#just love this arc for break tbh

[kanouseis]

every time i reread the headhunter arc it makes me very emo about break. its a pivotal point in his character arc imo, which is amongst other things about choosing to scrape yourself up and LIVE. its so nice how afterwards, he's always trying to live on until then end,,, and yknowvwhen gil goes like "im angry cuz you fought all alone and just gave up!!" I Am Moved

[brynnmclean]

y'all, I feel like I've said this a lot, it is truly a joy to be a GM, but I am so fucking ready to get out of the chair and be a player again

[vaugarde]

idk heres like a positive post. i love reincarnation tropes, theyre hard to get right i feel like bc its easy to go “this character is special bc they’re a reincarnation of this important figure in history and not bc of their own merits!” but on the other hand they have a lot of potential and i love them in like a whole “this character deserves a second chance at life” or “this character may or may not be doomed bc of their past life” deal

[luv4fushi]

omfg i litr read everything uve written off ur masterlist I NEED MOREEEE. i love the way u write megumi especially, i couldn’t get enough of it. i hope you write more of him, my heart aches for more tbh 🥹 tysm for being such a good writer and feeding us starved readers well

tysm! i'm sooo glad i can be a good source of megumi content for you >_< i looove writing megumi so you'll be seeing sooo much more of him, dw! happy holidays!

this december

jjk fushiguro megumi x fem!reader

it’s always colder on your own, especially around this time of year. you should be at home, bundled up with a warm cup of hot chocolate, but here you are in shinjuku, exorcizing curses with your ex boyfriend two weeks after your breakup with him. great.

content: post break up, aged up megumi (19/20), megumi is terrible at feelings, getting back together, fluff if you squint, a bit of angst, miscommunication, one bed (but it isn’t the main plot point sorry), megumi calls you baby like once, gojo is the best wingman, SHIBUYA ARC NEVER HAPPENED AND LIFE IS GOOD, not proofread im very sorry guys pls forgive me, kinda a word dump sry

word count: 5.8k (sigh this was supposed to be 2k words max)

click on my masterlist for more & merry christmas to those who celebrate!

it’s december 19th when satoru gojo tells you that he has a mission just for you. you’re less than ecstatic about it to say the least. the last thing you want to do is be sent to your death just shy of christmas day. you just want to rest your sore muscles and bask in the presence of your best friends. you’re not in the mood to kill any curses, mainly because you’ve just recovered from a previous mission.

“why me?” you groan.

gone are the days where you used to be a goody two shoes for satoru. you’re old enough to talk back now, not like when you had been a shy fifteen-year-old girl. besides, you’ve been around the silver-haired sorcerer long enough to know that he doesn’t mind the bite.

“sorry, kid,” satoru says with a shrug. at least he sounds genuine about it. “the higher ups requested for you specifically. they say you’ll get the job done in the cleanest way. we can’t have things getting messy before the holidays, right?”

“and you wouldn’t be the best choice?” you quip.

satoru only laughs. he ruffles your hair. even with your growth spurt and merciless training, he still towers over you. in a way, he’ll always be your mentor. “hey, i’m going out of town that weekend. give me a break.”

you huff petulantly. something about this mission seems fishy to you. you’re not nearly the strongest sorcerer out of the bunch of kids under satoru’s wings (not that you guys are kids anymore, but sometimes it’s hard to feel otherwise). hell, there’s the kyoto students. it feels like they never have to do anything. you wish that you were rebellious enough to chew utahime out for it.

“why couldn’t they just make yuta or megumi go?” you mutter under your breath. you stammer out megumi’s name and hope satoru doesn’t catch on to the way you can barely say it.

satoru knows about the breakup. why wouldn’t he? he’s basically megumi’s dad, even if the raven haired boy refuses to admit it. satoru’s six eyes mean you can’t hide anything from him (he’d been the first to know that megumi was head over heels for you).

satoru raises a brow. “oh, right. megumi’s coming along too.”

your face twists and you immediately whip around to glare at him. “you’re lying.”

“i wish,” he jokes. “i was really hoping i’d get a wedding invitation one day, you little rascal. i can’t believe you two broke up. maybe this’ll be a good thing!”

“i appreciate your honesty, but—”

“but megumi’s an emotionally constipated kid, yeah, that i know,” satoru laughs. he makes his way to the exit of his office which has you furrowing your brows. is your former teacher actually gonna just leave after making you come all the way here? how rude and so very in character of him.

“please, gojo,” you call out after him, “i don’t wanna go with him.”

“sucks for you,” satoru responds halfheartedly. “merry christmas. try not to take more than a week on this. you’ll have to pay the rest of the fee for accommodations if you do.”

“gojo!” you whine.

“it’s not a hard mission!” satoru insists like it’ll make your life any easier. “y’know, this time of year is when things get ugly. think of it as saving as many people as you can while putting in the least amount of effort!”

and then he teleports. your former teacher teleports away rather than being normal and walking out of the door. you roll your eyes and hope that he can sense it (you know he can’t).

so that’s why you’re here now. with your ex. on the elevator to your assigned room on the tenth floor. you’re so glad that it’s a normal hotel and not a love hotel. lord knows what you’d do if you had checked into a love hotel.

megumi hasn’t spoken a word to you since he broke up with you two weeks ago. it had been in the doorway to your apartment a few days after a particularly rough mission assigned to the both of you—the one you’re still recovering from. he’d pulled you in for a hug, whispering sweet words into your ear. he gave you a look, one of those looks that made him soften his usually sharp eyes.

“i think we should break up.”

and then came the pathetic whimper of yours. he had wiped your tears, even kissed them tenderly, before telling you that it wasn’t your fault—it was his. how cliche.

now as you stand next to him, you want to beat yourself up for not asking for closure. neither of you had explicitly stated that you two were going to be no-contact, but it hurts a lot less to push the idea of forever with megumi away to the back of your mind. besides, you two aren’t confrontational like that. not with each other, anyway.

“need help?” his tone is soft, tender—the tone he reserves specifically for you, the one that tells you he still cares.

you stare down at the luggage at your feet. you’ve always been a chronic overpacker, a habit that megumi knows of by now. he watches you curiously, hands itching at his sides. you can tell that he wants to reach out and grab your suitcase like he always does. he thinks he isn’t obvious, but you can always read through the lines, especially when it’s megumi.

“i’m okay,” you croak out, clearing your throat awkwardly.

the elevator dings and you make your way to your room. as much as you hate to admit it, you’re sort of glad that you and your ex boyfriend are sharing a room. perhaps his’ll be a good way to get closure, though you’re not really sure what closure entails.

what you don’t expect is to unlock the door and be met with a singular bed.

if satoru gojo didn’t have a layer of infinity coating his body (and if he wasn’t the strongest sorcerer alive), you would’ve wrung out his neck.

megumi simply walks into the room, setting his duffel bag down on one of the dressers opposite from the foot of the bed. he doesn’t comment on the lack of double beds, seemingly already aware of the set up.all he does is puff out a weary sigh. you suck in a breath and follow him inside, slipping your shoes off at the entrance.

you lug your suitcase in after you along with your duffel bag and backpack. you stumble forward and megumi’s arm snakes around your waist, steadying you.

“careful,” he mutters, nonchalantly taking your bag off our your shoulders.

it’s a quick series of movements; he swings your bag over his shoulders and places it on the dresser next to the one he’s claimed while guiding you softly to the side of the bed so that you’re not standing in the middle of the doorway.

you scrunch your face, feeling your heart thump against your ribcage. it’s stupid how he still has such a hold on you, even after two weeks of not seeing or talking to him. he’s just so caring, so gentle. it stings, like little the little cuts you get when fighting curses, when you realize that this is something you’ll have to learn how to lose.

“thanks,” you manage to mutter. you don’t trust yourself to say anything else. you know from the way your throat tightens that you’ll be crying soon if you force yourself to talk any more.

“i can take the couch,” megumi says.

it’s that easy with him; he’s a gentleman, so of course he’d take the couch. that’s the way megumi fushiguro is—he offers a solution before you even have the chance to complain. in your year and a half long relationship, that skill of his had been a saving grace.

“no, don’t bother,” you croak. “i’ll book another room.”

“really?” he asks. he stands up a little straighter, awkwardly reaching up to scratch the back of his neck. “i mean, i don’t mind sharing a room with you… we’ve..”

we’ve shared a room countless of times before.

megumi doesn’t have to continue his sentence for you to understand what he’s implying. you part your lips to speak, but nothing comes out except for a long, heavy sigh. your shoulders drop as you let the exhaustion seep into your bones. there’s no use arguing about it, not when you don't’ mind sharing a room with megumi, either.

“we’ve broken up,” you remind him in a quiet voice, like you’re afraid saying it out loud will make it truer than it already is.

megumi pauses. you see his adam’s apple bob as he swallows thickly. “i know that, but … it’ll be fine. we’ve shared a room as friends before.”

he’s right, like he usually is. you two have shared a room before as just friends, but that had been as teenagers—back when you both harbored such hardcore crushes on each other that you two somehow didn’t notice.

“right,” you find yourself agreeing with a small nod.

“you should go get ready for bed.” megumi begins grabbing a few or the decorative pillow off of the bed. he places them gingerly on the brown couch tucked in the corner of the hotel room. “we’ll be getting up pretty early to deal with the brunt of the mission.”

to finish this mission as quickly as possible, you think.

and so you oblige and head to the bathroom. it’s december 19th, just a few days shy of christmas day, and you’re in bed with your ex boyfriend on the couch just a few feet away.

december 20th greets you with megumi hovering over you. he peers down at you with his messy bangs covering his eyes. they’re piercingly blue as he blinks. his lashes flutter perfectly, even in the early morning. your eyes meet his and you jolt awake.

