin even though she still doesn't particularly like him at this point.

Charles, meanwhile, is beginning to fall apart. He's just had the worst night of his afterlife. He's been viscerally reminded of how helpless he is. He couldn't stop the Devlins from being killed over and over, just like he couldn't stop his own father's abuse. He messed up his attempted rescue so badly that he was completely out of commission until the case was finished. He managed to help not one single thing. He made no impact at all. He couldn't help those girls any more than he was able to help himself, while he was still alive.

So they get back to the butcher shop, and what do we see? Monty immediately coopts Edwin. Niko doesn't know what's happened because she wasn't there and Charles has been all fake smiles with her. And Crystal goes off with Niko, leaving Charles to flounder on his own in the wake of everything. She's still learning how to support other people. She isn't there yet, and it's extremely on display in this moment.

Then we get the lighthouse episode, and they both get put through the wringer here. Crystal gets her hopes and expectations jerked around by the Night Nurse in the very worst way, and Charles gets hit with a whole pile full of trauma. All that helplessness wells to the forefront again. Combined with being forced to relive some of his worst memories and the desperation to keep Edwin safe from hell, Charles lets himself act on his anger for once.

And what does he get in the aftermath? Horror.

Everyone who cares about him is horrified by what he's done. Edwin goes so far as to call it extreme. They don't know the half of it, of course; they haven't seen what the Night Nurse just put him through. But in this moment Charles is at his absolute lowest, and all he sees is confirmation that he's exactly as terrible as he thinks he is.

That's why Charles shrugs off Edwin's attempt at comfort, here. When he needed to be able to do something to protect Edwin and also himself – when he needed to believe that he could be better than what his father always was – all he sees is the confirmation from the people he cares about most that when push came to shove, he really is a bad guy.

Then comes the aftermath. And this moment is such a brilliant, awful clash of both of their character arcs. It is so delightfully messy.

Because Charles starts to open up to Crystal here. He starts to lay himself bare, the way he ends up doing with Edwin in episode 5. He's on the verge of admitting something that he's been worried about for literal decades. He tells her, "I've been angry for such a long time."

And what does Crystal do? She's still in the midst of her own character growth. She's still struggling to support other people. She's still learning how to. In a lot of ways, though she's made progress already, she's still that selfish girl that Jenny called out in the very first episode.

And she shows it here it with the absolute worst possible timing. No sooner has Charles started to talk about what's bothering him than she cuts in with her own problems. She's tired of riddles and spirits and demons and not knowing who she is. And the look on Charles' face. The moment when he visibly sets aside his own problems, because Crystal doesn't need any more disasters on her plate? It's heartbreaking. You can actually track the subtle change in his expression there. The actor does a phenomenal job.

And then comes the kiss. And what spurs it? Crystal saying she needs something real.

This moment isn't about light-hearted attraction, the way the earlier flirting is. It's Charles setting aside what he needs – comfort and reassurance and a moment to talk through the things that have been tearing him apart – to give her what she says she wants. He can't even feel it. And Crystal isn't far enough along in her character growth here to realize how selfish she's being. Like Jenny said way back in episode one, she's only thinking about herself.

And then comes the absolute unmitigated disaster of episode 5.

Straight out the gate, Charles leans in for a kiss. From his perspective, they have something together; there's affection there. Charles "I think I'd miss kissing" Rowland, who has been starved for meaningful physical contact for thirty years, is not in a hurry to give this up.

But Crystal is fresh out of a nightmare where she conflates Charles with her abusive ex. She withdraws; she calls what they had a distraction. She cuts it off almost as soon as it's started, so focused on her own worries here that she misses how damn fake Charles' smile is, to cover up that he's coming to pieces.

To be clear, she's absolutely not in the wrong here. It is 1000% her prerogative not to jump into a relationship again while she's still struggling to work through what happened with David. But the arc of her narrative is still early enough that she does it all without so much as the awareness that her focus on her own issues has hurt Charles terribly.

And then the episode really kicks off, and both of them are in shambles in very different ways.

Crystal is projecting her issues with David onto Charles. She has a lot of history, and David seems as though he's exactly the right sort of toxic to leave lasting a lasting impact. But Charles hasn't done anything to deserve her assumptions, and he takes the brunt of her temper here and throughout the episode.

