#and like i also read lots of reviews not just of like movies and books but of like gallery exhibitions and shit!! they can be extremely

[flownwrong]

chaotic ckr c6d squee propaganda (?) post

This, started half a year ago for @ds30below, was initially a general c6d short reviews post but kinda skewed majorly towards CKR's repertoire and wasn't too review-y. So I gave up on making sense and on including the non-CKR works. I don't know who the audience for this is, because I never give basic details for people who don't know about this stuff but say too much for those who do. I giffed what I could and tried to avoid what I know a lot about but haven't actually seen. Here goes.

Frank's Cock (1993)

Not much to say. It's only 8 minutes, it's beautiful and you should see it if you haven't. I won't spoil the subject, but you can likely guess. Watch it, cry a little. Then go watch some more of Mike Hoolboom's stuff, the vimeo link above is from his channel.

Two X-Files episodes (1994 – 1995)

Well, I haven't actually seen X-files since I was about fifteen and watched the like two seasons, and I remember none of it. I rewatched the two early episodes CKR appears in and they were fun. I did not watch the, the movie or whatever where he's doing the evil gay thing. But really, this one is on the list so I can show you this self-indulgent gif of him being Very Long:

Double Happiness (1994)

You shouldn't watch this one for CKR. I mean, you absolutely should see him here, looking like he's barely out of his teens and playing up the insecure act and having devastating chemistry with devastatingly beautiful Sandra Oh, but this is not why it's great. And it's really, really great. It's touching and funny and sincere. If you wanna have some feels about complicated family relationships and identity and growing up (at any point in life), you'll find them here.

Curtis's Charm (1995)

Don't regret watching it, can't recommend. Not gonna lie, I was emotionally affected. But I usually am by things as in-your-face bleak as this. Mostly, it's trying very hard to be smarter than it is, I think.

However: CKR's One Wild Curl is everything to me (see above, on the right. It was, like, actually curly. I was rendered speechless). And like two seconds of Hugh Dillon made me do a double-take, lol. Incredibly weird knowing this was shot like half a year before HCL began shooting. Feels like it must've been a decade earlier.

Hard Core Logo (1996)

I could make three separate posts about this one, so of course I have no idea what to say.

This one, you should watch for CKR, actually, he's something, but so is every single other aspect of this film. I wouldn't change a thing about it. It hits you like a 16 wheeler. Perfectly cast, unimaginably beautiful, hysterical and melancholy and disgusting and compelling.

Related recs:

A wonderfully fun article/retrospective/interview for its 20th anniversary a while back.

You should also absolutely read Hard Core Roadshow if you enjoyed the film. It's a book documenting the whole thing from conception to release. It touched me for its own sake, not just a backstage glance, full of love for the craft and the people and carrying this tangible bittersweetness about the heightened and fleeting nature of this kind of work.

(here, I feel compelled to include a quote from another c6d-related interview on Slings & Arrows, which I read after the book and went like man, it's really a universal experience isn't it.

Coyne: <...> But I also think, and this is my experience, what we were all experiencing, because we were all talking about our lives, our life in the arts — there’s something very melancholy about doing something you love, because it will never be good enough, it will always break your heart.

McKinney: Or it will be fleeting.

Coyne: It’ll be fleeting. You come together with people you feel passionately connected to and two weeks later they’re tearing down the sets.)

Quotes from the article and the book respectively include:

McDonald: So there was a kind of mutual dependency society with Hugh telling Callum, “Don’t worry, man, I got your back, I’ll tell you how high or low to wear your guitar, I’ll tell you how you should dress, I’ll tell you what you should drink…” and Callum was like, “I’ll tell you what hitting your mark is, I’ll tell you why they pull out fucking tape measures, I’ll tell you why you have to do it again, I’ll tell you about not overlapping dialogue..” and you know they clung to each other, like the other one was gonna fucking save them.

And:

A final gathering at the back of the tour bus with Bruce, Callum, Hugh, Bernie. We listen to the tape of HCL songs, all the way through, one last time. And we belt the words out. Bernie sings loudest, performing for Salerno's camera. Hugh and Callum sit back, looks of sadness. I get the sense that if they could do it, they'd chuck their lives and be Joe Dick and Billy Tallent forever. Callum leans to Bruce and says exactly what everyone else is thinking: "I don't want it to end."

There's much more to both texts than *gestures* the whatever those two had, but it certainly doesn't hurt.

And Xeriscape is the best HCL fic I've read. Granted, I read very few because it's not a source that creates in me a craving for fic. But this one perfectly matches the film's fucked up beauty with its language while also adding a quieter, more fraught layer of humanity that we only get glimpses of in canon and that perfectly fits John. 10/10, would recommend.

Anyway. Watch it. Read it. If you haven't. Otherwise, come scream with meeee! And go reblog my gifs or something. Idk.

Letters From Home (1996)

Mike Hoolboom strikes again, with another short. This goes into the "don't watch it for CKR, watch it because it's great" box. Yes, you will cry.

For Those Who Hunt The Wounded Down (1996)

Another bleak one! It sucked to watch, I mean, on purpose. There were a couple of very effective scenes. I really enjoyed the opening. They say the book is decent too, I haven't checked that out.

Actually, let's just switch back from coherent thought to undignified staring at his mouth with this one. What the fuck is that cigarette thing. I couldn't help myself.

Last Night (1998)

These gifs are not representative of the whole movie. There is more happening than CKR kissing or hugging people. He's also doing more than just kissing and hugging. It's all very... impressive.

Guess who's also here again? Sandra Oh! And say hi to Don McKellar, who is an absolute champion for writing/directing/starring. You'll be seeing more of him.

Another one for the "watch it for its own sake" box. Seriously, that late 90s indie stuff is banger after banger. It's so beautiful! Look at those colours! Look at those shots! It's very uneasy and charming and melanchioly and itself in the best way.

Twitch City (1998 – 2000)

Don McKellar is back to murder you with discomfort! Bruce McDonald lends a hand. Molly Parker is also here. And Daniel McIvor, who'd go on to direct, for example, Wilby Wonderful. It's a party. If you watched some stuff from above (or below) on this list, most faces and names will be familiar to you, tbh (another Hugh Dillon double-take happens).

If you liked Spaced, you'll love this. You might also love it because it commits to its weirdness with an admirable resolve and is genuinely hilarious. (Honestly, CKR's outfits alone warrant a watch.) The idiosyncrasy is definitely Don McKellar's doing 200%. It couldn't be more different from Last Night, but if you've seen one, you'll recognise the other.

Battlestar Galactica (2003 – 2009)

I don't think a person should be allowed to look this pretty in the sweaty-and-dying makeup in that light (this sentence probably looks very weird to those not under the CKR magic spell).

I don't know what to say about BSG because I really, really enjoyed early it initially, but by the middle of S2 it got... well, whatever that was. If you know you know, if you don't, still give it a go. You might get invested enough to suffer through it all, as I have been, slowly.

The unfortunate thing is that CKR got to be there mostly in the "what the fuck" years and not the "wow that's so cool" years. That, as you might be aware, is a pattern with him. But! When he was here, he was so genuinely, wonderfully creepy not in the typecast-baddy way, but in this slow, half-absent way, which really worked. You can also see him tortured a little, as a treat!! <3

Also, a wild John Pyper-Ferguson appears! If you're looking at him thinking you know him from somewhere but not immediately remembering, you'll figure it out, I believe in you. I was very happy to see him.

Wilby Wonderful (2004)

Another win for the put CKR in more good shit team!!! Guess who's here again? Sandra Oh! Also, Paul Gross. Don't watch it for him either though haha.