“good morning,” he says. “your alarm has been ringing for a bit now, so i turned it off.”

you blink rapidly, getting the tiredness out of your eyes. “oh.”

he chuckles softly, just enough for you to catch it with your ears. he rises from his crouched position and heads to the front door. he spares you a glance over his shoulder before he heads out, presumably giving you the privacy you need. you let out a strangled breath before you swing your legs over the bed and head to the bathroom.

by the time you’re finished putting on your uniform, you swing the door to your hotel room open and see megumi leaned up against the wall, tapping away on his phone. his dark blue eyes flicker up to you and he turns away to head down the hall.

you furrow your brows. you can’t help but think that he’s being a little cold to you. it isn’t like you initiated the breakup. despite your frustration with his behavior, you can sort of understand why he wouldn’t want to be sweet around you; you two aren’t dating anymore and so it makes sense that he’d go back to being aloof in your presence, the usual way he acts around everyone else. losing that position in his life makes your stomach churn for reasons you’re less than willing to uncover.

your mission is a vague one; all you know is that it’s a clean-up mission. rather than a level 1 curse (or even a special grade), the mission consists of an acclimation of weak curses surrounding shinjuku. these missions are normally given to younger, more inexperienced sorcerers with the help of a senior sorcerer, but for an odd reason, it’s been given to you and megumi this year. megumi could’ve probably handled it himself. actually, you could’ve handled it yourself.

you bite your tongue to hold back on your complaints as you walk just a step behind megumi. he pauses regularly, waiting for you to catch up to his side. you roll your eyes in secret. does he not realize that you don’t want to walk next to him?

“it’s all just bars,” you mutter.

with that, you earn a tiny laugh from megumi. “well, yeah. this is the red-light district of shinjuku.”

you pale. “this sucks.”

“why do you think i wanted to come out here in the morning rather than at night?” he says, his tone strangely light.

“to deal with the brunt of the mission,” you repeat his words from last night sarcastically. you’re unsure as to what he’s talking about, so you think that it’s okay to give him a little bit of attitude.

he raises his brow but doesn’t comment on your sarcasm. instead, he says softly, “no, stupid. it’s because this is the red-light district. it’s unsafe for anyone, especially a pretty, young girl alone at night.”

your first thought is to coo and tease him. you think i’m pretty? it takes you half a second to remember that you two are broken up. you scoff, “i’m perfectly capable of handling myself.”

“i never said you weren’t,” megumi shoots back. “it would just be annoying explaining to the higher ups why you were fighting people and not curses.”

“i’m sure they’d understand,” you retort, frowning. you cross your arms.

“don’t be so pouty,” he says in that stupid, gentle tone he uses with you when you’re acting bratty.

you both decide to split up. well, it’s more like you demand the two of you to split up. you say it under the pretense that it’ll get the job done faster. besides, you both want to be home before christmas day, right?

there’s about two curses you cross paths with every hour. you’re starting to lose your mind. shouldn’t the streets be infested with them? you don’t even need a veil! all you have to do is give the weak curses just one punch and they vaporize on the spot. your head is running with hundreds of thoughts.

that’s when it hits you: the first years at the tokyo jujutsu school did come out here a week prior! maybe they did a bad job? but you remember nobara had been the one to lead the group. she may half-ass almost everything in her life, but she wouldn’t jeopardize her underclassmen for the sake of her freetime.

so why on earth are you here? it’s not like there are enough harmful curses for a mission to be assigned to you right before christmas, and to you and megumi of all sorcerers. you’re both strong enough to the point of having some kind of importance in the jujutsu world. the higher ups wouldn’t send the two of you on some stupid mission for the sake of it unless they’re planning some sort of secret execution. but even then, satoru gojo should’ve known through their lies to not send you or megumi. unless…he wants you two dead…?

you shake your head and bite your nails. the sun begins to set and you realize that you’ve been out here for longer than you expected. you’re starting to feel a chill in your bones—you had argued petulantly with megumi earlier about not wanting to wear your jacket despite it being the dead of winter; “it’s gonna get in the way!”

you always seem to forget the the sun sets earlier in the winter. it’s stupid how bright all the lights are in shinjuku. there isn’t a square foot of anything that isn’t lit up with neon signs reading out the names of clubs and bars. you see couples and large groups of people walking along the streets.

it’s lonely, you realize. it would’ve been less lonely with megumi.

you make your way to the meeting spot with megumi. you both share a few small words before retiring for the night. megumi says he wants to go sightseeing, even though there’s really nothing much to see. he doesn’t return to the hotel room until late at night.

when he slips into the only bed that the room offers, you chalk it up to the slight alcohol you smell on his lips. it feels so natural that you don’t push him away even though you should. his body is warm and you fit so perfectly against his broad chest that you think it’ll be okay for you to be a little selfish tonight.

“g’night,” megumi mumbles in his sleep.

you smile and nuzzle closer.

it’s december 21st as you realize how late it is in the day. megumi is back on the couch. you feel a tinge of disappointment in the bottom of your stomach.

to no one’s surprise, the sun is barely peeking over the buildings when you’re finally back in the red-light district. you’re doing the last bit of cleanup, but there’s really nothing much for you to clean.

tomorrow, you’ll be heading to a shopping mall, so you suppose you should do your best to sniff out the rest of the curses littering the place unless you want to stay here an extra day. the day is, yet again, slow.

it’s nearing 8 PM and you're finally sure that you’ve gotten rid of all the curses in the general area. you’ve been done for quite a while now, but you just haven’t found the courage to let megumi know that you’re ready to go back to the hotel room. a little sightseeing on your end wouldn’t hurt, right?

“hi, pretty.” a gravelly voice, battered by cigarettes, whispers in your ear.

you jump in surprise. you need to remember not to get too far into your head. you should’ve felt his presence coming from a mile away. it’s a terrible habit and satoru has scolded you for years about it.

“hi,” you mutter, pushing past his larger frame.

the man isn’t as nicely built as the men you know (but then again, your friends are jujutsu sorcerers, so it’s kind of hard to beat that), but he still towers over you. he’s got a squad of rough-looking guys behind him, smirking down at you.

“why’s someone like you alone?” he says, shoving his arm to loop around your waist.

you roll your eyes, getting ready to punch the man square in the nose. will you get in trouble? probably yes. will it be a funny story to tell? also probably yes.

“don’t touch my wife.”

the group of men turn their heads along with you to see megumi. his expression is shrouded with a mixture of anger and frustration. you blink in confusion—megumi usually looks pretty pissed off, but this is the most angry you’ve seen him in a while. and ‘wife’? what’s up with that?

“oh, my bad,” the man chuckles. “didn’t know this pretty thing was married.”

“this ‘pretty thing’ wants you to let her go,” you say with an overly sweet smile. your teeth clench and you hiss, “right now.”

the guy scurries down the sidewalk with his buddies trailing along, making fun of him for hitting on a married woman. nobody mentions the lack of a ring on your finger. nobody mentions the lack of a relationship, either.

“wife?” you scowl. “we’re broken up.”

“guys tend to back up when they know a woman is married. it’s the only way you can really, uh, get them to go away around here.”

you glare at him. “and how would you know? you come here often with girls?”

“...no?” he blinks, unable to comprehend your sudden burst of jealousy. “i sometimes get missions around here, though. pretending to be married was the easiest way—”

“we aren’t, though. we’re not even in a relationship.” you seem to be throwing that into his face a lot more than you should. you can’t help it, though. you still feel a little bitter about not getting a real reason as to why megumi wanted to break up.

“i was trying to help you.” he’s calm and collected, as heard through his voice. he walks up to you and takes your freezing hand into his much warmer ones. “let’s go home.”

“i don’t want to,” you argue.

“stop being a brat,” he says, but there’s no bite to his words. “you’re cold and you’ve been out here all day. if i hadn’t stopped those guys, you probably would’ve beat them up pretty badly.”

“i’m not a fucking brat!” you try to retract your hand, but megumi’s grip only tightens.

“baby, stop,” the pet name rolls off his tongue with ease. megumi sighs softly and pulls you to his chest. “why are you so worked up, hm?”

from the way he speaks, you can tell that he already has an inkling. the breakup. cuddling last night. hugging you now. everything.

you don’t realize you’re crying until he gently wipes his thumb under your eye. he has the audacity to have an amused grin plastered on his stupidly pretty lips. your vision is blurry but if it hadn’t been, you would’ve thrown a punch.

“i’m sorry,” he whispers into your hair. “it’s all my fault.”

“it is,” you whimper pathetically. all the tears and the emotions you’ve been holding back bubble up to the surface.