Charles is desperately projecting onto the dead jocks. He very badly wants them to be good guys, because he sees himself in them and he needs himself to be a good guy. He snipes back at Crystal for the very first time in this episode, and he does it in the worst way possible, accidentally prodding her where it will do the most damage.

They're both hurting. They both say some truly painful things to one another.

She does not need to hear that she has unsorted hangups about David still plaguing her while she's unable to move past them. He desperately does not need anyone to tell him that he has rage issues while he's still struggling to think of himself as a decent person.

They apologize, in the end. They start to move past it.

But it's telling that Charles doesn't try to open up to Crystal again. He goes to Edwin instead, even though Edwin is the one who called his actions regarding the Night Nurse extreme. He gets the reassurance he needs so badly; he gets the connection he was looking for with Crystal from Edwin, instead. (I have a lot of thoughts on why Charles initially tries to open up to Crystal so quickly, but it is very much an aside, and this is already extremely long, so it will have to wait for another write-up.)

But the important thing here is, Edwin is the one to offer Charles what he needs to overcome the self-doubt eating him alive. Edwin provides the physical affection Charles was seeking in the form of that long-overdue hug. Edwin is the one who's able to reaffirm for him that he's not just a good guy, he's the best person Edwin knows.

And for all intents and purposes, Charles' major character arc ends here.

Charles has a few last little moments to go on the path to rebuilding his own self-image, after this, but for the most part his concerns have been resolved. He saves Crystal in episode 6 and Edwin in episode 7, proving to himself that he's able to make a difference in the face of overwhelming odds. He's not helpless, no matter what the Night Nurse told him; he can be a force for good in the world. By the end of the series, his crisis of self-doubt seems to have been largely overcome.

But it's the conversation with Edwin at the end of episode 5 that really allows him to work through his most pressing issues. Edwin is there to help support him when he stumbles. Edwin provides him the comfort he was looking for while Crystal was too worried about her own problems to notice how badly he needed the help.

Crystal, meanwhile, still has a ways to go after episode 5. The last three episodes are where she does her most important character growth.

In episode 6, she learns some hard lessons about keeping secrets and letting people help and appreciate you even when you can't offer them anything in return. And Charles, importantly, is there for her every step of the way. He consistently offers her physical and emotional support. He models for her, in a very real way, what it looks like to have someone prop you up when you need the help.

And in turn, Crystal steps in to save the boys. She's the big damn hero at the end of this episode.

The breakthrough continues into episode 7. She's so intent on helping to get Edwin out of hell that she literally goes to face her own demons, not for herself for once – not for her own purposes or needs or wants – but because she wants to help someone else.

And episode 8, at long last, brings her to the culmination of her character arc.

Crystal is at her absolute lowest here. Her family, the people who were supposed to love her unconditionally, didn't even realize she was gone. Her precious memories, that she's spent the entire series trying to regain, have showed her that she's not the person she hoped she would be. She's overwhelmed enough that she means to flee, to cut herself off from her new friends entirely.

Then the boys get kidnapped. And just like that, she makes up her mind.

For the first time since the start of the series, she sets aside her most important issues in order to let what other people need take precedence. She disregards all of her own personal concerns and focuses instead on others. She's finally stepped out of those selfish impulses that Jenny calls her out on, all the way back in the first episode. She's finally learned how to support other people when they need it.

Crystal has finally figured out how to be there for others, despite having troubles of her own.

It's a lovely arc, and it's beautifully done.

Charles' is just as touching.

And god damn, but it was a brilliant narrative choice to have their character arcs line up in exactly the wrong way.

#dead boy detectives #dbda #dbda spoilers #charles rowland #crystal palace #edwin payne #meta commentary

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laudthingcat · 2 years

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JJK// Your top lifts up while you sleep pt.2

Characters: Gojo Satoru, Choso Kamo

Tags: nsfw content, somnophilia, cnc

Part 2 of the series!! I really loved how the first part turned out so i want to continue it 💕 You can read part one here ʕ •ᴥ•ʔ

Note: it’s been over a year since i posted this and i am growing tired of all the comments from blank blogs and blogs that belong to minors attacking me for making a fictional character fuck another fictional character in their sleep in a fictional story. Grow the fuck up and learn not to fucking read a story if you dont like the tags?? To everyone else who knows how to differentiate fiction from reality, i love you pookies <3

