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writersmess · 3 days

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DEATH WISH LOVE | EVAN BUCKLEY

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Pairing: Evan Buckley x fem!reader

Summary: Buck never thought he could love someone like that. Especially not someone with the same death wish love as him.

Warning: Anxiety crisis, near-death experience, hospital, crying, ansgt.

Word count: 2.5K

a/n: My God, I can't believe it's taken me over a year to get back. I missed this place so much. It's been an intense, crazy year. I finally got my dream job at the best hospital in Latin America. I'm so happy, but at the same time it's demanded everything of me, working long shifts almost every day, but its the price I have to pay. I hope you like this one, it was based on the song Death Wish Love by Benson Boone, which as soon as I heard it I immediately imagined something with our dear Buck. I confess I thought I'd do something angsty, but I don't think I have that capacity, he already suffers so much that I just wanted him to have a happy ending this time.

Masterlist

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You were the new firefighter in 118, and also new to the city. In order to follow your dreams, you left your hometown with everyone and everything you knew. You craved for bigger things, you wanted the big city, you wanted Los Angeles.

The team welcomed you with open arms, which was unusual to you. You weren’t used to this or neither known by your affectionate gestures, but apparently everything was an excuse for a hug at the station. It was a bit hard to get used to all this affection, especially when you came from a place where you were always by yourself.

That was one of the main reasons you became a firefighter, you have walked through fire every single day of your life, why not make it your profession?

You were a source of curiosity between the team, always so quiet and so resistant to everyone's affection. It was hard to win you over. Especially because you had a rather difficult personality, you were fearless at work, you weren't afraid to go into the fire to save lives, you did it without thinking twice.

To Bobby you were a cause for concern, and sometimes the reason why he was having trouble sleeping. He knew this personality very well. It was the same one he had struggled for years to learn to deal with, the one he had to fight with so many times, he was very familiar with this death wish love, it was the same as Buck’s.

The blue-eyed man on the other side, couldn't understand why he couldn't take his eyes off you. Ever since you arrived a few months ago, your image has been running through Buck’s mind. You've become a challenge for him. But not in a bad way, he wanted to get to know you, he wanted to understand you. But you didn't make things any easier for him, especially when today was the first time he'd seen you laugh.

"You're drooling" he snapped back to reality when he heard Eddie mocking next to him.

"Shut up" Buck said, turning his gaze back to you playing with his niece.

You had a beauty he couldn't explain, an angelic one. You had this steely gaze and looking at you felt like suicide. He would fall to his knees if you asked him to. How could someone so delicate also be so dangerous?

The way you were reluctant to follow Bobby's orders, you'd walk into the fire without a second thought. You would take risks without thinking about your own safety, just thinking about everyone else. He saw how hard you worked, he saw how mad Bobby got when he ordered the building to be evacuated and you were always the last one to leave. You were intriguing and he was fascinated.

It was so strange for you. Being in Maddie's living room, with everyone gathered together like a big family, laughing and telling funny stories. The team met once a week, with all the families together, the children running around the living room, the smell of food in the air, the voices, the laughter.

You accepted the invitation after a few months of refusing, and now you spent the week looking forward to the moment when you would be together again.

Sometimes when you got home from a meeting, you cried. You cried because you never had that, you never had anyone who cared about you. You were an unexpected pregnancy, your parents didn't planned you, they didn't want you and that was never a secret to anyone.

And that's why you were surprised when one day you arrived early at the station and Hen had a cake for you that you had once said reminded of what your grandmother used to bake.

Or when another one Eddie handed you a drawing that Chris made specifically for you. Of the two of you playing together.

Or when Maddie sent you, through Chim, the cookies you said you loved one day while you were having coffee together.

Or when Bobby invited you to have lunch with him and Athena on a Sunday ‘cause he knew you were going to do it alone.

Or when Buck gave you a book he'd heard you say was your favorite during a conversation.

It was mid-afternoon on a Sunday. Your hands were shaking, your heart pounding. The words your father had once spoken echoed in your mind. "You will never be loved". But you were at a table with 118's entire family, and you felt loved. Maddie told you about the gossip from her work. Karen hugged you from the side every time you passed by her. Hen included you in every conversation. Athena calmly answered all the questions you were curious about her work. So why did you feel like an imposter? Why was your father's voice echoing inside your head? Why were you on the verge of an anxiety attack?

"I'll be right back" you muttered to the girls, but you realized how shaky your voice sounded. You were pathetic.

You barely made it to the bathroom, your legs buckled and you sat down in the corner of the room. You could hardly breathe, it was hard to pull in the air. Tears streamed down your face. Your heart was racing. Your hands were shaking.

You heard your voice being called from outside. Damn. You couldn't calm down, your hand was on your chest as if it could make the pain go away.

"Hey, hey. I'm here. Calm down, I’ve got you" it was Buck.

His voice was just a whisper in your ear. You let a sob escape your lips. Pathetic. You felt his arms around you, until you were all wrapped up in his arms. Why was he doing that? Why did he care?

He stayed there until you stopped crying. You were still in his arms, and it was so warm, so safe. Sighs came from your lips, and you couldn't imagine what a mess Buck's head and heart were in. He wanted you in his arms, not just now.

"I'm sorry," you whispered and tried to pull away, but he wouldn't let you, so you stayed.

"You don't have to talk about what's going on in there, but the day you feel like you need a hug to cry into, you've got mine" your eyes filled with tears again. "And don't ever apologize for it"

The smiles on your lips were becoming constant. And it was Buck's favorite image. You were letting people through your armor, you were letting your guard down, and it felt good. You now baked pies and cakes for the station on your days off, recipes learned from the girls after a few long afternoons of chatting and coffee.

Your laughter was contagious, and the boys would always crack little jokes to get them out of you.

Your eyes were now looking out for a pair of blue ones, all the time, everywhere. Eyes that were always looking back at you. Your hands were always looking for an excuse to bump into Buck's, just to feel that shiver run down your spine every time. And he would find any reason to text you, until the excuses became routine. You woke up every day with a good morning message and went to bed with a good night one. The little touches now became big gestures, Buck loved to brush your hair out of your face and tuck them behind your ear. And you loved to run your hand over the birthmark above his eye. You loved when his warm lips traveled up your neck to your lips. You loved when his hands ran over your body always so slowly and so gently, bringing goosebumps wherever they went. You loved making love with him. How he worshiped your body, how much he worshiped you. The way he made you feel loved.

You had a hold on Buck, and you didn't even know it. He had become attached to you, attached to the idea of having you by his side. The nights with you were the ones he could truly rest in, the mornings where he woke up to your soft kisses on his face, were the ones he would keep forever in his mind.

But he could feel that you were still resisting his feelings, and he was terrified of losing you. Buck was in love with you. It took months for him to realize that, but he did it. He loved you.

But one thing has never changed. And as Buck followed the loud murmurs coming from Bobby’s office, where he knew you were at, he kept in mind the danger you were in at every call. He couldn't lose you.

"Hey, what happe-" he couldn't finish the sentence when he saw you walking out the door, since you brushed past him, bumping into his shoulder, without even looking him in the face.

Buck made his way to the room, where he saw his captain wiping his hands across his face, letting out an exhausted sigh.

"She'll end up dead if she keep acting like this, Buck"

"I know"

"After the last call, if she doesn't change her behavior, I'll be forced to suspend her."

"I know."

Buck couldn't lose you.

You couldn't talk to Buck yet, you were so nervous after your conversation with Bobby. You were trying your best, how could he tell you that you had a death wish love? You were saving lives, and it didn't matter if it cost you your own. You didn't care.

A new call ecoed through the station. It was something big. A fire in a shed. People were working at the time, so there were many likely victims. You were anxious, just as you were before any call, but you were ready for it. You were born ready.

"Be careful," Buck told you before you got off the truck and you nodded. You were always careful "I love you"

You turned surprised to Buck, you'd never said that to each other before. It disconcerted you.

"Buck, I-"

Before you could say anything, you heard Bobby calling you to give instructions and you had to run.

I love you.

The words echoed in your head as you entered the burning building. No one had ever said that to you. You didn't even know the weight those words carried.

"Sir, follow this path and the fireman will take you to the exit."

It was so hot. You'd already lost count of how many people you'd pulled out of the line of fire. Your head was heavy. It was getting hard to breathe.

"Evacuate the building now," you could hear Cap saying over the radio. Everyone agreed and gave their location. You were about to respond when you heard something.

It was a call for help.

You could have sworn it was a call for help.

"Captain, I'm in the east side, I hear someone screaming for help. I'm close, I can get them out"

"Negative, the building will collapse at any moment. Get out immediately"

Your vision was blurred.

I love you.

You couldn't go out and leave those people to die, so you went ahead. The way to the door was difficult, there was a lot of rubble, and when you opened it, you froze in place.

It was empty. The fire danced in front of you, mocking you. But the cries for help... you've never been so wrong before.

I love you.

“It’s empty” you murmured at the radio.

Bobby was shouting your name from the other end of the radio. You turned around, but it was so hard to breathe. You tried to find your way back, but everything was spinning. Buck was now calling your name.

I love you.

His words were running through your head. Your steps were now slow. The way out, you couldn't find the way out. You could hear the fire laughing at you. Stupid. Pathetic. You heard an explosion behind you, and it threw you off balance, bringing you to the ground. You'd been walking through fire all your life, and now it would finally take its place back. Your siren buzzed in your ears. That would be the end of you.

I love you too, Buck.

The moment Buck came out of the building and didn't see you outside, he tried to go back. But hands held him in place.

This couldn't be happening. No, no.

Bobby called your name on the radio and you didn't answer. It's empty. That was the last answer they got. You weren't answering. An explosion. On the east side, where you were.

Buck's knees gave way, and he went down. All eyes were on the exit of the building waiting for you, waiting for a miracle. But it never came.

Buck screamed, and he would scream until his lungs gave up.

Time seemed to stop. Buck's screams were the only noise to be heard. And another explosion. Tears rolled down trough some faces. No one could believe it. This couldn't be happening.

Buck couldn't lose you like this.

"We found her" some voice echoed over the radio.

Buck's heart could stop any second now.

But the building was collapsing.

He broke free from his friends and ran into the building, dodging all the fallen and burnt obstacles, and he saw you. You were in the arms of a fireman. He ran up to you and carried you out of the building. As soon as you stepped onto the sidewalk, the building collapsed. Buck held you in his arms with all his strength and ran, feeling the debris fly past you.

"I'm sorry, I'm sorry" was the first thing that came out of your lips when he put you on the stretcher and he shut you up, pressing his lips to yours.

Buck analyzed each of your wounds alongside Hen and Chim and you could see the tears streaming down Buck's face, the ones that were also streaming down your own.

You were still struggling to breathe, every inch of your body ached, and you felt on the verge of losing consciousness. Until you succumbed to the darkness that was calling your name.

You woke up a few hours later in hospital. Your hands were being squeezed and you could feel something wet running down over them. Tears.

Buck had his face in your hands, he had never felt so afraid before. And when he heard your voice calling him, it was as if he could finally breathe.

"I'm sorry, Buck, I-I don't know what happened-"

"I almost lost you today"

Your heart broke into a million pieces. You did this to him, your recklessness, your impulsive behavior. It was your fault.

"I'm sorry"

Tears were now streaming down your face and he moved closer, running his hands gently down your cheeks.

"I was terrified of losing you. I'd die if I do."

"I would never leave you"

"Promise?"

"I love you, Buck. And I'll love you to death"

"Please don't let it be soon"

You smiled. No one had ever loved you like that.

"It won't."

#911 imagine #evan buckley imagine #evan buckley x reader #911 fanfic #buck x reader #buck imagines

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reonnex · 2 days

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The infantilization of book!Wylan and show!Wylan really needs to be looked at.

This isnt a call out, or trying to hate on anyone, just an overall thing I've seen throughout being in this fandom

In the books while Wylan is a child he is also 16. People underestimate him into innocent and even younger. And while he is naive, this does not make him innocent. He has his own morals, own judgment that havent been ripped away from him yet. He is just trying to survive.

People use the "we could wake them up line" a lot snd I agree! But to also look at the full lines as well

Wylan gestured to the guards. "Is it safe to leave them, you know-"

"Alive? I'm not big on killing unconscious men."

"We could wake them up."

"Pretty ruthless, merchling. Have you ever killed anyone?"

"I'd never even seen a dead body before I came to the Barrel." Wylan admitted.

"It's not something to be embarrassed about," Jesper said, surprising himself a little. But he meant it. Wylan needed to learn to take care of himself, but it would be nice if he could do it without getting on friendly terms with death."Make sure the gags are tight."

This isnt him being ruthless. Its him being logical. He is taking what Jesper says to heart. Wake them instead of killing them unconscious. Which they do end up tying the soldiers to the pole and leaving. Him having morals shouldn't contribute to claims of him being innocent.

Wylan is worried about hurting people but will do so if nessecasry to save his friends. We can see this in the show and books. In the show he does not want to make bombs for Kaz, but does so in the end because he acknowledges he has to survive. He is worried about Alby, but goes along with the plan still.

All these are what makes Wylan, wylan. It is his fundamentals, his morals and idels. They are not however claims to see how sweet and innocent he is and how he was corrupted.

Ontop of this, while it is never y it is hevaily implied that Wylan is also autistic. (Also, correct me if im wrong please, but im pretty sure Jack did talk about this.) Autistic people get infantilizated already, and I've had my own fair share of this as well. ( I am autistic and have a learning disabilitiy, as well a speech impedament that I still struggle with.) I have to work harder to make sure people treat me as a twenty year old. Because that is my age, and there is a significant difference in attitude in how people treat me when they know im autistic, and when they don't.

And for Wylan, I feel like its the same issue. While it may not be intentional, ive been people coo over the fact Wylan has done simple tasks or teen experiences. Him having Jesper read to him, getting flustered when talking to him, Wylan not understanding social cues as well as others and taking things to face value.

You can be excited for him and think it's sweet, but to also acknowledge that there is a line between "Thats adorable" and "He's adorable." Wylan is someone who is neurodivergent. He was extrmetly sheltred as a child and was never given the proper tools to help his dyslexia, due to this he has struggles that shouldn't be overlooked or seen as "cute" when he experiences outcomes due to the situation he was in. Whenever he doesn't understand social cues, i.e., "Whos mark." People giggling and saying it's silly or cute when he doesn't understand the cues. That's infantilizating! You are viewing things he struggles with in the lens of watching a child understanding the world. Which Wylan isn't. He is a teenager, no matter the circumstances. His age should be understood.

This infantilization also effects wesper in how people view the two of them. Many people view black people as "older, the man in the relationship, rugged" while the white person is seen as the "women, younger, more innocent."

Infact, I think the show only worsned it for Wylan. As now there are faces to names.