“don’t be upset,” he almost pleads. “let’s go back, okay?”

the night ends with megumi on the couch. neither of you bring up the argument or the fact that he had slept in your bed with you last night. you two don’t talk about the usage of pet names, either.

when you open your eyes on december 22nd, you’re surprised to see that megumi has already headed out for the day. you click your tongue in annoyance—he’s always been good at avoiding his problems when it comes to dealing with them, especially problems involving his emotions. you already know where you’re supposed to be headed, so you suppose that it’s for the best that he’d left before you.

the shopping mall is a long line of vendors and stores among other things. the snow on the ground is fresh—it must’ve snowed late last night after you’d fallen asleep. it crunches underneath your beat-up sneakers with each step you take. you’re not shocked when you end up wandering aimlessly, dipping in and out of stores with no real urgency to finish your mission.

there’s nothing to do anyway.

you’ve killed about 3 curses total and it’s really starting to look like you’ve been sent out here for busy work. you really should’ve figured that out the first day of the mission when you had to practically beg the curses to come out and fight you.

you find yourself in the front of a jewelry store, eyeing a pretty bracelet that you know would look stunning around megumi’s wrist. it’s one of those bracelets that clasp tightly. there’s a thicker band in the center with pretty carvings that seem to resemble some sort of swirly heart. it’s pretty, you have to admit.

without much thought, you buy the gift.

the seller has to clear her throat to get your attention when you don’t answer her question. “um, would you like this to be wrapped?”

you nod absentmindedly. “oh, yes. sorry. please wrap it.”

she nods in return and proceeds to wrap the bracelet in a tiny box, adorning it with a festive bow. you ask her to change it out for a different color, explaining that it isn’t a christmas gift and instead, it’s for someone’s birthday. she offers you a warm smile before switching it with a muted blue ribbon.

you return to the hotel, having to take an expensive taxi. you don’t mind—the bracelet has already made a decent-sized dent in your wallet. why not spend an extra amount on getting home? it’s not like jujutsu sorcerers are paid poorly.

reality hits you when you finally get back to the hotel room. you want to punch yourself for being so stupid. did you really just buy a birthday present for your ex-boyfriend?

you’re thankful that megumi hasn’t arrived yet. he seems to be determined to avoid you for as long as he can. you can’t blame him, either. you did give him quite a hard time yesterday.

you toss the box on to the dresser and head to the bathroom to splash some much needed cold water on to your face. maybe that’ll wake you up enough to clear your mind. you’ve acted out once during this trip already and you’re not really looking forward to any other possible outbursts.

you rinse your face and pat yourself dry with one of the face towels provided to you by the hotel staff. you hang it over the rack again and tiredly make your way to your bed. you halt your movements when you see megumi standing by the dresser, admiring your gift.

he looks up at you in surprise with the smallest grin on his face. it’s so subtle that you would’ve missed it had you not been dating him for nearly two years.

“is this for me?”

“no,” you quickly deny. his face falls and you cough out, “um, i mean.. yeah. i-i didn’t… i… happy birthday.”

he brightens, lips pulling up into a real, genuine smile. “you remembered?”

“why wouldn’t i?” you blurt gently. you bite your inner cheek to stop yourself from saying anything more.

“i dunno.” his voice is distant and low, like he’s trying to hold back his tears. “i just…i didn’t think i was deserving of a gift from you. thank you. i like it.”

you stand awkwardly, shifting your weight onto your other foot. “yeah, well…”

“can you help me put it on?” he asks, sitting at the edge of your unmade bed.

you feel your body heat up. part of you screams for you to stop. you shouldn’t do that. it’s far too intimate and you two are broken up. you’ve never been good at making decisions, though, so you sit next to him and feel the mattress dip.

he gives you a grateful look, one that you willfully ignore, and gives you his wrist. you clasp the bracelet on, fingertips just barely grazing his skin. your heart skips a beat and you have to inhale sharply before pulling away.

“thank you,” he whispers.

december 23rd is a sore reminder that life goes on. you had half-expected something to spark between you and megumi. perhaps he’d beg for you back, or maybe with less wishful thinking, he’d give you his real reason as to why he doesn’t want you anymore.

“i don’t think we need to go anymore,” megumi says when you come out of the bathroom after freshening up.

“huh? why not?”

“there’s nothing out there.” megumi’s voice is flat.

“i know, but we’ll get in trouble if we…”

“gojo probably sent us out here for fun.”

your lips part. megumi turns to you with a slight frown.

“don’t you think so too?” he asks, but you know it isn’t a question he’s looking to find an answer to. “why would the higher-ups assign a mission like this to a special grade sorcerer and a grade 1 sorcerer? if they needed that much manpower, this mission would’ve been deadlier. instead, we’re playing cleanup crew.”

“yeah, but..” you trail off, unable to think of a statement to refute his words. “if we go back now, we’ll get chewed out.”

“it’s just a scolding. you’ll be fine.” megumi stands up and stretches his arms.

you watch him cautiously as he begins to fold his clothes and throw them into his duffel bag. he doesn’t say anything else, letting the silence overtake the room.

“...are we leaving, then?” you ask meekly, not bothering to hide the slight quiver in your voice.

he pauses slightly. “do you want to stay here until christmas? this mission is stupid and you know it. there’s no point.”

why is his tone so cold all of the sudden? it’s as if you two hadn’t shared a moment last night before bed. does your gift not mean anything to him now that he’s cleared his mind with a good rest?

your eyes flicker to his wrist. the gold glimmers underneath the light and you realize that megumi doesn’t seem to hate wearing it. so why is he acting so … unpleasant?

you feel a lump in your throat. it’s embarrassing how quickly he’s able to upset you from just the tone of his voice. even his body language, usually fluid and smooth, is rigid with your presence. you want to tell him that you’ve enjoyed your time with him. you want to shake his shoulders and tell him that if you two cut your mission short, you might not get another chance to be near him again.

“do you still care about me?” you whisper instead.

he stills completely. “what?”

“this entire time,” you begin shakily, “you’ve been nice to me. you treat me like you always do. you’re always hovering over me even though you pretend you aren’t! you obviously still care, megumi.”

his adam's apple bobs as swallows. a beat of silence. then two. then three.

“i do care,” he admits sorely.

“then why did you break up with me?” you blurt. there it is, the question you’ve been meaning to ask. you both had seen it coming.

“because…” megumi winces as if he’s the one getting hurt from the ordeal. “because you deserve someone that’s normal. someone that isn’t a sorcerer. i can’t give you that life.”

you feel your chest swarm with anger. why does he always think he needs to sabotage himself to make others happy? this is something you’ve tried working with him on, but it seems like old habits are hard to kill off, just like your habit of loving him.

“why the hell would you decide that for me? when did i ever say i wanted a normal life?” you snap. your hands clench at your sides.

“it’s too early for this,” he says, his voice straining as he finally musters up the strength to look at you in your eyes.

“tell me, megumi. if that’s the real reason, then that is the most pathetic excuse for a breakup i've ever heard.” your voice cracks and you gulp down the oncoming sob that’s threatening to explode from your throat.

he inhales slowly and makes his way to you, holding you close against his chest. you should push him away, but you would rather let him hug you. you know that you can’t fight him, anyway.

“you…once said you wanted a regular relationship. when you got hurt a few weeks ago, i realized i couldn’t be that for you,” he confesses lowly. “i knew that you’d never find it in yourself to leave, so i figured i should just let you go for your sa–”

“are you kidding me?” you shout incredulously. “i said that when i was fifteen, megumi! before i even knew what being in love was like!”

he flinches against you. “but i…”

“you and your damn savior complex! i don’t need to be in a regular, normal relationship! i don’t need any of that, megumi! i’m a sorcerer, I won't ever get to be normal! in fact, it’s even better that i’m with you because you at least know what this life is like, you idiot! you’re always ruining the good things in your life because you—”

he takes his fingers to grab your chin and he pulls you in for a kiss. if the kiss is a ploy to shut you up, you hate to admit that it’s working. his tongue slips into your mouth and you melt against him. your arms loop around his neck as you desperately drag him down closer to your body. his hand grip your waist while the other clings to the small of your back.

you whimper out of instinct and he pulls away, lips bruised and breathless. it’s been so long since you’ve tasted him and you frown, tiptoeing to capture his lips again. you need to savor him, to feel him lips against yours again.

“baby, wait.” his chest heaves as he looks down at you. “don’t…don’t do this to me.”

“do what?” you ask, an edge to your voice. did he just reject you? even after all that?

“w-we gotta report back to—”

“we’re supposed to leave tomorrow,” you interrupt.

the gears shift in his head. “fine, but—”

“i’m still really fucking mad, but i just need you to kiss me right now,” you whine impatiently.

all megumi does is laugh when he swoops down to press his lips against yours.

it’s december 24th when you two find yourselves in satoru’s office. steam is practically rising from your ears as you try to compose yourself in front of your former teacher.

“... i wanted a wedding invitation.” satoru shrugs.

“you set us up!” you whine angrily. “gojo, are you serious?! isn’t this a little immature?”

megumi stays silent, averting his gaze. he suddenly finds the succulents on satoru’s desk very interesting. he’s never noticed that they’re all nearly dead! how cool.

your eyes shoot daggers at megumi's silence.

"we aren't gonna get married any time soon..." megumi mutters when he feels your pointy glare on him.

satoru raises his hands in mock surrender. “you two can’t blame me! it worked out! you two are back together now, right?”

“but did you have to make us look like fools out there?” you groan.

“you should’ve figured it out on the first day that the mission was a sham!” satoru exclaims, offense taking over his features.

“but still!” you’re borderline hysterical at this point, unable to believe that your former teacher of all people had to set up an entire fake mission so that you and your ex could talk your feelings out. “we would’ve figured ourselves out sooner or later!”

megumi nods. he feels like he should at least give you a little support even if he’s embarrassed out of his mind.

“oh really?” satoru’s voice drips with sarcasm. “you guys should be thanking me—”

“you’re so not getting an invitation to our wedding!” you grumble.

“wha—hey! i’m the one that got you two back together! besides, i’m megumi’s guardian! you can’t just not invite me.”

“watch me!”

“megumi, tell her that she can’t do that—hey! where are you guys going? invite me, you rascals—why are you guys leaving? we aren’t done discussing this! megumi, don’t you dare take her side! she isn’t even your wife yet—don’t slam my door!”

[iwannakisskissyoureyesagain]

more things in pop culture that the apollo cabin and will have introduced nico to

will gives him every vaccine he’s missed out on. nico’s bedridden in the infirmary for a whole week because his immune system is so shit.