Masterlist

Gojo: After another week away from you because of his work, he was finally excited to get back home to you. It was past midnight when he entered the apartment so he tried his best to be as quiet as possible since he was absolutely sure you were already asleep, and he was right. Entering the bedroom he saw you peacefully sleeping while hugging his pillow. He smiled to himself knowing that you missed him as much as he missed you. Making his way towards the bed, he could see you better, easily noticing this time that your top was almost completely rolled up and that you were not wearing any shorts at all. His face lit up since he really missed all of you. Taking a seat on the bed next to you, he leaned in and started leaving soft kisses on your exposed shoulder, slowly moving lower and lower, until he reached your thighs. God, he loved your thighs. Everything about them was perfect. Giving them a soft bite, he chuckled the moment you squeezed your thighs together. It was always a sign that you were getting horny and he knew it.

He had to check it so he slightly moved your panties aside, just enough for his hand to make its way inside of them. Using his middle finger he caressed your pussy before inserting it and a second one inside of you. Just as he thought, you were already wet and ready for a good pounding. So not wasting any more time, he got rid of his clothes and placed himself on top of you. After stroking his already erect cock a couple times, he lined it under your pussy. Grabbing a hold of your hip, he started moving. In between soft whimpers, he quietly laughed because he knew you’d get angry at him if you were awake since you absolutely hate being teased. You took him by surprise when you squeezed your thighs together once more, making him almost cum on the spot. Embarrassed, he cursed the fact that he was so excited, so he quickened the pace, knowing for sure that he won’t last for much longer. Not much longer after, he entered your pussy and pushing as far in as possible, he came inside of you.

Leaning in once more, he placed a tired kiss on your forehead. "A little warm surprise for tomorrow morning"

Choso: Waking up in the middle of the night isn't something uncommon for Choso. He's been struggling with insomnia since he can remember. What he'd usually do is stay in bed and watch you sleep while waiting for the morning to come. This particular night tho it was a bit different. When he woke up you were no longer in his arms. You were sleeping on your back, with your legs conveniently opened and your top no longer covering your abdomen and chest. The sight made him hard on the spot and there was nothing he wanted to do more than touch you. He hesitated at first, thinking that it wouldn't be ok for him to do so, even tho, as he clearly remembers, you did talk about this before, and you ensured him that you are absolutely fine and actually looking forward to that happening at some point. Making up his mind, he changed his position, now sitting next to you instead of laying down.

Being sure that you want that as much as he does, he went straight for your chest. Still very careful with his touches so that you wouldn't wake up, he cupped one of your tits and started squeezing and playing with it while devouring the other one with his mouth, all while rubbing his knee against your clothed pussy. Your tits were so soft, he could never get enough of them. But there was something he was even more excited about. The thought of filling you up with his cum from coming inside of you as many times and he wants without you even knowing was getting him on a whole different level of excitement.

He did just as he said. He came inside of you until you were full. He made you come multiple times too. He even managed to fall back asleep, too exhausted to actually stay awake as usual. When you woke up you were very excited to tell him about the dream you had, to which he paid full attention. He's found something else to do from now on when his insomnia kicks in.

Note: I haven't wrote anything in over a year so i dunno if i still have it but oh well what never stopped was me being horny so i hope you enjoy it 🫶🏻

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radioactiveparker · 6 months

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The Breakfast Club - Eddie Munson X Cheerleader!Reader (Mini Series)

Eddie Munson X Fem!Cheerleader!Reader - Enemies to Lovers

Summary: Five high school students from different walks of life endure a Saturday detention under a power-hungry principal. Each has a chance to tell his or her story, making the others see them a little differently. And when the day ends, they question whether school will ever be the same. (A retelling of The Breakfast Club, written and directed by John Hughes.)

