#just not how he was expecting to

[gene-and-the-riskyfixins]

I will be thinking about this forever

[charliebugz]

When Izzy first walked out I was worried that he would be made into a joke that the crew would laugh at

but then he started singing and the dancing began and I realized that he wasn’t meant to be a joke at all. This is the most open and happy we’ve ever seen Izzy and the show treated it that way. Not mocking him but instead celebrating this moment.

When we talk about queer representation it’s usually just focused on queer relationships, but what I love about this episode is it shows other sides of being queer. That moment where Izzy saw Wee John doing his makeup and had a realization that he wanted that too? That is what being queer means to me. The crew singing along and cheering for him? That is what being apart of the queer community means to me.

What i love about this show is that it shows queer joy, not in a sanitized way, but in away that is messy, beautiful, and without any mockery or shame.

[chloesimaginationthings]

FNAF Abby and Gregory discover Michael is an artist too

[myrkulitescourge]

the way that one line from the new epilogue in an astarion romance is going to HAUNT me

just. what a profoundly intense thing to confess to someone.

like, just these six months of newfound happiness with you exerts a force on his heart equal and in direct opposition to two centuries of endless torment, the gnawing hunger and exploitation. this flashbulb-bright fraction of his long life holds the same gravity to him as years upon years of darkness and suffering.

in all likelihood, he hasn’t even known his lover for as long as his worst memory lasted, that year sealed away to go mad from starvation and sensory deprivation, yet he still tells them this brief time has been so fundamentally and powerfully important that the weight of even that unimaginable hell is vanishingly small compared to this present he has now and the future ahead of them both.

how am i supposed to act normal about this.

[junotter]

Part 2 of my modern avatar au, The Gaang (part 1)

[time-woods]

EMOTIONAL WIN ! ! the bug lets his emotions make decisions for once !

[rocktheholygrail]

Hannibal 1x04 - “Œuf”

#hannibal was expecting will for family dinner

[plesiosaurys]

getting emotional over footage of an amateur scuba diver interacting with a coelacanth. they are hunted by large deepwater predators, and here comes a large creature bearing the brightest lights it's ever seen, making strange noises, but it does not shy away. it hovers, calmly, as the diver reaches out and trails a hand down its back. im strongly against the anthropomorphizing of real life animals but the stupid emotional part of me loudly insists this is because it recognizes us, the alternating movements of its four paired limbs matching the diver's four paired limbs, & it is thinking, "hello, cousins, we missed you these 66 million years, it's so good to see you again. welcome back, welcome home."

[radiance1]

@puppetmaster13u You called Danny a space whale in the tags of one of this post.

Now what if that was literal?

Hear me out, Danny outlives his friends, parents, sister. Danny becomes a literal whale.

Well, not a literal one because he's a ghost, but he takes the shape one of at the very least. He's just a giant, glowing white whale that looks pretty divine not going to lie.

Danny leaves earth. It wasn't safe for him anymore, what with the GIW and all that as even the ghosts found it not even worth anymore to visit the mortal world.

Except for Desiree and Spectra, but that's besides the point.

But Danny doesn't retreat to the zone, he's always longed for space, but because of his new half humanness he doesn't get believe he could've ever gone because, well. Yea.

But Danny goes fuck it and goes anyway. His form shifts from human to that of a giant whale, and he swims out into the vastness of space.

Years pass, and Danny does start getting bigger as he aged. He explored the vastness of space, marveling at many things, the different planets, the stars, the formations of rock and other things.

Then he encounters someone he never though he would've.

Vlad.

Well, he knew Vlad was left behind in space by his father but he didn't think he would find him again and Vlad seemed... different, from what he remembered.

For one thing, he didn't even know where Vlad began and space ended. He got only see those red eyes that even hinted at it being the man. His body was void black and filled with stars upon stars, all glittering from his body and Vlad barely even seemed to notice him, or if he did, he didn't seem to care at all.

So, Danny took him.

He was both curious and felt a bit bad about what happened to Vlad, even if he didn't know exactly what happened, and he couldn't just leave him there either.

So on his back Vlad went, and his travels continued.

It seemed to be the correct decision, really, because slowly overtime Vlad seemed to be regaining his awareness. Then slowly, tentatively, started to speak with him through ghost speak.

Vlad only seemed to vaguely remember what he was before space. He remembered hating a man, loving a woman, wanting a son, loneliness and a boy with white hair and toxic green eyes.

Even though Vlad was his former enemy, his nemesis, and someone who took the world hostage.

He couldn't help but feel pity for him.

Then their travels continued.

Years pass unnoticed, when in space, with Danny slowly getting bigger and bigger as the two travel throughout. They've come into contact with various civilizations, some hostile, some peaceful, some neutral.

The hostile ones never lasted long, even if Danny never lifted a flipper to do anything most of the time, Vlad made sure of it.

They came at went as they pleased, and Danny believes that they've gained a bit of a reputations over their adventures, but neither he nor Vlad knew exactly what they said. It did prove useful in some cases, however.

A few more years, and Danny feels that this system is vaguely familiar. Which happens sometimes, considering he's been travelling for so long. He then finds out why it was so familiar.

He came across Earth and, oh. When was the Earth so small?

Well, not small really, but when was he just only a bit smaller than it?

Did it shrink when he was away? Or did he just grow?

That doesn't matter though. What does, is the fact that currently seemed to be an invasion going on, on his home planet thank you very much. He did not like the fact that there was a massive fleet parked right outside his home.

