#junies ramblings

[crunchy-soup222]

I love the word dumbfounded bc like yeah... my dumb has been found

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[sylvies-kablooie]

i do think pokemon AUs work for literally anything. you think to yourself "this character needs an elemental beast to be friends with" and every single time you're correct.

[batbabydamian]

THE FINAL ISSUE #5 OF THE BOY WONDER IS OUT NOW!! :')

[gbirrd]

ah... the fanart...it calls my name...it must be made...

[shiftingserendipity]

made two of my drselves in inZoi

[missholloween]

The only characters that sing (and in a way, twist) the Great Astronomical Discoveries motif during TGMH apart from the Stratfords are Benjamin and John. And let me tell you, I love what they do with it.

Benjamin's take comes first, during Benjamin's Appartment/The Radiance. After days of listening to the Stratfords talk about their hoax, of seeing how they meticulously crafted their stories and the world clamor them, Benjamin has finally given up and is ready to betray the Stratfords. So, he invites Margaret to his appartment to reveal their hoax. Benjamin uses the same language he's learned from the Stratfords, and so, the great astronomical discoveries motif starts playing.

For the first time in the album, it's not a victorious melody: it doesn't sound grandious anymore, it doesn't have any build up, it's just Benjamin and a piano. Curt Mega's performance is really sober, as he's trying to cover up his own emotions. He only fails to do so in "to advance their own career", where he bitterly laughs, losing the beat for a second. Although a bass and another string section join for the climax they quickly go away, as Margaret also joins the sad melody. Even if Great Astronomical Discoveries brought the Stratfords fame and renown, it has also deceived and hurt many. It is satisfying to hear two of its victims sing it then.

That's also why, in John's Choice, it's Herschel's time to speak, we are expecting something similar to happen. The music stops, all the characters await, and Herschel starts to talk... And the melody is More Than This. It's subtle, and one may not notice it on their first listening or if they're not that familiar with the soundtrack. But then there's a crescendo, and John starts singing Great Astronomical Discoveries.

The passion, the energy, the love that comes from John's voice (in another amazing performance by Curt) blows away both the audience and the characters that were there. He has the same accompaniment as Rose and Samuel did, but there's a key difference: there's no harmonies. And it doesn't matter, because really, what a chilling performance. There's also something very poetic about John taking the Stratford's position and being in control of his story after all the hoax.

TL;DR I love the Great Astronomical Discoveries and everything Matt does with it in part 3 of TGMH. Curt totally kills it every time he sings it in any way <3

[soup-sponge]

i am constantly astounded by the fact that this is cameron chapman’s first on-screen role.

stage acting and screen acting are drastically different and he did such an amazing job moving from stage to screen. lockwood isn’t an easy role either (a TITLE CHARACTER??? as a FIRST ROLE?????) not to mention the fact that it's an adapted role, which means a lot more pressure to get the role “right” because a fandom already exists and he absolutely NAILED IT

in conclusion i am so proud of him thank you and goodnight

[ashoss]

i love being an artist

[peachie-wren13]

Hello Internet Humans,

in a move that was definitely not a smart one but by sheer dumb luck the universe did not kick my ass for attempting.

In a slim margin of 25 minutes before my work shift, I went to my Local Comic Book Store™ and picked up the second issue of Juni Ba's The Boy Wonder. Shout out to Packrat Comics, you bunch of funky little weirdos are my favorite.

I also managed to make it to work on time, like ten minutes early, by some miracle of god and/or time decided to favor me today or soemthing.

The comic is great! I got both the official cover and the variant bc they had both.

Juni Ba draws Damian as a little creachur and I love him, his art is so shapes.

Also this issue made me cry, it's very good jason/damian character parallel content, but yet another instance of no one at dc knowing how to not make jason look like he was thrown through the rinse cycle with a bag of gravel.

Anyways here is a collection of my favourite pannels and some matching jason n damian's for you and your angry homicidal short friend or you and your angry homicidal tall friend, enjoy.

blah blah blah all rights belong to dc and juni ba and I'm just some internet goober that took pictures of my personal comic which I bought with my own garage sale money. pls don't eat me mr. dc legal team

[redr0sewrites]

some recent dc art ive made! i havent posted art in a hot minute lmao- one day i will get good at digital art but that day is probably not very soon

(pls click for full photo + better quality)

[betterthanbatman1]

​He looks like the shell of the man he used to be

Look at his eyes. They’re completely empty. They’re not like how one would describe ‘cold, dead eyes’. No, they’re eyes devoid of life. It’s so much more than just eyes that are ‘empty and emotionless’. Every single detail on his body shows just how much emotion and turmoil this boy has been through.

Those eyes are hollow because everything he’s been through has ripped his soul-the the very essence of himself- away. The eyes aren’t completely blank, so it’s more than just emptiness. The irises were sketched but still lack colour. His eyes have been washed out not erased. It truly captures the pain he’s in and has been through.