Series Warnings: Enemies to lovers / All Characters Are 18+ / Strong Language / Sex References / Mentions of Abuse (physical and emotional) / Cheating / Bad Relationships / Dysfunctional Families / Arguing / Materialism / Kleptomania / Stereotyping / Sexual Orientations / Drug Use / Mentions of Alcohol / Smoking / Pyromania and Fire / References to Demonianism and Satanism / References to Religious Beliefs / Social Alienation / Angst / Hurt-Comfort / Use of Y/N (like once or twice) / Eddie is a complete asshole

A/N: This mini series is set in its own little world, so it does not follow the Stranger Things timeline, and I have taken some creative liberties with most characters. Yes, they are all still in high school (final year and 18+), and yes, some of the events don't match up - just forget everything you knew about Stranger Things, it's easier that way haha.

“...And these children that you spit on as they try to change their worlds are immune to your consultations. They’re quite aware of what they’re going through...” - David Bowie

Masterlist: (completed)

Part One - These Children That You Spit On

Part Two - Low Tolerance For Dehydration

Part Three - Hallway Vision

Part Four - Hand Over The Purse

Part Five - Don't You Forget About Me

Taglist: @cruwushes @the-ch0sen-on3 @namelesshumanperson @ali-r3n @cadence73 @munsonssweets @ahoyyharrington @mewchiili @yourdailymemedelivery @httpsunflowers @b-irock @coolglittercornbae @sav12321 @cumslutforaemond @siriuslysmoking @learninglinesintherainn @peaches-roses-sins @lodeddiperrodrick @catherinnn @lilocapoca @minniedreamers @melaninjhs @chaosfrogsonfire @levylovegood @bowsforsienna @rcailleachcola @spookysace24

#the breakfast club #eddie munson x cheerleader!reader #eddie munson x reader #eddie munson imagine #eddie munson mini series #eddie munson #eddie munson stranger things #stranger things #eddie stranger things #joseph quinn #eddie munson smut #enemies to lovers #eddie munson enemies to lovers #radioactiveparker #masterlist #radioactiveparker masterlist

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anthurak · 1 year

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Something I’ve often found really compelling in Adventure Time is how The Grass Sword/Grass Demon/Fern found up becoming one of the most prominent and disturbing antagonists of the series pretty much by complete accident.

Like it’s easy to forget after Fern has become such a prominent character both in the show and fandom, but the ‘curse’ of the Grass Longsword started out and spent much of the show entirely benign. All it really did was cause the sword to stick to Finn. If anything, the sword/curse was quite beneficial to Finn, providing him with a prosthetic arm and activating on several instances to protect him. Really, the entire point of the original Blade of Grass episode was that the sword was actually pretty useful.

It was only AFTER stabbing and later merging with the Finn Sword to create Fern that the ‘curse’ started becoming actively malicious.

In hindsight, I think it’s pretty clear that while the Grass Spider/Octopus/Demon ‘curse’ entity within the Grass Sword may have been malicious, for the longest time it had no way of actually controlling or otherwise influencing Finn. The sword may have bonded to Finn’s body, but NOT to his mind, or more importantly his soul. This left Finn free to use the sword, and later even the grass-prosthetic freely without any danger or corruption from the curse.

But then Finn accidentally used it to stab the Finn Sword. As we see in Two Swords, this for the first time gave the Grass Demon/Curse direct access to a soul, the soul of the alternate Finn within the Finn Sword. A soul that it was able to corrupt and influence and ultimately merge with to create Fern.

This is one of those things that I think a lot of the fandom seems to miss: Fern isn’t some quirky doppelganger or a ‘brother’ to Finn. He is straight up a distorted, corrupted version OF Finn (the alternate iteration of him within the Finn Sword) manifested by the CURSE of the Grass Sword.

As in, basically EVERYTHING Fern does that deviates from the ‘norm’ that is Finn can be considered the work OF the curse. From more overt stuff like his tendency to ‘stab first, ask questions later’ or the times he ‘flips out’, to more subtle things like his brooding or just the fact that he has a noticeably different voice (the voice of the Grass Demon mind you), ALL of these are the product of the Curse.

And it’s this fact which makes Fern a truly tragic character. Because he was effectively doomed from the very start. Despite Fern’s attempts to do good and Finn’s and Jake’s attempts to accept him as his own person, Fern simply could not escape the curse’s influence. Because that curse was the very thing that created and maintained his physical body. It WAS his body. And this curse wanted nothing but to subvert, influence and ultimately CONTROL him for its own ends.