Another one for whoever wants to look at pushing against the weight of others' (or your own) expectations and growing into who you are or reconsidering who you are or finding meaningful connections with others even when you're kind of a mess and they are too.

Not nearly the first time CKR's gotten to play a queer character, but man, this one really is the heart of the in-universe community, and, through that, of the film. A rare chance to see him so far out of the prickly persona! He's just so solid and calm and there for others in this one and, and soft, ough. It's awesome.

By the way, if any of you have the commentary track or know someone who has, please drop me a line here or on discord (emotionalrisotto), I really wanna hear that.

Supernatural (2005)

I love Supernatural a lot. It was a formative experiences (albeit a very late one) and I owe a lot of my favourite stuff about fandom-ing to the buddies I met through it. I can't believe I'm telling you this (because who hasn't seen it, not because I'm reccing it), but you should really try it if you haven't. It's pretty rad.

I had no idea who this guy was when I saw that episode (the second ever one!), though. I simply cannot fathom what @nigeltde-fic felt when she first saw it. I think I personally got very lucky she didn't combust on the spot. It would've been unfortunate.

On a sillier note, CKR's character has weird tension with both Sam and Dean in this episode, which is par for the course. I personally think they should've... no, I shan't say it. You can probably imagine.

Californication (2008 – 2013)

I haven't actually seen it, lol (and I suspect I won't enjoy it, but I'm very curious and also CKR looks really really good).

The real reason for this one on the list is to share a fic rec. Really, it's a due South F/K fic featuring Lew Ashby. It's ridiculously hot and very satisfying in its romantic resolution, too (but then, I'm kind of big on selfcest. And consensual voyeurism. And pretend relationships when done like this. And sublimated yearning. Erm.)

Shattered (2010 – 2011)

I wish this never happened. I badly, badly wish this never happened. I can't turn back time, but I can warn those luckier than me: do not go there. Yes, even for this dude. You'll sleep better not knowing just what it is he was the EP on. And the only important part — the mascara — can be seen above (yes, the show does look that bad, it's not just the gifs).

Just kidding — I watched it, didn't I? You'll have fun hating it! Just prepare for industrial grade cringe, lower your expectations (No, lower. No, still lower than that. And just a bit more.) and you'll have a great time!

Star trek: Discovery (2024)

Or, as I call it, Star Trek: The Mediocre Show. Discovery S5 was... what it was, but it was a wonderful viewing experience — mostly thanks to the gang (@kittkatk and @feroxargentea especially!)

What a joy it is, to follow a show week by week, yelling and laughing and discussing the whole time. And giffing, too. I was very happy to contribute to the Disco fandom from my own little obsessive corner, and I was glad to see people adoring Rayner, haha.

He's a pretty neat character — very much a stereotype, yes, but with CKR's usual twist of odd vulnerability and weirdness. Also, I loved the ears. I miss the ears. The ears were great.

I even wrote a fic! Although it's not within my usual range to write for canons and universes I don't know well — and back then, I'd only seen S5 of Disco. It was a lot of suffering, and a lot of fun.

Closing thoughts

I'd really love the dude to get a better agent. And possibly better taste, but I realise that's a tougher ask. Seriously, it's been too long since he was in something majorly cool. I'm grateful to him, at least, for not making terrible music on the side. And I still have a lot of his back catalogue to get through, some of it even good, so there will be more insanity. Until then!

[bmpmp3]

sorry to be a bit of a hater but i do wish youtubers weren't so scared of making their videos just like, "reviews", whys everything gotta be a "video essay" all the time. every day my recommendations are filled with 40 minute videos titled "_____: An Underrated Masterpiece" where the first like five minutes are reading the wikipedia definition of "masterpiece" in a somber voice with dramatic themed text on screen. please just tell me how good or bad you think something is and use the rest of the runtime to explain why. you dont need to put on all these airs

[sochilll]

Sometimes being an English major is the biggest burden because I read movie reviews and people say “this story sucks because x y z doesn’t make sense” when those things were exPLAINED IN THE BOOK THEY DIDNT HAVE TIME IN THE MOVIE BUT ITS IN THE BOOK READ THE BOOK

[tirednotflirting]

just had a lot of fun trying to be vague while explaining the plot of the movie i went to see last night to the machine shop guy who is apparently more conservative than i thought. the movie i saw last night was bones and all.

[copperbadge]

Lately, it's felt like every time I've started to work on writing, I'll just be getting into the rhythm of it when I get interrupted, either by work or the cats or because the time I'd booked in the library study room is up (you can only do two hours at a time, and only four hours a week total). It was getting to the point where I kept re-reading the same chapter or so of previous work but never managing to add to it.

So I tried an experiment this past weekend -- I found a really cheap rate on a local hotel room, and on Friday I took an overnight bag and a very old laptop with limited processing power and checked into a room about a mile from home for a quasi "staycation". I unpacked and had a quiet night on Friday, as prelude to working Saturday-Sunday. The idea was to write uninterrupted by other people, pets, the presence of all my Stuff around me at home, et cetera.

I had snacks but I also bought meals out, which was nice; I don't often order in or buy out when I'm at home. The way I set up was that I would do fifty minutes of writing with do-not-disturb engaged on my phone and then ten minutes of checking email, texts, etc. since often what pulls me out of writing is a text or an email that needs answering, or the anxiety that I'm missing one that would. If I set it so that every hour I check, well, nobody's going to die if something doesn't get answered in an hour, so the anxiety isn't there, and neither is the distraction. (I found a nice app for this, review later depending on how functional it continues to be for me, but it's a like $4 app called Forest.)

It worked pretty well -- writing for an uninterrupted hour, as long as I know what I'm working on, is very functional for me. I average about two thousand words, that way, though there is a limit to the number of hours I can put in. I ended up doing two hours in the morning and one hour in the afternoon, then switched from fiction writing to clearing out my tumblr drafts and some correspondence for the fourth hour. So it went something like

Go out and get breakfast, bring back and eat in room

Change into lounging clothes and do two one-hour sessions

Go out and get lunch, eat lunch out

Bit of a rest break back in the room

Two one-hour sessions, one of writing; when tired, switch to something that requires less creativity

Go out and get dinner, bring back and eat in room

And then in the evening the plan was to watch movies or catch up on reading, but I ended up being mentally weary, so instead I did some simple tarot reading. It was less divination or even meditation than just messing around, keeping the creativity stimulated; I did a couple of Creative Writing spreads, some very brief divination spreads (I nicked a nice three-card spread here that I mentally call He To Hecuba, and just used it in general rather than for a specific question) and then invented a spread when I was starting to get irritated that the same like, five cards kept coming up, more on this in its own post.

Sunday I did one more writing session but it was less successful, I think partly because what I was writing required a lot of research and partly because the previous day I'd dumped eight thousand words into the file. (Research took longer because I brought the most garbage laptop known to man, and the browsers crash if you try to open Google Maps, but in other ways it was ideal since there wasn't much I could do on it other than write.) But I had a good breakfast, got some rest, packed up easily enough, and headed home just ahead of the rain storm.

I don't think it's something I'll be able to do in that format especially often, since the deal I got on the hotel was an anomaly and Chicago lodging, even just AirBNB stuff, is stupid expensive. But in addition to helping get some work done it was a nice break, so I'm going to look into ways I could swing it on a perhaps monthly basis, or some other way to cheaply spend an entire day alone with decent access to a bathroom/snacks and a way to come and go easily. I've looked into coworking spaces before but they tend to be prohibitively expensive and don't really have the setup I'd prefer; there's a hostel on the north side with private rooms that I might try out but it doesn't seem significantly cheaper than a hotel. I might just have to pick one weekend a month and watch last-minute hotel price cuts where they simply want to fill a room for a day or two.