They say ‘Eyes are the windows to the soul’. His soul has been through so much for his eyes to reflect that so painfully.

[angeart]

hhau mimic arc rambles part III bonus: the eclipse

(~2,8 k words) // other parts & au masterpost here

Every couple of years, there’s a total eclipse in this world. The moon is big, obscuring the sun in a horrible totality, entrapping it for what feels like too long. This is a big event, but not because people are eager to spectate the sky and bask in its weirdness. No, it has much worse connotations.

Because the eclipsed moon affects many of the hybrids. Especially the animal ones.

Hunters look forward to the eclipse because it promises a lot of loud, distressed, instinct-driven hybrids scattering about without many defences. They prepare traps specifically for this occasion and organise big hunting parties, eager for the upcoming bloodbath and bounty.

The eclipse happens mid-winter while Scar and Grian are on the server.

And it’s awful.

[cws violence, murder (no known characters), panic, mind-altering states and a loss of self control, haywire instincts, non-consensual manhandling, horrory vibes]

They don’t really know what is happening at first. Hermitcraft is a safe server which has many things coded differently, and because eclipses hurt many hybrids, they never happen there. So Scar and Grian have never experienced anything like this, and the yank it has on Grian’s state in particular is startingly sharp and terrifyingly confusing.

Scar himself is alright, because—and the two of them don’t know this at the time—vexes are immune to the eclipse. 

Actually, that’s not quite accurate. The eclipse helps heighten their magic.

They thrive.

Grian does anything but thrive.

His instincts go absolutely batshit haywire. He starts getting disoriented and incredibly uneasy, anxiety holding him in a choke hold, and all rationality and caution leave him, replaced by pure fear. 

He starts making inadvertent chirping sounds, panicked, and no matter what Scar says or does, Grian can’t seem to stop.

It’s so dark outside. And Grian’s chirping isn’t the only one that sounds through the forest.

In a world where they thought avians might be all nearly hunted to extinction, there are now suddenly, in this darkness, piercing faraway chirps. Just as panicked and lost-sounding as Grian’s own.

But those are not the only sounds the looming forest has to offer.

There’s also hollering and cheers. Whistles and barks. Twigs snapping under careless boots. Hunter parties following every single hybrid noise right to its source only to slice it shut. Shrill, chilling screams before some hybrid inevitably plunges into absolute, horrifying silence.

Scar’s desperately trying to get Grian to shush. He pleads him to stop, to be quiet. Tries to calm him down.

But it’s all futile. Grian has no control over himself. He can’t make it stop; it’s a wholly new kind of fear, overpowering and unfamiliar, yanking at his instincts. (It feels, a little bit, like a huge moon crashing down while the ground underneath him shakes and disintegrates.) (It feels like locking eyes with someone and not being sure if he’ll ever get to see them again.) (It feels like apocalypse. Like the end.) (His mind screams at him and he can’t help but scream along with it.)

Scar wonders if he should put a hand over Grian’s mouth. He doesn’t know what to do, but the hunters are out there, in large numbers, tireless and eager, and Grian’s voice is now the beacon luring them over, pinging with their exact location.

Grian is slowly backing away, hunched, feathers puffed. His wings are semi-curled around him, no longer tucked under the cloak, even though they’re out in the open. 

He doesn’t seem like he’d do well with being touched.

But Scar needs him to be quiet. For Grian’s sake too.

Before Scar can do anything, though, Grian’s earwings flit wildly and he whips his head to the side, honing in on some noise.

It’s a distressed chirp, one that sounds closer than any of the other ones. 

It’s an avian in distress calling for help.

Grian thought there aren’t any avians but him, and now there is one, still alive, so very close, desperate for aid, and— Grian’s mind blanks. There’s only one single thing to do here. He isn’t thinking. His heart beats wildly in overdrive. His body moves.

Blindly, Grian bolts in the direction of the sound. 

And it’s up to Scar to scramble and run after him. 

It’s more than that. More than just following Grian. Because there is so much at stake, and he needs to stop him and quiet him and— And he might have to exert force, and—

Oh. He is basically hunting Grian down here.

He is the hunter following in the steps of a terrified avian.

And Grian, in his dazed and fragmented perception of the world, feels just like prey. There is so much happening for him right now: it’s dark and all he can see is Scar’s piercing vex eyes when he glances over his shoulder; he’s lost in panicky instincts, trying to reach another avian in distress, hurtling blindly towards potential danger; and he does feel hunted.

On top of that, he can’t stop the stream of bird noises. He can’t pull his wings under his cloak either. He’s stumbling and tripping and scaping himself all over, but he feels like he needs to keep running.

He no longer knows if he’s even heading the right way. The chirping he was following fell dead silent. His head is just screaming at him. Hot white panic and a cacophony of unstoppable, overpowering instincts.

Scar has to stop him before he gets himself killed.