I think we can very easily assume that all of Fern’s failures, all his insecurities, everything that drove him to turning on Finn and trying to kill him and becoming the Green Knight in the final season, ALL of that was the result of the curse’s influence. Trying to whittle and break down Fern’s will so that it could mold him into whatever it wanted. And there was NOTHING Fern could do to stop this. Because the curse made itself a core part of what he was.

When Finn and Fern finally enter his mental world and destroy the Grass Demon in Come Along With Me, we see Fern as he truly is: simply another version of Finn who has been corrupted by the curse.

And with the Grass Demon dead, there is nothing to maintain Fern’s physical body, causing him to soon fade away. In order for this alternate Finn to be saved, he couldn’t exist as ‘Fern’.

Of course this also means that ‘Fern’ didn’t actually DIE at the end of the series. He simply reverted back to his true form: The Finn Sword.

And what I find so compelling and tragic about all this is that NONE of it had to actually happen. The Finn within the Finn Sword didn’t need to be put through all this suffering. Like it seems pretty clear that the Finn that become the Finn Sword was perfectly content being a sword. He didn’t need to be corrupted and spend the last two and half seasons being manipulated by a grass octopus demon.

Because when you think about it, ALL of this happened by accident. If Finn hadn’t lost the Finn Sword to Bandit Princess, or if he’d been able to simply avoid stabbing it with the Grass Sword during his fight with her, NONE of this would have happened. Finn would still have the Finn Sword and the Grass Sword would have likely remained benign and helpful to him. Heck, given how Finn seems to fully regain the use of the Grass Sword in his fight with Bandit Princess, he probably would have been able to duel-wield the Grass Sword and Finn Sword together.

This is really what I find to be the tragedy of Fern: That two of Finn’s greatest tools wound up becoming one of his most dangerous adversaries, and even worse that the Finn who became the Finn Sword was tortured and corrupted for no real reason, all essentially by accident.

#adventure time #adventure time analysis #finn mertens #finn the human #fern the human #the grass sword #the finn sword #now that i think about it calling him 'fern' almost feels insulting #like we insist on calling this finn a name that represents one of the worst times of his life #imagine the au where finn DOESN'T stab the finn sword?

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arcanusarchieves-if · 7 months

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||DEMO TBA||INTROS||

The Arcanus Archives is an upcoming 18+ modern fantasy interactive novel. Inspiration is taken from: Harry Potter, Percy Jackson and The Olympians, The Mortal Instruments (and various other YA series).

[[Content Warnings]]: This story will include things such as explicit language, violence, substance use, sexual themes, etc.

“That's the thing about magic; you've got to know it's still here, all around us, or it just stays invisible for you.” ― Charles de Lint

The allure of magicae is undeniable. It's a force so majestic that many dedicate their entire lives to its pursuit - something that most people spend their entire lives devoted to.

After all, when one can do practically anything with just a wave of their wrist, why would they even consider wasting their time on things like cooking and cleaning when they could be learning to tame dragons or inventing new spells? Most Magus don't even consider leaving the world of Magicae once they've made a life for themselves.

Of course, you aren't most Magus.

Instead of breaking curses or making potions, you've made the very practical (and totally not boring) choice of settling down in the non-magical world. An odd choice, sure, but it's not like you were exactly going to make it very far as a Magus. Not with your...condition.

Especially now that the war was over.

Honestly, spending the rest of your life as a Debilis was probably the best choice you could have made.

...or at least, that was what you thought until a certain bird flew through your window and let the parchment in their mouth flutter down onto your desk.

So now, instead of being able to live out what would've been your very happy and normal life, you are being dragged back into a world full of mystic and wonder to fight a war that you really don't want anything to do with. You'd be terrified (or perhaps thrilled) if you weren't dreading it so much.

Have fun exploring a world of magic and wonder. Try not to get too caught up in the excitement though - after all, there is a dark side to everything.

Create your own character! Their personality, appearance, gender identity, sexuality and skills will be yours to customize!

Choose from five different houses that your MC could've been in during school!

Look back into your past and all the fun experiences and relationships that come with it. Try not to fall too deeply into it though - you still have the future to look forward to after all.

Join a secret magic organization in order to stop an upcoming war!! Yay!!

Navigate through a series of complex relationships. Will you find friendship? Fall in love? Help mentor and care for the child of your deceased friends? Join the dark side and murder everyone? It's completely up to you!