Jack does have a youthful face, but still looks his age. I have a babyface and even now at 20 I look much older then I did at 16. The same goes for Jack. He cant control how he looks but because of his youthful features people only push for this racially hetaronormative mindset more between Wylan and Jesper (Even if its untitional).

Even Kit looks his age as well and has a baby face. He's 29 right now but was in his mid twenties during filming. Season 1 was filmed back in 2019 but due to covid post production got set back, and season 2 was filmed in the beginning of 2022. But why is it only Wylan who is infantilizated? Jesper struggles just as much with his ADHD and trauma as Wylan does.

Jack and Kit are only one year apart, the same in the books but still ive been Wylan be portrayed as the "poor innocent child who was abused." and Jesper as the "he needs to get over his addiction hes a grown man/ he's too mean to Wylan."

In society now so many black teens are seen as adults and treated as such, while white teens are seen as younger and not pushed so hard. The same can be seen for wesper.

Ive even seen people on Tiktok and other socials claim that Jesper was rude to Wylan and abusive. (WHERE???). Both Wylan and Jesper have said things that hurt the other, and they both apologized for it, and get grilled as well. In the show and books they learn and grow. The infantilization of Wylan doesnt hurt just him but plays into racial stereotypes and also microagressions. Why is it that when the white character is calling someone out its "deserved" but when the black character (who might I add had no idea) makes a side comment he is labled as cruel and abusive?

In so many shows and books the black character is usually portrayed as the joker character. Six Of Crows does this as well, which is something important to not ingore. Jesper is seen as the flirty joke character. However the only difference is soc also show more sides to his character by letting him be vulnerable. Letting Jesper show his struggles to the audience as well, how his neurodivergece effects him, letting him dress in skirts and bold colors that step away from the gender norm. So many times in media the black character is just there for shits and giggles, or is used as the villan/antagonist.

It believe its really important to understand this, and to acknowledge if your infantilizating him, or even using microagressions on Jesper unintentionally, then to learn to understand why and to grow from them.

#I had words I had to say #once again this is not a callout post!#please dont go hunting for any post as this has been on my mind for months now #I just see it keep happening over and over again and wanted to say something #six of crows #wylan van eck #jesper fahey #wesper #shadow and bone

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starhvney · 24 hours

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𝐈𝐓'𝐒 𝐘𝐎𝐔

𝐏𝐀𝐈𝐑𝐈𝐍𝐆: mcd laurance x reader

𝐒𝐔𝐌𝐌𝐀𝐑𝐘: when your lover can’t calm himself from a nightmare, you try to calm him through a connection only you can give

𝐓𝐀𝐆𝐒: angst with comfort, shadow knight laurance, once again i present laurance angst, yet another fic where i write laurance obsessing over reader’s safety, do i have a thing for it? yeah, do something about it, also can you catch the canon line i slid in here? i couldn’t help myself

𝐂𝐖: nsfw/smut. unprepped sex, large size difference, does this count as monster fucking? not really? but he’s a big boy

𝐀/𝐍: thank you to @thebunnednun for giving me this prompt!! shadow knight laurance *convulses* anyways i hope this is coherent guys i wrote most of it last night while half asleep ahshah

𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓

𝑻𝑯𝑰𝑺 𝑷𝑶𝑺𝑻 𝑪𝑶𝑵𝑻𝑨𝑰𝑵𝑺 𝑵𝑺𝑭𝑾 𝑪𝑶𝑵𝑻𝑬𝑵𝑻, 𝑰𝑭 𝒀𝑶𝑼 𝑨𝑹𝑬 𝑼𝑵𝑫𝑬𝑹𝑨𝑮𝑬 𝑶𝑹 𝑼𝑵𝑪𝑶𝑴𝑭𝑶𝑹𝑻𝑨𝑩𝑳𝑬 𝑾𝑰𝑻𝑯 𝑺𝑬𝑿𝑼𝑨𝑳 𝑪𝑶𝑵𝑻𝑬𝑵𝑻 𝑷𝑳𝑬𝑨𝑺𝑬 𝑫𝑵𝑰.

you had been just there.

right at his fingertips.

at the comfortable distance where he knew he could protect you if something went wrong.

but it’s never enough, is it?

one second you were next to him, the next you were separated by what could practically be considered a herd of shadow souls. he didn’t know where they came from. he hadn’t even sensed them. but now they were overwhelming him, and overwhelming you, too.

he had even transformed, using every ounce of power he could to tear through the shadows around him. his movements still somehow managed to be too slow—too sluggish. each one he cut down it seemed like two more were on him, and two more were on you.

your screams were haunting. over everything he could hear, your cries for his help echoed against his eardrums, shaking his head like a bell.

“laurance, please!”

he has to get to you. he has to. he thinks he can as he slices through several of them, before one of them leaps towards him, knocking him down onto the ground with a groaning screech.

“no! get off of me!” he groans, struggling to push it away enough to grab his sword.

immediately it digs its claws into his cheek, and despite trying to turn away the sensation doesn’t leave his skin.

“laurance!” the soul cries, the empty and dark void of its mouth mimicking your voice. your distress.

it was mocking your pain in his face.

his vision is tinted red.

“laurance!”

he’s going to kill it. he has to. he has to kill.

“laurance, get up!”

his vision goes dark, but he can move again, and he lunges forward, pinning down the soul closest to him and keeping it there. he’s going to kill it once his eyes focus again.

he got it. where’s his sword?

“laurance?!” the soul asks in a panic, its voice clearer and a lot more like yours than the warbled disjointed one from before.

it felt smaller, too.

his hands squeeze against the arms of the creature to keep it in place. he knows he has to kill it, but there’s a part of him screaming at him to stop, but it’s drowned by the echoes of your screams for his help. what’s happening? why is it so dark right now?

“it’s me!” you hiccup, eyes wide and breaths short.

this wasn’t him right now.

no, not when your body was telling you to run. that you were in danger. not when you look up to see unfocused and rageful dark red irises trying to focus on something, his chest heaving as a whirlwind of unstable emotions seemed to batter against his rib cage.

you knew something was wrong when you had woken up so suddenly and so late, your skin sticky with sweat and feeling strangely on edge as your mind wandered to the possibilities.

why do you feel like you’re in danger right now? was it a predator? something lurking in the shadows of your room?

when you’d turned to get a look at your lover, you had your answer. he hadn’t completely transformed in his sleep, his armor hadn’t formed against his body and he still wore the thin and loose linen sleepwear he’d gone to bed with last night.

but it wasn’t loose anymore—he was nearly bulging out of it his already tall legs now hanging over the edge of the frame. his skin wasn’t that beautiful olive shade, but rather a desaturated almost deathly pale color. and his eyes. they weren’t open, but the skin underneath them showed unnaturally red veins that webbed from his eyelids just under the skin.

what was he dreaming about that had him transforming into a shadow knight in his sleep?

after some hesitation, you had reached out to his cheek to wake him up, calling out his name as he seemed to almost growl in his sleep. you almost regret your decision when blood red eyes snap open in a frenzy, and a split second later you find yourself forcefully pinned against the sheets.

you can see it. the instability on his face. he wasn’t here with you in this moment, his judgment was clouded by whatever rage had overtaken him in his dream. but what could you do? he already had you, his hands holding down your arms rather painfully and heavy body pinning you in place. the only thing you could possibly be capable of was to soothe him with your words.

“laurance… it’s me. it’s me.” you whisper, cursing at how your voice was the least bit assuring as it shook. “you were dreaming. you’re here with me.”

his chest heaves with ragged breaths, expression twisted in a lost and distressed frenzy. the startling blood red of his eyes dart across your face, before locking onto your eyes.

there he is.

you see a piece of him return, as rage turns to horror and realization.

“you—it’s you.” he manages to get through disjointed breaths, whatever scene that was looping in his mind clearly still clouding his ability to calm down.

“it’s me.” you whisper.

he closes his eyes, pulling in a sharp breath as he lets go of your wrists and moves his hands to beside your head. he ducks his head, shoulders shaking and mouth curling in an expression that could only be described as pure self loathing.

“…it’s okay.” you breathe, your words quickly cut off by his own.

“it’s not.”

it’s harsher than he probably intended. his voice is hoarse and deep, an underlying growl there that he can’t seem to get rid of. you watch as a few sparks of ember float up into the air, fizzling out thankfully before it could hit your sheets or spark the wooden ceiling.

he was going to hurt you. you. you. you.

a second goes by and shakily you raise your hands, cupping his cheeks. “laurance. look at me.”

his jaw clenches and unclenches. once, twice, three, before he cracks open his eyes again, focusing on you.

“i’m okay. see?” you keep your voice hushed, thumbs running along the red veins beneath his eyes. “you need to calm down so you can transform back.”

“i ca—i can’t. you should’ve heard—no. no.” he shakes his head, lowering it again—but this time resting his face into the crook of your neck.

your heart sinks. he sounds so unstable. so panicked.

fingers drift up to the nape of his neck, massaging into the tense muscles there and drifting to the now impossibly broad expanse of his shoulders. they seemed to double your own, his form completely swallowing yours as he leaned over you. he breathes in, taking in your scent as his lips pressed against the juncture of your shoulder and neck. it makes your heart rate involuntarily spike, a shuddering breath leave your lips in a mix of fear and something else you don’t want to admit to.

a few more beats pass like this, you frozen under him like prey caught in the jaws of a predator, before his lips part and he bites down onto your skin.

his teeth were sharp, and a small whimper of discomfort involuntarily leaves your lips at the feeling.

it makes him flinch back and freeze in place, like once again he hadn’t even realized his own actions—the primal part of him taking over his rational thoughts.

“i can’t.” he mutters lowly, moving to get up, like he was going to leave. “

“no.” you quickly wrap your arms around his shoulders, trying to pull him down to you but instead pulling yourself up to him.

“i’m going to hurt you. i don’t have… control over myself right now—“

you gulp, before slinking your legs around his waist and pulling your hips up to connect with his.

he inhales sharply. “what are you doing?”

“you’re here with me. let me show you.”

“no. no, i’ll hurt you.” he says, groaning as you pull yourself closer and roll yourself into him.

there’s a low warning of your name from his lips, forehead dropping to rest against your collarbone. “you don’t know what you’re doing—”

“i do.” you reassure, cutting him off. “i want you.”

he settles back down with a groan, lifting his head to look at you. “i’m dangerous to you right now. why can’t you understand?”

leaning up, you connect your lips with his and he groans against you. you can feel his self control beginning to crumble, and the much thicker bulge pressing between your legs through the material of his pants and your nightgown.

“i understand.” you say. “i understand that i love you more.”

“you’re going to be,” he groans, the deeper timbre of his voice sending a shock of electricity down your spine. “the undoing of me.”

he rolls his hips down into yours, and you gasp. regularly, what was under his belt was nothing to scoff at—his flirtatious remarks irritatingly wasn’t just all talk. but now? in this form where he towered not one but two heads taller than you? just from him pressing into you alone you could tell he was huge.

this is what he needed, though. you can already feel the tense trembling of his muscles beginning to calm, his ragged and uneven breathing turning to just a shuddering tempo.

his hands find themselves on your hips, his thumbs pressing into the soft skin. “is this… what you want? tell me right now, because i’m losing my grip.”

you were almost ashamed of the damp spot that had already begun to form on your panties, and how just his touch was enough to send shockwaves through your nervous system.

“yes.”

it’s like a switch is flipped, whatever wall of self control his conscious had put up crumbling to the ground. his hips push down into yours, harsher this time, while his lips press into your skin. he begins to pull your skin between his teeth, suckling bruises against it while his hands no less than tear your nightgown from your body.

cool air hits your skin, a small gasp leaving your lips at his sudden eager need to have his skin on yours. his hands briefly leave your side, only to pull his own clothes and briefs from his form. you don’t dare to look down, the length that was pressing against your thigh enough to intimidate you.

“i—“ he stutters, the internal war being fought in his head stopping his movements. “i’ll hurt you. i don’t know if i can control myself.”

tilting your head up, you kiss him once again, fingers threading into his hair and massaging his scalp. “you won’t.”

he shudders against you, breathing in your scent and deepening the kiss. eagerly he shifts your hips, moving you closer with one hand and dragging the fat tip of his cock against your clit. you were already well lubricated with the slick that covered your folds, but you still weren’t sure if it would fit. regardless his lips continue to devour yours, pulling each breath from your lips and leaving you dizzy as he shifts his hips up, dragging the length against your folds and pulling back. the mere girth of it was startling, but you don’t get to think about it for long until you’re subjected to it, the tip bullying it’s way through your entrance.

he slowly keeps pushing in, making you feel like you were going to split in half by his size. the stretch was entirely new, an uncomfortable one you hadn’t felt before. it was almost too much, but you didn’t want him to stop, either.

but you needed to breathe. managing to part from the messy lock of your lips with a gasp, you throw your head back with a shuddered moan. he keeps pulling out just so he can push back in deeper, each thrust somehow filling you out impossibly more. your body was protesting against the push, squeezing against his length like your insides were trying to shove him back out. each time you fluttered around his cock he’d groan lowly under his breath, the noise a gravelly sound that rattled against your ribs and send a lightheaded wave of pleasure up your spine.

your eyelashes flutter down, a shocked gasp leaving your lips when you see he’d barely pushed halfway through. he pulls his attention from the spot on your collarbone he’d been leaving bruising kisses on, eyes darting across your face as he keeps bullying his way inside. it was bordering on being painful, but the shocks of pleasure shooting through your nerves overpowered everything else.

the veins under his eyes had begun to recede, the red of his irises now dulling in color. his nose wrinkles for a moment as he looks at you, his hands cupping your face as a conflict of emotions crosses his face. you can tell what he was thinking, with the look of guilt that crosses over his eyes at the sight of your smaller body trembling underneath him.

he was meant to protect you. and everything in his nature now wanted him to do the opposite. even as he fought against it, it still wasn’t enough. your screams, real or not, still echo in his head.

he was always so gentle with you. always taking his time to make sure you—the most important thing to him—felt safe and comfortable. the thought that he was possibly hurting you right now was revolting to him, even though he needed you close right now. you have to reach up to his face to snap him out of his thoughts before he spirals once again.

“it’s okay. i’m okay.” you whisper.

he presses his face into your hair, before a shuddering sob leaves his lips.

“i couldn’t protect you.”

you reach for his face pulling him up to look at you. his eyebrows are pulled together, red glazed over in angry and distressed tears.

“laurance, my love. it wasn’t real. i’m safe with you.” you tilt your head. “you’ll always protect me.”

he shakes his head, gritting his teeth. “but what about when i can’t? when i fully lose control? when i finally lose you? it would be my end. i couldn’t handle it. i can’t. i can’t.”

“you’re not going to lose me.”

“you don’t… you don’t understand…”

“yes, i do.”

your voice is firmer, and it snaps his attention back to you.