Anyway, functionally I wrote almost a fifth of a novel this weekend, and one that I wasn't feeling super on fire about; I'm feeling much better about it now that I've got some established plot going and I feel like I "know" the newer characters a bit better. (Also I'm enjoying writing Simon as someone who is absolutely entranced by his love interest and clueless that what he's feeling isn't mild antipathy because they met while fighting over ricotta.) So it was a big help, although if I were to put a budget line item in the Extribulum Press ledger for "writing staycation" it would wipe out my royalties surplus very quickly.

[witchygirlgray333]

Journal prompts / ideas

Poems (either ones you've written or just ones you enjoy or connect with)

Book review

Film review

Write about your day

Collage

Vision board

Habit tracker

Calendar page

Notes from something you're learning

Quotes you like

Draw some outfits you like

Search up creative writing prompts and do those

Meditate and write down your thoughts before / during / after (I don't do this everytime or sometimes I'll only write afterwards but when I write before, during and after it's always really interesting to read back on and see how much has changed)

Stickerbomb page

Films to watch

Books to read

Wishlist

Bucket list

Highlight of the day (I like to have a page in my journal where I write a short sentence of my favourite thing that happened that day, it's nice to look back on and it's nice especially for days when I'm not feeling well enough to do a longer entry)

Gratitude list

Random thoughts

Drawings and sketches (I'm not even good at drawing but I love drawing or sketching in my journals and just expressing myself)

This one is more for chronically ill people but making notes for doctor / hospital appointments which helps so much! I have severe memory loss so a lot of the time I'll turn up to an appointment and have totally forgotten about anything I'd hoped to say so this has been a total lifesaver

Along with what I said in my last point about living with severe memory loss my whole journal works towards helping me deal with living with the memory loss. I'll probably do another post soon about more in depth ideas for journaling to help life with memory loss but I write down SO MUCH. I've got to do lists, a calendar page, my night routine (I'll also have my morning routine written down once I've actually worked one out!), things I need to do everyday (such as brushing my teeth, washing my face etc), contact info for people I'm close to, labelled photos of my loved ones (it can be really scary when I don't recognise people so having these pages really help), a list of things I can do throughout the day (I'm on bedrest but having a list of things that I enjoy doing written down is a nice reminder, some of the things on the list at the moment are make tiktok videos, do makeup, watch a movie or tv show, journal, scrapbook etc)

[yannaryartside]

SYDNEY'S PART

THE ANALOGY OF THE PARTNER WITH ADDICTION

I just realized this parallel, and I have questions and feelings.

This second scene was one of the most frustrating moments for me, and that is saying a lot. It made me realize the crucial factor that could contribute to Sydcarmy not working despite the underlying feelings and connection.

The scene is obviously about how Sydeny feels guilty for not being able to stand to Carmy and make him stop the chaos. Maybe is also about feeling sad because she doesn't think that he wants to change for her, because if that were the case, he would have done it already. He has verbalized that intention and always, always, leaves her alone and behind (It is hard to keep with you sometimes).

I have been wrestling with the theory that Carmy's and Syd's relationship is acting as an analogy for an addict and their romantic partner. I have been reading this book: Loving someone in recovery. I still need to finish it, but it has given me some ideas. More extended meta-analyses on this subject are coming up. But I wanna concentrate on what the scene is hitting at (I miss ao3).

Notice in Brigade, the woman also says, "until the chemistry changes.", then in the very next scene, you have Sydney decipher a recipe just by chemistry logic, leaving Carmy impressed, and right after, carmy puts Sydney in charge of the restaurant. The clues are all there.

Also, notice how the woman at AA refers to the abuse of substances, but in Carmy's case, it also means abuse in the literal sense, verbal, psychological, and physical abuse.

The show has many scenes in which Sydney treats Carmy's issues with compassion and a firm hand.

"I don't want to be an asshole" "Don't be" aka: I know you know what is right and wrong despite feeling like shit, don't let it get over you.

She keeps her cool while Carmy makes impossible demands and screams. She helps Tina with her dish and completes the task without ever insulting or yelling back at anybody. The toxic techniques that Carmy learned that worked in the culinary industry, she refuses to accept as the norm. She is a chef Terry.

Finding the positive in the worst circumstances, aka, saying Cicero "You are here" or encouraging Richie and the staff. Even reviewing Carmy's recipes with patience and humor

"Is hard to keep with you sometimes' is key word here sometimes, aka: "because the problem is your issues, not you. You are a good person who is deeply hurting, but your actions have consequences for me and the people around you".

The thing is, if we are gonna talk about a partner with addiction, we need to establish the problem (the trauma) and the drugs. I remember watching a movie about addiction, a nurse saying, "Drugs are never the problem (for an addict), they are the solution.

So, the problem (the trauma)

The drug (solution)

You already know my theory that Claire is the equivalent of painkillers/anesthesia. A shallow but pleasing relationship that is always available to attend to your flaws without ever being actual medicine. Because to get better, painkillers are never enough.

BACK TO SYD

Syd really doesn't believe she has a say in what Carmy wants, (God she even believes she is not what Carmy wants, because he wants Claire, that is what it seems to her) just right before this dialogue, she asks him "Do you want me to say something?", from reading the book, it really reminded me of a partner feeling abandoned when the addict would resource to their drug of use to feel good or set back to old habits. That would leave the partner frustrated, depressed, and angry.

To be fair, the fact that Carmy is his boss should be added to the equation. They cannot even be called friends, so why should Sydney say something? Carmy is 24/7 in defense mode, saying things like "You don't have to say it, I already know."

He offered Syd equal partnership, but she didn’t get it. If they had been equal partners she definitely has the power to say something. But she didn’t take the offer, maybe because she suspected (or feared) they would never be on equal ground.

THE KEY QUESTION IS, WHAT DOES SYDNEY SAY?

I am genuinely curious about this. Is Syd (or her leaving) supposed to be a wake-up call to Carmy? That he fucked up something that brought him genuine joy and connection because Syd knew the real him, while Claire liked Logan and Carmy's brokenness? The way Claire would enable him in his bad tendencies? How is he gonna realize all that?

Sydney needs more emotional resources when it comes to conflict resolution. So far, her techniques have been using patience and love (water) against toxicity and bad patterns (fire). There is definitely a need for that. That is what turned everybody around and helped them become their best selves. But it has a toll. And she started the season with "I don't know what the fuck to do right now" and ended the season without a solution. Maybe walking away is the solution.

SYDNEY'S PART

What could this mean for Syd? Sydney may confront Carmy or not. I guess we will have to see.

