#just very interesting how and When the game portrays these things too

[doomednarrative]

Absolutely incredible the difference the scene is where you tell Astarion about the scars on his back when you're just going for a friend route vs when you're romancing him btw. He is WAY more willing to trust Tav/Durge with that info when they've already proven they don't intend him any harm and presumably have already seen it before at the party.

I didn't get that scene with Virl until way towards the end of Act 2, and even then Virl's relation to him is still only Fair so he was very apprehensive about the whole thing. But with Kallos, who's at Very Good with him (and who's also a Tiefling which helps), he was way more receptive to letting him read it and much more appreciative about the help.

It makes sense of course, if I were him I'd closely guard my own scars and letting someone I travel with but am not Especially close to see those would put me on edge too. It's just the sheer difference in attitude/tone between those two scenes that really got me on this durge run.

[yo9urt]

linguistic discovery of the night:

from playing y0 i learned that real estate in japanese is 不動産 lit. "non moving products"/"non moving property" etc.

now i am watching someone play y0 in spanish for bonus dual studying/pseudo-immersion and the translator is using "inmobiliario" for real estate which, as you can tell, looks just like "immobile," which is the same thing as non-moving

conclusion: ?

[anneapocalypse]

On Wuk Lamat, and Female Characters in FFXIV

The Thing with Wuk Lamat is you can tell me you think she had too much screentime; you can give me numbers on how many lines she had or how many scenes she's in relative to other characters or other expacs; you can prove to me "objectively" that she gets more focus than other main NPCs; you're simply not going to convince me that this is something I should be unhappy about. And not just because it's silly to think you can use numbers to prove a story is good or bad and make someone else go, "Wow, you're right, let me just throw away all the joy I experienced with this story and revise my opinion because you've scientifically proven to me that I'm wrong."

Because while I love Final Fantasy XIV and I have greatly enjoyed its story in so many ways, fundamentally one of my biggest beefs with this game has been how much female characters have been denied complex character arcs and growth and agency and interiority.

Minfilia gets treated as a sacrificial vessel who lives for everyone but herself and doesn't even get to have feelings about her own death because that entire arc is focused on a male character's angst about it instead. The game tells us in the Heavensward patches that Krile sees Minfilia as her best friend and then just forgets about that later and never follows up on what that loss must have meant to her. Ysayle is basically right about most of what she's fighting for but harboring a bit of self-delusion is apparently such a terrible sin that she has to pay for it with her life, while her male foil is deemed so worthy of salvation that there's a whole plot point about how important it is that we risk our lives and others' lives to save him. Y'shtola is a major character who's been around since the beginning, and the game keeps dropping maddeningly interesting things about her (apprenticed to a cranky old witch in a cave! saved her own life and the lives of her friends with an illegal and dangerous spell and it worked! reserved and undemonstrative yet regularly through her actions reveals herself to be deeply caring! disabled!) and then shows complete disinterest in following up on any of those things with the kind of depth and care shown to male characters with complex arcs like Urianger.

In general there is also a repeated thread of female characters being portrayed as weak or overly emotional: Minfilia is weak because she doesn't fight and needs to be eaten by a god in order to gain "a strength long sought." Krile is portrayed as not being able to pull her weight with the Scions (despite the fact that she actively keeps five of them from dying in Shadowbringers) and the only thing they could think of for her to do in Endwalker was be yet another vessel for Hydaelyn (hmm, that sounds familiar) and it's not until Dawntrail that she gets much actual character development in the main story and even that has to come alongside "Look, she can fight now so that means she's useful." (And I love Picto!Krile, I'm just saying, there's a pattern.) Alisaie, despite having very good reasons for needing to find her own path apart from her brother, is portrayed as having to prove herself when she returns, that she's "not the girl she once was," and "will not be a burden" (while Alphinaud is repeatedly given the benefit of the doubt and reassurance and affirmation from other characters even after he takes on responsibilities he isn't ready for and fucks up big time).

And if you follow me you know I adore Urianger, and I love Alphinaud and Thancred and Estinien too, so please don't misunderstand what I'm saying here! I'm not knocking those characters, or saying we shouldn't also love them. I just use them as a comparison to demonstrate how the female characters have been neglected.

Lyse has some of the stronger character development among the female Scions, and while she's still kind of portrayed as being too emotional and hotheaded in early Stormblood, I think it's actually explored in more depth in a way that I like; Lyse has good reasons for wanting to fight for her nation's freedom, but having been away from Ala Mhigo for several years now, she needs to understand the stakes for the people who've been there fighting for years, what they've lost and still have to lose. She grows as a person and rises to the challenge of leadership, and I'm even okay with the fact that she leaves the Scions afterward because it feels right for her to stay in Ala Mhigo, and at least she doesn't die.

And by all accounts she was, like Wuk Lamat, widely hated when her expansion came out.

Unironically I think the other female Scion with the strongest character arc is Tataru. She tries to take up a combat job, finds that it's not for her, and decides to focus on where her strengths are instead. In doing so, she both holds the Scions together as an organization in the absence of a leader by capably managing their finances, and also comes into her own as a businesswoman and makes international connections that benefit both the Scions and her personally. In contrast to Minfilia, she's not portrayed as weak because she doesn't fight, and is actually allowed to be an important character who's good for more than being sacrificed. Tataru is still distinctly in a supporting role for the player character, however, and her character arc happens as a side story that takes up a relatively small amount of screentime over several expansions, which I think is probably why she doesn't evoke such a negative reaction.

But there is a pattern of the game's writing showing disinterest in the interior lives of female characters generally, and in making their growth the focus of a story.

So yeah, I'm going to be happy about Wuk Lamat! I'm going to enjoy and celebrate every moment of her character arc, of her personal growth, of watching her put the lessons she's learned into action. I'm going to love and treasure every moment when she gets to be silly, embarrassing, emotional, scared, grieving, confused, upset, seasick, impulsive, and still deemed worthy of growing into a hero and a leader. I will love her with all of my soul and you simply will not convince me that it wasn't worth the screentime after such a profound imbalance for basically the entirety of the game. We've never had a major female character get such a strong arc with this much love and attention put into it and that means more to me than I can truly say. The backlash to it is disheartening, as this kind of thing always is, but I'm not going to let it ruin the wonderful experience I had playing it and how much joy it continues to bring me.

And for those of you who don't want any of that for a female character, thank goodness you have Heavensward and Shadowbringers and Endwalker and no one can take those away from you.

(And if you follow me you know that I love Shadowbringers and Endwalker and have very fond memories of Heavensward despite some issues with it, so not only can I not take that from you, I am not trying to!)

Some of us have been real hungry for a character like this with an arc like this, so, I think, y'know, maybe we can have that. As a treat.

[yuikomorii]

I got a question but I need an objective answer please. So I saw a lot of people complain about Yui being written in a very bad way in Ayato’s routes starting with More Blood and was curious if you think that she became a bad girlfriend as the story progressed?

// I will analyze Yui’s versions from Ayato’s routes and provide an answer at the end of this post.

More Blood:

Even from the first two chapters we are aware of the fact that Yui got a big crush on Ayato merely because of his looks and pleasure he gave her. At first sight, these reasons seem very superficial, but at the same time you can’t blame her completely for that. Yui went to a normal school and used to read magazines for teens, therefore it’s obvious she would have hormones and fall in love with someone who got features portrayed as the beauty standard.

It's understandable why some found her annoying, as she repeatedly cried for Ayato's love without making any real effort to earn it. Apart from giving him her blood, she didn't try to understand what he was going through, even when she noticed changes in him that made him crave so much blood.

