Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much
He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks
He even parallels Hawks when they talk about that particular look in their eye
From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,
He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running
When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.
This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.
Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.
Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.
Kudo is a bit like Aizawa.
A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?
His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)
He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)
He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)
He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.
Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.
The first thing they perceive is a person's character.
When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.
Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.
Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.
If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."
Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.
Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.
It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.
When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.
Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.
The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.
When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive
He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*
En tried going first. Kudo rejected him, saying he would go first.
"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."
Too. TOO.
KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.
I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,
- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first
- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.
- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.
He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP
(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])
- "Too."
- Bruce's trust in him, but knowing when to pull Kudo back from going too far
Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is
1) Take away the recoil of his existence as a Factor on the boy
2) Reassure him that it's okay, so it doesn't weigh on his conscience
Even if only in thought, STILL!
KUDO LOOKED SO PROUD OF MIDORIYA!
I bet Kudo is suuuch a sentimental fool
> [Be me and watch your new friend die]
> [I have Yoichi's Factor]
> [It's like I carry his will now]
> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]
> [Hey Bruce, let's figure out how it transfers]
> [Bruce's common sense VS my rabid ideas]
> [I win]
> [Bruce was unwilling the whole time and still ends up with the Factor]
> [The Factor is named One For All, after something in Yoichi's favorite comic book series]
> [We pass it on to the future to carry forward]
> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]
> [Decades later, my sweet vaulted friend reminds me of when we met]
> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]
SEN - TIM - ENT - AL!
When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.
Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.
All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.
[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?
Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.
He explains
- the transfer of vestiges, and why he should go first
- his Quirk
- why Quirks are Quirks
- reports to Midoriya what's happening and what's next
- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"
When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.
Eye reflection. Kudo can really see people for who they are, and understands others, and himself.
I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes
It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.
AFO never reflected anyone.
But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.
"Yoichi?"
"He's gone."
"You killed him, Demon Lord."
And AFO hated that reminder.
Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.
And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.
Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.
He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.
Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.
Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.
Kudo's lying about the world being black and white.
Kudo and Bruce saw the world as black and white. This was mentioned in the void.
Kudo also says, "Victory meant life. Defeat meant death."
But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.
Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.
Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.
Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.
Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.
Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.
Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.
But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.
Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.
Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.
Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.
He wishes the world was black and white, because it'd be so easy. But it's not.
Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.
Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)
109 notes
·
View notes
Happy One Year Anniversary to Boy King AU!!!! 🎉
Okay wait before I start talking, look at these close ups and the process!! Aren't they so beautiful aaaahhhh
Wow, can you believe it’s really been a whole entire year since my very first post about this AU? Well technically I first started talking about the statuette a day earlier, but the very first sketch was exactly a year ago!! Let us not forget the incredibly prophetic tag on that post: “also in the sense of this au i think the only ship that would work(historically accurate wise) is Vettonso.” Who knew that after that my entire life would devolve into vettonso, this specific period of history, and the lovely combo which is Boy King AU. Also wow this means it’s taken me almost a whole entire year to actually draw a joint portrait of them hahaha. I drew this sketch around the beginning of the AU, but never finished it. It’s fine though because this one is a lot better, and I’m in love with it. Took me a year to draw a couple portrait, and took me almost a whole entire month to finish said piece.
Okay let me explain this piece, which I am very obsessed with!!! I dragged the process out more than I usually would, but I’m glad, because it was so enjoyable. But also look at that fucking crown, no wonder this took almost a month. Usually I’d write like 50 paragraphs detailing the characterization. HOWEVER! I’ve spent over a month writing little bits of characterization, mostly for fun, but also in preparation for this very post. A lot of the earlier ones, I had this drawing in mind, thinking on how I could expand on the ideas I was drawing. Though there’s definitely some things I could still write about. I’ll probably continue to write more Lore a Days, but yeah, they basically amounted to this drawing where you can actually see the characterization I was talking about displayed. Anyways, here are the explanations of bits in the drawing:
First of all, this is some part of the long process of their wedding. Look at the married couple!! Look at their rings!!!