“i know you. i know what you’re capable of.” you gently brush your hands across his face, and his eyes slowly shut, taking in your words. “i know your strength, and your values. i know you’d rather throw yourself into the worst pain imaginable before letting something happen to me. even now, when you claim you’re so dangerous, i know i’m safe.”

his breath shudders as he hunches over you, seeming to feel a pang through his chest that knocked the breath out of his lungs.

“i love you.” you whisper, before the breath is knocked out of you as he gives a harsh thrust of his hips, rocking you up against the pillow.

“i love you.” he groans back. “so much. you’re my everything.”

you can’t respond to that, can’t even think of the words as he fully pushes himself in, his pelvis meeting your ass. his hands grip onto your waist like you would disappear between his fingers if he let go, head dipping down to your chest as he begins to set a rhythm. pain has faded to pure pleasure at this point, the stretch of his girth and the veins that dragged along your walls with every thrust left your mouth gasping for air and back arching up into him.

his tempo was rough and sloppy, leaving you unable to catch your breath and stirring your head into a mindless haze, your fingers grasping onto the firm expanse of his shoulders for any sense of stability as you’re knocked into oblivion.

his mouth latches onto your neck once again, but unlike his brutal thrusts his lips are soft against your skin. that was your laurance. the one that laced his hand with yours as he took you in a slow and sensual pace. the one that whispered sweet nothings in your ear and treated you so gently—focusing on pleasuring you until you couldn’t think before even beginning to focus on himself.

despite how much you loved how he treated you regularly, you couldn’t even try to deny how good this felt.

he lifts his head up, fingers brushing along your breasts and up against your collarbones, taking you all in as he sped up the pace. you can tell he’s already close to his release from the way his chin tilts up in the air and his glazed-over eyes roll back, his lips parted as he pulls in ragged breaths. suddenly he’s pulling your thighs up, large hands squeezing into the plush skin and hitching them up against his shoulders.

“so beautiful. and mine.” he murmurs, voice a deep rasp. he turns his head down, leaning back over you and staring at you through hooded eyes—practically folding you in half. “don’t you dare ever run where i can’t protect you.”

you’re close, too, and the way he looked at you now was about to send you over the edge. the mix of the new angle his dick was brutally drilling into you and his possessive and borderline wild need to protect you has you squeezing against him, your cunt sucking him in deeper and not letting go.

he moans out lowly, his hips stuttering into yours and slamming to a sudden stop. it’s so much, in more ways than one, when his hips grind in a slow circle and the heat of his cum overflows into you. you swear you feel it in your guts, with how much of it keeps coming, and how he jerkily pushes it back into you. it snaps you over the edge, vision going white and limbs turning shaky and weak, the mix of both of your releases spilling from your stuffed cunt and creating a sticky mess where your skin connected.

when you regain your vision again you find yourself looking back into gray-blue eyes, his eyebrows turned up and under eyes wet with tears. his skin had returned to its normal tone, but he still looked so pale, still so filled with a fear he couldn’t swallow.

you bring a hand up to his cheek once again, wiping the stray beads of sweat away from his face and leaning up to press a soft kiss against his lips.

“there you are, my love.”

your voice is merely a hoarse whisper, but it’s enough to knock him down. he crumbles onto you, forehead landing on the pillow next to your head, breaths shaky and fanning across your skin as his arms circle around your waist and pull you tight. slowly, he pulls out, leaving the both of you softly groaning in discomfort at the absence of each other’s warmth. his cum continues to spill out from inside you, dripping onto the sheets in a messy mix.

“…did i hurt you?” he whispers, voice trembling in the fear of it being true. his hands feel so very gentle on your waist, like he was holding fragile porcelain in his hands.

“no.”

his breath hitches in something like relief, a choked sob leaving his lips. “i love you more than anything.”

“i know. and i love you.”

his shoulders relax, and he rolls to the clean side of the bed, pulling you right into his chest and hugging you close. strong arms wrap around your shoulders and waist, leaving you little wiggle room against him. with the fragile state he was in, though, you don’t dare to say a word about it.

“i’m sorry. i don’t know what happened—” he starts, his voice an exhausted and hoarse whimper as he buries his face in your hair.

“laurance. i’m safe.” is all you say, silencing the self-deprecating thoughts he wished to express.

in the quiet dead of night, you both lay there, limbs tangled and pressed together as the moonlight filtered through the window and illuminated your sweaty skin—shining from the afterglow. the fears that plagued your lover’s mind melted away for now, his breaths evening into a deep and steady cycle and mind lulling into a peaceful sleep.

©starhvney 2024. do not plagiarize, feed to any AI, or repost my works to any sites.

taglist: @wasting-away-on-the-internet @angelhyperfixates @valentique @dazedbydeath @theaquaticplant @starsbrightly @kalegrinch (if you are a minor or uncomfortable with being tagged in nsfw please let me know immediately and i will take you off of my taglist for nsfw works in the future)

#aphmau #aphblr #aphmau mcd #mcd x reader #mcd laurance #minecraft diaries laurance #laurance #aphmau laurance #laurance x reader #laurance zvhal x reader #laurance zvahl

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factual-fantasy · 2 days

Text

27 asks! Thank you!! :}} 🔮

Oooo very cool! I hope you have fun with it!! :DDD And as for how I make a story it kind'a depends-

For Grimace, Sylvester and the rest of the gang.. well that was just my Violet team. I gave them personalities that I thought would suit them and just.. went from there I guess? <:D

For Conkeldurr, Zuora, Emboar and the 4 piglets.. well, it started with just thinking about Conkeldurr and how much I like that Pokémon. I pictured him as a Gentle giant and imagined how fun it would be to draw him with some other tiny Pokémon that he adopted. I went through the Unovan pokédex and picked a Zuora because she was small and fluffy <XD

After making a post about them I wanted to give Conkeldurr a friend. Well I like the Emboar line so hey why not do that? She can be a mama Emboar to switch it up and she can have 4 kids. Why not? Since I didn't draw her in that first post, I made the story they they went their separate ways for a time but now they're back together.

I honestly don't have solid concrete advice I can offer- I just think "hey this would be neat" and slap it on there. Or I think "hey this scenario would be fun to draw" and so I structure the events and story to make the characters run into this scenario in a reasonable way. That's really all I do.. <:D

@beryl-shade

I've seen Markiplier play it :0 Its.. well its something! <:D

(Referencing this post)

<XD I never understood why they made him Spanish, the sudden guitar noise is always a jumps care XDDD

@shiny-is-miney

Humans do not exist in any of my Octonauts AUs, nor have they ever <:/

@catain-skyler1987

I do not <:/ sorry!

@nwo-metalscottic

Daww,, thank you 🥹🥹🥹its been rough these past.. how ever many months- my health is still poor and I still am glued to my bed/the couch 24/7.. but I'm hoping to finally see some improvement soon.. and I hope you feel better too! <:))

Any who, I'm glad to hear your views on Conkeldurr! :D Some people can be kind'a harsh :x As for the Tepigs, I can see them sticking around even after evolving into Pignites. They love their mama and would have no desire to leave her.. 🥺

As for what threatens them.. when they were apart, I kind'a image any meat eating Pokémon that thinks they could take them in a fight would be a threat. Or perhaps territorial Pokémon or protective parents that would see a big Pokémon coming near and just attack on instinct.

Now that the two of them are together, they have a lot less trouble with random Pokémon. They're a much bigger challenge to take on as a team. Plus I can see Zuora walking with them disguised as a second Emboar or Conkeldurr. Creating a group that looks like three macho parents that will fiercely protect their piglets.

As for the Minecraft movie, here's the thing about the Piglins. In the actual game they turn into Zombie Piglins the moment they leave the Nether. Why are they still normal Piglins despite running through a village??

And a Netflix show... uhg.. I'm just not interested. I feel like Minecraft looses all its charm when you convert it into a show or movie. And especially if you mess up Steve as badly as they did. Jack Black.. that's the worst casting I can think of.🤦

This is so cool! It feels like it could be canon to the Pokémon universe! :DD

Also thank you so much!! :)))

I have! :0 I watched 8-bitryan play some of it! :) ALSO THANK YOU!! :DDD

@cicutagreninja

WOW!! :00 THANK YOU SO MUCH!! :DDD I plan to return to it someday!! :)))

@astaherussy (Referencing this post)

I think I put that on almost out of habit <XD when I picture old abandoned houses I imagine notes stuck to the door warning of debts and bills that need to be paid lest the owners get evicted. So I drew that because it felt fitting!

..Only just now did I realize that the old owners were supposed to be a mystery.. if there was any at all. So having that note on the door doesn't really make sense.. 😅

ALSO WAAHG THANK YOU!! :DDD

I've seen the FNAF movie and I've seen multiple Youtubers play all the FNAF games. Though I haven't played through any of them myself. :00

As for what I thought of them.. I have a place in my heart for all the games. From the lore jumbling ruin DLC, to the classic first game, I'm a total sucker and I love them all.💞💞

The movie wasn't as bad as I feared it would be. I adored the inclusion of MatPat and the intended inclusion of Markiplier. There were some aspects I didn't like and a lot of missed opportunities in my opinion. And of course the lore is all outa whack..

None the less, I think the movie is charming. And my love for FNAF has only strengthened upon the movies release :))

@i-only-created-this-to-read

Since Metagross isn't in Black/White (Its in Black/White 2) I wont be looking into that species for a bit.. and I wont be looking at Mega evolutions-

As for a Quantum slime equivalent, I have no intentions to make equivalents for all the slimes- I didn't add trubbish to be an equivalent to pinks. I just noted that Trubbish are a common slime that can eat anything, just like pinks are :0

The slimes and foods I add will be their own thing. Not intending to replicate or replace any of the canon slimes or fruits/veggies/meats from slime rancher. If that makes sense-

@petrichormeraki

I don't really have any proper name ideas for them 😅 I've just been calling them the shiny one, the normal one, the runt and the big one. XDD

Also thank you!! :DDD

Oooo that's really interesting actually! :000 That would have been a much more tame version of my Zuoras story <XDDD

@pigeonsplural

SLAKJDJ THANK YOUUU!! :)))0

*plotting noises......

(Referencing this post)

This ask will be very relevant soon.. 😈 Also thank you! :)))

@roughsketch2010

WAHGG THANK YIU SOMUCH!! :DDD

@kermit-ydafrog

Daww 🥹 Thank you! MY question is why are you so kind?? :DDD

I've heard of it and seen a lot of fanart, but i never got into it myself😅

Thank you for remembering my boundaries and respecting them! <:) And yeah that paints a pretty vivid picture in my head XDDD

@holly-opal

He would have been a better voice for Bowser then Jack Black in my opinion..

@fandomcenteral

WAAHHG THANK YOU SO MUCH!! :DDD And its still a surprise to me that I'm considered a celebrity :00 I hope people aren't intimidated to send me asks because of that.. <:D

@muncho1234 (eye post in question)

Peso, Dashi, Tunip and Ranger Marsh have no eye bags because they have decent sleeping schedules and diets. :0 The rest of the characters either have poor sleeping schedules, deal with a lot of stress, or are very hard workers and burn up all their energy throughout the day.. :(

Oh boy 💀

@minnesotamedic186 (Eye studies post) (Kwazii and Calico Jack hug post) (Ranger Marsh jump scare post)

WAAHGG THANK YOU!!! :DD I ALWATS LOVE IT WHEN PEOPLE NOTICE THE DETAILS I PUT IN!! :))))

@caronaro-flipaclip

<XD While I agree with this, I cant help but get red in the face when people like/reblog my old artwork.😅😅 And there's nothing wrong with that! It just shows how far I've come! :)

#my response #pokemon #fnaf #minecraft movie #fnaf movie #welcome home #slime rancher #ingo and emmet #octonauts

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talenlee · 1 day

Text

Game Pile: Kentucky Route 0, One of Three Games About America

youtube

Script and Thumbnail below the fold!

Kentucky Route Zero is a magical realist point and click game of what I’d normally call Narrative Adventure, which came to kickstarter in 2011, then came out in 2013, 2014, 2016, and 2020, because you can’t have nothing for free, even things you pay for. The game is a text-driven game without any of the trappings of your typical point-and-clicker where you jam a ladder in your pants and try to work out why you want to put green dye in the water fountain. Instead it follows the haunted mind of Conway, a trucky driver and his interactions with small handful of people on a part of the Kentucky Interstate, while he to find the place he needs to do his delivery, despite being utterly lost.

I enjoyed what of Kentucky Route Zero I played, but the thing that stands out to me in hindsight is its sound design. It’s a beautifully defined game, audio-wise, with all sorts of thoughtful foley for its environments, and the way that even the pieces of the interface that Conway interacts with have their own sort of specific authentic sounds, chonks and thunks and ch-zzzzses.

It’s also visually splendid, beautiful in what it tries to represent in the heightened reality of its setting but also the format of a videogame. These places look good from the angle that’s chosen, creating lines of artwork and bars of cages, depending on what you’re focusing on, and by being a fixed-camera story of its type, Kentucky Route Zero takes on traits of theatre, with blocking and careful positioning and timing all making up part of how the story unfolds.

A story I haven’t finished.

See, I don’t feel like playing Kentucky Route Zero Act V.

Sit down, traveller. Let me tell you a story.

There’s a chance you’ve heard this story before. I’ve anonymised it here, not because I think you shouldn’t be able to work out who it is, but because the idea of focusing on the who runs the risk of ignoring the what. Plus, I don’t want to direct anyone to a person who said something stupid and encourage fights. That’s not the important issue.

This is the story of when someone perfectly represented something, and probably never realised it.

You will sometimes hear me talk about the take that ‘there are three games about America,’ with a tone of utter revulsion and derision. This is from an incident back in 2020, when a game developer and advocate for inclusive games, had an opinion, on the internet. This advocate is well-established and has a big audience, but also, he’s crucially, not a white guy, not a Christian guy, and not an American guy. These are factors that play into what he said, which was, in summary, that while Kentucky Route 0 was no doubt phenomenal, he wasn’t interested in playing it right now.

To this, an actual adult responded with:

This is legitimately the worst take you’ve ever had. There are only about three games that are actually American, and this is one of them. Everything else is designed for export. Kr0 is a precious and valuable thing. It is of immense and intense personal importance.

Now, resisting the urge to argue with a tweet, which is just generally a bad practice that leads to doing things like wanting to be on twitter, and setting aside this tweet conflating ‘this is of personal importance to me’ and ‘this should be of importance to you,’ this position describes the idea that there are only three games that are ‘actually American.’

What does it mean to be ‘actually American?’

America is a pretty pervasive presence, if you’re not aware of it. Most people in the world have to know about what’s going on in America. We know about your Presidents and your Senators and your Constitution, to the point where people can be more aware of how your country’s laws work than their own country’s laws. I’ve often seen it held up as an example of how poorly educated people in say, Canada and Australia are that we believe we have, say, a ‘first amendment right,’ but the thing is you have to ask why there is that.