#interactive fiction #dashingdon #interactive if #if wip #interactive game #interactive novel #choicescript #if game #wip #choice of games #cog #Arcanus #The Arcanus Archives #demo tba #if intro

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thethiefandtheairbender · 7 months

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as a lifelong ATLA fan who narrowly had ATLA dethroned as my top show by The Dragon Prince steadily over the past 5 years, the similarities between the two have very little to do with the surface level parallels that get regularly drawn between them.

Like ATLA, TDP has Books for seasons and chapters for episodes, but unlike ATLA, which only touched on storytelling sparingly as a theme, TDP is obsessed with interrogating storytelling and history and the presence of unreliable, biased narrators throughout many of its episodes (most notably 2x05, 2x06, 3x06, 4x04, and 4x07 among them). Half of what you learn in the 1x01 intro ends up being a lie once you reach S3, with more being steadily deciphered.

Yes, TDP has different magics with people living under those umbrella terms... for the elves. Humans are coming culturally at things from a completely different angle, and the elves' connection to their primal sources are discussed philosophically in detail, informing their practices and their culture first hand, including the way they chafe against humans, who are arcanum-less. Many animals in the world are also connected to magic, which influences both their design and which ones get hunted for humans' more 'clever' solution in dark magic, including each other.

The core issue of the Puppetmaster, down to being a coercive magic formed by someone deeply resentful of their imprisonment? Said puppetmaster is the main endgame antagonist of the entire show with all of S4 onwards being exploring the ethics of controlling people against their will in various methods, and the entire show itself being a thematic battleground of fate (imprisonment) vs free will for virtually every single character.

Where ATLA mostly concerns itself timeline wise with ending the war, very little thought is shown by any of the characters as to what they'll do after the war. This isn't a problem (as it reflects the sheer domineering scope of the conflict) but even Zuko being firelord is only ever really addressed with 2.5 episodes left till the finale. TDP, meanwhile, ends its 'war' in s3 and s4 opens up with dealing with the old wounds festering between people with centuries of history, the struggles that come when people aren't able to let go and believe they're safe or mourn in a healthy manner, and the religious/cultural clashes that may occur when trying to integrate different groups of people.

TDP also has an evil father with a devoted daughter and a brother who eventually defects, but it explores the reality of an abusive parent who loves/will sacrifice for you and your right to leave regardless, even if that means leaving the sibling you truly deeply love and who loves you in turn. Which means that when you and your sibling are on opposite sides of a deep ideological conflict, it actually really fucking hurts bc we've seen first hand just how much they love each other and also how and why everything fell apart not in spite of that love necessarily, but also because of it.

Is this to say that TDP is a 1:1 with ATLA or that it's better? No, not at all, and the latter is subjective. I prefer TDP, but I think they're about on equal ground when you look at each show currently as a whole (although TDP has two seasons left to go).

But TDP takes a lot of what ATLA was doing thematically with some of its most interesting beats and then builds or expands upon them further. It talks further and more consistently about the cycles of violence; in many ways, Jack De Sena's character, Callum, begins the series largely where Sokka had ended (and he's not the most like Sokka anyway; very much his own thing); we get Faustian bargains and centuries' long grief and fucked up people who are trying both succeeding and failing at not doing fucked up things. There are antagonists, but it is very hard to actually label anyone at this point a straight up villain. Moral greyness is where the show starts, and it just continues from there.

That's not to say the show is nothing but dark and depressing - like ATLA, there's a steady thread of hope and humour even as the show gets steadily closer and closer to its 11th hour point - but the show is usually emotionally heavier. There's more blood and potentially disturbing imagery with body horror and on screen death. There's so much foreshadowing you basically can't go more than 5 minutes into any episode without having something that's going to come back around or be referenced again like 3-5 seasons later.

Just to be clear - TDP is like ATLA, but it's like ATLA in interesting ways beyond the more shallow surface level that usually gets attributed to it, while still very much being its own show and its own thing. And that is why I tend to recommend it to people who like ATLA.