[jolapeno]

JO IS NOT STUDYING || ONE

welcome to jo is not studying where my inbox is your new hot spot.

inbox is open with anon on (do not abuse it with being unkind or it’ll be turned off) until midnight tuesday, where everything gets posted throughout wednesday. if you send after, it’ll just go to the next one.

but, what can you send in?:

shout out things you’ve read: non-fiction or fiction books (audio books also count)

shout out things you’ve read: fanfiction edition* (please don’t just drop a fic rec, tell us why you liked it, what made it a stand out for you—so the author can feel a little warm on the inside, like a little positive review)

shout out artwork, gifs, edits from other people who you’d love to spotlight. similar to above, please specify why you like it—imagine my inbox is like you leaving a little review just for them.

fave songs, tv shows and movies: tell me what you’ve been up to

any writing questions? I am by no means an expert, but we might be able to find someone who can help!

send in any thoughts on pedro pascal characters: yes, even thots are welcome

*please do not self-rec yourself—as this is about spreading love—and any asks reccing work done by jolapeno/jo_lapeno will be deleted.

the main reason for me doing this is because i love fandom. happy hour with jo was a lovely initiative but thought it could have a nice refresh. since i’ve moved all my writing to AO3 and so I wanted to use this blog to share things I love and also help you lot shout about what you love! in the hope it can spotlight, stir up fun and also spread some love. it goes without saying, if this initiative isn’t for you, please scroll on by.

tagging some people who might partake (or will reblog for love, but no pressure):

@thetriumphantpanda @goodwithcheese @secretelephanttattoo @almostfoxglove @javier-pena

@flightlessangelwings @luxurychristmaspudding @toomanytookas @msjarvis @missredherring

@hellishjoel @sixhours @eupheme @oonajaeadira @covetyou

[ploppythespaceship]

Uglies - Movie Thoughts

On a whim, I decided to start re-reading the Uglies series a couple months ago -- so imagine my surprise when I found out it was getting a movie! Said movie is now out, and it was interesting to watch with the book being so fresh in my head.

Overall, it's... eh. It's not a complete train wreck, the way most critics seem to want you to think, but it is fairly bland and uninspired. It's a very watered down version of the book. It also has the misfortune of feeling like yet another a Hunger Games wannabe, despite the original book pre-dating that series by several years.

Spoilers for everything under the cut.

What I Liked

Based on reviews, I seem to be in the minority here, but I thought the cast was pretty good. People seem to hate Joey King as Tally, but I thought she was fine. Brianne Tju is easily the best in the cast, stealing the whole damn movie as Shay. Laverne Cox also gives an excellent performance as Cable, though I do think she should not have been given that role for other reasons (which I'll get into later).

I've also seen complaints that the characters aren't ugly enough. They talk about how ugly they are and point out their specific ugly features, when they don't actually appear that ugly. And I think everyone complaining about that is completely missing the point. The "Uglies" aren't actually ugly -- they're just normal people, who've been conditioned to think their imperfect features are hideous.

I was honestly unsure how the Pretties would be visualized -- in fact, I wondered if the book would just be fundamentally unadaptable because of it -- but they did a fairly good job. I think leaning on CGI and unnatural affectations was the right way to go. All the Pretties have this uncanny quality to them that suits the story perfectly.

The overall production design was solid as well. I like how Uglyville is all gray concrete and muted tones, while New Pretty Town is shimmering golds. Then upon reaching the Smoke, all the colors of nature finally come through. I do think that could have pushed that last one a little bit more, but it still works well.

Apart from that, I don't really have much to shout out. It's competently written, well-performed, well put together. I know it doesn't sound like I have much praise, but it is a competent movie.

What I'm Mixed On

By far the biggest change from the book is Peris becoming a Special. And I'm torn on it. On the one hand, it does make him a bigger part of the story -- he's honestly not much more than an inciting incident in the book. It gives him and Tally a unique arc that's probably the strongest through-line in the story. On the other hand, the Specials as a concept are so under-cooked (more on that later) and the actor is so bland that it still doesn't quite land the way it's supposed to.

What I Didn't Like

The pacing of this movie is by far its worst issue. We are flying through this plot. There is no time for anything to breathe, for characters to develop meaningful connections, for the bigger moments to feel earned. Some things do make sense to condense -- Tally's journey to the Smoke would have been incredibly boring without her internal monologue, so condensing most of that into a montage makes sense. But I do feel we lost too much. That's where a lot of Tally's characterization comes out, where we can see her bravery and ingenuity -- none of that comes across in the movie.

A lot of important beats are rushed. Tally agreeing to help Dr. Cable is over in a flash. It feels like Tally's in the Smoke for all of fifteen minutes. Tally and David barely interact, so their relationship has no real stake. Everyone is kidnapped by Special Circumstances, and then rescued immediately after. I almost think a 5-6 episode mini-series would have worked better -- but that might have introduced the opposite problem, where everything takes too long.

The movie also has frequent montages that don't really work. It seems like they were trying to show the passage of time, but it just makes everything feel even shorter.

The beginning of the movie has an exposition problem, as well. It opens with a montage explaining the entire setting... before leading into several scenes that also explain the setting through dialogue. We get fed the same details about the surgery and the Rusties and the flowers at least three times at the start, and it gets grating.

As already mentioned, Tally is pretty severely underwritten. In the book, she has a distinct personality and a unique presence. In the movie, she's just the main character because she happens to be the main character. Her intelligence and resourcefulness are pretty much gone.

I also think changing her motivation for going to the Smoke did her a disservice. In the book, Tally goes to the Smoke so she can have her surgery, and because she's convinced herself that Shay needs her help. In the movie, Dr. Cable tells her that the Smokies have a weapon, and she will be saving lives by helping to find them. I think giving her a more selfless motivation robs her of her character arc. She always comes across as someone trying to help, who wants to best for other people, rather than someone who had to consciously learn that.

The Specials are barely even a presence. I'm not sure they were even directly called Specials. People who hadn't read the book would never realize that there was an entire separate status of person here. You never see their disturbingly beautiful faces or their terrifying strength. Considering how pivotal the Specials are to the overall story, especially in the later books, it's really odd not to see them properly established here.

Like I said, Laverne Cox gives an excellent performance as Dr. Cable... but I think they should have thought twice before casting a trans woman. It's not necessarily that there's a trans woman in the villainous role, but that there's a trans woman in the villainous role who specifically wants to force people to have surgeries to brainwash them. Like... did the optics of that really not occur to anyone? At all? I think Cox could have played David's mother, instead.

[trek-tracks]

Hello! I got a whole shelf of old Star Trek novels from a yard sale and I'm deciding which to read first. Unfortunately none of them are D. Duane. Can you tell me what other Trek novels/authors you've enjoyed?

At the moment, I have far more trek books than I've actually read, partially because I have no self-control when it comes to acquiring them, partially because, when I started to mine them for blog content, reading them started to feel like homework (I thought I put marking pages with tabs behind me after grad school). This is also tough because Diane Duane's novels tend to be far and away my favourites (Spock's World, Doctor's Orders, and The Wounded Sky are all brilliant), but you already knew that! They're also a large chunk of what I've read. I've also read a bunch of Blish novelizations and some of the movie novelizations, which are fun but don't quite count in the same way, since they are retelling known stories.

However, there are a few I can recommend. I really enjoyed A Contest of Principles by Greg Cox, which feels like a real extended TOS episode; our main trio all have plenty to do, and the relationships are very fond and very true to the series. Shell Game by Melissa Crandall also has the character relationships I'm looking for. (Actually, both of these at one point pair Spock and Bones together while Kirk angsts from the sidelines while doing his own part of the mission, which is apparently a fruitful scenario).

J.M. Dillard also knows the characters really well. I enjoyed The Lost Years a lot, though it must be said that it is basically the crew breakup novel because it bridges from the show into TMP, so you'll just have to rewatch the movies after to remember that it all turns out all right in the end.

Jean Lorrah's The Vulcan Academy Murders is fun as long as you don't go in expecting a mystery you can't solve in 30 seconds and just want to appreciate the characters and learn more about Sarek and Amanda.

Brad Ferguson's Crisis on Centaurus is worth it for the backstory look into Jim and Bones' first meeting, as well as giving us some time with Joanna McCoy.