We watch so much American TV.

We listen to American music.

We try to make our news broadcasts look like yours, because that’s what real and legitimate news looks like. We try to retell your stories in our local languages because that’s what real media looks like. Our children sing songs in your accents because that’s the culture that a multi-trillion dollar economy has pumped into the whole world.

America demands we attend their wars and surrender our living to become their dead and when we are done America sells the survivors a cheeseburger.

This is not a remarkable or controversial statement. You must know, this is not even vaguely challenging to know about. Everywhere in the world is replicating parts of the American empire, because America exports and enforces the vision of the American empire. McDonalds may sell curry in India, but it’s very important that the curry being sold is McDonalds curry because that is how you know it’s an American style curry.

What this means is when someone tries to assert there are only really three games about America, that’s a kind of specialised brain rot that requires you to consider games that are very much about America as not being really about America. And thus we see the other thing about America, which is it’s not enough for America to be the most important place in the world that everyone else in the world needs to recognise, but also, most of America is inadequately America for this vision of America. You saw this in the wake of 9/11, and the election of Barack Obama: huge amounts of American media resurged in extolling the values of ‘real’ America, as opposed to the parts of America where the vast majority of Americans lived, which just so happened to paint a lot of marginalised people living in the cities as ‘fake Americans.’

I am not bringing you unique information. This is just obviously true things if you don’t live within the boundaries of an environment that flatters you as the most normal thing in the world. The vast majority of the world is not America. There are eight billion people in the world, more or less, meaning that America is about 4% of the world, and yet, it is catastrophically, overwhelmingly, deleritously the common touchstone for how things are ‘supposed’ to work. This is through media imperialism, which is mostly supported by American companies exporting all their media to foreign markets extremely cheaply.

‘about three games that are actually American.’

This fascinating piece of doofusry still, even now leaves me agog. ‘Actually American.’ Kentucky Route 0 is actually American, you see, as opposed to… what? Is America’s Army one of them? You know, the game financed by the American Army? What about Call of Duty, a franchise that is in part subsidised by American military complex manufacturers? What about Grand Theft Auto, a videogame that tells the rags-to-riches story of American excess in criminality, setting aside the way it’s made by a Scottish company. Actually American, because American doesn’t mean America, it means one tiny little pool of ‘America’ where the speaker can imagine there’s a realness and an authenticity to the America-ness that doesn’t involve all the messy realities of what it is to be America. It’s the towns of hard-working people, that suffer under your particular description of oppression, whether that’s cities full of nonwhite people or corporations bleeding the country dry, always eliding the social cruelties and terribleness of these places, as if giving people money stops them from being bigoted (for example).

This is then used to recruit these poor, superior Americans, the you know, America Americans, whose sufferings are noble and whose authenticity cannot be impeached and they are then used as a defense against criticism of, you know, America. It’s the same speech Charlie Daniels gave about how foreigners may think they could push around Barack Obama (a dude who bombed a lot of shepherds with the most elaborate and brutal military ordinance in the world) but they were going to have a harder time taking on Americans who wrestled alligators, who at this point have exactly zero recorded drone strike kills.

This is because America America isn’t real.

‘Real’ America is a nebulous nothing that you can project whatever you want onto, and which is also not responsible for anything terrible that America does. It’s not the American Empire, it’s not the exporter of culture, it’s somehow purer, better, a sort of individualised folk who are to be protected and extolled, shriven of all the things about America that make it anything but its perfect idealised form of America.

I could go on.

I really could.

This is something that defines the world I have to live in. I speak English. I’m white. I’m from a coloniser state. I should be able to integrate easily and smoothly into the white supremacist capitalist hierarchy of American culture, but we are told, that no, we are not acceptable. We are only valid as long as our differences are invisible. We, a real people, do not get to have opinions on America, because we do not know True America. When you spell colour wrong in a chat message, when your accent isn’t quite right, when you don’t know the difference between junior and sophomore year of high school, then you are shown, you are evinced, and you are made very aware that you are other, you are outside, you are wrong.

And really, there’s no good reason for it. We send our soldiers to America’s wars, we buy America’s submarines, and we sing your songs. Our currency mimics America’s, our culture permeats with America’s, we even have such a crushing inferiority complex about the empire that there’s an academic term for what we feel about our own media compared to the media of the truer, proper empire to which we are vassal.

The term is ‘cultural cringe,’ and it was coined by Henry Lawson, who you, odds on, have never heard of. In 1894, he wrote:

The Australian writer, until he gets a “London hearing,” is only accepted as an imitator of some recognized English or American author; and, as soon as he shows signs of coming to the front, he is labelled “The Australian Southey,” “The Australian Burns,” or “The Australian Bret Harte,” and lately, “The Australian Kipling.” Thus no matter how original he may be, he is branded, at the very start, as a plagiarist, and by his own country, which thinks, no doubt, that it is paying him a compliment and encouraging him, while it is really doing him a cruel and an almost irreparable injury. But mark! As soon as the Southern writer goes “home” and gets some recognition in England, he is “So-and-So, the well-known Australian author whose work has attracted so much attention in London lately”; and we first hear of him by cable, even though he might have been writing at his best for ten years in Australia.

This is imperialism. This is a way in which we have been induced and brought by the empires around us to accept their ways as correct, as the normal, as default. And that is the mindset you must have if you want to look at the breadth of videogames, with their American ideas like health insurance, readily available guns, the importance of freedom, the ubiquity of air travel, the branding and iconography of types of food and the sports metaphors and then say ‘yeah, this doesn’t have anything to do with America, not really.’

Anyway, this thread, this incident, was a big deal at the time, in that there were a lot of people from within the community of game developers and journalists who seemed very happy to line up and get mad at a brown foreigner for being inadequately enthusiastic about the possibility of playing a videogame. But don’t worry, after a day or two, an apology was forthcoming for all of this fracas, by which I mean, the original developer apologised for being so thoughtless as to, again, express honest lack of enthusiasm in a videogame.

For me, this was a kind of break point, where I started just blocking indie devs on sight. I don’t want to know what they’re involved in, I don’t want to promote their work, and I will hold tiny grudges against them that I do not seek to transfer or encourage in others. This was one silly incident in which a lot of people said something silly because they don’t know better, or they’re arseholes.

None of this is fair to Kentucky Route 0. It’s a game with its own intentions and its own perspective. It’s not trying to make this conversation happen. Kentucky Route 0 has been choked and gripped by this position around it, where to talk about an American game, someone put a cross on it that made it the avatar for All Things America. The wild thing to me is that I had, prior to this point, played two episodes of Kentucky Route 0. I thought it was pretty good, and I liked what it did with the negative space of dialogue options – when a character you’re controlling makes excuses, the excuses you choose show you other things you could be making excuses about that you, the player, didn’t know beforehand. That’s some good Narrative Storytelling Design, I like that a lot. But now I can’t really engage with Kentucky Route Zero because the main thing it makes me think about is how this final chapter, meant to round out the game’s story and present a conclusion and a point, became this flashpoint for a lot of people to be very casually racist.

Which kinda poisons the whole thing for me. It’s an authentic thing, I’m sure, it’s a thoughtful thing, too, but the people stepping up to say I should care about it did so in a way that made me hate them.

Any time you see me say ‘three games about America’ I’m talking about this, and the attitude of a particular kind of American that America is, as always, exceptional. It’s real easy to not realise when you’re just voicing your self-centeredness and how easy that is to ignore the opinions of people around you and what they’re saying. This is what I’m talking about when I mention ‘the three games about America.’

[fade for credit text]

By the way, the three games about America are Crash Bandicoot, Sam & Max Hit The Road, and Bust A Move.

#Game Pile #Games

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utilitycaster · 2 days

Note

I'm curious about your judgement of the success of the various format experimentations in Campaign 3. If you feel like saying a bit more, I'd be interested to hear your thoughts on which are the most and least successful, and why.

Sure! So as I said earlier today, I think a big problem is that the format experimentation and the moon plot are directly at odds. Pulling off the moon plot, with all the NPCs from past campaigns and payoff of various canonical setups requires a pretty firm hand on what the current canon is, and also really did require a firmer hand in the character creation than there was. On the other hand, the point of experimentation is to let other people play in the space and introduce their ideas. This comes together in what I have referred to in the past as "Not Now." Like, the Crown Keepers showing up just as the party was grappling with FCG's death? Not bad as a concept, but Not Now. Abubakar playing Corellon? Incredible performance, but the fact that he was given free rein in a plot that's already shedding viewers left and right for its lack of direction? Not Now.

On an individual level:

I think EXU Prime either needed to be fully standalone, or Matt needed to provide a slightly more rigid direction to Aabria and therefore really couldn't play Dariax. If it's going to get woven into the main plot of Campaign 3 it needs to set that up (including giving Liam and Ashley a heads up beforehand). My personal vote would be for the former, to allow Aabria to tell her own story without it having to serve like 20 different functions, but what's done is done. If I recall, Liam and Ashley had the option to play different characters for Campaign 3 and I do wonder what would happen if they had decided differently, because you could still have Dorian pop up as a guest but I wonder if the Crown Keepers would have shown up in the same way.

Similarly, as stated, the general concept of the Crown Keepers interlude during the campaign as a means to bring in Dorian? I'm not opposed, though I think this is by far the hardest thing to coordinate generally and for a plot as demanding as Campaign 3 probably not a great idea. But it's hard to judge because the timing was truly the worst timing possible given the events of episode 91, and even delaying by like an episode or two would have at least solved that to the point that I don't understand why they didn't just...do that. (and, just to head off this particularly stupid argument at the pass, this would not have in any way affected Sam's ability to take time off for cancer treatment; it would have just shifted things around, and a lot of this experimentation was planned WELL in advance). [sidebar: I haven't listened to the WBN interlude yet but I do have thoughts because I think interludes from different GMs can be done, but the premise of Campaign 3 is particularly hostile towards them unless the main GM has a very heavy hand in their creation or unless they are light on things relevant to the core plot and mostly for the purpose of worldbuilding a la Song of the Lorelei.]

Solstice split was excellent and I think it's because it was not actually anything you wouldn't see in how people frequently play D&D at home. You have a few players who won't be available for a few sessions in a row? Great, find a reason to split the party, bring some other guest players in, and run some side quests!

Downfall was great because it was diagetic. It was a story within a story that Bells Hells was seeing and responding to, and because it took place so long ago with such specific characters, while it may bleed into how Laura, Taliesin, or Ashley feel in game (impossible to prevent, people bring their own feelings to the table), Matt still has room to decide how the Raven Queen, Wildmother, or Everlight feel a thousand years later. I also feel this had the most direction from Matt, which the other things really needed.

As said, bringing in Abubakar to DM as Corellon is something that again, this plot simply doesn't handle well. It makes for a fantastic scene, but within the 107-and-counting episodes of this story, giving the reins to someone else after you finally have a clear plan and letting them throw another curveball is a terrible idea narratively. I think this again would be fine in a story with a looser plot.

Echoes of the Solstice and presumably the upcoming Vox Machina Malleus Key/Mighty Nein Weave Mind concept is again pretty good. This also fits into things that D&D home games have been doing forever - run a one shot or mini campaign following different characters but DM-ed by the same person that have an impact on the current plot but aren't too closely interwoven. Basically this is like the solstice split in concept.

Essentially: I think playing around with the format within a campaign but having the same GM is pretty easy to do. Once you introduce other GMs acting within the world concurrently (rather than as a story with a foregone conclusion a la Downfall, or for that matter Calamity) you need to be extremely careful if you are trying to tell a specific story with a lot of moving parts, as Matt is with Campaign 3. It's one thing to improvise based on things your players do or say; it's another to do so based on improv by a major NPC or someone doing extensive worldbuilding mid-game that you now need to incorporate. This wouldn't be an issue in a more sandbox-style game; Campaign 2 might have been able to withstand it more gracefully, though I'm still not sure. But Campaign 3 was the wrong place to do it. Again, it's trying to converge in some places and diverge in the others and as a result it's just kind of flopping around in place.

#answered #galileosballs #cr tag #long post

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maybeelse · 2 days

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Long-forgotten Fireflies finds her doll huddled outside, its display case's well-polished glass shining in the little nook between two of the building's many trash cans.

She hums happily and kneels down beside it.

"Hey, Lace. What are you doing out here?"

It doesn't meet her gaze.

It's garbage day, but they're so far into the concrete forest that the truck won't reach them until the evening; that vast thing rumbling past is just a bus, no matter its grasping arms or Lace's hopeful gaze as it passes it by.

"This one is waiting, Miss."

Fireflies doesn't ask what it's waiting for. The other question matters more.

"... why, Lace?"

"It just is."

"That's not an answer, dear."

It glances up into her face, ready to flinch away from the disdain and anger it's sure that it will see.

What it flinches away from is far, far worse.

Lace sees nothing but compassion in her age-wrinkled mask; nothing but kindness in her eyes.

It can't bear that; can't bear the idea of being seen by something that it knows shouldn't look like that at it, can't bear her gaze—

She catches it by the scruff of its neck as it tries to throw itself into the road.

"Now why would you try to do that, Lace?"

Her voice is reproving but tempered with far more sadness than Lace would prefer, and so it struggles for a several seconds before finally going limp.

"This one, you, it," it stammers, words piling up until the meaning drowns beneath them; Fireflies lets it go on for a bit, hiding her amusement, before she finally interrupts Lace's rising distress.

"Slowly, dear. One thought at a time. Pause for breath. You know how."

It takes a long, deep breath, tears burbling up around its too-big eyes; a bubble of something not entirely like snot pops on its little button nose.

"This one isn't good enough for you, Miss. It's old and worn out and you should have a doll who doesn't stumble at simple tasks."

"Is this about the cup you dropped?"

It squirms; for a moment its hands rise towards the old scars all along its arms, but it hasn't been allowed to have proper claws in decades. "Not just that, Miss."

"What is it about, then? And that wasn't even one of the good cups."

Lace breathes in and out, hiding itself in compliance with Fireflies' instruction; but a pause can only last so long, and once it has its thoughts in order it must speak.

"It just ... it just doesn't feel like it's good enough for you. This one makes so many stupid mistakes ..."

"And? Lace, I make stupid mistakes too. All the time."

"You're a witch! You're supposed to bite off too much and fight with the world. But this one is a doll."

"You are, yes. But that doesn't mean you have to be perfect or anything, dear, just try your best."

"But ... but this one should be perfect. For you."

"Lace, no. You're supposed to be you, with all your flaws and quirks." She sighs. "If I wanted something perfect I'd ... I don't even know. Perfect isn't real. I want you, not some impossible fantasy."

It sniffles. "But it's getting old, Miss. It's struggling more, and it's not as pretty as it used to be. It's not good enough."