As awful as it is, Scar doesn’t care about that other potential avian (it could be a trap) nearly as much as he cares about Grian. His priorities here are clear, desperation thick and loud in his lungs, pressing at his ribs. There’s no time for bargaining or for steeling himself. 

He needs to act.

Scar grabs Grian and tackles him to the ground.

He’s pinning him down, sort of straddling him, hands on Grian’s mouth, hopelessly trying to muffle the noises. He feels absolutely vile, but he doesn’t know what else to do. His breaths come in little sharp huffs of blue magic, shiny through the darkness as he expels a ton of emotional energy just to keep himself from panicking and crying.

He finds that it’s not as easy to hold Grian down when he doesn’t want to be pinned down. But also it is. It is easy, far too easy—harrowingly so. Grian’s so light. (It frightens Scar to even touch the thought of how simple this would be for the hunters too.) 

He’s terrified of hurting Grian accidentally. He’s very capable of it; Grian’s made of brittle hollow bones after all, and Scar’s grip is a bit too strong, but he doesn’t have a choice here. Grian won’t stop thrashing, fighting to be freed. (But Scar knows that letting go would almost surely result in Grian’s death.)

And where Grian’s attention is kind of selective, not processing things at all, Scar’s attention is sharp—sharpened by panic—keenly attuned to their surroundings. He hears all the various noises come and go. Not necessarily chirps; other hybrids, too. Them falling silent. The hunters yelling. And the screams. God. The awful screams.

They’re all too far away for now, thankfully, but if Grian won’t stop, they’re bound to come this way. After all, if Scar can hear them, surely they can hear Grian too—?

Scar feels nauseous and horribly helpless. The hunters cheer and laugh as the hybrid noises go dead silent, one by one— only the hounds left barking and howling in their wake.

Scar knows that, even though it’s awful, they can’t help any of those hybrids. But he’s going to do everything in his power so that at least the two of them can survive this.

Despite all his (pointless) efforts, the hunters catch up to them anyway.

As they approach, Scar is struggling to quiet Grian down, and Grian isn’t thinking straight enough to properly fight. It’s the worst possible situation. 

There’s no point in quieting Grian down anymore when the hunters are right here though, and so Scar moves on the defensive, ready to give it all to keep Grian alive. The fight is ugly, drenched in frightening desperation; Scar is numb to the pain even when something tears. Grian’s chirps get worse. Warmth drips down Scar’s face.

But then a different sort of howling breaks through Scar’s mounting panic, and—

A group of wild vexes rushes in. Not to save Scar and Grian in particular; it’s just a lucky timing.

Because as it turns out, just the way hunters set off to hunt down hybrids during the eclipse, the vexes—who are more powerful at this time, magic thrumming strongly in their veins—set off to hunt down the hunters. So nicely accumulated for them. So loud. So easy to find. 

The vexes and the humans clash, and in the swell of the chaos, Scar manages to drag Grian away. 

He wants to keep going, increase the distance between them and everyone else as much as possible, but all too soon the forest opens up into fields, and no way he’s pulling a dazed Grian out there where they can’t hide. So instead he swerves, anchoring them against a rock formation—an array of boulders and a jagged cliff wall. 

He presses Grian into a small dent there, covering him with his own body (imprisoning him there, in a way). Hiding Grian’s wings, muffling his chirps, whispering frantic things that are meant to be soothing. The sky is still dark, and Grian’s still chirping, although it’s quieter now; it’s clear he’s exhausting himself, but he’s still making noises. Still unable to stop, despite the terror and the fatigue.

They get found again.

But it’s not the human hunters that find them this time. It’s the vex group, sneaking up on them, all their sharp edges drenched in blood, glowing with magic.

Scar turns his back to Grian, still pressing against him, tucking him against the rocks, hiding him as much as possible. He’s ready to lash out. He’s ready to fight with these vexes, even if he’s outnumbered. (He’s got no species loyalty here, after all.) 

In a curious tone, one of the vexes says: “That avian is going to get you killed.”

The words register to Grian through the haze. He’s still absolutely lost amidst this all, barely understanding the world around him, struggling to process anything. But there’s something about the words avian and get you killed, and the thought of Scar, that makes it through the fog.

It only serves to make him more distressed. He breathes in sharp, shallow breaths, and his chirping grows louder again, high pitched. But it’s not just the chirps this time. Some of the sounds he makes are choked, merging into something more like himself—the sound of helpless sobs.

Scar is shielding Grian with his back, but that means he’s turning his back on Grian’s cries and all of his misery. He cannot comfort him. He has no words that would make Grian not afraid right now.

The vex suggest leaving Grian or—worse—using him as a bait.

Scar’s staring them down, growling lowly, one eye squinted as blood runs down his face. “How about you leave.”

The vex don’t budge. They think they’re after a good thing here, after all. Surely, Scar also wants these hunters dead?

