#john t. young

[akagei]

[denimbex1986]

'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”

...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.

“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”

“Good Omens” is back by popular demand for another season. How does it feel?

It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.

Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.

That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.

In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.

It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?

It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.

Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?

Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.

Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?

They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.

Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?

It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]

Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?

I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.

There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?

There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.

Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?

Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.

To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.

Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.

Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.

I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?

I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.

Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?

Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.

[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]

I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…

I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”

[malaesthetics]

[wooziswonderfulworld]

Some of Yall act like Bro Zone and 4town wouldn’t be BEST FRIENDS

The real world version of this is like *NSYNC and The Backstreet Boys lmaooo

[fizzy-dizzie]

Trans Sam headcannies blink blink batting eyelids (BC I don't talk abt the TRUTH enough)

Binders wouldn't have been super accessible in the 90s-00s so I imagine he used some less safe methods.

He'd bind for wayyy longer then he was ment to

If he was on a hunt he kinda didn't have many options

He'd sit on the bed finally when they got back to a motel and just breathe deep breaths for a while

His ribcage just perpetually hurt, he was used to it

He started T in college and got top surgery not long after

Dean had known about him being trans long before Sam left for college but he didn't really understand how serious Sam was about it until he came to get Sam to find his dad and 'oh my god that's a whole ass man'

Dean helped him cut his hair real short tho when they were young

John was not very impressed when that happened

John didn't know until they saw eachother post college

John didn't really get it. He was a very 'your ruining your body' type dad but honestly I think he would have had bigger problems on his mind to make a big fuss out of it (John winchester makes a big fuss out of everything so maybe more, he wouldn't make a MASSIVE fuss)

Sam was disappointed about his dad's lack of support but it was expected

Dean was very impressed by the top surgery job. Actually, considering he had never even seen one before, he was probably amazed.

Sam used to do research about what a trans person was in libraries on the computers

Most of his gender envy (/jealousy?) would have come from dean

Sam didn't really realise till he hit his pre-teen years

But he only found a name for how he felt at like 13-14

He told Dean about a year later

"I don't really understand much of what your saying, but if that's how you feel I just want to know that if that's what makes you happy.. I can get behind that, okay?" -Dean

Sam didn't cry but he gave Dean a massive hug. Emphasis on DID NOT cry those little water marks on Dean's shirt must've already been there.

Sam could only get so much from the internet so when he met another trans guy at college he was super excited and was able to learn a lot

He hated it when the showers in motels had mirrors right across from them

He'd leave the fan off intentionally so the mirror would fog up

[maskyartist]

late night crew gets secret oc/canon lore cause ur special and im in a giving mood

beatdrop owns a casino, and john dory is john dory i refuse to believe he doesnt owe people money. beatdrop has eden on speed dial and she's able to find anyone anywhere (no one knows how)

she and jd have an "on-off" thing going on. eden's not really meant to kill him just keep an eye on him. she thinks his antics are silly

eden kinda wanders when shes not busy with work, but somehow always finds here way to john's current campsite. he's kinda scared of how easy she finds him without any information...

eden just knows :)

[poppibranchlover]

If you think boy bands are becoming more frequent in some animated movies, then THINK AGAIN!!! 😁

BECAUSE NOW, we have two notable animated movies about the hottest boy bands EVER!!! Sorry if I couldn't help it, but Branch and his brothers (BroZone) are like a Troll-fied version of 4*Town from Pixar's Turning Red (as shown in the above pic). So whatever it is, this was a clear comparison to take note of. 😊

[scenesandscreens]

Past Lives (2023)

Director - Celine Song, Cinematography - Shabier Kirchner

"What if this is a past life as well, and we are already something else to each other in our next life? Who do you think we are then?"

[winchestergirl2]

theboystv S4 is actually an 8-hour soirée, real dapper blood-free stuff

Or this is the gang at the Astra Awards last night, celebrating wins for...

- Best Streaming Drama Series

- Best Actor in a Streaming Drama Series: Anthony Starr

- Best Supporting Actor in a Streaming Drama Series: Jensen Ackles

- Best Directing in a Streaming Drama Series: Nelson Cragg (Herogasm)

- Best Stunts

- Best Casting in a Drama Series

- TV Icon Award: Eric Kripke

One of those statements is true, have fun figuring out which one

[hisonetrueloveee]

close your eyes and imagine it's robaire... ✧･ﾟ: *✧･ﾟ:*

i slowed and reverbed jordan fisher's cover of 'ordinary people' by john legend. enjoy 🫶🏾

[cinematitlecards]

"Rocky" (1976) Directed by John G. Avildsen (Drama/Sports) . . "Rocky II" (1979) Directed by Sylvester Stallone (Drama/Sports) . . "Rocky III" (1982) Directed by Sylvester Stallone (Drama/Sports) . . "Rocky IV" (1985) Directed by Sylvester Stallone (Drama/Sports) . . "Rocky V" (1990) Directed by John G. Avildsen (Drama/Sports) . . "Rocky Balboa" (2006) Directed by Sylvester Stallone (Action/Drama/Sports)

[whatamigonnawatchtoday]

Past Lives

2023. Romantic Drama

By Celine Song

Starring: Greta Lee, Teo Yoo, John Magaro, Ji Hye Yoon, Choi Won-young, Min Young Ahn, Jonica T. Gibbs, Emily Cass McDonnell, Federico Rodriguez, Conrad Schott, Kristen Sieh

Country: United States

Language: English, Korean

[thelongstrangedrivehome2]

the nineteenth of october twenty twenty-three

T. Rex - Bang a Gong

Tom Waits - Strange Weather

David Bowie - Under Pressure (Live 2004)

John Lennon - Imagine

Gang of Four - What We All Want

Cher - Like a Rolling Stone

Lady gaga - Babylon

Dar Williams - Highway Patrolman

Thelma Houston - Piano Man

The Buzzcocks - I Don't Know What To Do With My Life

CSS - Rat is Dead

Lou Reed - I'm Waiting For The Man

Sleater-Kinney - Get Up

Neil Young - This land Is Your Land

Stevie Wonder - You Are The Sunshine Of My Life

The Dead Weather - New Pony

Space Waltz - Out On The Streets

Neko Case - People Got A Lotta Nerve

Robyn Hitchcock - Madonna Of The Wasps

The Byrds - Positively Fourth Street

David Bowie - Rock 'n' roll Suicide

Against Me! - True Trans Rebel Soul

Curtis Mayfield - Readings in Astrology

Hole - Jennifer's Body

The Hollies - Long Cool Woman In A Black Dress

The Clash - The Card Cheat

Gorillaz - Dirty Harry

Suzi Quatro - Your Mama Won't Like Me

The Cramps - Primitive

[protectivenotparanoid]

Amanda's hair cut in Saw X is beautiful and you can't change my mind.

[weberlifedesign]

Felix Cavaliere Relays Rascal Energy Voicing Joy & Peace

Felix Cavaliere exerts an energetic appeal that has not waned since The Rascals, then known as The Young Rascals, first made an impact on the music scene in 1965 with “I Ain’t Gonna Eat Out My Heart Anymore” followed by “Good Lovin’.” Expressing peace, love, and happiness, the music has had a broad attraction for all ages. Image Courtesy of Felix Cavaliere via Dis Company With his most recent…