Nevertheless, I believe that she did redeem herself in the last chapters, where she admitted being selfish and only thinking about her own desires, instead of focusing on Ayato’s struggles too. I know she paralyzed him out of jealousy and cheated on him in the bad endings, but in the good one, she’s actually a really loyal person. Yui waited years for Ayato to wake up from the coma and Ayato searched for Yui for years in his dream until he finally woke up. This ending confirmed the genuineness of their love.

In the After Story, Ayato planned to attend university for Yui's sake, aiming to get a job and buy a house. Yui helped Ayato with his studies and praised his skills. Initially, she fell for his looks, but in the After Story, she mentioned falling in love with him again because of his caring, determined, and hardworking personality.

Vandead Carnival & Lunatic Parade:

I really liked Yui in both of Ayato's routes and honestly, I can't find anything to criticize about her behavior.

It's not that Yui was a bad partner; it's just that Ayato was portrayed as too good, such as when he ran through flames for her or protected her from a bomb explosion. But that's likely because these are fan service games, where the love interests are designed to be your knights in shining armor. xD

Dark Fate:

I absolutely loved Yui’s portrayal in that route. It was the sweetest version of Yui I’ve ever seen, and I really enjoyed seeing her so happy and soft. Regarding her relationship with Ayato, he was truly the apple of her eye, lol.

The only problematic thing she did was pushing Ayato to face his abuser, Cordelia, even though he didn’t want to. I honestly don’t care if a character does something to another character, as long as it doesn’t affect them and the story, so since Ayato didn’t get mad at her for that, I didn’t mind it much either. However, from an objective point of view, I agree that doing such a thing is quite bad. Being in the presence of someone who ruined your life can trigger intense memories and forcing a confrontation removes the victim's agency in deciding how to cope with their trauma. Ayato might not have been mad at Yui for planning that, but if it had been Laito, I’m sure he would have shown why Yui was in the wrong.

Other than that, she was a kind and supportive girlfriend throughout the whole route, clearly having no ill intent, and I appreciate that she had an actual important role in the route.

Lost Eden:

Ok, I really can’t defend her anymore there. She literally had no redeeming qualities, no matter how many times she got the chance to fix herself. I discussed my thoughts about LE Yui in this post, but I’ll sum it up.

She tried to convince Ayato that despite Cordelia abusing him, she actually did it because she “cared about his future”, and then acted surprised when Ayato started feeling uncomfortable because of her words.

Yui knew the reasons behind Ayato’s behavior, yet when his brothers started mocking him, she didn’t even try to defend him. Everyone ganged up on Ayato, and he was on the verge of a panic attack, yet she remained silent.

Another terrible scene was in one of the last chapters, when Ruki admitted to turning the Vibora Clan and Church organization against Ayato out of envy, aiming to kill him. Instead of criticizing Ruki’s actions, Yui justified them and spoke ill of Ayato behind his back. I wouldn’t like to date someone who claims to love me but keeps hurting me without learning anything… It felt as if Ayato only continued being together with her because he had no one else. No wonder he didn’t marry her there.

Chaos Lineage:

I found Yui quite boring in CL in general, but she started off as determined and sweet in his route, so I liked that.

For most of the route, Yui’s entire personality seemed to revolve around Ayato, and she didn’t do much. There were many cheesy moments between them that made me cringe. Still, I’m sure a certain audience enjoyed those.

My only complaint is that when his brothers started treating Ayato unfairly, despite the fact that he came up with the idea of breaking the glass floor of the church, Yui did nothing to defend him, again.

However, I do appreciate that she gave him that adorable monologue. I just wish she had done it in front of others instead of only acting when Ayato was already insecure and sad.

Now… let’s see what kind of girlfriend Yui was in each route by judging her progress:

MB: Good

VC: Good

DF: Very good

LP: Good

LE: Very bad

CL: Decent

[stainedglassthreads]

I feel like the four leads of Deltarune--Kris, Susie, Ralsei, and Noelle-are just. Somehow two different levels of queer-coded.

(Edit: Just to be clear: not saying any of this to disparage or insult shippers of Kralsei, Suselle, or Kriselle, I've just seen a lot of cool analysis about tropes, romance, and lack of choice in Deltarune and wanted to chime in with some of my own thoughts. If you ship any of those ships in Deltarune--fantastic! May you find a lot of content precisely to your taste.)

Like. On the one hand, if you're looking at tropes, they are very neatly set up into two romantic partnerships. Noelle is very blatantly interested in Susie, and Ralsei's feelings for Kris are often portrayed similarly. On a surface level, both pairings appear very clear. Noelle is a girl in love with another girl, while Ralsei is a very effeminate boy in love with a teen who doesn't appear to use pronouns. And a big deal isn't made of either pairing, there's nothing really in the way of Suselle or Kralsei on a societal level we've encountered so far. At least in terms of gender and sexuality. But if you look a little closer, it's kind of...'these are a very straight idea of queer ships', y'know?

Noelle and Susie are both girls, but one is very effeminately coded, anxious, uses magic, and is more traditionally cute, while they other is crass, crude, intimidating, and physically strong. Ralsei and Kris are gender-noncomforming, but Ralsei is a sweet pacifistic healer who bakes cakes while Kris uses a sword, and keeps being mistaken for a boy by much of Youtube and Reddit. The active one and the passive one, the fighter and the mage, the one with cute hobbies and the one who eats moss, the one in pants and the one in a dress.

And here, I start thinking of some posts I've seen analyzing how, in Deltarune, romance is used to explore how Kris doesn't really get choices. Kris has been cast as the leader and knight, and Ralsei has been cast as the healer and Princess, even if he is a boy. The leader often ends up with the healer. The knight often gets the princess as a happy ending. But Kris doesn't seem to like this! Their reactions to Ralsei are constantly lukewarm at best, and that's not getting into how Ralsei seems to be in love with his idea of Kris, while being very. Asriel-coded, who the game describes often as Kris' brother, in sharp contrast to how ambiguous Chara and Frisk's relationships with the Dreemurrs were.

If we and Kris reject Ralsei as a love interest, we can a different romantic partner in Noelle...but this choice has a bodycount, traumatizes Noelle, doesn't seem to leave Kris any happier, and it's still a kind of straight-coded ship. Now it's the knight being paired up with the apocalypse maiden, for the doomed codepedent toxic tragedy lovers out there. But it kinda makes sense too, right? If Kralsei is the expected RPG romance, then Kriselle would be the expected romance if there were no Dark World and Ralsei weren't an option. They're childhood friends and neighbors in a small town, their families used to be very close, Rudy is still very fond of Kris. They're even extremely angel/devil coded.

But the most interesting part is. It's implied that there IS someone that Kris is very interested in, either platonically or romantically. It's Susie. Kris never seems frightened by Susie when they're bullied by her, and rejects Noelle's offers to switch seats. They seek comfort from Susie rather than Ralsei after the Spamton fight, they call her their friend when Toriel calls, they share moss with her, they refuse to think about her during Snowgrave when Ralsei prompts them, they make it clear that out of all the people they COULD go to the Carnival with, Susie is the one they'd ACTUALLY want to choose.