What they’re suggesting isn’t to sacrifice Grian as a bait—they don’t actually want to outright hurt or endanger him, even if it maybe doesn’t translate well through their stance and words. They’re not malicious in that way. What they’re suggesting is simply pragmatic in their minds. (I mean, they wouldn’t grieve if the avian happened to die there, but it wasn’t their goal to let it happen.) 

“We’re hunting the humans,” they note, as if that should’ve been enough to sway Scar. “We could use the avian—”

“No.”

One of the vex, white hair braided and smile sharp, peeks past Scar, trying to glimpse the feathers. The violet shade reflected in the glow of their magic tells him everything he needs to know, sating his curiosity, and he whistles, impressed. Amazed that an avian like this has lasted so long.

Scar lunges at him for getting too close.

He gets laughed at in return. What’s he gonna do, all alone? Not even channelling his magic to heal his own wound. It’s just funny to them. Cute. “What’re you going to do?” they tease, a bit too cheerily for the situation at hand. It rings threatening. “You’re outnumbered, pal.”

Scar doesn’t back down. “I’d take at least one of you down with me.” It’s a big statement. Covering up all of his nauseating fear and unending tension. Because he’ll do it. He’ll fight if he has to, and it will be ugly, and he might fail—he might die—but he’ll for sure give it everything he has.

And he can tell there’s camaraderie between this group of vexes. That they don’t really want any of them seriously hurt. 

They, as vexes, know the best how dangerous a feral, cornered vex with something to protect can be.

There’s a sliver of respect this earns Scar, unbeknownst to him. The will to stand up to them even when he’s outnumbered like this. To not give in to the pressure and instead fight for his values. For what he cares for.

The white haired vex—seemingly a leader of the group of sorts—reiterates, tone a bit lower, that the avian is going to get Scar killed. That he’d be better off without him. (Essentially voicing the deep rooted fear Grian already has.)

He also extends an invitation, almost in the same breath, impressed by Scar standing up to them. But it’s only Scar who is invited, and it’s blatant—the condition laid down is drop the avian or let’s use him as a bait and hunt together. 

With sharp ire and a swell of protectiveness, Scar counters that he’d be better off without them, actually.

There’s a snort and a mocking, “Aight, let’s see how long you can last.”

The relief Scar feels when they relent and leave is immense, leaving him weak in his knees.

He thinks they’re foolish, risking themselves like that. In his mind, they’re the definition of the violent vex, that dark reputation that seems to now stick to Scar and follow him too by the virtue of being the same kind of hybrid. He doesn’t want anything to do with that. 

And of course, he’d never leave Grian.

Grian is his last connection to home. He loves him, even if it never feels like it’s enough.

Excruciatingly slowly, sun eventually peeks back out. But even then, it takes Grian a very long time to untangle himself from these dazed, nonsensical instincts. It’s such a heavy, sticky veil and he’s left disoriented and confused for the longest time. Through his exhaustion, he feels weak and dizzy and out of it.

Scar is also exhausted, but they’re nowhere near safe yet. Still pressed against the rocks. Every nerve ending is flared up, Scar’s senses alert to the point of flinching at the subtlest sound, hypervigilant. But as Grian slumps and quiets down, Scar’s firm grip on him follows. 

Slowly, so slowly, Scar’s hold on Grian becomes comforting instead of restricting and terrifying.

He can tell that it left bruises.

Scar hates everything about it, but— They’re alive.

The sun is back, Grian is quiet, and they’re alive.

But they still need to find safety. And Grian’s so frazzled, still processing what even happened. The blurred memories of chirps and howls and screams swirl through his mind. He feels lightheaded, and like his skull is stuffed full, unable to think clearly. He doesn’t quite understand any of it, and his body feels locked in place. 

Grian wants to stay sitting here until everything starts making sense, but they don’t have that kind of time. They can’t stay. They need to move. They need to properly hide. 

Scar feels awful, but he needs to push through. He needs to force Grian to move.

The snow is splattered with blood. The forest is dead silent, scattered bodies left behind all across it. The area is riddled with traps, some activated and others still hidden, waiting to be triggered. 

The sun is shining.

The silence is eerie.

The scent of blood is thick and fresh and nothing feels safe.

--

Later, when Grian’s more coherent, he says, “They were right.” In an incredibly quiet, fragile, unsteady voice—but laced with determination—he tells Scar: “You should’ve taken their deal.”

Scar immediately tries to dismiss it. Preferably to not engage with this conversation at all. “Not interested.”

Grian registers the shut down of the discussion, but that doesn’t make it any less loud inside of his mind (and heart). He simply goes quiet and withdraws. Lips pursed, lightly frowning, staring somewhere away.

They don’t talk about it again.

Late at night, when Grian can’t sleep because he’s too high strung, he thinks of how it’d feel like, to be used by those vexes as a bait.

He dreams about it.

He dreams of faraway chirps and laughter and hounds finding him.

