╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher
The most insidious thing about depression I think is that it makes you believe that it will always be there and nothing will change.
But I promise you,, that's not true.
There are still things in the world that will bring you joy, even if it's just for a moment.
Your favourite parts of the world are still there, even if you can't see them.
There's also a million other parts of life to fall in love with that you haven't met yet.
Collect those things and moments like trinkets as you find them and keep them in reach when you need them. If you can't find them, go looking for more.
I know it seems impossible but I promise you'll feel even the tiniest bit better someday and it's worth everything to hang on for <3
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saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.
"why don't we see laurent's schemes in kings rising? why does he act so helpless, like a puppet?" idk maybe because laurent & damen are no longer friends for the entire first half of kings rising so laurent is back to being completely alone and after prince's gambit he has no idea what to do without damen beside him. maybe bc laurent is not actually the domino master of the series. the regent is. maybe bc laurent is (canonically) behind in the game and the only reason he ever had a chance of winning is literally bc not him nor his uncle can ever predict wtf damen is going to do next. this is textual btw i am not making shit up. just as the "captive prince" is both damen and laurent, the "prince's gambit" is both laurent's and damen's gambit.
Step-mom reader secretly getting taken advatge of by her step son every monday-riday night when her husband is away
I feel like you’d really like my oc Atsuko haHAHAHHSJFKF Check him out when you have the chance!!
as for step family, this bloggie is an incest!! fanblog!! (/j) no but like I prefer writing full cest now bc if I’m gonna write it I might as well do it well yk? ♡♡ and yea yea when it comes to it atsu is all of this and more
remade this again because im angry and mindless editing lessened it
So. That new announcement. And the fact its an adaptation of the animated trilogy, not a continuation or any innovation.
Yeah. Im just gonna watch the actual httyd1 and pretend that never happened.
Dont fall for the nostalgia bait bros, let that scheme shrivel up and die.
Incoming rant below about this
-...-...-...-
People already know the reasons why its going to be shit so I wont say it again
Considering how Dean has completely misinterpreted the major themes of the first movie, I cant trust him at all with this one nor would I want to
Powell made a perfect masterpiece with the og, idk what else he would do or add on with this one but i can only hope ig, but even then-
Seriously, what else is there to add? The story is tight. Maybe a little more of Toothless' perspective, giving him more scenes of agency and character, but does Dean even still see him as more than a baby pet?? Does he even give a rat's ass about aLL THAT???? HAHHAHAHHAHA
Just. We all know its not gonna work. I have an inkling that all "show dont tell" sequences are just going to get marred or removed of all nuance. I do not want to see Downed Dragon, Forbidden Friendship, New Tail, Test Drive, or Romantic Flight or practically any of the scenes that made me love this movie get a poor imitation.
You really think live action can mimic the body language, gestures, tHE WAY THE DRAGONS FLY in the first movie or miraciously somehow make it even better? You really think the music of the first could even be topped? YOU THINK THE CINEMATOGRAPHY, THE SHOTS AND LIGHTING WOULD BE COPIED??
Either way, at the end of the day, they already know they cant beat the original movie. All they need to do is horrendously mimic some parts to keep your interest, whether its a beloved scene or music. You're not watching the new one because you love the new, you're gonna watch it because you loved the original.
I really hope it either gets dropped, sent to development hell, or ends so bad that they cant make more. Please please please i hope it gets the ATLA movie treatment
Just when I thought Puss in Boots and Bad Guys were gonna start a Dreamworks Renaissance, this shit happens.
Stop ruining the movies i adore and love, please and thank you
the difference between zosopp and sanuso (romantic OR platonic) is that Usopp is Zoro's specialest little guy and Zoro is someone Usopp hangs out with and looks up to and hides behind when things get scary, but Sanji and Usopp are best friends. They horse around, they beat each other up, they confide their worst fears trying to one up each other. Usopp hides behind Sanji sometimes, sure, but idk, Sanji's weaknesses are more obvious (bugs, fighting women, etc) so there are times when Usopp has to stand in front of Sanji too, yknow?
Like, how do I say this, all the crewmates are equal- Usopp and Zoro are equals- but with Sanji it feels like more... comradery? Zoro's a rock in a terrible storm- even rocks tend to get weathered and chipped and worn down, but they overall stay strong and steady. He has trouble being vulnerable and there are times when the burden he's placed on himself to keep the crew safe is crushing his chest. Usopp would help with that and be very understanding, but the point I'm trying to get with that is that those moments are few and far between. So I feel like Usopp, especially after Water 7, would take Zoro's lead on something like that, and keep most of his worries to himself or only talk about them sparingly unless they're really bad and/or he can't hide them.
Sanji is like a tree in a storm; he can be strong, yes, but it feels like he bends and sways with the storm, and has more obvious breaking points. He can relate more to Usopp's struggles rather than resorting to blunt honesty that might border on callous like Zoro. And while, with Zosopp, I tend to think of scenarios with Zoro being blunt like that as a good thing- because sometimes when you're spiraling, it's nice to have someone say exactly what's great about you and shoot down all your worries with straight facts that you can't argue with- I can also see this as being a bad thing. Anxiety can really twist up your brain sometimes, you know? And despite the words, the tone could still mess someone up if they're already feeling like a burden on others in some way.
With Sanuso it's a lot more understanding and thoughtful words. It's distractions and comfort food and patience- the kind reserved for Usopp- until Usopp talks about whatever's troubling him. Compared to Zosopp, it doesn't take as long for Usopp to open up, since he's done the same thing to Sanji at times and it's more familiar to him to talk and commiserate with Sanji about his worries and doubts and such. However, there are times stuff like this has absolutely no effect and Sanji will end up at a loss, no idea what to do or how to help over the course of several days with Usopp being quiet and keeping his distance, and he'll end up working himself up about it which will only serve to make Usopp feel worse and. yeah. bit of a vicious cycle with them.
So it's like. Usopp can be weak with both of them, but since I see Sanji as the type of guy who'd be more open with his worries (at least compared to Zoro), there's less of a need to 'perform' and be his best self around him. He's comfortable around Zoro, yes, but he is constantly wanting to show that he won't be a problem to him. On the other hand, while he's more open with Sanji, and Sanji with him, they tend to relate a bit too much with each other and they both have issues with causing trouble for others and being 'deserving of love' so failed attempts at consoling one hurts the other and creates an unpleasant cycle of misery and avoidance before some other crewmate (Zoro) tells them to quit being stupid and just fucking talk to each other.