“vienna” by billy joel.

wes anderson movies. nico absolutely adores fantastic mr. fox.

eventually, they all convince him to get a haircut from drew, because this kid has the worst split ends in the whole world, he hasn’t had a haircut since he left the lotus hotel and casino.

eyeliner. he prefers to smudge it on and around his waterline, rather than a clean wing.

someone, probably piper tbh, convinces him to watch sex education. at first he has no idea how to react, because god forbid this little rat from hyper-catholic-conservative 1930s italy is exposed to *gasp* sex! but he gets used to it, and spends sleepless nights crying over it. he’s particularly attached to eric’s story arc, especially in season 4. (idk i just think it’s a very important show, and it’s helped me through my own internal struggles and insecurities.)

hozier.

when it comes out, he, will, kayla, and austin sneak out of camp to see barbie. the four of them are sobbing messes by the end. will still can’t hear “what was i made for” without breaking down.

noah kahan.

the entire twilight saga. nico’s team edward. will’s team jacob. it’s the longest they’ve gone without speaking (thirty minutes).

award shows.

the internet (and its dangers).

jane austen. nico loves it, being the hopeless romantic he pretends he isn’t.

[cryptocism]

Since I think about clones like I’m getting paid for it, I've been rotating those alternate universe "what if Bart and Thad were actually raised together" scenarios in my brain, with Thad either post-redemption-arc or pre-villainy. Because adjusting Thad's character to fit an ally role while still keeping true to his core motives and personality is so so fascinating to me.

Like I think there's an immediate first instinct to slot Thad into a "bad" twin category: ie rebellious and prickly, doesn't get along with people, mean lil shit. And obviously it's not wrong bc we're outside the realm of canon, but the reading still feels a little left of center.

Because Thad is mean and prickly in canon. In the Impulse comics he belittles Bart and Bart’s friends/family constantly in his appearances. He loves to goad, and monologue about his own superiority and intelligence. He’s very Not Nice, and he causes many problems, and he even does it on purpose.

But, I think it’s important to consider the context. From the jump Thad knows very little about anything except which team he’s on and who he’s playing for. He gets his orders from an unseen authority and he carries out his tasks because success means his team wins.

For all his self-aggrandizing talk, everything he does is in service of an end goal that doesn't actually center him. He's trying to get revenge for grievances he's never personally suffered, retribution for actions never committed against him. Everything he does is on someone else's behalf.

Thad sees in black and white, us or them. Up until the final few issues of Mercury Falling, Bart and co. are Thad's enemies, of course he's not going to be nice.

So Thad's motivation seems pretty simple: Thawne Supremacy™.

But it’s in Mercury Falling where this starts to fall apart, and the real core of his motivation gets revealed. Thad pretends to be Bart and suddenly Helen is nice to him. Bart’s friends think he’s funny. Bart’s teachers are impressed with his grades. Max ruffles his hair and gives him hugs and tells him he’s done a good job.

If he was actually an inherently mean and standoffish character, if Thad actually had significant personal stake in the Thawne VS Allen conflict, the weight of such tiny acts of kindness wouldn’t completely break him the way that it does in canon.

Thad thinks his goal is superiority and revenge and Thawne Supremacy™, but he's chasing validation. Thad doesn’t have a personal stake in the Thawne VS Allen conflict. He wouldn't get much satisfaction if he actually destroyed Bart and his family. Thad's personal victory would be the recognition after the fact: the praise and attention from the other Thawnes (a group of people he has literally never met) for his success.

He wants validation. That's basically it. And the fact that he gets it so easily from Bart's family and friends doesn't align with how he's told himself things are supposed to work.

Actually tangentially, Bart and Thad’s respective relationships to authority is so diametrically opposed and tbh kind of subversive in a superhero narrative. Where the hero is the one carving his own path without regard to social or societal rules, no fucks to give what anybody thinks of it. And the villain is a chronic people-pleaser.

Just based on Thad’s reaction to simple praise and affection from Max I really think Thad’s motivation has more to do with the response he gets than whatever the details are of any given task. He has no actual personal convictions beyond getting positive attention, and whatever he did have crumbled as soon as Bart’s friends laughed at his joke one time. Which of course leads into the core of his whole conflict at the end of Mercury Falling. He cares too much about Bart’s friends and family now, he doesn’t want to kill them, but worse than that, he’s faced with the sudden realization that he’s on the wrong side.

The Allens gave Thad everything he actually wanted and needed, but his conception of himself is inexorably tied to the Thawnes: who gave him jack shit. These two facts are in opposition to each other, and he can’t reconcile the reality of it.

Anyway all this to say, in an AU where Bart and Thad are raised together or Thad gets an actual redemption arc etc etc, I think my personal take on Thad’s personality whether it be pre-or-post-villainy would be one that is extremely socially conscious. He is much more of a people-person than Bart. Whether he's actually accurate in assessing people's feelings and how to respond to them can be hit or miss, but he wants to behave in a way that gets people to like him.

Pretending to be Bart isn’t remarked upon as, like, a difficult task for Thad. In his internal monologue he’s literally bragging to himself about how easy it is. But what’s especially notable to me is where his act differs from Bart's typical MO. Everyone notices, and lots of people comment, and presumably if Thad didn’t have the excuse of Max’s illness to “motivate” Bart to do better he would’ve been found out immediately. And those things are, specifically: paying attention in class, doing his chores, staying on task, and being helpful around the house. The one thing about Bart he chooses not to emulate is Bart’s rebelliousness.

Thad wants to prove himself, constantly, to whatever authority he respects (probably Max in this scenario) and will do whatever it takes to make that happen. In contrast to Bart, who only listens to authority when the shit they're saying actually makes sense to him. It’s excessively difficult to convince him to go against his own interests. (And I think a key part of that is Bart’s security in knowing that no matter how much he fucks up or doesn’t listen, the people he loves will always love him back.)

Thad’s got the people-pleaser in him that has to deserve whatever he’s given. It’s why he’s happiest when he’s given a clear goal or objective to complete, because it gives him an opening to prove himself.

All this to say that if we are quantifying Bart and Thad as a "good" or "bad" twin, in the eyes of every authority: Bart is the bad twin. Bart is the bad twin, Bart is the bad twin. Bart is the one who doesn’t care about school and whose grades vary wildly depending on his personal interest. He’s the one who goes off to do dangerous shit for fun and gets in trouble constantly and doesn’t do his chores and is thoroughly unconvinced by any authority figure trying to sell him bullshit. 

Thad is the one who needs to know all the rules just so he can experience the joy of following them. Relentlessly obedient. He'll put all his effort into doing all the right things that’ll endear him to whoever he wants to impress - meaning he’s the asshole who reminds the teacher about the assigned homework. Bart might be the most popular boy in school, but Thad is a pleasure to have in class.

Like Thad can (and should) still be high-strung and short-tempered and sarcastic and edgy and mean, because he is. But he can’t be doing all that without rhyme or reason. Colouring every interaction has to be that one-zero binary of ally or enemy. He needs to have somebody he’s proving himself to: a team he’s on and a team he’s against. He’s not an inherently rebellious character. He can go up against The Enemy, whoever he deems as such, but it has to be in service of a hypothetical future in which somebody eventually tells him he did a great job.

And in the interest of continuing to beat a dead horse, it connects to their respective upbringings. Thad and Bart were both raised in VR, but Bart’s experience had the side effect of basically hard-wiring him against insecurity. His world was a playground tailor-made for him, and he was never made to feel bad or insufficient about any aspect of himself. His first interaction with a real human person was Iris moving heaven and earth to save him, without him knowing her, without her knowing him, with no reasoning for the act needed beyond Being Her Grandson. Which is probably a significant factor in why Bart moves through the world with frankly atomic levels of autistic swag.

Thad’s VR upbringing installed self-consciousness in his psyche before any other personality trait. As in: he is immediately made conscious of himself and his relationship with everyone he will ever encounter. He’s told two things: he’s a clone of someone else (inherently derivative, lesser) and that he was made to be superior (a status to achieve). Which is such an instant clarifier for Thad’s everything. Where superiority is a condition that everyone either has, or does not. It’s the one-zero binary again: are they better than me or am I better than them. Being above others is mandatory, and if his superiority is ever challenged by hard evidence or god forbid nuance Thad’s brain physically cannot take it. He needs to be better, to be worse is unthinkable, and there is no other way to be.

And this status of better or worse is, crucially, not up to Thad to decide. He needs The Authority to validate him. Bart never tries to prove himself because he has nothing to prove. Thad’s entire identity hinges on the self-worth he gets from doing a Good Job.

It is such an inherent part of his motives in the Impulse comics canon, which is why it always feels a little off when he’s interpreted as a jackass indiscriminately.

Like I don't think he needs everyone to like him. But I do think he has either one person or a set of very particular people that he needs to like him. Everyone else is either in that circle or outside of it.

(Which is why Bart is such a great foil for Thad tbh. There is no set of words or behaviors that’ll change Bart’s opinion of Thad, because Bart is unaffected by obedience or charm. So ironically Bart is probably one of few people that Thad doesn’t bother to put on even a little bit of an act for.)

While Bart goes with his instincts, his personal beliefs and convictions at all times, Thad is hyper-conscious of big-picture goals. They balance each other out that way. Thad's keeping track of whatever expectations he has placed on him, and how his actions reflect on him and the team beyond short-sighted solutions. He's a team player. AND he's an asshole.

[deeply-unserious-fellow]

HOLY FUCKING SHIT HAZBIN WAS SO FUCKING GOOD IM GOING INSANE AAAAAAAAAAAAAAAAAKENFKCMKWJRKFNSMSMDMSMDN-

Okay. Okay deep breaths. Time for some cool and collected comentary. Okay.

Putting it under the cut so ppl can avoid spoilers :)

HUSK USED TO BE AN OVERLORD!?!?!?!?!? HELLO!?!?!?!?!? FUCKIN PLOTTWIST OF THE CENTURY WHAT THE FUCK!?!?!?!?!?

Huskerdust my beloved

SIR PENTIOUS MY BELOVED

Vox was great. I love him he's so fucking cool-

If Vox wasn't already a Tumblr sexyman he's definitely gonna be one now. He's so fucking Onceler coded it's insane.