Thank you and goodnight

(Also, the fandom doesn't have any ship wars, and the show is queer as fuck)

#tdp #atla #the dragon prince #avatar: the last airbender #mine #parallels #analysis series #also betrayal. tdp talks a lot more about betrayal #now im trying to think if there's any character in tdp who hasn't felt or been outright betrayed #i. DON'T THINK SO??#atla meta #tdp meta

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twomiddlefingersforthehaters · 1 month

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"My boby moved on its own" is an SNS trope . Sasuke is the type of person who always does something for Naruto and then finds a logical reason to cover that up.

1. His reason for offering his bento to Naruto

2. His reason for looking after Naruto who had been training all night.

3. His reason for to Save Naruto from Haku's attack.

4. His reason for why he wasn't able to kill Naruto in vote1

5. His reason for protecting Naruto from Obito

It gets so intense every time he protects Naruto from Obito. And Naruto notices how Sasuke protecting him from the attacks every time. Even when his Susanoo is already protecting Naruto, his hand is also going there to shield him.

We've never seen Sasuke do anything like this for Sakura, while with Naruto it's pretty consistent throughout the series. And Why do you think Kishi made 5 scenarios like this to point that out? Sasuke wouldn't do this kind of thing for anyone else. Absolutely no one. So what impression does it make?

In this war arc, Sakura herself acknowledged to the fact that Sasuke didn't care about her:

When Sakura ran up to Madara to get stabbed, both Naruto and Kakashi were either terrified or shocked as she plunged on someone she couldn't deal with. And Sasuke's expression was completely different from the others, he was just focused on the opening to attack madara. Where are Sasuke's instincts when it comes to Sakura? And the one who saved her was Naruto. Look at her dejected face! Even she herself accepting the fact that Sasuke doesn't even worry or care about her. Also, Sasuke put Sakura and Kakashi in their place by calling them "useless" directly to their faces while they were being protected under his Susanoo.

You know, Naruto is the one who asks Kakashi and Sakura to stay closer to him...without knowing what's going on up there. And, Sasuke was talking specifically to Naruto to not move around when he comes down to Naruto and he didn't mention the other two. He only wanted to save Naruto with his Sasunoo from the infinite tsukuyomi, but Sakura and kakashi just happened to be near with Naruto.

And Sasuke himself openly said Kakashi and Sakura just happened to be next to Naruto and that's all! Once again Sakura looked so dejected and realizes it even more in this scene. It's very clear that Sasuke didn't care about kakashi & Sakura. When Sasuke summons a hawk , and Naruto points to the right and says, "Sasuke!! Over there!!" to help Kakashi and Sakura, but Sasuke only saves Naruto

We know that Naruto cares about others and Sasuke knows this very well. And Sasuke is the character who will PROTECT those he cares about in dire situations. And who has he been saving repeatedly? NARUTO. But what Sasuke says and his actions are an underscoring for Naruto to prioritize his own safety and life in the war. Sasuke has a valid point that everything would be over if he and Naruto were to die, but it doesn't erase the fact that he doesn't care about Sakura and Kakashi and almost let them die because he was busy saving Naruto, a person who wasn't even in danger to begin with.

Simply put, he would protect Naruto, no matter what. And all Sasuke's actions are completely and purely instinctive and derived from his sub-consciousness.

To which Naruto said,

Raw: お前の言ってることも分かってるつもりだ... けど... こういう時は体が勝手に動いちまうもんだろ... 橋での時────

Romaji: omae no itteru koto mo wakatteru tsumori da ... kedo... kōiu toki wa karada ga katte ni ugoichimau mondaro ...kyōde no tokiーーー

Literal: I think I understand what you're saying. But...in this situation, a body moves on its own (unconciously)... Just like that time on the bridgeーーー

What he meant: " just like your body moved on its own to save me on the bridge.... my body also move on its own to save Kakashi & Sakura". Because Naruto does care about Kakashi & Sakura. Therefore, he cannot ignore them falling into the lava and dying.

The Land of the Waves arc, specifically the battle with Haku and Sasuke's sacrifice, was pivotal to Naruto and Sasuke's relationship, as they both realized for the first time how important and deeply they care for each other. It was a very emotional moment for both of them.

When they came back from Land of waves, Naruto couldn't even look at him without blushing, and then Sasuke couldn't even look at him at all. They'd rather die in this moment than admit that how much they care for each other, but their actions speak louder than words.