Fireflies sighs again; they're just going in circles, and she's sure that it's just going to keep on going.

"... fine, Lace. But you're not allowed to throw yourself away."

"But, Miss ..."

"If I ever decide to get rid of you, which I don't think I will, it will be by my choice. Not yours. Not you disappearing while I'm distracted."

Lace sniffles again, snot rolling down its face.

"B-but ..."

"No buts, no objections. You're mine."

Fireflies drags Lace into a hug, uncaring of the dollish liquids smearing across her dress; it cries more freely at the warmth, at the softness, at the touch it thought it was too worthless to ever feel again—

She doesn't let go of it as she stands up and grabs its display case, nor as she carries it back inside; the door slams shut a moment after the garbage truck's rumbling tread and gnashing jaws begin to shake the street outside.

It's not a conclusion, but a reprieve.

#writing #flash fiction #empty spaces #dollposting #witchposting #throwing yourself away always sounds like a good idea #this is an old one

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seaofreverie · 2 days

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Sparkstember Day 18: Balls (Bullet Train)

Sometimes (oftentimes) it's true that all you need are Balls. I personally absolutely love Balls. I'm a big fan! Ekhem. Today I'm using the help of (I mean, copying most of the passages from it) my earlier Balls rant that I have written down after my first listen of it back in January. I really love this album and I don't want to completely skip over saying a couple words on it at least but I really don't think I have the headspace to write anything very good for it today. I'll still try though!

So yeah, Balls. It's a great album, fun and chill (in my sense of what I call and consider chill anyway), consistent, as Sparks albums tend to be, and as I suspected / hoped it does fit this specific vibe of driving around at night somewhere city-like and illuminated. Or being on a train deep at night and looking at the world zooming by (if you'd even see much of it on a train at night anyway.....). And I do think that it's not so dissimilar to Gratsax (I'd say now that it's definitely darker and moodier than its predecessor...). So it's interesting to think about how it's considered to be one of the "weak" ones (by music reviewers at least) while Gratsax is so beloved in comparision.

I will admit, I don't really know what the big problem with this album could be. As I said, it's fun, it has the melodies, it has the energy, it has the theatricality (I like seeing how more and more orchestral instruments such as strings are being incorporated into the music, in a way the jump into Lil' Beethoven two years later doesn't come of as THAT much of a shock because of this. The evolution of sound here is fascinating!) I really like the intense beats, just as much as the more laid-back and moodier pieces. And there's lots of gold to be found in the lyrics department as always.

One more thing I wanna say is that at some point I wondered if this music sounds older than it is. Maybe it does? But then I remembered that this was 2000 and honestly when I think about it, there just IS something about this album that fits so well with the Y2K image and vibe and all. Sparks 2000 and all that.

Favourite songs (and other highlights):

Balls: I mean. It's Balls.

Scheherazade: absolutely LOVE this one and I had the strangest impression of it sounding very familiar when I first heard it. Months later I found out that it was just briefly featured in TSB so I think that explains it (I will talk more about my TSB viewings on TSB day. EVERYTHING has to be explained in excruciating detail, lmao)

The Calm Before The Storm: bugsonas 4ever. Song itself is amazing too

How To Get Your Ass Kicked: how can a song about getting your ass kicked be so pleasant and relaxing, it always keeps cracking me up, how perfect that is actually

Bullet Train: I love it how introducing the topic of the song with a "It's the [topic of the song]" is a reoccurring theme on this album. Thank you Sparks for this ode to technology and art (these lyrics always have me giggling). And also it just goes hard as heck

It's Educational: a perfect fusion of / sequel to I Thought I Told You To Wait In The Car and Progress (it's mostly the vocal delivery that reminds me of the latter)

The Angels: such an odd one here but I still like it a lot, I apparently said that it sounds "surprisingly mainstream for Sparks but somehow in a positive way". It's very sweet and I absolutely love how Russell sings here, it's so different from what we're used to but that only makes it hit you even more in the feels, lol. And I actually prefer the alternative version of this song that's featured as a bonus track, and I do think that's in big part because you can hear Russell better on it (or that was my first impression of it at least and it kind of stuck)

#balls dayyyyyyy #how weird that i went with a different drawing idea than the bugsonas considering that i'm such a big fan of them #(maybe the bugsonas COULD appear later. still don't have an idea for the final day so hm. thinking about this)#but yeah i couldn't pass up the opportunity to draw russell in this era of glasses & haircut combination #and i love sparks' tour photos too much to not give them some sort of tribute at least once #and honestly! i think this is my favourite drawing so far. might even beat out noisy boys #it turned out better than the vision i had of it in my mind!!! that NEVER happens. yet it did this time #(yet also i'm adding this to the series of me making my life harder for myself that it needs to be #because i insisted that the text has to be handwritten for WHATEVER reason. looks good tho so that's a win)#but also man. lil beethoven day tomorrow #i feel so sick about all three of the upcoming albums still and it brings me close to having an existential crisis #to think about how it's been almost a year already since i first heard LB. that's just soooo wrongggggg #i've already been thinking pretty hard abt these albums over the past couple of days (just like every day before that too tbh)#truly nothing else like them in this world. tune in tomorrow to see the madness unfold!!!#sparkstember 2024 #my art #goose monologues

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prac-ticalproblems · 1 day

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No one asked for this but I must do what I was born to do for my people.

MERC MOVIE GENRE FAVS + do they cry at movies?

[ Semi/Partial Historical, 1930’s - 1950’s movie picks! ]

Medic - documentary type, specifically medical/horror + no he’s too busy smiling ear to ear. His favorite film is Panic in the Streets! He will not explain why or where his enjoyment lies. (He just likes projecting on doctor characters.)

Heavy - action movies! ESPECIALLY BIG GUN. loves big gun. Someone pulls out a Tommy gun in the movie and he is now whispering quietly about the model, and it’s cons and pros while telling you the casing size and its rpm for 10 min + maybe a little bit. he won’t say anything if no one else says anything.

Pyro - Hates movies. Sitting still? No colors? No fire? He would just be bored. And a bored pyro is a Dangerous thing. - you looked away and the theater is on fire and everyone’s being evacuated. So that’s a no.

Scout - drama/comedy or just comedy, would have loved american pie with his heart and soul. Favorite movie is Monkey Business - yes, refuses to acknowledge it, will probably rat someone out so he’s not alone if he was asked about it.

Demo - commentary about society/drama movies. Favorite films are The Grapes Of Wrath, Boom Town, Gone with the Wind - YES, but that’s because he’s got his flask shoved down his throat. He will be kicked out before anything sad even happens. But the movies where he does get to finish them through? Oh hes talking about them for years down the line.

Soldier- war films and anti war films. Exclusively. Favorite film is A Matter of Life And Death. - pretty much but the only way he can cry is fully standing at attention in a salute. He needs to sit in the back or he will get kicked out.

Spy - ironically, I think he hates romance movies. They made him dream for something more. A better life where love wasn’t hard to stay with. Favorite film is obviously Casablanca. - no but he would brood and that’s worse.

Sniper - slow detective movies. Favorite director is Alfred Hitchcock. It’s partially do to his name alone. - no, he just thinks he’s too cool for it. (Cries about sad movie scene when he gets home, thinks the scene over 20 times, over analyzing it)

Engineer - westerns. This isn’t a surprise. ANYTHING with Gary Cooper in it. - very much no, but because he expresses himself too much for it to build up. the guy that talks the whole movie, and gasps when something happens. Not to the whole theater but at least 2 rows all hate him at any given time.

#tf2 mercs #tf2 engineer #tf2 scout #tf2 spy #tf2 heavy #tf2 pyro #tf2 demoman #tf2 medic #tf2 soldier #tf2 sniper #tf2 shitpost #team fortress 2 headcanons #I love them all.

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futturmanspookie · 3 days

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˗ˏˋBreak୨୧

Summary: Josh is feeling a bit needy during work, so you take a break and go see him at the janitor's closet. Pairing: Josh Futturman X GN!Reader Tags: Smut, sex on inappropriate places, penetration, complimenting, unprotected sex, Josh whines a lot. Word Account: 1k

A/n: Hey guys! i know i've been a long time without posting and i'm so sorry for that, i also know its a pretty short fic, mainly for me, and im sorry for this too! I've been through some shit and i really hope you enjoy this! Love yall 🫶🫶

-Nic

Your moans echo through the room. The insistent banging of the old product cabinet against the wall of the janitor's closet is getting more intense and a little louder.

How did you ended like this? Easy. It was Josh's fault. Like always.

The two of you have not had enough alone time this week. The last time you both even tried to make out, Gabe -Josh's father-, barged in saying it was taco Thursday.

Anyways, Josh needed your touch. So he did the most rational thing he could; Interrupt your job just so he could get a bit of attention.

"Hm... Babe." He said, stopping by your door and looking inside. He looked like a lost puppy in need of care. "Oh, sorry- No babe during work-" He mumbled.

"It's okay." You answered shrugging. He was acting a bit strange, that's for sure. It was clear he wanted something. "What do you need?" You ask softly, scanning his expression.

"Hm... I wanted you to... Go to the janitor's closet with me... There's something i really need to show you." He replied, and it sounded like a big excuse just to have you alone with him.

It's not like you're innocent anyway, so you agree to go with him. Even tho you already knew what was going to happen.

"So? What did you want to show me?" You ask, looking around at the peeling walls and old shelves that threaten to fall any moment.

Josh shrugs and smiles. Then he moves closer and seals your lips in a kiss. You wrap your arms around his neck and pull him closer, his hands instinctively gripping your hips and pushing your back against the nearest cabinet. He ran his tongue over your lower lip, parting them slowly and exploring your mouth with his tongue.

"We can get fired-" You whisper against his lips, your breath getting even heavier as your heart rate picked up.

"I don't care-" He replied, moving the kisses down your neck. He lets go of your hips, clumsily unbuckling his belt.

You sit up on the cabinet, not sure if it can support your weight. Josh carefully spreads your legs apart, kneads the soft flesh of your thighs over your jeans, then moves closer and kisses your lips softly.

"You're so pretty... I still can't believe you date me." He mumbled, smiling a bit and moving his kisses down your jaw and neck. You blushed and sighed, unbuttoning Josh's shirt slowly.

"I could say the same about you-" You whispered, kissing his lips softly and running your hand over his bare chest.

Josh was usually shy and insecure, but when he got horny, he started acting different. He gained a little more confidence and was able to say things without having to think of 12 better ways to say it. It excited you, more than you would ever admit.

Josh started kissing your neck, undoing your pants. "I've been thinking about you all day..." He whispered, it sounded a little desperate and whiny.

You bit down at your lower lip as Josh started pushing your pants down to your ankles. As soon as they were on the floor, he got between your legs and tugged his own pants and underwear down.

You looked down at his now exposed cock, the pink tip was leaking with precum and it was throbbing.

You blushed more and he slowly moved closer, pressing his tip against your entrance. "Can i?" He whispered in your ear.

You nodded quickly, anticipating him inside of you. He slowly pushed him, his hand tightening on your thigh. Josh sighed, his breath hot against your ear.

He started with slow thrusts, but they quickly got faster and deeper. Your hands held on Josh's back, your fingernails digging on it.

Josh's free hand found support on the wall, his whines getting needier with each thrust. "I love you-" He whimpered against your ear.

You instead of answering just buried your face in Josh's neck, trying to suppress your moans. The continuous pleasure and adrenaline left your mind hazy, you could swear this was your best fuck, ever.

Some items fall from the shelf above you, but it's not like either of you cared. Josh was so concentrated in how you felt around him, that he didn't cared to anything else, not even a bit. The world could explode and he would die happy.

He kissed your neck right above your ear, moaning lowly. "You're so pretty..." He whimpered, nuzzling against your skin.

His thrusts slowed down a bit, but he let out a long and loud whine as felt your walls clenching around his cock. You scratched on his back, moaning too.

"God- Babe... I'm close-" He whimpered, trying to keep it down. You nodded, humming lowly and clenching around him again.

His thrusts started to get unsteady and his whines started to get more breathless and hoarse. Your started to buck your hips forward, not being able to support the eagerness.

He thrusted deeply, biting your shoulder as spit his hot seed inside of you. Even after his orgasm, he kept fucking you.

Why? It was simple; He wanted you to cum. He wanted to feel you melting around him, trembling and crying out his name.

He moved his hand down and slowly started to stroke you, kissing your neck and shoulder.

"Cum for me... Please?" He asked, groaning softly as kept moving slowly.

Your breath was fast and shaky and you were moaning like a bitch. God, you loved Josh, you loved his face, his mouth, his dick, his hands... Everything on him. He was so hot and so good at pleasuring you, it's like you needed him.

Your moans got a bit louder scratching on his back again. He thrusted deeper, feeling you shudder and moan louder.

"Josh! Oh fuck!" You moaned, quickly feeling him covering your mouth with his hand as you finally released. It was the best orgasm of your life.

He pushed out slowly, kissing softly on your neck and smiling at you.

"Oh... What a mess we made..." He mumbled, smiling proudly as looked down at your legs.

"Shut up." You said, rolling your eyes.

"Sorry!" He replied, chuckling and pecking your lips.

You got up and started dressing, trying to make yourself presentable. You turned around and looked at your boyfriend, that had a big goofy smile and his pants down to his ankles.

"Don't forget zipping your pants." You said, pecking his lips and leaving.

#jhutch #josh hutcherson #josh futturman #clapton davis #derek danforth #jhutch1992 #mike schmidt #fanfic #future man #josh futturman x reader #josh futterman x reader #derek danforth smut #smut #mike schmidt smut

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ameagrice · 2 days

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Capsize

percy jackson x fem reader

chapter thirty-six | everything in its right place

It wasn’t a real spider. Not completely. But it moved like one over your hands, and so you’d thrown it so far away with one almighty shriek that the spider jumped—a tiny automaton thing, built by Hephaestus himself.

The whole thing felt like one, big joke on you.

It begun as a silver chain previously in Eurytion’s possession. He said he didn’t need it, and had no need to go into the Labyrinth or make contact with Hephaestus. If you needed to find the god, this would lead you right to him. At first, turning it over in your hands, you felt grateful that finally somebody was helping you properly. Until you pressed down on the tiny button in the middle, and it turned into a spider.

The good news: it led you straight to him. Right to Hephaestus’s doorstep. Or, entryway, for a better word. The spider had been scuttling and crawling along the tunnels for a good distance, enough so that you were starting to get tired. Percy had been nearly bouncing in place, both with anticipation for what you might find, and eagerness to get this over with; he wanted out as much as you and Grover.

If you weren’t so good at running, you might have lost the creepy little thing. By the time it finally stopped, all eight legs perched like broken wires, you were hot on its trail and pretty breathless. Grover slowed to a pace at your side, raising his hands to run over his sweaty t-zone from the exertion that was chasing the mechanical spider. Percy slid into your back, and brushed himself off like nothing happened.