He has so many nightmares after this.

-------

BONUS screenshot for shits n giggles:

[sylvies-kablooie]

about 3 times per day over the past week i have had to force myself to stop scrolling through discourse and actually Go Do Work Instead with the same cadence i tell my dog to "DROP IT" when i see him chewing on an unknown substance

[batbabydamian]

MAY SOLICITATIONS SPOILERS BUT JUNI BA’S DAMIAN STORY PITCH IS COMING TRUE OH MY GOD

Juni Ba was the artist for Damian’s story in Truth & Justice (2021) #6 (#16-18 Digital Version)!! his art is so fun, and the story by Andrew Aydin is very cute too!!

[mulders-too-large-shirt]

s3 episode 16 thoughts

(giggling and kicking my feet) it’s mulder and scully time <3

and it was a GOOD episode!!! i was sad, but damn was i compelled! back to the very beginning of the episode to begin the note-taking journey, with a tiny recap of where we left off beneath the “keep reading” bar…

hehehehe i am excited!! i love to spend the evening with the ultimate duo. and we have so much to cover!

so many twists and turns to walk down! krycek is back! skinner is hurt! scully is sleuthing! mulder is in hong kong! we had best begin!

YAAAS we got another “previously on the x files” <- i loathed these at first for throwing me off my typical groove, but now that i know we only bust them out on special occasions (multiple part episodes) i look forward to them

ugh scully is so pretty. “you say that every time” and it’s true every time??? 

we get a recap: flash bang alien, inky eyes, skinner on a hunt for answers before being interrupted, scully’s dad’s friend johansen, the rat bastard 

timeskip to 1953. a man from johansen’s squad who is covered in burns is telling his story, and it is being recorded. he is being visited by those who claim to want to bring him to justice, but he says he won’t tell. 

so after johansen started a mutiny and locked the rest of the sailors in the sub, those trapped on the lower levels knocked the dude with the inky eyes on the head with a wrench. so he is knocked tf out. and liquid started pouring from his eyes (BLEAUGH) and into a drain. the survivor who has all the burns and who is recounting this calls the liquid “the enemy”

a guy that looks a lot like matty healy (but much cleaner) is asking him what he means by calling liquid “the enemy”. so the interviewee says that the thing went back to where it came from. 

GASP!!!!!! HE ADDRESSES THE MATTY HEALY LOOKING FELLOW AS “MR. MULDER”!!!!!! oh this is JUICY!!! and the camera pans over to another man putting in a cigarette!! GASP!!! WE KNOW WHO THAT IS!!!!

baby cig man says “you can trust all of us” (<- LIES, LYING, SAID BY A GUY WHO IS LYING)

(you can tell the actor playing baby cig man had just one line but he worked SO hard to get cig man's voice right... it made me giggle)

why does young mr mulder look kinda cute. aww. so little. almost wanna squish his cheeks.

they changed the intro again. smh! messing with my rhythm.

anyway, back to main plot. scully’s rolling up to the hospital to find skinner, where she is met by agent fuller and agent caleca, two names i do not think i have heard before. scully asks for hair and fiber from the crime scene and these two are like “we don’t have that yet” so she says “um get it?” (not really but basically) (and they claim it was some random guy that shot him… not buying it)

oh! skinner is being wheeled out! she’s off to go investigate. now if it were ME being rolled about with my shirt off after a gunshot wound and emergency surgery, i would not want people seeing that. but hey, she’s a doctor so maybe she’s chill like that. still! i’d be soooo embarrassed omg

SHE GRABS HIS HAND OMG!!!!! he opens his eyes a tiny tiny bit and tells her that he has seen the man who shot him before!!!

man, i thought just the hand grabbing was gonna be all tender, and it was! but getting a clue at who did it was a bonus too

back to the rat bastard and mulder. at least krycek seems aware that mulder can and will kick his ass and is deferential to him. 

scully is looking over skinner’s chart. OH! she asked for guards. and she wants them NOW. she does not CARE about your excuses. WOO!!! she says idgaf if you two agents stand out there YOURSELVES, get GUARDS ON him!!! YAAAAS!

back to krycek and mulder cam. mulder notices that they are being followed and tells him to speed up. at gunpoint! and this mystery vehicle runs them off the road!!!!!!

noooo, their faces are all smushed in. someone pulls rat bastard out and asks where the tape is, but the fellow who attacked him gets flash banged, because again, krycek has alien flash banging powers.

but poor mulder still has his bloody heady on the dash :( he sees some odd flashing 

scully gets called into the lab and this guy has some info on the dude that shot skinner. she says it will take too much time to run the hair sequence, but to do it anyway.