Velvette was amazing too. It's so funny that she's British lmao I was not expecting that

Velvette is also very Anne Boelyne(like from SIX not from Real Life) coded it's wild. Her part in that song with Carmila was giving so much Don't Lose Your Head

I swear I'll stop comparing them to other characters I SWEAR

Okay but me and my brother are working on a Hazbin Hotel swap AU where we swap the main cast with the overlords and in that AU we swapped Husk and Vox. The Husk used to be an overlord reveal is gonna make that AU soooooo much easier lmao

ADAM IS REALLY GOOD I promised I would stop comparing to other characters but he was giving SO MUCH Hades from Disney's Hercules like its insane

I think we should let Alex Brightman sing rocj and roll more often that song was such a fucking BANGER

SPEAKING OF THE SONGS- oh my god I love the soundtrack so fucking much-

Stayed Gone was a lil less hype then I was expecting but thats okay cuz it was still a banger and I loved the visuals

That song battle between Carmilla and Velvette????? Oh my god??????

Carmilla and Vaggie's song was also amazing but I think I know why they didn't have Stephanie Beatriz sing her own song in Elena of Avalor y'know, girl cannot hold a character voice while singing

LOSER WAS SO FUCKING GOOD- I love Huskerdust so much. I love Keith David so much. Blake Roman is such a phenomenal Angel Dust.

SPEAKING OF all the voice actors are amazing. Blake Roman, Brightman as Pentious and Joel Perez were the ones I was the most worried abt but I loved all their preformances so much it was fucking fantastic

Valentino can go die in a fucking hole <3

The other Vees are cool and fun to watch but I hope Valentino fucking dies

Okay to be fair he's also fun to watch when he's not in the same room as Angel Dust but tHAT DOESNT SUPERSEID MY HATRED FUCK 👏 THAT 👏 GUY 👏👏👏👏

Speaking of the Vees tho I do love their dynamic

My favorite episode was probably Radio Killed the Video Star bcuz of mY BOYS PENTIOUS AND VOX!!!!!!!!

And the most painful episode to watch was- no surprise- Masquerade

That episode was a fucking rollercoaster Jesus fucking Christ...

Those scenes with Angel and Valentino where so fucking visceral... like. Who the fuck wrote that. Who are you. Are you okay. Do you need help-

Tho I'm not sure abt how they're handling the ah- more serious bits of Angel's character. It is WAYYYYYY to early to tell and I think Loser wasn't like. Trying to downplay the situation. But the writers better have been careful moving foreward bcuz I can def see a world where Angel's arc goes very wrong very fast-

Also while we're criticizing: wasn't a fan of the pacing. Especially in episode two. Like I can look past it, but the way they breeze past some plot points kinda bugged me

Otherwise it was sooooooo fucking good man oh my god

THE HUMOR WAS SO MUCH BETTER THAN PPL MAKE IT OUT TO BEEEEEE PPL NEED TO STOP SHITTING ON THE COMEDY IN THESE SHOWS MAN-

The gag where Niffty just fucking stopped thinking every time the camera turned on was so fucking good

Niffty in general was really fuckin funny

Alastor was a lot less prominent of a character then I thought he would be but tbh I think that's for the best. He's like Discord from My Little Pony, fun in small doses but if you don't set perameters for how often he appears and when he's willing to help it kinda breaks the show

Chaggie is adorable and I love them <3

I think this show does a really good job balancing the focus on the whole cast! These first 4 episodes seem to be pretty Charlie, Angel and kind of Vaggie heavy but everybody still gets their fair share of attention!

THE ANIMATIOJ OH MY GOD- IT WAS FUCKING PHENOMENAL IM LOSING MY M I N D

Im going feral IM GOING FERAL THIS EXCEEDED MY EXPECTATIONS AKFNVKKENFEKFNDN

I love comedy. I love musicals. I love drama. I love silly characters. I LOVE ANIMATION!!!!!!!

It's like the South Park movie but longer and better animated and IVE BEEN WAITING FOUR FUCKING YEARS-

Just. So excited overall. Can't wait to see where it goes. May make more posts abt my thoughts in tbe future.

[bonefall]

The new arc’s first blurb came, and seems to be about Tawnypelt, Leafstar, and some random apprentice molly named Moonpaw btw. Can’t wait to see how awful that turns out.

I'm going to go in with low expectations this time around. Admittedly, I'm not fond of the idea of following cats who I feel have massively overstayed their welcome. Leafstar should have been dead a long time ago, and Tawnypelt has been active for 20 years of arcs plus a novella.

When I say "I'd like characters from previous arcs to continue their stories" I don't mean that I want popular old cats to get forced into the spotlight constantly. I mean that I want interesting background characters like Icewing, Fringewhisker, or Breezepelt to get expanded upon with full POVs. It's a bummer that the Erins seem so bad at building up new characters that they're still relying on cats from Arc 1.

But, hey, maybe this will surprise me.

Moonpaw though... Moonpaw I've got my eye on. I'm listening. I'm paying attention. TBC and ASC had a "formula" for the three POV characters; Boy/Girl/The Horrors. It's not lost on me that Changing Skies seems to have dropped the Boy and the Girl, but kept The Horrors. I hope this signals that they listened to the positive feedback on Shadowsight and Frostpaw.

Other assorted thoughts;

I'm not even going to pretend to be kind to this; ANOTHER construction plot is just bad.

They're boring. I do not want another whingefest about how it's wrong and bad and mean to hurt humans for some reason.

Bone "Speckletail's Bulldozer" Fall: these darn cats better attack a bulldozer or I'm out

And goddddd why are we having ANOTHER "StarClan's really gonna be gone this time!" Plot. This is the third in a row.

I was already on board with it the first time. Burn the heavens down or shut up at this point.

Plus... it seems like a lot of this arc is going to be based around Tawnypelt trying to argue with people to get the plot to happen, Moonpaw warning everyone the plot is going to happen while they don't listen to her, and Leafstar acting in whatever way will be most annoying for the plot to not happen.

I cannot stress enough how much I dread this. I am so sick of buying books to hear about characters doing everything in their power to accomplish as little as possible. I can call my congressman for FREE.

Moonpaw though. I love her name. I hope that she has a strong personality to help her stand out from Frost and Shadow.

I'm hoping that she's more on the rough side than the sensitive side, tbh. Something I enjoy about Nightheart is that he CAUSES shit to happen because he's impulsive.

My ideal scenario for this arc is Leafstar trying to keep Tawnypelt and Moonpaw on two leashes and absolutely failing. PLEASE let my girls break stuff.

I hope that Leafstar dies in this arc. I'll be kinda sad if she's the first leader voted out, but she NEEDS to stop leading. So I hope it's a good death.

And God please I hope they keep the stupidity pills away from her. She has been at her worst in ASC.

IN A NUTSHELL; On paper, this seems like a middling idea for an arc at best. My expectations are low, but I'm hoping they surprise me.

[blueiight]

can i ask your thoughts on the fandom’s heavy focus on louis as an object of desire? it sometimes feels to me like people are more interested in other characters reacting to louis than they are in louis himself. i know the “helen of troy” stuff is a joke but it genuinely seems like he’s often rendered oddly passive in his desirability, like we’re looking at him through the eyes of the other characters even though it’s his story (to be clear: in the fandom, not the actual show). or am i being uncharitable? either way, you always have interesting things to say about fandom reception.

i think the focus of louis as an object of desire arose largely in response to a lot of racially-charged nonsense about show louis, namely, where a loud minority of fans tried to deny the abuse and horror of season 1 and frame louis as the primary antagonist/abuser of his own story. which in of itself had the potential to go somewhere, especially considering the feminized role louis occupies in parts of season 1. unfortunately its spiraled off into its own dead end at this point to where now people, a year and a half removed from the release of s1, can box louis's character arc into this tale of getting all the hot boys to look her way. when this is a horror and tragedy series. romance is part of that, but is a piece of the full picture. classic romance is very much horror tbh but thats just me

if we're discussing the show strictly, majority of louis's relationships are antagonistic. even with his lovers, they love him as much as they seek to control him. 'his love is a small box that he keeps you in', trailer louis saying 'i knew who i was without those pieces [of myself?]' . so on and so forth. the first three episodes of season 1 are about louis's struggle to maintain a link with his mortal community, in the midst of increasing racist tensions against the city leaders, all as he struggles to come to terms with his existence as a vampire and how his relationship to lestat fits in relation to all these pieces of himself. doubly so, there is also the nature of the second interview in present time, and the sort of antagonism between daniel + louis as louis eventually pushes daniel into burning the old tape. the latter half of season 1, episodes 4-7 is squarely about the triad of lestat, louis, and claudia, how lestat increasingly tightens his hold over them both, claudia breaking them free of it, and louis's response to such. doubly so, daniel becomes more hostile the less he knows, and the more louis's composed 'master of his instincts' personage collapses to show the broken man thats underneath. armand comes in at the end bc the interview has reached a breaking point once more [as it did in the 1970s]. i know, im looking too hard into the meme, but so much of where louis errs, where his memory falters, where history is completely revised, has to do with the question of claudia. even book interview foundationally was about this grief, though not nearly with the level of depth+ gravity the show has added to the story.

where focusing on louis as an 'object of desire' most impedes analysis has to do with claudia as well, bc if u see louis as that solely, then what is claudia to u if not a 'child interfering in [louis's] romantic affairs'? why are people already seeking to write claudia off as a wayward child unduly 'taking out her anger on louis', when it was louis at the end of season 1 who strangled her against the wall and refused to let her burn lestat? when its louis in the trailer thats throwing claudia's words from season 1 back at her, evading her questions in the cafe? when claudia is having to dress as a baby doll and advertise with a sandwich board for a theater + a coven-master that all want her dead?

i think this is by nature of the fact that iwtv is canonly gay and isnt afraid of showing that, and modern fandom is mainly interested in romance. claudia's relationship to louis is secondary, if not tertiary, to all 'camps' of this tiny tiny fandom bc she is clearly established in s1 as not being a viable romantic option for louis, despite claudia's perspective and her story taking up the second half of the first season, and will continue to be important in the second season. the 'helen of troy' fixation on his desirability in relation to romantically viable vampires [or even men] seems to be another means by which fans can ignore this part of the story, just as the mutual abuse nonsense about louis being clarence thomas the third self hating black man who stole lestat's lunchables and is 'just as bad as the rest' drowned out and continues to drown out any other conversation for the past year and a half. it is very difficult to have conversations on this character precisely bc of this state of fandom, where many people seek to crack the whip over a fictional character for not being mother teresa and having a complex response to trauma, then instead of discussing that, some seek to fixate on the fact that mother teresa can be sexy, actually. when thats not the point. why is modern louis so full of grief and all but suicidal in dubai, if not for the fact that claudia is permanently dead, he still lives, he regrets something, and wants to find the truth under it all? the jokes are cute and all, but lets put our thinking caps on.

