#just to see what other endings i can get

[undermine-the-instinct]

YO, I GOT ENDING FIVE PEPLE, ;RINGS', AND THE SOUL BABIES ARE A GO!! LETS GOOOOOO!!!!

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

[First] Prev <–-> Next

[turtleblogatlast]

I think a lot about Leo standing up for his brothers in the things that really matter to them.

Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.

Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.

And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.

All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.

[vaguely-concerned]

sometimes I think of all the on-the-surface warm, well-meaning but deeply ineffectual advice and attention john gives harrow through harrow the ninth (make some soup and get some sleep! get a hobby! don't be so hard on yourself! self care harrow! as long as I need take no actual responsibility in this relationship whatsoever I would have loved to be your dad!) set up against the stark truth that with his other hand he has been staging her attempted horrific murder again and again and again like a living nightmare on the logic that it will 'put her down or fix her'. and then I find that I wish there is a hell. a special hell where twitch streamers turned necromantic death emperors go

[triplecreature]

actually I'm kind of curious about this because it was a huge debate among my peers in my community

Clarifications under the cut:

The poster is in a public space where it is typical for everyday people to post things. It is not someone's private property or possession. Think piece of paper taped to a telephone pole, not sign in a storefront or in someone's yard.

The poster is not protected by law; you are very unlikely to face legal consequences for vandalizing it. Caveat: some peers have argued that it risks being socially consequential because an organization or demographic that you are a part of may be judged as intolerant/oppressive/disruptive/otherwise unpleasant if people witness your actions, and thus advocated against vandalism for fear of damaging your public image.

The poster is not an expensive or personal piece of artwork; it is a mass produced print on letter paper.

You are vehemently opposed to the message displayed on the poster, but it is an opinion that people are free to have in your country.

The 4th option refers to things like intentionally putting your own poster over top of the bad poster or otherwise making the bad poster harder to view; some people argued that targeting the poster for removal is out of line, but posting your own messages is an innocent action that you are well within your right to do (in this context, posters regularly eclipse each other as new ones are posted over top of outdated ones due to limited space)

The poster is part of a campaign; it's not unique. There are many postings of it across the community.

This is all assuming that the offending poster is not old and would typically not be considered fair game for pruning for quite some time, and that it is being specifically targeted for removal because of its message (rather than petty vandalism or because it's obstructive or damaged). E.g., if a poster is advertising an event happening on April 20th, it's typical to prune it after that date but not before.

Of course the situation that prompted the real life debate did involve a specific offending message, but I'm not going to specify what it was for now because I think it'll skew the results as people will just end up voting based on whether they like or dislike that message, which isn't the point of this. For this poll we are assuming that it IS a message that you are very opposed to; you can substitute in your own opinion that you have strong feelings about.

Please reblog for sample size!

[ricky-mortis]

Curtwen Week Day 6: Happy Ending

[smhalltheurlsaretaken]

y'all need to get a grip. you blab all day about how much you hate bigots and hateful people and how evil it is to dehumanize anyone and then you turn around and say "kys" and "i think [x] should all just kill themselves" and other disgusting, violent and childish trash

so many people on here are just full of hatred and vitriol and turn into frenzied sharks anytime the target 'deserves it' and they think they can get away with it and not be called bad people. then they whine about how sad it is that we can't all just get along and if only all the evil people in the world would stop doing evil things wouldn't that be nicer

you're just as vicious, hypocritical and fanatically puritanical as the caricature you have made in your minds of the people you think you have nothing in common with. if you've ever told someone, ANYONE to kill themselves you're not advocates of justice, you're not artisans of peace, and you certainly don't have any moral high ground that would allow you to pass judgment on others

[ruporas]

nightmares

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[feroluce]

Me: I wonder what Hook calls Sampo in the Japanese dub? Probably oji-san, since it's shushu in the original Chinese?

Hook: Sampo-ojichan!!

Oji is "uncle," which is hilarious because Hook calls Natasha by "older sister" when she wants something. So Hook either just really wants to get on Natasha's good side, or she takes Sampo at face value when he refers to himself as an old man. She trusts him a lot and takes him at his word and she calls him as such!

And Sampo calls Hook either ojou-san or oujo-san (I can't find the Japanese sub to see the spelling, and I can't tell them apart by ear)!

One spelling, oujo, means "princess," it's how you would refer to royalty. The other, ojou, (which I assume is what he's actually saying) is something you call the young lady of a high-class family with a high social standing. In Genshin Impact, the intro scene for a popular ship, chilumi, shows Childe calling Lumine ojou-chan, which the English dub translated as "girlie." Since Sampo uses -san instead of -chan, his is more formal and respectful, it's more like "young lady."

...It's also how you would refer to the daughter of a yakuza leader, which I love, since Hook leads her own little gang (the Moles) skzhkskdkd

But it really gets me in the heart, because! Hook is generally looked at as a delinquent by most adults. Which I mean. Not without good reason, she

calls Natasha an old witch

frequently sneaks out into the Fragmentum

has left graffiti all over the side of the orphanage

was constantly picking fights with other kids

beat a man unconscious for stealing from her dad

and has already picked up on how business gets done in the Underworld, and uses/actively participates in it to get what she wants- she basically acts an information broker

like Hook earns her reputation haha. The Underground is lucky that what Hook wants is just like. Candy and toys and to play hide-and-seek. I'm sure she'll have the capability to raise all kinds of hell and be more like an actual gang leader when she's older, even if she chooses not to act on it.

So Sampo calling her so politely and respectfully is really sweet and cute! Yes, he's polite and respectful with everyone, but that's just it- he treats Hook much like he does everyone else. He doesn't tell her to buzz off because she's a kid. He doesn't lie or try to cheat her or assume she's naive because of her age. He never talks down to her. He really does just treat her like a respected business partner and he takes her seriously, which Hook really seems to appreciate. And even when Sampo does treat her like a kid, it's not in a negative way; he guides her on little adventures and chats with her and takes her for joy rides on his moped. All of which Hook also really appreciates, since everyone else is too busy trying to get by to make time to play with her. She absolutely adores him.

I hope they officially join forces someday and terrorize all of Belobog with their shenanigans JSKJZNDKSJ

So Hook calls Sampo "Uncle Sampo" in a particularly affectionate/endeared tone, and Sampo calls Hook "Young Miss Hook" in a very respectful tone! And to reiterate:

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[bmpmp3]

sorry to be a bit of a hater but i do wish youtubers weren't so scared of making their videos just like, "reviews", whys everything gotta be a "video essay" all the time. every day my recommendations are filled with 40 minute videos titled "_____: An Underrated Masterpiece" where the first like five minutes are reading the wikipedia definition of "masterpiece" in a somber voice with dramatic themed text on screen. please just tell me how good or bad you think something is and use the rest of the runtime to explain why. you dont need to put on all these airs

[chirpsythismorning]

The way fans on the st sub are almost all in agreement Nancy ending up with neither Jon nor Steve wouldn’t be the worst thing in the world, and how they can even come up with a sleuth of reasons as to why, honestly pretty valid and fair reasons, but then are absolutely gobsmacked when fans merely speculate something along those lines for El is, quite something.

[mistykaru]

meme

[blackkatdraws]

Breaking each other apart is how we show our love