I can't actually fully recommend Carmen Carter's Dreams of the Raven, which has a very strange and queasily unethical romance subplot that doesn't land for several reasons and an unsatisfying ending, but it's an interesting look into McCoy with amnesia (and it did let me coin the term "Character Fondness Power Differential" while writing the review).

This ask did, however, remind me that I need to start making a dent in my book collection before buying more (I store them where I can't see them, so I'm constantly surprised by how many I actually have). I think I'm reading Howard Weinstein's The Covenant of the Crown next.

If you search my "trek books" tag, you'll see more!

[doll-elvis]

PRISCILLA (2023)

~ my thoughts as an elvis fan

(credit to @urpinkstargirl for the photo)

WARNING SPOILERS AHEAD:

so I saw it last night and I’ve been stewing on it ever since as I wanted to be 100% sure in myself before saying this publicly

**brace yourselves**

After just one viewing… I feel confident in saying that I preferred this film over “Elvis” 2022 🤧. It was just so immersive and so deeply intimate that I walked away from the theater feeling like I had just lived a life with Elvis, and experienced all the ugly and wonderful things that came with it

I am seeing it again tonight and possibly tomorrow just to recapture that feeling (which made me cry… three times…)

And although I’m not the biggest fan of Sofia Coppola, there is simply no denying that she has perfected showing “girlhood” in film, and making the most unique experiences, like being Marie Antoinette and being Priscilla Presley, somehow universal to everybody. I haven’t felt being “14” since I was 14, which was a whole 5 years ago, but WHEW… I most definitely felt 14 again when watching Priscilla navigate life in Germany

Also- we all saw how Austin Butler was completely cheated out of an Oscar and so I’m begging that we do not do that again. Give the Oscar to Cailee Spaeny (who played Priscilla) right now 😤 There are no words besides “immaculate” to describe her performance. Her future is so bright as an actress, I just cannot wait to follow her career + she just seems like the sweetest person ever??

And I know it might seem insane to say that I preferred “Priscilla” over “Elvis” and some of y’all might crucify me for that take but my preference solely comes down to the fact that I appreciate Priscilla’s perspective much more so than the Colonel’s, who to me, has always been the least interesting aspect of Elvis’ story

My biggest gripe with having the Colonel narrative/tell Elvis’ life in the 2022 film is the fact that it made the film feel rather impersonal to Elvis as I don’t think the script or the storytelling ever fully allowed for Austin Butler to explore what he was like beyond the stage

And personally speaking, I have a much deeper love for Elvis the person as opposed to Elvis the performer, and I think that “Priscilla” showed the human side of him far more than “Elvis” ever did (like y’all we actually get to hear and see him reading his philosophy books in this!!!)

But before I get into what was actually depicted in film, and all my praises, I thought I would briefly state what I thought could have been done better. Don’t get me wrong, this movie was beyond amazing, however, it was definitely not without its’ faults:

1. If you have seen a lot of reviewers talk negatively about the pacing in this film- just know that they are unfortunately, completely right in that assessment. The whole timeline of Germany felt literally five minutes long, and the 70s also, felt maybe 10 minutes long which just made both the beginning and end feel rather rushed. Also there were at least 5 scenes that just faded to black before going onto the next one, and some very abrupt cuts in scenes which felt a bit awkward

2. Because this is a biopic, and because it’s based on a real life, there is no climax like you would be accustomed to normally in a film and so I think that the average viewer, like someone who may not really care about Priscilla or Elvis, will probably walk away from the film feeling unsatisfied- possibly bored. I saw it with my mom and my sister, and my mom was asleep in like 45 minutes 😭. The movie definitely got repetitive at some points but I acknowledge the fact that life is repetitive, especially for Priscilla in the 60s while Elvis was off making movies

3. While Priscilla (played by Cailee Spaeny) aged realistically and seamlessly, Elvis (played by Jacob Elordi) was essentially the same person (physically) for 95% percent of the film. For some reason, his hair was already dyed black in the Germany scenes, although we know it was brown at that time, and so there was no real transformation for him until Lisa Marie is born. The height of the actor was definitely jarring at first but eventually I got used to it…however…I damn near busted out laughing when they showed him in the Comeback special outfit 💀 His performance was nothing but incredible (ESPECIALLY THE VOICE) and so I learned to get over the physical disparities rather quickly

4. The ending of this film, particularly the song, was overwhelmingly sad and impactful but I was really disappointed that we didn’t get to see Priscilla’s and Elvis’ relationship after the divorce. This film ends with Priscilla leaving Graceland, starting her “new life”, which didn’t make much sense to me considering this movie was adapted from her book, which very much explores that part of her life, especially with Elvis

I would have really love to seen moments like this from Priscilla’s perspective ⬇️

excerpt from “Priscilla, Elvis and me” (avoid this book)

5. NO CIRCLE G RANCH!!! It is borderline criminal to make a film about Priscilla and Elvis and to not include their time spent at Circle G ranch ** which Priscilla has always said were their happiest times together **. I assume that this was likely an issue because of the budget and the fact that they only had 30 days to film but god… I would have really appreciated some of the domestic bliss that Priscilla and Elvis shared while living in the trailer on the ranch. There were many happy moments/sequences (y’all are going to die when you see the rollerblading/go cart scenes) in this movie, but I think their gradual separation/withdrawal from one another (post marriage) would have hit harder if we saw how happy they were together during their ranch phase

6. For those who have read “Elvis and Me”, we all know about the famed LSD scene that takes place and unfortunately, Coppola heavily missed the mark on it. We don’t see Lamar Fike making out with a tree, we don’t see Jerry Schilling in a closet- instead we see Priscilla and Elvis just kind of rolling around, laughing amongst themselves while the room around them turns different colors

There were definitely many key moments/stories like that missing from the film, and I honestly wish that the movie was an hour longer so that we could have seen the book more fully fleshed out

Lastly, here’s just a general synopsis of the scenes in Germany… I was going to do the whole movie but I don’t have the stamina to type it all out 😭. If y’all want to know something specific please feel free to comment below and I will let you know <3!!

After the beginning credits are shown, the film starts with Currie Grant (who was renamed as Terry West) approaching Priscilla in a diner, inviting her to a party at Elvis’ house. After talking with her parents and assuring them that Priscilla will be looked after by him and his wife, it cuts to her in the back of a car, on her way to meet Elvis. The scene is exactly like how it is in the book, Elvis asks her how old she is, he remarks that she is “just a baby” and so on- Elvis then plays “a Whole lotta shakin” at the piano and that is one of three musical performances we see from him

Priscilla is then re-invited by Currie aka Terry via Elvis to comeback to the house again. Elvis invites Priscilla up to his room, she looks around and sees letters from Anita Wood, and a poster of Bridgette Bardot just like in the book. After Elvis talks about Gladys and how he is still reeling over her death, and how lonely he has felt since then, they share their first kiss to the song “Crimson and Clovers”

There are some scenes of Priscilla at school and some scenes of her sort of convincing her parents to let her continue to see Elvis. And they do agree, but just like in the book, they want to meet him first. Elvis is questioned by Priscilla’s father on why he wants to be with her to which Elvis replies that she is very mature for her age and that he likes talking to her since she is from home aka the United States. He then assures Priscilla’s father that she will be taken care of. After that we see them going to the movies where Elvis expresses how much he wants to be a serious actor, and then they share another kiss on the car ride home. It then cuts to Christmas time where we see Elvis giving Priscilla a watch and then BOOM- Elvis and her are on the way to the airport where they say their final goodbyes as he leaves for the United States