You could have described it as developing a funny feeling that something was about to happen.

You stopped only because of one thing.

The giant cave, a spectacular hole in the ground inches away from the tips of your Converse. You watched from the corner of your eye Grover settling back from the jagged edge, and became aware of Percy’s fingers winding round your backpack. Human nature or stupid curiosity, you dug for your flashlight in your pocket, and leaned forward over the abyss. Percy tugged violently on your strap.

“Hey, come on, dont.” He sighed. “If you fall down there—”

“I’m not gonna fall down there!” You protest.

“Do you see with your own eyes right now? You’re literally leaning over a cavern.”

“I’m not gonna fall. But if I did I’d just take you down with me. For company ‘n all.” You drawl, turning to face him with a sly smile. Your brows jump, and Percy huffs, giving your bag one last tug until you avail, and step back.

“How kind,” he deadpans.

“I try my hardest.” You shrug.

“I think we have bigger problems than falling right now,” croaked Grover. He raised his flashlight and flicked it on and off to highlight the problem: a series of metal bars strung up to the ceiling, half-corroded.

You bark a sudden laugh at your luck. “Hope everyone’s had their tetanus shots!”

Between the rotting bars jammed into the cave roof, the tiny spider was swinging across with its strange silky webs, and crawling with its sticky feet across the ceiling. Unless you wanted to stay stuck down here at this junction, you’d have to follow it. And heights were not your speciality.

You clap your hands together; it echoes in the vast space. “So, any first takers” Neither boy answers you. “Brilliant. So, the thing is, I’d rather die than do the monkey bars. Do you guys see my arms? They weren’t made for this shit.”

“Have a little faith,” gulped Grover. “If a mechanical spider with no physical brain can do it, we totally can!”

“I like your enthusiasm!” Percy snapped his fingers. “It’s just the kind of leadership style we need!” He leaned forward and clapped Grover on the shoulder. “Onward, my friend!”

Grover tittered on the spot, and a nervous belch boasted loudly in the air. All the while he argued back and forth with Percy over how he should go first, you decided that it was best to shove down your nerves for the sake of the ever-furthering spider, and stepped back twice. The boys hardly noticed, caught up in their silly back-and-forth debate. You made your choice, and decided to make a run and jump for it.

The second your hands touched the first metal rung, they stung from the impact. You couldn’t prevent the shriek escaping your throat, but everything after that was blocked out. The brain has a funny way of focusing when it senses danger; it blocks out everything it deems unneeded. In this case, you knew though you couldn’t hear them that the boys were probably yelling something. You focussed on the strain in your shoulders, reaching forward for the next bar with halfway decent momentum. Halfway across, your palms started to sweat, and the panic set in even further.

“Guys—” you swallowed, choking on it. “What are the chances I die on impact? Don’t answer that—I already know the answer. It was in this book I read a while ago. It was 31,000 people in 2000. That’s the last time they looked at the statistics. They’ll probably go up—”. Your hand slipped from the bar, and you wiped your palm on your pants before reaching for the next one. You take deep breaths as your body is suddenly hit with panicked sweating and heat, and you know you’re not too far from a panic attack. There’s nothing anybody can do to help you here—it’s all on you. And it’s a horrible feeling knowing that.

It’s hard to move when your fingers start to tingle and grow stiff, another oncoming sign that your body has had enough, it’s working too hard. The brain works in tandem with the limbs—the control centre tells everything else what to do. If it says calm down, it’s going to calm down everything else; even hundreds of feet above a plunging cavern.

When you touch the ground again, you feel rather shaky. But there’s no proper time for rest, or to wait for the boys. The spider is scuttling further away, and it’s literally a race against time to catch up to it. With legs like jelly, you bolt as fast as you can after the spider, the tiny clicking of its mechanical legs sounding through the narrowing tunnel. It’s dark and damp, and your flashlight is beginning to flicker as the batteries run out. You lose all sight and sound of Percy and Grover, and your chest screams with the exertion of holding yourself above ground for so long and then moving instantly into a sprint.

The spider really doesn’t care, though.

You run and run, until something crunches under your feet. You ignore it until you can’t anymore, and gradually slow down, as the crunching becomes too loud. You bend down to inspect the pieces: wood chips, like from…pencils? There’s a shard of lead from the end of one just laying around, and another a bit away from it. Who the hell needs pencils down here? Is somebody else lost, too? The pieces slip through your fingers as you get to your feet, falling back down.

You pick up your flashlight from between your neck and shoulder where you’d been holding it, and twist it in your hand. The light still flickers, except this time it has enough of a glow to show you just who left the pencil scrapings.

Skeletons. Dead, very dead skeletons.

And they look a little different to the ones in gothic movies.

Some are white, like they’ve been bleached, but mainly they’re a weird yellow-brown and mottled, rotting away. They don’t smell, weirdly. They could almost be props. You’re not naive enough to believe that though.

A set of footsteps is growing louder nearing your position. It’s Percy, calling your name. And when he falls to step next to you, a hand on your shoulder, you can’t help but nodding grimly to the skeletons he hasn’t seen yet. You flash your light on them, and he gags.

“Let’s keep going,” you say, and nod to the literal light at the end of the tunnel. You can already see it opens into a big room. “I don’t wanna meet the thing that left those.”

You wait for Grover to catch up before you move on towards the bright light at the end of the tunnel. It feels weirdly intimate, all quiet and settled as you near it.

But…yeah, you take that back. Because you meet the thing that left those skeletons pretty quickly. Just when you thought things couldn’t get weirder down here.

You stop short, and can’t help your jaw dropping in disgust at the creature perched on the glittering dais on the far side of the room. With the body of a lion and the head of a woman, you quite honestly feel like vomming. She wore makeup like a clown, and her stringy hair was tied back way too tightly—how the hell did she even do her hair, with paws?

Grover gagged. It echoed. “Sphinx.”

You scrunch your nose in response. “Ooooh, are we talkin’ that weird thing that does riddles?”

“Funny way of putting it, but yes.”

You want to reply to Grover, but you’ve lost sight of the spider, your only way forward. You can hear it in the quiet, tapping away down the only exit: right next to the Sphinx.

You try your luck; you suck in a deep breath and make a run for it, but the creature is quicker than you are, and it dives down to block your path, roaring in your face with such ferocity that you’re left only with shock. Your face stings with the heat. You gag, and step back. Metal bars slammed down across the exit, and the way you’d come in, blocking your way out indefinitely. Looking longingly through the bars, you lost sight and sound of the spider, heart sinking.

When the bars were settled, the creature smiled. Somewhat horrifying, the voice to leave its mouth was on par. “Welcome, lucky contestants! Are you ready to play…GUESS THE RIDDLE?!”

Spotlights cranked into place and blinded Grover, who slapped a hand over his eyes. Canned applause blasted like there were a dozen soundbars in the room. Something popped from the ceiling, and glittering rained down, sparkling purple, pink and silver in the spotlight.

The Sphinx prowled the room and flicked back her head like you would tossing your hair over your shoulder. “Pass the test, demigods, and you get to advance! Fail, and I eat you for dinner! So! Who will be our contestant tonight?”

“Grover,” you point instantly, and then feel terrible because he looked rather sick. Coincidentally, both boys looked at you. “What, you think I’m smart enough for this shit?” You hiss.

“Absolutely!” Percy encouraged. “And we’ll be right here to fight for you!”

“Totally!” Nodded Grover. He reached into his pocket and produced a stick, and began munching on it instantly. A nervous habit, you’ve come to realise.

“How romantic,” you roll your eyes to Percy, but inside your stomach says SQUEEEEEEEEEEEEE!!! You deflated at the shoulders, and squeezed your flashlight between your fingers. Approaching the CONTESTANT podium, it wasn’t difficult to notice the dusty skeleton in a school uniform still leaning over the platform, jaw hanging open.

Holding your flashlight by the very end, you gave the skeleton a shove, and then a kick for good measure. It toppled off the side and clattered to the ground, bones rattling. You side-eyed it and quickly looked away. “So sorry, man.”

“Welcome, daughter of Athena!” The Sphinx cried in a cheesy, televised tone. “Are you ready for your questions?”

You point your flashlight at her. “Uhhhh—no.”

“I need an answer!”

“Sure, yeah. Give me the question, then.” At the side of the room, Percy sends you what is supposed to be an encouraging set of a thumbs-up, and a large smile, nodding his head.

“Riddles, actually, get it right dear. Anywho! Twenty riddles coming your way!” A drumroll sounded overhead, rattling your organs the bass was so deep. There may as well have been a band up in the ceiling. Hell, maybe there was. “What is…the Capital of Bulgaria?”

Embarrassingly, you almost fall flat. “Pffttt, I know this.”

“You know this!” Encouraged Percy from his place, except when you turned to look at him, he was leaning against the wall and sweating. Very encouraging. “You’ve got this, B!”

“Isn’t it, like Sofia, or something? And that isn’t even a riddle, that��s just basic knowledge—”

Applause screamed above. The Sphinx smiled too sweetly, and her sharp canines showed. “Correct! Now, mark down your answers in the booklet with the yellow pencil.”

You eye your empty hands. “What pencil—?” With a solid POP! the pencil, sharpened to a point, appeared on top of the little booklet like magic.

“Now,” said the Sphinx. “If you need to erase an answer, be sure to do it COMPLETELY! Or else the machine is unable to read the answers.” She smiled with closed eyes. A horrible sight, really. The nightmares will be anticipated, when you’re out of here.

Waving around your pencil, and growing slightly annoyed with the creature, you huff. “What machine?”

With a large paw, the Sphinx made a pointing movement to the giant bronze thing situation to the side. It had appeared under a spotlight, and was covered in the Greek letter Êta. If you weren’t wrong, that was Hephaestus’s mark.

Another nail in the coffin of life being a total joke.

“Now!” The Sphinx clapped her paws. “Next question!”

“Shit question,” you mumbled. You set your hands on either side of the podium and waited.

“I beg your pardon?” The Sphinx grew still instantly, clearly annoyed.

“Nothing. Continue.”

“What is the square root of sixteen?”

“Oh. I cant do math. Uhm…”

“Ten seconds on the clock!”

A loud and irritating ticking began with an audible countdown from invisible voices, making your eyes ring. Suddenly uncomfortable, you dip your head and discreetly look at Percy, whose hand moves at his side.

“Four?” You frown.

A bell rang off. “Correct! Which United States president signed the Civil Rights Act?”

“Lyndon. B. Johnson? I th—”

“Correct! Which planet spins clockwise?”

“Venus?”

“Which part of the human body is incapable of healing itself?”

“I think it’s your teeth?” You shift on your feet, feeling way too under pressure.

“Need a definite answer!” The Sphinx pointed to the ceiling with a paw, and the countdown began.

Tiredly, you drawl, “It’s your teeth.”

“Correct again! What comes into the world with more bones than the adult human?”

“A baby?”

“Correct!”

The questions go on, and on until your mind feels like a battered sieve, bent out of shape and a little corroded. You passed twenty questions, and stared at Percy, unimpressed, as a dozen layers of glitter and confetti rained down upon you. A techno electric song began blasting over the invisible speakers in celebration. Grover was taking deep breaths, mumbling under his breath, probably thanking the gods. When you found your place next to Percy, he huffed a laugh, and glitter shifted from your face as he did.

“Oh, you did great!” He offered. The metal bars ground out a horrid noise as they rose back to where they came from. “I knew you could do it.”

“You offered me up like paint at an artist’s house.”

Grover, still praying, took off with his eyes closed, doing a little jig. The Sphinx took a seat at dais, eyes closed. She looked somewhat frozen, barely breathing. When Grover passed on by, it was as if she’d never moved at all.

Clapping a hand down on your head, Percy shook the confetti and glitter like dust from your hair. “I’m sorry,” he said, though he said so with a humoured smile. “I’ll never do it again. Friends?”

“Suppose so,” you shrug, and glitter dances to the ground.

“Let’s go, disco ball. We need to find that spider.”

You skedaddled past the Sphinx whom paid you no mind, and out the tunnel way, leaving a trail of glitter. After a few wrong turns, and following Grover’s voice, and finally managed to locate your friend and the spider, which threw itself at a metal door, a little bit of light spilling out underneath it. In the middle of the door, old and creaking despite not touching it, was nailed a big sign, wilting like it had been melted, dashed with the same sign as the answering machine ten minutes ago: the Greek Êta.

“Are we ready to meet Hephaestus?” Grover asked nervously.

“I’m ready to ask why he spends his time down here,” you grumbled. “Why not somewhere nice?”

Deciding you’d done enough today, Percy reached out around you for the door handle, and gave it a good push. The door screamed, slowly opening, revealing all inside.

The room was bigger than words could describe. It was filled to the brim with machines and makings, some working, some not. There were cars, half-built just lying around, and bits of mechanical animals waiting to be put together. A fire burned in the corner of the room, not tended to though. A dozen tools hung from the walls and were splashed across work tables.

Nobody noticed him until the door slammed shut, you screamed, and he shifted out from underneath a car. A giant man in dirty work pants, and a leg in a metal brace.

“Well, what do we have here?” He boomed. Maybe it was wrong to be so terrified, but you were, and you found yourself shifting slowly, subtly, taking your place beside Percy.

Unfortunately, your slinking act didn’t last for long. When Hephaestus stood properly, he towered way over the three of you.

“I didn’t make you demigods, did I?”

Percy coughed. “No, sir.”

He was tall, and his beard was smoking. The metal spider perched on his head.

“Good. Terrible workmanship.”

“We’ve met, sir,” said Percy.

“Have we, now?” His tone indicated that he couldn’t care less. “Well, if I didn’t get rid of you the first time I won’t need to now, I suppose. And a Satyr. Wow. You’re all far from home. There better be a good reason for disturbing me.”

“We’re looking for Daedalus—”

The god’s beard flickered ten times brighter, and he seemed to get taller. “Daedalus?” He roared.

“Yes, sir, please.” Grover pleaded nervously.

“You’re wasting your time.” He stomped over to the corner of the room, and began to tinker with some pieces of metal. “I understand you met my mother.”

“Yes, sir,” Percy nodded.

“What did you think of her, daughter of Athena?” You jolt at your place, and wish the ground would open up and take you. Side-stepping, you remain half behind Percy, grimacing. “She’ll smile to your face and talk about important values, family values. Didn’t stop her pitching me off of Olympus.”

Why me? You wish you could ask. Why are you asking me?

“I thought that was Zeus?” Percy tries to deflect.

Hephaestus spun on his feet like a top, facing you. “She likes telling that version. Makes her more likeable doesn’t it? The truth is, my mother loves families, but only certain types of families. She influences, and she lobbies. She likes to get involved.”