(also, i can’t tell if this is the same guy from the lab as before that clearly had a crush on her or if this is a different one but idk i guess it doesn’t really matter... he doesn’t seem like her type)

so the two men that krycek flash banged last night are now in treatment for radiation, and who is visiting them but cancer man!!! he is once again lighting up as they are dying. he bends down and moves a bandage, and sees the eyes of a patient meet his. but he says to HAVE THE BODIES DESTROYED OMFG HE DOES NOT GIVE A FUUUUCK THIS GUY IS EVIL!!!!

mulder at da hospital. bandage on his head. awwwwww :( it’s so sad and pathetic... he’s baby.

AND SCULLY IS THERE!!!! WITH A SMILE!!!!!! WOOHOO I WISH I COULD LIVE IN THIS MOMENT FOREVER!!! YES YES THOSE ARE MY FAVORITE CHARACTERS!!

the police found him and he mentioned “we” so she says “who’s we” and he has to say KRYCEK… she is (very gently) confused

an excellent person to have by your bedside whilst recovering. 

she tells him that she is sorry for the bad news, but skinner has been shot as well. but the doctors seem to think he’ll be okay. and she has an idea on who it is that pulled the trigger!

GASP!!! she pulls out the scans on the hair. two of them, in fact. the first being from the man who shot skinner, and the second being from the man who shot melissa. and they’re a PERFECT MATCH!!!! CONSPIRACY!!! CONSPIRACY, I CRY!!!

(shrill violins, fade to black)

oh! it’s the united nations alien council. um i realize now i don’t know their actual name. but you know who i’m referring to, right? the guys. the gang. the squad. just a couple of dudes.

they’re discussing the site “WHERE THEY RECOVERED THE UFO” well! there you have it! word of god confirmation! it’s indeed a ufo that the french sailors came across in the last episode!

“it seems we have an information leak, gentlemen”, one of them announces, which makes me say, okaaaay ominous <3

and they say cig man has responded in a way no one could have predicted… omg was he behind the skinner thing…?

scully visiting skinner <3 asking how he is feeling <3 he doesn’t seem surprised about the news his shooter was the same as melissa’s, especially because those three men had warned him before about pursuing her case. he says she should be careful about saying that the case was shut down because people don’t want it to be caught but. it’s looking them right in the face.

OH! the man that shot him was one of the ones who attacked him a few months back on the stairwell! well i didn’t even catch this. some detail noticer i am. AND KRYCEK was the other one!!!! yes, and they stole the tape yes yes i’m recalling!

ohhh it’s serious. he tells her that she cannot afford anger, that if she’s angry she’ll make a mistake. “i’ll be okay”, she says (voice breaking) (<- said by a woman who is lying)

he says that if she can’t keep her head, it’s okay to step away… this feels very chekov’s gun… but she says that’s exactly what they want. OH! i love that she knows she can get to the bottom of this. i love that she believes in herself.

scully is furiously typing on her laptop. asking to devote full bureau resources to finding krycek. got her glasses on n everything. terribly beautiful whilst angry. she is saying he can explain everything that is going on, but i don’t think anyone is gonna listen to herrrr because the fbi does not give a fuck!!!

scully is now entering their office to see the giant yellow scuba suit. “it looked great on me in the store” says mulder, who needs to make a joke or people will die. perhaps he needs to make a joke even more when people really ARE dying.

so, why is it here? great question. it was covered in oil, the french guy was covered in oil, his wife was covered in oil, and it’s all diesel oil from world war two submarines. a new meaning to the term “oiled up”.

theory time with mulder: it’s a medium for an alien creature for body-jumping. he laughs when she laughs, aware of how ridiculous it sounds, but also aware of her thinly veiled fury; what else could he do? he does know how it sounds, he does know what she needs, but the truth. the truth.

so what does this thing living in the oil want with krycek? a great question. 

omg guy from the lone gunmen is ice skating! and so is another one. wow a team bonding mission <3 AND THE OTHER ONE!!! FROHIKE!!! 

is this something they do often... no, this must be a sleuthing mission.

frohike goes in a locker and opens something. GIVES IT TO MULDER!!! YAAAS THE TAPE!!! they say he should “call upon their services more often” YAAAS they want that sweet sweet agent time <3 

but noooo! the tape is gone!!!! mulder gets mad and throws the empty case. still, a reunion with his pals <3

cig man is watching tv. sipping some sort of liquor.

(whenever i see someone drinking a beverage with ice in it on a tv show, i think of that one tiktok of a prop master explaining how they make prop ice and the many different kinds they can do. i think this looks like glass ice to me. shoutout to people who make videos about props; you make my heart very happy)

BRO... THE TAPE JUST APPEARS. KRYCEK HAS ENTERED????? but the guy who shot skinner is there too!!! and is holding krycek at gunpoint!!!!

cig man watches krycek's eyes go all inky (correction: OILY) and black. omg……

cancer man is rolling up 15 minutes late for the UN alien meeting. lmao it's funny in a way. he moved the ufo to a new location! he promises it will be absolutely inaccessible.

someone asks why he won’t bring it to nevada like the others. probs because even the normies know about nevada as the alien place. dweeb.