Okay, but why are there two, almost identical looking pieces?? Because look at their hands!! I talked a lot about how Fernando is the one to give out affection more easily, especially in public, where he knows he can easily fluster Seb. He’s acting all grumpy and out of it, I mean to be fair, it’s probably been such a long ceremony across weeks. But he notices Seb is out of it too, just better at keeping his smile (let’s be honest, even if he’s distracted, he’s super smug.) So Fernando catches him off guard by squeezing his hand. Before that, as you can see, Fernando is just resting his hand on Seb’s outstretched palm, like that one scene from Succession. Very: yes I’m getting married, but I’m not happy about it. The combination of Fernando refusing to even touch him more than lightly beforehand but now going full force, them being in public, and Seb already being distracted catches Seb so off guard he has to try to cover his blush with his fan. He thought Fernando was being super impolite, but now he’s the impolite one!! Getting all blushy and giggly over a simple display of affection, perhaps even ha-
So. Their crowns. Seb’s wearing the crown of Austria, because he is in fact only a king still! Also, because I really wanted to try drawing it after I wimped out of it before in this drawing. Fernando’s a king as well by the point, but the fact he’s wearing only a tiara-like hairpiece is to represent how much of an outsider he still is. At this moment, he’s just Seb’s wi- ,I mean husband, to all these guests. Of course this bitch wears a black veil instead of a white one, to signal that he’s mourning the loss of his autonomy and personhood. Don’t worry too much about his mental state though, considering he’s not depressed enough to be able to resist teasing Seb.
The fan, oh my god. Back in this era, people would gift/make fans for basically any occasion. To symbolize an event, to celebrate something, to show a story, etc etc. I wish I could have drawn something more narrative, but I think the bull vs. horse is good enough. Also you can see those same symbols on the pendants they’re wearing!! I’m so happy when I can fit irl, modern stuff like that into these drawings, it feels so clever!!
It’s so funny, I wrote a lore a day from a prompt about what they’d be like when doing a joint portrait, while I was already almost through painting a dual portrait of my own! So I got to explain some stuff like their clothing colors and poses before I even posted this. I feel very coy about that still honestly.
Hmmm what else? It feels so weird to not expand on the characterization, considering I already did it for myself weeks in advance. I can’t imagine what it’s like opening this read more, and seeing more than 10 in-text citations. Happy reading!!!
Happy anniversary to this wonderful, crazy AU that makes me download 500pg German papers about 18th century etiquette. I drew a couple pieces of fanart before this AU, but I definitely think it jumpstarted my insanity about drawing/making AUs, and literally is what made me insane about Vettonso in the first place. Remember, if I hadn’t learned about Joseph I/Charles VI, most of my blog probably wouldn’t exist in it's current form. Thank you if you’ve stuck around since the beginning, or if you’re even just learning about it now!! It’s so incredibly niche but I’ve had so much fun researching and building this world and these characterizations, and I hope you’ve enjoyed what I’ve made in the process. I hope I can draw/write many more things in the future. I think next, I’m gonna maybe open up requests. I’d like to try to either write ficlets or draw chibi comics about specific Lore a Day posts on request. I think that’d be a lot of fun, but also will probably kill me. We’ll see!! Anyways. PPlease enjoy this absolute labor of love, which is a result of a year’s worth of work.