The film really does follow closely to the book (at least from 59’ when they meet to 69’- again the 70s were really rushed) and so I really recommended to read that prior to watching the movie

As for the more sensitive scenes-

There is no explicit sex, no graphic nudity, and no scene where Elvis forces himself upon Priscilla. He does say “this is how a real man makes love to his woman” but all he does is kiss her before she pushes him off. There is a rather long “polaroid-taking” sequence where it shows all the outfits that Elvis would Priscilla dress up in but other than that, we only see Elvis and Priscilla make out

And it did show when Elvis accidentally hit Priscilla in the eye during the pillow fight scene in her book, along with the scene of him throwing a chair in her general direction after she expressed she didn’t like a demo of one his songs, and the scene where he grabs all her clothes from the closet and tells her that she should go visit her parents. I don’t think that the scenes made Elvis look abusive: Coppola was surprisingly nuanced in showing that he had reasons for his sometimes bad temperament i.e the pills he took along with the fact that he was frustrated with his film career

It also shows Elvis’ infidelities but really only through movie magazines that Priscilla sees. So it’s never explicitly shown, I would say it’s more hinted at than anything

And there are two scenes of Priscilla with Mike Stone but again, nothing that is explicitly shown, it’s just hinted at

Finally, to finish this up, this is what I wrote on my Instagram account which I very much stand by ⬇️

Just please give this movie a chance y’all, it was so beautiful and so sensitively done… I cannot wait to watch it again <3

[the-kestrels-feather]

I know I'm SO late to the party, but In light of the hbomberguy video, I wanted to drop a list of some of my favorite video essayists on here who are all great. Some are well known, some of them not, but all deserve a lot of love thrown their way!

Any creators I know are Queer will have a * next to their names if that's what you're looking for! (Note some of them might not have a star that should, that's not me trying to invalidate anybody I just didn't know, please feel free to correct me!)

Dominic Noble- book content! Has a series called Lost in Adaptation that judges how faithful movie adaptations of books were to their original source material, but also does some reviews/summaries as well. Very publicly denounced JKR after she was revealed to be a TERF and stated he will no longer review anything by her on his channel. Also deleted ALL of his HP videos after finding out she was a TERF (which were his most popular videos), so I have a really deep respect for him tbh. Former Channel Awesome member who publicly denounced them on several occasions, and an all around swell guy.

*Overly Sarcastic Productions- channel run by 2 people who go by Red and Blue. History and Mythology/Literature content, as well as analysis of tropes and media! I've been told their History content can be a bit... Iffy, but I'm not a Historian so I don't know, however if they get something wrong they're good about correcting it for what that counts for. Very interesting to listen to, I've watched Red's Videos roughly 100 times each. Also has a podcast.

*Strange Aeons- fandom/Tumblr history mostly, as well as some history, and weird businesses too. Reads a LOT of cursed content for her channel.

*Lindsay Ellis- Media/film analysis. obviously not as unknown as some of the others on here, but I absolutely adore her content and will forever be sad that she isn't on YouTube anymore.

Cruel World Happy Mind- MLM/explanation of controversial figures. I'm not sure how best to explain her content, but she seems genuinely lovely and is interesting to listen to. Also a victim of Illuminaughtii's ire and deserves some love. The video she made on Blair is a bit outdated since she made it at the start of when this all came to light, but imo it's definitely worth a watch. Her talking about her interaction with Blair genuinely broke my heart.

*Night Mind- Analog horror/Unfiction/ARG content! Analyzes and explains various internet horror pieces, and also has a very nice voice to listen to.

*Lola Sebastian- Film/Media Analysis!

Li Speaks- Deep dives into various nostalgia, mainly flash games!

*Princess Weekes- Media/film/literary analysis!

abitfrank- summaries and analysis of various "darker" children's content such as Coraline (book and movie), Nightmare Before Christmas, and various dark fairy tales

Hello Future Me- writing advice and world building information!

Curious Archive- deep dives into the various bestiaries of video games and the animals in real life that they're similar to, I love his Subnautica video!

In Praise of Shadows- Horror media analysis! Will often focus on specific franchises, but also covers things like horror comics and tropes as well.

Wait in the Wings- theatre! Deep dives into the back stories behind the production of various musicals! His video on Rogers the Musical that he did for April Fool's last year is comedy fucking gold

Weird Reads With Emily Louise- conspiracy theory/cult/weird thing analysis! Looks at things from an objective and skeptical view, and is very in depth. Recently served as a consulting producer on an HBO Max documentary on the Love has Won cult.

Ask a Mortician- death content! Covers various historical events and darker stories of death from the view of a Mortician.

*Izzzyzz- deep dives into fandoms, as well as well as different video games and kids' virtual worlds.

Disney Dan- Disney content! Covers the history of different mascot costumes at Disney and Disney-like parks! Has collaborated with Definctland in the past too!

Yesterworld- theme park content! Discusses history behind rides and parks, as well as some Disney movies. I think has also collaborated with Defunctland and Disney Dan?

Legal Eagle- legal content! Breaks down news about ongoing legal cases in a way that feels approachable. I like him because both my parents are paralegals and his videos have helped me understand what they mean when they're talking about work a little bit

Super Eye patch Wolf- media video essays! Mostly about anime/manga and video games, but also covers things like influencer scams and pro wrestling. His "what the internet did to Garfield" video is SO GOOD

*Jessie Gender- Media Analysis, loves Star Trek

*Laura Crone- Media Analysis video essays, her videos on the Swan Princess are fucking great I highly recommend!

*Lady Emily- Media Analysis, did a whole video on Spuder-Man turn off the dark that is SO good. Co writer for Sarah Z

Tale Foundry- covers different forms of fiction, their xenofiction video is great, as is their Angelarium one!

Defunctland- Theme Park ride and Children's TV History channel!

Jenny Nicholson- one of the sort of "big three" commentary channels with Lindsay Ellis and Sarah Z imo, covers all sorts of stuff but her most recent one is a 3 hour video on the theme park Evermore Park!

*Sarah Z- Fandom history and Media analysis! I really enjoy their content, the Johnlock Conspiracy and DashCon videos are my favorites!

Li Speaks- Flash games/virtual world analysis mostly! She has a very soothing voice to listen to, if you played like. Any MMOs or virtual worlds growing up I Highly recommend. I've watched her video on Horseland SO many times.

*Codex Entry- Video game coverage! Her videos on Pathologic are great if you're like me and wanted more after the Hbomberguy video!

Wendigoon- ARG/Spooky content! One of the early proponents of the Mandela Catalog and best known for his conspiracy theory iceberg, but has also covered things like various weird/unsolved crimes, Assassination conspiracies, and other things. His videos on Faith, Blood Meridian, The Mandela Catalog, and his Religion/Cult iceberg are some of my favorites

Dino Diego- Dinosaur fiction, like movies, video games, books, short stories, etc. his 2 videos on West of Eden and Winter in Eden are two of my favorites!

Haley Whipjack- I don't know how to describe her content really? She does a lot of deep dives (her Shrek one is my favorite), currently doing a recap of Once Upon a Time by season that is very fun. She's an elementary school teacher by day (that's not me dozing her she talks about it on her channel), and so she has fun unhinged teacher energy!

Other channels that are a sort of collection of different people talking about different things rather than 1 or 2:

TEDx

PBS

The Exploring Series

[olderthannetfic]

I used to think books with "bestseller" labels must be great and that they're the books I should try reading but now that people are getting popular through social media first before their books even release made me think otherwise. People seem to be buying the book like it's celebrity merch. The books could still be good but I now read multiple reviews especially negative ones which has lists of what they think is not good about the books. When I see "bestseller" now I just think "A lot of people bought this." but also ask "Did they like it though?".