GASP! they want answers for what happened to skinner. cig man says for all he knows, it's just random. even though they have a drawing of the guy who did it, who is “one of his”, he’s denying it. AND THEY’RE ALL GROANING BECAUSE NO ONE BELIEVES HIM FOR A SECOND LMAOOOOOOO

(so funny to me that despite being on the super secret alien council, cig man still manages to be unprofessional and lie through his teeth to people who seem far more competent, even when secrecy effects the entire planet. something very funny about him lowkey sucking at his job)

so he needs to get the shooter out of the country NOW or else skinner can make an ID and no one can stop the arrest!

back to the agents trying to piece things together. the lone gunmen are babbling on about how to best find what was written on the case but mulder has the secret: rubbing a lil pencil over top LMAOOO. he finds a phone number!!

and who picks it up when he calls but… the un alien club!!!

it’s the well groomed man!!! mulder says krycek gave him the number. and he asks to meet with mulder. allegedly in central park? is this a trap...

so, the dude who did the shooting is named luis. the other agents are saying to scully they can’t look any further than they already have, but she says keep looking, she’s seen stranger. and the lab guy says “i believe she has” when she leaves lmaoooo GET UP. he's down bad fr. pathetic. get up.

i mean i am too but i'd like to think i'd have more dignity about it

mulder in da park. is he alone… are they gonna get him??? the well-groomed man meets him. they’re playing some mental chess with who can ask each other what. so he tells mulder there WAS a ufo at the bottom of the ocean that was shot down during ww2, and a salvage attempt had been made, but there were complications.

so it looks like they’re both looking for krycek. but the well groomed man leaves by saying “anyone can be gotten to”. very very ominous. and mulder calls scully and says check on skinner RIGHT NOW.

she gets down there and he’s NOT THERE??? apparently he was moved to a different hospital. WHO TOOK HIM?????

scully slaps her badge on the door of a ambulance on the side of the road and asks if he’s got a skinner in there. this dude says yeah and he must be freaked tf out, but she’s coming along for the ride now.

skinner wants to know what she’s doing here, and she says she just wanted him to be safe. she pulls her gun out and opens the door and WHO IS IT BUT LUIS!!! WHO FIRES AT SKINNER!

TRAFFIC GUNFIGHT CHASE!!! luis just got hit by a CAR!!! she got him!!!

and she’s SCREAMING at him. screaming like we have never heard before, are you the man that killed my sister??? he’s begging for his life.  he says he can tell her where krycek is…

the police roll up, telling her to put the gun down. and she sadly holds up her badge and explains that she’s basically the police but actually better so y’all are kinda late to the situation. they take him into custody. and she’s tearing up. i do not trust that he doesn’t have a poison tooth in there. 

she calls mulder, who is rummaging through his car, and tells him that he was right, someone was going to kill skinner. and it IS the man who shot her sister. and allegedly krycek is going to north dakota. mulder says please meet me in new york with two tickets to north dakota asap. 

what’s in north dakota, she asks? the salvaged ufo!!!

cut to north dakota cam. agents are rolling up, and how terribly i wish i could see what happened on the flight and ride up to there. how tense the silence was, how valiant the attempts at breaking it were. UGH. someone pls write the fic someday i’m already emotional.

she’s got a vest thing on and it’s cute. i get that we have bigger things at hand but i can still appreciate a vest moment!!

they go into a silo... but the door locks behind them!!! they go 8 stories down!! that is a lot!!!! 

now they’re opening a door to what looks like a nuclear waste thing. idk i don't know much about nukes. but it’s just a big empty silo. so they have to check 199 more. 

except they hear a thunk in the tunnels!!!

scully finds one of the (barely alive?) burn victims that had been flash banged by krycek just as mulder announces “he’s here”, and a large group of soldiers runs in

OH! they go to start running from the soldiers and he grabs her. it was so subtle but so sweet. i’m gonna gnaw at something. 

NOOO! they’re surrounded!!! and cancer man is coming up. she yells that they saw bodies in there and he says “you saw nothing” <- wow absolutely garbage fellow has sunken further than even before by adding gaslighting to his resume

so they’re getting taken into custody but cancer man is going deeper, and he tells the soldiers to take the bodies away. he goes down to the nuclear thingy, and lights up, which i feel would be a bad choice in a circumstance where things were actually nuclear, but okay. 

we see something very dark and oily? and hear people throwing up. OH! it’s krycek, with the black stuff pouring from his eyes and mouth. on top of a triangular looking ufo. the oil is pouring into a spiral thingy? and it gets sucked up. 