So he spoke to Vlad, expressed his displeasure, Vlad responded back knowingly and went off to make the source of his displeasure disappear. That doesn't Danny was idle either, the fleet was big and, well.

It's been a while since he's stretched himself in a fight.

[horang-07]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[tubbytarchia]

gg buddy am I right (ethubs doodle that I don't know what to do with)

[puppetmaster13u]

Prompt 293

Jason takes a deep breath. He takes a deep breath, in for ten seconds, out for eight, and just takes a minute before looking again. Nope, there’s still the strange quartet of orbs in the box of what should be stolen weapons (What, the government had enough, honestly) that gave his workers the heebie-jeebies. 

Which is not the vibe he gets from them. In fact, he’s actually kind of concerned with how much he has to beat the Pit back with how quickly it lurches to latch onto the… Well they’re not gems, and he’s a little wary about touching them at first, but the Pit does seem to settle when he does.

Alright, he can deal with this. It’s not like he has several heads in a duffel bag that needs to be delivered or a tiny assassin child back in his safehouse (Seriously Talia, why was he the preferred babysitter?) or an entire gang in Crime Alley to deal with. It’ll be fine. 

…

He would like to curse out his past self, because there’s now four babies in his safehouse that appeared to have fucking hatched from the orbs. Goddamnit. 

[macksartblock]

beware of burnout it's so real i'm afraid

also bc ended up making my writing into a font to avoid killing my hand as much and bc I saw Caden do this, I thought it would be fun to see who y'all think it suits lol

[courtmartialme]

woag .. otp

[elya-doodles]

🫴

[willowser]

HMMMMMM interesting to think about arranged marriage with prince shouto...............

i think he wouldn't know. what to expect with you. i think he'd have an idea, as in, what his father, the king, has taught him; the duties of a wife, where your importance ranks in relation to his duties. what he's not meant to discuss with you, like politics and matters at court and foreign relations. how you will speak to him. what to buy in the event that you become...unhappy. a nuisance.

("and she will," enji had muttered, briefly glancing up from the parchment on his desk to fix shouto with a look he didn't understand. "they always do.")

you don't meet until the royal wedding, when you're coming down the long aisle of the grand cathedral, dressed up in a swathe of silk and lace. a thin, gossamer veil hides you from him, but he can feel the ardor in your eyes, the intensity burning through the material. it doesn't seem real until your bare face is only a breath from his own, until he has to see the earnestness in your stare, too.

your kiss is simple and chaste, nothing spectacular, something that leaves his mind as soon as it's over. ever a todoroki, a hundred other things enter his mind, all regarding his now iron-laid obligations: it's vital he meet with advisor keigo to reiterate the plan to establish his authority among the council; general aizawa is in attendance to the wedding, and shouto has not yet received word on his opinion of the new king's ideas to modernize their armed forces; midoriya is somewhere, no doubt wanting to go over state affairs again.

truthfully, shouto doesn't spend long "celebrating". there's already too much that's required of him, hardly enough time to even scarf down a few bites of the banquet laid out before he's being chartered off into discussions on foreign relations and infrastructure development. maybe once or twice does he look back to check on you, chatting pleasantly with his mother and sister at the front of the great hall, and that's satisfying enough.

it's not until much later that he sees you again; freshly bathed and wearing something sheer and long and white, atop his bed.

or his marriage bed, he must remind himself.

enji didn't spend long going over consummation, with him or either of his brothers—natsuo, red-faced and annoyed at the very subject, always storming off, and touya had seemed well-aware of the process, at the time (back before he'd been ex-communicated). it had sounded simple: strip off your dress, get his cock out and into you, and only retreat once he was sure his seed had been spilled.

—so he's not exactly sure what to do or think or how to feel, when you're laid bare and reaching up to hold his face.

it's so startling that he sits back on his knees, to frown where he's looming over you.

you stare at him quietly, like you're expecting him to say something, and he only has a moment to wonder if this is you becoming an unhappy nuisance—what had been the answer, to solve this, anyway?—before you let out a soft laugh.

"c'mere," you tell him, sitting up, too, when he keeps his distance. "i want you to kiss me."

"i already have."

"yes," you laugh again, amusement glowing in your eyes, like the warmth off the fireplace, as you reach for the ties on his trousers. "but you're meant to do it again."

and up until then, he'd felt confident in his achievements, his executions; he'd managed a lot today, in one evening, and he had a lifetime to manage more. it was a good a start as any, he'd thought, but now—

shouto almost can't get the words out when he feels your hands ghosting up the inside of his shirt, nails tickling over his ribs. "a-am i?"

you wrap your arms around his waist in what could be a hug, scooting forward to look up at him with your chin against his chest. "yes," you smile and—it's familiar in a way, how touya would whenever he was teasing. "you're my husband, you're meant to kiss me whenever i want."

that—was not something his father had ever said, he was sure, and it was a too-rare exchange between his own parents. now that he thinks about it—and he does, then, because he's faced with the reality that he doesn't know as much as he should—he's not sure the former king and queen even sleep in the same room, much less the same bed.

much less hug and touch and even smile, the way you do now.

there's no argument he can make against it, aside from finding keigo to find his father to verify the truth to such a statement, and he's only meant to retreat from this bed on one condition.

and if this is what it takes to meet that—then shouto supposes he'll have to do it, for now. he's a brand new king, after all, and it would seem he still has much to learn.