[sea-buns]

hey to a gorgug liker what do you think about his nightmare section from sophomore year? cause I feel like the horror there is less “ah my grandparents were racist” and more “fuck am I being a stereotype? are the people who hate me right about me?” cause wrt to his having to modulate between barbarian and artificer in fhjy it’s like. idk

oh boy do I have thoughts

Tbh, I had zero recollection of the racism stuff until reading this. It was just SO MINOR. His trial in the forest felt really lackluster to me. I feel like everyone else's really dug into an issue at the core of their character and his felt more like "everyone is getting a trial, what do we do for gorgug?" And idk if that was just a bad delivery/call on Brennan's part or if it could have been helped by Zac engaging more in it but it just. Didn't feel like anything. It was a lot more about the dice than the horror of the claustrophobia and the bugs and you've never fit in anywhere you live to make yourself smaller wherever you go you're just the loser who hits hard. Like yeah I guess there was an overarching theme of Gorgug gaining confidence in himself but it was done very poorly imo.

And I think his trial in the forest was wrong for putting such an emphasis on his intelligence. I think that would have been much better suited in fy, back when he was still being heavily bullied, but beyond that it felt like a quick and easy thing for them to grab. Yes, he had insecurities about his intelligence with all the complications with Zelda. But, to me, the focus of fhsy was his HEART. It put a spotlight on how his social circle has grown, and his bully is his friend now, and he's not alone anymore. His interactions with Ayda, the friendship book, trying to help Fabian, I believe in you spring break, it's Gorgug keep going. I made a post earlier in the season (including a great addition by another user) that I think articulates that emphasis on his emotional intelligence very well.

Fhjy HOWEVER. I think it's doing everything that sy failed at. It's giving him space to have an inner conflict. It's addressing lots of little issues and conflicts he's had over the campaign and combining them into one coherent piece. Like, guy was in a relationship pretty much all of fy, and then dealt with the fallout in sy, but I don't think we've EVER seen as much quality relationship development with Gorgug as we have in jy. He and Fig spent an entire summer together trapped in a tour bus and no season has indicated that bond and friendship more than this one. He and Riz have found something to bond over, meanwhile in previous seasons there was pretty much zero one-on-one personal interaction between them. Fabian expressed sadness over Gorgug leaving the Owlbears, because it was the only thing they had that was just for them to hang out and be friends.

Just with that, we're already doing leagues more with Gorgug's character than we ever have. And I haven't even STARTED on his barbificier journey, oh dear god lmao.

Gonna preface this bit with a post I made before the season even started. It was about Zac's steady improvement in his performances with every PC, and how I was predicting that it was gonna culminate into a Gorgug that does him the justice he deserves. It was initially supposed to be a criticism, but I got a little lost in the sauce of loving my boy lol. Still very relevant to the topic of this ask!

God, where do I START?? Addressing his relationship with rage? I'll be honest, I didn't think that would ever be used as a character arc. And I'm not even sure why I've felt that way. I just didn't think... I didn't think about how he might've had a dislike for his own rage. Like, the WAY he rages isn't bad by any means, but I don't think it ever crossed my mind how actually harmful his lessons to sing to combat rage were. No, I did not like the way Porter went about teaching him (a bit too unsupportive of his capabilities and reminiscent of shitty teachers for my liking). But his point about EMBRACING anger; that rage is not bad and does not— should not— need to be stifled. THAAAAT. That opened up such an interesting dialogue for Gorgug.

I do appreciate the beginnings of Gorgug's interest in artificing in fhsy. I think the crumbs of it back then did a great job of leading into his larger commitment to multiclassing. And I think what he's been doing with it this season is exactly what was lacking in his section of the nightmare forest. His trial was a puzzle, based entirely on die rolls, where his solution after failing even when he's assisted by the enemy is to essentially give up. I understand that facing their fears was the whole point of the trials, but his section came off as incredibly anticlimactic and unfulfilling. Just the fact that it was a trial based on stat numbers more than the development of the character itself.

Where junior year succeeds in actually showcasing his intelligence and the evolution of the worth he holds in himself is with the hands-on approach it takes. Yes, the academic rolls are still dice and stats, but there's a physical manifestation that wasn't there before. Gorgug is smart when it comes to getting his hands dirty. It is in the practical applications of his skills that his brand of intelligence shines the most.

And while, once again, I did not LIKE Porter's heavy resistance to multiclassing....I have to admit that I don't think Gorgug would have had such a boost in confidence without that struggle. Even if my boy had trouble expressing it to Porter verbally, HE STOOD UP FOR HIMSELF. Instead of simply rolling over and agreeing that he wasn't built for a technical class and it was stupid to try– he was DEFIANT.

The kid who said "I'm a dumbass. Eat me you stupid bug." took on FOUR CLASSES. Three school years worth of artificer simultaneously. AND stayed with the Owlbears. AND went along on party missions to help Kristen's candidacy. AND was always on deck to help the party with the overarching plotline.

AND HE ACED IT!!! THE FIRST BARBIFICER THAT THE AGUEFORT ADVENTURING ACADEMY HAS EVER SEEN!!!!! He is paving the way for every unprecedented multiclass that follows.

Just in comparison to who he was in the previous season, the amount of drive and self-worth he's gained is astounding. In my eyes, it's done more than enough to makeup for the way his development fell flat in sophomore year.

i hope this fulfilled the ask in the way you were hoping! i told you i'd get carried away lmao. writing a bunch about any of zac's characters is always such a joy. gorgug had always been my favorite of the bad kids but i always found myself wishing he went deeper, y'know? and now it's real. my precious anxious boy has been handled so well. and watching zac's growth as a performer has been such a blast.

thanks for the ask! :D

[oneofthosebells]

SCREAMING.

Okay, initial thoughts: absolutely loved it.

Was it perfect? No. I've got a couple of niggles and nitpicks, and some things I wished they'd gone deeper on, but I was never expecting perfection so that doesn't bother me.

Did it give me all the feelings and address pretty much all the things I wanted addressed and give me several moments of full on squeaking at the TV? Yep. I'm happy.

Some more spoilery initial thoughts under the cut:

Felice as a chef?? YES. I've been trying and rejecting various future career headcanons for Felice for ages now and this one suits her perfectly.

(Could have done with more Felice in general, I do feel like she was done a bit dirty again, but I really loved the bits of her we did get.)

Absolutely LOVED the portrayal of Wilmon's relationship this season. They were just so teenager, it was glorious - swinging from big emotion to big emotion, from all-consuming love to hate and anger and shame. It's all so intense at that age and I do think the show does a great job of showing that.

Navigating that change from 'we want to be together' to 'okay, now we are together, how does that actually work in reality' was the main thing I wanted to see this season so I'm really happy we got that.

Simon's jacket on top of his checked trousers is the greatest thing I've ever seen btw. Still giggling about it.

Wanted more of an arc for Sara if I'm honest, but like Felice I really enjoyed some of the stuff we did get - the conversation where Sara was worried she'd end up like Micke was brilliant.

August...eh. I don't hate a redemption arc for August tbh as I personally believe no one is beyond forgiveness and redemption. I get why some people might hate it though.

Overall, this season felt much more low-key than the previous two? Which isn't a criticism - it took me a couple of episodes to get into it, but I started to really enjoy it once I did. Less of the soapy angst and plot twists of previous seasons and more focused on the characters.

Oh and as certain as I've ever been of Wilmon endgame. I'm absolutely sure Hillerska will close in the final episode, so it might be a bit of a bittersweet, trying long-distance kind of thing, but not a break up.

My personal theory/hope right now: Wille tells the Royal Court to fuck their prince school and he and Simon go with the girls to New York for the summer.

[yellowocaballero]

So fucking glad to see someone talk about SSS Class revival hunter 😭 I lived it so much and I feel like no one ever mentions it against more popular titles like ORV or even The Lout of the counts family, so I'm so glad to come here and see your amazing takes :>

Thank you for the ask which lets me talk about SSSCRH (the version I read was titled 'Suicide Hunter', which tbh I like more - no beating around the bush).

It's hard to draw an accurate comparison since I'm going off just the webtoon for SSSCRH, while I'm going off both the webtoon and the webnovel for ORV. And I love ORV, ORV is my media blorbo right now, it hydraulic presses my brain, I am writing ORV fanfic - it's, like, funner to enjoy. But SSSRH is just better. In the vast majority of ways it is is better. It's better than the holy trinity by a wide margin. TW talk of suicide obviously.