64 notes
·
View notes
jouno’s eyelashes - a quick analysis
yes im analyzing jouno’s eyelashes. im obsessed with him what can i say.
one thing i’ve noticed throughout my many rereads of jouno’s segments of the manga is that he is actually given eyelashes in a lot of the panels he is present in! often times they’re just thin white lines but they’re definitely there. here are some examples.
now, if we recall back to what harukawa said about eyes a long time ago:
the darker ones eyes are, the more tainted or corrupted a person is. someone who is doing good and/or feeling good may have whiter eyes. to rephrase, one who’s eyes are dark are typically doing something corrupt and/or are in an emotionally bad state. we see this numerous times throughout the manga with many characters, the shade of their eyes changes with their emotion at the time usually.
now what does this have to do with jouno? well, i believe his eyelashes are used to display his intentions since he keeps his eyes closed constantly.
now, there are definitely some exceptions to this. panels where his eyelashes are small could be hard to colour this way, so im looking past a few instances for that purpose.
anyways, i believe looking at his eyelashes in this perspective also hints towards his betrayal of fukuchi, since you can see he has good intent. more on this later.
i'd also like to preface this by reminding you that jouno believed he was in the right with most things he did. he was sure the agency was in the wrong for a long time, times where his lashes were white while dealing with the agency was likely because he believed himself to be doing what is good.
now, starting with his debut in chapter 57, his eyelids are almost completely black as he arrests dazai
his eyelashes appear a bit darker as he torments people i find.
such as shortly after he slices kunikida's notebook and asks tetchou to kill yosano.
one scene i actually want to put a lot of emphasis on here is chapter 78's interaction between jouno and kunikida.
here is his face when he first walks in, he's simply making small talk over how a terrorist attack is awful
we can see his lashes pretty well.
we can also see it well when he's talking about his asian pear. maybe he just really likes them.
however, as the conversation progresses onto tormenting kunikida, his eyelids casually grow darker.
they're not completely black yet, but you can tell he is enjoying bothering kunikida despite his claim of innocence.
after this, you can see his lashes are a little brighter as he announces that yosano is going to be executed.
this makes sense remembering that he is under the belief that yosano is guilty of terrorism and is getting the punishment he believes she deserves.
after this, jouno walks away as kunikida cries out in anger.
his eyelashes are almost completely black here, likely because he is getting nothing but personal enjoyment out of kunikida's grief. he isn't doing good by this and this could definitely be seen as corrupt behaviour.
a huge contrast to what i've been saying falls in chapters 71 and 72, the cafe scenes.
you can see the white of his eyelashes in nearly every panel he's in.
what makes this different than when he was bothering kunikida is that bothering the cafe owner was moving his case forward. he believed he was pursuing justice and doing what is right by extracting important information here; as opposed to doing nothing but mentally torturing someone who isn't improving his case. from his perspective, his actions weren't tainted in anyway except possibly approach, but since he was doing what was right his eyelids were painted white.
another example of this is in chapters 60 and 61, when he is fighting the agency for the first time.
and when the agency escapes and he's surprised to find out the pursued terrorist group would have allies in chapter 62.
i found that these three chapters had a lot of small panels where you couldn't really see the detail of his eyes, but generally they were white as he caught the criminals. they were also white as they escaped, since he was likely confused that people were easily supporting the group he perceived as evil.
my last example of this is his eyes being very white as he tortures the bank robbers in the flashback scenes in chapter 92.5.
he believes that he is seeking justice here. the robber gets what they deserve, and his intentions are what he believes in just which explains his eyes being white.
anyways, to summarize this all: jouno's eyelashes colour often displays his morality. his lashes seem to be coloured more white when he is doing what is morally right from his perspective. even if what he is doing is considered brutal by most, his eyes glow white if it is in pursing of justice or good. in contrast, if what he is doing has no overall benefit and he is just distressing someone for purely his own enjoyment, his eyelids often are coloured much darker.
however, as i said above i believe this subtly hinted at jouno's betrayal of fukuchi.
in chapter 92, we can still see by his eyelashes that he has the right intentions when hunting for the agency.
and towards the end of the chapter we see his eyes still have a small white streak, implying his bluff on actually being willing to switch to the other side. at the same time, the thinness of the lash could be so small because he is lying to his superior as well, which i suppose could also be seen as tainted behaviour.
however, after fukuchi's plan is unraveled we see the brightness shine again.