Question though: you think "bestseller" label in published books is equivalent to kudos or hits on fics? I mean there's a filter to see items listed that way and there are people who base their fic reading list to it.

--

*snickering*

Okay, the thing you have to understand about 'bestseller' as a term is that it's time-dependent.

It's not just kudos: it's kudos in the first 24 hours. It's movie profits on opening weekend.

This shit means literally nothing if you're consuming the art even six months later, never mind after a decade.

--

I think it's stupid as fuck to sort AO3 by kudos unless you're just researching what gets a lot of kudos. I think having this as a default behavior encourages bullies to force targets into archive-locking (which almost invariably reduces kudos and hits) and penalizes authors who don't waste a lot of time trying to game the system. I also don't think it's actually effective for finding good fic.

But buying books based on bestseller status is even dumber because all it means is that a book was marketed correctly to have all its sales in the same week.

Here's someone's attempt to explain. He estimates that you need to sell only 5,000-10,000 copies in a single week to make it on one of the NYT lists.

There are a few other quirks to it, but... yeah... 5k copies in a slow week. Nationwide in the US. For something released by a big publisher with reach. Counting pre-orders if it's the very first week.

And then you get to put "NYT Bestseller" on the cover forever even if it never sold more than those 5k preorders.

Forget booktok promoting garbage: if the numbers are really this low, then "bestseller" meant absolutely nothing for years and years before modern social media.

It's not even cumulative like kudos are. If they mean that, they label it with "Over blahdy-blah million copies sold", not "bestseller".

Like with kudos, the only time this is really useful is if you're chasing buzz. If you want to know what other people are making noise about this week, then yes, you should check out the current bestseller.

It is okay to chase buzz, especially if you are a book blogger and trying to keep your audience up to date on what's going on in publishing! Just be aware that that's what you're doing.

If you want a book that will be culturally relevant for longer than five minutes or a book that is well-written or a book that is to your taste, you should look for some other method of book discovery.

And hey, you might end up with that very same bestseller! It might be a great book, actually. It's just that the "bestseller" status isn't what tells you that.

[hellomynameisbisexual]

"We are challenging people to face their own external and internal biphobia. We are demanding attention. We are redefining 'anything that moves' on our own terms."

So declares the introduction to Anything That Movies, a bisexual zine that ran from 1991 to 2001. Founded by editor and photographer Karla Rossi, Anything That Moves got its name from the stereotype that bisexual people will sleep with "anything that moves," and it sought to redefine these and other assumptions about bi people in its decade-long run. Rossi didn't respond to Mashable's request for comment.

All 22 issues of Anything That Moves are now archived by a group of young bisexual people and allies. Not only does the archive introduce a new generation to a rare instance of bi-focused writing, but it's also shockingly relevant to issues bi people face today.

Discovering the bisexual zine

Snippets of the introduction have circulated the internet in recent years, and they're referred to as the ATM "manifesto" on its website. The words caught the attention of bi writer Kravitz Marshall, but he had never seen other material from the zine.

In 2020, Marshall found the Anything That Moves website, a relic of the early 2000s with an incomplete archive. He then bought issue #16 from Bolerium Books, a source for out-of-print books and material related to social movements. Marshall scanned each page of the issue and uploaded it online for free; he had planned on doing this for all issues of Anything That Moves, but acquaintances on a bisexual Discord server expressed interest in helping. The discussion grew so much that they created a separate server.

"It was the first time I became aware such a thing existed and I became very excited at the thought of finding and reading more copies," said Jo, a bi femme activist who became involved in the project and now helms the archive email.

The group found issue #2 via Reddit, but believed finding all the issues would be a difficult process — until a member of the now-inactive archive server was able to gather PDFs of every issue through her university library.

"It was thrilling and such a relief," Marshall told Mashable, "because had this not happened, we might've had to do it the hard and expensive way."

"It happened so fast," Jo recalled. "I just remember about seven bisexuals, including Krav and myself, putting our heads together to figure out the best way to get our hands on all these copies and how to share them with the rest of the LGBTQ community."

Now, the work of Marshall, Jo, and a group of bi people and allies is gathered in the archive.

Joy and heartbreak of Anything That Moves

Reading through the archive is, personally, an ambivalent experience. Anything That Moves began before I was even born, and I feel kindred reading this decades-old work; it's like reading discussions I've had with bi friends back to me. The articles, reviews, fiction, and poetry in discusses visibility, (non)monogamy, the inclusion of trans people in bisexuality — to name merely a few topics still pertinent today.

Despite the joy of reading this bi-centric work, however, it's telling how little has changed since 1991.

Jo, who grew up in a conservative area, found the zine refreshing and comforting. "Even when you discover/read/watch anything regarding LGBTQ history, it’s very rare for any specific focus to be given to the bisexual community," they said. "Finding Anything That Moves was a shock to my system."

Marshall was touched by the "unfiltered life" within its pages. "There's urgency, there's knowledge, there's joy, there's righteous rage, there's lust," Marshall said, "and you don't have to go searching between the lines for it — it grabs your shoulders and shakes you until you reach the back cover."

Despite the joy of reading this bi-centric work, however, it's telling how little has changed since 1991.

For Jo, the experience of reading Anything That Moves has been both special and heartbreaking. "A lot of the subject matter is stuff that the bi community has been dealing with forever," they said. "The same stereotypes and heterosexism that bisexuals faced nearly thirty years ago are still very prevalent today."

"It really hits you that virtually nothing has changed about the outside perception of bisexuality and bisexuals," Marshall agreed. "Almost every single issue we grapple with now is a hand-me-down."

He pointed to a piece in the inaugural issue called "This Poem Can Be Put Off No Longer" to display his point. Here are the first few stanzas:

The first several stanzas of "This Poem Can Be Put Off No Longer" by Susan Carlton, featured in the first issue of 'Anything That Moves.' Credit: Anything That Moves / Susan Carlton

The poem continues, but the point is clear from the start: Bisexual people aren't believed for who they are. They're belittled and told to "choose a side," that they're bisexual for attention. It's difficult to think that this poem is over 30 years old.

The poem "truly could've been written yesterday... or 50 years ago," said Marshall. "How long do we have to keep screaming the same things to the world over and over until people stop pretending we're speaking another galaxy's language?"

Stigma against bisexuality still persists today, and impacts people's lives: Bisexual people are more likely to be anxious and depressed; they're also more likely to experience intimate partner violence.

The stagnancy of the world's perception of bisexual people infuriates Marshall, he said, but it's imperative to still talk about these issues. "You can't just stop talking about these issues, so you just say the same things, because the world that needs to listen to you refuses to move on. And I'm not a fan of repeating myself," he said. "You just feel like you're going crazy."

The solace of Anything That Moves, however, is that even though progress has been slow, fellow bisexual people can relate to the shared experience detailed in its pages.

"How long do we have to keep screaming the same things to the world over and over until people stop pretending we're speaking another galaxy's language?"

After Jo came out, for example, they internalized that being bi made them "second-rate." They didn't feel welcome in cisheterosexual circles nor LGBTQ circles, a common feeling for bisexual people who feel like they're straddling both. Searching for issues of Anything That Moves, part of bisexual history, helped Jo connect with other bi people. Being able to meet others facing the same issues, and sharing this historical information and searching for more, has made the biggest impact on them and their identity.