Whenever something happens between these two, there are always other characters pointing out what's going on. After they return to Konoha, Kishi uses Sakura to point this out, even though it's clearly visualized in the panel:

Raw: あ〜〜〜まだだわ!

Romaji: a〜〜〜madadawa!

Literal: Ahh〜〜〜 Not again!

Raw: この2人...波の国から帰って来てからちょっと変なのよね...

Romaji: kono 2 nin...ha no kuni kara kaettekite kara chotto hennanoyone...

Literal: These two... have been acting somewhat/ a bit weird ever since we came back from the land of waves...

Raw: づ〜〜〜何だか気詰まり...

Romaji: zu〜〜〜 nandaka kizumari...

Literal: oh〜〜〜 I feel ill at ease for some reason....

Raw: 早く来い来い! カカシ先生!! じゃーんなろー!!

Romaji: hayaku koikoi! kakashi sensei !! Shānnarō!!

Literal: Hurry up and get here! Kakashi-Sensei!!

Notes:

変な (henna) - strange; odd; peculiar; weird; queer; eccentric; suspicious; fishy; disturbance; funny; abnormal; unusual etc... It is used as a colloquial word that has many meanings.

何だか気詰まり (nandaka kizumari): somehow I feel awkward; Somehow I feel uncomfortable; I don't know why, but I feel ill at ease.

• the author choose the length of prolonged sound mark (ーーー) longer to implying that the sound is prolonged for longer than normal. e. g: Naruto saying "Time on the bridge."

• prolonged sound mark → a wave line (〜〜〜) is used instead of a straight line (ーー)...this often represents a deliberate prolonging of the sound by the character who speaks it or just a trembly, shaky voice of the character.

Only Naruto and Sasuke knew what happened on the bridge, others like Sakura and Kakashi didn't know about it or not very clear about what exactly happened there. Later, Sasuke & Naruto didn't talk about it, but this scene always comes at crucial moments that point to their "precious person". Finally after 5 years, saving Naruto from falling into the lava leads to Naruto talking about what happened on the bridge.

Sasuke saves Naruto even when he knows Naruto could have saved himself because of Kyuubi Mode, but Sasuke has been known to save Naruto even when he doesn't need saving. We also know that Sasuke would rather give Naruto a stupid and lame excuse than tell the truth straight to Naruto's face. So, this isn't the first time Sasuke prioritize Naruto over Sakura, a pattern that has been repeating since Kishi introduced Sasuke to the story in Chapter 3.

Naruto's feelings for Sasuke grew stronger at this point. After everything Naruto had been through and talking to Sasuke every time they met, Naruto knew for sure that Sasuke still cared for him. Naruto could see through Sasuke's actions. Naruto truly understand and knows that Sasuke cares for him and that's why he mentioned what happened in the Land of Waves.

Naruto only says "bridge", but of course Sasuke knows that he was talking about that time at "The Bridge in the Land of Waves."

Sasuke had a reaction to Naruto's words. No matter what Naruto says, he wouldn't say anything... Sasuke is probably trying to show that he's "unfazed," but in reality, he might be "fazed" because Naruto has seen through his heart.

Sasuke's reaction... His facial expression is hidden by his hair and "not visible," but this "invisibility" stirs up the reader's imagination

And he's confidently teasing Sasuke: "Even though I asked you to save them, you saved me...because your body moved on its own... because you cared about me. so I'm sure you understand my feelings to save them....Sasuke"

However, the "meaning" of this conversation...is something only Naruto and Sasuke can understand and it's their extremely personal thing (because the events on that "bridge" are memories shared only by the two of them). Kakashi & Sakura certainly not aware of this peculiar phenomenon that is unconsciously moving bodies.

Sakura's "inner words"... they really express her current feelings. Sakura is convince herself that what Sasuke says is "reasonable." Look at what Sakura says, she herself agrees with Sasuke: "It's as Sasuke-kun says (we're useless)... but (thank you, Naruto for caring about us)...." Sasuke didn't care about her desperate attempts to get his attention. And Even she herself acknowledged it, you know!

Years ago Naruto & Sasuke couldn't even look at each other pretending nothing happened, but now Naruto was talking about it with confidence. And he's clearly flirting with Sasuke.

#naruto manga #sns #narusasu #sasunaru #my stuff #2mfs4dhaters text

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