as i stated above, when he isn't doing what he believes is right or is tormenting people for no reason but his own enjoyment, his eyes look black. but if you look at the image below you can see his eyes are partially coloured white, hinting that he was going to do what was right. it is subtle colouring, i assume that is partially due to the fact that his face was rather small on the page. but regardless it is still noticeable.
and what do we know? he did switch up and betray fukuchi shortly after saying this.
with that in mind, there's one scene i deliberately avoided bringing up until now; the scene i believe heavily tries to avoid hinting at jouno's betrayal of fukuchi. im referring to the scene where jouno confronts aya.
as i said, if jouno is acting corrupt towards someone for his own fun, his eyelids are dark, but if he's doing something that he believes is just his lashes remain partially white. i believe that out of context his eyes would likely be black as he torments aya, however since he secretly had good intention they would have actually been white.
however, the readers had yet to know the context of his approach until the end of chapter 93, so they needed to hide the fact that he may have had good intent here.
so harukawa kept his eyes covered (or coloured his face differently) throughout the scene.
the most we see of his face in this whole scene is his side profile, which is small enough to not need to colour his eyelashes in.
i believe this was an intentional choice to keep the readers from guessing that he was doing something he believes is right here.
anyways, to sum up this segment i believe that jouno's eyelashes in chapter 92-92.5 subtly hinted at the fact that he was indeed siding with aya and was preparing to betray fukuchi.
in conclusion, i believe jouno's eyelashes hint at his true intent a lot. they show that he is a good person hiding behind a facade. the shading of his eyelids is a lot more subtle than how most character's eyes look in the manga, which i believe helps add more to jouno's somewhat moral ambiguity. he is an incredibly well-written character and i can't wait to see more of him!
170 notes
·
View notes
I have. So many questions about your version of Tarre but I will try to keep it short
How did the Mando's react when they found out that he was a Jedi?
How did his first Jedi Master die?
Did Tarre manage to finish the tapestry (the one he was trying to finish before the meeting) before the due date or?
Did Tarre one day look up and ask his close circle of Mandos if he was the Mando'alor and said circle had to awkwardly tell him he had been the Mando'alor for a while and they were technically his advisors?
HOW was your Tarre adopted by the Jedi - assuming he has always been a Mando even if he did practice much of the culture? Did he accidentally run away as a toddler and end up in a cargo ship across the galaxy in enemy zone? Did he accidentally set fire at 3 separate houses in the Vizsla Clan and they decided to set him against the Jedi (and did it work even if only for a temple)? Tell me pleaseeee
Also sorry if this is stupid I assume that Tarre has always been a Mando or is he a convert (and if so was it via the god haunting him or was it after he went on the self-imposed exile while everyone thought he was dead)? I'm asking this to make sure I understood everything correctly
okay okay okay. well, let me preface this with saying that I am 1) INCREDIBLY stoked to see someone as invested in cringefail jedi Tarre as I am and 2) I have an incredibly detailed account of Tarre's life in my mind (that I might one day write down in fic form) so you don't know the beast you just unleashed
how did the Mandos react when they found out he was a Jedi?
well, it depends a bit on which Mando. the guy that for a while was his Alor and then became his second in command figured it out on his own after Tarre was a bit too weird about certain things for a bit too long. He mainly was put out that Tarre never trusted him enough to tell him (even tho Tarre himself probably assumed he'd just left the jedi order at that point). Also, it explained just a lot of the general weirdness of the guy, so if anything it cleared things up.
The rest of their inner circle figured it out some time afterward when Fay just appeared in the middle of their dining room, calling him out on his bullshit. I think they were too mortified to see her immediately do a 180° and start a custody war with a literal force-deity to react, really. And again, Tarre being a Jedi explained more questions than it raised (at that point he'd had probably a literal decade of raking up a history of being That Weird Guy TM)
And the rest of Mandalore's populace... I genuinely think many of them might never have known? At least not during their or Tarre's lifetime?