And this is the part that drives me crazy. Because while Kris is so tightly controlled by genre and narrative, and those things would usually push them towards Ralsei or Noelle, and Ralsei keeps encouraging Kris to stick to the narrative. Susie is the one who refuses to be bound to the narrative. Susie is the character of Deltarune who is most unapologetically herself--and isn't that a very queer thing, refusing to be anyone but yourself despite everything? She says no thanks to the prophecy, until she comes around to it on her own terms! She makes herself and Ralsei learn to take their own actions, and drags Ralsei off to have fun with him instead of letting Kris choose who to with! She doesn't stay in her box of the damage-dealing fighter, she insists on learning Healing magic, even if she's not particularly skilled at it at first! Even Ralsei is forced to admit that it's wonderful that Susie is Susie, and not anyone else!

I think Kris likes Susie a lot. And part of it may be admiration. That while Kris is controlled by the player and the narrative and the prophecy and humanity and divorce and a dozen things outside their control, Susie refuses to ever be bound by anything. And Kris and Susie together happen to be the two more masculinely-coded party members, the two melee fighters, the two troublemakers. It honestly makes me wonder a little if Susie and Kris might be able to make their own ending beyond the bounds of gender expectations and romance expectations together? It would be cool. And I think it would make Kris very happy to break free like that.

[oblique-lane]

Sniper tf2 mentality

Today I will be talking about Sniper's personality because I often see people portraying him DRASTICALLY different abd I wanted to understand what's going on and why all of the interpretations are correct (in my opinion)

Let's name the most prominent thesises:

Sniper is shy and introverted.

Sniper is unhinged and bloodlusty and is annoyed by people.

Why do i think that these aren't exactly contradictory?

I think at this point it's safe to assume Sniper is autistic (I mean lol this is easier to prove than to disprove). As an autistic person myself, I can see why he could be perceived like that.

Sniper doesn't talk to people and mostly observes them and the situation. Very in tune with his profession. That, however, might be perceived as being shy or very introverted or both. People love talking and expect others to share information, yet Sniper never says half of the things he's thinking about.

But let me tell you, it's NOT because he's shy. If he was shy, it would show in his body language as being stiff and rigid. He's not. His body is pretty relaxed and takes enough space. Still crosses his arms, but in a "don't bother me" way, not a "please don't judge me" way.

He's just disinterested.

I relate to it a lot in real life! People at my job think I'm too shy to talk to them, but no, I just DON'T WANT TO. I'm not scared of any if you, there's just nothing to talk about. I don't know your business, you don't know mine, our interests don't collide. If I talked to you about my interests you wouldn't listen anyway. Small talk? Ew, are y kidding me?

However, I like to listen. I'm an extrovert personally (unexpected huh) so I love being around people, but it doesn't mean I have to takk to them. I'll just sponge the information they are babbling about so I know my community better. When I meet new group of people where everyone knows eachother but me, I'm not going to feel awkward, it's perfectly fine to observe.

Sniper seems to fit into this kind of behaviour too. So he's not shy in a social anxiety sense".

NOW LET'S TALK ABOUT THE BLOODLUST!!

Yeah you all know his in-game voicelines. You feel either horny or assaulted after he rolls these sadistic words on his tongue. Yes I said sadistic, are you gonna argue?

"We professionals don't give speeches we just take a shot" he says in the comics. OH YEAH? IS THAT WHY YOU HAVE THE MOST FUCKING VOICELINES OF ALL OF THEM??

Have you ever noticed how much attention he puts into saying how 'professional' he is? Like, yeah no shit, they all kinda are. But why, unlike other mercs, he insists on calling himself a professional with standards and morals, detached from emotions and feelings, so much???

There's literally no reason to be ashamed of being a killer and to admit that you enjoy killing people, you were hired to Mann Co. for that specifically!!!

My assumption: it's a personal disgust towards himself and his anger issues. I've said it before already and I will again.

His so called 'shadow side' that he suppresses so much. It loves to cause people pain, it loves releasing the inner anger, it is being feral and impulsive in nature. Sniper cannot let himself be like that for whatever reason. He's already built a clear picture of what he is in his head and he doesn't want to destroy that.

The only time he allows himself to be a monster is in the battle because it comes naturally. However, when it's not a situation of adrenaline rush, when people want to talk about his persona face to face, he starts to defend himself and bury his face under the lies he believes in.

And THIS is anxiety. To be scared to be truly perceived. Not like many people tried, but I assume he wouldn't like it.

Bro really thinks he doesn't have feelings lmaoooo imagine being so emotionally immature the only way to process your emotions is to shot a human dead.

So, is Sniper anxious? Yes. Is this social anxiety? No, he's not shy. Is he an unhinged murderer? Yes. Does he identify as one? No. It's really a little bit more complicated than the two thesises from the beginning.

He's a person. Obviously not mentally healthy. High dimensional. Can be potentially broken or healed in terms of a good character study.

I might be very wrong though and most of the assumptions are simply guessing by grasping the patterns, but usually when I analyze someone like thus, it turns out mostly right. But correct me if you feel like it.

[freemansgirl]

Loved the jock Amber, how about her with a nerd reader?

aww thank you, that means a lot to me! ofc, i can do jock!ambs x nerd!reader, love the brains x brawns duo we got going on here💁🏿‍♀️ pls lmk if you like this, anon ☺️

jock!amber x nerd!reader

SFW

* when first seeing amber, you found her really attractive, even if a jock wasn’t the typical person you go for based off the rumors you hear of them or how they are portrayed in media. what started off as a small, innocent class crush turned into a very, serious crush. you always wanted to talk to her, but she was someone that had a very hard exterior to her. she could be bitchy to other classmates and always had a resting bitch face. as intimidating as she was, she found herself taking in interest in you.

* most of her teammates in the locker room would encourage amber to get with popular “hot” girls or a girl with a status to her. just the typical locker room talk but she ignored them of course. “what about that liv girl, isn’t she hot to you?” “i appreciate the suggestion but i got my eyes on someone else.”

* she always sneaks little glances at you during class, admiring how cute you look. you looked so pretty when concentrating on the class subject. she admired how smart you were too, you always had the answers to every question the teacher asked.

* she took notice of you in class when the teacher suggested a group assignment. it was the perfect opportunity for her to talk to you. amber picked you as her partner. not only were you just smart and well-spoken, but you were beautiful and kept to yourself. more things that she liked about you.

* you felt nervous because you always caught her checking you out with her rbf so the fact she picked you caught you off guard. however, amber was… surprisingly level-headed and nice, not the typical airhead, loud, and mean jock stereotype.

* the two of you exchanged numbers and always would try to make time to study after school to prepare for the group project. usually, amber would never really take time off of football practice for anyone, because she was someone who took sports seriously, but for you, she did. amber helps with grabbing whatever books you needed and would assist w the work for the group project.

* when it came to you two being group partners, amber wanted to get closer so she’d invite you over at her place.

* when she learned about your interests, she found them really cool actually. she liked hearing you ramble and get so passionate, she finds it adorable. there wasn’t any judgment whatsoever. she liked that your interests weren’t like the stereotypical, average person’s interests.

* “amber? are you there? am i boring you with my constant talking about my interests? i know they’re a bit… “nerdy” and all.” what? no. of course not, i love hearing you talk about these things.” she thinks you are the cutest nerd she has ever seen. if anything, you’re her cute nerd🤷🏿‍♀️.(she cant rlly judge you anyway considering she is a big fan for stab. shes just as much of a nerd as you.)

* when seeing you write notes for anything, she compliments your handwriting

* thinks you look cute with glasses if you wear them

* she likes to get you things related to what you like. favorite book series? already checked it out at the library. favorite movie series? buys it for movie nights at her place. video games? already installed on a console. whatever it is you like, she’ll find a way to surprise you.