"I don't feel as alone as I once did because bisexuals of today wanted to learn more about their bisexual elders," they said.

Those who have found the archive have also felt that connection. The archive team has received waves of emails, messages, and followers — some wanting to help, others thanking them.

"For the most part, people are just delighted to finally get to read the magazine," Marshall said.

Even this positive feedback echoes the sentiment of the time. Readers wrote to Anything That Moves, and some of those letters are published in subsequent issues. "You can see so clearly how life-changing these publications were to some people," Marshall said, "so thank God it was brought to the world."

"It's something I definitely needed when I was a closeted, bisexual teenager."

The archive has helped current bi readers ground in their bisexuality, Jo said. The archivists even connected with some former Anything That Moves editors, who discovered them through the project. "I'm just happy we got a chance to say thank you for everything they left for us to discover," Jo said.

There's still work to be done for the archive, like transcriptions for easier reading and sharing. Some people involved even planned on making an original virtual bi zine, Marshall said, but due to personal commitments, the idea fizzled out within months.

"I still hope it'll exist one day," Marshall said. "If by some miracle the future grants me that wish, I won't reveal its title, but I find it pleasantly cheeky."

For now, of course, there's nearly two-dozen issues of Anything That Moves. Jo believes the zine is a gift.

"I want to be able to share this gift with anyone else who may need it," they said. "It's something I definitely needed when I was a closeted, bisexual teenager."

[fand0mswithbunny]

this is so different from the other posts i do but fuck it. descendants 4: rise of red review, spoilers ofc, we still boycott disney's ass, pirate this movie like uma and her crew ate the intro of this movie instead of watching this from disney+

keep reading if youve seen it or dont care about spoilers but tldr: if you havent seen it and see this as a spin off movie instead of a 4th installment, i say go watch it. its basically how i feel about the 2024 mean girls movie, im just here for certain characters, dynamics and songs, and a bit of the actual plot, its fun but definitely not for everyone, i liked parts of the movie/plots tho

okay honestly overall, despite the fucking terrible rushed ass ending, i still honestly enjoyed a lot of aspects of this movie.

songs, generally i liked. yeah its all pop-y but yk, none of them were unbearable, i loop red, whats my name (red vers.) and love aint it what about it

the editing was. a choice at times. like it will cut at the most random moments and when red was being transported and fell from that. pipe. thing in the castle it was so. disney channel editing core LIKE OKAY I KNOWW OFC IT IS but grahhhhhHH

the cg was good, direction was. also a choice at times. idk how to explain it but it felt like every scene was being directed like a music video and not like a MOVIE esp the lighting oh my god idk what it is but its so GLOWY AND WEIRDD

the characters themselves, i love the main cast, red, chloe, ella, bridget, etc. were all cool. IM A FIRM RED/CHLOE SHIPPER THEY ARE GIRLFRIENDS IDC and i also liked the dynamic they have with their past moms it was nice

oh yeah i dont mind how they wrote mal, evie, jay, and ben outta the story, i mean they gotta explain their absence yk. and i loved the carlos tribute, you can tell china was genuinely not acting in that tribute scene.

the vks were. okay. i dont mind that literally every villain/princess/disney protag goes to high school. this whole series basically feature length fanfiction anyway, idc personally about that. its weird URSULAS SISTER was the main antagonist. like i get having a completely new villain aside from the vks parents or something but. ursulas. sister??? besides you could tell me shes ursula and ill believe you.

its nice seeing filipino prince charming thats it thats all i gotta say RAHHH PHILIPPINES BABYYY 🔥🔥🔥🔥🔥 MY MANS GOT THAT 'PINO RIZZ OKAYYY

the plot was actually fun, but yeah I WISH WE COULDVE SEEN CASTLECOMING WE WERE ROBBED OF THAT i knew when red and chloe got the book there was like 10 minutes left in the film but cmonn we couldve had Morgie, I DONT KNOW somehow freeing the rest of the vks and them STEALING THE POCKETWATCH AND RED AND CHLOE HAVING TO GET IT BACK, GET ANOTHER 30 MINUTES IN THE FILM MAYBE, ANOTHER ACTION SEQUENCE, CASTLECOMING. but its finee im sure theres a fanfiction in the works somewhere that has that exact premise because thats what fanfic is for babyyyy

imagine. during the dance chloe and red are scrambling to find the watch, they see the vks, they find bridget crying because her best friend isnt there, she thinks ella bailed on her, they have to find the watch but, they gotta make her feel better right? red comforts her while chloe chases after them to find the watch, ella comes to the dance late after deciding, fuck my stepmom, get your hands dirty parallels, something something, the four of them all stopping the vks together, THEN they travel back.

i should just write a fix it fic for this movie at this point damnn i impressed myself

but yeah the ending does leave a lot of plot holes, if bridget didnt change from the past WHO DID, if Red even CONSIDERED a VK in this timeline? if not then WHO IS IT?? IS IT CHLOE?? its hella rushed, its ass, but i guess we'll find out in the 5th movie ig

also i thought they were totally setting it up for Ella to be the one that humiliated Bridget in the past, like the "I saw through her" in Love Ain't It we NEVER GOT ANY CLOSURE FROM THAT WHAT HAPPENED?? sighhh its okay its fine

i see this movie as a spin off movie rather than a 4th installment of the universe because it pretty much is, like its basically its OWN universe with the lack of the og cast and new characters. i unofficially coin it as the "Descendants: Redverse" because it just makes more sense

so many questions, mainly WHY, but yeah, still liked it, would rewatch. certain. parts of it. but honestly? a 7/10. leaning towards a 7.5

is this a recommendation? not sure, depending on who you are you could totally love this film or hate it, i say give it a chance and completely ignore the busted ass ending <3

anyways KENDRICKKK FANFIC WRITERSSSSSS- DROP SOME MORE CHARMINGHEARTS FANFICS/D4 FIX IT FICSSS. AND MY LIFE, IS YOURRSSSS

[ultrone]

Shauna taking care of reader when sick :-)

very motherly for sure. would check your temperature every hour, administer your medicines, and ensure you're well-hydrated throughout the day.

she'd put her journal to good use lmaoooo she's the type to make a list of things needed: tissues, soup, tea, pills, etc.

i've always headcanoned her as being good at cooking cuz she was the butcher, so she'd definitely cook for you a lot. she'd mainly prepare soups, but she'd probably bake a batch of cookies as well cuz she knows you'll complain abt not wanting any more soup lmaoo

she'd get mad at you if you don't get enough rest or don't eat well. she'd literally force the spoon into your mouth as if you were a toddler LMAO

i can also see her calling one of ur parents while she's at school to ask them how you're doing and if u’re taking ur medicines 😭

i feel like initially, she wouldn't want to get too close to you to avoid catching whatever you have (prolly to avoid missing school) 😭 so, to show her affection, she'd stick to massaging your scalp and doing favours for you.

but she'd eventually give in and give you lots of cuddles while watching movies.

lotssss of forehead and temple kisses

very meticulous about hygiene, she ensures everything is in order. hand sanitizer? check. disinfecting surfaces? check. she even fluffs your pillows and changes your bedsheets.

like at this point your parents won't even take you to the doctor, they'll just call shauna and ask her to come over 😭

she always brings you things as she drives to your house after school, such as take-out food, coffee, more blankets, plushies—whatever she thinks will make you feel better.

she also rewrites her notes for the classes you share, so you can review them when you feel better.

every night, she'd read aloud from a novel or book, running her fingers through your hair and along your back until you drifted off to sleep. afterward, she'd either drive home or, preferably, spend the night cradling you in her arms.