Finally, he looked up from the metal in his large hands, and focused on Percy. “Oh, this one doesn’t like me. I’ll bite, demigod—what do you want?”

“We told you,” Percy snapped. “We need to find Daedalus. It’s important. There’s this guy, a son of Hermes, and he’s working with Kronos. They’re trying to find a way to navigate this maze to take over everywhere. If we don’t get to Daedalus first—”

“And I told you, son of Poseidon—you’re wasting your time. He won’t help you.”

Hephaestus shrugged his heavy shoulders. “Some of us are thrown off of cliffs and some of us learn not to trust people. Ask me for gold, or a new sword. I can grant you those things. But a way to Daedalus? Well, that’s an expensive favour.”

“So you know where he is?” Asked Grover. “He’s down here at least?”

“It isn’t wise to go looking.”

But isn’t looking the nature of wisdom?

Hephaestus made a deep, rumbling sigh. “If I help you, there will be a price. I need a favour, too.”

“Name it,” demanded Percy.

“You heroes! You like making your promises. How very…refreshing.” The god reached out with a giant hand to push a button in the wall, and it instantly changed. The concrete and metal combined twisted and glowed until it became a television screen, showing mountains, and a forest. Smoke bellowed from the background.

“One of my forges gone, but this used to be my favourite.”

“But that’s Mount St. Helens!” Pointed out Grover. “But you said it used to be your favourite?”

“Well, the monster, Typhon, is trapped there.”

“What do you want us to do? Fight him for you?” Ah, Percy; ever the brave.

Hephaestus snorted meanly. “Well that’s suicide. Someone or something is using my forges there. They sense me coming, and they go, when I try to search it. There is something ancient and evil waiting there, and I want to know who has invaded my territory.”

“You want us to find out who it is.”

“Correct!” Your brain aches, thinking back to the Sphinx. “Find what you can and report back to me, and then I’ll tell you everything I know. Promise.”

“Fine,” Percy nodded. “How do we get there?”

Hephaestus clapped his hands together, and the mechanical spider fell from the rafters, right at your feet. You jumped about ten feet in the air, and screamed so loud it was bolstered by the metal walls. “My creation will show the way. Try to stay alive, young ones. Humans are much more fragile than automatons.”

For a while, you followed the spider without any trouble. The paths seemed unusually normal, just straightforward tunnels of concrete, or metal park slides the whole way down. But the ground began to change to dirt, and trees sprouted in the darkness, and a singular tunnel led away from the original path—Grover was headed straight for it, as if in a trance. He slowed, and slowed and stopped, just before the entrance.

“Come on,” you groaned. “Let’s go, man, It’s not far.”

“This is the way, guys!” Grover mumbled. “This is it! I can feel it!”

“What way?” Probed Percy. “You don’t mean…you know he’s there? Pan? Really?”

“Yes!” He exclaimed, suddenly reinvigorated. “This is it, guys!”

You followed after the spider, intent on not losing it, but held back when neither Grover or Percy followed.

“I have to follow this. I won’t get this chance ever again. You know that, right?”

On the one hand, you wanted to tell Grover to not be selfish. This was the original quest and it was important. But on the other, saying that would mean you were being selfish, holding Grover back from the only thing he wanted. He’d gone along with your plan for a while now, and outwardly telling him that he shouldn’t be doing the one thing he’d ever wanted would feel like stabbing him.

“Percy,” said Grover, “we will find each other again. We have the empathy link, remember? I have to do this. I have to; he’s…so close!”

Because, at the end of the day, this was all Grover had wanted for so long. Really, it felt cruel to tell him no.

Percy sucked in a breath through his teeth. “I hope you’re right.”

“I swear it, I am.”

“Just be careful, yeah? And find us, afterwards.”

Maybe it was to be your last sight of Grover. Perhaps you’d never see him again, although you really didn’t want to think so. You looked after him, as he wandered into the tunnel surrounded by darkness and tree roots winding from the ground until finally he’d gone completely.

It left a strange feeling that something was going to happen.

“We shouldn’t have split up,” you shake your head. “This is a horrible idea!”

“We’ll see him again…” Percy tried to sound confident, but even he fell a little short. He chewed his cheek, still looking at the tunnel Grover had left through. “Don’t worry. Come on, let’s catch up with that spider. It won’t wait for us.”

And it didn’t. The tiny spider scuttled through tunnels and tunnels, down slopes and up them. They grew tighter, and hotter, until your face dripped with sweat. The flashlight slipped in your hand, and you’d been forced to put away your dagger for fear of it slipping away.

More than once you had to stop in place and wipe the sweat dripping into your eyes, sticky and slippy. Your hair grew damp, uncomfortable around your face.

Percy seemed to be struggling the same way. When you turned back to him, his cheeks were bright red like cherries, highlighting the green in his eyes. Somehow, he managed a smile, nodding encouragingly. You swallowed hard, throat as dry as anything.

“Keep going!” He urged. “It’s not far, now, I know it.”

You didn’t want to tell him that he was a little too optimistic for it to be true, but who were you to burst his bubble?

It realistically didnt take a long time, but it certainly felt like it did. Eventually, the spider stopped short and curled into a ball, rolling down a little decline before it popped back open, and crawled a small distance. At last it waited for you and Percy.

The room before you now was the size of a large football stadium, times two thousand. It was so big you could scarcely see each end. The worst part, when you pushed aside the fact that you couldn’t really see properly, was the fact the floor was not floor at all but a plaza of bubbling lava, and your only way to get across should the need arise was two lengths of metal bridges, which ultimately, if the pool of lava was anything to go by, would be too hot to walk across for human beings. Here and there on little platforms were machines bigger than you, rumbling, whirring. Perhaps they weren’t the weird things though—the creatures, dark and shapeless and moving around the solid concrete platform around the lava, paid you no mind. Maybe they’d yet to see you.

“Let’s go, while they’re not looking,” hissed Percy. He snatched up your hand and pulled you along, despite how sweaty you were.

“Hold up!” You pulled back on him, but he persevered. “Percy, wait! We need a plan.”

“We don’t need a plan. We just need to get some information and get out of here.”

“Exactly why we need a plan!”

Your eyes began to burn from the heat of the lava, and your lungs ached from the smoke. It became difficult to even see, so it didn’t take long at all for something to go wrong.

“Agh!” Percy screamed, and you reached out blindly in the smoky haze to slap your hand over his mouth—you missed, and your palm found his eyes instead. “Ow!”

“Shut up, idiot!” You couldn’t help but laugh. “What did you do?”

“Kicked a cart by accident. I can’t see a damn thing with all this smoke.”

Near enough four years ago, when you met Percy, you wouldn’t have thought you’d be creeping around a pit filled with lava and carrying a deadly weapon in your backpack. At most, you’d believed you’d go through high school and eventually Percy would find other friends. You would see each other in hallways in brief glances and walk on by. Maybe in another life. In a normal life, if you’d been born to both mortal parents. You might have even had a dog in the mix. It was strange to think about, as he pulled you down behind a crate, not caring even a little bit about your sweaty palm, or the fact that you’d accidentally slapped him in the face. Life worked in funny ways. The Fates certainly chose you two for a reason, though you couldn’t be sure what that reason was, yet. Maybe, when you’d asked to be born again, the Judges in the Underworld decided you needed some more excitement in your life. Or maybe they hated you, and you’d done wrong before, whoever you were before, because to be here now you’d have to have been here once—after seeing the Underworld with your own eyes, there was no more questioning life after death. Did you reach Elysium? Were you a nice person?

Being a demigod had its pros, its cons, and its questions. It enabled deep thinking.

“Come on, just go around it,” you nodded to the sight up ahead. Percy went to climb to his feet…

That was when you heard the voices.

“Shit! Get in the cart!”

Pulling back the tarp, stinging your fingers, Percy clambered over the edge and into the pile of metal pieces, flat and smooth between the hot cart. He raised his hands, holding up the tarp as you shot a hasty look in the direction of the voices; shadows were growing bigger on the wall. You flopped into the cart in an uncomfortable position of squashed-up legs, Percy’s longer set digging into your side. You tried to move over as far as you could to make room for him but really there wasn’t much point. He flipped the tarp over your heads, and together you held your breath.

It turned red. With the tarp now covering the pair of you, light from the flowing lava pit illuminated the red tarp, casting an amber glow.

Riptide? you mouthed to Percy. Your dagger sat in your backpack, crushed under your weight and between the cart.

He raised his hand ever so slightly, and twirled the pen in response.

“Bring it in?” One voice asked. It was deep.

“Yeah, movie’s just finished.”

Lowering your gaze from the side of the cart, you meet Percy’s. Movie?

Suddenly, the cart jerked, and tipped forward. You jostled into Percy, and thrust your hands out to either side of the cart. The metal was warm. You slammed your mouth shut, hoping nobody heard the surprised squeak.

“Hey! Thought you said this was a small load? Thing weighs a ton!”

Rude.

“It’s celestial bronze, idiot,” the other voice laughed. “What did you think, it’d be light? Hurry up and set it in the back, for crying out load. Hey, younglings! Watch the damn movie. I’ll answer your questions later.”

Had you found some secret school? Were people living here? Younglings didn’t sound very human, however. Nobody in their right mind would use that language.

But a movie did play. You strained your ears, trying to make some sort of sense of where you were. Growth spurts, and hygiene working in the forges.

“And lastly, don’t neglect your flipper hygiene!” The soapy voice rang over speakers. “Good flippers equal good mind!”

Percy spun Riptide between his fingers, dashing back and forth and swapping hands. His dark brows furrowed in concentration, tired eyes pinned on nothing in particular. They seemed brighter in here, somehow. More ‘calm before the storm’ rather than their usual ‘storm’.

“So, younglings, what is the correct name of our particular species? You, at the back!”

“Sea demons!” A voice cried.

“No,” the ‘teacher’ flatlined. “You?”

“Telekhines!” Another voice grumbled.

“Brill! And why are we here, guys?”

“Revenge! Revenge against the Greek god Zeus, for casting us down to Tartarus!”

“Indeed! And only after we created their weapons, might I add!”

So, you were dealing with a bunch of salty monsters. Great.

“Zeus cast us away,” the teacher continued in a mocking, sad voice. “Down to Tartarus. We had no control in this, young ones, no choice! Which is why now is our perfect time for a takeover! We will start here, in the very forges of Hephaestus! And soon after, the undersea furnaces, too!”

There was a huge uproar of applause and yells, some barking, some screaming. Terrible noise, honestly. And that was only the very tip of the iceberg.

You’d done your research after being at camp for so long. You’d come across their names, the Telekhines, but the gross result of the previous Titan takeover remained a subject to be avoided. To you, even reading about the ugliness of that period was enough, never mind looking at pictures of the creatures produced then. Maybe Ares was right, so long ago—you valued prettiness and vanity so much that you may as well have been a daughter of Aphrodite rather than Athena. Is that why your mother wouldn’t connect with you? Did she see her sister, rather than her daughter? Brains and beauty go hand-in-hand, but the Gods have their own set of values and expectations. You didn’t live up to too many of them. Maybe you were vain—perhaps a little too much. Probably ignorant, too.

On your head it was, then, that you had clue what you were up against.

“Who do we serve, Telekhines?”

“Kronos!”

“And when you all grow to full maturity, who will you serve? Whose army will you fight for?”

“Kronos!”

“Lovely. Now, at the back we have brought some scraps for you to practice making weapons with. Go ahead and take a look—but share! We don’t need any arguments today.”

You scrambled in place. Percy’s elbow kneaded into your stomach as he tried to set up Riptide early. Reflexively, your foot shot out at the feeling, and booted his knee cap. Your hand fell to his shoulder, urgently whispering, “backpack. Open my backpack!”

Alas, you both prepared too late. The tarp was thrown away by…human hands. Except the creatures they belonged to one-hundred percent were not human beings. A dozen faces looked in, with snouts like dogs, wet and slimy, and bodies of sea lions, all black and shiny.

“Demigods!” One growled.

“Eat them!” Cried another; from the back of group, there was a sound like nashers clashing.

Fortunately for you, they had also prepared too late. Riptide appeared in full form, and in one strong swoop, Percy decapitated the whole row. They disappeared in puffs of dust, sent straight back to where they came from.

“Back off!” Percy yelled, jabbing at another one.

You swung your arm back with your torch still in hand, and swatted one on the snout. It barked, but retreated, giving you the room you needed to clamber out of the cart.

You came face-to-face with a hunched over, crouching Telekhine with the features of a Doberman, snarling. Your shoes squeaked the further you backed up, right to Percy’s back. The back of his head very briefly knocked the top of yours. He had your back, and you most definitely had his. Very slyly, his free hand rose and made contact with your side, following the strap of your backpack and skimming across it blindly. What was he doing?

“New lesson, class,” said Percy. You clutched the flashlight harder, as the six-foot Telekhine began to advance, its fangs making an appearance briefly. The zipper of your bag jingled, and—ah, Percy was trying to get your dagger. “Monsters tend to vaporise when slashed with a celestial bronze sword. Just like this—!”

The Telekhines dove, driving Percy into gear. He abandoned your backpack, taking one firm swipe to the next set of monsters. They dissolved instantly, little clouds of ash and dust sending puffs in the air. The warm handle of Riptide was pressed into your palm straight after, and you dropped your flashlight. With both hands around the hilt, you swung the sword over your shoulder and back again like you would a baseball bat. The speed at which you did so enabled you to get a surprise hit on the advancing, taller monster, and you split him down the middle. Its essence went up like a bomb. The rest of the monsters were backed up, but you didn’t have long.

You threw the sword back to Percy blindly. Turning, he reached out a hand for yours. “Let’s go!” With eyes wide in anticipation and adrenaline, still furiously red in the face, he pulled you along. In tandem, you made a dive for the exit tunnel, where a door had been placed.

Bingo. Sliding into the safe space, you threw your body back against the door and held it in place while Percy’s deft hands made quick work of the wheel handle, spinning it until it locked. Monsters thudded on the other side, the sound like thunder in this winding tunnel.

Back in the open lava room, you noticed a couple of things that weren’t there before: one, four sea demons even taller than the rest, at least nine-feet; two, the statue and work of which they hammered away at in the middle of the room by the first bridge; three, the harsh language they spoke did not register in your mind. An old language, then. Old as hell.

“What are they making?” You muttered, trying to get a good look without exposing yourself. Sparks flew from the large piece of metal between them.

Percy sighed. “Whatever it is, it isn’t good. They were banished to Tartarus by Zeus for a reason. Now, I don’t like the guy, but I’m pretty sure he’d have a good enough reason for doing something like that.”

You’d nearly forgotten about the locked door at the end of the tunnel, until the creatures came falling through. Crawling over each other, they began to run towards you.