* she has definitely gotten you a cute oversized onesie of a fictional character you love before, thinks you look so cute walking around her room in it.

* loves to take off and manage her time for you. if you need help w something, she is always there for you especially w studying. she also likes to go to you for any type of tutoring.

*walks you to all of your classes, hand in hand with a lot of pride in her face because she adores having you!!

* takes you home if no one can after you spend a long time studying a library or from some type of club. she doesn’t want you to walk alone hurt and unsafe.

* she likes to invite you to her football practices and to football games because she feels like seeing you support her gives her motivation to win the games.

* she always gives you one of her jackets or a hoodie of hers to provide you some sort of comfort.

* if any of her friends try to tease amber about how she has the hots for you (because usually she’s not the corny type but with you she is), she’ll lightly throw a football at them to shut them up.

* if anyone talks badly or inappropriately about you in the locker room, she’ll literally go off on them and find a way to punish them as a football captain. she’ll probably make them do hella pushups with her foot on their back or make them run around the gym a lot of times.

NSFW

* sapiosexual for sureee, i think she’d get very turned on by how smart you are. i mean how can she not be in a nerd x jock dynamic?

* so unlike the stereotypical pushy, overly sexual jock, who try to make their girlfriends give it up to them… amber is actually very gentle with you. she’d never push or force herself onto you. she’s patient and willing to wait for when you’re comfortable with her.

* likes to fuck you with her jersey on, it gives her the biggest ego boost honestly. also she likes fucking you with glasses on bc you know… glasses are sexy🤭

* during study sessions at the library, if amber is in one of her horny moods, she’d try to persuade you to go the bathroom w her and just give her a quickie. or just go there for horny moods in general

* for any shy ppl reading this, amber would love if youre shy and quiet in bed. it’s just a turn on for her and it makes her wanna fuck you even more just to draw more moans from you.

* after she wins a game, fucking you is one of her favorite ways to celebrate

* if you’re trying to study or just simply doing work at a library, amber would definitely use a sex toy vibrator on you to tease you. the more she can switch the settings, the better :)

* after a long aggravating football practice of someone pissing her off, she’d had sex too to just blow her steam. it can be at the locker rooms or at her place tbh.

* gym bathroom sex happens after you watch her work out and you get sooo turned on by how she works on her muscles. “i see you checking me out, (your name). if you want something from me, do be afraid to say what it is you want.” the something meaning sex

* shower sex

* likes to probably eat you out while you’re watching like a favorite movie of yours just to tease and to make enjoying fave movie even more fun ;)

[imustbenuts]

nuts reading trigun in japanese 3 - "weirdo" and vash's pronoun switching

disclaimer: my jp reading posts are all for triangulation purposes and nothing else. scanlating mangas is tough work. @-@ i know this.

"Weirdo"

the word 'weirdo' in 2024 english carries connotations of neutral-bad or positive depending on the context of the speaker. depending on how one curates their internet space, weirdo often leans more positively with the same meaning as eccentric, but not always.

however, but in JP, "weird" is more specific and often negative. there's the well known, hentai 変態 (ie. deviant, pervert, freak, extremely negative in tone), and in this case, kimochi warui 気持ち悪い (gross, off-putting, bad vibes). eccentrics are more as 変人 henjin and carries a more neutral tone.

in this panel here papa nebreska uses 気持ち悪い in katakana キモチワルイ in reaction to vash busting his ass saving people and putting out of harms' way. vash's vibes are so off putting to this wanted man he's actually creeped out.

this is particularly interesting to me bc the english translation didn't end up portraying how utterly weird vash's mindset is fully. it wasnt until wolfwood points out how flawed vash's pacifist mindset do i get a proper frame of reference of norms in this world, but i might be having skill issues in english comprehension. ;w;

Pronoun switching

quick. 俺 Ore! 僕 Boku! 私 Watashi! they all mean "I", and there's 2 spectrum of expressions going on here thats commonly believed. 1st being Masculinity to Femininity. what's the 2nd?

the answer is... Rudeness/Assertiveness to Politeness. and gosh does vash switch a lot between Boku and Ore in the first 4 chapters of this manga lmao.

(to be clear, while i am aware of trans hc thats very popular in the fandom, im not at all diminishing or talking about gender expression specifically. im talking about what vash is presenting himself as in context.)

so to perhaps oversimplify this, in JP the idea of politeness and hierarchy is so super duper important, its very built into the language itself. and Japanese is a very high context language. if someone of a higher or equal standing uses "Ore", its totally fine. but if someone of a lower standing uses "Ore", they've committed a social faux pas.

as an obvious example, if a fresh new employee approaches his Boss with "Ore", he's potentially getting dressing down in the company. maybe in front of his coworkers. if this employee forgoes polite speech (keigo) and uses a too Assertive and Casual speech, they've Really Fucked Up and are one foot out the door.

this is also tied up in gender to some extent, hence why girls using Ore is incredibly uncommon, but guys would use Watashi in certain contexts such as talking to their Boss. (woo woo the forces of hierarchy/patriarchy... or something.)

so. vash switches his pronouns for the same effect. when he uses Ore, he's making himself sound more assertive and confident. when he uses Boku, he's often making himself sound less threatening, smaller, open, and trying to avoid conflict.

sound familiar?

bc if you translated all of that into a character design instead of relying on just jp pronouns, we'd get TriStamp Vash.

slight spoilers, but this is even true in one of the tensest moments between vash and wolfwood, where the latter provokes vash and tears into his pacifism ideology. vash sticks with boku in this scene as he says his piece.

if he ever uses watashi, it's bc he wants to be polite straight out of the gate with an air of formality. (this is japanese manners and the proper approach to talking to strangers. mainly to get a feel for each others standing without offense until context changes.)

i also wanna point out maybe something obvious here but.

real life pronoun switching in japanese is a COMMON thing. no one ever really sticks to 1 pronoun bc of Good Manners and the aforementioned hierarchical systems in place. it is only mostly in anime/manga and video games where characters overly prefer 1 due to this being a good shorthand for characterization. this being how rude or polite they are, and in some cases, Gender.

[blues-valentine]

I think some people that are so convinced Tashi doesn’t love Art are so fixated in portraying her as a heartless manipulative woman that only cares about him in the sense of Tennis and that can all be true but she also does love him in her own twisted self absorbing ways, implying the opposite feels offensive to Tashi who isn’t the type to submit herself to a relationship of 15 years with someone she could barely tolerate.

She is absolutely living vicariously through Art as a Tennis player, but you also get the sense of intimacy and small moments that Tashi is Art’s wife and partner, not just his coach. It’s subtle, but it’s there. Them cuddling on the coach could easily be them on any Sunday morning when their relationship isn’t at odds. And you can see Tashi smiling a little in that moment.

Their relationship was also build on a genuine interest — they didn’t get together right after Tashi’s injury since she was in a vulnerable place. They got together years later on a date where Tashi was like a flustered 20ish year old that allows him to see some of her defenses down. Tashi also asks Art if he’s still in love with her (as she is now and not the fierce tennis player he once knew) because here’s the thing about Tashi, she says she doesn’t want to be loved but later asks him if he’s still in love with her cause she wants love not matter how hard she convinces herself she doesn’t — and Art is someone that can give her that feeling of this unconditional love. Someone pointed out Art is the person she has vulnerable scenes with and I believe he does bring that out of her even if she resists that to put on a stronger facade. As opposed to Patrick, that usually lights up her impulsive side. Art is more like the steady calm.

