Mr. Fenton is a competent teacher. Almost too competent.
If Mr. Daniel Fenton had any more than a BS (with a minor in education), Tim would’ve flagged his profile as a potential Rogue. That’s the way of most charismatic academics, at least in Gotham. (Got a PhD? Instant watchlist.) Instead, he’s Gotham Academy’s newest celebrity, as a young, passionate, out-of-towner substitute while the chemistry teacher’s on maternity leave.
Tim gets the hype. Fenton seems to genuinely love teaching, and is invested in the welfare of the student body. He hands out bananas during exam week, hosts a “study habits seminar” each month to coach effective learning strategies, and the third time Tim falls asleep in his class, he even pulls Tim aside to ask if he’s doing okay. With all the late work he accepts and the protein bars he sneaks Tim, he’s every teen vigilante’s dream teacher. He could’ve been Tim’s favorite.
In fact, Mr. Fenton was Tim’s favorite. Up until Tim walks into Mr. Fenton’s chemistry classroom for a forgotten textbook, an hour after the final bell.
On the board where tallied scores for today’s review game had been kept, “THE CHEMISTRY BEHIND DR. CRANE’S FEAR GAS: ANXIOGENICS, NERI’S, & YOU,” is now scrawled. A detailed diagram of the human endocrine system projects in front of a small crowd of adoring and attentive students.
Fenton is wrist-deep in the skull cavity of an anatomical model. A short tug, and out pops the brain.
It’s plastic. It’s fake.
Tim identifies the nearest emergency exit.
Fenton turns to the door, and in the dark classroom with the projector illuminating half his face, his eyes almost seem to flash red. “What’s up, Tim?” he asks. His friendly grin is too big for his face. “I didn’t know you wanted to join the Just Science League!”
[OR: Danny’s a science teacher at Tim’s school. Gotham’s a pretty wild place, even for someone who grew up a superhero in a ghost-infested town, so he takes it upon himself to start a club teaching kids how to manage themselves in the event of a crisis. These Gothamites are pretty hardy, but a little extra training never hurt anybody! And he suspects one of his students might be a teen vigilante, like he’d been, back in the day. As a senior super, it's Danny’s duty look out for him! Surely, this is the subtlest and most appropriate way to give the kid pointers.]
[Tim immediately assumes supervillain.]
7K notes
·
View notes
literally where can the zelda franchise go after totk. this is it. we've reached it. the pinnacle of video game entertainment. the whole dev team should just pack their stuff and enjoy a long and comfortable retirement. whoever decides their team has to follow-up on that with the next zelda game should answer for their crimes at the hague. what the fuck. I haven't even beat the game yet but what the fuck.
and how are AAA video game devs everywhere not losing their minds. how the hell did nintendo do any of that? and on that console?? you mean to tell me I can stack 15 differently shaped objects on top of each other and they don't vibrate violently into the skybox?? you mean to tell me the physics engine gladly accepts whatever I throw at it and holds it all together without dropping a frame while running on a machine that was outclassed two generations ago??? this is not witchcraft it's a grandiose demonstration of mastery over every aspect of game development that casts an immense shadow over every other AAA studio. fuck. fuck!!!!
everything about this game is crazy to me. the visuals are crazy. the soudtrack is crazy. the complexity of all systems and how they interact is crazy. the sheer amount of non-repeating content, NPCs, quests, dialogue, puzzles, environment variety - all crazy to me. every time I boot up this game I am humbled by the monumental effort and obvious love that went into every facet of the resulting experience. no cut corners anywhere. mirror-perfect chrome polish.
it's so rare we get something like that, in any field. I'd understand if nintendo never made a zelda game ever again because how do you follow that. god I hope everyone who worked on this game got the fattest check and the sloppiest head. I'm so happy I get to live in shigeru miyamoto's world
2K notes
·
View notes
Phandom Survey
Are you bored? Do you like bragging about how long you've been in the phandom? Curious to know more about Dan and Phil's demographics? Well, have I got the survey for you: https://forms.gle/Zyzm5CGXoELaf5M58
It's anonymous and you can skip any question you don't feel comfortable answering. This is all just for funsies. If people actually take it, I'll share the results at the end of the month :)
228 notes
·
View notes
Goddamn, I gotta stop watching this fucking scene, man.
"I should've let the English kill you. This...whatever it is that you've become is a fate worse than death."
Fuck, man, should've taken his other leg too.
215 notes
·
View notes
I’m glad I sat on the book for a bit, because now I’m like 👀 parts of this worldbuilding exist in my head, but are never explicitly stated, and so will seem like massive glaring holes to anyone reading. I’m going full geek now and making a map with all the divided territories etc, so I can go through in one last juicy editing spree and solidify this world.
people like opening a book and immediately seeing a map, right? what kind of half assed fantasy doesnt have a map?
1K notes
·
View notes
forgive the brief jesus chris superstar rant but. there is a very important difference between the pharisees being villains and the pharisees being antagonists. they're technically antagonists because they're actively working against the interests of our protagonist, but i don't believe they should ever be played as villains. they're not evil or bad or wrong. they're terrified just like literally everyone else in the show is, and their actions are completely justified. to me that's the entire point of the musical. it's not about christianity; it's about the impact the roman empire's brutal and violent imperialism had on everyone on all levels. including jesus and judas, but also including the pharisees, and even herod and pilate. when a powerful coloniser forces their presence on innocent people they are the only winners. everyone else suffers, even the puppet kings and high priests who look like they're reaping some sort of benefit from it all. that's roman propaganda. the romans kept native rulers like herod and caiaphas in power to maintain the illusion of provincial autonomy, and keep populations appeased and therefore under control. everyone in the show is acting out of fear of the romans. the one roman character we do see (pilate) is acting out of fear of his own emperor. it makes no sense to cast the pharisees as two dimensional Bad Guys, especially when the same productions that do that usually offer a sympathetic portrayal of pilate. it would be so easy to stage and direct a production in a way that makes it obvious that the pharisees are doing what they're doing because they truly have no choice, and not because they're pure evil and want to kill jesus for the sake of it. it's not only an antisemitic trope but also undermines a really important theme of the musical. if you can see the humanity in the violent roman governor installed forcefully on conquered land then you can afford some humanity for the pharisees too. they are victims of pilate and victims of rome just like everyone else
254 notes
·
View notes
“Hunter’s new design is boring” yeah. That’s. The point.
The generic haircut, the bland sweater. It’s all a baseline for Hunter to set his physical characteristics so that he can figure out who HE is from there.
“But the hair noodle is so distinct to Hunter-” no it isn’t, & it never has been. It’s distinct to CALEB, & that has always been the point. Hunter never wore his hair like that bc HE liked it, he wore it that way bc it reminded Philip of Caleb.
Hunter was never supposed to be Hunter, he was supposed to be a “better version” (BELOS’S OWN WORDS) of Caleb. Hunter’s hair noodle was never a characteristic of his own.
This boy has no part of him that’s his own. He wears Caleb’s face. His body contains Caleb’s bones. His eyes come from being a grimwalker. Entire parts of his personality are built up from trying to please Philip, & the rest of his personality he can’t be sure isn’t left over from Caleb.
Hunter doesn’t know who Hunter is. So he’s trying to figure that out by building from the ground up. There’s only so much he can do about his physical appearance, & fortunately his hair is something under his control. So he gives himself that basic haircut so he can figure it out from there. His hair was never specific to him, so now he can make it that way.
Idk. I don’t see how anyone can be genuinely upset about this w/out severely missing the point.
1K notes
·
View notes