Percy grabbed you by the shoulders, sword dangerously close to your face. He’d never let it touch you, you trusted, but even the aura of it was unsettling so close to your skin. “Start running. Get a head start.”

You shook your head and scoffed. “Ha, no. We leave together.”

“We don’t have time to leave together!” He exclaimed, “I’m gonna hold them back while you get a head start. If you get to Hephaestus first, he might help us. Tell him what we found out, and I’ll be right behind. Got it?”

You liked to think, later, that the final look in Percy’s eyes was determination. It certainly seemed that way, storming bright, his mouth set firmly. You weren’t to fight a whole army with a flashlight and a dagger stuck deep in your bag with no time to grab it.

“Just go!” He ordered. You took a single step back, unsure, until he reached out with one strong hand and gave your shoulder a confident push. “I’ll be right behind you. I promise.”

The army advanced and by this point, the taller, grown ones had taken notice of what was happening. More of those came out of the walls, too, and the dark shapes from earlier finally paid attention to the two of you.

In one movement, not thinking at all, you threw yourself forward, and threw your arms firmly around Percy’s neck. He smelled like sweat and boy and dirt from being down in the maze for so long, but you didn’t care one bit. He was warm and solid and sure and here, and his free hand touched your back, before tugging on your shirt. You moved away, to see something not unlike real desperation on his face.

“Now go,” he ordered, one last time.

And you listened.

You made a run for the way you’d came, and the sounds of the forge were drowned out the further you ran away. At first, it was fine—lights like the metal ones of an old Cold War bunker lit your path. Nausea reigned, until you and your heaving chest took a break against a wall just for a second. You hadn’t gone too far, but the Telekhines weren’t here yet. Percy said he’d be right behind. You’d wait here for him.

Or you could go back.

Kneeling, you slid your bag from your back and unzipped it. Percy had moved the zipper not even halfway in his mission to get your dagger for you. It sat between your jacket and your packets of food. You pulled out a water bottle and sipped slowly. Shrugging your bag back on your shoulders, you waited a second on weak legs, trying to regain some strength.

The tunnel remained silent if you excused your laboured breathing. The lights on the ceiling began to flicker, dimming and brightening again, probably trying to move you along and change itself. It wouldn’t have been unsettling if Grover and Percy were with you, but they weren’t, and you felt completely alone in this maze despite knowing they were still down here too. You laid your hand on your forehead and ran it through your sweaty hairline, trying to wipe the remains of your overheating from your face. As you did, and slowly got to your feet, the lights flickered even more intensely.

That was just before the ground began to shake. At first it was a tiny amount of trembling, and soundless, beneath your feet. Its intensity grew in size pretty quickly, from a little shaking to full-blown rumbling, like an explosion was popping off and heading your way. You stepped back once, trying to make sense of the direction, and only looked up the way you came just as the lights went out silently. It was like a bomb exploded, or some part of the tunnel had blown apart. A fierce gush of wind blew, so forceful you had no choice in being shoved to the wall, hot air hitting you square in the face. Bits of debris and dirt were blown in your eyes, gritting and painful. Just as it began, it ended, and the sound of the maze changing again came through loud and clear.

Which left you with two bouts of knowledge:

One: Percy had definitely just been killed.

and Two: you were totally, utterly lost, without even a flashlight.

Standing in the aftermath of hot, diffusing air from the direction of the forges, breathing in bits of explosion, there was absolutely no denying that your best friend had just been blown to smithereens. Nobody survived an explosion like that. Nobody.

Even so, your mind turned on autopilot. What happened after the explosion was numbed and distorted, like looking through murky water and only half-awake.

“No,” you mumbled, “no, no, no. Not happening. This isn’t happening. This isn’t happening.”

Horror began to sink in, and you felt suddenly extremely, permanently wounded. Percy was, without a doubt, very, very dead. You scarcely moved, scarcely breathed. Staring at a wall replacing what you thought was where you came from, but now couldn’t be completely sure, because you’d dropped your flashlight back in the blown-up cavern, and your best friend was lying in bits and pieces of body somewhere you couldn’t reach. The mind runs rampant in panic. All you could think of was blood, and bones.

You might have screamed. You thought you did. Your throat turns sore and raw, and you figure you’ve been screaming for a while in the darkness on your own.

How strange it was that Percy had been the only thing keeping you safe this whole time. Without him, you feel exposed even when nothing can see you. They can definitely sense you. You hear something coming, like a body being dragged along the ground, and decide now would be a good time to get up and go. But your hands and feet are numb and tingling, evidence of a panic attack. Your head swims without sight, and you can’t feel the wall when you touch your fingers to it.

Your feet hurt when they take step after step until you’re running, dragging your fingers blindly along the dark tunnel as some semblance of a path finder. The walls change, and twice you fall. It’s embarrassing, scraping your chin on brick, eating dirt. You stumble up stairs, walk through cobwebs and feel things crawling up your neck, and scream now and again out of sheer annoyance, sheer exhaustion. You begin to pray, muttering insanely under your breath to anyone who will listen: first your mom, and you beg her to forgive any doubts you had. Then you beg Hermes, the patron of travellers, to at least give you direction here. And finally Ares, because the only thing fuelling your body is determination to not die down here.

Someone has your back.

Just as you’re beginning to freak out again, you feel the wall begin to curve around, and dip. And…grow…lighter? And it is, growing lighter. There’s a glow coming from a door at the end of the tunnel, and you’ve seen this door before.

You’ve made it back to Hephaestus’s workshop in one piece.

You think about knocking. And then you realise how stupid that idea is, and burst right in.

Heaving, sweating, and rubbing your sore chin, you stand wilting in the doorway of his workshop. He’s hanging from the ceiling on some sort of platform, but jumps down when he notices you.

“Ah,” he cleared his throat. “It’s you.” Hephaestus raises his hand to his beard and pats at it, putting out a great deal of fire burning there.

“Percy’s dead. And Grover is as good as.” You swallow, and kick the door shut blindly. “I want a way out of here, and you’re going to help me.”

“Look at you, making all the demands!” He laughs. It’s bellowing, and it rumbles the room. “Little demigod. Get a hold of yourself. You’re getting tears on my floor.”

You flinch in place at his cruelty. “My best friend just died!” You yell out. “Percy’s dead, because you told us to do something. This is your fault.”

Hephaestus looks up from the screwdriver in his hand, to meet your eyes head on. It’s like tiny fires are burning there. “Hold your tongue, daughter of Athena. It’s unbecoming. And I didn’t kill the other one—whatever was in there did that.”

“Telekhines,” you spat. A gritty tear rolls down your cheek. “That’s what’s in there. Or, was. It’s all blown apart now. So we went there for nothing. I hope you know they’re all against you. Kronos’s army is rising, and they’re coming for you.” And I can’t say I blame them.

He paused, raised a brow briefly, and scoffed. “Demigods don’t scare me.”

“No, but Kronos does. And he’s still coming whether you like it or not. You killed my friend. So I have a request.”

Hephaestus threw down the instrument in his hand, colliding with a metal worktop and echoing somewhat off the walls. You cringe, but refuse to back up. “Look at you, demigod, making all the requests.” He pauses for a moment. “But I cannot deny you, I suppose. You did as I asked. You want a way home.”

“Of course I want a way home,” you seethed.

He cocked his head and huffed. “Go out of here. Follow the tunnel left, and all the way down. You’ll find your way home, daughter of Athena.”

Without a ‘thank you’ you find yourself marching out of his workshop, abandoning the door. You do as he says, and it feels ridiculously easy, hand on the wall again and sliding your fingers across to follow the way it bends. Left, and all the way down. Your fingers hit a bump in the wall, and that little bump instantly begins to glow dark blue.

It makes you think of Percy, but you have no energy left to cry with.

Hephaestus wasn’t misleading you, then. Stepping away from the hole opening up over your head, dirt caves in and crumbles around your feet. A dirty ladder begins to shake its way out of the dirt wall, all the way up to the new gap in the earth.

You hear voices, as you heave up the ladder. It’s short, and doesn’t take long to reach the opening at the top, where a hand has reached down to help you up, a face peering in—Clarisse.

Her expression is one of apprehension, and it’s as serious and firm as ever. Her muddy eyes flick over your face, and you imagine you must look a state. Your chin still burns with your ground collision, cheek smarted.

For a second, as she pulls you with a strong hand from the Labyrinth, she doesn’t say anything. You barely look at Clarisse, crawling out of the hole. A distance away you can hear voices.

“They’re all patrolling that way,” she grumbled. “Bit of a stupid move on our part. You’re lucky I was here, and not…” she trails off. You’re not quite short who you were lucky she wasn’t to be, because you can’t find anything in yourself to question her.

Instead, you shake your head. Clarisse pulls you to your feet, and you’re vividly aware of the smell of camp, strawberries and the smell of the trees. The air is a cold shock above ground.

Finally you look up. You meet Clarisse’s somewhat concerned look. She stares expectantly.

“Percy’s dead,” you swallow. Clarisse’s eyes widen for a fraction of a second, then everything falls from her face. “Grover’s gone. And I need to talk to Chiron.”

“Wait—” you stumble past her, tearing your arm from her grip. The world feels blurred. “They’re—they’re both dead?! They’re gone?”

“That’s what I said, Clarisse!” You snap, raising your arm to wipe your eyes.

“We all thought that you’d be fine down there!” She follows after you. “You’re—capable, at the least! I don’t understand!”

You walk quickly through the woods, tearing past groups of people on guard, and some kids playing by the cabins. Up ahead is the Big House, your destination. People call your name when they see you, but there’s nothing left to answer them with.

You wished you could smiled, walking into the house. You wished Grover and Percy were right behind you, laughing at something stupid as usual. You might have been greeted by your friends with cheers, quest completed successfully.

Murphy’s Law says anything that can go wrong, will go wrong. If you have a handful of opportunities of things that can go wrong, the one most likely to cause damage will occur. You’ve deducted that Murphy’s Law is charging your life.

So, you walk the creaking, fading steps of the Big House and along the porch. You thought of Percy at the very beginning of all of this, recovering on this porch. It made you think of returning here after Bianca passed. You throw open the door, bordered by white drapes, met with silence.

“Hey,” calls Clarisse. “Hey, look, I know how you feel. But we should get you to the med bay first. You look about to pass out.”

And you feel it, too. But you can’t rest until you’ve settled this.

Chiron’s face lights up when he hears you, standing in the doorway. Brown eyes warm and welcoming sadly fade, like he knows.

You choke on a sudden flow of tears, the back of your hand flying to your mouth. “He’s dead,” you tell him outright. “Percy’s dead.”

That’s the most important thing to tell. Not that you didn’t find Daedalus, or that you insulted a god down there, nor that you abandoned Nico. After all, it is the worst thing imaginable, in your eyes. All-consuming horror, taking over every inch of you. Your best friend, your longest friend, is dead.

“He saved me,” you whisper shakily.

There’s a lot of hush on camp, after that. The daylight was already fading when you came up above ground again, and it’s nearly gone now, the sky a dull, sad shade of dark-blue. Clarisse declared the time to be six o’clock in the evening exactly when you climbed out of the Labyrinth. You spend two hours going over everything in excruciating detail, from the second you stepped foot in the maze and the meeting with Hera, the blown-up forge, and what you saw. Everything feels strange after spending, as Chiron tells you, a week in almost complete darkness, with no way to tell time, in a setting altering itself every few minutes. The distant sound of laughing campers and the kids playing by the lake are long gone, as if the whole camp knows what has happened—maybe they do know. But nobody can feel the grief you feel, the struggle to really accept what happened. Logically, Percy is very, extremely dead and gone. Your heart is beginning something to change.

You don’t sleep well that night. Chiron writes down every little thing you say, and has Clarisse bring up some food for dinner for you. It’s kind, and unusual for her. She keeps her gaze lowered the whole thing you’re there, but she isn’t mean, so that’s something.

It’s nearly nine o’clock, and you’ve washed and dressed, ready for sleep in the spare room on the third floor of the house. There’s absolutely no way you can face company tonight—you’re drained completely, and know the second you hit the pillow you’ll be out. Nursing a cup of hot chocolate with extra marshmallows per Chiron’s sympathy, you settle at the table, swirling around the pink and white delicacies in your mug with a teaspoon. It’s a kind thought to make it for you, but you don’t need hot chocolate; you need to scream. You need to grab the nearest bat, and smash up the kitchen. You notice a rolling pin hanging from the wall…

“We need to talk about the maze,” says Chiron in a low tone.

It’s late and you want to sleep. “We already did.” You clink the spoon against the mug.

“It’s just…my dear, nobody navigates the maze like that. The way you described, coming back in the dark… Chris Rodriguez and Clarisse were down there for weeks, separated, and neither managed to find a way out alone. Someone found them. Alone, they might have been stuck down there for a lot longer than they were. They were the last people to go down before yourself, Percy and Grover. You walked alone, and found your way not only to the workshop, but back out of the maze again in one short go.” He pauses. “How did you do it?”

You swallow and breathe in order to ebb away the annoyance you’re feeling a lot of. You shrug. “I uh…I just knew what to do. Hephaestus told me which way to go before Clarisse found me but—well, I just walked the rest. Couldn’t see a damn thing.”

“You just knew?” He repeats. Raising your head, Chiron is frowning deeply. “To me, it doesn’t seem right. Put it this way, my dear—nobody has been able to navigate the maze like that since Luke.”

You slam down the mug in an instant on the hard wood table, spilling the contents all over the table, dripping to the floor. “Alright, so you think I’m working with Luke? Because I walked a couple of tunnels alone? If you really believe after my best friend was killed by the very people Luke is working with, that I’d work with that guy, your head needs a good tap, no offence.” You stand up swiftly, knocking the chair back. He calls your name but you ignore it and stomp up the stairs to your temporary bedroom.

In there, you lock the door, get on your knees, and pray. Your tears soak your clasped hands at the side of the bed. You get on your knees, and you beg.

I’ve added the song ‘everything in its right place’ by Radiohead to the capsize playlist on Spotify if you want to give it a listen! Figured it worked well with the end of this chapter. After all, these things are Fated to unravel whether our main gal likes it or not ☺️ the song absolutely hits me in the gut. It’s the epitome of ‘oh, it didn’t go the way you planned? tough. it’s meant to be this way’ and the realisation that things are falling as they should.

taglist:

@bl6o6dy @embersparklz @lilyevanswhore @rottenstyx @rory-cakes @i-am-scared-and-useless-bisexual @marshmallow12435 @lantsovheiress @distinguishedmakerpandapatrol @twsssmlmaa @gayandfairycore @padsfirewhisky @emu281 @charlesswife @jessiegerl @tojismassivemantiddies @xx-all-purpose-nerd-xx @nothankyou138 @obxstiles @mxltifxnd0m @cxcilla @itzjustj-1000 @sp00kcanwrite @randomesthings @fratbrochrisgf

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