(Which is why Tashi and Patrick would’ve never worked in a relationship because they’re both too impulsive and he would’ve never allow her to control him and his career like she wanted).

I believe Tashi’s real true love is Tennis, but she does love Art. I think she’s full of bullshit saying she would leave Art if he stops playing because I think she would never leave him. She would’ve ages ago. Their relationship feels odd because we are only seeing their marriage falling apart because Art doesn’t want to play anymore and has lost its passion for it but makes you wonder how their marriage would normally be in all the good days where Art had a passion for Tennis.

And a lot of people be like “but she cheated on him with Patrick twice!” but she can love Art and still pursue the thrill Patrick provides. First, Tashi has never been implied to be a constant cheater, it’s just Patrick (in throuple we trust). This people are all morally questionable but a thing that is common about Tashi’s encounters with Patrick is that she’s always on a bad place. The first time in Atlanta was after she saw Anna (the girl she played with and won the same day she meet both Art and Patrick) is in the first place without a rival, a place that could’ve been hers if she was still playing — she sees Patrick being a loser (affectionate) and is low key resentful of Art because he’s being a successful tennis player so they bond over that, about the feeling of being a failure. And then later, Tashi is in another bad place because Art doesn’t want to play Tennis anymore and if he stops playing then her link to Tennis is also over. The game with Patrick is her last chance to make him love Tennis again. And when she sleeps with Patrick, she’s frustrated because she’s seeing how Art lost confidence in the game and so she goes there to ensure Art doesn’t lose. She tells Art she would leave him if he loses, but then goes to beg Patrick to ensure that doesn’t happen. And that sealed the deal for me. Yes, she could also be doing all that just because she doesn’t want to lose since she’s basically living through Art — but I think that’s a very one dimensional take because Patrick asked her in the original screenplay if Art winning would make her love him again, to which she responds she never stopped loving him. Because, even if he loses the game, she would love him. And one thing she has in common with Pat is their love for Art.

Like, Tashi resents Art because he is living the life she should be having as a professional tennis player, that’s what Patrick was referring to when he told her she hated Art, and while she hates being seem as just the wife and not the tennis player herself, she also hates the fact she would never truly leave him. Let Tashi have feelings, not everything is so one dimensional.

[fernpetals]

Imagine Keanu's characters with Dollification Kink.

Oh, my first ask for this account!

This is interesting.

Warning: Mentions of toxic behaviour, descriptions of stalking, captivity and heavy objectification below the cut.

None of the GIFs is mine, credit goes to the rightful owner(s)

Canon John

He loves you the way you are, but if you are wearing a more feminine or cute attire, he will be fighting his self-control and trying not to pounce on you. He is protective by nature, and if he sees your pretty eyes, sweet stare and smile, he will be on his knees. He seems the kind who loves to spoil his darling---both in canon and as a yandere, so expect random shopping trips to places you barely know, but it's safer and he will sit outside the changing room, to watch you twirl in as many dresses, tops and whatever you like.

Yandere John Wick

The type who already sees you as a delicate creature, no matter what profession you are in. If you are a civilian with a regular job, there is no convincing him otherwise. He sees you as someone undeserving to even see the cruelty of the world, and someone who cannot take care of herself. you need him(it's the other way around), a sweet little thing like you cannot survive on your own. Just let him take care of you, resisting will only make it worse darling. You are his sweet doll who looks lovely in the dresses he has carefully chosen for you, filling your side of his closet. Would love to dress you up in cute feminine attires, only so that he can fuck you in them on every surface of his home. You look so cute and so sweet---so delicate--- perfect for him to eat you up like his favourite dessert, he savours it. I feel Yandere John has a heavy corruption kink, after Donaka, of course.

Canon Donaka Mark

Speaking of having a corruption kink---yandere or canon, Donak Mark has it. Honestly, his canon character already portrays such dark traits, you keep wondering how worse will he get? Canon Donaka has a room just for you, with cameras within and out of sight. He is always watching is doll. It's like a dollhouse for him. Maybe he has cameras all over your house, there is no corner that you can hide from him, and he decides what happens in your life next. It's a game for him, but this time, there is no fight, just a person he finds...interesting.

Yandere Donaka

His corruption kink is ten times worse perhaps---he violates your privacy more intimately, at a more personal level. Suddenly, bags of organic, healthy groceries are delivered to your home. You are eating everything he deems right for you. The bills already, and a luxury 'taxi' waits for you every day outside your home, taking you wherever you want. If you are freaking out, he savours the fear---it's a game for him, it's only until he decides it's enough when he comes. he has a room perfectly set for you, with everything that makes you his sweet little doll that the knows you have tremendous potential of becoming.

Canon Tom Ludlow

Seeing his protective and forward nature, I feel canon Tom is the type to be very direct and very protective towards you. The type who loves to see you in cute sundresses--- easier and hotter to make love when he can simply flip up the skirt of your dress, pull down your undergarments and make you see stars even on the brightest of days. Sees you as a delicate flower, and finds you cute. You are his cute little doll since the day he laid his sharp eyes on you. Maybe even loves to do your hair?

Yandere Tom Ludlow

Maybe ten times more protective, in a toxic way and add intense possessiveness to the pot, you have a dangerous combination. Yandere Tom, I feel is the type to make decisions for you. Sees you as an angel too good for this world who cannot see the monsters lurking or the nasty face of the world. Sees you as someone he can take care of, much like Yandere John, but Yandere Tom also sees you as someone who doesn't know better-- but do not worry, he is going to make all the decisions for you doll, he knows the best. If you reject him or confront him, he is not afraid of intimidating and cornering you.

That is all I can think of right now. Hope you enjoyed it lovely Anon!

[blood-and-pizza]

Notable Details from the original "Into The Pit" story (PART 1)

Upon the mill's closure, Oswald's dad works part-time at the deli counter in a store called the Snack Space (a 7-11 equivalent, basically), which requires a red vest as their uniform. Oswald is embarrassed by the fact his dad is wearing the vest as he drops him off at school. Just a neat bit of world-building.

Oswald has a best friend named Ben who moved into the next town over.

Oswald's bullies, including Dylan Cooper, call him "Oswald the Ocelot" after a cartoon character they saw as pre-schoolers, a big pink ocelot named Oswald. Again, more world-building.

Oswald is described as having freckles and a cowlick in the original story.

Oswald has no modern electronics in his home, save for one laptop he shares with his family. His phone is an outdated model he's embarrassed by.

Oswald's teacher, Mrs. Meecham, puts on a movie for her class on the last day of school, which is described as "about a farm with talking animals", "too babyish for a roomful of fifth graders". I'm guessing they might have been watching the animated adaptation of Charlotte's Web... or it could be wishful thinking on my part, since I love that movie.

Oswald has been drawing mechanical animals ("bears, bunnies, and birds") for reasons even he doesn't know, other than lack of anything better to do when he's bored.

Oswald's mom works at the hospital from 12PM to 12AM... yikes.

Oswald's dad can't cook to save his life. If it can't be boiled in water or heated in a microwave, he has to buy his meals... how relatable.

Blue-box macaroni and cheese exists in FNAF, meaning Kraft and its products likely exist, too. Just thought that was funny for some reason.

Oswald's dad squirts ketchup into his mac and cheese. I just think knowing he's the kind of dad who does that is really funny... kinda reminds me of my stepdad's love of ketchup, to be honest.