I can't believe I'm saying this but you need a basic understanding of Buddhism in order to understand SSSCRH. It's not about Gongja's suicides - he doesn't suicide from depression or lack of self-esteem. SSSCRH is about suffering in the Buddhist sense - dukkha. I don't want to make this an essay, so I might reblog this with more information, but extremely shortly:

The Four Noble Truths of Buddhism is the truth of suffering, the truth of the cause of suffering, the truth of the end of suffering, and the truth of the path that leads to the end of suffering. You've heard that Buddhists say 'life is suffering'. To put it one way that doesn't require defining a lot of words: the cause of suffering is experiencing the world as we percieve it instead of how it truly is. Suffering isn't just being miserable and in pain, and life isn't suffering because life sucks and global warming exists and people voted for Trump. Life is suffering because we can experience beautiful and joyful moments in this world, but we do not exist in the moment of that happiness or place our ego/'self' between us and that happiness. Living in that moment, accepting the moment as it is unconditionally, is freedom from suffering. The Buddha tries to free people from suffering through teaching Buddhism.

"What does this have to do with the webnovel and manwha about a guy murdering himself thousands of times" it has everything to do with it. Because SSSCRH is about suffering, and it is about using suffering as a tool in order to experience a world unfiltered by ego and break down the artificial boundaries between human beings. Suffering in SSSCRH is not a bad thing. Gongja has the unique capability to (reincarnate.) experience a person's suffering in unity with them, which dissolves the delusion of separation between people and puts us in touch with the reality of oneness.

The Murim arc was fucking insane because Gongja pulls a Big Bodhisattva Move and walks through the suffering of the world in order to achieve full understanding of the human experience. He takes all of the suffering of the world into himself and is liberated. You can tell it's Buddhist because death was not presented as a bad thing - death was an aspect of a happy ending for the Heavenly Demon lady, because she was finishing her life according to her own joy, and because her teachings were passed on she did not truly die.

But the purpose of embracing suffering is to discover the ability to fully embrace life, and that's where Heavenly Demon's teachings were incomplete - as the ghost dude said, Gongja hasn't even experienced his own full life and the infinite capability for his own happiness. You can only feel the depths of sadness when you've felt the depths of happiness. Sadness deserves its place in the world and it can strengthen you, but so does happiness.

Gongja is attention-seeking, envious, and unbelievably petty. When he drills down into his own desires and why he wants the things he wants, you see that he has a very strong sense of justice and right and wrong - he realizes he doesn't want to be famous, he wants to be acknowledged, but on an even deeper level he is desperate for love and to be loved. Everything he does is to experience love, and as such he learns to love others. His love for the Flamey Asshole was purely parasocial and ego-filled, with no concern for who he was as a human. Throughout the manwha, he grows to care for people as they truly are and pierce through any delusions or misleading outward appearances. He has released all attachment to life and death, and as such does not fear death, and as such has taken a step on the road towards becoming a Boddhisatva who frees others from the cycle of samsara, and as a result has learned sick sword techniques and is sooo good at beating people up.

I think the only other thing I want to mention here because otherwise this is an essay: in almost every time loop/regression story, only the final regression matters. In stories with dungeon monsters and NPCs, only the humans matter. The regressor exists in a space where there are no consequences for their actions, so they act terribly and do whatever because none of it matters. In Groundhog Day Bill Murray acts like an asshole because he can. That's not the case here. Everything Gongja does matters. The NPCs are fake, but Gongja never treats them as anything less than real people who deserve life. Once he understands a person's life he never treats them as unimportant. No loop is thrown away and no person or life is disregarded. His choices matter, the way he treats others matters, and Gongja never treats anybody as if they don't matter except for himself.

That was not short. There is a lot more. The female characters are so good and so rich. From a craft perspective it is excellently paced and has a wonderful sense of set-up/payoff and balances tone and maintains a lot of momentum, which is really hard in a time loop story. You have to do a few very specific things to write OP characters well and SSSCRH does it very well. There's more to say from a craft perspective and it's hard to judge accurately from a webtoon but it's good. I was so strangely struck the entire time about how sincere and genuine it was, how it said what it said with no trace of irony of confusion, and I think that's what stuck with me the most.

TL;DR: SSS Class Revival Hunter is good for a lot of very normal reasons, such as excellent pacing and set-up/pay off and characters, but it's also so sincerely and genuinely Buddhist that it blew my tits clean off.

[burst-of-iridescent]

atla live action thoughts: episodes 3 & 4

SPOILERS AHEAD

tw: opinions

things i liked:

jet, you beautiful, beautiful man. had me twirling my hair and kicking my feet fr i NEED this show to get a season 2 just so i can see more of him in the ba sing se arc please netflix

but looks aside, sebastian amoruso DELIVERED on the performance. the softness, the vulnerability, the charm, the intelligence, yet also the ruthlessness beneath it all? KILLED IT.

the moment between him and katara where he tells her to remember her mother as she was alive and not just her death was absolutely lovely. “remember the sunrise” made me very emotional

on that note, can’t believe jetara fake marriage is canon now lmao

i am SO here for desi omashu. i love the vibe and aesthetic of the city and again the visuals are STUNNING. live action repping the south asians better than the original ever did i’ll be honest

shameless fan service but “MY CABBAGES” being so fucking dramatic had me dying

of all the things i expected from the atla live action, secret tunnel and omashu being lesbians wasn’t even on the list but i’m not mad. hilarious that they turned the cave of two lovers into the cave of two platonic siblings though

jet, omashu and northern air temple arcs actually meshed together better than i thought. the NAT episode never sat well with me in the original so i’m glad they moved them to omashu instead.

the freedom fighters were RIGHT OUT OF THE ANIMATION. casting directors absolutely killed

love that they showed resistance movements within the fire nation and azula being part of rooting them out. it’s a nice nod to the deserter, since i’m guessing they’re not including that episode

really glad to see that the atla live action is following the tradition of having weirdly unnecessary zutara crumbs in every iteration of the story because what in the om shanti om was that zutara scarf moment. 10/10 no notes

having one of the earthbenders transporting iroh be angry over losing a loved one because of iroh’s siege of ba sing se was a really great change. i’ve always thought the original glossed over the true extent of the damage iroh did, so having him come face to face with what he’d done in the past was a great way to add some complexity

“how dare you beat up that child!” everyone go home seeing zuko being beat up by a random old lady is the highlight of this series. really love that they were just running around throwing things at each other that was major book 1 zuko/aang fight energy lmao

SECRET TUNNELLLLLLLL

leaves from the vine instrumental was 100% to inflict emotional damage and it fucking worked. the scene between zuko and iroh at lu ten’s funeral was so beautiful & then to have it flipped around at the end when iroh says “everything i need is on this boat”… fuck you for this netflix i didn’t need these tears today

things i disliked/am conflicted about:

not a fan of what they’re doing with katara’s character. they’re toning down a lot of her rage and fierceness, and boiling her down to “trauma over mother’s death.” in the original katara didn’t freeze jet and splash water at him because he tried to fight her, she did it because she was hurt and pissed off! there’s no way animated katara would’ve just run away from jet without sending a water whip at his face first. i’m concerned for how the pakku fight is gonna go tbh

bumi my guy, what did they do to you 💀 this series seems hellbent on having everyone remind aang that he ran away which doesn’t work when a) you already changed aang actively running away to him just going off for a break and b) you’ve made that point! the original omashu episode was about bumi teaching aang to look at the world differently, here it just weirdly feels as though he’s punishing aang by venting all his anger and despair on him?? that’s NOT what animated bumi was like & they didn’t even have the two of them go sliding down the delivery system in the flashbacks so adding it in at the end felt very out of nowhere. they didn’t even genuinely seem to be FRIENDS

having aang immediately figure out it was bumi was… sigh. can we please not do the thing where characters already know everything it’s giving me trauma flashbacks to the percy jackson show

jet’s plan feels more reasonable here than it did in the original. i get they’re trying to show that he didn’t care about the collateral damage to innocent people and that’s bad, but idk him wiping out an entire town unilaterally felt more extreme than a few bombings.

heavily dislike what they’ve done with zhao. i know they’re trying to show him clawing his way to power but that’s more of a long feng move than a ZHAO move. it’s important that zhao always holds more power than zuko and that he has an overinflated sense of ego from the start for him to fulfil his narrative purpose of serving as a warning to zuko of what he might become.

i like seeing mailee but why are they in this show? it feels as though they’re cardboard cutouts there for fan service instead of being actual characters

overall i liked these episodes better than the previous two & i do enjoy how action-packed and visually pleasing the show has been so far.

overall rating: 8/10 for episode 3, 7/10 for episode 4

[beanghostprincess]

*holds you by shoulders*

WHAT IS YOUR FAVOURITE THING ABOUT 1082 I WAS SURE IT WAS SHIPPY THING AND NOW I NEED TO KNOW

*starts sobbing while slowly falling to my knees*

…….please

I SAW THIS YESTERDAY NIGHT WHEN I WAS ABOUT TO FALL ASLEEP AND I JUST WOKE UP EARLY TO REPLY BECAUSE I'VE BEEN WAITING FOR AGES FOR THIS QUESTION I AM GOING TO KISS YOU ANON-

I do love and adore the shippy part of 1082 because I am a very intense Shuggy shipper and I had been waiting to read their break-up for sooo long. But it's not exactly what made the chapter life-changing for me, tbh.

Buggy's speech is... Is incredibly beautiful and encouraging. It explains so much about his character, the dynamic he has with Cross Guild, and why he's so resentful toward Shanks. Throughout the manga, we've seen him in serious moments, yes, but usually, Buggy is pretty much used for comedy relief more than anything. This is one of the first times we've seen Buggy realize the position he has now and say "Fuck it. Already on the verge of dead for these two, might as well do something with this shitty situation because for once, I have the opportunity to be brave and be more than what people think of me". There's literally nothing stopping him right now, and he prefers to risk his life enraging Crocodile and Mihawk than letting this opportunity of showing who he truly is slide.

And tbh, we haven't seen them ever since (I am starving please-) but I am really hopeful his speech somehow makes Crocodile and Mihawk have a little tiny itty bitty of respect for him at least. Because out of the three? Buggy is the one who deserves the title of pirate more.