There might have been rumors, sure, but again, Tarre had already collected a lot of weird ass rumors about him by that time, so it kinda was just another one of those? At least this version of Tarre never went out and proclaimed he was a Jedi in some grand sort way. He was way too busy for that. Which I think would explain quite nicely how all subsequent generations of Mandalorians seem to put all emphasis on Tarre being Mand'alor and never really seem to mention his ties to the Order.
2. How did his first Master die?
His first Master, a rodian crèchemaster named Yuumba Doksa, died on a mission where they were supposed to investigate a sudden epidemic amongst settlers on a newly colonized planet. It turned out to be a bioengineered virus commissioned by the Sith, and despite the Force, Tarre had to watch his Master die before an effective treatment could be found. He himself also got infected with it, but because his genetic material was such a wild blend of things, his immune system was a lot more resistent to the virus.
3. Did Tarre finish the tapestry before the meeting?
No.
In retaliation, he just took his loom to all subsequent ones. That was the first in a long list of Weird Things He Just Does I Guess.
4. Did they have to tell him that?
Of course they did.
Actually, and this is getting down into the nitty gritty of my personal headcanons and worldbuilding around Tarre Vizsla, "Tarre Vizsla" started off as two people: Tarre on one side and Marek Vizsla (his alor-turned-second-in-command) on the other. Through a bit of a miscommunication at some point, the spokesperson persona the both were operating under got the name Tarre Vizsla, even though Tarre at that point wasn't a member of aliit Vizsla. House Vizsla yes, but not the Clan. That came later.
So for way too long Tarre just assumed that all these things they were doing, he was doing under a shared name, sure, but they still were two people and Marek was the higher ranking one of them, so naturally he was the one the Mand'alor title actually belonged to.
Until they all had to tell him that 'no, you idiot, you are the one doing all the work here, it's your position. Marek is just here to yell at people and, if necessary, shoot them.'
5. & 6. I'll have to answer together because they share a lot of commonalities
I'm firmly in camp 'Tarre was a convert' (in the end) (kinda).
It's quite possible that one of his parents was a Mando, simply because of the smoothie blend that his genetic are, but they were not around to make decisions when he first exhibited Force powers. So he went through a normal(ish) jedi childhood (minus the truly being bad at jedi-ing) until he went to ilum and came back with an old god as his saber.
But since this was the old republic and things generally were a lot stranger back then, no one - Tarre included (plus, he still was a child back then u know) - really questioned it. Tarre just was one of those Jedi with a weird colored lightsaber. Happens from time to time, right?
(as for why Kad Ha'rangir chose Tarre... who knows what the gods think, right? especially a god that literally is change. The Force works in mysterious ways)
Him properly becoming a Mandalorian was.... well, who can say when exactly it happened. Maybe he was one from birth, just 'temporarily misplaced' due to external circumstances, maybe he became one when a mandalorian god called dibs on him, maybe it happened when an old weaver lady whose backyard he crashed his shuttle in also called dibs of her own, or it's possible it happened when he got his first set of beskar'gam, or when he officially became mand'alor, or when he properly got adopted into Clan Vizsla or perhaps even at some other, small junction of his truly strange life.
Or maybe it never really happened at all? Who knows. I don't think anyone ever made him swear to the resol'nare (if that even existed in that form back then), they just looked at him and said 'yes, this is what peak mandalorian-ness looks like' o( ̄▽ ̄)👍
(half of them were looking at Marek when they said that. that's why the statues look nothing like Tarre)
And I think if you had asked Tarre at the end of his life what he was, he genuinely might have answered with "a Jedi"? Because that's still the thing he grew up with and he only (temporarily) fled from it due to of his own anxieties.
Like. All the work he did on Mandalore was because of the things he learned as a Jedi - to help where he can and strive to make a better galaxy for the people around him.
It just so happened that the people around him technically were the Order's mortal enemies.
35 notes
·
View notes