Other pizzerias that once existed in Oswald's town were Gino's Pizza and Marco's Pizza, both of which closed not long after the mill closed. Both Gino's and Marco's are described as good restaurants, while the food at Jeff's Pizza is described as "decent".

Oswald is into B-grade Japanese horror films, including kaiju movies like Zendrelix vs. Mechazendrelix. Zendrelix is apparently FNAF's answer to Godzilla, making Mechazendrelix an equivalent to Mechagodzilla. They're described like this: "... Zendrelix just looked like a giant dragon thing, but Mechazendrelix reminded him [Oswald] of the mechanical animals he drew when he stripped them of their fur." Zendrelix is also described as being portrayed by "a guy in a rubber suit", solidifying the connection between him and Godzilla.

Oswald and his dad both really love bacon. I just thought that was cute.

When Oswald visits the library, a place he finds "actually kinda fun", he shows interest in a science fiction book from a series, as well as a manga he liked. Based, IMHO.

The library Oswald visits frequently allows homeless people to use their computers and other resources. WE NEED LIBRARIES AND THIS IS EXACTLY ONE REASON WHY!

Oswald's mom, being a nurse, is a bit of a germaphobe and won't let Oswald play in places she considers dirty. A ball pit would be considered one such place.

The pizza Jeff serves comes in huge slices too big for the paper plates they're served on, and very greasy. As someone who was born in NYC and used to eat greasy New York pizza... I think I would have liked eating at Jeff's. Maybe.

Oswald reads a library book while visiting Jeff's Pizza, about "a world where kids with secret powers went to a special school to learn how to fight evil". I wonder how many books that describes...

Oswald plays an online fantasy game at the library that's free to play, but Oswald gets to a point where he can't progress without money. I wonder what game it could have been...

Oswald's dad and mom used to date in high school, often frequenting a roller rink, and are great skaters as a result. Oswald himself can't skate and needs his parents to hold him up.

Oswald's dad only ever buys vanilla ice cream.

There's a video rental service Oswald's family uses called Red Box, but I don't know if it's meant to be the same as the actual existing Redbox. Maybe it is?

Oswald's mom is very good at playing Clue... oh, and Clue exists in the FNAF universe.

Oswald's dad prefers practical effects over CGI in movies. Oswald is the exact opposite.

Oswald's dad is a fan of country music. Oswald... is not.

[lavend-ler]

tips on how to write cane user Neuvillette from a crutch user

Neuvillette uses a cane - and that's amazing! but increasingly I got worried that the portrayal of him being a cane user could be based on harmful stereotypes. hence I wanted to make a list on tips I can give as an irl crutch user

DISCLAIMER - this is in no way exhaustive list and I am no end all be all authority on this. I'm just a disabled person in fandom who is tired of ableism. of course this list can be used for other disabled characters but I esp wanna focus on Neuvillette (cause I love him)

Neuvillette is an occasional cane user (just like me) and that's totally fine. he doesn't have to use it all the time to be "disabled enough". he probably uses it during the days he feels worse

he holds cane in his right hand - that means it's his left leg which needs support (again, just like mine!)

a lot of disabled ppl are prone to the changes in the weather. I think it'd be interesting to keep in mind esp in Neuvillette's case

as long as we don't have the canon confirmation on what is Neuvillette's disability, all hcs are fair game. personally bc I relate to him I hc him with my own disability - arthritis

don't be afraid to portray him using his cane in combat. mobility aids are often used by disabled ppl not only as a support in walking but also in every day things. for example, he could be pushing buttons with it or helping himself while walking the stairs

bend the ableist stereotypes - make him use his cane and be badass with it. esp since he proudly uses it during his burst

canes make ppl more visible. don't fall into ableism and make characters only care abt Neuvillette when they notice him using the cane. if u choose to do so, make Neuvillette remark back, noticing how ppl treat him differently and unfairly

do not make jokes abt his cane. I have already seen ppl make jokes that he's an old man who needs to use the cane. it's disrespectful and unnecessary. don't bring up him being a cane user only when u talk how he's old

canes are very personal. even if others offer help or to hold it, Neuvillette would be against it

on that note DO NOT MAKE OTHERS CHARACTERS TAKE HIS CANE esp if u want to treat this as silly fun or even worse, romantic. Neuvillette's cane is his business and any character taking his cane from him would be extremally disrespectful

Neuvillette might have to take breaks between longer strolls to sit down and regenerate. again, sth that happens to me a lot

tho every character in Genshin has to be quite active, remember to portray Neuvillette to be relaxing too! he can be badass, active and strong and that won't make him any less when he's relaxing. I absolutely suggest u portray how he relaxes after the day and how he takes care of himself. maybe a calming tea or some ice packs - those are definitely great options for chief justice to relax and ease his aches after an eventful day

HERE is another post that focuses on more on experiences of mobility aid users. I find it very relatable and useful, it's a fantastic further read

hope these will be helpful for u! ablebodies please don't derail. other mobility aid users, feel free to add more things to the list <3

[room-surprise]

Hey! Fun question, how do you think an in-canon kabumisu confession would go? People keep portraying mithrun as blunt and straightforward about their relationship, but would he be scared to tell kabru in the chance that he'd say no and leave? Is the desire to just be in a relationship with kabru, or is the desire of not wanting to scare him off greater than that? I'm so starved on the lack of post-canon kabumisu content, they make me go crazy

As usual, I'll try not to go into TOO much detail because then I won't be motivated to write fic about it... and I AM planning to write a post-canon Kabumisu fic anon, so don't worry. I'll get there eventually :3

They make me go crazy too 😔

I think Mithrun's a complicated guy with complicated emotions. Even when he was "empty" in the dungeon he actually showed a lot of feelings - smug satisfaction, annoyance, anger, even a little bit of subtle happiness.

So while I DO think he will still be blunt in general, I also think it's a mistake to assume that means he doesn't feel things and won't have anxieties and insecurities just like any other person.

Mithrun used to be WILDLY insecure, and jealous, and paranoid. He just stopped caring about anything, but if, like the end of the manga suggests, he is going to try to START caring again, he will then start to have feelings, too.

I think Mithrun is intensely aware of his own "undesirability", that's one of the reasons he's BEEN so depressed. Most of his self-worth before the dungeon hinged on being "better" than his brother, and better than other people. Then he looses that (or maybe he was never actually better at all!), so what does he have left? And now his youth is gone too, he's middle-aged and lost his "best years" to depression. He's disabled, he's scarred, he's a bastard that nobody wants.

It's a pretty huge fall from "most eligible bachelor in the empire"!

So I think no, he won't just bluntly tell Kabru that he likes him. It will take Mithrun awhile to realize how he feels, and once he does, he'll be afraid to reach out, so he's going to do what I call "playing silly little elf games". He's going to try and flirt via writing letters and sending gifts, to hint that he likes Kabru.

Luckily for Mithrun, Kabru also knows how to play Silly Little Elf Games (he's an Olympic champion), so he picks up the signals and starts reciprocating, though he's also uncertain and worried that he's misunderstanding. Captain Mithrun couldn't be flirting with him, could he? But... what if he is?

(I will go into Kabru's feelings at a later date anon i promise.)

I think the thing that will ultimately push Mithrun to act is the fear that he'll miss his chance. Mithrun realizes Kabru is a limited time deal that he can only enjoy for the next 60-something years, and he wants every minute of that time for himself, no matter how much it will someday hurt to lose Kabru.