Mihawk and Crocodile don't have dreams or ambitions and see pirating as a business. Even when Crocodile did have ambitions (remember when the silly rubber guy destroyed all of his dreams that was a funny arc haha) his whole personality has always been more of a mafioso than anything. Mihawk is a simple man and is bored with life being at the top of the top, he clearly wants something interesting to happen but doesn't see any use in looking for it himself. They care about their commodities and wealth. But out of the three, Buggy is the one who had to give up on his dream and now he has the opportunity to fulfill it.

"How can you call yourselves pirates with schemes like that?! You're doing it all backwards!! [...] Way back when... What did you guys want to be?! [...] I wanna be king of the pirates!! Wealth? Power? Why stop there when we can have it all?!"

This is something a real pirate would say. He talks like Roger here, I am going to curl up and cry don't look at me-

What I like about One Piece is the constant use of themes like dreams and freedom etc, etc... That's something we all know. But you wouldn't expect it coming from Buggy, of all people. And I think I'm pretty fond of him being brave and finally acting upon what he truly wants to do. What makes it great is that you have this comedy relief character standing up for his dream in front of clearly two other antagonists that have control over him in, well, strength and everything. But Buggy has something they don't and it's so, so much ambition and a dream that could be considered childish but it's the representation of freedom and doing things because you want to follow your heart. This is kind of why I always say Luffy would be more fond of Buggy if he knew the whole story and would probably support him a lot--

What I like the most about this chapter is both Buggy's character development through a speech + flashback and Mihawk and Crocodile being completely stunned by it because they weren't expecting this to happen from Buggy of all people. I know I sound like a broken record but I really, really, want them to respect Buggy a little bit more after this. Also, Buggy doesn't do this only to announce he's going to follow his dream now that he's on equal footing with Shanks. He does it because the other two mention needing overwhelming power over the rest. Buggy isn't stupid and knows how manipulating people works. The thing that makes pirates work harder isn't money, it's a dream. And there's nothing a pirate desires more than the One Piece, so that's kind of why he announces it publicly. First, to establish power, and second, so that way Mihawk and Crocodile don't get rid of him because seriously, Buggy is a better boss than these two because their followers appreciate him and don't feel forced to follow him.

Not to mention that the whole thing also shows more of Buggy's relationship with Roger and how left out he felt because people thought highly of Shanks instead of him. But Buggy, even if he was jealous, was willing to follow Shanks despite his feelings because he accepted being less worthy of respect than him. Shanks shone brightly and Buggy decided that, even if he wanted to be seen like that too, he'd give up on his dream and support Shanks instead because at least they'd do this together, just the way they did everything back at the time.

But then Shanks hesitates, and I think that's Buggy's last straw because he sees giving up going for the One Piece as something disrespectful to their captain (dad) and thinks it's unfair that Shanks is so respected by everyone even though the one wanting to follow their captain's steps right away is him. It's honestly frustrating. And then you understand better why Buggy is angry at Shanks-- Yeah, he made him eat the devil fruit and lost the map because of him (not really but whatever), but the way I see it that's just a metaphor for the real reason why Buggy is so resentful. Shanks' existence, even if it was not on purpose, made Buggy feel so powerless he gave up on his dream. And eating a devil fruit means the sea hates you and you can't have any independence in the pirate world, and losing the map is kind of like losing the only thing that guides you. He left Buggy with nothing and let him carry the burden of a lost dream.

This is funny because Shanks did absolutely nothing wrong and everything is a product of jealousy and miscommunication, but I understand why Buggy blames Shanks and this chapter makes it clearer and explains it perfectly.

Basically, it's such an amazing chapter for Buggy's character and it's definitely my favorite for him specifically. Although the flashback does wonders for my Shuggy heart.

Also, adding more points for the revolutionary plot in the end and Sabo showing up because I adore him <3

[ladyofthelake]

Im gonna be a bitch for a second lol

But seeing the phrase that the Merlin folk all deserved so much better and its 2024 lol

I'm like do you even know what the Arthurian myths are?!

They're fucking tragic

And even if not, all the clues were there in Merlin and yeah it may have started more light hearted and hey kept that humour right up to the end

But...the seeds had already been sown it was always gonna be a tragedy it just is

don't get me wrong I love them all and it breaks me thinking of Merlin and Arthur and Gwaine and Lancelot </3 but tbh I think I'm alone in actually loving Gwen's arc since she is fucking Queen of Camelot and will have Leon by her side but I digress

I just find it funny that people expected any different when the show literally tells us Mordred will kill Arthur in episode 8 of season 1 and its called Beginning of the End like its right fucking there lol

[yannig]

Koisenu Futari’s Kazu-kun: one step further into the amato-normativity discussion

So. What’s up with Kazu-kun. Why does he deserve his own post.

Kazu-kun starts as a background character, and then progressively becomes the third main character of the show.

And I love him. Which is not a small feat because I started out hating him. And all of it was very much on purpose.

Kazu-kun, I believe, exists as a vessel for the allo audience.

He’s there to asks all the questions the allo viewers are asking themselves, and then to learn and grow from the answers, and become both a friend to our protagonists and an ally to aroace people in general.

He exemplifies the arc the allo viewer would ideally go through while watching the show.

The thing about Koisenu Futari is, it’s a show made from the perspective of aroace characters, for aroace viewers. It’s about our fears, our insecurities, our experience with amato- and allo-normativity, our lives.

And it’s good thing! It’s a significant part of why I love it so much!

But it also means that it’s risking loosing it’s allo audience a bit. (I’d be curious to know how many allo people have watched this show at all tbh). Almost all the other allo characters in the show exist so our protagonists can experience being faced with yet another form of amatonormativity. Kazu-kun exist so an allo character can experience being faced with aromanticism and asexuality.

And it impacts his entire character, including and especially the flaws that made me hate him at the beginning.

Part of it is, of course, because a character needs flaws to grow out of, as the most basic way to write a character arc.

For example, he begins as the most Straight Man™ ever. He thinks Sakuko belongs to him because they dated in the past (are kinda technically on a break the situation wasn’t clear the expectations were very different), thinks cooking is easy and a woman’s job and of course doesn’t know how and thinks it’s perfectly normal because he’s a man, absolutely cannot fathom how a man could not be sexually attracted to a woman he’s even somewhat close to.

All those traits are flaws he will overcome as he grows and becomes a better man.

But part of it is also traits he needs to play his role well.

He is, for one, a very nosy character, with a strong sens of entitlement that means he’ll stop at little to get his answers. Which of course makes him absolutely insufferable at the beginning! I spent almost all of episode 4 wanting to slap him! But it’s a necessary character trait for him to actually ask out loud the questions the allo audience is quietly wondering about. If he was a proper and polite Japanese man, he wouldn’t be asking those questions, and therefore wouldn’t be fulfilling his role in the story.

And then he learns. All his questions and indiscretions get him somewhere, which is a much better understanding of aroace people. And with some luck, the allo audience learned with him, without needing to invade actual aroace people’s privacy!

(yes I’m still salty about ep4, why do you ask. just because it was narratively necessary doesn’t make it any less hard to watch)

To be perfectly honest, from a pure character development perspective, I think he changes a bit too quickly. But, well. The show is only 8 episodes. Also that’s my only complaint about this show.

He first learns how to cook, and most importantly, instantly apologizes to Sakuko for asking her to cook like it was nothing. This ability to 1) recognize when he was wrong and 2) apologize for it, is key in his whole development and one of the main reasons I’m ready to accept that he did a 180 so quickly.

Cooking, of course, if a synecdoche for every gendered expectation about couples. He’s not just learning how to cook, he’s learning that the things he was taught to expect from his future wife actually take work and are very much doable and enjoyable as a man.

Most importantly, he learns that romance is not the only register he can use to interact with women; in this case especially Sakuko. In fact, at the end of episode 4, he offers that since she is aroace, they could have a QPR together.

(the show doesn’t call it a QPR, doesn’t use the word at all, but that’s exactly what it is, both the actual arrangement between Sakuko and Takahashi, and what Kazu-kun offers to Sakuko)

So, big points for getting what Minori can’t seem to grasp in ep 6: QPR are not reserved to aromantics! Really important lesson that a lot of allies never learn.

In this specific case, I don’t think it would have worked, and it can very well be interpreted as him refusing to let go. I don’t think a QPR with the woman he’s still very much in love with is a good idea. And while he has learned a lot, he’s still pretty new to the whole thing, and I think he’d still have too many expectations that would end up hurting Sakuko.

And once Sakuko has taken the time to think about it and tells him no, not only does he listen, not only doesn’t he get upset, but he immediately reassure her that they are still friends and will keep being friends.

In that way, this whole journey of his allows Kazu-kun and Sakuko to get back the easy and joyous friendship they seemed to have lost when they broke up. Which is both the biggest and final proof of maturity on his part and the best thing he got from the whole adventure.

Once he understand that Sakuko and Takahashi are aroace and quite happy with it, he also becomes their first defender. He tells Minori off twice when she steps out of line, and is ready to correct one of their colleagues when he assumes that he and Sakuko are a couple. Good example of how to be an ally.

Faced with micro-aggression (or even overt and intentional aggression), minorities:

might get overwhelmed by emotions and are almost certainly more sensitive to it than allies

are less likely to be listened to if they correct the person, because they are a minority

often cannot afford to be angry or aggressive or anything other than incredibly diplomatic about it without being told off, a problem allies face a lot less

Hence why a big part of allies' job is correcting other privileged people. Great ally-ship, take notes everyone.

In conclusion, I said last time that Minori and Haruka exemplify how amatonormativity also harms allo people. I’d argue that, with all this:

Kazu-kun shows what allo people have to gain from getting rid of it.

(his best friend back, at least one new friend, a new vital skill, and a lot less expectations)