MULDER AT HIS DESK WITH HIS GLASSES ON!!!! AND A HEALING CUT ON HIS FOREHEAD!!! could a man be any more attractive? it’s debatable.

knock knock. who is it? it’s skinner!!!! limping, and not supposed to be back in the office for a few more weeks!

mulder gets up to shake his hand and help him across the room. a right gentleman, he can be. OHHH so this is why i have seen those bloopers of skinner with a cane LMAOOOO

he’s looking for scully though lmao. yeah not interested in YOU, mulder. 

mulder thanks him for getting shot because he stood up to the evil. he’s saying no, no, i wasn’t doing that, at all. i don’t know what you’re talking about. but not in a humble brag way, in a denying allegations sort of way. it's interesting. my brain is still stuck on this moment.

he says that he “mistakenly” believed he could bring melissa’s murder to justice. mulder says hey, what do you mean by that? so that is why skinner needs to go see her.

she's out and about, though. she’s bringing flowers to melissa’s grave NOOOOO :((((((( she doesn’t even say anything, she just sits there. 

UNTIL MULDER COMES AND BRINGS FLOWERS TOO??? and she has to brace herself to see him. 

he touches her shoulder gently before he sets them down. oh my GOSH

she tells him about how someone told her the dead speak to you from beyond the grave, and that is what a conscience is. he says that’s interesting, that he’s never thought of it that way. a man who sees her suffering and doesn't know what to say to make it better.

and she thought that finding the man who killed her would bring closure but it didn’t. 

he grabs her by the arm at this point, and says he needs to talk to her. tells her that they found luis dead. whoever was behind it all tried to cover it up. 

“i think the dead are speaking to us, mulder. demanding justice” <-stop. stop i’ll cry. you think i won’t cry? you think, for some reason, i won’t sob? i won’t collapse into a heap? you’d be incorrect. you’d be naive and mistaken. you’d be an utter fool, even in a world of fools.

(muffled screaming of me trying to keep it together)

but funny i should type that, because we also hear some muffled screaming on camera, that of krycek trapped in the ufo?? or in the room with it, deep in the nuclear silo?

episode ends with his screams.

WHAT!!!

so much has happened. and really one thing is on my mind: who is gonna hug scully? who is gonna tell her that the anger is okay, even if it’s futile? who is gonna hold the baddest woman alive close and listen? even if all she has to say is silence? 

RAAAAAAAAH i’m gonna CRY.

i feel like i could write another thinkpiece here but i also feel like i need to let this one sit for a bit. 

scully holding skinner’s hand, scully waiting by mulder’s bedside, scully saving skinner’s life, scully screaming, so guttural, at the man that killed her sister. scully in glasses and scully in vests and scully in coats. furious and devastating and calculating and guilty. 

i have some major questions re: krycek and cancer man and why don’t they just deal with him already??? like for real. i know the answer is gonna be that someone from higher up would just replace him, but i do think it is funny how he goes about blatantly committing all those crimes and then clocks into work the next day like nothing happened. and no one can act like anything happened because they’ll tear the fbi down if they do. we all have a coworker like that, don’t we? that sucks terribly but you can’t do anything about it because the inside supports how terrible they suck? sigh. many such cases.

krycek, if i’m supposed to feel bad for you, i don’t. starve in that ufo and see if i give a damn. 

skinner denying any concept of heroism… i think he’s doing it to keep himself safe. like he said to scully, any sort of accusations are risky. i don’t think he wants anyone to get the idea that he is a hero, even if he is in reality. i also think he has a complex and a great fear of being PERCEIVED as a hero after the things he did during war, and who knows what else he did but hasn't spoken about. but interesting still that he would deny a gesture as simple as being thanked. 

there are many dots in my head. i would like to think they are connecting, but honestly i’ve got matty healy dupe mr. mulder on my mind still just because it was so funny. and then also scully angst. and a deep deep desire to get into that car on the drive from the airport to north dakota, to just listen in on whatever went down. maybe i’ll have to write it if no one else does! isn’t that terrible? when no one else will write the exact thing you want to read, so you have to do it?

(i’ve actually never written fic before so that would be a major commitment. but a one shot here or there sounds interesting)

anyway. lots on my mind. it was a good episode, but kept a lot of things unsolved. which is the point, i know, but they dangle the answers in front of you!! then snatch them away!! i wanted a tiny bit more of the tea. 

but i guess, on the other hand, we know what the tea is, don’t we? we know cancer man and the UN alien squad are hiding this, they’re aware that this alien creature can cause radiation, they’re aware of ufos and they’re covering them up. they might not be aware of the exact nature of the creature, but they ARE aware of it, and that it’s a weapon of mass destruction. what isn’t clear is how tf krycek got roped into this. but again i really dgaf about his loser ass. 

i’m plotting. i’m pinning things on boards and tying them together with string. and then making predictions from there.

(actually, think it’s cool we see a bunch of different kinds of aliens on this show. there were the poison blood clones, standard alien 👽 fellow, and now the oil creature. fun that we get multiple perspectives and takes on what could be. perhaps scarier than just plain old little 👽, but!!! interesting for worldbuilding purposes)

back to plotting….