And he also knows that Kabru is very handsome and charming, and he can't expect Kabru to wait for Mithrun to get himself figured out. Someone else will swoop in and snatch that man up, so Mithrun has to hurry.

ALL OF THAT SAID... I think their confession is a lot less of a confession, and much more "we have both been picking up these signals of interest for months/years, and finally one of us pushes it a little bit further than we've ever pushed it before and we acknowledge the unspoken thing that has been growing between us."

Maybe it's a hand resting on someone's leg, or a gentle touch on the arm. Maybe it's leaning in so their shoulders touch. Maybe it's looking into each other's eyes a little bit longer than normal.

Probably it involves both of them admitting "Spending time with you makes me happier than anything else in the world. Whenever we're apart all I think about is when I'm going to see you again. I spend hours composing letters to you in my mind. I want us to spend our days together, no matter what shape that takes."

It's very vulnerable and scary for both of them, and I think they're both DEEPLY relieved after they finally get it out, and they don't get rejected. They know each other so well, and they're so good at reading people - they both thought that the other might feel the same way, but it's so scary to take that leap of faith and hope that they're right.

And just for the record, I think that Kabru worries about if Mithrun will be interested in sex or not, because sex is something that matters to Kabru, but what if Mithrun just doesn't have any desire for it?

And so before they get into a relationship Kabru has a long hard think about it, and decides that even if they never have sex, he wants to be in a romantic relationship with Mithrun anyway, because just being around him makes him feel happy, and understood, and like he isn't alone anymore. There's someone who sees him as he is, all the good and the bad, and says "I love you anyway."

And Kabru decides that he's willing to just jerk off for the rest of his life if that's the price of this relationship that he wants.

Luckily for Kabru, I think Mithrun does want to have sex with him, but I like to think that Kabru thinks through all the possibilities and decides that no matter what they end up doing together, being with Mithrun is worth it.

[transbutchblues]

could you please elaborate on your feelings on the gods' characterization in the wisdom saga? Not forcing you tho!

sure! keep in mind that i love EPIC and that even if i complain about things here, i totally respect the choices that Jorge makes. it’s his musical and i admire all the work put in the songs.

disclaimer : most of the time i try to dissociate EPIC from the Odyssey in my mind, because thinking of EPIC as an adaptation tends to make me upset due to how different it is. but it’s also amazing on its own! there are creative liberties that i deeply love (like having Odysseus know about Scylla but not telling anyone, and changing the context of the mutiny), others that i don’t like that much but that i can get behind, and others that i really dislike. i understand why everything is done the way it’s done, but i still have opinions.

before talking about the Wisdom Saga i’d like to explain how i felt about the gods in the other sagas. as a classics student and a hellenic polytheist i tend to dislike most modern portrayals of the gods, mostly because they’re usually flat and lack nuance. up until this saga, i had never been disappointed by any choice done regarding the gods in EPIC. they were all so interesting.

i loved Zeus in Thunder Bringer. it’s one of my favorite songs, and i found that Zeus was beautifully portrayed. he’s the villain, sure, he offers an awful choice (for the second time), but the situation was created by Odysseus and his men. i loved the lyrics and their double meaning.

this all fell apart in God Games, for me. it just didn’t feel like the same Zeus anymore. and as much as i try to dissociate EPIC from Homer’s epics, i love the Iliad and the Odyssey too much not to point out that Zeus would never be like that. in the Odyssey, Zeus immediately agrees with Athena on the fact that Odysseus must be freed from Calypso’s island. Poseidon is the only god who really wants to stop Odysseus, Zeus doesn’t exactly care about him. he knows Odysseus’ fate and he won’t go against it. besides, Athena is Zeus’ favorite daughter in Homer’s works. he loves her. he doesn’t like it when she defies her, that’s very clear in the Iliad, he even threatens her when she does that, but he loves her dearly and he gives her nearly everything she asks for. he would simply not strike her down like that. and Zeus has no reason to go against his own word. if he sets a challenge, he respects the terms. he’s a fair god, he’s a ruler, he’s all about divine justice. i don’t mind changes, but i dislike these ones.

and Athena… Athena was always the deity i felt the less sure about in EPIC. don’t get me wrong, i love her in the previous songs. but i never knew where exactly her character arc would bring her and i felt uneasy. now i know i was right to feel this way.

there had to be an explanation to the fact that Athena hadn’t helped Odysseus during the years he was imprisoned by Calypso. i understand why in EPIC, this explanation is that Odysseus and Athena fought and fell apart. in fact, i love My Goodbye. i think the way Odysseus is portrayed in the Cyclops Saga makes him way more of an asshole than he is in the Odyssey (and that’s alright by me!), because he’s stupid and hubristic and he refuses to listen to Athena. in the Odyssey, Athena never abandons Odysseus, she helps him during his entire journey. but if he had talked to her like he does in EPIC, she probably would have left him! i find their fight interesting, how cold Athena can be, how betrayed they both feel.

but! here comes the Wisdom Saga. and i love Athena in Little Wolf. i like her in God Games too. maybe even in Love in Paradise. but i can’t get over We’ll Be Fine, it just doesn’t sound right to me. i like Telemachus. but i hate that this is how Athena suddenly decides to go back to Odysseus. "i could sleep at night", really? why would she feel guilty about leaving a hero who refused to listen to her? i enjoyed how cold she was in My Goodbye, it was an interesting choice, and i would have liked for her to remain this way. or to change more slowly. the loneliness aspect could have been great if it had been explored more in depth (which i know wouldn’t have been possible since she doesn’t have enough songs to allow for slow character development). this just felt rushed and strange.

i would have liked for Athena not to reach out until Odysseus does. the moment where he cries out her name at the end of Love in Paradise is heart-wrenching, i love it. that’s when i would have loved for her to suddenly hear him and go back to him, instead of already being there. that would have been a moment where she could have decided to help him despite what he said and did, because she still cares about him and she sees him being so desperate. that could have been a moment where she feels guilty or lonely.

i know it’s done that way so that Telemachus saves Odysseus’ life by giving advice to Athena. it’s fine, it’s a nice idea. i understand why people like it, and i’m glad they do. it just feels off to me.

regarding the other gods: firstly, Calypso is great and i love her! now, on the other ones: i think instead of all this weird Zeus portrayal in God Games, it would have been nice to mention Poseidon. if there had to be a reason for Zeus not to want to release Odysseus, it could have been something to do with his brother. Apollo’s appearance felt unnecessary, his argument was weak, i’m still glad he was there but i didn’t love his portrayal. my opinion for Hephaestus is similar (though i liked his portrayal better, he just felt unnecessary), with another thought: i’m already starting to see more art of him and i really wish people would depict him as disabled, because not everybody does. i liked Aphrodite’s and Ares’ part, and Hera’s was fun. i don’t necessarily like the overall vibes of God Games but that’s just a matter of my music tastes, there are multiple songs in EPIC that i don’t really listen to because of that while still enjoying their role in the storyline.

obviously most people disagree with me, and i’m glad everyone seems to love that saga. some parts were just really not for me, namely, We’ll Be Fine, the beginning of Love in Paradise, and the end of God Games.

[nautilusopus]

okay FIIIIIINE i'll throw my hat into the Goncharov ring

Been a while i've done a proper movie breakdown, may as well be this one.

Rather surprisingly (but perhaps not too surprisingly given the unexpected renaissance of things like the original Dracula and Breaking Bad on this website out of seemingly nowhere and with very little prompting), I'm seeing a lot of new people suddenly interested in Martin Scorsese's seminal film classic Goncharov, originally released in 1973. Obviously a movie like that doesn't make it coming up on 50 years without generating a lot of discussion about the different ways the movie resonates and why, but coming into it in 2022 there's been so much cultural cruft that's collected around Goncharov that (similar to stories like Fight Club and Scarface) it's a little hard to parse what it's actually about with all the mythologising that's gone on around the characters.

Those movies, in one way or another, are about portraying the downfall of their protagonists -- Fight Club's after ironically creating another system of control and dehumanisation and becoming what he sought to destroy, Scarface's after being consumed by the wealth and power he's amassed. A lot of people assume it's that kind of story, because aren't most well-loved movies? However, I think this is ironically an assumption made because of the genre of film it is. All the people that aren't going, "OMG Goncharov is so cool and badass and fucks bitches," are going, "WOW I can't believe Goncharov is a cautionary tale about power corrupting," and in the process people miss that Goncharov is first and foremost about loss, in all its different forms.

I'm both kind of surprised and frustrated people miss this, given how utterly pervasive the movie is with its clock symbolism -- it's the one thing everyone remembers about it, it was in all the tie-ins. I dunno, maybe that got funneled back into the theory where they're meant to reinforce how Goncharov is just a mortal man at the end of the day, which is fine I guess, but the movie overall becomes a lot clearer when you interpret it through the lens of, "These things are gone and you can never get them back; clocks don't go backwards."

One of the most fascinating things about the movie is how every character embodies a different kind of loss. I'm gonna ease into this and start not with Goncharov but with:

Rybak, who is usually associated with loss as we typically think of it, i.e. the loss of loved ones via death. This comes up all the time, either in his trust issues (why he's being such a prick at the wedding), in the card game (he never bothers to bet much money, knowing he's bad at poker, and still loses all the same). Rybak is terrified of loss, cannot manage it, and ultimately is punished by losing what few people he had left and then being spared by Lorenzo who deems him punished enough, and is forced to survive, to grapple with what his life is now without them.

Goncharov's is actually more subtle, and it's loss of small, insignificant things as a result of the larger losses he believes he's processed. This is something that's frequently contrasted against Rybak. The pawn shop going under is actually a microcosm of this whole thing. Goncharov anticipates that this is obviously going to lead to financial issues for him, plans accordingly to deal with this, and... it works! He's saved! Except that means card games can't be hosted at his place anymore, given it's burned to the ground. Does this matter, in the grand scheme of his life? No, of course not. Poker night still gets had all the same. But it is different now, and always will be. Little things like this continue to add up, until something as insignificant as a towel -- a towel that never should have been in his room, but Sofia is no longer there to drop off his laundry and chat with him -- is ultimately the final nail in a coffin built of insignificant splinters, each one an imperceptible change underneath the much more larger, noticeable story beats of things like grief.

Otto is the big obvious one I'm not gonna linger on: loss of his youth, moments in the past that he wants to redo but can't. Most people at least seem to have gotten this one.

(This is also what the clocks get associated with a lot, which again, doesn't NOT make sense but also if it were just for this one character that, while thematically important, was honestly just a side character with limited screentime and only two scenes, would they really be all over the movie before Otto's name is even mentioned?)

Sofia's a bit abstract, and is the loss of self -- of the familiar anchors we have to who we are, what we think our core principles are, our place in society, who we want to be to our loved ones -- and by the time she dies she is rendered utterly unrecognisable to herself, and is horrified by it. She grieves herself the same way Rybak grieves his wife (even gets a direct visual callback via the way her face is lit when she's burning Lorenzo's check). You see echoes of this in Goncharov as well, but while Sofia is grieving the person she used to be, Goncharov is grieving the world around him (even though really, it's the same world it always was -- time keeps ticking on, one second per second, and neither one of them can ever un-fire that gun).

Lorenzo, tragically, gradually loses his freedom (and maybe in a parallel world would actually be the protagonist of a movie where he chokes on his own hubris like everyone seems to think Goncharov is GRUMBLE GRUMBLE). As he comes into his own more and more by his family's legacy, he is afforded fewer and fewer options about what decisions he can even make. Arguably he was doomed from the start, but the further he clings to power as a means to freedom, the more it drives him to destroying everything he ever (thought he) cared about. The tragedy of his character, and what makes him a good villain, is that he can clearly see what he is doing to himself and he absolutely hates it (his walking out early at the wedding is a tacit admission of this), but his absolute refusal to accept loss, to accept grief and pain and all the awful shit that comes with the human condition, is what causes him to toss aside every out he has because if he has enough CONTROL over his situation, surely he will never have to lose anything ever again. But, really, he already has.

I dunno. Goncharov is one of those movies that is great, and everyone seems to realise it's great, but nobody ever really puts into words why, and that's how you get Fight Club fans lmao. And it sucks because the actual discussion around the movie beyond "it's another hubris story but REALLY GOOD guys" is so much more fascinating and a much more earnest emotional truth that just never gets talked about.

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i'm still following first soldier's plot just from these posts but how is young sephiroth portrayed? is he evil or like he was in crisis core or what

Young Sephiroth is depicted as being confused, insecure, and kind of brainwashed from years of conditioning under Shinra. First Soldier provided some interesting aspects and moments for his character, which I'll bullet for you here real quick.

Sephiroth has never been on a real mission before this one. Most of his "accomplishments" so far have been fabricated lies under Shinra for propaganda purposes. Despite him simultaneously being freakishly strong and overpowered thanks to the Jenova cells.

Sephiroth is also apparently incredibly sheltered as he comes across as very socially awkward and kind of shy when he isn't sticking to Shinra's script. It's implied he's barely ever interacted with actual people outside of a controlled setting.

Sephiroth carries a locket of his mother Lucrecia (who he refers to as Jenova) and at this point still believes her to be alive and is looking for her. He apparently asks everyone he meets to see if they know anything about her. He loses this locket offscreen btw and it's bullshit.

Sephiroth is a brainwashed child soldier and often spouts fucked up logic/Shinra propaganda in order to justify his more violent actions. He conveys an extremely paranoid world view that if he doesn't fight, he'll be killed or hurt. This obv speaks to the conditions Shinra put him under during training.

That said, Sephiroth actively dislikes his status as a "hero" and just wants to find his mom and live a normal life. He breaks down crying after killing a bunch of child soldiers his own age and says that he never wanted to be what he is.

Sephiroth occasionally has moments where he acts like an actual little kid, giggling over Glenn's jokes, wanting the group's approval, and often coming off as being kind of timid and overly respectful. He has two modes--hardass leader sticking to a schedule and a literal child trying to push himself too hard because that's all he was ever taught.

Most of the time he's pretty supportive and courteous, if not overly polite. He clearly really wants to impress his team and often apologizes whenever he makes a mistake. He's leader, but he's figuring things out.

Lastly, and strangely most importantly, the stupid Halloween Event of all things confirmed that Hojo has been abusing/torturing Sephiroth for most of his life and is likely the reason why Sephiroth pushes himself so hard.

Currently, Sephiroth's story is still unfinished. The game makes it clear that he's grown very attached to his new team and feels responsible for protecting them from danger. He and main character Glenn have formed a brotherly bond of sorts and Sephiroth willingly goes against Shinra's orders in order to follow his team to rescue another boy his age from danger (Rosen). Rosen and Sephiroth are expected to have an encounter next chapter and it's very strongly implied that Sephiroth will end up killing Rosen as a means of trying to protect his group/some other reason. It's gonna be fucked up and emotional either way.